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PAPERS DELIVERED at SHARP CONFERENCES to DATE (Alphabetically by Author; Includes Meeting Year)
PAPERS DELIVERED AT SHARP CONFERENCES TO DATE (alphabetically by author; includes meeting year) Abel, Jonathan. Cutting, molding, covering: media-sensitive suppression in Japan. 2009 Abel, Trudi Johanna. The end of a genre: postal regulations and the dime novel's demise. 1994 ___________________. When the devil came to Washington: Congress, cheap literature, and the struggle to control reading. 1995 Abreu, Márcia Azevedo. Connected by fiction: the presence of the European novel In Brazil. 2013 Absillis, Kevin. Angele Manteau and the Indonesian connection: a remarkable story of Flemish book trade (1958-1962). 2006 ___________. The biggest scam in Flemish literature? On the question of linguistic gatekeeping In literary publishing. 2009 ___________. Pascale Casanova's The World Republic of Letters and the analysis of centre-periphery relations In literary book publishing. 2008 ___________. The printing press and utopia: why imaginary geographies really matter to book history. 2013 Acheson, Katherine O. The Renaissance author in his text. 1994 Acerra, Eleonora. See Louichon, Brigitte (2015) Acres, William. Objet de vertu: Euler's image and the circulation of genius in print, 1740-60. 2011 ____________. A "religious" model for history: John Strype's Reformation, 1660-1735. 2014 ____________, and David Bellhouse. Illustrating Innovation: mathematical books and their frontispieces, 1650-1750. 2009 Aebel, Ian J. Illustrating America: John Ogilby and the geographies of empire in Restoration England. 2013 Agten, Els. Vernacular Bible translation in the Netherlands in the seventeenth century: the debates between Roman Catholic faction and the Jansenists. 2014 Ahokas, Minna. Book history meets history of concepts: approaches to the books of the Enlightenment in eighteenth-century Finland. -
SH Thesis Upload Copy
The Conspicuous Body: Science and Fashion in Early Modern England Sadie Harrison UCL Volume I Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 2018 DECLARATION I, Sadie Harrison, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signature: Date: 2 Abstract This thesis examines the relationship between science and fashion in the early modern period. It brings together the disciplines of fashion history and the history of science to understand the complicated role that proper appearances played in the signalling of credit in seventeenth and eighteenth-century England and France. In the Renaissance, clothing was an ornament used to display virtue and signal learning, often through textiles and accessories showing natural objects from flowers to sea-monsters. In the seventeenth century, this culture of fashion was challenged when members of the Royal Society were complicit in the introduction of the three- piece suit and a new notion that men should dress in a sober style. The Society was complicit in positioning ornament and fashion in opposition to this sobriety associated with proper masculinity and proper knowledge-making, The thesis argues that this opposition between ‘fashion’ and science became a commonplace in the eighteenth century. Various authors attacked those who engaged in fashionable dress as improper or unreliable thinkers. Many accusations were levelled against women. However, women resisted these changes and asserted their status as knowers of nature. They used textile design to express their natural knowledge. -
Europe and the World 1450-1750 | Oxford Brookes Reading Lists
09/24/21 Europe and the World 1450-1750 | Oxford Brookes Reading Lists Europe and the World 1450-1750 View Online (Semester 1) 582 items Weekly readings - chapters and articles (35 items) Week 1: Introduction (3 items) Background Reading (1 items) Part I Starting Points | Introduction - Beat Kümin Chapter Essential Reading (1 items) The Origins of the Early Modern - Helen Cooper, 2013 Article Further Reading (1 items) The Problem of the "Early Modern" World - Jack A. Goldstone, 1998 Article Week 2: Politics (4 items) Background Reading (2 items) Part VI Politics | The theory and practice of politics and government 1500–1800 - Humfrey Butters Chapter Part VI Politics | The impact of war - Jonathan Davies Chapter Essential Reading (1 items) State Building in Early-Modern Europe: the Case of France - James B. Collins, 1997 Article 1/44 09/24/21 Europe and the World 1450-1750 | Oxford Brookes Reading Lists Further Reading (1 items) The Hinges of History: State-Making and Revolt in Early Modern France - Edgar Kiser, April Linton, 2002 Article Week 3: Economies (2 items) Background Reading (1 items) Part II Society and Economy | The early modern economy - Steve Hindle Chapter Further Reading (1 items) Men in the Marketplace - Evelyn Welch Chapter Week 4: Society & Social Order (3 items) Background Reading (1 items) Part II Society and Economy | Gender and family - Bernard Capp Chapter Essential Reading (1 items) The Problem of Women’s Agency in Late Medieval and Early Modern Europe - Martha Howell Chapter Further Reading (1 items) Did Gender have a Renaissance? Exclusions and Traditions in Early Modern Western Europe - Julie Hardwick Chapter Week 5: Diversity and Marginality (4 items) Background Reading (2 items) Part II Society and Economy | Marginals and deviants - Penny Roberts 2/44 09/24/21 Europe and the World 1450-1750 | Oxford Brookes Reading Lists Chapter Part III Religion | Jews and Muslims - Henry J. -
Contents Published in the Last Bulletin, Was Voted in Unanimously at the AGM Held in London on 11 April
u tin 83 HI For information on advertising, membership and distribution: June Association of The Administrator, 70 Cowcross Street, London EC1M 6EJ; Art Historians Tel: 020 7490 3211; Fax: 020 7490 3277; <[email protected]> 2003 Registered Charity No. 282579 itor: Jannet King, 48 Stafford Road, Brighton BN1 5PF <[email protected]> www.aah.org.uk Chair's report am pleased to devote my Chair's report in this Bulletin to news about the I constitution, a vote of thanks to a number of people and a welcome to some new faces. First, I'm delighted to say that the revised version of our constitution, Contents published in the last Bulletin, was voted in unanimously at the AGM held in London on 11 April. This is a positive development that enables us to continue with our current practices and move forward with an up-to-date constitution that New Faces reflects current Charity legislation and practice. I am grateful to everyone who Universities & Colleges 3 was involved in the long process of revising the constitution and to all the Art History in the States 4 members who came to the AGM and offered their support. AGM Minutes 5 My second item is thanks to a number of people who have worked hard for the Treasurer's Report 6 AAH over the past few months and years. First of all, I am immensely grateful to the organisers of the very successful annual conference this year: the academic Annual Conference 2004 8 organisers, Tag Gronberg and Helen Weston, and the conference administrator, Annual Conference 2003 14 Daphne Saghbini. -
For Al Them That Delight in Cookery”: the Production and Use of Cookery Books in England, 1300–1600
“For al them that delight in Cookery”: The Production and Use of Cookery Books in England, 1300–1600 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sarah Peters Kernan Graduate Program in History The Ohio State University 2016 Dissertation Committee: Daniel Hobbins, PhD, Dissertation Advisor Alison Beach, PhD, Program Advisor Christopher Otter, PhD Copyrighted by Sarah Peters Kernan 2016 ABSTRACT Through an examination of the codicological and bibliographical features of manuscript and print cookbooks produced between 1300 and 1600, I offer a narrative of the early history of English cookeries, their readers, and their producers. The success of the genre was due, in part, to its flexibility. Cookbooks could be used in multiple ways in and out of the kitchen. Furthermore, I examine the shift from manuscript to print through the lens of cookbooks. I argue that an audience for early English printed cookbooks was already in place prior to the introduction of print. The audience for cookeries in England grew steadily over the course of three hundred years, incorporating new readers who spanned class and gender divides. The expanding audience in turn propelled new cookbook production. The transition from script to print provides the backdrop for the genre’s development. First examining late medieval cookbooks as technical literature, I posit that many of these texts were used in contemporary kitchens. Some of the earliest English cookbooks, manuscript rolls, served as aides-mémoires for kitchen staff in great households. Other early manuscript cookbooks were instructional texts, used by cooks in medieval kitchens. -
© Copyright 2012 Lindsay Rose Russell
© Copyright 2012 Lindsay Rose Russell WOMEN IN THE ENGLISH LANGUAGE DICTIONARY Lindsay Rose Russell a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Anis Bawarshi, Co-Chair Colette Moore, Co-Chair Candice Rai Program Authorized to Offer Degree: Department of English University of Washington Abstract Women in the English Language Dictionary Lindsay Rose Russell Chairs of the Supervisory Committee: Professor Anis Bawarshi and Associate Professor Colette Moore Department of English “Women in the English Language Dictionary,” is at once a historical account and rhetorical analysis of how women have been involved in the English dictionary from its bilingual beginnings in the early modern period to its present-day array of instantiations. Departing from well-worn accounts of the English dictionary as a series of more-or-less discrete texts created by more-or-less famous men to constitute a near-neutral record of the entire language, “Women in the English Language Dictionary” conceives, instead, of the English language dictionary as a rhetorical genre, the form, content, audience, exigence, and cultural consequences of which are gendered and gendering. As a focused analysis of the emergence and evolution of a genre, “Women in the English Language Dictionary” finds that women—as an abstract construction and as a social collectivity—were integral for the framing of early dictionaries’ exigencies and for the fashioning of audiences invoked by the genre. Women signal major shifts in the genre’s purposes and participants, shifts heretofore neglected in favor of generic phases delimited by changes in form and content. -
2010 Centre for the Study of the Renaissance Director's Report
Director’s Report for the Advisory Board of 2010 Centre for the Study of the Renaissance University of Warwick 2009-10 has been another fruitful year for Warwick’s Centre for the Study of the Renaissance (henceforth CSR). Highlights have included the start of a new Mellon- funded collaborative programme with the Newberry Library and the successful major grant application to AHRC for a collaborative project with the Warburg Institute on Vernacular Aristotelianism in Early Modern Europe. Recruitment on our taught MA is experiencing an upward curve, and the notable presence of Warwick researchers at the Renaissance Society of America’s Annual Meeting in Venice has ensured the CSR continues to play a key part in the University’s international scholarly profile. 1 TABLE OF CONTENTS TEACHING and POSTGRADUATE TRAINING ACTIVITIES ..........................................4 Centre-based postgraduate teaching...........................................................................4 Skills sessions open to students based elsewhere in the Faculty.................................4 National and international training................................................................................5 RESEARCH ....................................................................................................................6 The John Nichols Project (P.I. Dr Elizabeth Clarke).....................................................6 The Mellon-Newberry collaborative programme (P.I. Ingrid De Smet).........................7 The Mellon-Newberry Collaboration: -
Images of the Courtier in Elizabethan England
IMAGES OF THE COURTIER IN ELIZABETHAN ENGLAND by MARY PARTRIDGE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern History School of Historical Studies The University of Birmingham April 2008 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. This thesis evaluates cultural constructs of the courtier in Elizabethan England. It focuses particularly on Castiglione’s Book of the Courtier. The Courtier is generally recognised as one of the most influential texts in Renaissance Europe. It was originally published in Venice in 1528; the first English translation was produced by Thomas Hoby in 1561. This thesis aims to provide an integrated analysis of Castiglione’s contribution to English political culture throughout the second half of the sixteenth century. It considers the circumstances in which Hoby translated the Courtier, and his motives for doing so. It identifies two distinct models of courtliness delineated by the Urbino interlocutors, and assesses the extent to which these models influenced the self-presentation of leading Elizabethan politicians. The thesis also engages with negative characterisations of the courtier. -
Volume 4, Issue 3, Autumn 2020
The Journal of Dress History Volume 4, Issue 3, Autumn 2020 Front Cover Image: Detail, Tuskegee Airman Edward Gleed, Photographed by Toni Frissell, March 1945, Ramitelli, Italy, © Prints and Photographs Division, The Library of Congress, Washington, DC, United States, LC–F9–02–4503–330–07. Edward Gleed (1916–1990) was photographed by Toni Frissell (1907–1988), an American photographer, known for her fashion photography and war imagery. In this 1945 photograph, Gleed is wearing his uniform and equipment of a Second World War fighter pilot, posing in front of a P–51D Mustang airplane. During the Second World War, Gleed was educated at Tuskegee University (formerly Tuskegee Institute), located near Tuskegee, Alabama; hence, the moniker Tuskegee Airmen, who were the first African–American military aviators and aircrew in the United States Army Air Forces. The Journal of Dress History Volume 4, Issue 3, Autumn 2020 Editor–in–Chief Jennifer Daley Editor Ingrid E. Mida Proofreader Georgina Chappell Editorial Assistant Eanna Morrison Barrs Editorial Assistant Zara Kesterton Editorial Assistant Lynda Xepoleas Published Quarterly By The Association of Dress Historians [email protected] www.dresshistorians.org/journal The Journal of Dress History Volume 4, Issue 3, Autumn 2020 [email protected] www.dresshistorians.org/journal Copyright © 2020 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians (ADH) through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The ADH supports and promotes the study and professional practice of the history of dress, textiles, and accessories of all cultures and regions of the world, from before classical antiquity to the present day. -
Read Keith Thomas' the Wolfson History Prize 1972-2012
THE WOLFSON HISTORY PRIZE 1972-2012 An Informal History Keith Thomas THE WOLFSON HISTORY PRIZE 1972-2012 An Informal History Keith Thomas The Wolfson Foundation, 2012 Published by The Wolfson Foundation 8 Queen Anne Street London W1G 9LD www.wolfson.org.uk Copyright © The Wolfson Foundation, 2012 All rights reserved The Wolfson Foundation is grateful to the National Portrait Gallery for allowing the use of the images from their collection Excerpts from letters of Sir Isaiah Berlin are quoted with the permission of the trustees of the Isaiah Berlin Literary Trust, who own the copyright Printed in Great Britain by The Bartham Group ISBN 978-0-9572348-0-2 This account draws upon the History Prize archives of the Wolfson Foundation, to which I have been given unrestricted access. I have also made use of my own papers and recollections. I am grateful to Paul Ramsbottom and Sarah Newsom for much assistance. The Foundation bears no responsibility for the opinions expressed, which are mine alone. K.T. Lord Wolfson of Marylebone Trustee of the Wolfson Foundation from 1955 and Chairman 1972-2010 © The Wolfson Foundation FOREWORD The year 1972 was a pivotal one for the Wolfson Foundation: my father, Lord Wolfson of Marylebone, became Chairman and the Wolfson History Prize was established. No coincidence there. History was my father’s passion and primary source of intellectual stimulation. History books were his daily companions. Of all the Foundation’s many activities, none gave him greater pleasure than the History Prize. It is an immense sadness that he is not with us to celebrate the fortieth anniversary. -
Oxford-History-Portraiture-By-Shearer
Portraiture Oxford History of Art Shearer West is Professor of Art History at 1890–1940, and the edited books Visions of the the University of Birmingham. Her publica- ‘neue Frau’: Women and the Visual Arts in tions include The Image of the Actor: Verbal and Weimar Germany (with Marsha Meskimmon), Visual Representation in the Age of Garrick and The Bloomsbury Guide to Art, The Victorians Kemble, Fin de Siècle: Art and Society in an Age and Race, and Italian Culture in Northern of Uncertainty, The Visual Arts in Germany Europe in the Eighteenth Century. Oxford History of Art Titles in the Oxford History of Art series are up-to-date, fully illustrated introductions to a wide variety of subjects written by leading experts in their field. They will appear regularly, building into an interlocking and comprehensive series. In the list below, published titles appear in bold. WESTERN ART Modern Architecture Native North American Archaic and Classical Alan Colquhoun Art Greek Art Contemporary Janet Berlo & Ruth Phillips Robin Osborne Architecture Polynesian and Classical Art Anthony Vidler Micronesian Art From Greece to Rome Architecture in the Adrienne Kaeppler Mary Beard & United States South-East Asian Art John Henderson Dell Upton John Guy Imperial Rome and WORLD ART Latin American Art Christian Triumph WESTERN DESIGN Jas Elsner Aegean Art and Architecture Twentieth-Century Design Early Medieval Art Donald Preziosi & Jonathan Woodham Lawrence Nees Louise Hitchcock American Design Medieval Art Early Art and Architecture Jeffrey Meikle Veronica Sekules of Africa Nineteenth-Century Art in Renaissance Italy Peter Garlake Design Evelyn Welch African Art Gillian Naylor Northern European Art John Picton Fashion Susie Nash Contemporary African Art Christopher Breward Early Modern Art Olu Oguibe PHOTOGRAPHY Nigel Llewellyn African-American Art The Photograph Art in Europe 1700–1830 Sharon F. -
From 'Diary of a Wimpy Kid' to 'Diario Di Una Schiappa': a Case Study In
Università degli Studi di Padova Corso di Laurea Magistrale in Lingue Moderne per la Comunicazione e la Cooperazione Internazionale Classe LM-38 Tesi di Laurea From 'Diary of a Wimpy Kid' to 'Diario di una Schiappa': A case study in the translation of children's literature Relatore Laureanda Prof. Maria Teresa Musacchio Matilde Vangelisti n° matr.1105128/ LMLCC Anno Accademico 2015 / 2016 2 TABLE OF CONTENTS Table of contents 3 Introduction 5 Chapter I – Overview on the history of children’s literature in England 9 1.1. The origins of children’s literature 9 1.2. Children’s literature in the Classic World 13 1.3. Children’s literature in the Middle Ages 15 1.4. The Modern Period 19 1.4.1. Children’s literature in the Puritan era 20 1.4.2. The eighteenth century 22 1.5. The 19th century 26 1.6. Children’s literature in contemporary days 32 Chapter II – The role of translation in children’s literature 39 2.1. What is translation? 39 2.2. The status of translation in children’s literature 40 2.3. The act of reading 43 2.4. Transaction and dialogue between readers and texts 46 2.5. The reading child versus the decisive adult 48 2.5.1. The child reader 48 2.5.2. Adults’ authority 49 2.6. The question of equivalence and the status of adaptations 51 2.6.1. Equivalence and situation 51 2.6.2. Adaptations and transformations 53 2.7. The world of pictures in translation 57 3 2.8. The dimension of performance in children’s books 60 Chapter III – The role of translators in children’s literature 63 3.1.