Digital Innovation in Theatre

Digital innovation in theatre ETC International Theatre Conference April 6 – 9 2017 hosted by STAATSTHEATER KARLSRUHE and ZKM | Center for Art and Media DUBRAVKA VRGOČ ETC President General Manager and Artistic Director Croatian National Theatre Zagreb

At the turn of the millennium, amidst the global a challenge to the theatre; a new means that euphoria of various “endisms”, we heard a lot theater will use to respond to the expectations about the end of history, the end of civilization, of its audience and its time. Thus the conference the end of ideology... and often the end of theatre entitled Digital innovation in theatre is a was mentioned, too. Thousands of studies conference that puts theatre in the role of a new were written and hundreds of lectures delivered media researcher that will help theatre not to lose articulating the fear that the art of theatre its contemporaneity, nor its universality. And, would soon disappear and that it would soon be finally, by using new technology in its approach repressed, destroyed or simply “eradicated” by to thinking about the world, isn’t theatre actually the new technology. In the millennium year, new opening a new chapter of its own history? technology was the magic word that towered over the theater as the greatest threat in its thousand- year old history, perhaps the gravest yet since its beginnings.

Today, seventeen years later, in the time of uncertainty as we anticipate changes that have not yet been charted, the only thing we can be certain of is that new technology has done no harm to theater. On the contrary, it seems that theater is willing to employ it in the service of the theatrical language which wants to shape the contours of the new artistic landscape. New technology no longer poses a threat. It is rather PETER SPUHLER PETER WEIBEL General Manager ZKM Chairman and and Artistic Director ETL Advisory Board Member STAATSTHEATER KARLSRUHE

Since its foundation, the history of Karlsruhe has The ZKM | Center for Art and Media Karlsruhe been linked to the history of its theatre. Both are is devoted to a strong alliance of science, stories of creation and innovation. The city has technology and the arts. This triple has changed brought forth the bicycle, the first law to grant full our contemporary culture most drastically. ZKM equality to Jews, the first all girl’s high school, and is the first museum of media equality worldwide, the first email in Germany. The theatre premiered presenting the arts from painting to pixel. In its Brahms’ First Symphony with the BADISCHE many collaborations with artists and scientists STAATSKAPELLE, the full length Les Troyens by ZKM is expanding the visitor’s sensorium Berlioz and, most recently, Wahnfried, an opera and mind to the conditions of the future: from about the anti-Semitism of the Wagner clan. audience participation, both physically and virtually, to immersive environments. Therefore Since 2011 we started many initiatives to open ZKM is a performative museum. the theatre: to the city, to new audiences, to art forms of the 21st century. We founded The discovery of electromagnetic waves by departments for children and youth and for Heinrich Hertz in Karlsruhe between 1886 and participatory performances and we initiated 1888 spurred the manifold inventions of tele- coproductions with over 23 countries worldwide. technology (from telephone to the internet) and This conference and our share in the European thus grounded the system of what we experience Theatre Lab, in collaboration with the ZKM, our as disruptive digital media technology of today. host and partner, are important steps towards our 300th anniversary 2019. May the moving force of that historic moment be vibrant throughout the upcoming days! Warm Welcome to Karlsruhe! welcome to all creative acteurs of the European Theatre Lab!

Digital innovation in theatre 1 DIGITAL INNOVATION IN THEATRE The conference is part of the ETC project European Theatre Lab: Drama goes digital

The international conference Digital innovation in theatre investigates a broad spectrum of current issues related to the digitisation of theatre. Initiated by the European Theatre Convention, the conference features leading digital experts from a variety of cultural sectors. In panel talks, speeches, presentations and workshops, distinguished guests will discuss creative possibilities and share their expertise with theatre makers.

The conference also kicks off the ground-breaking EU-wide project titled European Theatre Lab: Drama goes digital, spareheaded by the European Theatre Convention. As Europe’s first think tank devoted to researching the theatre of the future, the Lab will explore in a series of public events, conferences and festivals how the digital revolution affects aesthetics, audience participation and communication and dissemination in theatre.

A central premise of the European Theatre Lab is that true digital innovation in theatre goes beyond mere buzzwords to instead harness the enormous creative potential theatre offers, especially in their ability to move and reach audiences. With this perspective in mind, the project investigates how theatres can incorporate new technology in their creative works, in their ways of addressing audiences and by using working methods that overcome borders and celebrate diversity. Based on project results, an overarching goal is to develop a digital strategy for theatre in Europe.

2 Digital innovation in theatre DRAMA GOES DIGITAL

EUROPEAN THEATRE LAB

Under the umbrella of the European Theatre Lab, seven European theatres have assembled to develop three creative projects and new forms of co-production: Staatstheater Karlsruhe (Germany), Théâtre de la Manufacture Nancy (France) and Kote Marjanishvili State Drama Theatre Tbilisi (Georgia) are working on a project on surveillance called Stage your city, using augmented reality effects and actively involving the audience. Théâtre de Liège (Belgium) and Teatrul National Craiova (Romania) are working on the project Dub it which combines a technical approach to simplify the surtitling by a vocal recognition system and an artistic production about language diversity. Zagreb National Theatre (Croatia) and Det Norske Teatret Oslo (Norway) will stage two large scale productions of a Norwegian and a Croatian classic using new technology to “Make distance non-existant”. All three projects will be presented in a showcase in June 2018 in Oslo.

An Advisory Board consisting of distinguished experts from the fields of science, technology, media and the performing arts is lending their experience and insights: Dick van Dijk (Creative Director, Waag Society Amsterdam), Marie Le Sourd (Secretary General, On the Move), Simon Mellor (Deputy Chief Executive Director Arts and Culture, Arts Council England), Christian Römer (Representative for Culture and New Media, Heinrich Böll Foundation), Dieter Schneider (Commissioning Editor & Head of Theatre, Pop and Event, ARTE/ZDF), Gerfried Stocker (Artistic Director, Ars Electronica Center Linz), Peter Weibel (Chairmain, ZKM Center for Arts and Media). The Advisory Board members reflect a balance of expertise and, as multipliers, help to expand the ETL network to encompass other sectors. They also ensure that the ETL research is included in a high-level international dialogue with relevant cross-sectoral partners. The results of the two year European Theatre Lab will be published in a digital casebook for the creative community and a recommendation report for policy makers. The project is funded by the Creative Europe program of the European Commission. The virtual lab platform provides information and news about relevant events, debates and current developments. www.europeantheatrelab.org

Digital innovation in theatre 3 PROGRAMME

THURSDAY, 6TH APRIL 2017

Arrivals 10h00 – 13h00 ZKM | Center for Arts ETL team meetings and Media Lorenzstr. 19 14h00 – 17h00 ZKM ETL team and Advisory board meeting

15h00 – 17h00 ZKM ETC board meeting

17h15 Shuttle from ZKM to STAATSTHEATER KARLSRUHE

18h00 MITTLERES FOYER Welcome! Get-together and guided tour through the theatre STAATSTHEATER Peter Spuhler General Manager and Artistic Director KARLSRUHE STAATSTHEATER KARLSRUHE Hermann-Levi-Platz 1 Dubravka Vrgoč ETC President Wolfram Jäger First Deputy Mayor responsible for Cultural Affairs Data Tavadze Tbilisi, Fast Forward Festival 2016 director award winner Performances 19h00 – 20h30 INSEL ROMEO AND JULIET – NEXT GENERATION Karlstr. 41b, Digital version after William Shakespeare taxi shuttle provided Directed by Ulrike Stöck JUNGES STAATSTHEATER, English synopsis 20h00 – 21h45 STUDIO ATTACK ON FREEDOM STAATSTHEATER after Juli Zeh & Ilija Trojanow KARLSRUHE Directed by Patrick Wengenroth WORLD PREMIERE, English surtitles As of 22h00 CANTINA Post-premiere party backstage

FRIDAY, 7TH APRIL 2017

09h30 Bus shuttle from hotel ACHAT Plaza to ZKM PLEASE BRING YOUR SMARTPHONE 10h00 ZKM KUBUS Official opening Jan Linders Deputy General Manager & Head Dramaturg, STAATSTHEATER KARLSRUHE Dubravka Vrgoč ETC President Petra Olschowski Secretary of State, Ministry for Science, Research and the Arts 10h15 ZKM KUBUS Introductory note Peter Weibel ZKM Chairman & ETL Advisory Board Member 10h30 ZKM KUBUS Exploring digital innovation in theatre. A field discovery tour Animated by Dick van Dijk Creative director Waag Society Institute for Arts, Science and Technology 11h00 ZKM KUBUS Keynote speech: Digital innovation in theatre Marcus Romer Associate Artist at Theatre Royal Stratford East & Creative Director of Artsbeacon Ltd.

4 THURSDAY, 6TH APRIL | FRIDAY, 7TH APRIL 11h30 ZKM MUSIKBALKON Coffee break 11h45 ZKM KUBUS Panel talk: Digital innovation in theatre – European provocations Marc Dondey General and Artistic Director Gaîté Lyrique, Paris Siegfried Zielinski Media art Theoretician, Rector of HfG Karlsruhe Kay Voges Theatre Artist, Drama Director Schauspiel Dortmund, video message Simon Mellor Executive Director Arts Council England, London Christian Römer Media and Culture, Heinrich Böll Foundation, Berlin Dieter Schneider ARTE/ZDF, Mainz Moderation Jan Linders Deputy General Manager & Head Dramaturg, STAATSTHEATER KARLSRUHE 13h00 ZKM KUBUS Artistic approaches: Preview With the artists of the afternoon showcase 13h30 ZKM RESTAURANT Networking lunch 14h30 ZKM KUBUS Official Launch of ETC project European Theatre Lab: Drama goes digital With Barbara Gessler Head of Unit Creative Europe, EU Commission DG EAC and Marc Grandmontagne Director German Theatre and Orchestra Association

Virtual platform launch

Creative projects presentations by Théâtre de la Manufacture Nancy, STAATSTHEATER KARLSRUHE, Kote Marjanishvili Drama State Theatre Tbilisi, Théâtre de Liège, Romanian National Theatre Craiova, Det Norske Teatret Oslo, Croatian National Theatre Zagreb

Introducing the strategic partnership ETC & Opera Europa Nicholas Payne Opera Europa, Director Heidi Wiley ETC, General Secretary 16h00 ZKM MUSIKBALKON Coffee break 16h15 ZKM MUSIKBALKON Digital development in theatre: artistic approaches Artist talks & try outs – Showcase of current digital theatre projects & work Anonymous P. / You are out there Christiane Kühl, Chris Kondek, CyberRäuber – The theatre of virtual reality Björn Lengers, Doppelgänger students of the Hochschule für Gestaltung Karlsruhe, class of Prof. Heike Schuppelius, IMPACT Jonathan Thonon – Théâtre de Liège, Lord of the Flies: survival mode Birgit Lengers – Junges DT Berlin, Maptory Bernd Lintermann – ZKM Karlsruhe, Ministry of Counterculture | moc.media Clare Robertson – Belarus Free Theatre, P3M5 Karla Mäder – Schauspielhaus Graz and Goethe Institute Washington, Palpable electronic spaces Chris Ziegler – Arizona State University and ZKM Karlsruhe, PanoramaLab ZKM, Theatre lab in the digital era Michael Eickhoff – Theater Dortmund 18h00 End of conference day 1

18h15 Bus shuttle from ZKM to hotel ACHAT Plaza

Digital innovation in theatre 5 Performances 20h00 – 21h30 STUDIO I HAVE NO REGRETS STAATSTHEATER by Jan-Christoph Gockel, Thomas Halle & Konstantin Küspert KARLSRUHE Directed by Jan-Christoph Gockel English surtitles 20h00 – 22h30 KLEINES HAUS THE CRIPPLE FROM INISHMAAN STAATSTHEATER by Martin McDonagh KARLSRUHE Directed by Nicolai Sykosch English surtitles, intermission 20h00 – 22h45 GROSSES HAUS ADRIANA LECOUVREUR Opera STAATSTHEATER by Francesco Cilea KARLSRUHE Conducted by Johannes Willig, directed by Katharina Thoma English surtitles, intermission From 22h00 CANTINA Get together backstage

SATURDAY, 8 TH APRIL 2017 9h30 Bus shuttle from hotel ACHAT Plaza to ZKM

10h00 – 12h00 ZKM MEDIALOUNGE Platform for professional networking Theatre educators and pedagogues meeting – Exchange of best & worst practices & experiences, hosted by Birgit Lengers, Junges DT Berlin 10h00 ZKM KUBUS ETC General Assembly for ETC members only • Activity report • ENGAGE – ETC 4 year strategy presentation • Vote accounts 2016 • Vote new members (Gesher Theatre Tel Aviv, Staatsschauspiel Dresden) 11h00 ZKM KUBUS ETC Extraordinary General Assembly for ETC members only • Move of ETC legal headquarters from Paris to Berlin 12h00 ZKM MUSIKBALKON Coffee break 12h30 ZKM KUBUS Artistic ETC collaboration projects 2017 and beyond • Introducing: “NADIA” theatre education project, exploring the pedagogical online tool to connect audiences internationally, Martien Langmann & Paulien Geerlings, De Toneelmakerij • Calls for participation 13h15 ZKM RESTAURANT Networking lunch 14h15 ZKM KUBUS ZKM exhibitions, guided tours 15h15 ZKM KUBUS, Parallel work labs on current and future ETC projects VORTRAGSSAAL • Work lab 1: Young Europe III • Work lab 2: European House with theatre director Clemens Bechtel 17h00 ZKM MUSIKBALKON Coffee break 17h30 ZKM KUBUS Report from the work labs 18h00 End of conference day 2

18h15 Bus shuttle from ZKM to hotel ACHAT Plaza

6 SATURDAY, 8 TH APRIL Performances 19h30 – 21h30 GROSSES HAUS LA SYLPHIDE Ballet STAATSTHEATER by August Bournonville KARLSRUHE Choreographed by Peter Schaufuss intermission 19h30 – 21h30 KLEINES HAUS ANTIGONE STAATSTHEATER by Sophokles KARLSRUHE Directed by Anna Bergmann PREMIERE, English surtitles 19h30 – 21h00 STUDIO HOW THE SOLDIER REPAIRS THE GRAMOPHONE STAATSTHEATER Participatory installation based on the novel by Saša Stanišić KARLSRUHE Directed by Beata Anna Schmutz English synopsis From 21h30 MITTLERES FOYER Post-premiere party

SUNDAY, 9 TH APRIL 2017

9h00 – 10h00 Hotel ACHAT Plaza ETC board meeting – debriefing Mendelssohnplatz

Performances 10h30 – 18h00 Michelbach an der DAS THEATER Lücke by Herbordt/Mohren Directed by Bernhard Herbordt & Melanie Mohren Site-specific performance, in German Meeting point: box office hall of STAATSTHEATER KARLSRUHE The 7,5 hour long journey starts and ends there. Bus ride, lunch, cake & coffee included. 11h00 – 13h00 GROSSES HAUS FIFTH SYMPHONIC CONCERT Fauré, Dvorak, Schönberg STAATSTHEATER Conducted by Lothar Koenigs KARLSRUHE BADISCHE STAATSKAPELLE intermission 15h00 – 17h00 STUDIO TRIPPING STONES STAATSTHEATER STAATSTHEATER by Hans-Werner Kroesinger & Regine Dura KARLSRUHE Directed by Hans-Werner Kroesinger English surtitles Invited to the Berlin Theatertreffen 2016

Departures

SUNDAY, 9TH APRIL 7 SPEAKERS AND GUESTS

CLEMENS BECHTEL MARC DONDEY Clemens Bechtel is a freelance Since 2016, Marc Dondey is the drama director, mostly known for artistic director and general his documentary performances. manager of the Théâtre de la Gaîté He directed in Germany, Switzer- Lyrique in Paris. His ambition is land, Austria, Hungary, Romania, to transform the Gaîté Lyrique Denmark, Burundi, Mali and Malawi. He also into an open platform of production for emerging worked for Oper Köln, Theater Freiburg, Staats- artists in the performing, visual and media theater Wiesbaden, Schauspielhaus Graz, Staats- arts. Investigating new technologies, creative schauspiel Dresden, Deutsches Schauspielhaus industries and social innovation are at the heart Hamburg. of the project. www.gaite-lyrique.net

DICK VAN DIJK BARBARA GESSLER Advisory Board member Born in Belgium with German for the European Theatre Lab nationality, she lived and studied in Dick van Dijk is creative director Konstanz, Paris, Buenos Aires and at Waag Society and head of its Bruges. She joined the European Future Heritage Lab. Waag Society Commission in 1994. From mid- is a pioneer in the field of digital media, exploring 2011 until 2016, she ran the Culture Unit at EACEA, emerging technologies and giving end users, which implements the EU’s funding programmes artists and others involved a decisive role in the in these areas. Since 2017 she is responsible for design of meaningful applications. Intuitive and the culture sub-programme at Directorate General curiosity-driven research of artists and designers Education, Youth, Sport and Culture. is essential for this type of innovation. www.waag.org MARC GRANDMONTAGNE Marc Grandmontagne studied MARCUS ROMER Law and Political Science at Marcus Romer is a British theatre the Universities of Saarbrücken director, filmmaker and trained and Tübingen (Germany) and surgeon. His experience across Siena (Italy). After working as an his work and practice has MEP assistant in Brussels, he was head of the evolved with the core being about Executive Office for the “RUHR.2010 – European communication, connection between people to Capital of Culture” project, then programme increase understanding, wellbeing and creative director at the Mercator foundation in Essen, potential. www.marcusromer.com later managing director of the Society for Cultural Policy in Bonn. He serves on the German UNESCO Commission’s Advisory Board on the Diversity of Cultural Expressions. Since 2017 he is the CEO of Deutscher Bühnenverein (German Theatre and Orchestra Association).

8 Speakers and guests CHRIS KONDEK BJÖRN LENGERS Born in Boston, he started his Björn Lengers is co-founder of theatre career as video designer ‘CyberRäuber – The theatre of for the New York based Wooster virtual reality’ and is working Group and for Laurie Anderson. together with Marcel Karnapke in Based in Berlin from 1999, combining theatrical techniques he worked with choreographer Meg Stuart and tradtions with the almost limitless potential and directors Stefan Pucher, Hans-Werner of computer-generated, virtual worlds. Björn Kroesinger, René Pollesch, Michael Nyman, Lengers is a live-long theatre afficionado, data Rimini Protokoll (Situation Rooms), Sebastian analyst and developer, living in Berlin. Baumgarten, Jossi Wieler and Falk Richter. vtheater.net Since 2004 Kondek has developed his own theatre pieces. https://chriskondek.wordpress.com/ BERND LINTERMANN Bernd Lintermann of the Insti- CHRISTIANE KÜHL tute for Visual Media, ZKM, works as artist, scientist and Born in Kiel, she worked as a programmer in the field of real journalist for taz, KulturSPIEGEL, time computer graphics with a radioeins/rbb, and as a freelancer focus on interactive and generative systems. The for Die Zeit, F.A.S., DU, dummy, results of his research are applied in scientific, Spiegel, Theater heute, Theater creative and commercial context. His work spans der Zeit. 2012/2013 deputy artistic director of two decades and includes prints, interactive Berliner Festspiele. 2013–2015 curator of the installations, projection environments and stage theory program of steirischer herbst, Graz. Since performances combining generative imagery and 2004 Christiane Kühl is working as well as author, sound. www.bernd-lintermann.de dramaturg and performer with Chris Kondek. www.christianekuehl.net

KARLA MÄDER

BIRGIT LENGERS Karla Mäder, head dramaturg at Schauspielhaus Graz, grew up in Birgit Lengers studied Theatre, East Berlin. She worked as the Film and Cultural Studies in communications director of the Cologne and Hildesheim. She theatre in Kiel, then as dramaturg worked as dramaturg for German in Lübeck and Berne (Switzerland). Theatre Abroad and, for 12 years, she served on the board of the Dramaturgische Gesellschaft. Since 2009, she is the director of the Junges DT, the youngsters´ stage of the Deutsches Theater Berlin.

Digital innovation in theatre 9 SIMON MELLOR CHRISTIAN RÖMER Advisory Board member Advisory Board member for the European Theatre Lab for the European Theatre Lab Simon Mellor is deputy chief Christian Römer studied Theatre executive director arts & culture Direction at the New York for Arts Council England, where University, and is specialised in he is a member of the Executive Board and has the conception and organisation of festivals and responsibility for national arts and cultural conferences. Since 2011 he is the representative strategy. He was previously General Director of for culture and new media at the Heinrich Böll the Manchester International Festival and the Foundation. Together with nachtkritik.de, he Chief Executive at Lyric Hammersmith. organizes the annual workshop conference www.artscouncil.org.uk Theater und Netz (Theatre meets the Net). www.theaterundnetz.de

NICHOLAS PAYNE DIETER SCHNEIDER Nicholas Payne managed four Advisory Board member different UK opera companies over for the European Theatre Lab 34 years, and in 2003 he became director of Opera Europa, which As gead of department Pop&Event he has established as the leading at ZDF / Arte, Schneider is respon- professional opera association in Europe with a sible for pop-documentaries, con- membership of over 170 opera companies and cert and festival recordings (Online- and TV- festivals from 42 countries. In 2015, it launched Concerts of Hurri-cane, Wacken, Melt!, Splash!) the Opera Platform, an online streaming service and many other musical formats; also jointly for the promotion and enjoyment of opera. responsible for the pop culture emphasized www.opera-europa.org series "Summer of..." and redesigning TRACKS as a cross-medial magazine. Dieter Schneider studied History, Theatre and Film in Bonn and Mainz. He has gained experience as a director's CLARE ROBERTSON assistant for theatres in Bonn and Hamburg and Clare Robertson is general as a freelance filmmaker for ZDF, 3sat and Arte. manager / producer for Belarus Schneider is commissioning editor for ZDF/Arte Free Theatre (UK/Belarus) wor- and since 2012 head of department Theatre, Pop, king out of their office at the Event/Arte at ZDF. Young Vic Theatre in London. She manages the company’s activities in the UK and international touring. Producing credits for BFT include Tomorrow I Was Always a Lion and Burning Doors, invited to Theater der Welt, Hamburg 2017. www.belarusfreetheatre.com

10 Speakers and guests DATA TAVADZE PETER WEIBEL Advisory Board member The most prominent Georgian for the European Theatre Lab director of his generation, Data Tavadze is the artistic director Peter Weibel, chairman and CEO of the Royal District Theatre in of ZKM | Center for Art and Media Tbilisi, Georgia. His play War Karlsruhe and professor of media Mothers won the Talking About Borders Award. theory at the University of Applied Arts Vienna, His production of The women of Troy was invited is considered a central figure in European media to the PREMIÈRES Festival for Young Directors art on account of his various activities as artist, in Karlsruhe, and subsequently to Gdansk and theoretician, and curator. He publishes widely in the Fast Forward Festival in Braunschweig, the intersecting fields of art and science. where he won the Jury prize. For 2018, he is preparing a coproduction with STAATSTHEATER KARLSRUHE, supported by the Goethe-Institut Coproduction Fund. CHRIS ZIEGLER Chris Ziegler is a digital artist and scenographer. He develops digital theatre projects since 1999. JONATHAN THONON As associate artist at ZKM he Jonathan Thonon is European developed for William Forsythe / project manager at Théâtre de Ballett Frankfurt the world renowned digital dance Liège (Belgium), coordinator of publication Improvisation Technologies. At the IMPACT (International Meeting Choreographic Center Amsterdam he produced in Performing Arts and Creative several projects for dance teaching and training Technologies). Before, Jonathan was researcher using digital tools. Currently he is a professor at at the University of Liège (Communication the School of Arts, Media and Engineering of the Department), working on Digital Arts, Cinema and Contemporary Arts and Exhibited Cinema Arizona State University. (Cinéma exposé). In the past years, Jonathan was associated to Vidéographie(s), coordinator of the Vidéographie(s)21 Vidéo Arts and Digital Images SIEGFRIED ZIELINSKI festival (Liège) and production assistant of the Vidéographie(s)21 TV show (RTBF – La Trois). Prof. Siegfried Zielinski is the Rector of the University of Arts and Design Karlsruhe (HfG). He chairs the media theory course KAY VOGES with a focus on archaeology and Since the season 2010/2011, Kay variantology of media at the Institute for time Voges is manager and artistic based media, Berlin University of Arts. He is an director of the Schauspiel Dort- elected member of the Academy of Arts Berlin and mund. He is author and director the Academy of Sciences and Arts in Düsseldorf. for theatre and opera (alongside Dortmund most recently in Hannover, Frankfurt and Stuttgart). Numerous of his works have received awards and festival invitations. His acclaimed production The Borderline Procession. A Loop On What Divides Us by Voges, Dirk Baumann and Alexander Kerlin was invited to the Berlin Theatertreffen 2017.

Digital innovation in theatre 11 ARTISTIC PROJECTS

ANONYMOUS P. / YOU ARE OUT THERE eine als Doppelgänger der anderen | Ebru Erdem: Chris Kondek / Christiane Kühl Kimlik | Miki Feller | Victor van Wetten: LOFTUS Anja Ruschival: curational work, communication, Their first collaborative work was Dead Cat organisation | Bruno Jacoby, Massimiliano Bounce (2004), a stock exchange performance Audretsch: graphic, exhibition design using an internet broker in which the audience decided which stocks to buy and sell. Hier ist der IMPACT: ARTS, SCIENCE AND TECHNO- Apparat (2006) was a performative tour through LOGY AT THE HEART OF THE MEUSE- the history of 20th century media, based on Brecht’s radio play Der Ozeanflug. Anonymous RHINE EUREGION Jonathan Thonon P. (2014) is a hacker performance disguised as a At a time when technology invests all sectors harmless interactive play between members of the of society and where art seems increasingly audience. You are out there (2017) demonstrates concerned with creative technologies and digital that one cannot live without digital avatars any cultures, the Théâtre de Liège (Lead Partner) and more but the effective counter measure to the ever its partners in the Euregio Meuse-Rhin launched growing surveillance is the creation of a multitude IMPACT, aiming to promote the cooperation of avatars. www.doubleluckyproductions.org between the artistic, academic and industrial sectors. The IMPACT (International Meeting CYBERRÄUBER Björn Lengers in Performing Arts and Creative Technologies) project is supported by the INTERREG V-A Euregio The virtual reality set-up of CyberRäuber allows Meuse-Rhine Cooperation Program, Wallonia and a view into current and past projects, showing the Deutschsprachige Gemeinschaft Belgiens. volumetric recordings of actors (‘holograms’) in virtual stage settings and environments that the LORD OF THE FLIES: SURVIVAL MODE ‘visitor’ can walk through, becoming part of the Birgit Lengers scene. Let’s talk about potential and constraints. vtheater.net A production of Junges DT, Berlin: What’s the link between the literary classic Lord of the Flies DOPPELGÄNGER HfG class and Minecraft, the open-world game with 100 million registered players? In Golding’s dystopian We all have a bureaucratic double with name and Robinsonade, a group of schoolboys ends up on passport that allows the state to unambiguously an uninhabited island and is left to its own devices. identify us. Our virtual doubles – selfies, avatars, Soon, rivalry and hunting instinct escalate into a social media profiles – are, on the other hand, life-and-death struggle. In Minecraft the players figures of freedom: in the internet you can be start their discovery tour in a pixel paradise of their whoever you want. Recently these two are united own design. They create new worlds from limited into one single double, which controls us in the resources. But when night falls, monsters appear increasingly digitized physical world. On display and they have to overcome dangers and battles in are works by students of the Hochschule für survival mode. Which rules should apply? What’s Gestaltung Karlsruhe, class Heike Schuppelius. more fun: construction or destruction, civilisation or anarchy? And where are the limits? Mona Altmann, Hanna Scherwinski: MAY THE OBJECT OF OBJECTION BECOME MY REFLEC- KARLSRUHE MAPTORY – A DIGITAL TION | Leia Walz: puppenspiel | Hanna Franke: ENACTMENT IN THE CITY Bernd Lintermann Sein im Schein | Anna Wörl: Entkörperlicht | Veronika Scharbert: Tinchen86 | Klemens Czurda: The app Karlsruhe Maptory leads its users The Brain States | Benjamin Breitkopf: Prolog im through the inner city of Karlsruhe on the trail Konsens | Phillippe Mainz, Lena Loy, Iris Weigel: of important figures in the city’s history. At 35 Das Komplex | Caera O’Neill, Carina Obrecht, locations, stories connected with 35 Karlsruhe Camila Otero, Carla Oberhauser: who am I? // scholars, scientists, and artists are staged and wer bin ich? // ¿quién soy? | Christina Vinke: Die overlap with reality. Via augmented reality (AR)

12 Artist projects technology users experience this on a mobile for case studies on new media dramaturgy. end device. The app was developed for the 300th www.movingimages.de anniversary of the city of Karlsruhe by Bernd Lintermann, Florian Hertweck, Ludger Brümmer, PANORAMALAB Eva Lusch, and Peter Weibel in collaboration with Two interactive film installations. The audiovisual the STAATSTHEATER. maptory.zkm.de material is adapted to be presented in the 360 MINISTRY OF COUNTERCULTURE | degree projection space and is not identical with the original work. MOC.MEDIA Clare Robertson Eavesdrop, 2004, by Jeffrey Shaw, David Pledger Belarus Free Theatre is presenting its digital work to-date, both in live-streaming, which in Ten people are forever doomed to repeat nine 2015 engaged an online audience of over 500,000 minutes of their lives. Exploring terrain that is devices, and its bi-lingual (Russian/English) at once spiritual, moral, ethical, psychological media platform, Ministry of Counterculture | moc. and physical, this ingeniously crafted artwork is media, providing discussions related to human driven by any member of the public who, as the rights and artistic free expression in Belarus and free radical user-director, reveals the secrets internationally. www.belarusfreetheatre.com embedded in the interconnected stories. http://www.icinema.unsw.edu.au/projects/ P3M5 Karla Mäder eavesdrop/project-overview/ Initiated by the Goethe-Institut Washington and There is still time... Brother, 2007, directed by designed as a transatlantic dialogue between Elizabeth LeCompte, developed with Jeffrey Shaw Europe and the United States through theatre, 5 Standing inside the Wooster Group’s first theatres from the US and 11 European theatres interactive, 360-degree war film one is surrounded / authors / countries became part of the project by an exhilaratingly complex narrative space where about the “plurality of privacy in 5-minute-plays”. the action can only be seen and heard through a Each theatre has commissioned an author to write virtual “peephole” window that scans the circle, a short play about: “What does privacy mean to you controlled by a member of the audience capturing in the digital age?” All plays have been translated the action, in which the film’s mercurial host tries to into English and German, been videotaped and are articulate the implications of the unique “narrative free to use until June 2018. Some ETC-members space” while outnumbered British troops battle the are part of the project: Craiova, Graz, Liège, Nova French and grotesquely enlarged children’s toys Gorica. From June 6th – 11th 2017, the annual vie for attention with politically minded bloggers playwright’s festival in Graz will unite all 16 and unsavory YouTube videos. authors and start the transatlantic dialogue about http://www.icinema.unsw.edu.au/projects/ the issue among the authors. there-is-still-time-brother/project-overview/ www.goethe.de/ins/us/en/m/kul/sup/p3m.html THEATRE LAB IN THE DIGITAL ERA PALPABLE ELECTRONIC SPACES: Michael Eickhoff RESEARCH ON NEW MEDIA The Schauspiel Dortmund, lately addressed as Chris Ziegler DRAMATURGY the “theatre lab in the digital era” by the media, is Chris Ziegler is presenting his research on “the focussing the topic of digitalisation. They search intelligent stage” at ZKM Karlsruhe and Arizona for new ways of storytelling in the digital age, for State University. Theatre in its essence is a topics that require the use of digital media. The physical art form. Beyond augmented and digital Schauspiel is collaborating with professionals – video based and projected – scenographic from far away fields, as programmers, stage setups he works on electronic “palpable” mathematicians, etc. The Borderline Procession, spaces for physical interaction in virtual space. He directed by Kay Voges, is invited to the Berlin presents two environments “forest” and “corpus” Theatertreffen 2017.

Digital innovation in theatre 13 ROMEO AND JULIET – ATTACK ON FREEDOM NEXT GENERATION By Juli Zeh and Ilija Trojanow Digital version after William Shakespeare Directed by Patrick Wengenroth Directed by Ulrike Stöck WORLD PREMIERE

19h00 6th April INSEL 20h00 6th April STUDIO Performance in German with English synopsis Performance in German with English surtitles 80 minutes, no intermission 90 minutes, no intermission

The audience is divided on two stands, into two clans Customer Cards, DNA-data farms, biometric passports, that battle each other with the use of their smartphones: CCTV in all public areas: the surveillance and control For the first time, the team of the recently established of our lives by governments and private enterprises children and youth department has produced an has become reality, far beyond of what George Orwell adult classic – with the attempt, to translate the and Aldous Huxley imagined. The digital revolution mythical drama of love made impossible by society that brought us new freedoms to live our lives entails a and family feud into the digital age. Spectators are new dark age of control: All our activities are recorded, encouraged to enter into a dialogue by chatting with evaluated and connected. The fight against terror is their smartphones. The chats can be seen in surtitles. declared as a war and a constant state of emergency is declared, so we accept without protest the step- Ulrike Stöck has adapted and directed the classic in a by-step suspension of civil liberties that former version for everyone 14 and older. She has successfully generations fought for. New technologies make it so directed Tschick, the film adaptationFucking Åmål und easy – both for us who think we have nothing to hide the youth opera Border with the participation of young and for private and public institutions. migrants. Ulrike Stöck has been the founding director of the JUNGES STAATSTHEATER, the department for German best selling authors Juli Zeh and Ilija Trojanow children and young audiences and was part of the ETC want to alarm us with their essay that the sell-out of project Young Europe 2 with the bilingual classroom freedom is in full progress. Berlin based director Patrick play Fragen fragen / La vache et le commissaire with Wengenroth is the newly appointed head of the Brecht the TJP, Strasbourg. Festival in Augsburg and creator of „philosophical books on stage“ shows at the Schaubühne Berlin DIRECTOR Ulrike Stöck SET & COSTUME DESIGN and in Karlsruhe with works by Nietzsche, Sloterdijk, Fred Pommerehn DRAMATURG Agnes Gerstenberg Theweleit etc. He will direct this first staging of the PAEDAGOGUE Virginie Bousquet WITH Katharina book with 5 actors – and some pop songs. Breier, Swana Rode – Constantin Petry, Sebastian Reich, Ralf Wegner DIRECTOR Patrick Wengenroth SET & COSTUME DESIGN Céline Demars MUSIC Matze Kloppe Supported by DRAMATURG Jakob Schumann WITH Marthe Lola Deutschmann, Lisa Schlegel – Michel Brandt, Klaus Cofalka-Adami, Gunnar Schmidt, Johannes Mittl (Musician)

14 Programme I HAVE NO REGRETS THE CRIPPLE A project about Edward Snowden and OF INISHMAAN the NSA by Jan-Christoph Gockel, A comedy play by Martin McDonagh Thomas Halle and Konstantin Küspert Directed by Nicolai Sykosch Directed by Jan-Christoph Gockel WORLD PREMIERE

20h00 7th April STUDIO 20h00 7th April KLEINES HAUS Performance in German with English surtitles Performance in German with English surtitles 80 minutes, no intermission 150 minutes, with intermission

A young man changes the course of world and we In 1934, the people of the West Irish island of don’t know him. Who is Edward Snowden? What kind Inishmaan learn that the Hollywood director Robert of hero or non-hero is he? An actor starts a search Flaherty is coming to the neighbouring island to film for the famous whistle blower: the young American, his documentary Man of Aran. No one is more excited the CIA spy in disguise, the sad knight that fails with than Billy, an unloved and crippled boy whose chief his attempts of protection, the deep sea diver who occupation has been gazing at cows and yearning for disappears, even his girlfriend, the ex pole-dancer. In Helen, a girl who wants no part of him. revealing classified papers of western secret services and their methods, he has divided the world: European For Billy is determined to cross the sea and audition for citizens have praised him as a symbol of emancipation, the Yank. As news of his audacity ripples through his the US is chasing him, and Russia has granted him rumour-starved community, The Cripple of Inishmaan political asylum. becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to Jan-Christoph Gockel studied directing at the its order. „Hochschule für Schauspielkunst Ernst Busch“ in Berlin and started his career at the Schaubühne With this bleak yet uproariously funny play, Martin Berlin. Meanwhile he is renowned for his new take McDonagh became popular on many stages across on classics – e.g. The Seagull in Karlsruhe – and the world while confirming his place in a tradition of devised plays on political topics. For his performance, Irish play writing that extends from Synge to O’Casey, actor Thomas Halle was awarded the prize for best Beckett and Brendan Behan. young actor by the German Academy of Performing Arts. The performance toured abroad to High Fest, DIRECTOR Nicolai Sykosch SET DESIGN Stephan Yerevan, and to Neue Stücke-Festival, Théâtre de la Prattes COSTUME DESIGN Britta Leonhardt MUSIC Manufacture, Nancy, and will be shown during the Sabine Worthmann DRAMATURG Roland Marzinowski „Dramatiker*innenfestival“ at Schauspielhaus Graz. PAEDAGOGUE Verena Lany WITH Sts. Eva Derleder, Marthe Lola Deutschmann, Antonia Mohr, Lisa DIRECTOR Jan-Christoph Gockel SET & COSTUME Schlegel – Jonathan Bruckmeier, Sebastian Reiß, DESIGN Julia Kurzweg MUSIC Matthias Grübel Gunnar Schmidt, Sascha Tuxhorn, Meik van Severen DRAMATURG Konstantin Küspert WITH Thomas Halle – Julia Marquardt, Angela Pfützenreuter

Digital innovation in theatre 15 ADRIANA LECOUVREUR LA SYLPHIDE Opera by Francesco Cilea Ballet by Peter Schaufuss Conducted by Johannes Willig after August Bournonville Directed by Katharina Thoma Music by Hermann S. Lovenskjold, played by BADISCHE STAATSKAPELLE 20h00 7th April GROSSES HAUS Performance in Italian with English surtitles 19h30 8th April STUDIO 165 minutes, with intermission Performance in German with English surtitles 120 minutes, with intermission

Paris is dealing with a mysterious case of death: glamorous theatre star Adriana dies unexpected with This first of the Romantic ballets is set in Scotland, 37 years. Cilea and his librettist Arturo Colautti skilfully a land that was considered remote and exotic at the interweave a story set with the historical reality. Fiction time. In 1832 it was created, for Marie Taglioni to dance and history thus form a densely knit whole elaborately the role of the sylph, by her father. He invented the enriched by the music of Cilea. Adriana Lecouvreur dance on toes and the Tutu dress with it. The version was first performed on 6th November 1902 in Milan. of Peter Schaufuss is based on the 1836 staging of The veristic style of the composer, and the complex the famous founder of the Royal Danish Ballet, August story of love and jealousy make this a masterful, yet Bournonville. With this recreation, Ballet director Birgit very convoluted work. The new production of the Keil has completed her cycle of classical ballets that STAATSTHEATER continues the series of belcanto goes along with new creations of narrative ballets, operas like I Capuleti e i Montecchi and L’élisir most recently das kleine schwarze / the riot of spring d’amore. Katharina Thoma, award winner of the on the love story of Coco Chanel and Igor Stravinsky European opera director prize in 2007, has recently and Anne Frank. directed operas in Glyndebourne, London – Covent Garden – and in Strasbourg. Adriana Lecouvreur MUSIC Herman S. Løvenskjold, bearbeitet von Ole marks her debut in Karlsruhe. Nørlyng MUSICAL DIRECTOR Steven Moore STAGING & CHEOROGRAGHPY Peter Schaufuss after August CONDUCTOR Johannes Willig DIRECTOR Katharina Bournonville PRODUCTION Peter Schaufuss, Luke Thoma SET DESIGN Dirk Becker COSTUME DESIGN Schaufuss STAGE & COSTUME David Walker LIGHT Irina Bartels CHORUS DIRECTOR Ulrich Wagner Steen Bjarke DRAMATURG Boris Kehrmann WITH Sanja Anastasia a. G. / Fredrika Brillembourg a. G., Katherine Broderick Accompanied live by the BADISCHE STAATSKAPELLE / Ks. Barbara Dobrzanska, Ariana Lucas a. G. / Kristina Stanek, Ks. Tiny Peters / Agnieszka Tomaszewska Supported by – Cameron Becker / Nando Zickgraf a. G., Hakan Çiftçioğlu / Yang Xu, Rodrigo Porras Garulo a. G. / James Edgar Knight, Ks. Konstantin Gorny / Avtandil Kaspeli, Seung-Gi Jung / Jaco Venter, Ks. Klaus Schneider

16 Programme ANTIGONE HOW THE SOLDIER A tradegy by Sophokles REPAIRS THE Directed by Anna Bergmann GRAMOPHONE Participatory installation based on the 19h30 8th April KLEINES HAUS novel by Saša Stanišić PREMIERE Performance in German with English surtitles Directed by Beata Anna Schmutz 120 minutes, no intermission 19h30 8th April STUDIO Performance in German with English synopsis The new production of Antigone combines three lines 90 minutes, no intermission of programming: It follows the successful staging of The women of Troy by Euripides in a contemporary translation by young German playwright Konstantin In a city by the river Drina in Bosnia and Herzegovina, Küspert. Starting with Terror, the court room drama people were living in peace next to each other until about a fighter pilot who shot down a civil aviation politics, the war and a demonic, long-lasting hatred plane hijacked by a terrorist to save more lives in ruined the harmony. Aleksandar is searching for the a stadium, the theatre section deals with moral funniest and most insane stories of his city, but when dilemmas and political conflicts: sterben helfen is the war arrives, his family needs to flee. Being abroad, a commissioned play on euthanasia by Konstantin his passion for storytelling becomes a way of survival. Küspert. There has possibly been an incident is a text Saša Stanišić himself had to leave his homeland in the by the British performer and playwright Chris Thorpe. 1990s. At the age of only fourteen, he and his family Attack on freedom is based on a political essay about fled to Heidelberg. His partially autobiographic novel civil liberties and human rights. In Anna Bergmanns has been translated into thirty different languages and staging, Antigone is a family drama where everyone honored with a multitude of awards. is involved in the conflict of law and morale and no one is really dead. With her production, the young After Gewalt and For the First Time, this installation director returns to Karlsruhe where she has directed is the most recent production by the citizen’s stage a highly discussed La Bohème for the opera and department VOLKSTHEATER. Beata Anna Schmutz Chekhov’s Three Sisters told backwards for the theatre has adapted the novel with young people of different department. Most recently she has been working origins. Regarding the challenge posed by the current in Malmö and for the Burgtheater and Theater in der refugee crisis, the STAATSTHEATER is intensively Josefstadt in Vienna. engaged in and working with stories and narratives of refugees and migrants. DIRECTOR Anna Bergmann SET DESIGN Katharina Faltner COSTUME DESIGN Sibylle Wallum MUSIC DIRECTOR Beata Anna Schmutz SET & COSTUME Heiko Schnurpel VIDEO Sebastian Pircher CHORUS DESIGN Barbara Lenartz VIDEO Karolina Serafin Young People from Karlsruhe | in cooperation with MUSIC Friedrich Byusa Blam AUTOBIOGRAPHIC Werkraumtheater CHORUS DIRECTOR Jannek Petri TEXTS Lea Langenfelder DRAMATURG Judith Heese DRAMATURG Judith Heese PAEDAGOGUE Verena Lany PRODUCTION MANAGER & PAEDAGOGUE Julia Waibel WITH Ute Baggeröhr, Florentine Krafft, Antonia Mohr – WITH Ibadete Kadrijaj, Aynur Mammadova – Drilon Jonathan Bruckmeier, Sven Daniel Bühler, Luis Quintana, Azemi, Damir Hadžimehmedović, Hasan Halilović, Alaa Sascha Tuxhorn, Meik van Severen, André Wagner Hudaifa, Maximilian Zschiesche

Digital innovation in theatre 17 DAS THEATER FIFTH SYMPHONIC A site specific performance, prologue to CONCERT the residency project Das Repertoire A concert by Gabriel Fauré, Antonin Directed by Bernhard Herbordt and Dvořák, Arnold Schönberg Melanie Mohren Directed by Lothar Koenigs with the BADISCHE STAATSKAPELLE 10h30 6th April meeting point BOXOFFICE HALL Performance in German 11h00 9th April GROSSES HAUS 7 hours 30 minutes, including breaks, lunch & coffee 120 minutes, with intermission

A whole village is being staged! Be invited into a Gabriel Fauré Orchestersuite performative landscape in Michelbach an der Lücke, from Pelléas et Mélisande op. 80 taking you on an excursion of theatre installations, a The suite is derived from stage music written by Gabriel performance of the Michelbach-Sinfonietta, lunch, Fauré for a staging in London of Maurice Maeterlinck’s a cake-sculpture and a joint coffee break. The artist play of the same name. He was the first of four leading duo Herbordt/Mohren are collaborating with the composers to write music inspired by the symbolist STAATSTHEATER over the course of two years within a drama. Debussy, Schoenberg and Sibelius followed in residency which puts focus on researching new forms the first decade of the 20th century. of encounter the future of theatre as an institution of artistic production. Antonín Dvořák Violin Concerto in A minor op. 53 The only violin concert by Czech composer Antonín WITH artistic contributions from Gabriela Oberkofler, Dvořák was premiered in Prague in 1883. It is Gordon Kampe, Michael Kleine, Michl Schmidt i.a. considered as one of the major works of his “Slavic PERFORMANCE Judica Albrecht, Armin Wieser period”. CONCEPT, ARTISTIC DIRECTION Melanie Mohren, Bernhard Herbordt ROOM Leonie Mohr, Hannes Arnold Schönberg Pelleas und Melisande op. 5 Hartmann VIDEO René Liebert PARTICIPATION The symphonic poem was completed in February 1903. Laura Oppenhäuser ASSISTANCE Angelika Pelipez It was unsuccessfully premiered on 25 January 1905 TECHNICAL DIRECTION Norman Thörel MEDIA WORK at the Musikverein in Vienna under the composer’s Bernhard Siebert, Susanne Bettels GRAPHIC DESIGN direction. The subject was suggested to Schönberg by Demian Bern EDITING Viola van Beek Richard Strauss. www.die-institution.org Janos Ecseghy Violin Sponsored by “Fonds Doppelpass” of the Federal Lothar Koenigs Conductor Cultural Foundation BADISCHE STAATSKAPELLE

18 Programme TRIPPING STONES STAATSTHEATER Documentary theatre by Hans-Werner Kroesinger Directed by Hans-Werner Kroesinger

15h00 9th April STUDIO Performance in German with English surtitles 120 minutes, no intermission

A close look at STAATSTHEATER KARLSRUHE during the months around Adolf Hitler’s seizure of power – and on societies influenced by populism and art controlled by politics in general. The production title refers to an art project by Gunter Demnig which “commemorates the victims of national socialism, keeping alive the memory”. The Tripping Stones are cobblestone-sized and carry the name and biographical facts of the person it commemorates. Usually they are placed right in front of the last self-chosen home of the victim. However, there are two tripping stones in front Tripping Stones Staatstheater is selected as one of of the building of STAATSTHEATER KARLSRUHE: one the 10 most remarkable productions of the year 2016: in memory of actor Paul Gemmecke and the other for Invited to the Berlin Theatertreffen, May 2016 opera soubrette Lilly Jankelowitz, called Jank. Both were part of the theatre’s company in 1933 and lost Invited to Schauspielhaus Düsseldorf, April 2016 their jobs due to “racial reasons” – Jank was Jewish Invited to the Deutsche Woche of the Gdánski Teatr and Gemmecke was married to a Jewish woman. Later, Szekspirowski, October 2016 Jank died in a concentration camp and Gemmecke, Invited to Pfalzbau Bühnen Ludwigshafen, banned from the stage, took his own life. November 2016 Invited to Theatre Archa, Prague, November 2016 Created as a counterpoint to the celebrations of Invited to Munich Kammerspiele, März 2017 Karlsruhe’s 300 years’ anniversary in 2015, Tripping Invited to the FDR-FEST, Romanian National Theatre, Stones focuses on the destinies of four employees Temeswar, May 2017 during the less liberal years of a city founded on the Invited to Tallinn, May 2017 base of freedom of religion, profession and trade. Invited to Beijing, Juli 2017 Invited to Tbilisi, September 2017 DIRECTOR Hans-Werner Kroesinger SET DESIGN, Invited to Riga and Vilnius, Fall 2017 COSTUMES & VIDEO Rob Moonen MUSIC Daniel Invited to Nancy, November 2017 Dorsch SCRIPT Regine Dura DRAMATURG Annalena Invited to Gorki Herbstsalon, Berlin, November 2017 Schott, Jan Linders WITH Marthe Lola Deutschmann, Antonia Mohr – Jonathan Bruckmeier, Gunnar Schmidt Available for further touring.

Digital innovation in theatre 19 THE EUROPEAN THEATRE NADIA ENGAGE CONVENTION ETC´S INTERNATIONAL THEATRE EUROPEAN EMPOWERING T ODAY´S THE EUROPEAN THEATRE EDUCATION PROJECT FOR THEATRE LAB AUDIENCES THR OUGH NETWORK YOUNG AUDIENCES DRAMA GOES DIGITAL CHALLENGING T HEATRE

THE EUROPEAN THEATRE CONVENTION

Founded in 1988, ETC promotes European theatre as a vital social platform for dialogue, democracy and interaction that responds to, reflects and engages with today’s diverse audiences and changing societies. ETC fosters a socially-engaged, inclusive notion of theatre that brings Europe’s social, linguistic and cultural heritage to audiences and communities everywhere. As the largest network of public theatres in Europe, it has more than forty European theatre members from over twenty countries, reflecting the diversity of Europe’s vibrant cultural sector.

The ETC is one of the first initiatives in Europe to connect theatres for transnational collaboration. Since its creation, it has developed into a prominent, experienced network comprising a great amount of members and activities throughout Europe. ETC represents the publicly funded theatre sector. All members are producing theatres or producing theatre festivals with a focus on drama – with a contemporary interpretation of both classic texts and new dramatic forms. Its members reflect the diverse European landscape of the public theatre systems.

ETC’s mission is intertwined with the role of theatre to promote the valuable experiences it offers its audiences, as a meeting place, but also for being a high quality artistic reflection of socio-political and economic affairs of life. In ETC, we nourish theatre’s capacities via exchange and open dialogue about the individual, art and society, to offer citizens a cohesive and integrative cultural program encouraging to act democratically and reasonably in a pluralistic community.

As new challenges arise due to changing dynamics of cultural politics embedded in global developments, ETC will continue to strive further in order to strategically develop its areas of activities in the coming years.

20 Digital innovation in theatre FOCUS UKRAINE EUROPEAN ENGAGE THEATRE IS DIALOGUE – PERFORMANCE AND EMPOWERING T ODAY´S DIALOGUE OF CULTURES: STAFF EXCHANGE THEATRE AUDIENCES THR OUGH EUROPEAN NETWORK WITH FOR ETC THEATRE MAKERS ACADEMY AVIGNON CHALLENGING T HEATRE EASTERN EUROPEAN THEATRES & GUEST PERFORMANCES FOR INTERNATIONAL PRODUCERS

THE ETC NETWORK

Albania > Teatri Kombetar (Tirana) | Austria > Landestheater Linz (Linz), Schauspielhaus Graz (Graz) | Belgium > Théâtre de Liège (Liège) | Bosnia and Herzegovina > International Theater Festival MESS (Sarajevo), Kamerni Teatar 55 (Sarajevo) | Croatia > Hrvatsko Narodno Kazaliste u Zagrebu (Zagreb) | Finland > Helsingin Kaupunginteatteri (Helsinki) | France > Théâtre de la Manufacture, CDN Nancy-Lorraine (Nancy) | Germany > Deutsches Theater (Berlin), Theater an der Parkaue (Berlin), Staatstheater Braunschweig (Braunschweig), Theater Dortmund (Dortmund), Theater und Orchester Heidelberg (Heidelberg), Badisches Staatstheater Karlsruhe (Karlsruhe), Schauspiel Leipzig (Leipzig), Hessisches Staatstheater Wiesbaden (Wiesbaden) | Georgia > Kote Marjanishvili State Drama Theatre (Tbilisi) | Hungary > Pesti Magyar Színház (Budapest) | Italy > Fondazione del Teatro Stabile di Torino (Torino), Fondazione Teatro Due (Parma), Teatro Koreja (Lecce), Teatro Stabile di Genova (Genova) | Luxembourg > Théâtre d’Esch (Esch-sur-Alzette), Les Théâtres de la Ville de Luxembourg – Le Grande Théâtre de Luxembourg (Luxembourg) | Macedonia > Makedonski Naroden Teatar (Skopje) | Norway > Det Norske Teatret (Oslo) | Romania > Teatrul National Marin Sorescu (Craiova), Teatrul National Timisoara (Timisoara), Centrul Cultural Jean Bart (Tulcea) | Serbia > Narodno pozorište u Beogradu (Belgrade) | Slovakia > Slovenské Narodné Divadlo (Bratislava) | Slovenia > Slovensko Narodno Gledališče Drama Ljubljana (Ljubljana), Slovensko Narodno Gledališče Nova Gorica (Nova Gorica) | The Netherlands > De Toneelmakerij (Amsterdam) | Turkey > Devlet Tiyatrolari Genel Müdürlügü (Ankara) | Ukraine > Kiїvskiy Akademichniy Molodiy Teatr (Kiev), Center of Contemporary Art DAKH (Kiev) | United Kingdom > Belarus Free Theatre (London) March 2017

Digital innovation in theatre 21 STAATSTHEATER KARLSRUHE

Founded in 1719 as the ducal court theatre, the STAATSTHEATER KARLSRUHE encompasses six departments: OPERA and CONCERT REPERTOIRE with the BADISCHE STAATSKAPELLE, one of the oldest orchestras in the world, ballet performances by the STAATSBALLETT, drama theatre by the SCHAUSPIEL, the JUNGE STAATSTHEATER, the department for children and youth, and the VOLKSTHEATER as the participatory department. Its reputation draws 330.000 spectators per season from both sides of the Rhine, from the Southern Palatinate and from France.

The 900+ performances per season are produced in the repertory system, with about 30 new productions per year on four stages: The GROSSES HAUS with 1000 seats and a revolving stage with 3 rings, the KLEINES HAUS with 320 seats and an extremely wide opening of 22 meters, the black box STUDIO and the INSEL, both with 130 seats.

The STAATSTHEATER has 750 permanently employed artists, technicians, administration and other staff, which makes it one of the biggest multi branch theatres in the world. Coproductions and performance exchanges connect the STAATSTHEATER with over 23 partner theatres around the globe. The annual INTERNATIONAL HANDEL FESTIVAL, held every February, has nationwide appeal. All departments were honored with prizes and festival invitations: In 2012 the STAATSTHEATER has been awarded the title of best opera house and best concert programme in Germany. In 2015 Bruna Andrade received the “Faust”, the German theatre prize as best dancer. 2016, the documentary play Stolpersteine Staatstheater was selected as one of the 10 most remarkable productions in the German speaking theatre and invited to the Berlin Theatertreffen. The STAATSTHEATER is a member of the ETC and of Opera Europa. With the ETC, it has participated in the programs Young Europe 2, The Art of Ageing, and, ongoing, the European Theatre Lab.

22 Digital innovation in theatre CONFERENCE CONTACTS

EUROPEAN THEATRE CONVENTION STAATSTHEATER KARLSRUHE

Heidi Wiley Peter Spuhler ETC General Secretary General Manager and Artistic Director +49 173 423 1662 +49 721 3557-213 [email protected] [email protected]

Monica Zarna Jan Linders ETC Project & Network Coordinator Deputy General Manager and Head Dramaturg +49 152 248 49 059 +49 173 204 3691 [email protected] [email protected]

Maren Dey Eric Nikodym Project Coordinator Artistic Production Manager European Theatre Lab +49 151 240 65 975 +49 173 318 3148 [email protected] [email protected] Ola Stankiewicz Anaïs Levieil Deputy Artistic Production Manager ETC Communication & Project Assistant +49 174 166 9561 +49 176 664 26 443 [email protected] [email protected] Christiane Hein Head of Marketing & Communications Follow us on Twitter +49 173 686 5458 @EuropTheatreLab | #eudigitaltheatre [email protected]

Digital innovation in theatre 23 ADDRESSES

Schloss

Blankenburg Kriegsstraße

Kriegsstraße Straße Rüpurrer

Hermann- Levi- Karlstraße Platz 1 Plaza ACHAT INSEL 49b Gartenstraße Gartenstraße Stop STAATSTHEATER Rüppurrer Tor KARLSRUHE Stage door Hermann- Billing- Baumeisterstraße Straße

Brauerstraße

Karlstraße

ZKM

Stop Lorenz- ZKM straße 19 Straße Ettlinger Tram Wolfartsweier - Auer Str. - Tullastr. - Kronenplatz - Tivoli - Hbf Vorplatz - 2 Line 2 ZKM - Mathystr. - Europaplatz - Yorckstr. - Städt. Klinikum - Siemensallee Montag - Freitag VERKEHRSHINWEIS D Wolfartsweier Nord 0.00 0.26 4.51 5.11 5.31 19.01 19.20 23.40 Durlach Zündhütle 0.01 0.27 4.52 5.12 5.32 19.02 19.21 23.41 Ebertstraße Rüppurrer- Steiermärker Straße Str. 0.02 0.28 4.53 5.13 5.33 19.03 19.22 23.42 - Schlesier Str. (West) 0.03 0.29 4.54 5.14 5.34 19.04 19.23 23.43 Hauptbahnhof - Ostmarkstraße 0.04 0.30 4.55 5.15 5.35 19.05 19.24 23.44 - Ellmendinger Str. 0.05 0.31 4.56 5.16 5.36 19.06 19.25 23.45 - Killisfeldstraße 0.06 0.32 4.57 5.17 5.37 19.07 19.26 23.46 - Gritznerstraße 0.07 0.33 4.58 5.18 5.38 19.08 19.27 23.47 - Auer Straße/Dr.Willmar Schwabe R 0.09 0.34 5.00 5.20 5.40 19.10 19.29 23.49 Karlsruhe Untermühlstraße 0.10 0.35 5.01 5.21 5.41 19.11 19.30 23.50 - Weinweg 0.12 0.37 5.03 5.23 5.43 19.13 19.32 23.52 - Tullastraße / Verkehrsbetriebe 0.13 0.38 4.44 5.04 5.24 5.34 5.44 19.14 19.33 23.53 - Gottesauer Platz / BGV 0.14 0.39 4.45 5.05 5.25 5.35 5.45 19.15 19.34 23.54 - Durlacher Tor / KIT-Campus Süd 0.17 0.42 4.48 5.08 5.28 5.38 5.48 19.18 19.37 23.57 - Kronenplatz (Fritz-Erler-Str.) 0.19 0.44 4.50 5.10 5.30 5.40 5.50 19.20 19.39 23.59 VENUES HOTELS - Rüppurrer Tor 0.21 0.46 4.52 5.12 5.32 5.42 5.52 19.22 19.41 0.01 - Werderstraße 0.23 0.48 4.54 5.14 5.34 5.44 5.54 19.24 19.43 0.03 - Tivoli 0.24 0.49 4.08 4.55 5.15 5.35 5.45 5.55 19.25 19.44 0.04 - Poststraße 0.26 0.51 4.10 4.57 5.17 5.37 5.47 5.57 19.27 19.46 0.06 - Hbf Bahnhofsvorplatz R 0.27 0.52 4.58 5.18 5.38 5.48 5.58 19.28 19.47 0.07 an 4.11 alle alle - Hbf Bahnhofsvorplatz R ab 0.29 0.54 4.12 5.00 5.20 5.40 5.50 6.00 19.30 19.49 0.09 0.30 0.55 5.01 5.21 5.41 5.51 6.0110 19.31 19.5020 0.10 - Ebertstraße 4.13 Min. Min. - Barbarossaplatz 0.31 0.56 4.14 5.02 5.22 5.42 5.52 6.02 19.32 19.51 0.11 - Welfenstraße 0.32 0.57 4.15 5.03 5.23 5.43 5.53 6.03 19.33 19.52 0.12 ZKM | Zentrum für Kunst und Medien ACHAT Plaza Karlsruhe- ZKM 0.33 0.58 4.16 5.05 5.25 5.45 5.55 6.05 19.35 19.53 0.13 - Arbeitsagentur 0.34 0.59 4.17 5.06 5.26 5.46 5.56 6.06 19.36 19.54 0.14 - Otto-Sachs-Straße 0.36 1.01 4.19 5.08 5.28 5.48 5.58 6.08 19.38 19.56 0.16 Lorenzstraße 19 Mendelssohnplatz - Mathystraße 0.37 1.02 4.20 5.09 5.29 5.49 5.59 6.09 19.39 19.57 0.17 - Karlstor 0.38 1.03 4.21 5.10 5.30 5.50 6.00 6.10 19.40 19.58 0.18 76135 Karlsruhe 76131 Karlsruhe - Europapl./PostGalerie (Karl) 0.40 1.05 4.23 5.12 5.32 5.52 6.02 6.12 19.42 20.00 0.20 - Herrenstraße 4.25 - Marktplatz 4.27 +49 721 8100-0 +49 721 3717-0 - Europaplatz (Kaiserstraße) 0.41 1.06 5.13 5.33 5.53 6.03 6.13 19.43 20.01 0.21 - Mühlburger Tor (Kaiserallee) 0.44 1.09 4.36 4.56 5.16 5.36 5.56 6.06 6.16 19.46 20.04 0.24 - Yorckstraße 0.46 1.11 4.38 4.58 5.18 5.38 5.58 6.08 6.18 19.48 20.06 0.26 [email protected] [email protected] Städt. Klinikum / Moltkestraße 0.48 1.13 4.40 5.00 5.20 5.40 6.00 6.10 6.20 19.50 20.08 0.28 - Kußmaulstraße 0.49 1.14 4.41 5.01 5.21 5.41 6.01 6.11 6.21 19.51 20.09 0.29 - Hertzstraße 0.50 1.15 4.43 5.03 5.23 5.43 6.03 6.13 6.23 19.53 20.10 0.30 - Feierabendweg 0.51 1.16 4.44 5.04 5.24 5.44 6.04 6.14 6.24 19.54 20.11 0.31 - Neureuter Straße 0.52 1.17 4.45 5.05 5.25 5.45 6.05 6.15 6.25 19.55 20.12 0.32 Knielingen Siemensallee 0.53 1.18 4.46 5.06 5.26 5.46 6.06 6.16 6.26 19.56 20.13 0.33 STAATSTHEATER KARLSRUHE Hotel Blankenburg - Lassallestraße 0.54 1.19 4.47 5.07 5.27 5.47 6.07 6.17 6.27 19.57 20.14 0.34 Hermann-Levi-Platz 1 Kriegsstraße 90 Samstag VERKEHRSHINWEIS D D D D D D D Wolfartsweier Nord 0.00 0.26 6.20 9.40 9.51 18.01 18.20 23.40 76137 Karlsruhe 76133 Karlsruhe Durlach Zündhütle 0.01 0.27 6.21 9.41 9.52 18.02 18.21 23.41 - Steiermärker Str. 0.02 0.28 6.22 9.42 9.53 18.03 18.22 23.42 - Schlesier Str. (West) 0.03 0.29 6.23 9.43 9.54 18.04 18.23 23.43 +49 721 3557-0 +49 721 932 690 - Ostmarkstraße 0.04 0.30 6.24 9.44 9.55 18.05 18.24 23.44 - Ellmendinger Str. 0.05 0.31 6.25 9.45 9.56 18.06 18.25 23.45 [email protected] [email protected] Killisfeldstraße 0.06 0.32 6.26 9.46 9.57 18.07 18.26 23.46 - Gritznerstraße 0.07 0.33 6.27 9.47 9.58 18.08 18.27 23.47 - Auer Straße/Dr.Willmar Schwabe R 0.09 0.34 6.29 9.49 10.00 18.10 18.29 23.49 Karlsruhe Untermühlstraße 0.10 0.35 6.30 9.50 10.01 18.11 18.30 23.50 - Weinweg 0.12 0.37 6.32 9.52 10.03 18.13 18.32 23.52 - Tullastraße / Verkehrsbetriebe 0.13 0.38 6.33 9.53 10.04 18.14 18.33 23.53 INSEL – JUNGES STAATSTHEATER - Gottesauer Platz / BGV 0.14 0.39 6.34 9.54 10.05 18.15 18.34 23.54 - Durlacher Tor / KIT-Campus Süd 0.17 0.42 6.37 9.57 10.08 18.18 18.37 23.57 - Kronenplatz (Fritz-Erler-Str.) 0.19 0.44 6.39 9.59 10.10 18.20 18.39 23.59 Karlstraße 49b - Rüppurrer Tor 0.21 0.46 6.41 10.01 10.12 18.22 18.41 0.01 - Werderstraße 0.23 0.48 6.43 10.03 10.14 18.24 18.43 0.03 - Tivoli 0.24 0.49 1.08 2.08 3.08 4.08 5.08 5.38 6.08 6.44 10.04 10.15 18.25 18.44 0.04 76133 Karlsruhe - Poststraße 0.26 0.51 1.10 2.10 3.10 4.10 5.10 5.40 6.10 6.46 10.06 10.17 18.27 18.46 0.06 - Hbf Bahnhofsvorplatz R an 0.27 0.52 1.11 2.11 3.11 4.11 5.11 5.41 6.11 6.47 10.07 10.18 18.28 18.47 0.07 alle alle alle R 0.29 0.54 6.49 10.09 10.20 18.30 18.49 0.09 +49 721 72580912 - Hbf Bahnhofsvorplatz ab 1.12 2.12 3.12 4.12 5.12 5.42 6.12 10 20 0.30 0.55 1.13 2.13 3.13 4.13 5.13 5.43 6.13 6.5020 10.10 10.21 18.31 18.50 0.10 - Ebertstraße Min. Min. Min. - Barbarossaplatz 0.31 0.56 1.14 2.14 3.14 4.14 5.14 5.44 6.14 6.51 10.11 10.22 18.32 18.51 0.11 - Welfenstraße 0.32 0.57 1.15 2.15 3.15 4.15 5.15 5.45 6.15 6.52 10.12 10.23 18.33 18.52 0.12 - ZKM 0.33 0.58 1.16 2.16 3.16 4.16 5.16 5.46 6.16 6.53 10.13 10.25 18.35 18.53 0.13 - Arbeitsagentur 0.34 0.59 1.17 2.17 3.17 4.17 5.17 5.47 6.17 6.54 10.14 10.26 18.36 18.54 0.14 - Otto-Sachs-Straße 0.36 1.01 1.19 2.19 3.19 4.19 5.19 5.49 6.19 6.56 10.16 10.28 18.38 18.56 0.16 - Mathystraße 0.37 1.02 1.20 2.20 3.20 4.20 5.20 5.50 6.20 6.57 10.17 10.29 18.39 18.57 0.17 - Karlstor 0.38 1.03 1.21 2.21 3.21 4.21 5.21 5.51 6.21 6.58 10.18 10.30 18.40 18.58 0.18 24 - Europapl./PostGalerie (Karl) 0.40 1.05 1.23 2.23 3.23 4.23 5.23 5.53 6.23 7.00 10.20 10.32 18.42 19.00 0.20 - Herrenstraße 1.25 2.25 3.25 4.25 5.25 5.55 6.25 - Marktplatz 1.27 2.27 3.27 4.27 5.27 5.57 6.27 - Europaplatz (Kaiserstraße) 0.41 1.06 7.01 10.21 10.33 18.43 19.01 0.21 - Mühlburger Tor (Kaiserallee) 0.44 1.09 7.04 10.24 10.36 18.46 19.04 0.24 - Yorckstraße 0.46 1.11 7.06 10.26 10.38 18.48 19.06 0.26 - Städt. Klinikum / Moltkestraße 0.48 1.13 7.08 10.28 10.40 18.50 19.08 0.28 - Kußmaulstraße 0.49 1.14 7.09 10.29 10.41 18.51 19.09 0.29 - Hertzstraße 0.50 1.15 7.10 10.30 10.43 18.53 19.10 0.30 - Feierabendweg 0.51 1.16 7.11 10.31 10.44 18.54 19.11 0.31 - Neureuter Straße 0.52 1.17 7.12 10.32 10.45 18.55 19.12 0.32 Knielingen Siemensallee 0.53 1.18 7.13 10.33 10.46 18.56 19.13 0.33 - Lassallestraße 0.54 1.19 7.14 10.34 10.47 18.57 19.14 0.34 D = Nightliner; weiter als NL1 Richtung Durlach Im Nachtverkehr an der Haltestelle Marktplatz Umsteigemöglichkeit zwischen allen Nachtlinien.

Erstellt: 22.03.2017 13:57:39 / 21-2-B-1.j17 PARTNERS WIFI

The European Theatre Lab: Drama Goes Digital project has In KUBUS | Network: ETC-CTE | Password: visitor04 been developed with the support of the Creative Europe Schloss programme of the European Union. In ZKM | THEATRE FOYER | THEATRE CANTINA Network: KA-WLAN | No password needed

Blankenburg Kriegsstraße

Kriegsstraße Straße Rüpurrer

Hermann- Levi- The conference welcomes holders of the Heinrich-Böll- Karlstraße Foundation scholarships. Platz 1 Plaza ACHAT INSEL 49b Gartenstraße The project is associated Gartenstraße Stop STAATSTHEATER to the IMPACT project. KARLSRUHE Rüppurrer Tor Stage door IMPRINT European Theatre Convention, ETC Executive Office Hermann- Thank you for the support. Billing- Baumeisterstraße c/o Deutsches Theater Straße Schumannstr. 13A, 10117 Berlin, Germany The ETC warmly thanks the staff members of the ZKM, the Contact +49 30 284 41 460, [email protected],

Brauerstraße

Karlstraße HfG, and the STAATSTHEATER KARLSRUHE for their support ZKM www.etc-cte.org in organizing the conference and general assembly. Editors Monica Zarna, Eric Nikodym, Jan Linders Photo Credits DRAMA Iko Freese, Felix Grünschloß, Sarah Jonker, Ella Josephine, Jochen Klenk, Bertrand Langlois/AFP, Rob Moonen, Roman Shalamov, Teatro Koreja, Stop Falk von Traubenberg, Chris Ziegler Lorenz- ZKM Layout Kristina Schwarz Print medialogik GmbH straße 19 Straße Ettlinger Tram Wolfartsweier - Auer Str. - Tullastr. - Kronenplatz - Tivoli - Hbf Vorplatz - 2 Line 2 ZKM - Mathystr. - Europaplatz - Yorckstr. - Städt. Klinikum - Siemensallee Montag - Freitag VERKEHRSHINWEIS D Wolfartsweier Nord 0.00 0.26 4.51 5.11 5.31 19.01 19.20 23.40 Durlach Zündhütle 0.01 0.27 4.52 5.12 5.32 19.02 19.21 23.41 Ebertstraße Rüppurrer- Steiermärker Straße Str. 0.02 0.28 4.53 5.13 5.33 19.03 19.22 23.42 - Schlesier Str. (West) 0.03 0.29 4.54 5.14 5.34 19.04 19.23 23.43 Hauptbahnhof - Ostmarkstraße 0.04 0.30 4.55 5.15 5.35 19.05 19.24 23.44 - Ellmendinger Str. 0.05 0.31 4.56 5.16 5.36 19.06 19.25 23.45 - Killisfeldstraße 0.06 0.32 4.57 5.17 5.37 19.07 19.26 23.46 - Gritznerstraße 0.07 0.33 4.58 5.18 5.38 19.08 19.27 23.47 - Auer Straße/Dr.Willmar Schwabe R 0.09 0.34 5.00 5.20 5.40 19.10 19.29 23.49 Karlsruhe Untermühlstraße 0.10 0.35 5.01 5.21 5.41 19.11 19.30 23.50 - Weinweg 0.12 0.37 5.03 5.23 5.43 19.13 19.32 23.52 - Tullastraße / Verkehrsbetriebe 0.13 0.38 4.44 5.04 5.24 5.34 5.44 19.14 19.33 23.53 - Gottesauer Platz / BGV 0.14 0.39 4.45 5.05 5.25 5.35 5.45 19.15 19.34 23.54 - Durlacher Tor / KIT-Campus Süd 0.17 0.42 4.48 5.08 5.28 5.38 5.48 19.18 19.37 23.57 - Kronenplatz (Fritz-Erler-Str.) 0.19 0.44 4.50 5.10 5.30 5.40 5.50 19.20 19.39 23.59 - Rüppurrer Tor 0.21 0.46 4.52 5.12 5.32 5.42 5.52 19.22 19.41 0.01 - Werderstraße 0.23 0.48 4.54 5.14 5.34 5.44 5.54 19.24 19.43 0.03 - Tivoli 0.24 0.49 4.08 4.55 5.15 5.35 5.45 5.55 19.25 19.44 0.04 - Poststraße 0.26 0.51 4.10 4.57 5.17 5.37 5.47 5.57 19.27 19.46 0.06 - Hbf Bahnhofsvorplatz R 0.27 0.52 4.58 5.18 5.38 5.48 5.58 19.28 19.47 0.07 an 4.11 alle alle - Hbf Bahnhofsvorplatz R ab 0.29 0.54 4.12 5.00 5.20 5.40 5.50 6.00 19.30 19.49 0.09 0.30 0.55 5.01 5.21 5.41 5.51 6.0110 19.31 19.5020 0.10 - Ebertstraße 4.13 Min. Min. - Barbarossaplatz 0.31 0.56 4.14 5.02 5.22 5.42 5.52 6.02 19.32 19.51 0.11 - Welfenstraße 0.32 0.57 4.15 5.03 5.23 5.43 5.53 6.03 19.33 19.52 0.12 - ZKM 0.33 0.58 4.16 5.05 5.25 5.45 5.55 6.05 19.35 19.53 0.13 - Arbeitsagentur 0.34 0.59 4.17 5.06 5.26 5.46 5.56 6.06 19.36 19.54 0.14 - Otto-Sachs-Straße 0.36 1.01 4.19 5.08 5.28 5.48 5.58 6.08 19.38 19.56 0.16 - Mathystraße 0.37 1.02 4.20 5.09 5.29 5.49 5.59 6.09 19.39 19.57 0.17 - Karlstor 0.38 1.03 4.21 5.10 5.30 5.50 6.00 6.10 19.40 19.58 0.18 - Europapl./PostGalerie (Karl) 0.40 1.05 4.23 5.12 5.32 5.52 6.02 6.12 19.42 20.00 0.20 - Herrenstraße 4.25 - Marktplatz 4.27 - Europaplatz (Kaiserstraße) 0.41 1.06 5.13 5.33 5.53 6.03 6.13 19.43 20.01 0.21 - Mühlburger Tor (Kaiserallee) 0.44 1.09 4.36 4.56 5.16 5.36 5.56 6.06 6.16 19.46 20.04 0.24 - Yorckstraße 0.46 1.11 4.38 4.58 5.18 5.38 5.58 6.08 6.18 19.48 20.06 0.26 - Städt. Klinikum / Moltkestraße 0.48 1.13 4.40 5.00 5.20 5.40 6.00 6.10 6.20 19.50 20.08 0.28 - Kußmaulstraße 0.49 1.14 4.41 5.01 5.21 5.41 6.01 6.11 6.21 19.51 20.09 0.29 - Hertzstraße 0.50 1.15 4.43 5.03 5.23 5.43 6.03 6.13 6.23 19.53 20.10 0.30 - Feierabendweg 0.51 1.16 4.44 5.04 5.24 5.44 6.04 6.14 6.24 19.54 20.11 0.31 - Neureuter Straße 0.52 1.17 4.45 5.05 5.25 5.45 6.05 6.15 6.25 19.55 20.12 0.32 Knielingen Siemensallee 0.53 1.18 4.46 5.06 5.26 5.46 6.06 6.16 6.26 19.56 20.13 0.33 - Lassallestraße 0.54 1.19 4.47 5.07 5.27 5.47 6.07 6.17 6.27 19.57 20.14 0.34 Samstag VERKEHRSHINWEIS D D D D D D D Wolfartsweier Nord 0.00 0.26 6.20 9.40 9.51 18.01 18.20 23.40 Durlach Zündhütle 0.01 0.27 6.21 9.41 9.52 18.02 18.21 23.41 - Steiermärker Str. 0.02 0.28 6.22 9.42 9.53 18.03 18.22 23.42 - Schlesier Str. (West) 0.03 0.29 6.23 9.43 9.54 18.04 18.23 23.43 - Ostmarkstraße 0.04 0.30 6.24 9.44 9.55 18.05 18.24 23.44 - Ellmendinger Str. 0.05 0.31 6.25 9.45 9.56 18.06 18.25 23.45 - Killisfeldstraße 0.06 0.32 6.26 9.46 9.57 18.07 18.26 23.46 - Gritznerstraße 0.07 0.33 6.27 9.47 9.58 18.08 18.27 23.47 - Auer Straße/Dr.Willmar Schwabe R 0.09 0.34 6.29 9.49 10.00 18.10 18.29 23.49 Karlsruhe Untermühlstraße 0.10 0.35 6.30 9.50 10.01 18.11 18.30 23.50 - Weinweg 0.12 0.37 6.32 9.52 10.03 18.13 18.32 23.52 - Tullastraße / Verkehrsbetriebe 0.13 0.38 6.33 9.53 10.04 18.14 18.33 23.53 - Gottesauer Platz / BGV 0.14 0.39 6.34 9.54 10.05 18.15 18.34 23.54 - Durlacher Tor / KIT-Campus Süd 0.17 0.42 6.37 9.57 10.08 18.18 18.37 23.57 - Kronenplatz (Fritz-Erler-Str.) 0.19 0.44 6.39 9.59 10.10 18.20 18.39 23.59 - Rüppurrer Tor 0.21 0.46 6.41 10.01 10.12 18.22 18.41 0.01 - Werderstraße 0.23 0.48 6.43 10.03 10.14 18.24 18.43 0.03 - Tivoli 0.24 0.49 1.08 2.08 3.08 4.08 5.08 5.38 6.08 6.44 10.04 10.15 18.25 18.44 0.04 - Poststraße 0.26 0.51 1.10 2.10 3.10 4.10 5.10 5.40 6.10 6.46 10.06 10.17 18.27 18.46 0.06 - Hbf Bahnhofsvorplatz R an 0.27 0.52 1.11 2.11 3.11 4.11 5.11 5.41 6.11 6.47 10.07 10.18 18.28 18.47 0.07 alle alle alle R 0.29 0.54 6.49 10.09 10.20 18.30 18.49 0.09 - Hbf Bahnhofsvorplatz ab 1.12 2.12 3.12 4.12 5.12 5.42 6.12 10 20 0.30 0.55 1.13 2.13 3.13 4.13 5.13 5.43 6.13 6.5020 10.10 10.21 18.31 18.50 0.10 - Ebertstraße Min. Min. Min. - Barbarossaplatz 0.31 0.56 1.14 2.14 3.14 4.14 5.14 5.44 6.14 6.51 10.11 10.22 18.32 18.51 0.11 - Welfenstraße 0.32 0.57 1.15 2.15 3.15 4.15 5.15 5.45 6.15 6.52 10.12 10.23 18.33 18.52 0.12 - ZKM 0.33 0.58 1.16 2.16 3.16 4.16 5.16 5.46 6.16 6.53 10.13 10.25 18.35 18.53 0.13 - Arbeitsagentur 0.34 0.59 1.17 2.17 3.17 4.17 5.17 5.47 6.17 6.54 10.14 10.26 18.36 18.54 0.14 - Otto-Sachs-Straße 0.36 1.01 1.19 2.19 3.19 4.19 5.19 5.49 6.19 6.56 10.16 10.28 18.38 18.56 0.16 - Mathystraße 0.37 1.02 1.20 2.20 3.20 4.20 5.20 5.50 6.20 6.57 10.17 10.29 18.39 18.57 0.17 - Karlstor 0.38 1.03 1.21 2.21 3.21 4.21 5.21 5.51 6.21 6.58 10.18 10.30 18.40 18.58 0.18 - Europapl./PostGalerie (Karl) 0.40 1.05 1.23 2.23 3.23 4.23 5.23 5.53 6.23 7.00 10.20 10.32 18.42 19.00 0.20 - Herrenstraße 1.25 2.25 3.25 4.25 5.25 5.55 6.25 - Marktplatz 1.27 2.27 3.27 4.27 5.27 5.57 6.27 - Europaplatz (Kaiserstraße) 0.41 1.06 7.01 10.21 10.33 18.43 19.01 0.21 - Mühlburger Tor (Kaiserallee) 0.44 1.09 7.04 10.24 10.36 18.46 19.04 0.24 - Yorckstraße 0.46 1.11 7.06 10.26 10.38 18.48 19.06 0.26 - Städt. Klinikum / Moltkestraße 0.48 1.13 7.08 10.28 10.40 18.50 19.08 0.28 - Kußmaulstraße 0.49 1.14 7.09 10.29 10.41 18.51 19.09 0.29 - Hertzstraße 0.50 1.15 7.10 10.30 10.43 18.53 19.10 0.30 - Feierabendweg 0.51 1.16 7.11 10.31 10.44 18.54 19.11 0.31 - Neureuter Straße 0.52 1.17 7.12 10.32 10.45 18.55 19.12 0.32 Knielingen Siemensallee 0.53 1.18 7.13 10.33 10.46 18.56 19.13 0.33 - Lassallestraße 0.54 1.19 7.14 10.34 10.47 18.57 19.14 0.34 D = Nightliner; weiter als NL1 Richtung Durlach Im Nachtverkehr an der Haltestelle Marktplatz Umsteigemöglichkeit zwischen allen Nachtlinien.

Erstellt: 22.03.2017 13:57:39 / 21-2-B-1.j17 We look forward to seeing you at the next ETC International Theatre Conference and General Assembly 26 – 29 October 2017 hosted by Kote Marjanishvili State Drama Theatre, Tbilisi, Georgia

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