The Concept of Child Before Progressive Education
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Towards a Poetics of Becoming: Samuel Taylor Coleridge's and John Keats's Aesthetics Between Idealism and Deconstruction
Towards a Poetics of Becoming: Samuel Taylor Coleridge’s and John Keats’s Aesthetics Between Idealism and Deconstruction Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV (Sprach- und Literaturwissenschaften) der Universität Regensburg eingereicht von Charles NGIEWIH TEKE Alfons-Auer-Str. 4 93053 Regensburg Februar 2004 Erstgutachter: Prof. Dr. Rainer EMIG Zweitgutachter: Prof. Dr. Dieter A. BERGER 1 TABLE OF CONTENTS PAGE DEDICATION .............................................................................................................. I ACKNOWLEDGMENTS ........................................................................................... II ABSTRACT ............................................................................................................... VI English........................................................................................................................ VI German...................................................................................................................... VII French...................................................................................................................... VIII INTRODUCTION Aims of the Study......................................................................................................... 1 On the Relationship Between S. T. Coleridge and J. Keats.......................................... 5 Certain Critical Terms................................................................................................ -
Making Amusement the Vehicle of Instruction’: Key Developments in the Nursery Reading Market 1783-1900
1 ‘Making amusement the vehicle of instruction’: Key Developments in the Nursery Reading Market 1783-1900 PhD Thesis submitted by Lesley Jane Delaney UCL Department of English Literature and Language 2012 SIGNED DECLARATION 2 I, Lesley Jane Delaney confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ––––––––––––––––––––––––––––––––––––––– ABSTRACT 3 ABSTRACT During the course of the nineteenth century children’s early reading experience was radically transformed; late eighteenth-century children were expected to cut their teeth on morally improving texts, while Victorian children learned to read more playfully through colourful picturebooks. This thesis explores the reasons for this paradigm change through a study of the key developments in children’s publishing from 1783 to 1900. Successively examining an amateur author, a commercial publisher, an innovative editor, and a brilliant illustrator with a strong interest in progressive theories of education, the thesis is alive to the multiplicity of influences on children’s reading over the century. Chapter One outlines the scope of the study. Chapter Two focuses on Ellenor Fenn’s graded dialogues, Cobwebs to catch flies (1783), initially marketed as part of a reading scheme, which remained in print for more than 120 years. Fenn’s highly original method of teaching reading through real stories, with its emphasis on simple words, large type, and high-quality pictures, laid the foundations for modern nursery books. Chapter Three examines John Harris, who issued a ground- breaking series of colour-illustrated rhyming stories and educational books in the 1810s, marketed as ‘Harris’s Cabinet of Amusement and Instruction’. -
Anna Seward and the Poetics of Sensibility and Control Andrew O
Criticism Volume 58 | Issue 2 Article 9 2016 Anna Seward and the Poetics of Sensibility and Control Andrew O. Winckles Adrian College, [email protected] Follow this and additional works at: http://digitalcommons.wayne.edu/criticism Recommended Citation Winckles, Andrew O. (2016) "Anna Seward and the Poetics of Sensibility and Control," Criticism: Vol. 58 : Iss. 2 , Article 9. Available at: http://digitalcommons.wayne.edu/criticism/vol58/iss2/9 ANNA SEWARD At the 2011 meeting of the North American Society for the Study AND THE POETICS of Romanticism, Anne K. Mellor OF SENSIBILITY reflected on how the field has AND CONTROL changed since her foundational Andrew O. Winckles 1993 study Romanticism and Gender. She commented that, though women writers such as Anna Seward and the End of the Mary Wollstonecraft, Jane Austen, Eighteenth Century by Claudia and Mary Shelley have cemented Thomas Kairoff. Baltimore, MD: themselves as legitimate objects Johns Hopkins University Press, of study, this has largely been at 2012. Pp. 328. $58 cloth. the expense of a broader under- standing of how women writers were working during the period. In addition to the Big Six male Romantics, we have in many cases simply added the Big Three female Romantics.1 Though this has begun to change in the last ten years, with important studies appearing about women like Anna Letitia Barbauld, Mary Robinson, Joanna Baillie, and Hannah More, we still know shockingly little about women writers’ lives, cultural con- texts, and works. A case in point is Anna Seward, a poet and critic well known and respected in her own lifetime, but whose critical neglect in the nineteenth and twentieth centu- ries has largely shaped how recent critics interact with her work. -
Education and Abolition in Late Eighteenth-Century Britain
Persons and Potential: Education and Abolition in Late Eighteenth-Century Britain By Charlotte Gill Thesis Submitted to the Faculty of the Department of History of Vanderbilt University In partial fulfillment of the requirements For Honors in History April 2016 On the basis of this thesis defended by the candidate on ______________________________ we, the undersigned, recommend that the candidate be awarded_______________________ in History. __________________________________ Director of Honors – Samira Sheikh ___________________________________ Faculty Adviser – James Epstein ___________________________________ Third Reader – Catherine Molineux Persons and Potential: Education and Abolition in Late Eighteenth-Century Britain By Charlotte Gill Table of Contents Introduction ...................................................................................................................................... 1 Education in the Antislavery Age ...................................................................................................... 12 Educating the Poor in the “Age of Benevolence” …………………………………………………………………………….. 13 Education and Morality among the Bastions of Abolition ………………………………………………………………… 15 Personhood and the Potential for Education …………………………………………………………………………………… 18 Teachings and Tales for the Home .................................................................................................... 32 Education and the Family ……………………………………………………………………………………………………………….. 37 Education and the Fictional Tale as Tool …………………………………………………………………………………………. -
Jeanne Marie Le Prince De Beaumont (1711-1780): Biographical Essay for Chawton House Library and Women Writers
Jeanne Marie Le Prince de Beaumont (1711-1780): Biographical Essay for Chawton House Library and Women Writers By Peggy Schaller Jeanne Marie Le Prince de Beaumont created works of fiction and non-fiction, authored essays and epistolary novels,1 and published what many now consider the first educational journals for children. A French author who resided in England from 1748 to 1763, Beaumont2 is primarily recognized today for the children‟s tales she popularized in those journals written during her fifteen years as governess, pedagogue, and author in London. Her version of “Beauty and the Beast,” part of her famous Magasin des Enfants (Young Misses Magazine 1756), is described by Joan Hinde Stewart as “without doubt the best-known work of fiction published by any woman in the eighteenth century” (Gynographs 26). Her influence on such British educators as Lady Charlotte Finch, royal governess to the children of George III, and Sarah Trimmer, the turn-of-the-century author, publisher, and educator, has been well documented by Enlightenment scholars and modern day historians alike. In addition, the Young Misses Magazine bears a resemblance to Sarah Fielding‟s The Governess (1749) for its dialogue format between young girls and their governess. Unfortunately, attention to the magazines also often obscures her other work and so improperly pigeonholes her in the category of pedagogue, even though much of her writing broached a broad expanse of contemporary socio- political issues. In fact, Beaumont surpassed even her contemporary French women authors Emilie du Châtelet and Françoise de Graffigny in public influence, although modern day critics have made their names more recognizable to contemporary readers. -
The Perfect Wife”
“THE PERFECT WIFE” BY RACHAEL CARNES ESTIMATED RUNNING TIME — 90 MINUTES CAST — SIX PERFORMERS Rachael Carnes, member: Dramatists Guild, National New Play Network, Playwrights Center, AWP 1050 W 17th Ave, Eugene OR 97402, 541-221-5792 www.rachaelcarnes.com [email protected] © 2017, All Rights Reserved. SUMMARY As revolution between England and its American colonies simmers, candy-colored Georgian society pits the woeful, starving masses against the excessive powers of the rich elite. One bright young man, Sir Thomas Day, rebuffed at every turn from would- be wives, despite his fortune, grows frustrated, and hatches a plan to steal an orphan, and raise her to be the Perfect Wife. Based on real events, this work of historical fiction opens in the Shrewsbury Foundling Hospital, with Day on the hunt. CHARACTERS Thomas Day A tall, dark-haired, pock-marked man of 21, disheveled, with stringy, matted long hair, dirty fingernails and drab, misshapen and fraying, but expensive, clothes. Sabrina (Anne) An “orphaned” girl, 12 years old, red-haired, freckled, dressed in a rough-hewn smock and no shoes. DUAL ROLES (MAN) Richard Etheridge A wealthy Irish inventor of useless mechanicals and Day’s foppish friend, a few years his elder, powdered and be- wigged, spritely as a grasshopper, he dresses in the au courante dandy Georgian men’s style — trussed in a corset, with fat, padded calves and a stuffed chest. Ferry Master Middle-aged, muscular, he wears a threadbare, high-cut sailor’s uniform, heavy black fisherman’s shoes and a wide, flat black hat over a dusty white bonnet. -
The Romantic Poetry Handbook
The Romantic Poetry Handbook This comprehensive survey of British Romantic poetry explores the work of six poets whose names are most closely associated with the Romantic era – Wordsworth, Coleridge, Blake, Keats, Byron, and Shelley – as well as works by other significant but less widely studied poets such as Leigh Hunt, Charlotte Smith, Felicia Hemans, and Letitia Elizabeth Landon. Along with its exceptional coverage, the volume is alert to relevant contexts, and opens up ways of understanding Romantic poetry. The Romantic Poetry Handbook encompasses the entire breadth of the Romantic Movement, from Anna Laetitia Barbauld to Thomas Lovell Beddoes and John Clare. In its central section ‘Readings’ it explores tensions, change, and continuity within the Romantic Movement, and examines a wide range of individual poems and poets through sensitive, attentive, and accessible analyses. In addition, the authors provide a full introduction, a detailed historical and cultural timeline, biographies of the poets whose works are featured, and a helpful guide to further reading. The Romantic Poetry Handbook is an ideal text for undergraduate and postgraduate students of British Romantic poetry. It will also appeal to those with a general interest in poetry and Romantic literature. Michael O’Neill, is Professor of English at Durham University, UK. He has published widely on many aspects of Romantic literature, especially the work of Percy Bysshe Shelley, Victorian poetry, and an array of British, Irish, and American twentieth- and twenty-first-century poets. His most recent book is, as editor, John Keats in Context (2017). He has also published three volumes of poetry. Madeleine Callaghan, is Lecturer in Romantic Literature at the University of Sheffield, UK. -
367 Brentford High Street: Mrs Trimmer's School Room
367 Brentford High Street: Mrs Trimmer’s School Room Prepared by Val Bott and James Wisdom, on behalf of the Brentford and Chiswick Local History Society, October 2015. Summary. This building may be the only surviving purpose-built Georgian School of Industry in the UK. It was built in 1806, probably with accommodation for the school mistress, and the design of the building is significant in its own right. Its historic value also lies in its links with Sarah Trimmer. Mrs Trimmer started Sunday Schools in Brentford in 1786 and Schools of Industry in 1787, long before she had a building. Established teachers took “divisions” of children, either on Sundays for religious instruction and education, or during the week for work and education. The George Chapel was also used. The Girls’ School of Industry was financially successful and by 1806 Mrs Trimmer was able to build the schoolroom which brought all these Girls’ divisions together under one teacher. It was also used as a Sunday School. The Boys’ School of Industry, however, was less successful. Two of Mrs Trimmer’s daughters continued her work after her death in 1810. This inscription on the High Street facade of the Old School room commemorates the year in which Sunday Schools and Schools of Industry for poor children in Brentford were established and advertises the mechanisms for funding them. Origins The venture was inspired by the first such Sunday School established in Gloucester by Robert Raikes in 1780 and published in his newspaper in 1783. Raikes visited Brentford in 1787, was highly satisfied with what he saw and presented the children with Bibles1. -
Essays in Defence of the Female Sex
Essays in Defence of the Female Sex Essays in Defence of the Female Sex: Custom, Education and Authority in Seventeenth-Century England By Manuela D’Amore and Michèle Lardy Essays in Defence of the Female Sex: Custom, Education and Authority in Seventeenth-Century England, By Manuela D’Amore and Michèle Lardy This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Manuela D’Amore and Michèle Lardy All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4248-6, ISBN (13): 978-1-4438-4248-8 To our daughters Maria Elena and Maëva TABLE OF CONTENTS Foreword .................................................................................................... ix Paula Backscheider Preface..................................................................................................... xvii Manuela D’Amore Acknowledgements .................................................................................. xxi List of Abbreviations..............................................................................xxiii A Note on Editorial Policy ...................................................................... xxv Part I: From -
The Adventurous History of Sabrina Sidney
CONSTRUCTING THE EIGHTEENTH-CENTURY WOMAN: THE ADVENTUROUS HISTORY OF SABRINA SIDNEY By KATHARINE ILES A thesis submitted to the University of Birmingham For the degree of DOCTOR OF PHILOSOPHY School of History and Cultures College of Arts and Law University of Birmingham April 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The story of Thomas Day’s attempt to educate a young girl according to the theories of Jean-Jacques Rousseau, with the aim of marrying her, has often been referred to as a footnote in Enlightenment history. However, the girl chosen by Day, Sabrina Sidney, has never been placed at the centre of any historical enquiry, nor has the experiment been explored in any depth. This study places Sabrina at its centre to investigate its impact on her and to examine the intellectual and societal debates that informed Thomas Day’s decision to educate a wife. This thesis argues that Sabrina Sidney was in a constant state of construction, which changed depending on a myriad of factors and that constructions of her were fluid and flexible. -
Richard Lovell Edgeworth a Selection from His Memoirs Edited by Beatrix L
1 RICHARD LOVELL EDGEWORTH A SELECTION FROM HIS MEMOIRS EDITED BY BEATRIX L. TOLLEMACHE (HON. MRS. LIONEL TOLLEMACHE) RIVINGTON, PERCIVAL & CO. KING STREET, COVENT GARDEN LONDON 1896 LIFE IS AN INN THERE is an inn where many a guest May enter, tarry, take his rest. When he departs there's nought to pay, Only he carries nought away. 'Not so,' I cried, 'for raiment fine, Sweet thoughts, heart-joys, and hopes that shine, May clothe anew his flitting form, As wings that change the creeping worm. His toil-worn garb he casts aside, And journeys onward glorified.' B. L. T. RICHARD LOVELL EDGEWORTH CHAPTER 1 Some years ago, I came across the Memoirs of Richard Lovell Edgeworth in a second-hand bookshop, and found it so full of interest and amusement, that I am tempted to draw the attention of other readers to it. As the volumes are out of print, I have not hesitated to make long extracts from them. The first volume is autobiographical, and the narrative is continued in the second volume by Edgeworth's daughter Maria, who was her father's constant companion, and was well fitted to carry out his wish that she should complete the Memoirs. Richard Lovell Edgeworth was born at Bath in 1744. He was a shining example of what a good landlord can do for his tenants, and how an active mind will always find objects of interest without constantly requiring what are called amusements; for the leisure class should be like Sundays in a week, and as the ideal Sunday should be a day when we can store up good and beautiful thoughts to refresh us during the week, a day when there is no hurry, no urgent business to trouble us, a day when we have time to rise above the sordid details of life and enjoy its beauties; so it seems to me that those who are not obliged to work for their living should do their part in the world by adding to its store of good and wise thoughts, by cultivating the arts and raising the standard of excellence in them, and by bringing to light truths which had been forgotten, or which had been hidden from our forefathers. -
Explicit and Implicit Religious Teachings in Children's
INSTRUCTION WITHIN ENTERTAINMENT: EXPLICIT AND IMPLICIT RELIGIOUS TEACHINGS IN CHILDREN’S LITERATURE IN THE NINETEENTH CENTURY by Rebecca Jane Francis B.A., The University of Buckingham, 2015 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE COLLEGE OF GRADUATE STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Okanagan) May 2018 © Rebecca Jane Francis, 2018 i The following individuals certify that they have read, and recommended to the College of Graduate Studies for acceptance, a thesis entitled: Instruction Within Entertainment: Explicit and Implicit Religious Teachings in Children’s Literature in the Nineteenth Century submitted by Rebecca Jane Francis in partial fulfillment of the requirements for the degree of Master of Arts. Examining Committee: Margaret Reeves, Faculty of Creative and Critical Studies Supervisor George Grinnell, Faculty of Creative and Critical Studies Supervisory Committee Member Oliver Lovesey, Faculty of Creative and Critical Studies Supervisory Committee Member Ben Nilson, Irving K. Barber School of Arts and Sciences University Examiner ii ABSTRACT How and what to teach children through stories has been an ongoing topic of debate for centuries. In the nineteenth century, much of this debate was centred around teaching Christian religious practices, and connecting these practices back to moral lessons or social concerns. This thesis traces the changes in the way in which religious teachings are presented in children’s literature throughout the nineteenth century. I argue that the instructional elements of children’s literature do not become less significant over the period, but rather become implicit rather than explicit, and thus invite the implied child reader to make connections and judgements for him- or herself rather than merely accepting what the narrator is saying.