The Adventurous History of Sabrina Sidney
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Birmingham 2020 – Think Big, Think BACO
FEATURE Birmingham 2020 – think big, think BACO BY LUCY DALTON When Richard Irving and Ann-Louise McDermott made their successful bid to host BACO 2020 in Birmingham, they knew it had far more going for it than the International Conference Centre! Lucy Dalton tells us a little more about the attractions of England’s second city and interviews the two local organisers. ver thought of England’s growth? Back in the Domesday Book era (geographical) waist as a skinny of 1086, the Manor of Birmingham was no-man’s-land? Well think again: sparsely populated and poor. Valued at 20 EEngland’s midriff is big. Not the ugly, shillings, it would hardly have featured on liposuction-inspiring, blobby fat; rather, that William the Conqueror’s tax-hunting radar. enviable bulky, athletic big that comes with Scattered habitation and gentle waterways years of determination, guts and training. punctuated rolling hills. Enter Peter de Why? Birmingham. Birmingham, new Lord of the Manor. In the Birmingham, UK, is the heavyweight mid-12th century he began holding markets centre of Mid-England. As the UK’s second at his castle, from whence developed a largest city (1.2 million inhabitants), market town. Little did the farmers of the and sistered with cities such as Chicago, time realise that the ring in the ground used Frankfurt, Milan, Johannesburg and for tethering bulls on market days would Changchun, it contends in a league of turn into one of Birmingham’s most iconic its own. Though Spaghetti Junction, a (shopping) landmarks almost a millennium Lucy Dalton convoluted local road network with a later: The Bullring. -
Études Irlandaises, 34.2 | 2009, « Figures De L'intellectuel En Irlande » [En Ligne], Mis En Ligne Le 02 Février 2012, Consulté Le 22 Septembre 2020
Études irlandaises 34.2 | 2009 Figures de l'intellectuel en Irlande Representations of the Intellectual in Ireland Maurice Goldring et Carle Bonafous-Murat (dir.) Édition électronique URL : http://journals.openedition.org/etudesirlandaises/1456 DOI : 10.4000/etudesirlandaises.1456 ISSN : 2259-8863 Éditeur Presses universitaires de Caen Édition imprimée Date de publication : 30 septembre 2009 ISBN : 978-2-7535-0982-5 ISSN : 0183-973X Référence électronique Maurice Goldring et Carle Bonafous-Murat (dir.), Études irlandaises, 34.2 | 2009, « Figures de l'intellectuel en Irlande » [En ligne], mis en ligne le 02 février 2012, consulté le 22 septembre 2020. URL : http://journals.openedition.org/etudesirlandaises/1456 ; DOI : https://doi.org/10.4000/ etudesirlandaises.1456 Ce document a été généré automatiquement le 22 septembre 2020. Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. 1 SOMMAIRE Introduction Maurice Goldring et Carle Bonafous-Murat Maurice Goldring et Carle Bonafous-Murat (éd.) Richard Lovell Edgeworth, or the paradoxes of a “philosophical” life Isabelle Bour A Panacea for the Nation : Berkeley’s Tar-water and Irish Domestic Development Scott Breuninger “Is that the word ?” Samuel Beckett and the Port-Royal Philosophy of Language Mélanie Foehn Aristotle’s concept of energeia in Autumn Journal by Louis MacNeice, poet, classics scholar and intellectual Mélanie White Emblems of his early adversity -
Sir Francis Beaufort Papers Addenda
http://oac.cdlib.org/findaid/ark:/13030/c8gm8cxr No online items Sir Francis Beaufort papers addenda Finding aid prepared by Gayle M. Richardson. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2016 The Huntington Library. All rights reserved. Sir Francis Beaufort papers mssFBA 1-28 1 addenda Descriptive Summary Title: Sir Francis Beaufort papers addenda Dates: 1797-1858 Collection Number: mssFBA 1-28 Creator OR Collector: Beaufort, Francis, Sir, 1774-1857 Extent: 37 items in one box Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: Correspondence, documents, photographs, poems and wills relating to Sir Francis Beaufort, Maria Edgeworth and the Beaufort and Edgeworth families. Language of Material: The records are in English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. Preferred Citation [Identification of item], Sir Francis Beaufort papers addenda, The Huntington Library, San Marino, California. Acquisition Information Purchased from Francis Beaufort-Palmer, June 4, 1971. Biographical Note Admiral Sir Francis Beaufort: hydrographer of the British Navy and member of the Royal Society, creator of the wind force scale and weather notation coding, and author of Karamania, or, A brief description of the south coast of Asia-Minor and of the remains of antiquity (1817). -
Anna Seward and the Poetics of Sensibility and Control Andrew O
Criticism Volume 58 | Issue 2 Article 9 2016 Anna Seward and the Poetics of Sensibility and Control Andrew O. Winckles Adrian College, [email protected] Follow this and additional works at: http://digitalcommons.wayne.edu/criticism Recommended Citation Winckles, Andrew O. (2016) "Anna Seward and the Poetics of Sensibility and Control," Criticism: Vol. 58 : Iss. 2 , Article 9. Available at: http://digitalcommons.wayne.edu/criticism/vol58/iss2/9 ANNA SEWARD At the 2011 meeting of the North American Society for the Study AND THE POETICS of Romanticism, Anne K. Mellor OF SENSIBILITY reflected on how the field has AND CONTROL changed since her foundational Andrew O. Winckles 1993 study Romanticism and Gender. She commented that, though women writers such as Anna Seward and the End of the Mary Wollstonecraft, Jane Austen, Eighteenth Century by Claudia and Mary Shelley have cemented Thomas Kairoff. Baltimore, MD: themselves as legitimate objects Johns Hopkins University Press, of study, this has largely been at 2012. Pp. 328. $58 cloth. the expense of a broader under- standing of how women writers were working during the period. In addition to the Big Six male Romantics, we have in many cases simply added the Big Three female Romantics.1 Though this has begun to change in the last ten years, with important studies appearing about women like Anna Letitia Barbauld, Mary Robinson, Joanna Baillie, and Hannah More, we still know shockingly little about women writers’ lives, cultural con- texts, and works. A case in point is Anna Seward, a poet and critic well known and respected in her own lifetime, but whose critical neglect in the nineteenth and twentieth centu- ries has largely shaped how recent critics interact with her work. -
Anna Seward and the End of the Eighteenth Century Kairoff, Claudia T
Anna Seward and the End of the Eighteenth Century Kairoff, Claudia T. Published by Johns Hopkins University Press Kairoff, Claudia T. Anna Seward and the End of the Eighteenth Century. Johns Hopkins University Press, 2012. Project MUSE., <a href=" https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/12865 Access provided at 24 Oct 2019 11:50 GMT with no institutional affiliation This work is licensed under a Creative Commons Attribution 4.0 International License. Bibliography Adams, Malise Forbes, and Mary Mauchline. “Kauffman’s Decorative Work.” In Angelica Kauffman: A Continental Artist in Georgian England, edited by Wendy Wassyng Roworth, 113–40. London: Reaktion, 1993. Alexander, David. “Chronological Checklist of Singly Issued English Prints after Angelica Kauffman.” In Angelica Kauffman: A Continental Artist in Georgian En- gland, edited by Wendy Wassyng Roworth, 179–89. London: Reaktion, 1993. ———. “Kauffman and the Print Market in Eighteenth-century England.” In Angelica Kauffman: A Continental Artist in Georgian England, edited by Wendy Wassyng Roworth, 141–78. London: Reaktion, 1993. Ashmun, Margaret. The Singing Swan: An Account of Anna Seward and Her Acquain- tance with Dr. Johnson, Boswell, and Others of Their Time. New Haven, CT: Yale University Press, 1931. Austen, Jane. Letters. Edited by Deirdre Le Faye. 3rd ed. Oxford: Oxford University Press, 1995. ———. Sense and Sensibility. Oxford: Oxford University Press, 1990. Backscheider, Paula R. Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing Genre. Baltimore, MD: Johns Hopkins University Press, 2005. Backscheider, Paula R., and Catherine E. Ingrassia, eds. British Women Poets of the Long Eighteenth Century: An Anthology. -
The Cultural Circulation of Political Economy, Botany, and Natural Knowledge
social sciences $€ £ ¥ Article Malthus and the Philanthropists, 1764–1859: The Cultural Circulation of Political Economy, Botany, and Natural Knowledge J. Marc MacDonald Department of History, University of Prince Edward Island, 550 University Avenue, Charlottetown, PE C1A 4P3, Canada; [email protected]; Tel.: +1-902-569-4865 Academic Editor: Bryan L. Sykes Received: 16 July 2016; Accepted: 3 January 2017; Published: 10 January 2017 Abstract: Modernity does not possess a monopoly on mass incarceration, population fears, forced migration, famine, or climatic change. Indeed, contemporary and early modern concerns over these matters have extended interests in Thomas Malthus. Yet, despite extensive research on population issues, little work explicates the genesis of population knowledge production or how the process of intellectual transfer occurred during the eighteenth and early nineteenth centuries. This paper examines the Delessert network’s instrumental role in cultivating, curating, and circulating knowledge that popularized Malthusian population theory, including the theory’s constitutive elements of political economy, philanthropy, industry, agriculture, and botany. I show how deviant, nonconformist groups suffered forced migration for their political philosophy, particularly during the revolutionary 1790s, resulting in their imprisonment and migration to America. A consequence of these social shifts was the diffusion and dissemination of population theory—as a pursuit of scientific knowledge and exploration—across both sides of the Atlantic. By focusing on the Delesserts and their social network, I find that a byproduct of inter and intra continental migration among European elites was a knowledge exchange that stimulated Malthus’s thesis on population and Genevan Augustin Pyramus Candolle’s research on botany, ultimately culminating in Charles Darwin’s theory of natural selection and human evolution. -
Erasmus Darwin's Romanticism
Rhyme and Reason: Erasmus Darwin’s Romanticism Noel Jackson ore remarkable, it may seem, than the sudden disappearance of Mscientific poetry from the late-eighteenth-century English liter- ary landscape is the fact that it was ever widely read in the first place. “Philosophical poetry,” as it was then known, and especially the work of its most famous practitioner, Erasmus Darwin, has been scorned as a gimmicky, tedious, frequently laughable exercise. This ugly stepsister of didactic verse amalgamates poetic fancy and scientific fact, yoking versified descriptions to prose notes detailing the contemporary state of research in natural philosophy, industrial technology, botany, chem- istry, and medicine, to name only a few subjects of this poetry. In an often-cited letter to John Thelwall, Samuel Taylor Coleridge boasted of his catholic taste in poetry, professing an almost equal appreciation for “the head and fancy of Akenside, and the heart and fancy of Bowles,” among others1 — but none for such fanciful productions of the brain as Darwin’s paean to the steam engine, in part 1 of The Botanic Gar- den, The Economy of Vegetation.2 Coleridge’s disappointed wish, recorded 1 Coleridge to Thelwall, December 17, 1796, in Collected Letters of Samuel Taylor Coleridge, ed. Earl Leslie Griggs, 6 vols. (Oxford: Clarendon, 1956 – 71), 1:279. Here- after cited as STCL. Coleridge’s opinion of The Botanic Garden is concise enough: “I absolutely nauseate Darwin’s poem” (Coleridge to Thelwall, May 13, 1796, in STCL, 1:216). 2 Darwin published part 2 of the poem, The Loves of the Plants, first, in 1789. -
The Lunar Society
Ch F-X ang PD e w Click to buy NOW! w m o w c .d k. ocu-trac The Lunar Society The Lunar Circle or Society was an informal club or association of significant scientific men which flourished in and around Birmingham for nearly forty years. Origins: The origins of the Lunar Society lie in a pattern of friendships that emerged in the late 1750s. Erasmus Darwin and Matthew Boulton first met in early 1757, possibly through family connections, as Boulton's mother's family were patients of Darwin; or possibly though shared friendships, as both were admirers of the printer John Baskerville and friends of the astronomer and geologist John Michell, a regular visitor to Darwin's house in Lichfield1. Darwin was a physician and poet who had studied at Cambridge and Edinburgh; Boulton had left school at fourteen and started work in his father's business making metal goods in Birmingham at the age of 21. Despite their different backgrounds they shared a common interest in experiment and invention, and their activities would show Darwin's theoretical understanding and Boulton's practical experience to be complementary2. Soon they were visiting each other regularly and conducting investigations into scientific subjects such as electricity, meteorology and geology3. Erasmus Darwin Matthew Boulton In 1758, first Boulton and then Darwin became friends of the Derby-based clockmaker John Whitehurst. The link began with Whitehurst supplying clock movements to Boulton’s manufacturing operation but then extended into other experiments. Boulton, Darwin and Whitehurst were in turn introduced by Mitchell to Benjamin Franklin on his visit to Birmingham in July 1758 "to improve and increase Acquaintance among Persons of Influence"4, and Franklin returned in 1760 to conduct experiments with Boulton on electricity and sound5. -
Nachdruckverzeichnis
Nachdruckverzeichnis Mit Ausnahme von Kapitel 7, bei dem es sich um einen neuen Beitrag für den vor- liegenden Band handelt, erschienen die Kapitel ursprünglich an folgenden Orten: Kapitel 1 Querelles 1 (1996), 77–104. Kapitel 2 Anke Gilleir / Alicia Montoya / Suzan van Dijk (eds.): Women Writing Back / Writing Women Back. Leiden/Boston 2010, 73–92. Kapitel 3 Zeitschrift für Ideengeschichte VII/4 (Winter 2013), 41–52. Kapitel 4 Rainer Bayreuther u.a. (Hg.): Kritik in der Frühen Neuzeit: Intellektuelle avant la lettre. Wolfenbütteler Forschungen. Wiesbaden 2011, 191–216. Kapitel 5 Ina Schabert / Barbara Schaff (Hg.): Autorschaft: Genus und Genie in der Zeit um 1800. Berlin 1994, 105–124. Kapitel 6 Comparatio 10/1 (2018), 1–18. Kapitel 8 Caroline Lusin (Hg.): Empathie, Sympathie und Narration: Rezeptionslenkung in Prosa, Drama und Film. Heidelberg 2015, 225–239. Kapitel 9 Andreas Hartmann / Fritz Neumann (Hg.): Mythen Europas: Schlüsselfguren der Imagination. Vom Barock bis zur Aufklärung. Regensburg 2007, 166–187. Kapitel 10 Hadumod Bußmann / Renate Hof (Hg.): Genus: Zur Geschlechter- differenz in den Kulturwissenschaften. Stuttgart 1995, 162–205. Kapitel 11 Comparative Critical Studies 6/1 (2009), 149–164. Kapitel 12 Annette Keilhauer / Lieselotte Steinbrügge (éds.): Pour une histoire genrée des littératures romanes. Éditions Lendemains 32. Tübingen 2013, 105–118. Kapitel 13 Literature Compass 11/10 (2014), 667–676. Kapitel 14 Renate von Bardeleben (Hg.): Frauen in Kultur und Gesellschaft. Tübingen 2000, 1–17. © Der/die Herausgeber bzw. der/die Autor(en), exklusiv lizenziert durch Springer- 265 Verlag GmbH, DE, ein Teil von Springer Nature 2021 I. Schabert, Die Gleichheit der Geschlechter, Die Feministische Aufklärung in Europa | The Feminist Enlightenment in Europe | Les Lumières européennes au feminin, https://doi.org/10.1007/978-3-662-62981-9 Abbildungsverzeichnis Abb. -
Sir Francis Beaufort Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/tf667nb1k7 No online items Sir Francis Beaufort Papers: Finding Aid Finding aid prepared by Huntington Library staff. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2016 The Huntington Library. All rights reserved. Sir Francis Beaufort Papers: mssFB 1-1920 1 Finding Aid Overview of the Collection Title: Sir Francis Beaufort Papers Dates (inclusive): 1710-1953 Bulk dates: 1780-1890 Collection Number: mssFB 1-1920 Creator: Beaufort, Francis, Sir, 1774-1857. Extent: 2,143 pieces in 38 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection is comprised of three sets of distinct papers concerning members of the Beaufort, Edgeworth, and Larpent families. The bulk of the collection consists of the papers of Admiral Sir Francis Beaufort (1774-1857), hydrographer of the British Navy and member of the Royal Society, as well as papers of other members of the Beaufort family. Subject matter includes naval operations of the British Navy, particularly during the Napoleonic Wars; geography and hydrography; Irish affairs; the Royal Society and scientific affairs in England; and family affairs. In addition there are also papers of Beaufort's daughter Lady Strangford, Emily Ann Smythe (1826-1887), a travel writer and illustrator, and papers of English diplomat John James Larpent (1783-1860) and his family. -
The Perfect Wife”
“THE PERFECT WIFE” BY RACHAEL CARNES ESTIMATED RUNNING TIME — 90 MINUTES CAST — SIX PERFORMERS Rachael Carnes, member: Dramatists Guild, National New Play Network, Playwrights Center, AWP 1050 W 17th Ave, Eugene OR 97402, 541-221-5792 www.rachaelcarnes.com [email protected] © 2017, All Rights Reserved. SUMMARY As revolution between England and its American colonies simmers, candy-colored Georgian society pits the woeful, starving masses against the excessive powers of the rich elite. One bright young man, Sir Thomas Day, rebuffed at every turn from would- be wives, despite his fortune, grows frustrated, and hatches a plan to steal an orphan, and raise her to be the Perfect Wife. Based on real events, this work of historical fiction opens in the Shrewsbury Foundling Hospital, with Day on the hunt. CHARACTERS Thomas Day A tall, dark-haired, pock-marked man of 21, disheveled, with stringy, matted long hair, dirty fingernails and drab, misshapen and fraying, but expensive, clothes. Sabrina (Anne) An “orphaned” girl, 12 years old, red-haired, freckled, dressed in a rough-hewn smock and no shoes. DUAL ROLES (MAN) Richard Etheridge A wealthy Irish inventor of useless mechanicals and Day’s foppish friend, a few years his elder, powdered and be- wigged, spritely as a grasshopper, he dresses in the au courante dandy Georgian men’s style — trussed in a corset, with fat, padded calves and a stuffed chest. Ferry Master Middle-aged, muscular, he wears a threadbare, high-cut sailor’s uniform, heavy black fisherman’s shoes and a wide, flat black hat over a dusty white bonnet. -
Stephen Poyntz Denning and the Herne Hill Art Set
The Dulwich Society from http://www.dulwichsociety.com/ Winter 2014 Artist in Residence – Stephen Poyntz Denning and the Herne Hill Art Set by Brian Green Published on Wednesday, 17 December 2014 16:20 It is quite a coincidence that two major movies are being released at the moment, the principle characters of which were members of the Herne Hill art set. However, like the elephant in the room, a central figure - Elhanan Bicknell, has been excised in Mike Leigh’s award winning film Mr Turner. As indeed has the subject of this article, the artist Stephen Poynzt Denning, a prominent member of the Herne Hill art set and friend of the Bicknell family. The early life of Stephen Poyntz Denning is something of a mystery. His father, Thomas Denning was born in Gloucestershire in 1767 and moved to Newington, Southwark where Stephen was born in 1795. There is no information regarding his mother. His middle name, Poyntz had customarily been used by the Denning family. There must have been some tragedy or misfortune early in Denning’s life. It was partially revealed, when, soon after he was elected curator or custodian of the newly opened Dulwich College Picture Gallery he received a group of Royal Academician visitors, led by Joseph Farington and including Sir Thomas Lawrence. The reason for the visit was to inspect the pictures and select some to be copied by students at the Academy. Denning, who may already have been acquainted with Lawrence, got into conversation with them and clearly impressed Farington who wrote in his diary, “Mr Denning is an artist and excels in miniature painting.