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Dealers in Antique Prints & Books

Catalogue 48: Portraits October 2014

Item 11. Rubens with his Wife and Child.

This catalogue is illustrated in full at www.groosvenorprints.com

Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 1. [Portrait of Joshua Barnes] Vera Collection. Lot 2369 & Ex: Collection of the Hon. Effigies Joshuae Barnes S.T.B. [...] Christopher Lennox-Boyd. R. White ad vivum fecit [1694] Stock: 34967 Line engravinng, small margins on 3 sides; platemark 295 x 190mm (11½ x 7½"). Glued at corners to 5. Andrea Vannucchii, d.o And.a del Sarto. backing sheet. £95 Pittore nato in Firenze nel 1488. n. del 1530. Joshua Barnes (1654-1712), Greek scholar and [n.d., c.1795.] antiquary. In 1679 his 'History of Esther' rendered the Coloured engraving. Sheet 285 x 185mm (11¼ x 7¼"). Book of Esther in Homeric hexameters, complete with Trimmed in two sections and laid on card, some commentary in Greek. He later turned to English rubbing. £70 history with a book on Edward III A self-portrait of Andrea d'Agnolo di Francesco di Stock: 34871 Luca di Paolo del Migliore (11486-1530), Florentine paainter better known as 'del Sarto' ('tailor's son'). High- 2. Gulielmus King LLD LLD. Aulæ Beatæ regarded during his lifetime, he was eclipsed after his Mariæ Virginis P Ætatis Anno LXV. death from the plague by his contemporaries Leonardo John Mich.l Williams Pinx. J. Faber fecit 1750. da Vinci, Michelangelo, and Raphael. Mezzotint with large margins, very fine. 355 x 250mm Published in 'Raccolta di 324 ritratti di artisti (14 x 9¾"). £280 eccellenti', 1790-6', by Cammppiglia Giovanni Dr William King (1684-1763) principal of St Mary's Domenico, with portraits engraved by Gregori & Hall, Oxford, and Jacobite sympathiser, having been Lasinio Carlo secretary to the Duke of Ormonde and his brother, the Stock: 34985 Earl of Arran. The original painting, in which the King is shown seated in his library, is in the Bodleian 6. Giovanni Lanfranci Pittore. e Int in Libraries collection. CS 207, i of ii. Ex: Collection of Rame, nato in Parma nell 1581. morto nel 1647. the Hon. Christopher Lennox-Boyd. [n.d., c.1795.] Stock: 34135 Coloured engraving. Sheet 285 x 185mm (11¼ x 7¼"). Trimmed in two sections and laid on card, some 3. John Revoult, A.M. / Master of the rubbing. £70 Walworth Academy. From an Original Giovanni Lanfranco (1582-1647), Italian painter of the Painting by Sir Will.m Beechey R.A. presented early period, an apprentice of Agostino to Mr. Revvoult by the Gentlemen who had beeen Carracci. educated under him as a token of their high Published in 'Raccolta di 324 ritratti di artisti eccellenti', 1790-6', by Cammppiglia Giovanni respect and affectionate regard towards him. Domenico, with portraits engraved by Gregori & 1798. Lasinio Carlo Engraved byy James Ward. Stock: 34987 Mezzotint with large margins, platemark 380 x 280mm (15 x 11"). Slight marks on right but overall very good. £190 John Revoult, who ran a private school, the Walworth Academy, in south London. Its pupils included the explorer Francis Rawdon Chesney (1789-1872) and the actor Thomas Denning. Sitting here with a closed book lettered' Introduction to the Arts & Sciences. 1798'. Ex: collection of the late Hon. C. Lennox-Boyd; Frankau 67 ii/ii; CS 32 ii/ii. Stock: 34111

4. [Joseph Warton, D.D. Master of Winchester College.] Painted by S.r Joshua Reynolds. Engraved by J.R. Smith. [Publiished April 15th 1777 No 10 Batemans Buildings, Soho Square, London.] Mezzotint, scratch-letter proof before title. Sheet 3555 x 280mm (14 x 11"). Trimmed to plate on three sides and into inscription area, losing publisher's line. Mounted 7. Petrus Lellÿ Eques Pictor Caroli 2.di on album paper with the blind stamp of the Chaloner Magna Britannia Franciia & Hiberniae Regis. Smith collection. £220 Petrus Lelly Eques pinxit. [Engraved by Isaac Beckett.] Joseph Warton (1722-1800), academic and literary Sold by I. Smith at ye Lyon & Crown in Russell street critic famed for his editions of Virgil and Dryden. Covent Garden. Educated at Winchester College, he returned there to Mezzotint. 340 x 251mm. 13¼ x 9¾". Good margins, teach in 1755 and was headmaster 1766-1793. His mounted on album paper. £230 younger brother, Thomas Warton, was poet laureate 1785-1790. CS 173, i of ii. Ex: Chaloner Smith Sir Peter Lely (1618-1680), a society portrait painter of A self-portrait of Rubens in an ornamental garden with Dutch originn, whose career was nearly all spent in his second wife Hélène Fourrmment and their unnamed England, where he was the most significant painter at young son, a parrot in the rosebush behind. The the court of Charles II. CS: 63: ii of iii. Ex: Collection paainting, formerly in the colllection of Baron Alphonse of The Hon. C. Lennox-Boyd. de Rothschild, is now in the MMetropolitan Museum, Stock: 34128 New York. CS 159, i of ii buut uncleaned. Goodwin: 121-I. Ex: Collection of the HHon. Christopher Lennox- 8. George Morland. This most excellent Boyd. Painter died Oct.r 29 1804 In the 41. Year of Stock: 34991 his Age. Painted & Engraved by J.R. Smith. London Pub Jan 20 10. Rubens with his Wife and Child. From 1805 by J.R. Smith 31 King Street Cov.t Garden & R. the Collection of His Grace the Duke of Ackermann 101 Strand. Marlborough at Blenheim. Mezzotint with very large margins. 390 x 360mm (19¼ S.r Peter Paul Rubens pinx.t.. J.s M.cArdell fecit. [n.d., x 14¼"). Some spotting on margins. £260 c.1750.] A portrait of George Morland (1763-1804), shown Mezzotint with small margins. 510 x 360mm (20 x painting a coastal scene, looking over his shoulder 10¼"). Tear in inscription arreea, laid on album paper. towards the viewer. Ink stamp of the Lennox-Boyd Collection on reverse. The portrait was painted, engraved and published by £360 John Raphael Smith (1752-1812) who published many A self-portrait of Rubens in an ornamental garden with of Morland's works, including 'The Angler's Repast' his second wife Hélène Fourrmment and their unnamed and the famous 'Slave Trade' and 'African Hospitality' young son, a parrot in the rosebush behind. The pair. CS: 115, as described, although a later second paainting, formerly in the colllection of Baron Alphonse state has been recorded. Frankau: 249; O' Dench: 392. de Rothschild, is now in the MMetropolitan Museum, Ex Collection of the Hon. Christopher Lennox-Boyd. New York. CS 159, ii of ii. Goodwin: 121-II. Ex: Stock: 34328 Collection of the Hon. Christtopher Lennox-Boyd. Stock: 34994

11. [Rubens with his Wife and Child. From the Collection of His Grace the Duke of Marlborough at Blenheim.] [S.r Peter Paul Rubens pinx.tt. J.s M.cArdell fecit.] [n.d., c.1750.] Mezzotint, UNRECORDED PLATE, proof before inscription. Sheet 510 x 355mm (20 x 10"). Trimmed within plate. Ink stamp of the Lennox-Boyd Collection on reverse. £650 An unrecorded plate of McArdell's mezzotint, a very close copy but with some notticeable differences: for example a greater number off bands around Hélène's cuff; Rubens' finger does nott extend as out from the hedge; and the caryatid has a different expression. The British Museum has a publisshhed example (1902,1011.3379), described as the same as CS 159. A self-portrait of Rubens in an ornamental garden with his second wife Hélène Fourrmment and their unnamed young son, a parrot in the rosebush behind. The paainting, formerly in the colllection of Baron Alphonse de Rothschild, is now in the MMetropolitan Museum, New York. See CS 159, i of iii. Goodwin: 121 Variant. Ex: Collection of the Hon. ChChristopher Lennox-Boyd. Stock: 34993

12. [Rubens with his Wife and Child. From the Collection of His Grace the Duke of 9. [Rubens with his Wife and Child. From Marlborough at Blenheim.] the Collection of His Grace the Duke of Rubens pinx.t. J. McArdell fefecit [old ink mss.]. [n.d., Marlborough at Blenheim.] c.1750.] Rubens pinxit. McArdell fecit 1750 [old ink mss.]. Mezzotint, proof before all letters. 510 x 360mm (20 x Mezzotint, unlettered proof before inscription area 10¼"). Narrow margins, tearr in margin, some creasing. cleaned. Sheet 520 x 360mm (20½ x 10¼"). Thread Ink stamps of the Alfred Morrrison & Lennox-Boyd margins. Ink stamp of the Lennox-Boyd Collection on collections on reverse. £550 reverse. £520 A self-portrait of Rubens in an ornamental garden wiitth 15. Jacopo Vignali Pittt. nato in his second wife Hélène Fourment and their unnamed Pratovecchio terra del Casentino in Toscana young son, a parrot in the rosebush behind. The nel 1592, morto in 1664. painting, formerly in the collection of Baron Alphonse [n.d., c.1795.] de Rothschild, is now in the Metropolitan Museum, Coloured engraving. Sheet 285 x 185mm (11¼ x 7¼"). New York. CS 159, i of ii. Goodwin: 121 - I. Ex: Trimmed in two sections and laid on card, some Collection of the Hon. Christopher Lennox-Boyd. rubbing. £90 Stock: 34992 Jacopo Vignali (1592-1664),, Italian painter of the early Baroque period. Published in 'Raccolta di 324 ritratti di artisti eccellenti', 1790-6', by Cammppiglia Giovanni Domenico, with portraits engraved by Gregori & Lasinio Carlo Stock: 34986

16. B. West. Hist.ae Piictor. P. Falconet del. 1768. D.P.Pariset Sculp. Stipple. 178 x 127mm (7 x 5"). Cut. £120 Benjamin West (1738-1820), the American history paainter born in Pennsylvaniaa. In 1760 he went to Rome and was in London by 1763 where he remained and beecame President of the Royal Academy. Stock: 34760

17. Lord Byron after Phillips, 1831 [ms in lower margin] [possibly by R. Woodman] Line engraving on india with very large margins, pllatemark 210 x 150mm (8¼ x 6"). Proof before letters; tipped into album sheet. £120 George Gordon Noel Byron (1788-1824), British poet and archetypal Romantic figure. Byron was celebrated in life for aristocratic excesses including huge debts, numerous love affairs, rumours of a scandalous incestuous liaison with his half-sister, and self-imposed 13. G. Stubbs, Animalium Pictor. exile. He travelled to fight against the Ottoman Empire P. Falconet del. 1769. D.P.Pariset Sculp. in the Greek War of Indepenndence, for which Greeks Stipple. 178 x 127mm (7 x 5"). Cut. £160 revere him as a national hero. He died at 36 years old George Stubbs (1724-1806), the British painter of from a fever contracted while in Missolonghi, Greece. portraits, animal pictures, heroic animal histories and Engraved from the portrait by Thomas Phillips, which poetical scenes of rural life. He is known primarily for was undertaken as part of a commission by the his images of horses and in 1758 he began his puublisher William Miller to paint the portraits of dissections of horses, which lead to the engraved work several poets whose works he published, the intention 'The Anatomy of the Horse' in 1766. beeing to hang them together at Miller's house at 50 Stock: 34761 Albemarle Street, London. Annette Peach writes of the commission: 14. Jacobo Robusti, d.o il Tintoretto. Pittore "In 1813 Murray commissioned from Phillips a portrait nato in Venezia nel 1512. morto nel 1594. of Byron (who brought the puublisher more commercial [n.d., c.1795.] success than any other of hiss writers), which still hangs Coloured engraving. Sheet 285 x 185mm (11¼ x 7¼"). over the drawing-room firepllace in Albemarle Street. Trimmed in two sections and laid on card, some The half-length view famously shows a pale- rubbing. £95 complexioned Byron in a white shirt with a large Jacopo Comin (1518-94), better known as Tintoretto turned-down ‘Byronic’ collaarr open at the neck to reveal (or Jacopo Robusti, because of the 'robust' way his his throat, and wrapped in a dark cloak. The dress and father had defended Padua against imperial troops). poose are identical to that of Charles Mayne Young in Published in 'Raccolta di 324 ritratti di artisti his portrait by G. H. Harlow (1809; Garrick Club, eccellenti', 1790-6', by Campiglia Giovanni London), where the actor is portrayed as Hamlet, and it Domenico, with portraits engraved by Gregori & is possible that Byron saw Young perform this role. As Lasinio Carlo in his portrait of Blake, Phillliips's ability to convey the Stock: 34988 Romantic (and here self-dramatizing) cast of his sitter's imagination indicates that, allthough his œuvre is less flamboyant than that of his contemporary Sir Thomas Lawrence, he, too, was quinttessentially a Romantic painter." One of several engravings made from Phillips' 21. Lord Byron [ms] portrait. O'DD 28?; For a larger version of the same [possibly by J.S. Agar, 1814]] image see ref. 34943. Line engraving on india, prooof before letters, with very Stock: 34947 large margins; platemark 220 x 180mm (8¾ x 7"). Tipped into album sheet. £120 . O'D 27?; For a larger versiion of the same image see ref. 34943. Stock: 34946

22. Lord Byron. Painted by T. Phillips Esq.e R.A. / Engraved by S.W. Reynolds. Pub.d by T. Phillips Feb.y 1822 Mezzotint with very large maargins, proof, platemark 230 x 165mm (9 x 6½"). £220 One of several engravings made from Phillips' portrait. Ex: Collection of the Late Hon. C. Lennox-Boyd; Whitman 45; O'D 22 Stock: 34948

23. Lord Byron Painted by T. Phillips, R.A. // Engraved by Edw.d Finden London, Published by John Murray, 1827 Line engraving on india with very large margins, pllatemark 190 x 115mm (7½ x 6"). Tipped into album sheet. £120 One of several engravings made from Phillips' portrait. Not in O'D; For a larger version of the same image see ref. 34943. Stock: 34949

24. Lord Byron in his Albanian Dress. 18. George Lord Byron. Painted by T. Phillips, R.A. // Engraved by W. Finden Painted by T. Phillips Esq.e R.A. 1814 / Engraved by Printed by McQueen T. Lupton, 1824 London, Published Nov.r 20 1824 for Line engraving on india with very large margins, T. Phillips, by W.B. Cooke 9 Soho Square. pllatemark 285 x 230mm (11¼ x 9"). Tipped into album Mezzotint with very large margins, platemark 380 x sheet. £320 260mm (15 x 10¼"). Strong proof impression. Some Not in O'D; For Phillips' other portrait of Byron see foxing. £360 ref. 34943. One of the finnest of the many engraved portraits of Stock: 34950 Byron. Ex: Collection of the Late Hon. C. Lennox- Boyd; For a smaller version of the same image see ref. 25. Byron. Engraved bby R. Cooper from a 31882. Stock: 34943 Bust by Bertolini of Florrence. Made from life at Pisa in 1822. 19. [George, Lord Byron] Published by Henry Colburn, London, November 25, T. Phillips R.A. pinxit / C. Warren sculpsit [c.1824] 1824. Line engravinng on india with very large margins, prooof Engraving. Sheet: 130 x 210mm, (5 x 8¼"). Trimmed before title; 270 x 170mm (10½ x 6¾"). Tipped into within plate. £60 album sheet. £120 Engraving of a bust made off Lord Byron (1788-1824) Not in O'D; For a larger version of the same image see in Pisa by Bertolini. Byron was an English poet and ref. 34943. leading figure in the Romanttic movement, he travelled Stock: 34944 throughout Europe and participated in the Greek War of Independence. Stock: 35355 20. [George, Lord Byron] Armstrong sc. [ms] [Pub. by J. Murray, 1819] Line engravinng on india with very large margins, 235 x 26. Etienne Calvel, de Toulouse 165mm (9¼ x 6¾"). Tipped into album sheet. Dess au Physionotrace et gravé par Quenedey rue des Manuscript in lower margin: in pencil "Unpublished peetits Champs No.1284 a Parris print by Armstrong only 20 impressions from this plate Etching and aquatint with larrge margins, platemark 130 which was then destroyed". £180 x 90mm (5 x 3¾"). Good immppression. £180 One of several engravings made from Phillips' portraait. French author Etienne Calveel, made by Edme O'D 27; For a larger version of the same image see Quénedey (1756 - 1830), a miniature painter and ref. 34943. engraver, who made much usse of the physionotrace. Stock: 34945 This was a mechanised drawing instrument that could Pub.d. June 15.th 1837, by G.P.Harding, Hercules reproduce the outline profile of a portrait. Buildins, Lambeth. Day & Haghe Lith.rs. to the King. It was invented by Gilles-Louis Chretien, who Lithograph. On India. Sheet: 220 x 290mm, (8¾ x engraved Quenedey’s portraits from 1787 to 1789, in 11½"). Some slight foxing and surface dirt. Large 1786. Chretien and Quenedey founded a very margins. £70 successful portrait studio in Paris together in 1788. Half portrait of Scottish writeer and journalist Between 1786 – c.1810 there were only two studios in Alexander Chalmers (1759-1934). Chalmers originally Paris which produced a relatively small number of trained as a doctor but gave up medicine to pursue physionotrace engravings. Consequently very few off writing. As well as publishing various editions of these intriguing portraits are preserved today. Because works by writers such as Pope, Shakespeare and of their origins and the realism physionotrace portraits Johnson, Chalmers published a 'General Biographical have, they can be seen as true photo-graphic objects Dictionary' (1812-17) and a ''Glossary to Shakespeare' and are therefore classified as a forerunner of (1807). photography. Stock: 35348 Stock: 35222 31. Alex Chalmers [faccsimile signature]. 27. Edw. Capell. Drawn on stone by R.J.Lane A.R.A [n.d., c.1830]. F. Bartolozzi del. et sculps. [n.d., c.1880.] Lithograph. Sheet: 185 x 240mm, (7 x 9½"). £70 Stipple and liine engraving. Sheet 255 x 190mm (10 x Half portrait of Scottish writeer and journalist 7½"). Trimmed within plate. £50 Alexander Chalmers (1759-1934). Chalmers originally Edward Capell (1713-81), Shakespearean trained as a doctor but gave up medicine to pursue commentator. Concerned with inaccuracies in Sir writing. As well as publishing various editions of Thomas Hamner'd edition of Shakespeare, Capell spent works by writers such as Pope, Shakespeare and three years coollecting and comparing early folio and Johnson, Chalmers published a 'General Biographical quarto editionns, he published his ten-volume edition in Dictionary' (1812-17) and a ''Glossary to Shakespeare' 1768. Drawn and engraved by Bartolozzi from a (1807). plaster cameo by Louis François Roubiliac c.1770. De Stock: 35349 Vesme 774.III. Stock: 35325

28. Edw. Capell. [after F. Bartolozzi.] [n.d., c.1770.] Stipple engraving. Sheet 200 x 125mm (8 x 5"). Trimmed within plate and laid on sheet. Foxed. £130 Edward Capell (1713-81), Shakespearean commentator. Concerned with inaccuracies in Sir Thomas Hamner'd edition of Shakespeare, Capell After spent three years collecting and comparing early folio and quarto editions, he published his ten-volume edition in 1768. Drawn and engraved by Bartolozzi from a plaster cameo by Louis François Roubiliac. De Vesme 774 coopy. Stock: 35324

29. Edw. Capell. From a model in plaister taken from the Life by Roubilliac 1759. F. Bartolozzi del. et sculps. [n.d., c.1770.] Bit later. Stipple and liine engraving. Sheet 245 x 200mm (9¾ x 8") Trimmed within plate on three sides. £60 Edward Capell (1713-81), Shakespearean commentator. Concerned with inaccuracies in Sir Thomas Hamner'd edition of Shakespeare, Capell After spent three years collecting and comparing early folio 32. [Samuel Taylor Coleridge] Dear Sir / and quarto editions, he published his a ten-volume Your obliged Serv.t / S.T. Coleridge edition in 1768. Drawn and engraved by Bartolozzi L. Haghe lith. / T. Phillips R.A. pinx.t London, John from a plaster cameo by Louis François Roubiliac. De Murray Albemarle St. 1835 Vesme 774.II. Lithograph on india with verry large margins, printed Stock: 35323 area approx 130 x 100mm (5 x 4"). Tipped into album sheet. £160 30. Alexander Chalmers M.A. and F.S.A. Samuel Taylor Coleridge (1772-1834), poet, critic, and Died Dec.r. 10.th. 1834, Aged 75. phhilosopher. Coleridge collaborated with his sometime Drawn on Stone by G.P.Harding from a drawing by neighbour William Wordsworth on the 'Lyrical W.Behnes in the possession of E.N.Thornton Esq.re. Ballads', experimented with oopium (famously resulting in 'Kubla Khan') and outlined his theory of criticism in and his poem 'The Devoted Legions' (1776) was a the 'Biographia Literaria'. scathing indictment of the British government's Lithograph from the portrait by Thomas Phillips (1819- actions. Day also made an astonishing reputation as a 21, private plate; copy at John Murray, London) which writer of instructive children's fiction such as 'The was commissioned by publisher William Miller, as part History of Little Jack' (1787). of a series of portraits of poets whose work he Day and his wife Esther resided at Anningsley in published. Others painted by Phillips included Byron Surrey from 1783, which they ran primarily as a and Walter Scott. O'D 8; for Phillips' portrait of Byron philanthropic concern. With the welfare of its workers see ref. 34943. the principal concern, the Days laboured to 'create a Stock: 34951 new Jerusalem', a quixotic project typical of this 'holder and practitioner of strange ideas...a strange 33. Esq.r bundle of contradictions' (DNB). Engraved by Henry Meyer from a Picture by Wright of Engraved after a portrait by Joseph Wright of Derby Derby. London, Richard Bentley, 1844. (National Portrait Gallery), which had itself been Stipple engraving, sheet 225 x 145mm (9 x 5½"). commissioned by Day's friend Richard Lovell Slight foxing; trimmed inside platemark on three sides. Edgeworth and was intended to portray Day as a 'man £60 of feeling'. Not in O'D; for earlier state see ref. 35300. Thomas Day (1748-89), author and political Stock: 35299 campaigner. Day was part of the Lunar Society of , and his research included adopting two 35. Thomas Day Esq.r girls from foundling hospitals and trying to educate (in Engraved by Henry Meyer from a Picture by Wright of accordance with Rousseau's ideas) one of them into Derby Published March 30th 1820 by R. Hunter No 12 becoming a suitable wife. The project was St Paul's Church Yard London unsuccessful, but one of the women, Sabrina Sidney, Stipple engraving, sheet 215 x 130mm (8½ x 5"). later married Day's friend John Bicknell. Slight foxing. £45 With Bicknell, Day wrote the best-selling narrative Thomas Day (1748-89), author and political poem 'The Dying Negro', which told the story of a campaigner. Day was part of the Lunar Society of runaway slave. Day supported American independence Birmingham, and his research included adopting two and his poem 'The Devoted Legions' (1776) was a girls from foundling hospitals and trying to educate (in scathing indictment of the British government's accordance with Rousseau's ideas) one of them into actions. Day also made an astonishing reputation as a becoming a suitable wife. The project was writer of instructive children's fiction such as 'The unsuccessful, but one of the women, Sabrina Sidney, History of Little Jack' (1787). later married Day's friend John Bicknell. Day and his wife Esther resided at Anningsley in With Bicknell, Day wrote the best-selling narrative Surrey from 1783, which they ran primarily as a poem 'The Dying Negro', which told the story of a philanthropic concern. With the welfare of its workers runaway slave. Day supported American independence the principal concern, the Days laboured to 'create a and his poem 'The Devoted Legions' (1776) was a new Jerusalem', a quixotic project typical of this scathing indictment of the British government's 'holder and practitioner of strange ideas...a strange actions. Day also made an astonishing reputation as a bundle of contradictions' (DNB). writer of instructive children's fiction such as 'The Engraved after a portrait by Joseph Wright of Derby History of Little Jack' (1787). (National Portrait Gallery), which had itself been Day and his wife Esther resided at Anningsley in commissioned by Day's friend Richard Lovell Surrey from 1783, which they ran primarily as a Edgeworth and was intended to portray Day as a 'man philanthropic concern. With the welfare of its workers of feeling'. Not in O'D; for earlier state see ref. 35300. the principal concern, the Days laboured to 'create a Stock: 35298 new Jerusalem', a quixotic project typical of this 'holder and practitioner of strange ideas...a strange 34. Thomas Day Esq.r bundle of contradictions' (DNB). Engraved by Henry Meyer from a Picture by Wright of Engraved after a portrait by Joseph Wright of Derby Derby. London, Richard Bentley, 1844. (National Portrait Gallery), which had itself been Stipple engraving, sheet 225 x 145mm (9 x 5½"). commissioned by Day's friend Richard Lovell Slight foxing; trimmed inside platemark on three sides. Edgeworth and was intended to portray Day as a 'man £60 of feeling'. Not in O'D Thomas Day (1748-89), author and political Stock: 35300 campaigner. Day was part of the Lunar Society of Birmingham, and his research included adopting two 36. Thomas Day Esq.r girls from foundling hospitals and trying to educate (in Engraved by Henry Meyer from a Picture by Wright of accordance with Rousseau's ideas) one of them into Derby. London, Richard Bentley, 1844. becoming a suitable wife. The project was Stipple engraving, sheet 225 x 140mm (9 x 5½"). unsuccessful, but one of the women, Sabrina Sidney, Slight foxing; trimmed inside platemark on three sides. later married Day's friend John Bicknell. Thomas Day (1748-89), author and political With Bicknell, Day wrote the best-selling narrative campaigner. Day was part of the Lunar Society of poem 'The Dying Negro', which told the story of a Birmingham, and his research included adopting two runaway slave. Day supported American independence girls from foundling hospitals and trying to educate (in accordance with Rousseau's ideas) one of them into Picture, the only one, Paaiinted in the Year 1781 becoming a suitable wife. The project was & in the possession of Mrs. Gilpin To Whom unsuccessful, but one of the women, Sabrina Sidney, this Plate is dedicated, by her most Obedient later married Day's friend John Bicknell. Servant. G. Clint. With Bicknell, Day wrote the best-selling narrative Painted by H. Walton Esq.r // Engraved by G. Clint. poem 'The Dying Negro', which told the story of a Published Jan.y 1 1805 by G. Clint, Hind Court, Fleet runaway slave. Day supported American independencce Street. and his poem 'The Devoted Legions' (1776) was a Mezzotint with large marginnss, platemark 345 x 240mm scathing indictment of the British government's (13½ x 9½"). Creasing; good impression. £120 actions. Day also made an astonishing reputation as a William Gilpin (1724-1804),, writer on art and writer of instructive children's fiction such as 'The headmaster. His 1768 'Essayy on Prints' first outlined History of Little Jack' (1787). Gilpin's theories of the picturresque, which were Day and his wife Esther resided at Anningsley in developed in a series of books on picturesque beauty in Surrey from 1783, which they ran primarily as a various parts of Britain. The proceeds from his books philanthropic concern. With the welfare of its workers enabled Gilpin to build and endow two schools at the principal concern, the Days laboured to 'create a Boldre in the New Forest, where he had been vicar new Jerusalem', a quixotic project typical of this since 1777. 'holder and practitioner of strange ideas...a strange Gilpin became celebrated forr his originating the cult of bundle of contradictions' (DNB). the picturesque tourist, parodied in William Coombe's Engraved after a portrait by Joseph Wright of Derby satirical poem 'The Tour of Dr Syntax in Search of the (National Portrait Gallery), which had itself been Picturesque', with illustrations by Thomas commissioned by Day's friend Richard Lovell Rowlandson. Gilpin, however, was ambivalent about Edgeworth annd was intended to portray Day as a 'man the fame and wealth derived from his writings on art, of feeling'. Not in O'D; for earlier state see ref. 353000. prreferring to emphasise his religious work (as this Stock: 35296 poortrait demonstrates). From the 1781 portrait by Henry Walton (London, 37. Thomas Day Esq.r National Portrait Gallery). EExx: collection of the Late Engraved byy Henry Meyer from a Picture by Wright of Hon. C. Lennox-Boyd. Derby. London, Richard Bentley, 1844. Stock: 34524 Stipple engraving, sheet 225 x 145mm (9 x 5½"). Slight foxing; trimmed inside platemark on three sides. £60 Thomas Day (1748-89), author and political campaigner. Day was part of the Lunar Society of Birmingham, and his research included adopting two girls from foundling hospitals and trying to educate (iin accordance with Rousseau's ideas) one of them into becoming a suitable wife. The project was unsuccessful, but one of the women, Sabrina Sidney, later married Day's friend John Bicknell. With Bicknell, Day wrote the best-selling narrative poem 'The Dying Negro', which told the story of a runaway slave. Day supported American independencce and his poem 'The Devoted Legions' (1776) was a scathing indictment of the British government's actions. Day also made an astonishing reputation as a writer of instructive children's fiction such as 'The History of Little Jack' (1787). Day and his wife Esther resided at Anningsley in Surrey from 1783, which they ran primarily as a philanthropic concern. With the welfare of its workers the principal concern, the Days laboured to 'create a new Jerusalem', a quixotic project typical of this 'holder and practitioner of strange ideas...a strange 39. Joseph v. Hammer. bundle of contradictions' (DNB). Lawrence del. Benedetto sculp. Wein, bey Math. Engraved after a portrait by Joseph Wright of Derby Artaria. [n.d., c.1825.] (National Portrait Gallery), which had itself been Stipple, very rare & fine. 420 x 310mm (16½ x 12¼"). commissioned by Day's friend Richard Lovell Some slight spotting. £260 Edgeworth annd was intended to portray Day as a 'man Joseph von Hammer-Purgstall (1774-1856), Austrian of feeling'. Not in O'D; for earlier state see ref. 353000. diplomatic in Constantinople and orientalist. He wrote Stock: 35297 extensively on the East, including 'Constantinopolis und der Bosporos' (1822) and numerous texts and 38. The Rev.d William Gilpin, A.M. Vicar translations of Arabic, Persian and Turkish authors. He of Boldre, & Prebendary of Salisbury. From a became Austrian Academy of Sciences's first presideent National (Portrait) Gallery by the 3rd Earl of (1847–1849). Malmesbury in 1865. De Vesme: 834, iii of iii. Stock: 35265 Stock: 35256

40. James Harris. MDCCLXXVI. 42. Dr. Hawkesworth.. Of Dr. John F. Bartolozzi del. et sculp. [n.d., but 1781.] Hawkesworth, one of our most amiable moral Etching with large margins. 180 x 115mm (7 x 4½"). writers, few particulars are known [...] £95 Sir Jos. Reynolds Pin.t / A. Smith sculp. Publish'd by James Harris (1709-80), F.R.S., Member of Parliameent Harrison & Co Dec.r 1794. for Christchurch from 1761 until his death, and was Line engraving with letterpress, sheet 215 x 135mm Comptroller to the Queen from 1774 to 1780. As well (8½ x 5¼"). £60 as being a philosopher and musical patron he wrote John Hawkesworth (c.1720 -- 1773), writer. He is said 'Three Treatises: on art; on music, painting and poetry' to have been clerk to an attorrney, and was certainly in 1744 and, most famously, 'Hermes, a philosophical self-educated. In 1744, he succeeded Samuel Johnson inquiry concerning universal grammar' in 1751. His as compiler of the parliamennttary debates for the son was James Harris, first earl of Malmesbury. Gentleman's Magazine. In company with Johnson and This portrait was published as a frontispiece to Harris's others, he started a periodicaal called 'The Adventurer', ''Philosophical Inquiries', 1781. De Vesme believed which ran to 140 issues, of which 70 were from the pen this print may be after George Romney, although the of Hawkesworth himself. Hawkesworth was a close sitter is not listed in Horne; however it resembles the imitator of Johnson both in style and thought, and was oil attibuted to Frances Reynolds, c.1777, given to thhe at one time on very friendly tterms with him. It is said National (Portrait) Gallery by the 3rd Earl of that he presumed on his success, and lost Johnson's Malmesbury in 1865. De Vesme: 834, iii of iii. friendship as early as 1756. Hawkesworth is most Stock: 35255 remembered today for his coompiling of the three- volume 'An account of the voyages undertaken by the order of His present Majestyy for making discoveries in the Southern Hemisphere...', which contained the official account of James Coook's first circumnavigation, on which Cook mapped New Zealand and the east coast off Australia accurately for the first the time. 'As a man of versatile talents who was widely read and a leading figure in the cultural life of eighteenth- century London, his virtual eclipse in the twentieth century seems curious' (DNB). Plate from the 'Biographical Magazine' of 1794 with biographical sketch. Not in O'D Stock: 35293

43. John Hawkesworth L.L.D. Done from an Original Picture in the possession of the Hon.ble Mr Fitzmauricee. Sir Joshua Reynolds pinx. / J. Hall sculp. Publish'd according to Act of Parliament Jan. 1.st 1775 by T. Cadell in the Strand. Engraving, sheet 175 x 100mm (7 x 4"). Trimmed inside platemark. £35 41. James Harris. MDCCLXXVI. John Hawkesworth (c.1720 -- 1773), writer. He is said [F. Bartolozzi del. et sculp.] [n.d., but 1781.] to have been clerk to an attorrney, and was certainly Etching, proof before engraver's name; JB on verso in self-educated. In 1744, he succeeded Samuel Johnson ink. 180 x 115mm (7 x 4½"). Trimmed to plate. £140 as compiler of the parliamennttary debates for the James Harris (1709-80), F.R.S., Member of Parliameent Gentleman's Magazine. In company with Johnson and for Christchurch from 1761 until his death, and was others, he started a periodicaal called 'The Adventurer', Comptroller to the Queen from 1774 to 1780. As well which ran to 140 issues, of which 70 were from the pen as being a philosopher and musical patron he wrote of Hawkesworth himself. Hawkesworth was a close 'Three Treatises: on art; on music, painting and poetry' imitator of Johnson both in style and thought, and was in 1744 and, most famously, 'Hermes, a philosophical at one time on very friendly tterms with him. It is said inquiry concerning universal grammar' in 1751. His that he presumed on his success, and lost Johnson's son was James Harris, first earl of Malmesbury. friendship as early as 1756. Hawkesworth is most This portrait was published as a frontispiece to Harris's remembered today for his coompiling of the three- ''Philosophical Inquiries', 1781. De Vesme believed volume 'An account of the voyages undertaken by the this print may be after George Romney, although the order of His present Majestyy for making discoveries in sitter is not listed in Horne; however it resembles the the Southern Hemisphere...', which contained the oil attibuted to Frances Reynolds, c.1777, given to thhe official account of James Cook's first 45. Hawkesworth circumnavigation, on which Cook mapped New Painted by Sir Jos. Reynoldss / Engraved by N. Zealand and the east coast of Australia accurately for Schiavonetti Published 10th NNov. 1806 by John the first the time. 'As a man of versatile talents who Sharpe, Piccadilly. was widely read and a leading figure in the cultural life Stipple, sheet 160 x 90mm (6¼ x 3½"). Trimmed of eighteenth-century London, his virtual eclipse in the inside platemarkr £35 twentieth century seems curious' (DNB). John Hawkesworth (c.1720 -- 1773), writer. He is said Frontispiece to 'The Adventurer'. O'D 2 to have been clerk to an attorrney, and was certainly Stock: 35291 self-educated. In 1744, he succeeded Samuel Johnson as compiler of the parliamennttary debates for the Gentleman's Magazine. In company with Johnson and others, he started a periodicaal called 'The Adventurer', which ran to 140 issues, of which 70 were from the pen of Hawkesworth himself. Hawkesworth was a close imitator of Johnson both in style and thought, and was at one time on very friendly tterms with him. It is said that he presumed on his success, and lost Johnson's friendship as early as 1756. Hawkesworth is most remembered today for his coompiling of the three- volume 'An account of the voyages undertaken by the order of His present Majestyy for making discoveries in the Southern Hemisphere...', which contained the official account of James Coook's first circumnavigation, on which Cook mapped New Zealand and the east coast off Australia accurately for the first the time. Plate from John Sharpe's 'Classics' (1806). O'D 6 Stock: 35289

46. J. Hawkesworth, L.L.D. [Anon.] Stipple with small margins, 160 x 110mm (6¼ x 4¼"). £25 John Hawkesworth (c.1720 -- 1773), writer. He is said to have been clerk to an attorrney, and was certainly self-educated. In 1744, he succeeded Samuel Johnson as compiler of the parliamennttary debates for the 44. John Hawkesworth, L.L.D. Gentleman's Magazine. In company with Johnson and Warren sc. London Published Sep.r 1 1802 by others, he started a periodicaal called 'The Adventurer', Longman & Rees Paternoster Row. which ran to 140 issues, of which 70 were from the pen Stipple, sheet 160 x 105mm (6¼ x 4¼"). Trimmed of Hawkesworth himself. Hawkesworth was a close inside platemark; false margins added. Good imitator of Johnson both in style and thought, and was impression. £45 at one time on very friendly tterms with him. It is said John Hawkesworth (c.1720 - 1773), writer. He is said that he presumed on his success, and lost Johnson's to have been clerk to an attorney, and was certainly friendship as early as 1756. Hawkesworth is most self-educated. In 1744, he succeeded Samuel Johnson remembered today for his coompiling of the three- as compiler of the parliamentary debates for the volume 'An account of the voyages undertaken by the Gentleman's Magazine. In company with Johnson and order of His present Majestyy for making discoveries in others, he started a periodical called 'The Adventurer'', the Southern Hemisphere...', which contained the which ran to 140 issues, of which 70 were from the pen official account of James Coook's first of Hawkesworth himself. Hawkesworth was a close circumnavigation, on which Cook mapped New imitator of Johnson both in style and thought, and was Zealand and the east coast off Australia accurately for at one time on very friendly terms with him. It is said the first the time. O'D 5 that he presumed on his success, and lost Johnson's Stock: 35288 friendship as early as 1756. Hawkesworth is most remembered today for his compiling of the three- 47. J. Hawkesworth, L.L.D. volume 'An account of the voyages undertaken by the Engrav'd by E. Mackenzie frrom a Painting of Sir order of His ppresent Majesty for making discoveries in Joshua Reynolds R.A. Printed for C. Cooke Jan. 9 the Southernn Hemisphere...', which contained the 1808. official account of James Cook's first Stipple, sheet 150 x 95mm (6 x 3¾"). Trimmed inside circumnavigation, on which Cook mapped New pllatemark. £40 Zealand and the east coast of Australia accurately for John Hawkesworth (c.1720 -- 1773), writer. He is said the first the time. Not in O'D to have been clerk to an attorrney, and was certainly Stock: 35290 self-educated. In 1744, he succeeded Samuel Johnson as compiler of the parliamentary debates for the which ran to 140 issues, of which 70 were from the pen Gentleman's Magazine. In company with Johnson and of Hawkesworth himself. Hawkesworth was a close others, he started a periodical called 'The Adventurer', imitator of Johnson both in style and thought, and was which ran to 140 issues, of which 70 were from the pen at one time on very friendly terms with him. It is said of Hawkesworth himself. Hawkesworth was a close that he presumed on his success, and lost Johnson's imitator of Johnson both in style and thought, and was friendship as early as 1756. Hawkesworth is most at one time on very friendly terms with him. It is said remembered today for his compiling of the three- that he presumed on his success, and lost Johnson's volume 'An account of the voyages undertaken by the friendship as early as 1756. Hawkesworth is most order of His present Majesty for making discoveries in remembered today for his compiling of the three- the Southern Hemisphere...', which contained the volume 'An account of the voyages undertaken by the official account of James Cook's first order of His present Majesty for making discoveries in circumnavigation, on which Cook mapped New the Southern Hemisphere...', which contained the Zealand and the east coast of Australia accurately for official account of James Cook's first the first the time. O'D 5 circumnavigation, on which Cook mapped New Stock: 35287 Zealand and the east coast of Australia accurately for the first the time. Not in O'D 50. John Hawkesworth L.L.D. Done from Stock: 35286 an Original Picture in the possession of the Hon.ble Mr Fitzmaurice. 48. Dr. Hawkesworth. Of Dr. John Sir Joshua Reynolds pinx. / J. Hall sculp. Publish'd Hawkesworth, one of our most amiable moral according to Act of Parliament Jan. 1.st 1775 by T. writers, few particulars are known [...] Cadell in the Strand. Sir Jos. Reynolds Pin.t / A. Smith sculp. Publish'd by Engraving, sheet 170 x 105mm (7 x 4"). Trimmed Harrison & Co Dec.r 1794. inside platemark. £45 Line engraving with letterpress, sheet 210 x 130mm John Hawkesworth (c.1720 - 1773), writer. He is said (8½ x 5¼"). £45 to have been clerk to an attorney, and was certainly John Hawkesworth (c.1720 - 1773), writer. He is said self-educated. In 1744, he succeeded Samuel Johnson to have been clerk to an attorney, and was certainly as compiler of the parliamentary debates for the self-educated. In 1744, he succeeded Samuel Johnson Gentleman's Magazine. In company with Johnson and as compiler of the parliamentary debates for the others, he started a periodical called 'The Adventurer', Gentleman's Magazine. In company with Johnson and which ran to 140 issues, of which 70 were from the pen others, he started a periodical called 'The Adventurer', of Hawkesworth himself. Hawkesworth was a close which ran to 140 issues, of which 70 were from the pen imitator of Johnson both in style and thought, and was of Hawkesworth himself. Hawkesworth was a close at one time on very friendly terms with him. It is said imitator of Johnson both in style and thought, and was that he presumed on his success, and lost Johnson's at one time on very friendly terms with him. It is said friendship as early as 1756. Hawkesworth is most that he presumed on his success, and lost Johnson's remembered today for his compiling of the three- friendship as early as 1756. Hawkesworth is most volume 'An account of the voyages undertaken by the remembered today for his compiling of the three- order of His present Majesty for making discoveries in volume 'An account of the voyages undertaken by the the Southern Hemisphere...', which contained the order of His present Majesty for making discoveries in official account of James Cook's first the Southern Hemisphere...', which contained the circumnavigation, on which Cook mapped New official account of James Cook's first Zealand and the east coast of Australia accurately for circumnavigation, on which Cook mapped New the first the time. 'As a man of versatile talents who Zealand and the east coast of Australia accurately for was widely read and a leading figure in the cultural life the first the time. of eighteenth-century London, his virtual eclipse in the 'As a man of versatile talents who was widely read and twentieth century seems curious' (DNB). a leading figure in the cultural life of eighteenth- Frontispiece to 'The Adventurer'. O'D 2 century London, his virtual eclipse in the twentieth Stock: 35292 century seems curious' (DNB). Plate from the 'Biographical Magazine' of 1794 with biographical 51. John Hawkesworth, L.L.D. sketch. Not in O'D Engraved from an Original Picture. [n.d., c.1800.] Stock: 35294 Stipple. Sheet size: 117 x 80mm (4½ x 3¼"). Trimmed inside platemark. £70 49. J. Hawkesworth, L.L.D. A portrait in an oval of writer and translator Dr. John [Anon.] Hawkesworth (c.1720 - 1773). He is said to have been Stipple with small margins, 160 x 110mm (6¼ x 4¼"). clerk to an attorney, and was certainly self-educated. In £40 1744, he succeeded Samuel Johnson as compiler of the John Hawkesworth (c.1720 - 1773), writer. He is said parliamentary debates for the Gentleman's Magazine. to have been clerk to an attorney, and was certainly In company with Johnson and others, he started a self-educated. In 1744, he succeeded Samuel Johnson periodical called 'The Adventurer', which ran to 140 as compiler of the parliamentary debates for the issues, of which 70 were from the pen of Hawkesworth Gentleman's Magazine. In company with Johnson and himself. Hawkesworth was a close imitator of Johnson others, he started a periodical called 'The Adventurer', both in style and thought, and was at one time on very friendly terms with him. It is said that he presumed on Restoration he turned from poacher to gamekeeper: as his success, and lost Johnson's friendship as early as 'Surveyor of the Imprimery' he was tasked with the 1756. prrevention of the publication of dissenting writings, Hawkesworth is most remembered today for his with the right to search the prremises of printers and compiling of the three-volume 'An account of the boooksellers on the mere suspicion. In the 1660s he voyages undertaken by the order of His present returned to journalism; he wrrote questioning the Majesty for making discoveries in the Southern truthfulness of Titus Oates during the Popish Plot of Hemisphere...', which contained the offiicial account of 1678; and in 1681 he started the 'Observator', a paper James Cook's first circumnavigation, on which Cook written in the form of a dialogue between a Whig and a mapped New Zealand and the east coast of Australia Tory (biased to Toryism), which lasted six years. accurately for the first the time. Knighted by James II in 1685, he served as MP for Stock: 34440 Winchester 1685-89); however he lost all his offices with the Glorious Revolution of 1688 and, having been 52. John Keats. arrested for suspected plots, tturned to more academic W.L. Colls, Ph. sc. [n.d., c.1890.] writing, including acclaimedd translations of Æsop's Sepia photogravure with large margins. 130 x 100mm Fables and the works of Flavius Josephus. (5 x 3"). £45 Stock: 34472 A sketch portrait of the poet John Keats (1795-1821), engraved by Walter L. Colls. 54. Nicolaus Machiavelus Florentin Nasc. Stock: 35317 Florentiae Ao. / Obist Ao. / Supremum per te nada est Prudentia culmmen / Ulterus nec quo progendiatur habet. [c.1600] Etching, sheet 140 x 110mmm (5½ x 4¼"). Laid on backing sheet, then glued to additional sheet at corners. £95 Nicolo Machiavelli (1460-1527), Italian historian, phhilosopher, humanist and a writer based in Florence during the . He was a founder of modern poolitical science (with his treatise 'The Prince'), diplomat, political philosopher, playwright, and a civil servant of the Florentine Republic. Stock: 34251

55. Israel Mauduit Esq.r. European Magazine. From an Original Picture by M. Chamberlin Esq.r 1751, in the Possession of Benj.n Lethieulier Esq.r. Engraved by Tho.s Holloway. Published as the Act directs, by J. Sewell Cornhilll, 1787. Engraving with small margins. 175 x 115mm (7 x 4½"). £130 Portrait of Israel Mauduit (1708-87), merchant, writer and colonial agent, elected a Fellow of the Royal Society in 1751, published to illustrate his obituary. His 1760 political pamphlet ''Considerations on the Present German War' attacked the use of British troops to protect George II's (then George III's) Hanoverian 53. Roger L'Estrange Esq. Ætatis Suæ 68 interests during the Seven Years' War (1754-63) and 1684. went through five editions. He later served as colonial G. Kneller pinxit. R. White sculpsit. Sold by Walter agent for Massachusetts and wrote 'A Short View of Davis in Amen Corner. the History of the New England Colonies: With Engraving, rare. Sheet 380 x 270mm (15 x 10½"). Respect to their Charters and Constitution', 1769. Trimmed within plate. Crease. £240 Stock: 35336 Sir Roger L'Estrange (1616-1704), a Royalist pamphleteer, best known for 'An Account of the 56. [John Milton] Growth of Knavery', which ruthlessly attacked the [Anon, c.1720] parliamentary opposition, placing them as "dissenting Etching, rare; sheet 155 x 1005mm (6 x 4"). Laid on fanatics". During the Civil War he was sentenced to baacking sheet. with ms annottation below. £120 death as a spy, but after four years' imprisonment in John Milton (1608-1674), English poet, polemicist, Newgate he escaped to Holland. Pardoned by scholarly man of letters, and a civil servant for the Cromwell in 1653 he returned to England, and, after a Commonwealth of England under Oliver Cromwell. few years of living quietly, he started printed His best-known works include 'Paradise Lost', 'Paradise pamphlets calling for the return of Charles II. After the Regained' and 'Samson Agonistes'. After his death Royal Court Theatre (1904-7) established Shaw’s Milton became associated with the whig cause and was reputation and many of his plays, including Majora regarded as an unambiguous republican. In the Barbara (1905) and Pygmalion (1914) later reached eighteenth century, around the time of this portrait, the wider audiences as popular fifilms. He was awarded the style of 'Paradise Lost' was responsible for Nobel Prize for Literature in 1925. developments in poetic diction and syntax seen in poeets By Sir David Low (1891 - 1963), cartoonist, born in such as Alexander Pope and William Thompson. Dunedin, New Zealand. In the International Institute of One of many engravings derived from the print made Social History: IISG BG C1//413. by Milton's contemporary William Faithorne. Stock: 34527 Stock: 35295 60. [In pencil:] The Smith's Authors of the 57. [Samuel Pepys.] Rejected Addresses. A.C. Downing sp. [after Sir Godfrey Kneller] [n.d., B. Holl. [n.d. c.1830.] c.1880.] Stipple and etching. 178 x 127mm (7 x 5"). £70 Etching with very large margins. 180 x 150mm (7 x James Smith (1775-1839) and Horace Smith (1779- 6"). £60 1846), authors of the Rejected Addresses: Or, the New Samuel Pepys [1633 - 1703], an important naval Theatrum Poetarum. Publishhed in 1812, it was a book administrator, is famous for the diaries that he wrote in or parodies and is generally considered one of the most shorthand between 1660 and 1669. His skill lay in his successful humorous books of the early nineteenth close observation and total recall of the details of his century, and "brought the craft of parody to maturity". private life and thoughts on social and political life in See NPG: D6781. London. A passionate man, his great loves were his Stock: 34620 library, the theatre and 'music and women'. His professional preoccupations were with economics and politics but he retired following the Revolution of 16888 after refusing to swear an oath of allegiance to William and Mary. Nevertheless, he remained a key figure in social, intellectual and naval circles. Stock: 35321

58. Samuel Pepys Esq.r. Autograph of Secretary Pepys. From an original letter in the Possession of John Thane. [after Sir Godfrey Kneller] [n.d., c.1850.] Etching with very large margins. 175 x 95mm (7 x 3¾") £60 Samuel Pepyys [1633 - 1703], an important naval administrator, is famous for the diaries that he wrote in shorthand between 1660 and 1669. His skill lay in his close observation and total recall of the details of his private life and thoughts on social and political life in London. A passionate man, his great loves were his library, the theatre and 'music and women'. His professional preoccupations were with economics and politics but he retired following the Revolution of 16888 after refusing to swear an oath of allegiance to William and Mary. Nevertheless, he remained a key figure in social, intellectual and naval circles. 61. [Robert Southey.] Stock: 35322 [Painted by Thomas Phillips..] [n.d., c.1820.] Stipple with very large marggiins. Proof impression 59. [George Bernard Shaw.] beefore letters. Laid, on India paper. Platemark: 235 x Low. Suppleement to The New Statesman, February 27, 175mm (9¼ x 7"). Light foxiing. £120 1926. (7) A portrait of poet Robert Southey (1774 - 1843). Photo-lithograph, plate 278 x 190mm (11 x 7½"). Southey was an English poett of the Romantic school, Creasing. £120 one of the so-called 'Lake Poets', and Poet Laureate for George Bernard Shaw (1856 - 1950), playwright. Onne 30 years from 1813 to his deeath in 1843. A democrat of the literary giants of the modern period, his writings and close friend of Coleridge in his youth (they span a vast spectrum of subjects and ideas. An activee pllanned to start a Utopian setttlement in Pennsylvania Fabian socialist, Shaw's influence was felt in politics in the 1790s), Southey later became a political and society at large; during the eighties and nineties he conservative. After Thomas Phillips (1770 - 1845). Ex wrote important musical and dramatic criticism, Collection: The Honourable Christopher Lennox-Boyd. introduced the British public to the work of Ibsen, annd Stock: 35141 wrote some of his best plays. Successful seasons at the 62. Rob.t Southey Esq.r. Poet Laurreate. wearing military uniform witth braiding, dark stock, Painted by Thomas Phillips. Engraved by S.W. white cravat and a wing collar. Semple was a notorious Reynolds. Pub.d by T. Phillips, March 1822. swindler and con-man in late eighteenth century Mezzotint with very large margins. Proof impression. Britain who was arrested numerous times for fraud and Platemark: 230 x 160mm (9 x 6¼"). Glued to album eventually deported to Austrraalia in 1797 on the 'The sheet. £140 Lady Shore', which suffered a mutiny on the Brazilian A portrait of poet Robert Southey (1774 - 1843). coast. After several months of travelling he was finally Southey was an English poet of the Romantic school, returned via Lisbon and Tangiers to England, where he one of the so-called 'Lake Poets', and Poet Laureate fofor spent time in Portsmouth beffore being taken to London 30 years from 1813 to his death in 1843. A democrat and Tothill Field. On the 6 June 1805 Semple is and close friend of Coleridge in his youth (they reported as being in Paris, and is now suspected of planned to start a Utopian settlement in Pennsylvania beeing the well-known spy 'Facqs', after a letter from his in the 1790s), Southey later became a political puublic house in Piccadilly claims he was 'begging to be conservative. After Thomas Phillips (1770 - 1845). allowed to offer his services as a spy or instigator of For a proof before letters impression, see item ref: mutiny on enemy ships, describing his fitness for these 8875. Ex: Collection the Hon. C. Lennoxo -Boyd. W: tasks, and requesting that his past faults and follies be 270 II of II. overlooked'. After further arrrests in the following Stock: 35140 years, including one in 1814 in which he was found guilty at the Middlesex sessioons of obtaining bacon and 63. Thomas Dunham Whitaker L.L.D. buutter by fraudulent means, Semple died in Lisbon, on F.S.A. his way to Morocco, to whicch he had apparently Engraved byy W. Maddocks from a Picture Painted by engaged to transport himselff. BM: 1851.0308.628 W.D. Fryer, of Knaresbro' Published as the Act directts Stock: 34374 May 1st, 1805. Stipple with very large margins. 265 x 220mm (10½ x 8¾"). Tear and creasing in margin. Slight marks on face. £75 Thomas Dunham Whitaker (1759–1821), clergyman and topographer, writing about Yorkshire and Lancashire. Stock: 34376

64. The Golden Farmer and the Tinker. J. Nicholls delin. I. Basire sculp. [n.d. c.1740.] Engraving and etching. Plate 310 x 210mm (12¼ x 8¼"). Toning and some creases. £95 William Davis, a highwayman active in Surrey and Kent nicknamed the Golden Farmer, on horseback at left, pointing a pistol at a terrifiied tinker who drops his goods. Davis, knowiing the tinker was not an honest worker (sabotaging anything he was paid to mend) and had seven or eight pounds on him, stopped and robbed him on Blackheath. Davis eventually went to the gallows in 1689, having shot dead a butcher who tried to stop him after a robbery. He was executed at the end of Sailisbury Court in Fleet Street and left to rot hanging in chains on Bagshot Heath. An illustration to an edition of Capt.n Alexander Smith's (pseud.) History of the Lives of the Most Notorious Highwaymen'. First published in 1714, this bestseller was republished with a variety of titles. 66. Mr. Rob.t Ashby [mms] Stock: 34716 Painted by T. Phillips Esq.r R.A. / Engraved by George Clint London, Published by G. Clint 31 Foley Street, 65. Major James George Semple Lilse. May 1st 1812 Harding sc. [Pubd. September 1 1799, by W. Stewart Mezzotint, very scarce, platemark 370 x 250mm (14½ 194 Piccadilly.] x 9¾). False margins added. £360 Stipple. Sheet size: 175 x 130mm (6½ x 5¼"). Robert Ashby (-1843), engraver. Ashby and his sons Trimmed inside platemark loosing publication line. inherited the business of his ffather, Harry Ashby £95 (bap.1744-d.1818), which specialised in engraving A half-length portrait in an oval of Major James maps and banknotes. The firm continued as Ashby & George Semple (1759 - 1815), standing to left, looking Co until 1886, but Robert Ashby died in obscurity in ahead with his right arm thrown out a little. He is 1843. Here Ashby holds a specimen of his work inscribed 'Mr R. Ashby London'. Ex: Collection of thhe Thomas Edward Bowdich (11791-1824), traveller in Late Hon. C. Lennox-Boyd; Not in CS Africa. He entered the service of the African Company Stock: 34937 of Merchants in 1814 and was sent to Cape Coast. In 1817 he, William Hutchison and Henry Tedlie were 67. [Giovanni Volpato.] Johannes Vulpatus sent to meet the king of Ashanti, and through Caelator Eximius Ann. LXVII diplomacy increased British influence over the coast Ang. Kauffman pinx. / Raph. Morghen sculp. Steph. natives. Returning to London he published an account, Tofanelli delin. 'Mission from Cape Coast Castle to Ashantee, &c', in Engraving with very large margins, platemark 255 x 1819, and publicly attacked tthe management of the 190mm (10 x 7½"). Rare. £220 African committee, leading tthe British government to Giovanni Volpato (1740-1803), major Italian engraver. assume direct control over the Gold Coast. Bowdich In addition to printmaking he founded a factory whicch prresented his African collecttions to the British produced biscuit porcelain after famous Roman statuees. Museum. After the portrait by Angelica Kauffman (1741-1807), In 1823 Bowdich and his wiffe spent several months history painter. travelling down the west coast of Africa, via Madeira Kauffman was born in Chur, Switzerland, and died in and the Cape Verde Islands, before landing at Rome. She lived in England from 1766 to 1781 and Bathhurst (Banjjul), intending to explore the interior of was one of two women (the other being Mary Moser) Sierra Leone. However he diied of malaria before he amongst the thirty-six founding members of the Royal could set out. His widow, Sarah, published an account Academy of Arts. Kauffman was very involved with of this abortive trip, 'Excursiioons in Madeira and Porto the printmakking trade and collaborated with Santo . . . to which is added A Narrative of the printmakers, resulting in a great number of prints were Continuance of the Voyage tto its Completion' Stock: 35260 made from her designs. Stock: 35032 70. T.E. Bowdich [facsimile signature]. W. Derby pinx.t. Thomson scc.t. London, Pub.d for the Prop.rs of the European Mag. by Sherwood, Jones & Co., Paternoster Row, June 1st 1824. Stipple on india. 230 x 140mm (9 x 5½"). Stitch holes in right edge. £95 Thomas Edward Bowdich (11791-1824), traveller in Africa. He entered the service of the African Company of Merchants in 1814 and was sent to Cape Coast. In 1817 he, William Hutchison and Henry Tedlie were sent to meet the king of Ashanti, and through diplomacy increased British influence over the coast natives. Returning to London he published an account, 'Mission from Cape Coast Castle to Ashantee, &c', in 1819, and publicly attacked tthe management of the African committee, leading tthe British government to assume direct control over the Gold Coast. Bowdich prresented his African collecttions to the British Museum. In 1823 Bowdich and his wiffe spent several months travelling down the west coast of Africa, via Madeira and the Cape Verde Islands, before landing at Bathhurst (Banjjul), intending to explore the interior of 68. Giovvanni Batista Belzoni. Sierra Leone. However he diied of malaria before he Engraved byy Thomson. [n.d., c.1820.] could set out. His widow, Sarah, published an account Stipple. Sheet: 130 x 185mm, (5 x 7¼"). Trimmed. of this abortive trip, 'Excursiioons in Madeira and Porto £85 Santo . . . to which is added A Narrative of the Half-length portrait of Giovanni Batista Belzoni (1778- Continuance of the Voyage tto its Completion'. 1823) an Italian explorer and archaeologist of Egyptiaan Stock: 35259 artefacts who ingeniously managed the excavation of the colossal bust of Rameses II which is now housed in 71. the British Museum. [Portait of Sir Alexander Burnes] Stock: 35357 Costume of Bokhara Drawn by D. Mc Clise / Enggraved by E. Finden 69. T.E. Bowdich [facsimile signature]. London: Published by John Murray, Albemarle Street, W. Derby pinx.t. Thomson sc.t. London, Pub.d for the 1835 Prop.rs of the European Mag. by Sherwood, Jones & Stipple engraving on india, sheet 185 x 130mm (7¼ x Co., Paternoster Row, June 1st 1824. 5"). Trimmed inside platemark; slight foxing. £95 Stipple. 230 x 140mm (9 x 5½"). Trimmed to Sir Alexander Burnes (1805--41), political officer and platemark. £45 explorer, in Uzbek costume ((Bukhara is a city and prrovince in Uzbekistan). Burrnes joined the Bombay army in 1821, aged sixteen, and his linguistic skills, sent by the British government to explore the Africa confidence annd guile led to his involvement in delicate interior. After difficulties witth the Pasha of Tripoli, and political tasks. After successfully surveying the weakened by malaria, the exppedition struggled across territory surrounding the River Indus, Burnes was sent the Sahara to become the first Europeans to see Lake to Bukhara and beyond to gather information about Chad in 1823. He returned to England in 1824 and two central Asia at a time when political opinion in London years later was elected a fellow of the Royal Society. and Calcutta was concerned about Russian expansion In 1826 he sailed to Sierra Leeone as superintendent of in the region. Burnes and his party always travelled in libertated Africans and in 18228 he was appointed local dress (as shown here), and after setting out in governor of Sierra Leone, but after administering the January 1832, the mission from Bombay to Bukhara colony for five weeks he died of a fever at Freetown. and back via Mashhad and Tehran took thirteen Engraved after the portrait by Thomas Phillips months. Burnes' mission captured the public's (London, National Portrait Gallery), whose over 700 imagination- he was welcomed back to England as a poortraits record the leading personalities of his time Ex: hero and was highly decorated. In 1834 he published Collection of the Late Hon. C. Lennox-Boyd. an account of his journey, which sold 900 copies on its Stock: 34955 first day. On his return to Asia, Burnes was dispatched to Kabul, 73. The Right Hon.ble Sir Alexander but as the political unrest surrounding Shah Shuja's Johnston, Knt. Chief Juustice of the Admiralty government increased, a crowd besieged Burnes' house Court in the Island of Ceylon. in 1841 and murdered him. An account of Burnes' time W.M. Craig del. T. Woolnoth sculp. in Kabul was published posthumously. Stipple, laid on album page. 178 x 115mm (7 x 4½"). Engraved after a portrait by Daniel Maclise (private £70 collection). Sir Alexander Johnston (17775-1849), the British Stock: 35268 colonial officer who served as 3rd Chief Justice of Ceylon and 2nd Advocate Fiiscal of Ceylon. Along with Henry Thomas Colebroooke and others he was a founding member of the Royal Asiatic Society of Great Britain and Ireland. Stock: 34585

74. [David Livingstone.] [After Henry Phillips.] [n.d., c.1850.] Engraving on india with very large margins, proof before all letters. Plate: 150 x 230mm, (6 x 9"). Uncut. £95 Half length portait of David LLivingstone (1813-1873), legendary missionary and exxpplorer who was the first European to travel across southern Africa from coast to coast. This image was used as the frontispiece to Livingstone's book 'Missionary travels and researches in South Africa' (1857). Stock: 35350

75. Sir Walter Raleigh. J. Chapman Sculp. Published as the Act directs, Jun 2. 1797. Stipple with small margins. Platemark: 160 x 110mm (6¼ x 4¼"). £70 72. Lt. Col.l Denham F.R.S. late Lt. A portrait of Sir Walter Raleeigh (c.1554-1618), the Governor of Sierra Leone. From a picture famed English aristocrat, wriiter, poet, soldier, courtier, spy, naval commander and exxplorer. painted on his return from Bornou in Central Stock: 34603 Africa in 1825, by Tho.s Phillips Esq.r R.A. in the possession of John Murray Esq.r 76. William Scoresby. Jun.r Esq.r. F. R. S. Engraved byy John Bromley. London, Published March E. &c. 15, 1831, by Colnaghi Sen.r Dominic Colnaghi & Co. A. Mosses del. E. Smith scullp. [Published by Henry Printsellers to their Majesties, Pall Mall East. Fisher, Caxton Liverpool, 1821.] Mezzotint with very large margins, platemark 336 x Engraving. Sheet size: 163 x 100mm (6½ x 4"). 252mm (13¼ x 10"). Slight foxing around platemark. Trimmed inside platemark. £75 £260 A half length portrait of Engllish Arctic explorer, Dixon Denham (1786-1828), English explorer in West scientist and clergyman, Willlliam Scoresby (1789 - Central Africa. He fought in the Napoleonic Wars and 1857). His father, William Sccoresby Senior (1760– was decorated with the Waterloo Medal, before 1829), made a fortune in the Arctic whale fishery and volunteering in 1821 to join one of several expeditions, was also the inventor of the barrel crow's nest. In his voyage of 1807, Scoresby Jnr. began the study of the meteorology and natural history of the polar regions and in 1811, his father resigned to him the command of the 'Resolution'. Scoresby gained election as a fellow of the Royal Society of Edinburgh, and of his sixty papers published in the Royal Society list, many were on the study of magnetism, which he used to improve the accuracy of the ship's compass. However his observations extended into other departments, including researches on optics and, with James Joule, comparing electromagnetic, thermal, and organic power sources. William junior finished whaling in 1823, aged 33, to train for the ministry. Stock: 34373

77. U.J. Seetsen. Russ: Kaiserl: Kammerasfessor und Doctor. E.C. Dunker gemalt. F.C. Bierweiler geschabt. Verlager A. Garlichs. Jever 1818. Mezzotint with very large margins, very scarce. 290 x 230mm (11½ x 9") plus separate title plate 70 x (Rivadavia's religious reforms transferred many of the 225mm (2¾ x 8¾"), with wide margins. Slight crease Catholic church's assets to the Republic). Another vertical. £420 document, headed 'Systema Representative' also on the Ulrich Jasper Seetzen (1767-1811), medical doctor and table. In 1824 Rivadavia visiited London where, in explorer of Palestine & Arabia. Born in Jever, Germmaan association with the Hullet Brothers bank he founded Frisia, he graduated from the University of Göttingen the Rio de la Plata Mining Association. Rivadavia was as a doctor, before setting out for the Middle East in also a correspondent and admirer of Jeremy Bentham, 1802. After six months in Constantinople and two who he first met in London iin 1820. years in Aleppo he was proficient enough in Arabic to Engraved after the portrait by Thomas Phillips (1770- be able to paass as a native. He travelled around the 1845), whose over 700 portraits record the leading Dead Sea disguised as a beggar, then travelled from peersonalities of his time. Ex: Collection of the Late Jiddah to Mecca as a pilgrim. After converting to Hon. C. Lennox-Boyd; Whitman 497 i/ii. Islam, taking the name Hag Moses, he made several Stock: 34927 more journeys across Arabia but, in September 1811, he set out onn a trip from Mocha to Muscat and was 79. [America] Rhio Rhio. King of the found dead two days later. Sandwich Islands. In 1810 Seetsen published 'A Brief Account of the [Engraved for the Lady's Magazine. 1824.] Countries Adjoining the Lake of Tiberias, the Jordan, Lithograph. Sheet Size: 145 x 110mm (5¾ x 4¼"). and the Dead Sea', and in 1854 four volumes of his Trimmed. £95 journals were issued. Ex: Collection of The Hon. C. Kamehameha II (c. 1797 - 1824) was the second king Lennox-Boyd. of the Kingdom of Hawaii, whose birth name was Stock: 34131 Liholiho. He is best remembeered for the 'Ai Noa', the brreaking of the ancient kapu (taboo) system of 78. [America] [Don Bernardino Rivadavia,, religious laws six months intto his reign, when he sat President of the Republic of the United down with his mother Keopuolani and ate a meal Provinces.] together. He was a frequent ttraveller and known to be Painted by T. Phillips Esq.r. R.A. Engraved by impulsive, and one of his voyages would prove fatal. C.Turner, Mezzotinto Engraver in Ordinary to His On April 16, 1822 English missionary William Ellis Majesty. London Published Oct.r 24 1825, by Mr arrived with a schooner Prince Regent of six guns to Turner, 50, Warren Street, Fitzroy Square. add to his growing collection of ships. It was a gift Mezzotint with very large margins, platemark 510 x from the King of Great Britaain, and Kamehameha II 370mm (20 x 14½"). Slight foxing to margins; very wrote to thank him, requesting closer diplomatic ties. scarce. £620 In November 1823 he travellled to England, stopping Bernardino de la Trinidad Gónzalez Rivadavia y along the way in Brazil, eventualy arriving in Rivadavia (1780-1845), first president of Argentina Portsmouth in May 1824. Hiis arrival was met by the (then known as the Republic of the United Provinces)), local press with a mixture off curiosity and derision and 1826-7. He sits at a desk holding a document headed they were not sure what to call the king, spelling his 'Reforma [E]celesiastica Buenos Ayres 1822' 'Liholiho' name various ways such as 'Rheo Rhio'. He and his Queen Kamāmalu atttended opera and ballet at Royal Opera House in Covent Garden on May 31, and the Theatre Royal in Drury Lane on June 4 in the Royal Box. They were an unusual sight to the British people who had seen few Native Hawaiians, moreover, rejected the throne of Greece in 1830, before accepting Kamāmalu was over six-feet tall. George IV finally the role of first 'King of the Belgians' in 1831. His son scheduled a meeting for June 21, but it had to be was Leopold II, founder of the notorious Congo Free delayed as Kamāmalu became ill. The Hawaiian court State. had caught measles, to which they had no immunity. Stock: 34473 Kamāmalu died on July 8, 1824 and the grief-stricken Kamehameha died six days later. 82. [Brazil] Amélie. Impératrice du Brésil. Stock: 34386 Belliard / Lith. de Delpech [c.1855] Lithograph, printed area 2000 x 150mm (8 x 6"). Uncut sheet. £95 Amélie of Leuchtenberg (18112-73), Empress of Brazil and wife of Pedro I. After Pedro's abdication, the couple returned to Europe. Stock: 34256

83. [Brazil] Dom Pedro. A. Maurin 1832 [in image] / Lith. de Lemercier rue du Four S.G. No.35 Paris chez Chaillou Editeur rue St Honoré No. 140 Lithograph, image 165 x 110mm (6½ x 4½"). Wove paaper; uncut sheet; foxing; puublisher's blindstamp. £90 Pedro I (1798-1834), foundeerr and first ruler of the Empire of Brazil. The child of king João VI of Portugal, Pedro fled to Braziil (then Portugal's richest colony) with his family when their homeland was invaded by France in 1807. After João returned to Portugal in 1820, Pedro remained in Brazil to rule as regent. Pedro oversaw the transition to Brazilian independence. He was also briefly king Pedro IV of Portugal before abdicating in favour of his daughter Maria II. In 1828 Pedro's brother Miguel usurped Maria as poortuguese ruler, while numerous difficulties in Brazil (such as the scandal arising ffrom an affair with a 80. [Armenia] Arutin George. female courtier) made Pedro''s position increasingly G. Kneller Pinx.t 1712. J. Faber fecit 1738. Sold by J. untenable. In 1831 Pedro abdicated the Brazilian Faber at the Golden Head in Bloomsbury Square. throne in favour of his son (Pedro II) and sailed for Mezzotint with very large margins; scarce platemark Europe. He led an invasion of Portugal in 1832 which 355 x 255mm (14 x 10"). Excellent condition; early ms eventually returned Maria to the throne shortly before verso. £320 his own death in 1834. Apparently an Armenian merchant who came to From a series of portraits by lithographer Antoine England during the reign of Queen Anne. Ex: Maurin dit l'aîné (1793 - 1860). For Maria II, see ref. collection of the late Hon. C. Lennox-Boyd; CS 152. 34516. Stock: 34113 Stock: 34519

81. His Serene Highness Leopold George 84. [China] A Chinese Princess of the Christian Frederick. Duke of Saxony, Prince present Manchoo Tartar Race. of Saxe Coburg Saalfeld. J. Chapman sculp. London Published as the Act directs Engraved byy J.T. Wedgwood from a sketch by George Nov.14th 1801 by J. Wilkes. Hayter in the possession of Her Royal Highness Colour stipple and etching with large margins. Plate Princess Charlotte of Wales. London. Published 17thh 165 x 115mm (6½ x 4½"). Trimmed to plate on right. June, 1816, by Mess.rs Colnaghi & Co., Cockspur Fine colouring £75 Street. A Manchu princess shown heead and shoulders to right Engraving with roulette on india with large margins. looking ahead with a smile, wearing a tall head-dress 330 x 250mm (13 x 9¾"). Very fine impression. Some with a veil decorated with patterns, a bird and a plume spotting in margins. £140 and jewels above the centre of the brow, secured by a Portrait of Leopold (1790 - 1865), soon after his string of pearls under her chiin, with earrings and marriage to Princess Charlotte Augusta, the only necklaces and a silk shawl with a decorated hem; oval legitimate child of the Prince Regent (later King format; one of a series. George IV) and therefore heiress to the English throne, One of a number of stipple heads of Kings and Queens May 2nd, 1816 However, on November 5, 1817 she of similar format printed on quarto sheets, by gave birth to a stillborn son and died the following day. Chapman, published by J. Wilkes. Having lost the chance to be prince consort to the Stock: 34674 British queen (a role later played by Prince Albert) he 85. [Denmark] [Christian VII. King of Denmark.] [Angelica pinxt Londini 1768. Houston fecit.] Mezzotint, proof before all letters, very fine. 395 x 280mm (15½ x 11".) £360 Christian VII (1749-1808) King of Denmark and Norway from 1766 until his death but, because of severe mental problems, was monarch in name only from 1772. In 1766 he married Princess Caroline Mathilda, a sister of King George III of Great Britain, but publicly declared it was not fashionable to love one's wife. Both he and his wife became besotted with Johann Friedrich Struensee, the royal physician, so much so that Struensee became de-facto regent. However when the queen's adultery with the doctor became known Struensee was arrested and executed. From 1784 Christian's son ruled permanently as a prince regent. CS 33, i of iii. Ex: Collection of the Hon. Christopher Lennox-Boyd. Stock: 34136

86. [Egypt] Mourat Bey. [n.d., c.1800.] Stipple. Sheet size: 112 x 80mm (4½ x 3¼"). Trimmed inside platemark. Glued to backing sheet. £65 A bust portrait of Murad Bey Mohammed (c.1750- 1801), full face, bearded, in a hat with turban, and Convention took over, then as the Minister of Defense dressed in a plain gown. In an oval. Murad was an of France from November 1795 to February 1796. He Egyptian Mamluk chieftain (Bey), cavalry commandeer was then appointed ambassador to the Ottoman and joint ruleer of Egypt with Ibrahim Bey. After the Empire, tasked with helping Selim modernise the death of his master Muhammad Bey Abu al-Dhahab, army. He died of fever in Constantinople in 1797. Murad Bey was in command of the Mamluk army, Stock: 34981 whereas Ibrahim Bey was in charge of administrative duties of Egypt. They survived through the persistent Ottoman attempts at overthrowing the Mamluk regime 88. [France] Jean Bartt. and civil strifes. They served as kaymakams (acting J. Chapman sculp. [n.d., c.1800.] governors) in Egypt on occasion, although they Stipple. Sheet size: 155 x 1100mm (6 x 4¼"). Trimmed effectively held power for decades, even over the inside platemark. Laid on scrrap sheet. £65 A portrait in an oval of French naval commander and appointed Ottoman governor of Egypt. Stock: 34389 prrivateer Jean Bart (1650 - 1702). Jean Bart was born in Dunkirk in 1650 and almost certainly spoke Flemish, at that time the natiivve language in the region. When war broke out between France and the United 87. [France] Général Auber-Dubayet Provinces in 1672, Bart enterred the French service and aujourd'hui Ambassadeur en Turquie. beecame captain of one of the Dunkirk privateers. In Boilly del. this capacity he displayed suuch astonishing bravery, Mezzotint with very large margins; band around waist that Louis XIV sent him on a special mission to the coloured; 540 x 360mm (21¼ x 14¼"). £360 Mediterranean, where he gaiinned great distinction. He Portrait of Jean-Baptiste Annibal Aubert du Bayet went on to achieve his greatest successes during the (1759-1797), French general and politician during the Nine Years' War (1688–1697). Revolution, show full-length in uniform, a battle raging Stock: 34443 behind. Born in Baton Rouge, Louisiana, he fought in the 89. [France] Chevalier D'Eon. American Revolutionary War before travelling to Rob.t Cooper Fecit. France at the beginning of the Revolution in 1789. He Stipple with etching, sheet 165 x 115mm (6½ x 4½"). began his pollitical career with an anti-Jewish pamphlet Trimmed inside platemark; glued to backing sheet. 'Le cri du citoyen contre les Juifs', and was elected to £60 the legislature in 1791. He served as President of the Charles-Geneviève-Louis-Auguste-André-Timothée moderate 'Legislative Assembly' from 8 July 1792 to d'Éon de Beaumont (1728 - 1810), usually known as 22 July 1792, a month before the new National the Chevalier d'Eon, bust in an oval frame. He wears a lace-trimmed cape over his gown, a ribbon around his neck and a lace cap, with pearl earrings and military order attached to a rosette on his breast. A French diplomat, soldier and Freemason who lived Napoleon Bonaparte (1769-1821), French military and the first half of his life as a man and the second half as poolitical leader. Privately-commissioned mezzotint a woman. Living in England in 1785, he lost his engraved from a portrait by Thomas Phillips, painted in pension after the French Revolution and had to sell hiis 1802, the year of the Treaty of Amiens which library. In 1792 he sent a letter to the French National temporarily ceased hostilities between Britain and Assembly, offering to lead a division of women France. The resulting Peace of Amiens, which lasted soldiers against Austria, but the offer was rebuffed. He until May 1803, was the only period of peace during participated in fencing tournaments until he was the Napoleonic Wars (1793-11815). During this time, seriously wouunded, in 1796. After a trial in 1777 abouut Phillips was commissioned by the Duke of his actual sex he wore female attire until his death. Northumberland to paint Napoleon and spent three Surgical examination proved him male. months in Paris. Due to timee restrictions Phillips was Engraving after John Condé, published in 'La Belle only able to make a brief sketch, but painted several Assemblée' of 1810. O'D 5. versions of it (including one for Lord Egremont, now at Stock: 35278 Petworth). The melancholic eexpression captured by Phillips would subsequently be echoed in other 90. [France] Buonaparte poortraits he painted, such as tthat of Lord Byron. Due to Drawn from the Life by T. Phillips Esq. R.A. in 1802 / the circumstances of its execcution it is is one of few Engraved byy Edwards sympathetic British likenesses of Napoleon. It is Etching, very rare; sheet 225 x 185mm (8¾ x 7¼"). interesting, too, for engraverr Charles Turner's unusual Trimmed inside platemark; tipped into album sheet. use of the mezzotint technique, lightening the areas £230 around Napoleon's features, iin constrast to the Napoleon Bonaparte (1769-1821), French military and customary process of lightening the sitter's features political leader. Engraved from a sketch in profile byy against a darker background.. Ex: Collection of the Late Thomas Phillips made in 1802, the year of the Treaty Hon. C. Lennox-Boyd; Whitman 399 of Amiens which temporarily ceased hostilities Stock: 34930 between Britain and France. The resulting Peace of Amiens, which lasted until May 1803, was the only 92. [France] Buonaparrte. period of peace during the Napoleonic Wars (1793- [Drawn from the Life by T. Phillips Esq. R.A. in 1802 / 1815). During this time, Phillips was commissioned by Engraved by Edwards] the Duke of Northumberland to paint Napoleon, and Etching, very rare; sheet 2255 x 185mm (8¾ x 7¼"). spent three months in Paris. Due to the circumstances Trimmed inside platemark; ttiipped into album sheet. of their execution, Phillips' likenesses are almost Proof before names of artist aand engraver added. £330 unique as sympathetic British likenesses of Napoleon. Napoleon Bonaparte (1769-1821), French military and Ex: Collection of the Late Hon. C. Lennox-Boyd; Not poolitical leader. Engraved from a sketch in profile by in Whitman; for an engraving of Phillips' portrait of Thomas Phillips made in 1802, the year of the Treaty Napoleon see ref. 34931 of Amiens which temporarily ceased hostilities Stock: 34932 beetween Britain and France. The resulting Peace of Amiens, which lasted until May 1803, was the only peeriod of peace during the Napoleonic Wars (1793- 1815). During this time, Philllips was commissioned by the Duke of Northumberland to paint Napoleon, and spent three months in Paris. Due to the circumstances of their execution, Phillips' liikenesses are almost unique as sympathetic British likenesses of Napoleon. Ex: Collection of the Late Hon. C. Lennox-Boyd; Not in Whitman; for an engraving of Phillips' portrait of Napoleon see ref. 34931 Stock: 34933

93. [France] [Napoleon Buonaparte First Consul] [Charles Turner after Thomas Phillips, c.1802] Mezzotint trimmed inside platemark, platemark 145 x 135mm (5¾ x 5¼"). Very sccarce private plate. £480 Napoleon Bonaparte (1769-1821), French military and poolitical leader. Privately-commissioned mezzotint 91. [France] Napoleon Buonaparte First engraved from a portrait by Thomas Phillips, painted in Consul 1802, the year of the Treaty of Amiens which Painted in 1802 by T. Phillips Esq R.A. / Engraved by temporarily ceased hostilities between Britain and C. Turner Published Feb. 23 ____ by Mr Turner 50 France. The resulting Peace of Amiens, which lasted Warren Street, Fitzroy Square, London. until May 1803, was the only period of peace during Mezzotint with large margins, platemark 360 x 255mm the Napoleonic Wars (1793-11815). During this time, (14¼ x 10"). Tipped into album sheet. Rare £360 Phillips was commissioned by the Duke of Northumberland to paint Napoleon and spent three months in Paris. Due to time restrictions Phillips wass François-Régis de La Bourdonnaye, Comte de La only able to make a brief sketch, but painted several Bretèche (1767-1839), politiccian. Bourdonnaye was versions of it (including one for Lord Egremont, now at elected deputy of Maine-et-Loire in 1815 and took an Petworth). The melancholic expression captured by extreme right position in the royalist party. In his Phillips would subsequently be echoed in other poolitical career, which lasted until 1830, he favoured portraits he painted, such as that of Lord Byron. Due to harsh punishments for those who had occupied the circumstances of its execution it is is one of few prrominent positions during the Hundred Days under sympathetic British likenesses of Napoleon. It is Napoleon in 1815, further redducing the number of interesting, too, for engraver Charles Turner's unusual citizens entitled to vote, and fought against laws on use of the mezzotint technique, lightening the areas peersonal freedoms and the prress. around Napoleon's features, in constrast to the Stock: 34866 customary process of lightening the sitter's features against a darker background. Ex: Collection of the Late 96. [France] D'Estaing. Hon. C. Lennox-Boyd; Not in Whitman; for published D'Haisnes [Abbé de Haisne] Pinx.t / Goldar sculp. state of Turner's portrait of Napoleon see ref. 34931 Published July 30 1785 by J.. Fielding Pater Noster Stock: 34931 Row. Engraving, rare with small margins; platemark 175 x 115mm (7 x 4½"). Foxing too edges; laid on backing sheet. £120 Jean Baptiste Charles Henri Hector, comte d'Estaing (1729–1794), French generall and admiral. After France entered the American War off Independence in 1778, d'Estaing led a fleet to aid the Americans, participating in unsuccessful sieges of Newport, Rhode Island (1778) and Savannah (1779). During the French Revolution, d'Estaing's sypatthy for the French royal family led to his execution. HHe served in India and was captured. He was successfull in Muscat and Sumatra. Before he was guillatined hee wrote: "After my head falls off send it to the British, they will pay a good deal for it!" Stock: 35275

97. [France.] Guizot. Painted by Camille Sebere. Lith.d by C. Couzens. Published by T. Mc.Lean 26,, Haymarket. M & N. Hanhart lith. Printers. [n.d. C.1850.] 94. [France] N. Bonaparte. Lithograph, rare. 520 x 413mm (20½ x 16¼"). £160 [A. Appiani pinx.t F. Bartolozzi R.A. Sculp.t.] Francois Guizot (1787-1874)), the French historian, [London, Published as the Act directs, June 10. 1802, orator and statesman. He was a dominant figure in by G. Bartolozzi, No.82 Wells Street, Oxford Street.] French politics prior to the Revolution of 1848, a Unfinished proof impression before letters. Stipple conservative liberal who opposed the attempt by King with etching. Platemark 497 x 415mm. (19½ x 16".) Charles X to usurp legislativve power, and worked to Creases to sheet. Some marks to surface. Trimmed to sustain a constitutional monarchy following the July plate at sides. £550 Revolution of 1830. After holding office as Minister of Portrait of a young Napoleon I, Emperor of France Education, ambassador to London and Foreign (1769-1821) holding a sabre and wearing a frogged Minister, he finally became Prime Minister of France coat with a high collar and broad sash around his waist. from September 1847 to Febbruary 1848. His influence After Italian neoclassical painter Andrea Appiani (1754 was critical in expanding public education, which - 1817), who was made pensioned artist to the under his ministry saw the crreation of primary schools Kingdom of by Napoleon, but lost his allowance in every French commune. after the events of 1814 and fell into poverty. During Stock: 34631 his stint as court painter he rendered portraits of Napoleon annd the chief personages of his regime. De 98. [France.] Krantz. Vemse: 766. iii. Paul Maurou Dess. d'apres la photog Truchelut. Imp. Stock: 34140 Lemercier & Cie., Paris. [n.d. c.1880.] Lithograph, with very large margins, rare. 451 x 95. [France] Le C.te de la Bourdonnaye. 316mm (17¾ x 12½"). £130 Député de Maine et Loire. Jean Baptiste Sebastien Krantz (1817-1899), the Louise de C*** 1823. Litho. de Marlet / Lenoir French engineer and politician. He was responsible for Scrip.t. the 1867 Paris Universal Exhibition. He spent twenty Lithograph with very large margins, printed area 170 x years developing the French railway system and gave 190mm (6¾ x 7½"). Crease upper left. £130 advice to Matsukata of Japan. The two studied the topographical maps of Japann and Krantz suggested that the first major undertaking should be a line from the eve of her seventeenth biirthday, exchanged for Tokyo to Osaka. Nicolas Marie Quinette, who had been captured by the Stock: 34646 Austrians. After exile in England she returned to France with the fall of Napolleon, and during the 99. [France] S.N.H. Linguet. Hundred Days she remained at Bordeaux until Aug.s. de S.t. Aubin ad vivam del. et. sculp, 1773. Napoleon's troops came to arrrest her. When she agreed Line engravinng. 130 x 185mm, (5 x 7¼"). Trimmed to leave to save the city from civil war Napoléon within plate. £75 remarked that she was the 'only man in her family'. Ex. Portrait of Simon-Nicholas Henri Linguet (1736-1794) Collection of the Hon.Christtoopher Lennox-Boyd. Not a French journalist and advocate who was imprisoned in CS; or Whitman. in the Bastille following a caustic attack on the duc de Stock: 34418 Duras in 1780. Beneath the portrait are stacked books labelled with the names of philosophers and lawyers 101. [France.] M. Odilon Barrot. whilst another book is resting open at a page titled Painted by Camille Sebere. Lith.d by C. Couzens. 'Plaidoyers et Mémoires pour le Comte de Morangiés Published by T. Mc.Lean 26,, Haymarket. M & N. 1772-1773' which was the title of Linguet's legal Hanhart lith. Printers. [n.d. c.1850.] treatise published in 1773. Lithograph, rare. 520 x 413mm (20½ x 16¼"). £160 Stock: 35356 Camille Hyacinthe Odilon Barrot (1791-1873), was a French politician who was brriefly head of the council of ministers under Prince Loouuis Napoleon in 1848-49, serving as the 27th Prime Miinister of France. Stock: 34632

102. [France] Jean Armand du Plessis Cardinal Duc de Richelieu. [after Philippe de Champaigne, c.1700.] Engraving with very large margins, platemark 275 x 205mm (10¾ x 8"). Crease loower right. £120 Book page with portrait of Cardinal Richelieu (Armand Jean du Plessis, 1585-1642), clergyman and statesman who became Louis XIV's first chief minister. He was also a famous patron of the arts and author of several boooks. Stock: 34252

103. [France.] De Pradt Ancien Archeveque de Malines. David 1830.. [after David D'Angers.] Engraving on india with large margins, rare. Plate 241 100. [France] Princess Maria Charlotte x 221mm (9½ x 8¾"). £70 Theresa, Daughter of Lewis XVI Born Oct.r From a Medallion by David DD'Angers. 19th 1778. From a Miniature Painting taken at Dominique-Georges-Frederic Dufour de Pradt (1759- her Arrival at Basle Dec.r 26, 1795. to be 1837), the French clergyman and ambassador. In 1804 he became a secretary of Napoleon and in 1808 he was exchanged for the Deputies and French appointed as archbishop of Mechelen. In 1812 he was Ministers Prisoners in Germany, To Her Royyal awarded the position of the French ambassador in Highness Charlotte Augusta Matilda Princess Warsaw, preparing the Conccoordat of 1813. Royal of Great Britain, This Plate is with Stock: 34691 permission humbly Dedicated by her Royal Highnesses most Obed.t and devoted Servant, 104. [France.] Achile Roche. David 1831. Chr. de Mechel. [after David D'Angers.] Painted by Charles Dabos. Engraved by Valentine Engraving on india. Plate 247 x 215mm (9¾ x 8½"). Green Mezzotinto Engraver to his Majesty and the £90 Elector Palatine. London Pub.d March 29th 1796 by From a Medallion by David DD'Angers. Chr. de Mechel of Basle in Switzerland to be had of his Achille Roche (1801-1834), the French revolutionary Agent C. Geisweiler No 97 Jermyn Street, St James's. and journalist who was born in Paris. After serving as Coloured mezzotint, partially colour-printed, with secretary to Benjamin Constant, Roche wrote political small margins, very scarce; 300 x 225mm (11¾ x 5"). novels and, in 1825, history of the French Revolution. Small repaired tear. £260 A great admirer of Robespierrre, he praised the Reign of Marie Thérèse Charlotte (1778-1851), eldest child of Terror in his introductions to 'Memoires de Lavasseur Louis XVI and Marie Antoinette. Imprisoned in the de la Sarthe'. As a consequence, he spent four months Temple Tower, she survived as the rest of her family in prison. He joined the Sociiety of Friends of the were executed or died of illness, and was released onn Constitution and formed the jjournal 'Mouvement'. Following its confiscation in 1832, Roche became hussars during the Seven Yeaars' War against the editor of the 'Tribune' and publisher of the 'Patriote de French. He joined the French army in 1763 with the l'Allier' in Moulins, where he died. rank of lieutenant general annd in 1784 he was made a Stock: 34641 Danish count. He supported the French Revolution, and the year 1791 105. [Germany] Carolus George Augustus, saw Luckner being made a Marshal of France. He was Erfprins van Brunswyk Wolfenbuttel .&.&.&. arrested by the Revolutionary Tribunal and sentenced [engraved by Charles Howard Hodges, c.1800] to death. He died by the guilllotine in Paris in 1794. The Mezzotint with very large margins, rare; platemark 4330 beell tower of the town hall in the Bavarian town of x 310mm (17 x 12¼"). Creasing. £220 Cham rings the Marseillaise every day at 12.05 p.m. to Prince Charles George Augustus of Brunswick- commemorate the city's mostt famous son. Wolfenbüttel (1766-1806), son of Princess Augusta Stock: 34385 Charlotte, Duchess of Brunswick-Wolfenbüttel. Ex collection of the late Hon. C. Lennox-Boyd; Lugt L.1272 Not in CS. Stock: 34032

106. [Germany] His most Serene Highness Charles Hereditary Prince of Brunswick & Lunenberg I.G. Qisenis [Ziesenis] pinx.t / R. Houston fecit [Printed for John Bowles, in Cornhill, & Carington Bowles, in St Pauls Church Yard, London] Mezzotint, rare; sheet 145 x 115mm (5¾ x 4½"). Trimmed inside platemark, losing publication line; glued to backing sheet. £120 Charles II, Duke of Brunswick-Luneberg (1735-1806), nephew of Friedrich II of Prussia. In 1764 he married Augusta, daughter of Frederick, Prince of Wales, and in 1780 succeeded his father as Duke of Brunswick. His 'Brunswick manifesto' threatening France and ordering the restoring of monarchy (25 July 1792), led to the fall of the Tuileries and the imprisonment of the royal family.. Later that year Charles led the Austro- 109. [Germany] The true Effigies of the Most Prussian army against the French revolutionaries but Illustrious Princess Anna Sophia of Hanover lost at Valmy. He died in battle at Auerstedt in 1806. declared by a late Act off Parliament for Engraved after the portrait by Johann Georg Zieseniss settling the Succession in ye Protestant line to (1716-1776), Danish painter who became court artistt to succeed to the Crown of England after Her George II in Hannover in 1760. CS 14 Stock: 35276 Ma.tie Queen Ann and Her Royal Issue. Done from ye Original brought from Hanover by ye 107. [Germany] Louis Prince d'Oettingen- R.t Hon.ble Tho: L.d Raaby and dedicated to his Wallerstein. Lordshirep by his most humble Servant I.B. [n.d. c.1840.] I. Simon fec: [but William Faaithorne.] Cum Privilegio. Stipple. 112 x 76mm (4½ x 3"). £50 Sold by John Bowles oppositte to Stocks Mark:t & at Ludwig Kraft Ernst, Prince of Oettingen-Wallerstein Mercers Hall Cheapside. [n.d., c.1725.] (1791-1870), succeeded his father as ruling Furst in Mezzotint with large marginnss. Sheet 350 x 260mm 1802 and losst his sovereingty in 1806 due to (13¾ x 10¼"). £270 Mediatisation. He served as minister of the interior in Princess Sophia, Electress off Hanover (1630-1714). As the Kingdom of Bavaria between 1832 and 1837, and a granddaughter of James I she was declared heiress as foreign minister in 1848-49. prresumptive to Queen Anne by the Act of Settlement Stock: 34651 1701. However she died justt two months before Anne, so her son became George I. 108. [Germany] General Luckner. Although Simon has signed tthe plate he only made Engraved byy Ridley. [n.d., c.1800.] alterations to the plate by Faiithorne. CS 38, state iii of Stipple. Sheet size: 130 x 90mm (5¼ x 3¾"). Trimmed iii. Ex Collection of the Hon.. Christopher Lennox- inside platemark. £50 Boyd. Not in Fagan. Stock: 34370 A portrait of Nikolaus, Count Luckner (1722 - 1794), facing left, in military costume, in an oval. Luckner was a German in French service who rose to become a 110. [Germany] The most Illustrious Princess Marshal of France. Before entering the French service, Anna Sophia of Hanover declared by a late Luckner had spent time in the Bavarian, Dutch and Act to Succeed to ye Croown of England after Hanoverian armies. He fought as a commander of Her Majestie Queen Ann and Her Royal Issue. [W. Faithorne fe. Cum Privilegio Regis. E. Cooper ex.] Following the French conquest of Corsica in 1768, [n.d., c.1710.] Paoli oversaw the Corsican rresistance. Following the Mezzotint. Sheet 205 x 145mm (8 x 5¾"). Trimmed defeat of Corsican forces at tthe Battle of Ponte Novu, within plate, losing engraver & publisher's name. £120 he was forced into exile in Britain where he was a Princess Sophia, Electress of Hanover (1630-1714). As celebrated figure. He returneed after the French a granddaughter of James I she was declared heiress Revolution which he was iniittially supportive of. He presumptive to Queen Anne by the Act of Settlement later broke with the revolutionaries and helped to 1701. However she died just two months before Anne, create the Anglo-Corsican Kingdom which lasted so her son became George I. CS 38a, state i of ii 'One beetween 1794 and 1796. After the island was re- known'. Ex Collection of the Hon. Christopher Lennox- occupied by France he againn went into exile in Britain Boyd. Not in Fagan. where he died in 1807. Stock: 34369 Stock: 34337

111. [Germany] The most Illustrious Princess Anna Sophia of Hanover declared by a late Act to Succeed to ye Crown of England after Her Majestie Queen Ann and Her Royal Issue. [Engraved by William Faithorne.] Printed & Sold by Tho: Bakewell next the Horn Tavern in Fleetstreet. [n.d., c.1740.] Mezzotint. Sheet 205 x 145mm (8 x 5¾"). Narrow margins. £260 Princess Sophia, Electress of Hanover (1630-1714). As a granddaughter of James I she was declared heiress presumptive to Queen Anne by the Act of Settlement 1701. However she died just two months before Anne, so her son became George I. NPG D9137. CS 38a, state ii of ii, with jewels on the bodice.. Ex Collection of the Hon. Christopher Lennox-Boyd. Not in Fagan. Stock: 34368

112. [India] Aboo Taleb Khan. Eng.d by Ridley from an original Picture Painted by Drummond. [European Magazine. n.d., c.1801.] Stipple. Sheet size: 127 x 108mm (4¾ x 4¼"). Trimmed inside platemark. Glued to backing sheet. 114. Peter August, gebohrner Kalmuck in Light surface mark to upper right edge. £65 Thro. Königl: Mayz: und Churfurstl: Durchl: A portrait of Mirza Abu Taleb Khan (1752-1806), an zu Sachszen Cammer auusswarter Indian of Perso-Turkish descent, a Muslim scholar who Pet: Schenkius Schulpt: Regiius. Cum Privil: Amstelod: travelled to Africa and Europe in the years 1799 - 1708. 1803. Khan is the best-known of the early Indian travel Mezzotint, rare. Sheet 265 x 180mm (10½ x 7"), with writers on the West, thanks largely to Charles collector's stamp on reverse. Trimmed within plate. Stewart’s 'Travels of Mirza Abu Taleb Khan' (Londonn, £320 1814), an english translation of ‘The Travels of Taleb A half-length portrait of a Kalmyk, a servant of the in the Regions of Europe'. He sailed to England via the Elector of Saxony. Ex: Collection of the Hon. Cape of Goood Hope, landing first in Ireland in 1799. Christopher Lennox-Boyd. Lugt 357. After some time in Dublin, he moved on to London, Stock: 34127 where he rented lodgings and observed the life and customs of the natives, much as European travelers to 115. [Malta] G.M. de Malte. Asia would do. [Paris, 1683.] Stock: 34390 Engraving. 150 x 105mm (6 x 4¼"). Very slight crease on right. £160 113. [Italy] Pascal Paoli. General of the The costume of the Grand Master of the Knights of Corsicans. Engrav'd from the Original Malta, published in Alain Manesson Mallet's Painting, 'Description de l'Univers', an encyclopedic work Bembridge pinx.t. Miller sc. [n.d., c. 1800.] Stock: 34003 Engraving with large margins. Platemark: 140 x 95mm (5½ x 3¾"). Laid on backing sheet. £95 116. [Netherlands] General Ginckle. A portrait in a decorative oval of Filippo Antonio J. Chapman sc. Publish'd as tthe Act directs 1. May Pasquale di Paoli (1725 - 1807). Paoli was a Corsican 1799. patriot and leader, the president of the Executive Stipple with small margins. Platemark: 165 x 115mm Council of the General Diet of the People of Corsica (6½ x 4½"). £50 who designed and wrote the Constitution of the state. Godert de Ginkell, 1st Earl of Athlone, (1630 - 1703) Poniatowski was the last King and Grand Duke of the was a Dutch military general in the service of England. Polish–Lithuanian Commonwealth (1764–95) and was He entered the Dutch cavalry as an officer, receiving recognised as a great patron oof the arts and sciences his first commission at the age of 12 and in 1688, he and a supporter of progressive reforms. Arriving at the accompanied William, Prince of Orange, in his Russian imperial court in Saiint Petersburg in 1755, he expedition to England, the 'Glorious Revolution' which beecame romantically involved with the twenty-six- deposed James II. General Ginkell was entrusted with year-old Catherine Alexeievna (the future Empress the conduct of the war in Ireland and took command in Catherine the Great). With heer support, in 1764 he was the spring of 1691. For his efforts he received the elected king of Poland. Againnst expectations, he formal thanks of the House of Commons, and was attempted to reform and strengthen the ailing given the titles of 1st Earl of Athlone and Baron of Commonwealth. His efforts were met with external Aughrim. Ginkell was succeeded in 1703 by his eldest opposition from Prussia, Russia and Austria, all son the 2nd earl (1668 - 1719), a distinguished soldier interested in keeping the Commonwealth weak. The in the reigns of William III and Queen Anne. reforms were overthrown folllowing a succession of Stock: 34583 wars which led to the Partitions of Poland, marking the end of the Commonwealth. Stripped of all meaningful 117. His Serene Highness Will.m Charles poower, Poniatowski abdicated in November 1795 and Henry Friso Prince of Orange & of Nassau &c. spent the last years of his life in semi-captivity in Saint Stadholder, Admiral, & Captain General of the Petersburg. Stock: 34388 United Provinces. Peint par P. V. Dyk Printed for T. Bowles in St Pauls Church Yard, & J. Bowles at ye Black Horse in Cornhill Mezzotint with large margins, very fine; platemark 3555 x 255mm (14 x 10"). Glued to backing sheet at corners. £320 William IV, Prince of Orange-Nassau (1711-1751), the first hereditaary Stadtholder of the Netherlands. After a portrait by Philip van Dijk (1680-1753), who paintedd William several times. This print appears to have been first published with verses in Dutch below, and the text subsequently replaced with one in English. Ex: collection of the late Hon. C. Lennox-Boyd; CS Fabeer 270 ii/ii Stock: 34115

118. [Poland] General Kościusko. Commander in chief of the Polish Army. Published as the Act directs [n.d., c. 1790]. Stipple with etching, small margins. Platemark: 165 x 112mm (6½ x 4½"). £65 A portrait, in an oval, of General Tadeusz Kościuszko (1746 - 1817), a Polish military engineer and a military leader who became a national hero in Poland, Belaruss, and the United States. He fought in the Polish- 120. [Poland] Sophia Countess Zamoyski. Lithuanian Commonwealth's struggles against Russia Born Princess Czartorski. and Prussia, and on the American side in the American Isabel del.t. Agar sculp.t. London, Pub. Jan.y 1, 1804, Revolutionary War. As Supreme Commander of the at R. Ackermann's Gallery, 101 Strand. Polish National Armed Forces, he led the 1794 Stipple, with large margins, very rare. 345 x 280mm Kościuszko Uprising. (13¾ x 11"). Slight repaired hole in crown. £330 Stock: 34427 Countess Sophie Zamoyska ((1780-1837), a renowned beeauty of the Napoleonic perriod. Daughter of Prince 119. [Poland] [Stanislaus Augustus Adam Kazimierz Czartoryski, she married Stanislaw Poniatowski. King of Poland.] Kostka Zamoyski in 1798. Shhe died in Florence: her Le Brun pinx.t D. Orme sc.t. [n.d., c.1792.] tomb, sculpted by Lorenzo Bartolini, is in S. Croce. Stock: 35041 Stipple, rare. Sheet size: 127 x 100mm (5 x 4"). Trimmed inside platemark. Laid on backing sheet. £120 121. [Portugal] Donna Maria. A half length portrait of Stanislaus August Poniatowski [Anon, c.1840] (1732 - 1798), inclined slightly to left, with powdered Pen lithograph, printed area 1155 x 105mm (6 x 4"). hair, fur coat with a star of the White Eagle, and a Crease; slight fof xing. £60 white ruffle. In an oval. Dona Maria II (1819-53), quueen regent of Portugal and the Algarves from 1826-28, and from 1834-53, here portrayed at the age of around thirteen. Maria had been the Netherlands, the founder of the present Dutch nominated by the elderly King Joao VI to serve as monarchy. regent (as his favoured son Pedro was emperor of Stock: 35332 Brazil), but in 1828 the Joao's exiled son Miguel deposed Maria, proclaiming himself king. Thereafterr Maria travelled to various European courts in search of support. Pedro later joined forces with Maria, warring with Miguel and forcing him to abdicate, restoring Maria to the throne. From a series of portraits by lithographer Antoine Maurin dit l'aîné (1793 - 1860). Stock: 35274

122. [Portugal] Dom Miguel. A. Maurin 1832 [in image] / Lith. de Lemercier rue du Four S.G. No.35 Paris chez Chaillou Editeur rue St Honoré No. 140 Lithograph, image 165 x 110mm (6½ x 4½"). Wove paper; uncut sheet; foxing; publisher's blindstamp. £90 Miguel I (1802-66), King of Portugal (1828-34). A son of João VI, Miguel revolted against his father, who exiled him to Vienna. After the death of João VI, the heir-apparent Pedro remained in Brazil, where he had become Emperor. Pedro abdicated the portuguese throne in favour of his daughter Maria regent of 125. [Prussia] [Blücher] To his Royal Portugal, but Miguel deposed her in 1828, with the Highness the Duke of Gllooucester, Chancellor of support of the British Prime Minister, the Duke of the University of Cambrriidge This Print of Wellington. In 1831 Pedro abdicated the Brazilian Prince Blucher, in the Costume of D.r in Civil throne and led an invasion of Portugal, beginning a Law of that University, is Humbly Dedicated, three-year civil war which ended with Miguel by His Royal Highnessess most obedient abdicating. He spent the rest of his life in exile in Italy, Servant W. Mason. England and Germany. W. Mason del.t. J. Swaine sc. Pub.d Oct.r 5 1815 by From a series of portraits by lithographer Antoine W. Mason, near the Hospitall, Cambridge. Maurin dit l'aîné (1793 - 1860). For Maria II, see ref.f. Aquatint. 330 x 235mm (13 x 9¼"). Scuffing lower 34516; for Pedro, see 34519; for a British satire right. Bit dusty. £130 criticizing Wellington's stance towards Miguel, see ref. Portrait of Gebhard Leberecht von Blücher, Marshal of 30580. the Prussian armies at the baatttles of Liepzig and Stock: 34520 Waterloo, in which the French, under the personal command of Napoleon, were defeated. 123. [Portugal] D. Sebastiaõ Monteÿroda Stock: 34262 Vide Arcebispo de Bahia do Conselho de sua Magestade. 126. [Prussia] William FFrederic King of N. Oddi sculpp. [n.d., c.1720.] Prussia. Drawn from the Life/ Engraving with large margins. 225 x 160mm (9 x 6¼"). Published by S. Phillips July 21 1814 Wormhole in image. £75 Etching with very large margins, platemark 205 x [To Finish?] 150mm (8 x 6"). Fine impression; foxing; crease Stock: 34983 through title; tipped into album sheet. Rare. £120 Friedrich Wilhelm III (1770--1840) was King of Prussia 124. [Prussia] G.L. von Blucher. Field from 1797 to his death, rulinng during the tut rbulent Marshal of the Prussian Forces from an peeriod of the Napoleonic Wars. Having attempted to Original Drrawing by Her Royal Highness puursue a policy of neutrality,, Friedrich Wilhelm Princess Wilhelmina of Prussia. entered the war in 1806. This portrait was published London: Pub: March 10 1814 at R. Ackermanns soon after the Treaty of Paris in May 1814, which Repository of Arts, 101 Strand. established peace in Europe, in the wake of Napoleon's Stipple, with very large margins, rare. 305 x 255mm capture and exile to Elba, altthhough his return and the (12 x 10"). £260 Battle of Waterloo still lay ahead. Sketch portrait of Gebhard Leberecht von Blücher, Probably from a drawing by Thomas Phillips made at Marshal of the Prussian armies at the battles of Liepzig the time of the visit of the Alllied Sovereigns to and Waterloo, in which the French, under the personal England in June 1814 to celebrate the Peace of Paris. command of Napoleon, were defeated. The artist, In 1817 Phillips (who also had the rare distinction of Wilhelmina of Prussia (1751-1820) was consort of having painted Napoleon froom life, in 1802) painted a William V of Orange and mother of King William I of large canvas (now in Petwortth House, Sussex) commemorating the event, showing Friedrich Wilhellm of Poland (1772) and when on two diplomatic missions in profile. to France in the 1780s. He atttempted to become king of Stock: 34934 Poland, and Friedrich Wilhellm von Steuben, a Prussian general who served in the Continental Army, suggested 127. [Prussia] Frederick William III. King of to Alexander Hamilton that Henry should become Prussia. President or King of the Unitted States, a short-lived Fred.k Bolt del.t. Berlin. H. Meyer sculp.t. Publishedd poossibility. July 16, 1814 by R. Ackermann, 101 Strand. Von Wittenberg joined the Prussian army in 1775; in Stipple with very large margins, fine. 305 x 230mm 1793 he became the royal aide-de-camp, serving the (12 x 9"). Paapper watermaked 'J. Whatman 1810'. King directly. He fought through the Napoleonic Wars Uncut. £120 and commanded the VI. Armeekorps during the Friedrich Wilhelm III (1770-1840), King of Prussia Hundred Days; however Waatterloo had been fought from 1797 to his death. beefore he reached France. A sscarce portrait, only Stock: 35330 acquired by the BM in 2010 (2010,07081.6487, lettered state). Stock: 34635

129. [Russia] Alexander 1st. Emperor of Russia. C.MF. Dien sc. London, Pub. June 14 - 1814, by Hassell & Rickards, 344, Strrand. Engraving with very large margins, platemark 185 x 130mm (7¼ x 5"). Good impression. £160 Alexander I (1777-1825) serrvved as Emperor of Russia from 1801 to 1825, and the ffirst Russian King of Poland from 1815 to 1825. He was also the first Russian Grand Duke of Finland and Lithuania. Stock: 35230

130. [Russia] Alexander Emperor of Russia. Drawn from the Life. Published by S. Phillips, Jully 21 1814 Etching with very large margins, platemark 205 x 150mm (8 x 6"). Fine impression; slight foxing; tipped into album sheet. Rare. £220 Alexander I of Russia (1777--1825), known as Alexander the Blessed, Tzar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania. Probably from a drawing by Thomas Phillips made at the time of the visit of the Alllied Sovereigns to England in June 1814 to celebrate the Peace of Paris. In 1817 Phillips (who also had the rare distinction of having painted Napoleon froom life, in 1802) painted a large canvas (now in Petwortth House, Sussex) commemorating the event, showing Alexander. 128. [Prussia] [Frederic Henri Louis Prince Stock: 34935 de Prusse. le Capitaine de Tauentzien. Dedié a Monsigneur le Duc de Nivernois L.E par son 131. [Russia] Nicolas 1..er. Empereur de tres humblle Obeissant Serviteur Jean Marc Russie Pascal.] A. Maurin 1832 [in image] / Lith. de Lemercier rue du [Cuningham pinxit. C. Townley Graveur du Roi Four S.G. No.35 Paris chez Chaillou Editeur rue St Sculp.] [Berlin Mois de May, 1787.] Honoré No. 140 Mezzotint, proof before title. Plate: 390 x 650mm (15¾ Lithograph, image 180 x 110mm (7 x 4¼"). Wove x 25½"). Fraamed. Unexamined out of frame. £480 paaper; uncut sheet; publisherr's blindstamp. £130 Full length portraits of Friedrich Heinrich Ludwig Nicholas I (1796-1855), Emperor of Russia from 1825 (1726-1802), Prince of Prussia, and Bogislav Friedrich until his death. Although he lled the Imperial Russian Emmanuel (1760 -1824), Graf Tauentzein von Army in the unsuccessful Crriimean War, Nicholas Wittenberg. helped to create an independdent Greek state and seized The prince, shown here wearing the Star of the Order several territories in the Caucasus, defeating the of the Black Eagle, was the brother of Frederick II the Ottoman and Persian Empires in the wars of the 1820s. Great, with whom he rowed frequently. As a general Under his rule, the Russian Empire reached its greatest during the Seven Years' War (1756–1763) he never lost extent of over 20 million square kilometres. a battle, as a diplomat he helped plan the First Partition From a series of portraits by lithographer Antoine baattle, and he was famed for his military manual 'The Maurin dit l'aîné (1793 - 1860). For Nicholas Science of Victory'. triumphant in battle see ref. 29832; for satirical This print was published in 1799, soon after Suvorov representations of Nicholas see refs. 22270 and 30550. (aged 68) led his forces to viicctories at Cassano d'Adda Stock: 34514 and Trebbia in the Italian campaign which contributed to driving French troops from Italy and therefore 132. [Russsia] The Hetman Platoff. ensured his popularity in England. Rambauer Pinx.t / H.R. Cook Sculp.t London, Pub. Stock: 35227 June 20 1814 by Colnaghi & Co 23 Cockspur Street. Soft-ground etching with very large margins, 134. [Russia] Count Wiittgenstein. Lieutenant platemark 280 x 220mm (11 x 8¾"). Slight stain on General of the Imperial Russian Armies. right. £160 Engrav'd by Facius, after a sketch lately arrived from Count Matvei Ivanovich Platov (1757-1818), Russian Russia. general and 'hetman' of the Don Cossacks during the Stipple. Sheet size: 185 x 1200mm (7¼ x 4¾"). Napoleonic wars. His horsemen scourged the French Trimmed inside platemark. £65 during their retreat from Moscow in 1812 and again Ludwig Adolph Peter, Prince Wittgenstein (1769 - after their deefeat at the Battle of Leipzig, 1813. He 1843) was a Russian Field Marshal distinguished for accompanied Alexander I to London where he received his services in the Napoleoniic wars. He was promoted an honorary degree from the University of Oxford and to Major in 1793 of the Ukrainian light cavalry was painted by Sir Thomas Lawrence for the Waterloo regiment. He fought with the unit in the Kościuszko Chamber at Windsor Castle. Uprising. In 1800 he took coommand of the Mariupolski Stock: 35232 Hussars Regiment and lead thhe Russian army in numerous campaigns. In 1828 he was appointed to command the Russian army iin the war against Turkey, buut ill health soon obliged hiim to retire. In 1834 the King of Prussia gave him the title of Fürst (Prince) zu Sayn-Wittgenstein. Stock: 34453

135. [Russia] General Wittgenstein. [n.d., c. 1810]. Stipple. Sheet: 125 x 170mm, (5 x 6¾"). Scuffing and surface dirt. £45 Half-portrait of Ludwig Adoolf Peter Prince Wittgenstein (1769-1845), a Russian Feild Marshall who was distinguished for services during the Napoleonic Wars. Stock: 34494

136. [Savoy] [Tommaso Francesco, Prince of Savoy-Carignan.] Serenissimo Principi Francisco Thomae a Sabaudi a Principi Carigniani etc [...] Ant. van Dyck pinxit / Paulus Pontius sculpsit Gillis Hendricx excudit Antw. [c.16635] Etching with small margins, platemark 390 x 295mm (15¼ x 11½"). Horizontal folld; glued at edge to baacking sheet along left edge. £260 Tommaso Franesco di Savoia (1596-1656), Captain- general of Spanish troops in the Netherlands and 133. [Russsia] Field Marshal Count Alexander brriefly provisional regent folllowing the death of Suwarrow Rimniskoy Commander in Chief of Archduchess Isabella in 1633. In 1642 he changed the Combined Armies in Italy. sides and started fighting forr the French against the C. Hamper del. / N. Schiavonetti Sculp. London Spaniards. Publish'd June 21st 1799 by Messrs Schiavonetti, Noo Stock: 34845 12 Michaels Place Brompton. Sitpple with very large margins, very fine; platemarkk 137. [Spain] Le G.al Miina. 355 x 250mm (14 x 10"). Mint. £330 Lith. de Lemercier rue du Four S.G. No.35 Paris chez Aleksandr Vasilyevich Suvorov (1729-1800), Russiaan Chaillou Editeur rue St Honoré No. 140 military commander. He was the fourth and last Lithograph, image 175 x 120mm (7 x 4¾"). Wove generalissimo of the Russian Empire. He was one of paaper; uncut sheet; foxing too margins; publisher's the few great generals in history who never lost a bllindstamp. £90 Francisco Espoz Ilundain (1781-1836), better known as 140. [Sweden] Charles Jean XIV. Roi de Francisco Espoz y Mina, Spanish guerilla and general. Suède et de Norvege. Espoz y Mina first established himself running a A. Maurin 1836 [in image] / Lith. de Lemercier rue du guerilla group after Napoleon actions in Spain in 1810, Four S.G. No.35 Paris chez Chaillou Editeur rue St and soon after the national government made him a Honoré No. 140 commander-iin-chief. Later in the Peninsular Wars he Lithograph, image 155 x 130mm (6 x 5"). Wove paper; served under the Duke of Wellington. The restoration uncut sheet; foxing to margins; publisher's blindstamp. of Ferdinand VII saw him fall from favour, and he tried £120 to organise two uprisings against the king. Having Charles XIV John (1763-1844), king of Sweden and escaped to England, he returned to Spain following Norway. Born Jean Bernadottte in France, he served as Ferdinand's death, although the government continueed a general in Napoleon's army before being stripped of to fear his radicalism. his command for acting conttrrary to Napoleon's From a series of portraits by lithographer Antoine commands. He was then uneexpectedly elected the heir- Maurin dit l'aîné (1793 - 1860). prresumptive to the elderly swedish king Charles XIII, Stock: 34515 assuming the throne in 1818 and ruling until his death. From a series of portraits of EEuropean monarchs by 138. [Spain] Don Carlos. lithographer Antoine Maurin dit l'aîné (1793 - 1860). [After Maurin.] Lith. de Lemercier rue du Four S.G. Foor Bernadotte when a soldiier, see ref. 28215. No.35. A Paris chez Chaillou Editeur rue St Honoré Stock: 34521 No. 140. Lithograph, image 165 x 135mm (6½ x 5"). Wove paper; uncut sheet; foxing; publisher's blindstamp. £95 The Infante Carlos of Spain (1788-1855), son of Charles IV of Spain and first of the Carlist claimants to the Spanish throne. Shortly before his death, Carlos' brother king Ferdinand VII had changed the law (the 'Pragmatic Sanction') to permit his daughter Isabella to succeed to the throne. Carlos' claim to the throne was founded upon the illegality of the Pragmatic Sanction. From this dispute the First Carlist War took place in the 1830s, only definitively concluding in 1840, by which time Carlos had left Spain for France. From a series of portraits of European monarchs by lithographer Antoine Maurin dit l'aîné (1793 - 1860). Stock: 34522

139. [Spain] Marie Christine, Reine d'Espagne A. Maurin 1833 [in image] / Lith. de Lemercier rue du Four S.G. No.35 Paris chez Chaillou Editeur rue St Honoré No. 140 141. [Sweden] Gustavo Adolpho par la Grace Lithograph, image 175 x 125mm (7 x 5"). Wove paper; de Dieu de Suede. uncut sheet; foxing to margins; publisher's blindstamp. [n.d., c.1700.] £95 Engraving with very large margins, platemark 280 x Maria Christina of the Two Sicilies (1806-78), Queen 210mm (11 x 8¼"). £160 consort of Spain (1829-33) and Regent of Spain (18333- Gustav II Adolf, king of Sweden (1594-1632), who 40). Maria Christina married the Spanish king laid the foundations for the modern Swedish state and Ferdinand VII in 1829, becoming regent for her made it a major European power. Engraving after van daughter Isabella (the future Queen Isabella II of Dyck, with elaborate allegoriical border, from a French Spain). During the Carlist Wars (which ensued when puublication. Isabella's uncle Infante Carlos, Count of Molina tried Stock: 34253 to seize power), Maria Christina retained the throne for her daughter. Soon after the death of Ferdinand VII in 142. William Dakin Gent. Mag. Oct.r 1800 1833, Maria Christina secretly married a royal guard, Agustín Fernando Muñoz (1808-73), as to remarry Pl.1 publicly would have forfeited her regency. Eventually, Branscomb, Newbury Pinx.t 1800 / B. Sc. Published by the marriage became public and, as her position Nichols & Son Nov.r 1st 1800 became increasingly intolerable, Maria Christina Engraving, sheet 210 x 125mm (8¼ x 5"). Trimmed renounced the regency and left Spain with Muñoz, inside platemark. £70 spending the remainder of her life in France. From a The October 1800 edition off the Gentleman's Magazine series of portraits by lithographer Antoine Maurin dit included 'Anecdotes of W. Dakin, a charitable l'aîné (1793 - 1860). For Isabella II as a child, see ref. Enthusiast', illustrated by this portrait. of Dakin. 19410. Therein, he is described as 'the famous man with the Stock: 34517 bllack beard, who goes arounnd the country distributing money to the poor, which he did in the towns of ruthless customs officer. Thiis portrait was published Reading and Henley to a large amount'. The author shortly after he helped send six smugglers to the writes that Dakin was 'not more than 45 years of age', gallows in 1749. CS: 290. Ex Collection of the Hon. and chiefly resident at Cliff Regis, near Oundle, having Christopher Lennox-Boyd. come from Yorkshire originally. Dakin was apparenttlly Stock: 34276 'infected...with the enthusiastic delirium' by a preacher, leading Dakin to 'fancy himself to be Jesus Christ'. 145. The R.t Hon.ble Laady Eleanor Butler & After several 'acts of insanity' resulting from the Miss Ponsonby "The Ladies of Llangollen". delusion, Dakin was ordered to undergo medical [Facsimile signatures bellow.] treatment by a magistrate, after which 'he has been Drawn on Stone by J.H. Lynnch. Day & Haghe Lith.rs more reasonable and cautious'. While recounting to the Queen. Ent.d at Stationer's Hall. [n.d., c.1835.] Dakin's many charitable acts, the anonymous author Tinted lithograph, very largee margins. Printed area 280 refererences Dakin's 'suspicous' morality (living for x 180mm (11 x 7"). £160 several years with a woman who had deserted her Portraits of two Irish upper-class women who husband and family to be his 'disciple') and his scandalised society by living together in complete 'dubious' poliitical opinions ('he has appeared at the isolation from society in a cottage at Plasnewydd in the head of two or three mobs'). At the time of publication vale of Llangollen, Denbighshire. Sarah Ponsonby Dakin was supposedly on a year's pilgrimage (c.1755-1831) was second cousin of Frederick dispensing of the legacy of his recently-deceased sistter. Ponsonby, 3rd Earl of Bessboorough; Lady Eleanor See 'Gentleman's Magazine', October 1800, pp.921-2. Charlotte Butler (1745? - 1829) was related to the Earls Stock: 34223 of Ormond. No one knew their names so they were just called ‘the ladies’. Theirr devotion to each other 143. Chevalier Descassau. and their eccentric manners gave them wide notoriety: Engrav'd for the Monthly Miscelany. [n.d., c.1780.] all tourists in Wales sought inntroduction to them, and Etching with large margins. Sheet 205 x 120mm. among their visitors were the writers Wordsworth, Trimmed within plate. £75 Shelley, Byron and Walter Scott, as well as the Duke Michel Descazeaux du Hally (1710-1775), adventurer. of Wellington, Josiah Wedgwood and Queen Charlotte, Having fought a duel in France he took refuge in who persuaded George III too grant them a pension. England, where he always carried his sword in case his With their servant, Mary Carryll, who died before either antagonist appeared. He was imprisoned in the Fleet of them, they lie buried in Pllasnewydd churchyard Prison for debt. under a triangular pyramid inscribed with their names. Stock: 34058 Their house in now a museum. NPG: D14047. Stock: 34613

146. Alexander Selkirkk.. Craig del. Warren Sc. Publisshh'd by Nuttall, Fisher & Co. Liverpool, Oct. 24 1814.. Engraving, rare. Sheet 210 x 140mm (8¼ x 5½"). £130 Alexander Selkirk (1676-1721), Scottish privateer and castaway, the inspiration for Robinson Crusoe. He spent four years marooned on Juan Fernández, an uninhabited island in the South Pacific Ocean. Stock: 34454

147. The Hon. Mr. Justice Burrough Painted by T. Phillips Esq.r R.A. / Engraved by T. Lupton P.P. 1827 Mezzotint with very large maargins, rare; platemark 540 x 400mm (21¼ x 15¾"). Slight foxing around edges. £260 Sir James Burrough (1749-18837), judge. Burrough was a commissioner of bankrupts (in which position Lord Eldon, as chancellor, began asking Burrough's advice) and a recorder amongst otherr positions before being 144. John Pixley from Ipswich in Suffolk. For appointed as a judge unusuallly late in life, in 1816. He your King and Country Prove True, / You willl retired due to ill-health in 18830. He was buried in the be Loved and have your Due. Temple Church in London, and a monument to him is D. Morier Mory Pinx.t. I. Faber Fecit, 1749. in Laverstock church, Wiltshire. Mezzotint with small margins. 355 x 255mm (14 x Engraved after the portrait by Thomas Phillips (1770- 10"). Fine image. £330 1845), whose over 700 portraits record the leading John Pixley, an East Anglian smuggler was caught peersonalities of his time Ex: Collection of the Late bringing a considerable quantity of brandy ashore in Hon. C. Lennox-Boyd 1740. Paying a large fine he was released from prison Stock: 34942 and, turning against his former comrades, became a 148. C.H.CCameron [facsimilie signature]. 150. [John Singleton Copley.] A Sketch. Atheneum Portraits N.o. 35. Taken in the House of Lords. W.D. Lith. Day & Haghe Lith.rs. London, Pub.d. May Printed by C. Hullmandel. Published by J. Dickinson, 1836, by T. M.c.Lean 26 Haymarket. 114, New Bond Street. [n.d.,, c.1840.] Lithograph. On India. Plate: 200 x 280mm, (8 x 11"). Tinted lithograph on chine. 235 x 140mm (9¼ x 5½"). Large margins. Some papeer toning to edges. Some £65 small fox marks. £140 A full-length portrait of John Singleton Copley (1772- Half portrait of Charles Hay Cameron (1795-1880) a 1863), 1st Baron Lyndhurst, in his Lord Chancellor's jurist who was married to the celebrated photographer wig and gown. He was born in Boston, Massachusetts, Julia Margaret Cameron. A man of cultivated intellect the son of the American painter of the same name. Cameron waas friends with many prominent men of the Stock: 35320 time, inlcuding Sir Henry Taylor and Alfred Tennyson who his wife photographed. 151. Sir J.S. Copley. Hiis Majesty's Solicitor Stock: 35347 General. Sketched by A. Wivell in the House of Lords. T. Wright Sculp. London, Publiished by Tho.s Kelly, 17, Paternoster Row, Dec.r 9, 1820. Stipple and etching with large margins, fine. 175 x 125mm (6¾ x 5"). Uncut. £95 John Singleton Copley (1772-1863), 1st Baron Lyndhurst. This portrait is frroom a series of made of the legal teams representing George IV and Queen Caroline during the House off Lords' debates of the 'Pains and Penalties Bill' in 1820, by which George sought a divorce. Stock: 35327

152. Mich: Dalton Arm. Ad Tabulam Corneli de Neve, penes G. Greavves Arm. amicitill et Meritis Gul. Cole A.M.S..A.L Socius Gratio Animo, D.D.D. Mich. Tyyson Anno Dom. 1623 Etching with very large margins, platemark 145 x 130mm (5¾ x 5"). Crease upper left. £130 Michael Dalton (1564-1644)), barrister and legal writer. Dalton remains historically significant for his treatise for local magistrates and justtices of the peace, 'The Countrey Justice'. In 1622 he was named one of the masters in chancery. Stock: 35007

153. Tho.s Denman Esq.r M.P. The Queen's Solicitor General. 149. [Sir Edward Coke] Sketched by A. Wivell in the House of Lords. T. [Anon, c.1684] Wright Sculp. London, Publiished by Tho.s Kelly, 17, Engraving with large margins, 17th century Paternoster Row, Dec.r 9, 1820. watermarked paper, platemark 215 x 145mm (8½ x Stipple and etching with large margins; fine. 175 x 5¾"). £140 125mm (6¾ x 5"). Uncut. £95 Sir Edward Coke (1552-1634), lawyer, legal writer and Thomas Denman (1779-1854), 1st Baron Denman, politician, best known for his 'Commentarie upon Lord Chief Justice between 1832 and 1850, in wig and Littleton', a gloss on Thomas Littleton's 'Tenures'. This gown. This portrait is from a series of made of the legal portrait was published in the 1684 edition of that work. teams representing George IV and Queen Caroline Coke's reputation has proved long-lasting: as Allen D. during the House of Lords' debates of the 'Pains and Boyer writes (DNB), 'the nineteenth century honoured Penalties Bill' in 1820, by which George sought a Coke as an exponent of personal liberty and divorce. Denman's defence of Queen Caroline made representative government. The twentieth century the king his bitter enemy. Stock: 35326 honoured him as the prototype of the activist judge- able to draw broadly on social and economic knowledge, and not afraid to strike down laws'. O'D 4; 154. [Double portrait of John Fielding and for a portrait of Littleton from the 1684 'Commentarie', ?Sarah Fielding.] see ref. 35005. [Anon., c.1755.] Stock: 35006 Etching with large margins, rrare, platemark 165 x 115mm (6½ x 4½"). £280 Scarce double portrait of the magistrate (and half- the law it selfe"), copying the Robert Vaughan brother of novelist Henry Fielding) Sir John Fielding engraving used in the first 1628 edition. Vaughan's (1721-80) and a female, possibly his novelist wife engraving was itself probably copied from a portrait Sarah (1710-68) although no portraits of her are listed formerly in the windows of Frankley church, where in reference works such as the British Museum Littleton founded a chapel. O'D 1; for Vaughan's Catalogue of Engraved British Portraits. Ex collection engraving see ref. 18423. of the Hon. Christopher Lennox-Boyd. Stock: 35005 Stock: 34672

155. Sir J.S. Copley. His Majesty's Attorneyy General. Proof 2/6. Sketched by A. Wivell in the House of Lords & Engraved byy T. Wright. London, Published by Tho.s Kelly, 17, Paternoster Row, March 28, 1821. Stipple and etching with large margins, fine. 200 x 145mm (8 x 5¾"). Uncut. £95 Robert Gifford (1779-1826), 1st Baron Gifford, Attorney General 1819-24. This portrait is from a series of made of the legal teams representing George IV and Queeen Caroline during the House of Lords' debates of the 'Pains and Penalties Bill' in 1820, by which George sought a divorce. Stock: 35328

156. Yours faithfully, W. Grant [facsimile signature] Day & Haghe, Lith.rs to the Queen [c.1835.] Lithograph on india, very scarce; printed area approx 375 x 325mm (14¾ x 12¾"). £220 Portrait of W. Grant, at a desk with books including 'Reports on Charities'. O'D 1 (only likeness listed) Stock: 35008

157. Richaard Graves of Mickleton Esq.r. a Bencher & Reader of Lincoln’s Inn, Clerk of the Peace & Receiver General for the Countyy 159. Thomas Lowten Esq.r. T. Phillips Esq.r R.A. pinx.t. C. Turner sculp.t. London of Middlesex. He had two Wives by whom he Published Nov.r. 4. 1808, by R. Cribb & Son, 288 had Issue 19 Children, 6 sons & 13 daughterss, Holborn. & died 1669 Aged 59. Mezzotint, very fine with larrge margins. Platemark: G. Vertue Sculp. [n.d., c.1750.] 480 x 330mm (19 x 13"). Light foxing. £380 Engraving with large margins. 275 x 170mm (10¾ x A portrait of Thomas Lowten (1747 - 1814), standing 6¾"). £130 in front of a curtain, with the façade of a building in the Richard Graves (1610-69) of Mickleton, baackground. He is directed to the front, facing towards Gloucestershire, dressed in his lawyer's robes. Graves the left, wearing a dark gown, waistcoat, white amassed a fortune practising law during the Civil Wars neckerchief, frill, and a seal on a fob at his waist. A and Interregnum, becoming a Bencher of Lincoln's Inn table is in front, with papers lettered "Temple and Receiver General of Middlesex. Mansfield", "Tempe Kennyon", and book lettered "Bull Stock: 34970 Nisi Priu" in scraped letters tto the left. Lowten was a solicitor, notable as a clerk of 'Nisi 158. The true portraiture of Iudge Littleton Prius', a term generally used for all legal actions tried the Famous English Lawyer. beefore judges of the King's Bench Division. Ex [after Robert Vaughan [1684] Collection: The Honourable Christopher Lennox-Boyd. Engraving with large margins, 17th century W: 329. watermarked paper. 197 x 140mm (7¾ x 5½"). £160 Stock: 35126 Thomas Littleton (1417-1481), justice and legal writer. His celebrated treatise on tenures was printed 160. G.B. Maule [facsimile signature] Died at anonymously within a year of his death, making it the Oropesa, in Spain, on the Fourteenth of first law book printed in England, and the most September 1850. / From his friends to his successful (going through more than ninety editions). Family. Frontispiece to the 1684 edition of Sir Edward Coke's Painted by H.W. Phillips / Engraved by Francis Holl commentary on Littleton ("The First Part of the Institutes of the Lawes of England. Or, A Commentarie upon Littleton, not the name of a lawyer onely, but of Stipple engraving on india, with very large margins, 162. The Right Honoraable Sir Nicolas Tindal. platemark 400 x 320mm (15¾ x 12½"). Private plate. Lord Chief Justice of the Common Pleas. £130 Painted by Thomas Phillips, R.A. Engraved by Henry George Benjamin Maule (1811-50), barrister. An Cousins. [n.d., c.1830.] inveterate traveller, Maule was travelling across Spaiin Mezzotint on india paper, rarre. Platemark: 505 x in treacherous conditions when his stagecoach was 380mm (19¾ x 15"). Light fofoxing in margins. £290 swept off of the road, killing Maule and his fellow A portrait of Sir Nicholas Conyngham Tindal (1776 - travellers. O'D 1 (only likeness) 1846), seated, wearing a judge's robe and wig, holding Stock: 35009 a sheet in his right hand, whiich is inscribed 'In the matter of the Sergeants'. His left arm leans against a table, on which lies another piece of paper inscribed, 'The Rt Honble Sir N Tindal''. Sir Nicholas Conyngham Tindal was a celebrated English lawyer who successffully defended the then Queen of the United Kingdom, Caroline of Brunswick, at her trial for adultery in 1820. The original by Sir Thomas Phillips RA, now hangs in the Great Hall of Lincoln's Inn. Ex Collection: The Honourable Christopher Lennox-Boyd. Stock: 35117

163. John Williams Esq.r. One of Her Majesty's Counsel. Engraved by T. Wright fromm a Drawing by A. Wivell. London, Pub.d Dec.r 16, 1820 by A. Wivell, 105 G.t Tichfield Street. Stipple and etching with large margins, fine. 180 x 125mm (7 x 5"). Uncut. £95 Sir John Williams (1777-1846). This portrait is from a series made of the legal teams representing George IV and Queen Caroline during the House of Lords' debates of the 'Pains and Penalties Biill' in 1820, by which George sought a divorce. Stock: 35329 161. [Lord Stowell.] Painted by Thomas Phillips Esq.re. R.A. Engraved by 164. S.r. Sampson Wright. K.n.t. Charles Turner. Mezzotinto Engraver in Ordinary to Leney direx.t. His Majesty. London, Published June 2, 1828, by Mr. Line engraving. Sheet: 95 x 1130mm, (3¾ x 5"). Turner, 50 Warren Street, Fitzroy Square. Trimmed. £45 Mezzotint with very large margins. Proof before title. Half-length portrait in oval of Sir Sampson Wright, a Platemark: 505 x 350mm (19¾ x 13¾"). £320 London magistrate who servveed as Chief Magistrate A portrait of judge and jurist William Scott, 1st Baron beetween 1780 and 1797. Stowell (1745 - 1836), seated in an armchair, wearing a Stock: 34495 long wig, and a judge's ornate gown, with a lace tie annd ruffles. 165. The Right Hon.ble Philip Lord Scott was educated at Newcastle Royal Grammar School and Corpus Christi College at Oxford Hardwicke Baron of Hardwicke Lord High University, where he gained a Durham scholarship in Chancellor of Great Britain. 1761. He graduated as doctor of civil law and J. Wills Pinx.t / J. McArdell Fecit. Sold by Ja.s Mc. commenced ppractice in the ecclesiastical courts. His Ardell at the Golden Head next Southampton Street professional success was rapid. In 1783 he became Covent Garden. Price 2d. registrar of the court of faculties, and in 1788 judge of Mezzotint with very large maargins, platemark 355 x the consistory court and advocate-general, in that year 260mm (14 x 10¼"). Fine condition; collector's stamp too receiving the honor of knighthood. Upon the lower right. £320 coronation of George IV in 1821 he was raised to the Philip Yorke, fiirst earl of Hardwicke (1690-1764), lord peerage as Baron Stowell, of Stowell Park in the chancellor and one of Britain's greatest lawyers. County of Gloucester, taking his title from the name oof Formerly in the collection off Adolphus Frederick, his estate. After a life of judicial service Lord Stowelll Duke of Cambridge (1744-18850), son of George III retired from the bench, from the consistory court in and patron of the arts. Ex colllection of the late Hon. C. August 1821, and from the high court of admiralty in Lennox-Boyd; Lugt L.118; For a full-length portrait of December 1827. Ex Collection: The Honourable Yoorke, see ref. 2040. CS: 1000. Goodwin: 168 Stock: 34034 Christopher Lennox-Boyd. W: 545. Stock: 35064

166. Dalrymple. Son of Sir James Dalrymple collection of the late Hon. C.. Lennox-Boyd; Hamilton Bar.t born 24 july 1737. p.2; O'D 3; CS 1 Engravd by Ridley from an original drawing by Johnn Stock: 34105 Brown. [Pubb. by J. Sewell, Dec. 1, 1802.] Stipple. Sheet size: 130 x 110mm (5¼ x 4¼"). Trimmed inside platemark. £50 A plate from the 'European Magazine'. A portrait of Alexander Dalrymple (1737 - 1808), a Scottish geographer and the first Hydrographer of the British Admiralty. He produced thousands of nautical charts, mapping a remarkable number of seas and oceans for the first timee, and contributing significantly to the safety of shipping. He went to London in 1752 and was appointed a writer in the British East India Company, being postedd to Madras. In 1765 was elected a fellow of the Royal Society and in 1782 was elected a foreign member of the Royal Swedish Academy of Sciences.. Stock: 34438

167. [Godfrey de Saint-Omer.] [by William Rogers, 1602.] Engraving with very large margins, platemark 260 x 170mm (10¼ x 6¾"). £180 Godfrey de Saint-Omer, one of the founding members of the Knights Templar in 1119. Plate from the herald Sir William Segar's 'Honor, Military and Civill' (1602). Ex: Collection of the Late Hon. C. Lennox-Boyd. Hind: I of II. Stock: 34671

168. Sir Jeffery Amherst, Knight of the most 169. General Sir Charles Asgill Bar.t G G G honorable Order of the Bath, Governor of O &c &c &c Vriginia, Colonel of His Majesty's 15th & 60tth Painted by T. Phillips Esq. R.A. / Engraved by C. Regiments of Foot, Lieutenant General & Turner London, Published April 26th 1822 by C. Commander in Chief of His Majesty's Forces Turner No 50 Warren Street,, Fitzroy Square. in North America from 1758 to 1762. Mezzotint with very large maargins, platemark 510 x J. Reynolds pinx.t / R.P [Richard Purcell, in image 355mm (20 x 14"). Foxing arround edges. £450 lower left] Sir Charles Asgill, second baronet (1762-1823), army Mezzotint, pllatemark 355 x 250mm (14 x 9¾"). officer. Asgill joined the army in 1778, and was Trimmed to plate along bottom; margins bit tatty. ordered to North America in 1781, joining Cornwallis' £290 army. With the capture of Yorktown, Virginia, Asgill Jeffery Amherst, (1717-1797), one of the major figures was taken prisoner. Asgill waas almost executed in in eighteenth century military history. Amherst served retaliation for the death of an American officer, before in the British Army and as Commader-in-Chief of the Asgill's mother appealed to thhe French prime minister Forces in many campaigns, including the Seven Years to intervene on her son's behhaalf. After his return Asgill War, the American War of Independence, Governor of subsequently served in continental Europe, in Ireland Virginia and the French Revolutionary War. and in the West Indies, reaching the rank of colonel in Notoriously, Amherst suggested the use of 1814. contaminated blankets to spread smallpox to the Engraved after the portrait by Thomas Phillips (1770- Delaware and Shawnee native Americans surrounding 1845), whose over 700 portraits record the leading Fort Pitt. He also served as the first British Governor peersonalities of his time. Ex: Collection of the Late General in Canada after the defeat of the French. Hon. C. Lennox-Boyd; Whitman 20; for Asgill's Engraved after the 1765 portrait by Sir Joshua Richmond residence see ref. 8718. Reynolds (now in the Mead Art Museum at Amherst Stock: 34936 College, Massachusetts). Reynolds alludes to Amherst's greatest achievement, the conquest of 170. John Campbell. Duke of Argyll & Canada in 1760 in various ways: by showing the &c. Hereditary Justice General of ribbon and star of the Order of the Bath he received for the Shire of Argyll, the Western Islands &c [...] his victory; showing an annotated battleplan (barely A. Ramsay pinx.t 1740 / J. Faber fecit. visible at the bottom of this print although the crucial Mezzotint, sheet, 505 x 355mm (20¼ x 14"). Trimmed word 'Montreal' is clearly legible); and showing in thhe to plate; small tear at bottomm; unidentified collector's background Amherst's battalion negotiating the Saint stamp verso E.M.H. £420 Lawrence River, led by Iroquois guides in canoes. Ex: John Campbell (1680-1743), army officer and (or Bengal) code for stamping out corruption and politician. Commissioner for negotiating Union with piioneered a more professional, salaried civil service. Scotland in 1705, Campbell served with distinction at His improvements had valuaabble long-term Ramillies, Oudenard, Malplaquet and other battlefields consequences for the effective government of India. in the War of the Spanish Succession. In 'the Fifteen', From the portrait by Henry Walton (Moyses Hall Argyll led the government army at Sheriffmuir and Museum, Bury St Edmunds). defeated the Jacobites led by the Earl of Mar. He was Stock: 34525 Master General of the Ordnance from 1725-1740 and was promoted to Field Marshal in 1736. In 1742, a year 173. Sir Benjamin D'Urban [facsimile before his death, he was given the position of signature] Commander in Chief of the British Army. Painted by T. Mogford Esq. // Engraved by G.T. Payne Engraved after the full-length portrait by Allan Ramsay Mezzotint on india paper, rarre; sheet 435 x 320mm (17 (Inverary Caastle). Ex: collection of the late Hon. C. x 12½"). Tear top left; slightt damage and mount burn Lennox-Boyd; CS 15 (only state); for another portrait to edges. Proof impression. £260 of Campbell see ref. 7108. Sir Benjamin D'Urban (1777-1849), army officer and Stock: 34103 colonial governor. D'Urban served in all the great baattles of the Peninsular Warr (including Badajoz, Salamanca and Vitoria). In 1820 he became governor of Antigua, and in 1824 was made governor of Demerara and Essequibo, which he combined with Berbice to form British Guiana (of which he was first governor, from 1831). In 1833 D'Urban was appointed governor and commander-in--chief of the Cape of Good Hope. Despite his achievements, D'Urban was dismissed in 1837 for extending the frontier and undermining the chiefly structure of Xhosa society. D'Urban's governorship was marked by the great trek of Boers from eastern districctts towards Port Natal (1836-8), which was occupied after his dismissal, but was given his name (ie Durbban) as a mark of his poopularity among the white colonial community. From a portrait by Thomas Mogford, who after exhibiting in London in the 1830s and 1840s moved to Guernsey to found a school of painting. Ex: collection of the late Hon. C. Lennox-Boyd. Stock: 34118

171. Johaannes Dux Marlborough. 174. Thomas Fairfaix General du Parlement Chr. Weigle Excudit. [n.d. 1720] Wander Werff pinxt. / Petr. Drevet sculpsit Mezzotint, pllatemark 350 x 240mm (13¾ x 9½"). [Rotterdam, c.1710] Slight water stain lower right; faded collector's stamp Engraving with very large margins, platemark approx verso. Good impression. £320 305 x 190mm (12 x 7½"). £80 John Churchhill, 1st Duke of Marlborough [1650-1722], Thomas Fairfax, 3rd Baron Fairfax (1612 - 1671), Soldier and statesman, dressed in armour in oval, wearing collar and armour. Perhaps the most above embellishments of weapons and a shield bearing accomplished Parliamentarian officer, Fairfax was a relief of Medusa. appointed Lord General of the New Model Army after Christoph Weigel engraved at Augsburg, Vienna and his victory at Marston Moor,, 1644. His decisive string Nurenburn. 1654 - 1725. NPG D3668. Ex collection of of victories, beginning with tthe battle of Naseby in the Hon. Christopher Lennox-Boyd. 1645, won the Civil War for Parliament. Extremism Stock: 34511 alarmed him and he refused tto serve on the court which tried the King or to lead the army into Scotland in 172. Marquis Cornwallis. 1650. He retired from publicc life until 1660, when he H. Walton pinxt. J. Ogborne sculpt. Published as the supported General Monck's march to London to Act directs July 1 1795. No.5, Curzon Street. demand a free parliament and was one of those who Stipple engraving with sofft-ground etching with very went to the Hague to greet Charles II before his large marginns, platemark 317 x 250mm (12½ x 9¾"). Restoration to the throne. On wove paper; crease lower left. £220 Plate from Isaac de Larrey's ''Histoire d'Angleterre' Charles Cornwallis, 1st Marquess Cornwallis (1738- (1697-1713). The portrait deerrives from a painting by 1805), governor-general of India (1786-1793) and lorrd- Robert Walker engraved in the 17th century by lieutenant of Ireland (1798-1801). After serving in thhe Faithorne, but the design is by Adriaen van der Werff American War of Independence (, Cornwallis became (1659-1722), acclaimed as the most important Dutch the first governor-general appointed under the terms of Master during his lifetime, allthough his reputation Pitt's East India Act. Famous for his reforming declined from the late 18th century onwards. administration, Cornwallis established the Cornwallis Stock: 34244 Directors of the East India Company by their Obliged & Obedient Humble Servant, Thomas McLean. Sir William Charles Ross, R..A. Pinx.t. E. Dalton, Litho. London Published Apprril 20th, 1846, by Thomas Mc Lean, 26 Haymarket. Priinnted in the General Lithographic Office, 70, St Martin's Lane, London. Lithograph on india with verry large margins. India 560 x 390mm (22 x 15¼"). Uncut. £280 Henry Hardinge (1785-1856)), 1st Viscount Hardinge, a field marshal, Governor-general of India (1844-8) and the commander-in-chief of the British Army during the Crimean War. Stock: 35042

178. General Harris. Engraved by Wm. Evans from an original painting by A.W. Devis. [Publish'd by J. Sewell 32 Cornhill March 1.1800.] Sheet size: 155 x 125mm (6 x 5"). Trimmed inside pllatemark. Laid on scrap paper. Bit messy. £45 A portrait of General George Harris (1746-1829) at half-length, facing towards the left, wearing military uniform with epaulettes, frilll, and a dark neckcloth. 1st Baron Harris was a British soldier who saw active service in the American Warr of Independence and at 175. Lieu.t. General The Honorable Henry the Battle of Seringapatam, IIndia. He attained the rank Edward Fox. Lieut Governor of Gibraltar &c. of Lieutenant General and waas Commandere -in-Chief of &c. &c the Madras Army. T. Phillips A. pinx. C. Turner sculp. London Published Stock: 34479 Aug.st. 17 1805 by Colnaghi & C.o. Cockspur Street. Mezzotint with very large margins. Plate: 250 x 179. Ioannes Acutus Eques Britannicus Dux 350mm, (9¾ x 13¾"). Foxing and slight staining Aetatis Suae Cautissimus Et Rei Militaris around edges. Laid on album sheet. £360 Peritissimus Habitus Est Pauli Uccelli Opus Half portrait of General Henry Edward Fox (1755- 1811). Fox was a commander in the British Army, 1436. serving in the American War of Independence and TPatch 1771. Societati Antiq. Londini Ds. David French Revolutionary Wars. Fox also served in varioouus Dalrymple De Hailes. D.D.D. governing positions such as Lieutenant-Governor of Engraving with very large margins, 335 x 230mm Minorca andd Commander-in-Chief of the (13¼ x 9"). £260 Mediterranean. Ex: Collection of the Hon. C. Lennox- Sir John de Hawkwood (1320 – 1394) was an English Boyd. mercenary or condottiere in 114th century Italy who in Stock: 35128 the 1390s became a commander-in-chief of the army of Florence in the war against the expansion of Gian Galeazzo Visconti of Milan. 176. Master John Burges Haffey By Thomas Patch (1725 - 1782), a painter and J. Foldson pinx.t / Rob.t Laurie fecit London, Printed engraver-etcher who settled iin Florence in 1755. The for R. Sayer & J. Bennett, No. 53 Fleet Street as the image is taken from a painting by Paolo Uccello (1397 Act directs 1 May 1777 – 1475) in the Duomo at Florrence. BM: pg.471. NPG: Mezzotint with very large margins, 18th century D35622. Ex collection of the Hon. Christopher watermarked paper; platemark 350 x 250mm (13¾ x Lennox-Boyd. 9¾"). Crease on right. £260 Stock: 34529 John Burges Haffey entered the army and died in Jamaica in 1814 as Lieutenant-Colonel of the 18th Royal Irish Regiment. Pendant to portrait of his sister 180. Baron Kray, K.K.. Gen. Feld Elizabeth. Ex collection of the late Hon. C. Lennox- Zeugmeister. Boyd; CS 28 II of II. [Anon, c.1799.] Stock: 34039 Stipple, 95 x 80mm (3¾ x 3¼"). Trimmed inside pllatemark; laid on backing sheet. £50 177. This Portrait of The Right Hon. Lieut.- Baron Pál Kray of Krajova annd Topolya (1735-1804), General Viscount Hardinge, G.C.B., Governor Hungarian-born soldier in thhe Austrian army who distinguished himself duringg the French Revolutionary General of India, &c.&c.&c. The Original Wars. He was promoted Feldzeugmeister (artillery Picture in the Possession of Lady James, Is lieutenant general) for a victory over the French at the with respect dedicated to the Hon.ble the Battle of Maggnano in 1799, which helps to date this 185. Lord Viscount Nellson, Duke of Bronte. print. [After Simon de Koster.] [n.d., c.1800.] Stock: 35273 Etching. Platemark: 85 x 130mm (3¼ x 5¼"). Laid on album sheet. £260 181. Hudson Lowe. Lt. General [facsimilie An unusual and rare portrait of Lord Horatio Nelson signature]. (1758 - 1805), in profile to the left within a circle. London, John Murray, Albermarle Street, June 1853. Above sits an illuminated laurel wreath and below a Engraving on india. Rare. Plate: 150 x 220mm, (6 x decorative banner on which tthe title is inscribed. At the 8½"). Very large margins. Some staining on outer sides are a trident and anchorr, and the flags of the margins. £85 Royal Navy and Great Britaiin. Half-length portrait of Sir Hudson Lowe (1769-1844), The portrait of Nelson is after the sketch made by a British soldier who served as Governor of St. Helena Simon de Koster c.1800 at a dinner party. It is recorded during Napoleon's imprisonment on the island. that Nelson had said that of all the sketches and Stock: 35351 paaintings made of him, it waas de Koster's that he liked the most. 182. The Late General Sir William Medows, Stock: 34428 K.B. Stipple. Sheet: 130 x 175mm, (5 x 7"). Trimmed. £50 Half portrait of Sir William Medows (1738-1813), a British general who served in the American Revolutionary Wars and as Governor of Madras. BM 1879,0614.14 Stock: 34504

183. Lieu.t H.B. Melville. 54th Native Bengal Infantry. [after Vincent Eyre.] [London, John Murray, 1843.] Lithograph. Printed area 175 x 105mm (7 x 4¼"). £120 Henry Beresford Melville in Afghan dress. A portrait from Vincennt Eyre's 'Portraits of the Kabul Prisoners'', from an original drawing made during Eyre's captivity in Afghanistan after the Retreat from Kabul during the 1st Afghan War (1838-1842). Melville was appointed an ensign in the 54th Bengal Native Infantry in 1837. Promoted to lieutenant in 1840, he took part in the 1st Afghan War (1839-1842) and was taken hostage by Akbar Khan following the uprising of November 1841 and was released in September 1842 when Major-General Sir George Pollock's Army of Retribution arrived in Kabul. Promoted to captain in 1843, he was invalided back to England in 1851 where he died four years later. 186. General James Oglethorpe. Died 30th Stock: 34924 June 1785 Aged 102 said to be the oldest General in Europe__Sketch'd fom Life at the 184. George Monck, Duc d'Albermarle sale of Dr. Johnsons bookks Feb.y 18, 1785 Wander Werff pinxt. / Ben. Audran sculpsit where the Genl was reading a book he had [Rotterdam, cc.1710] purchas'd without spectacles__In 1706 he had Engraving with very large margins, platemark approx an Ensigns commission in the Guards & 305 x 190mm (12 x 7½"). £80 George Monnck, 1st Duke of Albemarle (1608 - 1670), remember'd to have shot snipes in Conduit military and naval officer. Monck was one of the mead where Conduit Street now stands. architects of the Restoration of the monarchy, along S. Ireland delt. et fecit. [Publlished by I. Cary, 1785.] with Pepys' patron Edward Montagu. He was an Coloured etching. 220 x 165mmm. £320 accomplished military commander and served as Joinnt- James Edward Oglethorpe (1696 - 1785), general, Commander-in-Chief with Prince Rupert, in the phhilanthropist, and colonist of Georgia, as sketched at campaign of 1666 against the Dutch. Dr. Johnson's sale. In June 17732 Oglethorpe, with Plate from Isaac de Larrey's 'Histoire d'Angleterre' twenty associates, obtained a charter for settling the (1697-1713) from a design by Adriaen van der Werff colony of Georgia in America, a tract lying between (1659-1722), acclaimed as the most important Dutch the rivers Savannah and Alattamaha, named in honour Master during his lifetime, although his reputation of George II, who gave Ogleethorpe every declined from the late 18th century onwards. encouragement. Oglethorpe and the other trustees, who Stock: 34245 opened an office in Old Palaacce Yard, Westminster, received liberal private subscriptions and a grant of 10,000l. from parliament. The settlement was designed not only as a refuge for paupers, but also as a barrier and smaller standing army. He was personally for the Britissh colonies against aggression by Spain on responsible for ensuring the Militia Act of 1757 their southern frontier. On grounds of military reaching the statute book, the event celebrated in this expediency, rather than of social economy, negro poortrait. slavery was wholly prohibited. On 30 Oct. 1732 Oglethorpe embarked in the Anne galley at Deptford, and in November set sail with 120 settlers. For nine years the life of Oglethorpe and the history of the colony of Georgia are identical. He at once found a satisfactory site, on which was built thee town of Savannah; and he established friendly relations with the natives, which remained unbroken during his whole sojourn in the colony. Fresh colonists, and of a more effective stamp, were added: some, German protestants, whose religion had banished them from Austria; others, Scottish highlanders. Settlements were thrown out westward, and an outpost formed at Frederica, on an island at the mouth of the Alatamaha, about sixty miles south of Savannah. NPG: D5389. BM: p.368, 3. Stock: 34040

187. Lieut. Col.l Edward Stables, Gren.dr Guards. He fell commanding the 3.d Batt.n of his Regiment at the Battle of Waterloo June 18th 1815. Painted by T. Phillips R.A. Engraved by J.S. Agar. Published April 14th 1817. Stipple with very large margins, rare; India paper laid on Album sheet. Platemark: 235 x 185mm (9¼ x 7¼"). As a soldier Townshend fought at Culloden in 1746. £160 During the Seven Years' Warr served as a brigadier in A portrait of Edward Stables (c.1782 - 1815), half- Canada under General James Wolfe; during the the length, dressed in military uniform buttoned to the siege of Quebec, after Wolfe was killed and the neck, and a sword-belt with a regimental plate acrosss second-in-command, Robert Monckton, wounded, his chest. Townshend took command of the British forces, Stables was a Lieutenant Colonel who was killed at the receiving the city's surrenderr on September 18, 1759. battle of Waterloo. A monument at St Nicholas Church He was promoted major general in 1761 and fought at in Great Hormead, Herts, reads, 'To the memory of the Battle of Vellinghausen. He served as Lord Lieutenant Colonel Stables of Great Hormead Bury, in Lieutenant of Ireland from 17767–1772, and became the county of Herts. He served in the Continental Wars Lord Lieutenant of Norfolk iin February 1792, under Sir John Moore and the Duke of Wellington, and Governor of Kingston-upon--Hull in 1794 and fell gloriously at the close of the action while Governor of the Royal Hospiital Chelsea in July 1795. commanding a Battalion of the Grenadier Guards on Chaloner Smith: 176, unrecorded state between i and the 18th day of June 1815, in the 33rd year of his age. ii, still with McArdell's name as publisher but with His body found a soldiers grave near the field of lettering on paper. Ex Collection of the Hon. Waterloo'. Christopher Lennox-Boyd.. Stock: 35065 Stock: 34275

188. The Honourable Col.l Townshend. 189. Lieutenant Colonel Henry Townshend. Tho.s Hudsoon Pinx.t. J.s Mc.Ardell fecit. Sold by J.s Died in the 26th Year of his Age (June 24th McArdell at the Golden Head in Covent Garden. 1762) of the Wounds whiich he received in the [c.1757.] Battle fought that day at Wilhelmstahl, Mezzotint with small margins, very rare. 480 x 360mm between the Allied Army under the Command (18¾ x 14¼"). Horizontal fold caused by binding. of H.S.H. Prince Ferdinand of Brunswick & £240 the French Army commanded by the George Townshend, 4th Viscount and 1st Marquess Townshend (1724 – 1807), holding a paper 'A Bill, Marshalls d'Estrees and de Soubise. Intituled An Act for the Better Order of the Militia J. M.Ardell Fecit [after Sir Joshua Reynolds.] [n.d., Forces &c.'. c.1762.] As M.P. for Norfolk he campaigned for army reform: Mezzotint, very fine impresssion with large margins. he proposed that courts martial rather than 395 x 280mm (15¼ x 11"). £360 commanding officers should be responsible for Henry Townshend, grandson of Charles, 2nd Viscount discipline in the Army and pressed for a larger militia Townshend, who died at the Battle of Wilhelmstahl, the last major battle fought by Ferdinand before the end of the Seven Years' War. He is shown in uniform, Portrait of Arthur Wellesley,, 1st Duke of Wellington, with a bust of John Manners, Marquess of Granby and in uniform with the 'Order off the Golden Fleece' at his overall commander of the British forces on the collar. continent, behind him. Goodwin: 94; Chaloner Smith: The Order, founded by Philip III, Duke of Burgundy in 177, state 1a, but another proof-before-letters state is 1430 'to honor and exalt the noble order of recorded by CLB. From the Collection of Earl Mount knighthood', was later inheritted by the Hapsburgs and Edgecombe. See 34331 for a printed in colour version. split between the Spanish and Austrian branches. Ex Collection of the Hon. Christopher Lennox-Boyd.. During the Peninsular War, when France was Stock: 34339 occupying Spain, the order was presented to Napoleon and his brother Joseph but these were revoked by King Ferdinand on the restoration of Bourbon rule in 1813. However the king confirmed the award made by the acting government of Spain tto Wellington in 1812, with the approval of Pope Piuus VII, making the Duke the first Protestant recipient. Stock: 35267

192. The Duke of Wellinngton &c. &c. &c. Painted by Tho.s Phillips Esq.r R.A. Engraved by W. Say. Engraver to H.R.H. the Duke of Gloucester. Lononm Publish'd Nov. 8. 1814, for the Proprietors, by the Engraver, 92 Norton Str.tt Fitzroy Sq.r. Mezzotint, very fine proof impression with large margins. Platemark: 350 x 250mm (13¾ x 9¾"). Scuff in right margin. £360 Portrait of Arthur Wellesley,, 1st Duke of Wellington. This print, from the portrait by Thomas Phillips showing Wellington's many mmedals from the Peninsular and Napoleonic wars, was made in 1825, while Wellington was a cabinet minister but before he beecame Prime Minister (18288). For a later, German publisheed lithograph of the same poortrait, see item ref: 31796. Ex Collection: The 190. Lieutenant Colonel Henry Townshend. Honourable Christopher Lennox-Boyd. Stock: 35124 Died in the26th Year of his Age (June 24th 1762) of the Wounds which he received in the 193. Field Marshal the Marquis of Battle fought that day at Wilhelmstahl, Wellington, K.G. Marquis of Torres Vedras & between the Allied Army under the Command Duke of Vittoria, Knight of the Grand Military of H.S.H. Prince Ferdinand of Brunswick & Order of the Tower & Sword in Portugal, the French Army commanded by the Duke of Ciudad Rodrigo, Knight of the Order Marshalls d'Estrees and de Soubise. of the Golden Fleece, & Generalissimo of the J. M.Ardell Fecit [after Sir Joshua Reynolds.] [n.d., c.1762.] Combined Armies in Spain. Mezzotint, printed in colours. 395 x 280mm (15¼ x Engraved by A. Easto pupil of the late Mr Cardon from 11"). Some tooning of paper. £350 the picture in the possession of the Marquis of Henry Townnshend, grandson of Charles, 2nd Viscount Wellesley & touched from the bust executed from life Townshend, who died at the Battle of Wilhelmstahl, byy Garahan in 1809. Publishh''d for the proprietor by the last major battle fought by Ferdinand before the Mess.rs Boydell & Co, Cheapside London, August end of the Seven Years' War. He is shown in uniform, 1813. with a bust of John Manners, Marquess of Granby and Stipple, fine with very large mmargins. 265 x 210mm overall commander of the British forces on the (10½ x 8¼"). £320 continent, beehind him. Chaloner Smith: 177, only state, Half-length portrait of Arthuur Wellesley, later first but a proof-before-letters state recorded by CLB. Duke of Wellington, in uniform. Stock: 35333 Goodwin: 94 II of II; Hamilton: Not in. Ex Collectioon of the Hon. Christopher Lennox-Boyd. See 34339 for uncoloured version. 194. Henry Wyndham [[facsimile signature]. Stock: 34331 C. Wyndham fecit 53. Printeed by C. Moody 257 Holborn. Published by P.D. Colnaghi & Co, 13 & 14 191. Wellington Pall Mall east, London. W.L. Walton delt. Vincent Brooks, Lith. Printed at 421 Lithograph on india, rare. Priinted area 255 x 190mm. Oxford St. Some spotting. £160 Tinted lithograph with large margins, fine & very rarre. An informal sketch portrait of General Henry Printed area 430 x 320mm (17 x 12½"). £260 Wyndham (1790-1860), recliining in a salon chair. As a young captain Wyndham fought at Waterloo in 1815, successful portrait studio in Paris together in 1788. and was severely injured during the famous closing of Between 1786 – c.1810 there were only two studios in the gates at Hougoumont. He was said to have been so Paris which produced a relatiively small number of disturbed by the incident that he would never again phhysionotrace engravings. Coonsequently very few of close a door, preferring to sit in a room in a howling these intriguing portraits are preserved today. Because draught. He was later MP for Cockermouth (1852-7) of their origins and the realism physionotrace portraits and West Cumberland 1857 until his death in 1860. have, they can be seen as truue photo-graphic objects Stock: 35264 and are therefore classified as a forerunner of phhotography. 195. Dalayrac. Stock: 35220 Dess: au Physionotrace et Gravé par Quenedey rue neuve des petit-champs no.15 à Paris, 1809. Se vend chez Quenedey rue neuve des Petits Champs No.15 a Paris. Dep. a la Bib Imp. Etching and aquatint with small margins, platemark 250 x 195mm (9¾ x 7¾"). On watermarked laid paper; creases. £340 Portrait of French composer Nicolas-Marie d'Alayrac, known as Nicolas Dalayrac (1753 - 1809), best known for his opéras-comiques; bust-length, turned to right, with short grey hair, earring, and decoration pinned to jacket. By Edme Quénedey (1756 - 1830), miniature painter and engraver, who made much use of the physionotrace, a mechanised drawing instrument that could reprodduuce the outline profile of a portrait. It was invented by Gilles-Louis Chretien, who engraved Quenedey’s portraits from 1787 to 1789, in 1786. Chretien and Quenedey founded a very successful portrait studio in Paris together in 1788. Between 1786 – c.1810 there were only two studios in Paris which produced a relatively small number of physionotrace engravings. Consequently very few off these intriguing portraits are preserved today. Because of their origins and the realism physionotrace portraits have, they can be seen as true photo-graphic objects and are therefore classified as a forerunner of photography. See BNF FRBNF39603944. Stock: 35219 197. Giulia Grisi. L.Lablache. [&] Frontispiece. Elvira. "Odi, O Ciel, qual suon si 196. Dussek desta?" [/] Sir Georgio. "_Ascoltiam." [/] I Dess au Physionotrace d'après le Buste de feu Puritani. Atto 1. Sc.4. Callamard et grave par Quenedey. Se vend chez A.E.Chalon R.A. R.J.Lane A.R.A. London, Published Quenedey rue neuve des Petits Champs No.15 a Paris. Jan.y.1.st.1836 by J. Mitchelll Library, 33 Old Bond Etching and aquatint with small margins, platemark S.t._á Paris, chez Rittner & Goupil, Boulevard 250 x 195mm (9¾ x 7¾"). Slightly stained. £260 Montmartre. Printed by Graff & Soret. Jan Ladislav Dussek (1760-1812), pianist and Lithograph. Framed in doublle glass with frontispiece composer. Born in Čáslav (now part of the Czech on reverse. Visible area: 2700 x 395mm, (10½ x 15½"). Republic), Dussek travelled widely across Europe as a Frame: 440 x 620mm, (17¼ x 24¼"). Some slight young man. In Paris, he performed before Marie foxing. Unexamined out of frframe. £380 Antoinette and made the acquaintance of Napoleon, Full length portraits of Italian singers Guilia Grisi before fleeinng to England at the time of the French (1811-1869) and Luigi Lablache (1797-1858) in the Revolution. He spent eleven years in London working roles of Elvira and Sir Georgio in Vincenz Bellini's as a piano teacher and giving concerts, appearing with opera I Puritani. Haydn whenn the latter visited London. He then lived in Grisi and Lablache were two of the four international Prussia before accepting a position with the politician singers who, along with Antonio Tamburini and Talleyrand to spend his final years in France. Giovanni Rubini, were known as one of the "Puritani By Edme Quénedey (1756 - 1830), miniature painter Quartet". The group acquired the name on account of and engraver, who made much use of the the large quantity of performances the quartet physionotrace, a mechanised drawing instrument that peerformed together including a private performance for could reprodduuce the outline profile of a portrait. Crown Princess Victoria on her 15th birthday. From It was invented by Gilles-Louis Chretien, who A.E.Chalon's "Recollections of Italian Opera 1835". engraved Quenedey’s portraits from 1787 to 1789, in Decorative frontispiece of "Recollections of Italian 1786. Chretien and Quenedey founded a very Opera 1835" framed on reverse. Harvard Vol III: P. 4- 201. L. Lablache. Faliero "A terra! A terra! 20. Abominata insegna. [/] D'Infamia: io ti Stock: 35345 calpesto." [/] Marino Falliero. Atto 3. Sc:9. A.E.Chalon R.A. R.J.Lane A.R.A. London, Published 198. Guilia Grisi. Norma. "Io nei volumi Jan.y.1.st. 1836, by. J.Mitchell, Library, 33, Old Bond arcani leggo del Ciel." [/] Norma. Atto.1. Sc.1. Street._á Paris, chez Rittner & Goupil, Boulevard A.E.Chalon. R.A. R.J.Lane A..R.A. London, Published Montmatre. April 1837, by J. Mitchell Library, 33 Old Bond S.t._a Lithograph. Framed. Visible area: 255 x 370mm, (10 x Paris, chez Rittner & Goupil, Boulevard Montmartre. 14½"). Frame: 390 x 530mm, (15¼ x 21"). Lithograph. Proof. Framed. Visible area: 250 x Unexamined out of frame. £280 360mm, (9¾ x 14"). Frame: 420 x 620mm, (16½ x Portrait of the Italian dramatiic Bass opera singer Luigi 24¼"). Some slight staining. Unexamined out of frame. Lablache (1797-1858) in the title role of Marin Faliero, £320 Doge of , from Gaetano Donizetti's opera Full length portrait of Italian opera singer Giulia Grisi Marino Faliero inspired by Lord Byron's 1820 drama (1811-1869) in the role of Norma in Vincenzo Bellinni's of the same name. From A.E.Chalon's 'Recollections of opera of the ssame name. Grisi also played the role of the Italian Opera, 1835'. Harvard Vol. III; P. 4-16 Adalgisa in the opera's premiere performance in 1831. Stock: 35337 From A.E.Chalon's "Recollections of Italian Opera 1835". Stock: 35344

199. Guilia Grisi. Anna "....Cessa [/] A questa iniqua accusa [/] Mia dignitá riprendo, ed altamente [/] Di Smenton seduttor te_ Sire_io grido" [/] Anna Bolena. Atta 2. Sc.6. A.E.Chalon R.A. R.J.Lane. A.R.A. London, Published Jan.y.1.st.1836 by J.Mitchell, Library 33, Old Bond Street._a Paris, chez Rittner & Goupil Boulevard Montmatre. Printed by Graf & Sons. Lithograph. Framed. Visible area: 255 x 360mm, (10 x 14"). Frame: 400 x 530mm, (15¾ x 21"). Unexamined out of frame. £320 A full length portrait of Italian opera singer Guilia Grisi (1811-1869) in the role of Anna Bolena in Gaetano Donizetti's opera 'Anna Bolena' which was one of four operas he wrote based on the Tudor period of English History. Grisi stands, dressed in Tudor costume pointing accusingly to the left. From A.E.Chalon's 'Recollections of Italian Opera 1836'. Harvard Vol II: P. 4-16. Stock: 35341

200. Guilia Grisi. Desdemona. "Nè più ripeta l'aura [/] Dé misi lamenti it suin." [/] Otello. Atto.3.Sc.1 A.E.Chalon R.A. R.J.Lane A.R.A. London, Published Jan.y. 1.st.1836 by J.Mitchell, Library 33, Old Bond 202. Gio: B: Rubini. Arrturo "_e son beato, [/] Street._ a Paris, chez Rittner & Goupil, Boulevard Mè celeste il giubilar!" [//] I Puritani Montmatre. Atto.1.Sc.5. Lithograph. Proof. Framed. Visible area: 260 x A.E.Chalon R.A. R.J.Lane A.R.A. London, Published 375mm, (10¼ x 14¾2). Frame: 380 x 510mm, (15 x Jan.y.1.st.1836, by J.Mitchelll, 33, Old Bond Street._á 20"). Unexamined out of frame. Some slight foxing in Paris chez Rittner & Goupil BBoulevard Montmatre. lower left side. £360 Printed by Graf & Soret. A portrait of the famous Italian opera singer Guilia Lithograph. Framed. Visible area: 260 x 370mm, (10¼ Grisi (1811-1869) in the role of Desdemona from x 14½"). Frame: 420 x 600mm, (16½ x 23½"). Rossini's opera Otello. Grisi was one of the leading Unexamined out of frame. £280 sopranos of the 19th Century and performed all over Full length portrait of Giovanni Battista Rubini (1794- the world. Grisi is depicted playing the harp and 1854), a dramatic Tenor, depicted in the role of Arturo singing. From A. E. Chalon's 'Recollections of the from Vincenzo Bellini, a role he occupied when the Italian Opera 1835'. opera first premiered on 24th January 1835. Rubini Stock: 35331 was one of four internationall singers who, along with Guilia Grisi, Antonio Tamburini and Luigi Lablache, was known as one of the "Puritani Quartet". The group acquired the name on account of the large quantity of Painted by Stephen Pearce. Engraved by James Scott. performances the group performed together which London, Published by Henry Graves & Compy. March included a private performance for Crown Princess 17th. 1857; Printsellers to the Queen__6 Pall Mall. Victoria on her 15th birthday. From A.E.Chalon's Mezzotint, rare; sheet 540 x 4415mm (21¼ x 16½"). "Recollections of Italian Opera 1835". Harvard Vol IIIII, Trimmed to platemark. Dustty. £480 P. 449-7. Francis Beaufort (1774-1856), naval officer and Stock: 35342 hydrographer, creator of the Beaufort wind scale. Early in his career at sea Beaufort's gallant record and 203. A. Tamburini. Riccardo. "Io ardo_e il scientific talents made him well known throughout the mio ardore [/] E amore, é furor!" [/] I Puritani navy. In 1817 he published a record of his survey and Atto 1. Sc.3. exploration of the southern Turkish coast (then little A.E.Chalon R.A. N.J.Lane A.R.A. London, Published known to Europeans). In 1829, at the age of 55, Jan.y.1.st.1836 by J.Mitchell, 33 Old Bond Street_á Beaufort became the Hydrographer of the British Paris chez Rittner and Goupil, Boulevard Montmatre. Admiralty, remaining so for 26 years, charting the seas Printed by Graf & Soret. to make them safe for the increasing amount of British Lithograph. Framed. Visible area: 260 x 360mm, (10¼ and foreign shipping. Beaufort converted a minor chart x 14"). Frame: 430 x 620mm, (17 x 24½"). repository into the finest surveying and charting Unexamined out of frame. £280 institution in the world. Some of his excellent charts Full length portrait of the Italian dramatic Baritone are still used, 200 years afterr he created them. Ex: opera singer Antonio Tamburini (1800-1876) in the collection of the Late Hon. C. Lennox-Boyd; for proof role of Riccardo in Vincenzo Bellini's opera "I impression see ref. 4591. Puritani". Tamburini was one of four international Stock: 35225 singers who, along with Guilia Grisi, Giovanni Battista Rubini and Luigi Lablache, was known as one of the 205. Samuel Blyth Esq..r Commander R.N. "Puritani Quaartet". The group acquired the name on Blood sculpsit Published 31st Dec.r 1814 by Joyce account of the large quantity of performances the group Gold, Naval Chronicle Officce, 103, Shoe Lane, performed together which included a private London. performance for Crown Princess Victoria on her 15th Stipple, sheet 235 x 130mm ((9¼ x 5"). Trimmed, as birthday. From A.E.Chalon's "Recollections of Italian puublished; offsetting; foxing.. £60 Opera 1835". Harvard Vol IV: P.130-10 Samuel Blyth (c.1784-1813),, naval officer. Blyth Stock: 35343 commanded the HMS Boxerr from September 1812, sailing for Halifax in the squuadron of Sir John Borlase Warren in April 1813. The Boxer captured several small Amerian vessels that year, before Blyth died in September 1813 after engagiing the American brig Enterprise. He was buried inn Portland, Maine, with full military honours, and the subsequently-defeated Boxer was sold at auction in Portland. Not in O'D; for the Enterprise and Boxer engagiing, see refs. 23800 and 23829. Stock: 35302

206. Nicholas Haddockk,, Esq. Admiral of the Blue Squadron. Page sculp. Pub. Feb.29 1812.by Joyce Gold, 103 Shoe Lane, Fleet Street, London. Stipple. Sheet: 140 x 230mm, (5½ x 9"). Trimmed within plate. £75 Half portrait in roundel of Niicholas Haddock (1686- 1746), a British Admiral who served as MP for Rochester from 1734 until hiis death. Stock: 35352

207. The Right Hon.ble William Anne Keppel, Earl of Albermarle, Viscount Bury, Baron of Ashford, Groom of the Stole, Governour & Capt.n Geeneral of Virginia, 204. Rear Admiral Sir Francis Beaufort, Colonel of the Coldstream Regiment of Foot, K.C.B. D.C.L. Corr. Mem. Inst. France, F.R.S. L.t General of His Majesty's Forces, Hydrographer to the Navy from 1829 to 18555. Ambassador Extraordinnary & Plenipotentiary From the original Portrait presented to to the Court of France, one of the Privy Greenwich Hospital by the Subscribers to the Council & Knight of the Most Noble Order of Beaufort Testimonial. the Garter &c. J. Fournier Pinx.t a La Haye 1749. I. Faber fecit 1751. chief of the North America and West Indies Station Price 2 shill: Sold at the Golden Head near the Church from 1802 to his death in 1806. His wife Mary died Bloomsbury Square. years later and was buried inn the crypt of St. Paul's Rare mezzotint. Sheet 350 x 255mm (13¾ x 10"). Church (Halifax), Nova Scottia. In 1805 he was raised Trimmed just within plate, laid on album paper. Sligght to the rank of Admiral of thee Blue. He died in Bermuda crease at top and sides. £260 after a severe illness on 26 February 1806. Portrait of William Anne van Keppel, 2nd Earl of Stock: 34604 Albemarle (1702-54), in the uniform with the order of the garter, right hand on a cannon, left hand holding hat under his arm. A cavalry battle rages in the background. As a soldier he fought at Dettingen and Fontenoy and commanded the right wing at Culloden in 1746; as a courtier he was was a Lord of the Bedchamber to George I and George II, a Knight of the Garter and Privy Counsellor. He served as governor of Virginia but never visited the colony. Chaloner Smith 3, only state. Ex Collection of the Hon. Christopher Lennox-Boyd. Stock: 34323

208. Capt. Murray Maxwell, R.N. Drawn & Engraved by T. Wageman, 1817 Stipple, rare; sheet 215 x 135mm (8½ x 5¼"). Trimmed, as published; slight foxing. £70 Sir Murray Maxwell (1775-1831), naval officer. Maxwell commanded ships in the West Indies before he was appointed to the frigate 'Alceste' in 1807, on which he served with distinction in the Mediterranean. In 1812 he was appointed to the 'Daedelus', sailing to India, but when that ship was wrecked off Ceylon in 1813, Maxwell was re-appointed to the 'Alceste', conveying Lord Amherst to the emperor of China in 1816. While Amherst was in China, Maxwell explored the Gulf of Pecheli (Beizhili), the west coast of Korea—until then unknown except by hearsay, and 210. Nelson. Nelson Bronte [Fac Simile left drawn on the chart by imagination— and the Loo-Choo Hand.] Islands. The results of this exploration were Painted by Sir Will.m Beechhey Portrait Painter to the documented by Captain Basil Hall in his 'Account off a Queen. Engraved by Will.m Say. [London, Published Voyage of Discovery to the Western Coast of Corea Jan.y 9th. 1806. by the Engraver, No.92 Norton Street, and the Great Loo-Choo Island' (1818). Marylebone.] After Lord Amherst re-embarked in January 1817 the Mezzotint, scarce. Sheet 4955 x 355mm (19½ x 14"). ship struck a rock near Pulo Leat and everyone was Trimmed close to plate on three sides, into inscription forced to flee the wrecked ship and make for shore, area losing publisher's line and description of the where they were eventually rescued (having been facsimile signature. Small daamage top left in borders. threatened by Malay pirates). Maxwell was knighted £350 for his conduct in 1818, having been tried by court A three-quarter length portrait Vice Admiral Horatio martial and fully acquitted in 1817 (the year this Nelson (1758-1805), hero off the Battle of Trafalgar, portrait was made). He subsequently commanded thee puublished posthumously. The head-and-shoulders 'Briton' on the South American station. Not in O'D; for poortrait by Beechey used as a basis for this print was views from Clarke Abel's book published following the commissioned by the City off Norwich in 1800; it is same embassy, see refs. 25037-9. regarded as the most faithfull likeness of him, and is Stock: 35301 now in the National Portrait GGallery. Ex collection of the Hon Christopher Lennoxx-Boyd. 209. Admiral Mitchell Stock: 34263 J. Chapman sc. Publish'd as the Act directs Jan.y 1. 1800. 211. Richard Parker. Engraved from an Stipple with small margins. Platemark: 160 x 110mm original Drawing, taken on board the Neptune, (6¼ x 4¼"). £80 A portrait of naval officer Sir Andrew Mitchell (1757 - during his Trial. 1806), bust-length, in an oval, slightly turned to the I. Cruickshank del. G. Murray sculp. London. right, in naval uniform. An illustration to the Naval Publsihed July 14.th 1797 _by W. Nichol, No. 51, St. Chronicle (1800). Pauls Church Yard. Sir Andrew Mitchell (1757 - 1806) was an Admiral of the Blue in the Royal Navy. He was commander-in- Engraving with large margins on 3 sides, rare. Sir Charles Thompson, 1st Baronet (c.1740-99), naval Platemark: 165 x 110mm (6½ x 4¼"). Trimmed close officer. After long service inn the Seven Years' War, to left platemark. Very slight foxing. £130 American War of Independennce (fighting at the Battle Richard Parker (1767 - 1797) was an English sailor of the Chesapeaks) and War of the First Coalition, he executed for his role as president of the so-called was Admiral John Jervis's second in command at the 'Floating Republic', a naval mutiny which took place at baattle of Cape St Vincent. However, his disregard for the Nore, at the mouth of the Thames Estuary, between Jervis's signal to tack to counter a Spanish attacking 12 May and 16 June 1797. Upon his arrival at the move nearly lost the battle, and began an enmity with Nore, one of the bases of the North Sea fleet, Parker Jervis that eventually led to Thompson's retirement. was assigned to the ship 'HMS Sandwich' which was From 1796-1799 he was also MP for Monmouth. CS: widely regarded as one of the worst in terms of its 40 ii/ii. Ex collection of the Hon. Christopher Lennox- squalid and overcrowded conditions. It was on the Boyd. 'Sandwich', on 12 May, that the Nore mutiny broke ouut. Stock: 34414 Parker played no role in organizing the mutiny, but he was soon invited by the mutineers to join their ranks, 214. Sir Edward Thornbrough, K.C.B. and was subsequently appointed 'President of the Admiral of the Blue and Commander in Chief, Delegates of the Fleet' due to his obvious intelligence, &c, &c, &c. Portsmouth.. education, and empathy with the suffering of the Painted by A. Huey / Engraved by W.T. Fry [c.1815] sailors. On June 11th, 1797, a bounty of £600 was put Stipple engraving on india with very large margins, on Parkers head. On June 14th he gave himself up and platemark 240 x 165mm (9½ x 6½"). Uncut sheet. £85 was escorted ashore. The mutiny collapsed at this Sir Edward Thornbrough (1754-1834), naval officer. point, with some men escaping to the continent. Parkker Serving for nearly fifty years at sea, he fought in the was tried on HMS Neptune, charged with Acts of American War of Independennce, commanded the the Mutiny, Disobedience of Orders and Contempt of frigate 'Hebe' on which the ffuuture William IV served as Officer's Authority. Parker represented himself and lieutenant in 1785; helped thhwwart the planned French managed to obtain some beneficial admissions from invasion of Ireland in 1798 and guarded Sicily and officers and captains. Despite his best efforts, he wass bllockaded Toulon during the Napoleonic Wars. In later found guilty and sentenced to death. On the morning of years he was commander-in--chief of the Irish station his execution he drank a glass of white wine. He was and then in Portsmouth. buried in Whitechapel, London. Stock: 34526 Stock: 34330

212. [Capt.n Sir Rob.t Spencer, R.A.] T. Phillips Essq.r R.A. pinxt. M. Gauci Lith. [n.d., c.1830.] Lithograph with large margins; very rare. Proof before title. India paper, laid on Album sheet. Sheet: 530 x 370mm (21 x 14½"). £280 Sir Robert Cavendish Spencer (1791 - 1830) was bornrn in the Spencer family home at Althorp, Northamptonshire. He served as private secretary to King William IV (when he was still the Duke of Clarence) from 1827 to 1828 and was knighted for his services. He had a distinguished career in the Royal Navy and was the captain of HMS Madagascar, the ship on whicch he died aboard whilst in quarantine in Malta on 4 November 1830, aged 39. He was buried at the Bastion of Saint Michael in Valletta on 12 December. This part of the bastion was later renamed Spencer Bastion. The 'Spencer Monument', a restored obelisk, now stands on the way to Valletta, in Blata l- Bajda, Malta, erected for the Honorable Sir Robert Cavendish Spencer. The monument was designed by the Maltese architect George Pullicino in 1831. Ex Collection: The Honourable Christopher Lennox-Boyd. Stock: 35056 215. Archibald Earl of GGosford. Painted by T. Phillips R.A. 1826. Drawn on Stone by 213. Sir Charles Thompson Baronet, Vice R.J. Lane A.R.A 1828. Printed by C. Hullmandel. Admiral of the Red. Obiit 17 March 1799. Lithograph. Private plate. Priinted area: 165 x 130mm Painted by Gainsborough Annon 1774. Engraved by (6½ x 5"). On large album sheet. £240 Earlom 1800. A portrait of Archibald Acheson, 2nd Earl of Gosford Mezzotint with large margins. 385 x 280mm (15¼ x (1776 - 1849). Acheson was a British politician who 11"). £240 served as Lieutenant-Governor of Lower Canada and Governor General of British North America in the 19th the advancement of educatioon and reform. He entered century. In 1835, he became Governor General of paarliament in 1810 as a Whig and immediately British North America and instructed to appease the prromoted legislation against slave trading. He won reformists, led by Louis-Joseph Papineau, without poopular renown as chief attorrney to Queen Caroline. giving them aany real power. The following year Lord He was a prominent memberr and one of the founders Gosford learned of the planned Lower Canada of the Society of the Diffusion of Useful Knowledge in Rebellion annd had many of Papineau's followers 1825, of University College LLondon in 1828 and the arrested, although Papineau himself escaped to the London Mechanics Institutes in 1824. As Lord United States. The next month, he issued a reward for Chancellor Brougham's mostt important achievements the capture of Papineau, and declared martial law in were the passing of the 18322 Reform Act, and the Lower Canada. Ex Collection: The Honourable Slavery Abolition Act of 1833. But for all his fame in Christopher Lennox-Boyd. his own day, Brougham's fatte was not to be Stock: 35138 remembered for any one great achievement. Engraved after the portrait by Thomas Phillips (1770- 216. [John Beresford.] 1845), whose over 700 portraits record the leading [C.G. Stewart pinx.t. Will.m Sharp sculp.t.] [London, peersonalities of his time. W 39 iii/iv; For one of many Published by W. Sharp, March 25, 1796.] caricatures of Brougham, see ref. 25041. Engraving with etching, proof before all letters, rare Stock: 34940 with large maargins. £220 John Beresford (1738-1805), MP for Waterford 218. Frederick Bull Esq.r Alderman, County, member of the Privy Council of Ireland from Member of Parliament, Lord Mayor of London 1768 and Privy Council of Great Britain from 1786. As in 1774 & President of the Humane Society. such he wielded so much power that he was dubbed R. Dighton Pinx.t. R. Laurie Sculp. London, Printed for 'King of Ireland'. However when the Earl FitzWilliam Jn.o Smith No. 35 Cheapside Nov.r 1st; 1780. became Lord Lieutenant in 1795 one of his first acts Mezzotint, rare & fine. 355 x 255mm (14 x 10"), title was to dismiss Beresford from his employment for on label pasted over similar ttitle. £290 corruption, although allowed to retain his official Frederick Bull (d.1784), Lorrd Mayor of London in salary for life and given the assurance that no other 1773 (not 1774 as titled), succeded by John Wilkes. He member of his family would be removed. Beresford sits at a table, notebook in hand, letters on the table and appealed to Prime Minister William Pitt: FitzWilliam a huge volume of Maitland's 'History of London' was replaced and Beresford given his jobs back. underneath. Through the window is the dome of St Stock: 35262 Paul's Cathedral. According to Chaloner Smith the original title reads 'memrer' of Parliament, which the slip here corrects. CSC : 8. Ex Collection of the Hon. Christopher Lennox- Boyd. Stock: 34324

219. The Right Hon.ble Edmund Burke. Sir Joshua Reynolds R.A. pinx.t 1775. M. Benedetti sculp.t Pupil to F. Bartolozzii RA. Publish'd Aug.t 24 1791 by M. Benedetti No. 92 Norton Street, Marylebone. Stipple. Sheet 330 x 230mm (13 x 9"). Trimmed within pllate, blind-stamped footprint; some soiling. £220 Edmund Burke (1729 - 17977), statesman, 'The British Cicero', was an Anglo-Irish, author, orator, political theorist and philosopher who served for many years in the House of Commons as a member of the Whig paarty. In the words of Winston Churchill he was 'perhaps the greatest man that Ireland has produced'. He is remembered for his support of the cause of the American Revolutionaries and for his later opposition to the French Revolution. He was thus seen as a 217. Henry Brougham Esq.r M.P. F.R.S. leading figure within the conservative faction of the Painted by T. Phillips Esq.e R.A. / Engraved by S.W. Whig party, which he dubbed the "Old Whigs", in Reynolds Engraver to the King Published by the opposition to the pro-Frenchh--Revolution "New Whigs", Engraver Bayswater October 1820. led by Charles James Fox. Within philosophy he is Mezzotint with very large margins, platemark 350 x remembered for his influentiial ideas about the Sublime 255mm (13¾ x 9¾"). Tipped into album sheet. Foxing which played a key role in the development of to edges. £280 Romanticism at the end of the eighteenth century. Ex: Henry Peter Brougham, first Baron Brougham and collection of the late Hon. C.. Lennox-Boyd. Vaux (1778-1868), lord chancellor. A radical Whig Stock: 34354 lawyer and MP, Brougham tirelessly campagined forr 220. Duke of Ormond. From the Original Wesleyan Methodist Conference in 1884, which Picture by S.r P.r Lely, in the Coll.n of the funded a purpose-built premiises in London opened in Duke of Queensbury. 1891. However it remained open for less than a decade Bocquet, Sc. [c.1800] beefore the collection was putt in storage in 1899. In Stipple printed in colour, sheet 180 x 125mm (7 x 5"). 1920 it was sold to the Londoon Library which Trimmed inside platemark; laid on backing sheet. £65 dispersed the unwanted publiications. CS: Engraved not James Butler, first duke of Ormond (1610-88), lord Asscertained 26, state iii of iiii. Clive Field: ‘The Allan lieutenant of Ireland, where he enjoyed popularity annd Library: a Victorian Methodist odyssey’. Ex collection supported the Stuart cause. Not in O'D of the Hon Christopher Lennox-Boyd. Stock: 35279 Stock: 34272

221. [Oliver Cromwell.] 224. Oliver Cromwell. Careat successibus [after Samuel Cooper.] [n.d., c.1700.] opto, / Quisquis ab eventu facta notanda putat. Mezzotint, very scarce. 105 x 90mm (4¼ x 9½"). SS [on right] Thread margins. £260 R. Walker pinx: Printed for & Sold by Rob.t Sayer at Oliver Crommwwell (1599-1658) in later life, as Lord the Golden Buck Fleet St. Protector. Mezzotint with very large maargins, platemark 305 x Stock: 34137 225mm (12 x 8¾"). Foxing tto edges. Later impression on wove paper. £140 Oliver Cromwell (1599-1658), lord protector of England, Scotland and Ireland. Latin text from Ovid beelow which can be translated as 'Let him lack success, I wish, who thinks that the deed can be censured from its outcomes'. This plate originally showed Cromwell in armour as in most likenesses, but in this later impression a coat has been substituted in its place. Ex: collection of the late Hon. C.. Lennox-Boyd; O'D 65. Stock: 34122

225. George Dempster Esq. [European Magazine] Published 1 Aug 1793 by J. Sewell 32 Cornhill Engraving, 150 x 110mm (6 x 4"). Trimmed inside pllatemark, losing 'European MMagazine' text; false margins added. £60 George Dempster (1732-1818), agriculturist and poolitician. Dempster studied law but turned his back on the legal profession to go intto politics. Having inherited family estates of some 6000 acres, he was 222. [Oliver Cromwell.] able to finance a campaign as candidate for the [after Sir Peter Lely.] [n.d., c.1700.] (notoriously corrupt) Perthshire district of burghs, Mezzotint. 155 x 150mm (6 x 5¾"). Thread margins,, which he won against the odddds, but at crippling costs. laid on album paper. £480 Dempster strengthened his poosition in subsequent Oliver Crommwwell (1599-1658) in later life, as Lord elections (he was MP for 28 years), but had to sell Protector. This print is apparently based on John around 2500 acres of land to cover his costs. Faber's oval portrait of Cromwell after Sir Peter Lelyy. Dempster was known for hiss independence, voting Stock: 34138 against the Stamp Act and opposing government attempts to oppress the colonists in America. He retired 223. Oliver Lord Protector of the Common from politics in 1789. Dempsster also developed an Wealth of England, Scotland Ireland &c. interest in India, becoming director of the East India Painted by S.r P. Lily after ye Original limning of Company in 1769 and 1772. He defended Warren Cooper. Printed for John Bowles & Son, at the Black Hastings against the Edmund Burke's campaign of Horse in Cornhil. impeachment. Mezzotint with very large margins. 355 x 250mm (14 x Dempster was also famous ffoor his efforts to advance 9¾"). Ink library stamp on verso. £240 Scottish commerce and manufactures, promoting the Oliver Crommwwell (1599-1658), in armour and lace textile industry, founding the first bank in Dundee collar, within an oval frame. The engraver of this print (having noticed that the lack of proper banking is unknown, although it is possible that it was the facilities hampered trade), leeaading improvements to original publisher, J. Sympson. fisheries and promoting road building. He also carried The libray ink stamp is that of the Allan Library. out significant agricultural improvements on his own Thomas Robinson Allan (1799–1886) created the land and encouraged other landowners to follow his library as a Methodist rival to Sion College Library (of example. the Church of England). Allan donated it to the Plate from the 'European Magazine'. O'D 1 Stock: 35305 226. George Dempster Esq. [European fisheries and promoting road building. He also carried Magazine] out significant agricultural improvements on his own Published 1 Aug 1793 by J. Sewell 32 Cornhill land and encouraged other landowners to follow his Engraving, 155 x 105mm (6 x 4"). Trimmed inside example. platemark, losing 'European Magazine' text. £50 Plate from the 'European Magazine'. O'D 1 George Dempster (1732-1818), agriculturist and Stock: 35304 politician. Dempster studied law but turned his back on the legal profession to go into politics. Having 228. Andrew Fletcher. From an Authentick inherited family estates of some 6000 acres, he was Portrait, in the Collection of the Earl of able to finance a campaign as candidate for the Buchan. (notoriously corrupt) Perthshire district of burghs, C. Aikmann pinxit. Anna Foorrbes del: Buchaniæ which he woon against the odds, but at crippling costs. Invitavit. London Published Sep: 21, 1791 by J. Dempster strengthened his position in subsequent Debrett. elections (he was MP for 28 years), but had to sell Stipple printed in sepia. Sheet 180 x 115mm (7 x 4½"). around 2500 acres of land to cover his costs. Trimmed within plate. £85 Dempster was known for his independence, voting Medallion portrait of Andrew Fletcher of Saltoun against the Stamp Act and opposing government (1655-1716), a Scottish nationalist and member of the attempts to oppress the colonists in America. He retired Scottish Parliament. Fleeing from Charles II's wrath in from politics in 1789. Dempster also developed an 1683 he joined the Monmoutth Rebellion in 1685, interest in India, becoming director of the East India taking command of the cavallry briefly before sent Company in 1769 and 1772. He defended Warren away for causing internal friction, so not participating Hastings against the Edmund Burke's campaign of in the defeat. He returned to Scotland with William of impeachment. Orange, where he was a supporter of the Darien Dempster was also famous for his efforts to advance Scheme that bankrupted his country. However he still Scottish commerce and manufactures, promoting the fought against the Act of Unniion, publishing his 'twelve textile industry, founding the first bank in Dundee limitations' in the power of the crown and English (having noticed that the lack of proper banking ministers in Scottish politics.. Once the act was passed facilities hampered trade), leading improvements to he retired from politics. Dying in London in 1716, his fisheries andd promoting road building. He also carried last words were 'Lord have mercy on my poor country out significant agricultural improvements on his ownn that is so barbarously oppresssed'. land and encouraged other landowners to follow his Stock: 35335 example. Plate from the 'European Magazine'. O'D 1 Stock: 35303

227. George Dempster Esq. [European Magazine] Published 1 Aug 1793 by J. Sewell 32 Cornhill Engraving, 160 x 110mm (6 x 4"). Trimmed inside platemark, losing 'European Magazine' text; false margins added. £60 George Dempster (1732-1818), agriculturist and politician. Dempster studied law but turned his back on the legal profession to go into politics. Having inherited family estates of some 6000 acres, he was able to finance a campaign as candidate for the (notoriously corrupt) Perthshire district of burghs, which he woon against the odds, but at crippling costs. Dempster strengthened his position in subsequent elections (he was MP for 28 years), but had to sell around 2500 acres of land to cover his costs. Dempster was known for his independence, voting 229. The Rt. Hon.ble Henry Flood From a against the Stamp Act and opposing government Miniature Portrait in the Possession of the attempts to oppress the colonists in America. He retired Rev.d Henry Monck. from politics in 1789. Dempster also developed an [Anon., possibly after H.D. Hamilton] interest in India, becoming director of the East India Etching with large margins, platemark 270 x 220mm Company in 1769 and 1772. He defended Warren (10½ x 8¾"). £140 Hastings against the Edmund Burke's campaign of Henry Flood (1732-91), Irish politician. A powerful impeachment. debater and orator, Flood was one of the most Dempster was also famous for his efforts to advance important figures on the Irish political landscape and a Scottish commerce and manufactures, promoting the significant voice in Irish prottestant patriotism during textile industry, founding the first bank in Dundee the 1760s, 1770s and 1780s. O'D 3 (having noticed that the lack of proper banking Stock: 34870 facilities hampered trade), leading improvements to 232. The R.t Hon.ble Henry Grattan, Member of Parliament for the City of Dublin, and one of his Majesty's most Hon. Privy Council in Ireland. Painted by C.G. Stuart. Engrraved by C.H. Hodges. Pubished 15th Nov.r 1792, by George Cowen, at Thomas Macklin's Poets Galllery Fleet Street London & at his House Grafton Street, Dublin. Mezzotint. 380 x 280mm (15 x 11"). Soiling in very large margins. £260 Henry Grattan (1746-1820), a member of the Irish House of Commons and a campaigner for legislative freedom for the Irish Parliament in the late 18th century. Although he opposed the Act of Union 1800 and suffered polically for it, hhe eventually took a seat in the British House of Commons. He was buried in Westminster Abbey close to the tombs of Pitt and Fox. CSC 16a, ii of iii. Ex: Collectioon of the Hon. Christopher Lennox-Boyd. Stock: 34134

233. [The R.t Honorablle Henry Grattan, 234. Dedicated by Permission) to His Royal Highness the Duke of Suussex, By His Royal Highnesses most Obediennt & Respectful 230. The Right Honourable Charles James Servant Alex.r Pope.] Fox. [Painted by Alex.r Pope. Engraved by E. Scriven, Painted by Sir Joshua Reynolds. Engraved by John Hist.l Engr. To H.R.H. the Prrincr Regent.] [London; Jones. London, Publish'd as the Act directs, Nov.r 1.st Published by Alex.r Pope, Noo.7, Albany Court, 1784, by J. Jones, No. 63, Great Portland Street, Piccadilly, Dec.r 14th 1814.]] Marylebone, and Mr, austin, Drawing Master, Engraving with stipple, unfinished proof. Sheet 380 x Knightsbridge. 265mm (15 x 10½"). Trimmeed close to image, Mezzotint fine with very large margins, . 500 x horizontal fold. £220 350mm. (19¾ x 13¾"). Uncut. £420 Henry Grattan (1746 - 1820)), a member of the Irish Charles James Fox (1749-1806), the first foreign House of Commons and a campaigner for legislative secretary of the United Kingdom and vocal supporter freedom for the Irish Parliament in the late 18th century. Although he opposed the Act of Union 1800 of American independence. CS: 28. Stock: 34358 and suffered polically for it, hhe eventually took a seat in the British House of Commons. He was buried in Westminster Abbey close to the tombs of Pitt and Fox. 231. The Right Honourable John Lord Much of the plate is unfinished, including his face, Gower, Lord Privy Seal [...] Anno 1743. hands & stockings. See NPG D34803 for the published Vanlo Pinx. / J. Faber fecit. Sold by C. Hitch in sttate. Paternoster Row, London, and by S. Parsons at Stock: 34393 Newcastle Under Lime. Mezzotint, pllatemark 355 x 255mm (14 x 10"). Smalll 235. The Right Honble.. Lord Grenville. margins; glued to backing sheet at corners; rubbed. Painted by T. Phillips R.A. Engraved by J. Fittler £280 A.R.A. London Publish'd as the Act directs by J. Fittler John Leveson-Gower, first Earl Gower (1694-1754), No 62. Upper Charlotte Street Fitzroy Square March. politician. Leader of the Tories in the Lords in the 1812. 1730s, after Walpole's fall he was the one Tory to take Engraving. Platemark: 530 x 390mm (20¾ x 15"). high office (as lord privy seal and a privy councillor, Light foxing. Trimmed to plate at sides. £320 from 1742) in the new ministry, as delebrated here. Portrait of William Wyndham Grenville, 1st Baron However, hee resigned in December 1743, soon after Grenville (1759 - 1834). He wwears a long lace cravat this print was published. He subsequently regained his and ruffles, and a heavy blacck brocaded silk position as lord privy seal and held it until his death. Chancellor's robe with gold llace trimming on collar, Gower's proximity to the whig administration provoked facings and sleeves. His righht hand clasps an upright suspicion that he had deserted Tory principles (Dr brrass bound volume standing on a table to left, on Johnson included him in his dictionary definition for which are also a bundle of papers tied up with tape. 'renegado' although the printer removed the reference). Curtain behind to right, and tto left, a view of Christ CS: 163. Ex: Collection of The Hon. C. Lennox-Boyd. Stock: 34230 Church seen through a window. Grenville, William Pitt's firstt cousin, served as Speaker of the House of Commons (1789) and Foreign Secretary (1791-1801). The protégé and loyal follower of his cousin, Grenville was angered by Pitt's failure tto oppose Addinngton and broke with him to join Fox and Grey in opposition. It was as head of the 'Ministry of All the Talents' coalition government, foollowing Pitt's death, that Grenville was Prime Minister from 1806 to 1807. A reluctant leader, he resigned over George IIII's refusal to agree to Catholic emancipation. His administration nevertheless saw the abolition of Britiish participation in the slave trade. For alternative open lettered impression, see item reff: 24080. Ex Collection: The Honourable Christopher Lennox-Boyd. Stock: 35136

236. The Right Hon.ble Charles Earl Grey. T. Phillips Essq R.A. Pinx.t. C.Turner sculp.t. London Pub.d May 28, 1811 by A. Molteno, Printseller to H.R.H. the Dutchess of York 29 Pall Mall. Mezzotint with large margins, very fine. Platemark: 355 x 255mm, (14 x 10"). £360 239. John George Lambton, Esq. M.P. for the Charles Grey (1764-1845), 2nd Earl Grey, Whig Prime County Durham. From tthe original Picture in Minister 1830-34. His political achievements included the possession of Earl Grey. the Reform Act of 1832, and the abolition of slavery Painted by T. Phillips, Esq. R.A. Engraved by S.W. throughout the British Empire in 1833, but is still best Reynolds. Engraver to the Kiing. [n.d., c.1820.] known today for giving his name to the aromatic blend Mezzotint with very large maargins, very fiine. of tea. Ex Collection: The Honourable Christopher Platemark: 380 x 270mm (15 x 10½"). £420 Lennox-Boyd. W: 236 I of II. John George Lambton, 1st Earl of Durham (1792 - Stock: 35134 1840), standing in front of a curtain, directed to front, facing towards the left. He hoolds a book upright on a 237. Warren Hastings Esq. table with his right hand, next to document. Engrav'd by WW.m Bromley. Published by W.m Following his father's death iin 1797, Lambton inherited Bromley June 29th 1797. an immense fortune, derivedd largely from mining on Engraving. Sheet 340 x 250mm (13½ x 9¾"). lands surrounding Lambton Castle, the ancestral family Unfinished. Trimmed within image. £140 home in County Durham. In 1821, he gained the An oval portrait of Warren Hastings (1732-1818) with nickname 'Jog Along Jack', after being asked what was two Indians giving obeisance. As the first Governor- an adequate income for an Ennglish gentleman, and General of India (1772-85) he transformed the East replying, 'that a man might jog along comfortably India Company from a trading organisation into a great enough on £40,000 a year', an equivalent of nearly two military and naval power. He established full-scale millions pounds at modern values. He was MP for British civil administration in India, but his methods County Durham for 16 yearss from 1813, and was led to a trial for corruption at which he was acquittedd in appointed Lord Privy Seal in 1830 when his father-in- 1795. law, Lord Grey, became prime minister. Between 1835 Stock: 34391 and 1837 he served as Ambassador to Russia. The following year, Lambton became Governoro -General of 238. Samuel Horrocks Esq.re, M.P. Canada, where he was knowwn as 'Radical Jack', and Painted by James Lonsdale / Engraved by S.W. subsequently lauded in Engliish -Canadian history for Reynolds Engraver to the King. Published by J. his recommendation to introduce responsible Lonsdale 8 Berners Street, May 1820. government and recommenddiing the union of Upper and Mezzotint with very large margins, proof impression; Lower Canada. Places named after him in Canada, platemark 360 x 255mm (14¼ x 10"). Slightly rubbed. New Zealand etc. Ex Collecttion: The Honourable £220 Christopher Lennox-Boyd. W: 173 II of II. Samuel Horrocks (1766-1842), who took over the Stock: 35132 cotton spinning and manufacturing business founded by his father in Preston, for which he was also M.P. 240. George, Earl of Dartmouth, K.G. Lord After a portrait by Lancaster-born painter James Chamberlain of His Majjesty's Household, &c. Lonsdale (although Lonsdale had long been resident iin &c. &c. A.D. 1810. London by this time- in the year this print was Painted by T. Phillips R.A. Engraved by Chas. Heath published he painted Queen Caroline). Ex: collectionn of Junr. Published January 1st. 1814, by Chas. Heath; No. the late Hon.. C. Lennox-Boyd 6 Seymour Place, Sommers Town; Messrs. Boydell & Stock: 34123 Co. Cheapside, & Messrs. Colnaghi & Co. Cockspur Street, Haymarket. Line engravinng, very fine; platemark 525 x 405mm Viscount Trentham from 1758 to 1786, as Earl Gower (20½ x 16"). Trimmed inside platemark; false margins from 1786 to 1803 and as The Marquess of Stafford added. £360 from 1803 to 1833. George Legge, 3rd Earl of Dartmouth KG, PC, FRS A politician, art patron and landowner, Granville (1755-1810), styled Viscount Lewisham until 1801, succeeded his father as Marquis of Stafford in 1803. was a British politician. Dartmouth was returned to He initiated the notorious 'Hiighland Clearances', Parliament for Plymouth in 1778, a seat he held until resettling thousands of his teennants, was an early 1780. The latter year he was returned for both Horsham beenefactor of the National Gallery and President of the and Staffordshire 1784, but chose to represent the British Institution, and became Duke of Sutherland five latter. He continued to represent this constituency until months before his death in 18833. Ex Collection: The 1784. From 1783 to 1798 he served as Lord Warden oof Honourable Christopher Lennox-Boyd. Not in O'D. the Stannaries. He remained out of Parliament for the Stock: 35059 next 17 years, but in 1801 he was summoned to the House of Lords through a writ of acceleration in his 242. The Hon.ble Will.m Maule of Panmure, father's junior title of Baron Dartmouth. He succeedeed M.P. Patron and Presideent of the Forfarshire his father in the earldom later the same year. Agricultural Association. Dartmouth served under Henry Addington as President Painted by Colvin Smith / Engraved on Steel by T. of the Board of Control between 1801 and 1802 and as Lupton. London, Published Jan.y 1, 1823, by the Lord Steward between 1802 and 1804. From 1804 to Engraver, 7 Leigh Street, Burton Crescent, Mess.rs 1810 he was Lord Chamberlain under successively Piitt Colnaghi & Co. Charing Cross, & Mess.rs Constable & the Younger, Lord Grenville, the Duke of Portland and Co. Edinburgh [illegible] Spencer Perceval. He was sworn of the Privy Council Mezzotint on india, very rare; platemark 320 x 255mm in 1801 and appointed a Knight of the Garter in 18055. (12½ x 10"). Damage to edgees of india. Tear. £160 He was also admitted a Fellow of the Royal Society on William Ramsay Maule (1771-1852), aristocrat and 3 May 1781. MP for Forfar, 1796 and 1803-31, made Baron Engraved after the portrait by Thomas Phillips (1770- Panmure in 1831. 'As a young man he was one of the 1845), whose over 700 portraits record the leading most dissipated and extravagant, even of the Scottish personalities of his time gentry of his younger days...hhe did not alter his manner Stock: 34953 or morals as he grew older, and scandalized Victorian observers' (DNB). Stock: 35241

243. Arthur O'Connor Esq.r Late Member in the Irish Parliament for the Borough of Philipstown. Painted by J.Dowling / Engraved by W. Ward London, Published April 18 1798 by J. Dowling Mezzotint, 385 x 295mm (15¼ x 11¼"). Trimmed inside platemark lower edge;; creases and rubbed. Rare. £260 Arthur O'Connor (1763-1852), Irish nationalist and poolitical theorist. Prominent iin radical politics of the 1790s, O'Connor was friends with Charles James Fox and Richard Brinsley Sheridan and helped negotiate French military support for an independent Irish republic, the result of which was the abortive Bantry Bay landing of December 1796. O'Connor was imprisoned for treason for most of the period from 1797 to 1802 (during which tthis portrait was puublished). After his release,, Napoleon appointed him général de division in his army, he bought land, and took French nationality. Frankau 212 Stock: 34236

244. M.r. Palmer. 241. George Granville Marquis of Stafford, Pub, June 1, 1807 by James Cundee, London. K.G. Stipple. Sheet: 85 x 80mm, (3½ x 3"). Trimmed. Laid on backing sheet. Surface dirrt. £65 Painted by Tho.s Phillips Esq.r R.A. Engraved by Silhouette portrait in profile oof John Palmer (1742- Henry Meyer. 1817, Gt. Russel St. Bloomsbury. 1818), who served as Compttrroller General of the Post Mezzotint with very large margins. Platemark: 510 x Office, as Mayor of Bath on two occasions and as MP 360mm (20 x 14¼"). Light foxing in margins. £320 for Bath between 1801 and 1807. A portrait of George Granville Leveson-Gower, 1st Stock: 34502 Duke of Sutherland KG (1758 - 1833), known as 245. Wooddbine Parish Esq.r William Pitt the Younger (1759-1806), who became Tho.s Phillips Esq.r R.A. pinx.t / Isaad W. Slater lith. the youngest Prime Minister in 1783 at the age of 24. Printed by C. Hullmandel Stock: 34925 Lithograph on india with very large margins, very scarce, printed area approx 250 x 220mm (9¾ x 8¾"). 248. [Sir John Kynaston Powell, Bt.] Slight staining to margins. £360 [Engraved by James Stow, affter George Perfect Sir Woodbine Parish (1796-1882), diplomatist. Parish's Harding, after Robert Mullerr] [Published 1 May 1824.] diplomatic work took him to Sicily, the Ionian Islands, Line engraving, rare private pplate, proof before letters. Naples, and Buenos Aires. As commissioner and 450 x 320mm (17¾ x 12½") Tears in edges, scuff on consul-general (and subsequently chargé d'affaires) to left of image. £140 Buenos Aires from 1823, staying there for nearly ninne Sir John Kynaston Powell, 1sst Baronet (1753–1822), years. Member of Parliament for Shropshire 1784–1822. Parish also published a book resulting from his time in Born John Kynaston, he changed his name in 1797 on Argentina ('Buenos Ayres and the Provinces of the Rio inheriting an estate at Wortheen from a maternal de la Plata', 1839), which demonstrates his interest in relative. historical, geographical and geological research (he Stock: 34379 surveyed parts of the Bolivian Andes with Joseph Barclay Pentland). He was also a fellow of the Royall Society, Geological Society and Geographical Societtyy, and corresponded with Charles Darwin. After the portrait by Thomas Phillips (1770-1845), whose over 700 portraits record the leading personalities of his time. Stock: 34929

246. To His Grace Hugh Duke of Northumberland, K.G. This portrait of his late noble father is most respectfully dedicated by his Grace's obedient & humble servant, Thomas F. Ranson. Engraved byy Thomas Ranson from a Painting by Thomas Phillips R.A. Printed by Dixon. London, Published by T.F. Ranson. No. 31 Judd Place West, New Road. 1820. Engraving. Proof fine impression. Laid, on India papeer. Sheet: 585 x 440mm (23 x 17¼"). Trimmed inside platemark. Some light foxing to backing sheet. £320 A portrait of Lieutenant-General Hugh Percy, 2nd Duke of Northumberland (1742 - 1817), dressed in robes, seated to the left, holding a paper in his left haannd inscribed, 'Magna Charta'. Percy was an officer in the British army and later a British peer. He participated in the Battle of Lexington 249. David Ricardo, Esqq.r M.P. and Concord and the Battle of Long Island during the Painted by T. Phillips, Esq.r R.A. / T. Hodgetts, American Revolutionary War, but resigned his Westbourne Green, Padd. Gtt.n / Engraved by T. command in 1777 due to disagreements with his Hodgetts London, Publishedd by Messr.s Colnaghi's, superior, General Howe. Born Hugh Smithson, he Cockspur St.t May 6th 1822 assumed the surname of Percy by Act of Parliament Mezzotint with very large maargins, very scarce, along with his father in 1750 and was styled Lord pllatemark 410 x 305mm (16 x 12"). Fine proof Warkworth from 1750 until 1766. He was styled Earl impression; foxing to margins. £650 Percy from 1766, when his father was created Duke of David Ricardo (1772-1823), political economist. An Northumberland. Ex Collection: The Honourable MP for Portarlington in Ireland, patron of the arts and Christopher Lennox-Boyd. prrovider of schools, almshouses and and infirmary, Stock: 35139 Ricardo is chiefly rememberreed as one of the most influential of political economists. His influential book 247. The Right Hon.ble Will.m Pitt. 'On the Principles of Political Economy and Taxation' The original painted in crayons by S. De Kostar, and (1817) was championed by Thomas De Quincey and Exhibited at the London Tavern, August 14th 1799. J.S. Mill (whose 1848 'Princiiples of Political Economy' Publish'd August 23, 1799, by J. Brydon, No.7 Charing revived Ricardo's by then flagging reputation with its Cross. claims for his as 'the greatestt political economist'). Stipple with very large margins, very rare. 410 x Ricardo was also praised by Karl Marx for his attempt 320mm (16 x 12½"). Creased. £360 to develop a labour theory off value, and his writings remain a source of fascination From the portrait by Thomas Phillips (private plate), J.J. Masquerier pinx.t. C. Tuurrner sculp.t. London, which was exhibited at the Royal Academy in 1821. Published Feb. 27 1802, by C. Turner No. 56 Warren Ex: Collection of the Late Hon. C. Lennox-Boyd; St. Fitzroy Sq. Whitman 497 i/ii. Mezzotint, rare; platemark 3555 x 255mm (14 x 10"). Stock: 34928 Trimmed to platemark left and right; good impression; collector's stamp of Chritstopher-Lennox Boyd verso. Slight crease on left. £160 John Scott-Waring (1747-1819), agent of Warren Hastings. Scott met Hastings through his rising poosition in the Bengal army, and with controversy over his role in India increasing, Hastings sent Scott to England to act as his agent and defend his reputation in 1781. To this end, Scott wrotte numerous pamphlets and secured a seat in parliament, but proved to be neither a skilled political wriiter nor an accomplished paarliamentarian. When Hastiings was acquitted in 1795 despite Scott's inadequacy, the agent presented him with a bill for £21,840. Afterr the trial ended, he largely retired from political affairs, publishing only occasional pamphlets on Inddiian affairs and reputedly gathering a circle of wits, acttresses, politicans and prrinces at his home in Parsons's Green, London. After the 1801 portrait by Chelsea-born portrait painter John James Masquerier (17778-1855). Ex: Collection of the Late Hon. C. Lennox-Boyd; W 515 (only state). Stock: 35016

252. To Warren Hastings, Esq.r, This Portrait of his Friend Major Scott Waring, Is with Permission Dedicated by his obedient & obliged humble Servant JJ.J. Masquerier. J.J. Masquerier pinx.t. C. Tuurrner sculp.t. London, Published Feb. 27 1802, by C. Turner No. 56 Warren St. Fitzroy Sq. 250. His Grace John Duke of Roxburghe &c. Mezzotint, with very large margins. 355 x 255mm (14 Principall Secretary of State to her Majesty x 10"). Damp staining, three tears in wide margins. Queen Ann in 1704 [...] collector's stamp of Chritstopher-Lennox Boyd verso. J. Richardson pinxt 1723. / J. Faber fecit 1741. £180 Mezzotint with very large margins, fine; platemark 3555 John Scott-Waring (1747-1819), agent of Warren x 260mm (14 x 10¼"). £260 Hastings. Scott met Hastings through his rising John Ker, first duke of Roxburghe (c.1680-1741), poosition in the Bengal army, and with controversy over politician prominent in Scottish politics from 1702 his role in India increasing, Hastings sent Scott to onwards. Roxburghe (as he was created in 1707) was England to act as his agent and defend his reputation in part of the Scottish administration, known as the 1781. To this end, Scott wrotte numerous pamphlets 'squadrone' which supported the Scottish government and secured a seat in parliament, but proved to be in the votes that led to the Union of 1707. He continued neither a skilled political wriiter nor an accomplished to play a role in the politics of the newly created paarliamentarian. When Hastiings was acquitted in 1795 British state, but backed John Carteret rather than the despite Scott's inadequacy, the agent presented him rising star, Sir Robert Walpole. Walpole dimissed with a bill for £21,840. Afterr the trial ended, he largely Roxburghe from his office of (Scottish) secretary of retired from political affairs, publishing only state in 1725. Thereafter he lived largely in political occasional pamphlets on Inddiian affairs and reputedly retirement, and died in 1741 at Floors Castle, which gathering a circle of wits, acttresses, politicans and had been built for him by Vanbrugh. prrinces at his home in Parsons's Green, London. Engraved after the 1723 portrait by Jonathan After the 1801 portrait by Chelsea-born portrait painter Richardson the elder, which hangs at Floors Castle. CS John James Masquerier (17778-1855). Ex: Collection of 309 (only state). the Late Hon. C. Lennox-Boyd; W 515 (only state). Stock: 34513 Stock: 35266

251. To Warren Hastings, Esq.r, This Portrait of his Friend Major Scott Waring, Is with Permission Dedicated by his obedient & obliged humble Servant J.J. Masquerier. name well known to collectors of 19th century books, and in January 1830, he receeiived a 30-year patent as King’s Printer, an office he held until 1855. Spottiswoode died in Februaary 1866 at his London home at 12 James Street, Bucckingham Gate. NPG D42039. Not in O'D. Ex Colllection: The Honourable Christopher Lennox-Boyd. Stock: 35057

255. Philip Dormer Staanhope Earl of Chesterfield. Le Noir Sculp. [after Francesco Bartolozzi.] [n.d., c.1777.] Etching. Sheet 205 x 120mm. (8¼ x 4¾"). Trimmed within plate. £65 Philip Dormer Stanhope, 4th Earl of Chesterfield (1694-1773), engraved by Le Noir after Francesco Bartolozzi's drawing of a marble bust by Louis Francois Roubiliac (1745), depicting Stanhope unclothed in the style of a Roman emperor, now in the National Portrait Gallery. Stanhope was ambassador to The Hague frf om 1728, and was subsequently rewarded with the Order of the Garter and the position of Lord Steward. He was appointed Lord Lieutenant off Ireland in 1745 and Secretary of State in 1755. 253. [Henry Charles, 6th Duke of Beaufort] Stock: 35254 Painted by Thomas Phillips Esq.r R.A. / Engraved by Charles Turner, Mezzotinto Engraver in Ordinary to 256. Philip Dormer Staanhope Earl of His Majesty. London, Published June 18 1828 by Messrs Colnaghi Son & Co Printsellers to His Majesty Chesterfield. From a Bust in the British Pall Mall East. Museum. Mezzotint with small margins, platemark 565 x 410mm J.K. Sherwin Sculp. [after Frrancesco Bartolozzi.] (22¼ x 16"). £280 Publish'd Feb. 18th, 1777. Henry Charles Somerset, sixth duke of Beaufort (1766- Etching. Sheet 215 x 130mm (8½ x 5¼"). Trimmed 1835), politician. He was MP for Monmouth (1788- within plate on three sides. Stained. £75 90). Bristol (1790-96), and Gloucestershire (1796- Philip Dormer Stanhope, 4th Earl of Chesterfield 1803), after which he took his father's seat in the House (1694-1773), engraved by Sherwin after Francesco of Lords. Somerset married Charlotte Sophia Gower Bartolozzi's drawing of a marble bust by Louis (1771-1854), and their children included the politician Francois Roubiliac (1745), depicting Stanhope Lord Granville Charles Henry Somerset (1792-1848)) unclothed in the style of a Roman emperor, now in the and the sportsman and courtier Henry Somerset, National Portrait Gallery. seventh duke of Beaufort (1792-1953). Ex: Collection Stanhope was ambassador to The Hague frf om 1728, of the Late Hon. C. Lennox-Boyd; W 29 i/iii. and was subsequently rewarded with the Order of the Stock: 34938 Garter and the position of Lord Steward. He was appointed Lord Lieutenant off Ireland in 1745 and 254. [Andrew Spottiswoode Esq.] Secretary of State in 1755. Stock: 35252 Painted by T. Phillips, R.A. Engraved by James Bromley. London, Published June 28, 1838 by Thomas Boys, XI, Golden Square. Printed by Lahee & Co. 257. Philip Dormer Staanhope Earl of Mezzotint. First proof before title. Sheet: 595 x 440mm Chesterfield. (23¼ x 17¼"). Very light foxing. £280 F. Bartolozzi del. et Sculp. [n.d., c.1775.] A three-quarters length portrait of Andrew Etching. Sheet 245 x 180mm (9¾ x 7"). Trimmed Spottiswoode (1787 - 1866), standing facing front, within plate, well away from image. £140 with arms follded, in front of a landscape, to the left. Philip Dormer Stanhope, 4th Earl of Chesterfield Spottiswoode was a member of Parliament for Saltash (1694-1773), drawn and engrraved by Francesco from 1826 to 1830 and then Colchester from 1830 to Bartolozzi from a marble bust by Louis Francois 1831. As a member of Parliament for Saltash, he Roubiliac (1745), depicting Stanhope unclothed in the presented a number of petitions, notably an Edinburgh style of a Roman emperor, noow in the National Portrait petition for repeal of the corn laws, 20 Feb. 1827, and a Gallery. Saltash petition for the abolition of slavery, 23 June Stanhope was ambassador to The Hague frf om 1728, 1828. and was subsequently rewarded with the Order of the Away from politics, Spottiswoode became a junior Garter and the position of Lord Steward. He was partner in the printing firm of Eyre & Spottiswoode, a appointed Lord Lieutenant of Ireland in 1745 and prresident of Guy's Hosptital. Ex Collection: The Secretary of State in 1755. De Vesme 778, iii of iii. Honourable Christopher Lennox-Boyd. Whitman: 557. Stock: 35253 Stock: 35060

258. Guillaume Temple. Envoyé de Charless 260. Edward Lord Thurlow. II. Roy de la Grand Bretagne au pres des Etatts Painted by T. Phillips. A. Engraved by C. Turner. Generaux. Mort au Mois de Fevrier 1690. London, Published April 20, 1807, by C. Turner 50. Lely Pinx. Chenu Sculp. AParis chez Odieuvre, M.d Warren Street, Fitzroy Squarre. d'Estampes rüe des Mathurins chez Mr Joubert. Mezzotint with large marginnss, very fine; laid on Album Engraving with borders, printed from two plates, with sheet. Platemark: 480 x 340mm (18¾ x 13¼"). Light very large maargins, total 235 x 190mm (9¼ x 7½"). foxing in margins. £340 £140 A portrait of lawyer and polliitician Edward Thurlow Oval portrait of Sir William Temple (1628-99, not (1731-1806). 1st Baron Thurrlow was Lord Chancellor 1690 as title), within a separately-printed, frame-like for fourteen years (1778-1792) and under four Tory border. As a diplomat he negotiated the marriage Prime Ministers. Thurlow was a constitutionalist and William of Orange and Princess Mary, and the Triple anti-reformer. He opposed reform in Ireland and Alliance between England, Sweden & the United defended the interests of the slave-trader. Ex Provinces, 1668. Collection: The Honourable Christopher Lennox-Boyd. Stock: 34965 Whitman: 559 I of II. Stock: 35058

261. William Wilberforce Esq.r M.P. [Anon., 1820] Stipple, rare; sheet 120 x 90mm (4¾ x 3½). Trimmed inside platemark; laid on backing sheet. £60 William Wilberforce (1759 -- 1833), politician, phhilanthropist and slavery abolitionist. Wilberforce entered Parliament in 1780 as a Tory MP and was the Parliamentary leader of the Abolition movement from 1787. After years of campaigning, Wilberforce's bill to end Britain's part in slave trading was passed to a standing ovation in 1807. A ffurther act of 1833 prrovided for the emancipation of slaves in British colonies. He holds "Act for tthe Abolition of the Slave Trade". Stock: 35281

262. [Miss Coke of Norffolk] [n.d., c.1680.] Mezzotint with large marginnss. 180 x 140mm (7 x 5¼"). Mounted on album paper. £230 Probably by W. Vincent a young girl dressed as a shepherdess, with crook and lamb. Behind is an ornamental fountain. A pencciil annotation on the album paaper reads 'Miss Cook of Noorfolk'; this is probably a reference to a child of Wenman Coke, who inherited 259. Samuel Thornton, ESQ.RE. the Coke family seat of Holkham Hall, Norfolk, in Painted by Thomas Phillips, Esq.r R.A. Engraved by C. 1759. Ex collection of the Hon Christopher Lennox- Turner. Mezzotinto to Engraver in Ordinary to His Boyd. CS: 5. Majesty. London, Published Dec.r 19. 1827, by Mr. Stock: 34264 Martin Colnaghi, Cockspur Street, Charing Cross. Mezzotint with very large margins, very fine. Proof 263. [Miss Coke of Norffolk] impression. Platemark: 505 x 355mm (19¾ x 14"). [n.d., c.1680.] Light foxing in margins. £420 Mezzotint, fine impression. 180 x 140mm (7 x 5¼"). A portrait of Samuel Thornton (1754 - 1838) seated in Trimmed to plate. Loss bottoom right corner. £190 an armchair in front of a pillar, directed and facing Probably by W. Vincent, a yooung girl dressed as a towards right. He holds a letter in his right hand and to shepherdess, with crook and lamb. Behind is an left, is a draped table on which lies a letter, lettered "To ornamental fountain. A pencciil annotation on the album S Thornton Bank", and an inkwell and pen. paaper reads 'Miss Cook of Noorfolk'; this is probably a Thornton was one of the sons of John Thornton, a reference to a child of Wenman Coke, who inherited leading merchant in the Russian and Baltic trade, and the Coke family seat of Holkham Hall, Norfolk, in was a director of the Bank of England for 53 years. He 1759. Ex: Collection of The Hon. C. Lennox-Boyd. was, for many years, a governor of Greenwich CSC : 5. Hospital, governor of the Russian Company, and Stock: 34265 264. [Unidentified portrait] He became the second-ever captain of the English [Anon, c.1850] cricket team, leading a tour of Australia in 1878-9 on Etching printed in brown, sheet 560 x 385mm (22 x which a test match at Melbourne was lost by ten 15¼"). Trimmed inside platemark left and right; tears wickets. In 1909 he played an important role in outside of image only. £120 organising the Imperial Cricket Conference, which An unidentified portrait printed in brown ink. Ex started with only three nations (England, Australia and Collection: The Late Honourable Christopher Lennox- South Africa) but expanded tto include the West Indies, Boyd. New Zealand and India under his guidance. Stock: 35036 His service as Governor of the Presidency of Bombay (1890-5) is not so highly regaarded, as he was far more interested in sport than administration. When he left India in 1895, having virtuallly ignored famine, riots and sectarian unrest, a publisher circulated a collection of newspaper extracts from his time as governor. The introduction stated: 'Never during the last hundred years has a Governor of Bombay been so sternly criticised and never has he met with such widespread unpopularity on account of his administration as Lord Harris'. Stock: 35258

267. [George Robert Canning Harris.] Harris. [facsimile signature.] Downey photo. Joseph Brown sc. [London, A.H. Bailey & Co., Cornhill June 1, 1880.] Stipple with large margins, proof before publication line, printed on india. £120 George Robert Canning Harrris (1851-1932), 4th Baron Harris, GCSI, GCIE. A keenn cricketer, he played for Eton, Kent (for over 40 years) and Oxford University. He became the second-ever captain of the English cricket team, leading a tour of Australia in 1878-9 on which a test match at Melbourne was lost by ten wickets. In 1909 he played an important role in organising the Imperial Cricket Conference, which started with only three nations (England, Australia and 265. [Thomas Gosden.] The Sportsman. South Africa) but expanded tto include the West Indies, Painted by Marshall of Newmarket. Engraved by Maaile New Zealand and India under his guidance. of London. [Published by Thomas Gosden, n.d., His service as Governor of the Presidency of Bombay c.1830.] (1890-5) is not so highly regaarded, as he was far more Mezzotint with large margins, proof before full interested in sport than administration. When he left lettering. 265 x 190mm (10½ x 7½"). £220 India in 1895, having virtuallly ignored famine, riots A portrait of Thomas Goden (d.1843) by George Maile and sectarian unrest, a publisher circulated a collection after Benjamin Marshall, carrying gun, accompanied of newspaper extracts from his time as governor. The by his two dogs. introduction stated: 'Never during the last hundred Working from Piccadilly, 'The Sportsman's Repository' years has a Governor of Bombay been so sternly at 18 Bedford Street in Covent Garden and 107 St criticised and never has he met with such widespread Martin's Lane, Charing Cross at various times, Gosden unpopularity on account of his administration as Lord was a book and printseller, publisher and sportsman. Harris'. He published at least three different versions of this Stock: 35257 portrait. See BM 1876,1209.229 for published version. Ex Collection of the Hon. Christopher Lennox-Boyd. 268. Sir Francis Burdett, Bar.t. The Man to Stock: 34562 British Hearts endear's, Within his Circle Honor'd, Lov'd & Fear'd, Not as a Tyrant; but 266. 'Sociiety' Bijou Portraits. No 140. - The whose generous Mind, Siighs for the Miseries of Rt. Hon. Lord Harris. Human Kind: Humane & Virtuous in his Ink-Photo. Sprague & Co. London. From a photo by private sphere, Feels for Distress, & wips the Elliott & Fry. Supplement to 'Society,' September 5, Widows Tear; Who shuns the ice & Follies of 1885. "Ink Photo", rare with large margins. Sheet 335 x the Age, While nobler Viiews his nobler Mind 205mm (13¼ x 8"). Wear to edges. £95 engage: While fell Corruption with its deadly George Robert Canning Harris (1851-1932), 4th Baron train, Storming & raging who the most shall Harris, GCSI, GCIE. A keen cricketer, he played for gain; [...] Eton, Kent (for over 40 years) and Oxford University. [n.d., c.1800.] Stipple with two columns of verse below image Sheet 270. Mr. Hunt. size: 195 x 145mm (7¾ x 5¾). Trimmed inside Sheet size: 212 x 120mm (8¼ x 4¾) Trimmed inside platemark. Light staining and creasing to right edge. pllatemark. Laid on scrap sheet. £45 £160 A portrait of Henry 'Orator' Hunt (1773 - 1835), a A portrait of Sir Francis Burdett (1770 - 1844), half British radical speaker and aggitator remembered as a length, to the left in an oval frame. He has short curled piioneer of working-class raddicalism and an important hair, wearing a plain double-breatsed coat and white influence on the later Chartist movement. He cravat. He holds a scroll inscribed 'Magna-Char[ta]' in advocated parliamentary reform and the repeal of the his left hand. Corn Laws. Because of his rousing speeches at mass An aristocrat and an independent MP, Burdett entered meetings held in Spa Fields iin London in 1816-17 he Parliament in 1796 to become the most influential beecame known as the 'Oratorr'. radical politician. In 1807, with the help of labour See item ref: 31668 for alternative portrait. activist Francis Place, Burdett successfully stood for Stock: 34482 Westminster. He was arrested and imprisoned for denouncing the House of Common’s decision to bar 271. Thomas Johnes, Essq.r M.P. journalists from some debates. Burdett became a Engleheart sculp. Publishe by Londman, Hurst, Rees & national celebbrity as 'Burdett and Liberty' riots Orme, June 1810. exploded onto London's streets, marking a shift of Stipple with engraving, very large margins. 225 x popular sympathy towards electoral reform. 180mm (8¾ x 7"). £130 Stock: 34361 Thomas Johnes (1748-1816), M.P. for the borough of Cardigan, Radnorshire & Caarrdiganshire. After inheriting an estate in Hafod in Ceredigion he spent much of his fortune developiing it, including building cottages for his tenants and encouraging them to use the latest agricultural techniques, building a new church and planting three miillion trees. Stock: 34966

272. Thomas Paine. The Picture, by Peel, of Philadelphia, in the Possession of T.B. Hollis. [Published as the Act directs July 23, 1791, for J. Ridgway, York Street, St. James's Square.] Etching, rare. Sheet size: 155 x 97mm (6 x 3¾"). Trimmed to image, losing publication line. £160 A half length portrait of Engllish-American political activist, philosopher, author, political theorist and revolutionary, Thomas Paine (1737 - 1809). He is directed, facing, and lookingg towards the right, holding boook titled inscribed, 'Rights of Man'. A frontispiece to a pamphlet entitled, 'Common Sense, addressed to the inhabitants of America' written by Thomas Paine in 1775-76 which inspired people in the 269. Captain Thomas Coram. Upon whose 'Thirteen Colonies' to declare and fight for Petition and Sollicitation The Royal Charter independence frf om Great Brriitain in the summer of for ye Foundling Hospital was Granted by his 1776. In clear, simple language it explained the Majesty King George ye Second, [17 of advantages of and the need fofor immediate October 1739]. independence. It was published anonymously on January 10, 1776, at the begiinning of the American Will.m Hogarth Pinxt. Ja.s McArdell Fecit. 1749 [year Revolution and became an immediate sensation. It was in scratch letters.] sold and distributed widely and read aloud at taverns Mezzotint. Sheet 350 x 260mm (13¾ x 10¼"). and meeting places. Trimmed within plate at bottom, losing end of title, Stock: 34441 small tear. £280 The philanthhropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in 273. Alexander 7. Pape [Pope Alexander VII, Guildford Street, London. It was a children's home ms in margin] Dicono tutti com se condotto, / established for the 'education and maintenance of Vantano gli altri sua graan Pieta. / Ma per exposed and deserted young children.' The artist mostrar il suo Merito / Che s'uaguagli a sua William Hogarth was a friend of Coram's and later a Dignita. governor of the institution. Handel donated an organ to [Anon, c.1680] the chapel and gave performances of the 'Messiah' on Engraving, platemark 200 x 135mm (8 x 5¼"). it, raising £7,,000. CS: 45 I of III; Goodwin: 8 II of V. Unidentified collectors' stamp verso; rare. £120 Stock: 34357 Pope Alexander VII (1599-1667), portrait in oval with laudatory verses in Italian below. Alexander VII is remembered for his numerous urban interventions in strong in detail and often on canvases of large size, Rome, often carried out by sculptor Gianlorenzo allowing him to show long processions, enormous Bernini and the painter Pietro da Cortona. paalaces or sweeps of mountains on an epic scale. His Stock: 34842 beest years were in the 1870s--80s, when he was a poopular, successful artist specialising in biblical stories 274. St Augustine the Learned and painfull and life in ancient Egypt. Hee became ARA in 1876 and Bishop of Hippo, in Africa, for the space of 40 RA in 1881. Not in O'D yeares where he dyed in the 70th yeare of Hiss Stock: 35010 Age, about ye yeare of o.r Lord 430. W. Marshall sculp. [1642] 278. The Right Reverend Philander Chase, Etching, sheet 130 x 110mm (5 x 4¼"). Trimmed to D.D. Bishop of the Protestant Episcopal image and laid on backing sheet. £65 Church in the State of Ohio. St Augustine of Hippo (354-430), theologian and Engraved by C. Turner, from a Painting byy J.G. Strutt, philosopher. His writings, which include 'City of God' prresented to the Theological Seminary in the Diocese and 'Confessions', continue to be widely read today. of Ohio, by Contributors in England to the said 'Hippo' was then the name of what is now Annaba, Seminary_1824. London, Publish'd Aug. 1st.. 1824, by Algeria. J.C. Strutt, Percy Street, Rathbone Place. Illustration to Thomas Fuller's 'The Holy State' Mezzotint, title in open letterrs, platemark 355 x (Cambridge, R:D: for John Williams, 1648; first 250mm (14 x 9¾"). Excellent impression; thread edition, 1642). margins; glued to backing sheet at edges. £240 Stock: 35280 Portrait of Philander Chase (1775-1852), Episcopal Church Bishop in Ohio; his lleft arm resting on an 275. [Rev..d John Bartlam, A.M.] upright book closed with classp, holding papers in his [Painted by Geo. Dawe Esq.r R.A. Engraved by James hand, the title page lettered "Appeal on Behalf of [Th]e Godby.] [London: Edward Orme, 1823.] Diocese of Ohio in the Western Territory". Stipple, rare proof before letters, with very large After Jacob George Strutt (17784-1867). NPG D32898. margins. 375 x 285mm (14¾ x 11¼"). £130 Whitman 106 II of II; Ex colllection of the late Hon. C. John Bartlam (1770-1823), vicar of Ponseland, Lennox-Boyd Northumberland and Beoley, Worcestershire. NPG Stock: 34038 D21485. Stock: 34383

276. Rev. Patrick Brontë. [n.d., c.1900.] Half-tone, large margins. Printed area 150 x 190mm. £45 A half-tone plate from a photograph of the Reverend Patrick Bronntë (1777-1861), father of Charlotte, Emily and Anne Brontë, all famed authors, all of whom he outlived. He wears a high collar called a 'wellington'. Born in Ireland as Patrick Prunty or Brunty, he changed his name while studying at Cambridge, in honour of Horatio Nelson, who held the Italian honour of Duke of Brontë. Stock: 35318

277. [Hugh Stowell Brown] Edwin Long / Léopold Flameng [pencil signatures] [n.d., c.1872] Etching, rare; platemark 350 x 265mm (13¾ x 10½"). £140 Hugh Stowell Brown (1823-86), Baptist minister. Born in Douglas, on the Isle of Man, Brown was apprenticeed to a land surveyor before becoming a preacher first in Castletown and, for much of his career, in Liverpool. Etched from the portrait by Edwin Long (Manx Museum, Isle of Man). 279. William Hart Coleridge. D.D. Lord Edwin Long (1829-1891) was born in Bath, had an Bishop of Barbados and the Leeward Islands. early and precocious talent for drawing, studied at the T. Phillips Esq.r R.A. Pinx.t / S.W. Reynolds Sculp.t RA Schools from 1849, and also was a student under Engraver to the King John Phillip, who encouraged him to travel. in 1874 he Mezzotint with very large maargins, platemark 505 x visited Egypt and Syria, beginning his career as an 355mm (19¾ x 14"). Proof impression of private plate. Orientalist painter. He developed a rich, exotic style, £360 William Hart Coleridge (1789-1849), bishop of his unsuccessful attempt to sttop the spread of Reform Barbados and the Leeward Islands, and son of Samuel Judaism in Britain by excommunicating its leaders. Taylor Coleridge's brother Luke Herman Coleridge. Stock: 34338 Coleridge was consecrated bishop of Barbados and the Leeward Islands in 1824. He worked closely with the 281. Innocentius XI Odescalchus Pont. max. Society for the Propogation of the Gospel in trying to Creatus die XXI. Septembr MDCLXXVI Obyt improve the spiritual condition of the congregation. die 12 August 1689 Coleridge continued in his position through the Alb. Clouet sculp. Jo. Jacobus de Rubeis formis Romae emancipation of slaves, resigning only due to ill health ad Temp. Pacis cu Priv. S. Pont. in 1842, after which his large diocese was divided, Etching with very large margins, platemark 250 x with Barbados, Antigua and Guiana becoming separate 190mm (9¾ x 7½"). Eighteeennth century impression on sees. laid paper. £80 Engraved after the portrait by Thomas Phillips, Pope Innocent XI (1611-89),, born Benedetto exhibited in 1825 and now at Christ Church, Oxford Odescalchi. One of the most respected popes of the (where he studied). Coleridge stands beside a table on 17th century, he was beatified in 1956. which rests a volume showing views of Codrington Engraved by Albert Clouwett (1636-79), Flemish College, Barbados. Codrington College was managed prrintmaker who worked in Rome and Florence. by the Society for the Propogation of the Gospel, and Stock: 34543 Coleridge was involved in its reorganization. The Codrington estates were worked by slaves, who were 282. Andrew Kippis, D..D. F.R.S. & S.A. only gradually emancipated from 1830 onwards. Ex: W. Artaud, pinx.t F. Bartolozzi sculp.t [all text in Collection of the Late Hon. C. Lennox-Boyd; W 58 peencil] [London. Publish'd Oct.r 20.th 1792, by Tho.s iii/iv; for Codrington College see ref. 8116. Macklin, Poets Gallery, Fleeet Street.] Stock: 34952 Stipple and etching, proof before all letters; sheet 330 x 253mm. 13 x 10". Trimmed tto platemark. Crease lower left; fine proof impression. £190 Andrew Kippis (1725-1795),, nonconformist clergyman and biographer. He contributted largely to 'The Gentleman's Magazine', 'The Monthly View' and puublished various sermons and occasional pamphlets. His main work is his edition of the 'Biographia Britannica' with the assistance of Dr Joseph Towers; it was completed posthumously. Kippis also wrote books on Cook's voyages which included a letter by Kippis to King George III. De V: 852 III of V. Stock: 35014

283. Joshua Marsden Late a Missionary in Nova Scotia &c Jackson pinx / Holl sculp [c.1800] Stipple, rare; sheet 200 x 120mm (8 x 4¾"). Trimmed inside platemark; stained. £75 Joshua Marsden (1777-1837)), Methodist minister and author. In 1796 Marsden enliisted in the navy, and his experiences of witnessing 'prrofanity in all its diabolical characters' seem to prepared him for the effect which Methodist services had uponn him. He first preached on the Bolton circuit, and offered to become a missionary in Nova Scotia, Canada, when new recruits were sought in British North Ameerrica. In 1808 he took up an 280. Rev.d Solomon Hirschel. Chief Rabbi of appointment in Bermuda, an inhospitable colony which the German Jews in London. had imprisoned its first British missionary. Marsden Engraved byy Ridley for the European Magazine from was more successful, and when he left Bermuda in an Original Painting by Drummond. London. Published 1812 there were 136 memberrs of the Methodist society by J. Asperne, No. 32 Cornhill. April 2, 1811. on the island. The War of 18812 prevented Marsden Stipple. Sheet size: 155 x 115mm (6 x 4½"). Trimmeed from returning to Britain so he preached in the US for inside platemark. Glued to backing sheet. £120 two years, sailing to Britain iin 1814 and continuing his A portrait of Rabbi Solomon Hirschel (1761 - 1842), work there. Not in O'D head and shoulders to front, looking to right, with Stock: 35306 beared and tall fur hat, wearing bands and light patterned gown. An illustration to the European 284. Luther Martin [facsimile signature] Magazine. Hirschel was the Chief Rabbi of Great Engraved by W.A. Wilmer frfrom a Painting in Britain, from 1802 to 1842. He is best remembered for poossession of J. Purviance Essq. of Baltimore. [c.1820] Stipple, platemark approx 255 x 165mm (10 x 6½"). Engraving with large margins, platemark 510 x 330mm Rubbed. £50 (20 x 13"). Crease through centre. £180 Luther Martin (1748-1826), politician, lawyer (he was Pope Pius VI (1717-99), Pope from 1775 until his Maryland attorney general for 28 years) and one of the death, chiefly remembered for establishing the United States' Founding Fathers. Martin was an Anti- Museum of the Vatican and attempting to drain the Federalist whose actions helped passage of the Bill of Pontine marshes. Engraved after the portrait by Rights. Giovanni Domenico Porta by Domenico Cunego Stock: 35307 (1724/5-1803). Cunego was oone of the bests -known of Italian printmakers in the 18tth century, engraving 285. Luther Martin [facsimile signature] many plates after Gavin Hamilton, Anton Raphael Engraved byy W.A. Wilmer from a Painting in Mengs (whose favourite engrraver he was) and famous possession of J. Purviance Esq. of Baltimore. [c.1820] artists of the past. Stipple, platemark approx 255 x 165mm (10 x 6½"). Stock: 35218 Rubbed. £60 Luther Martin (1748-1826), politician, lawyer (he was 288. To the Inhabitants of the Hundred of Maryland attorney general for 28 years) and one of the East and West Flegg, thiis Portrait of Rev.d United States' Founding Fathers. Martin was an Anti- B.W. Salmon, Engraved at their request, in Federalist whose actions helped passage of the Bill of token of their respect for his Character, & Rights. their Gratitude for his exertions as a Stock: 35308 Magistrate, is inscribed by their Humble Serv.t W.C. Edwards. 286. The Rev.d Mr. Masters, Minister of Painted by T. Phillips. Engraved by W.C. Edwards. Bridewell [n.d. c.1820.] Done from a Drawing in the Collection of Richard Bull Line engraving on india with large margins. 355 x Esq. by Jno. Thane [c.1750] 305mm (14 x 12"). Edges sooiled. £120 Etching with large margins, fine, platemark 135 x Benjamin Wymberley Salmon (1742-1821), the East 95mm (5¼ x 3¾"). £70 India Company chaplain at Fort St George (Madras) Samuel Masters, preacher at Bridewell Hospital in 1769-1774. In 1781 he became Rector of Caistor in the London in the late 17th century and a great supporter diocese of Norwich; in 1805 he was appointed of the 'Glorious Revolution' which brought William III Domestic Chaplain to H.R.H. the Prince of Wales to power. He recalled that under James II the English (afterwards George IV). He died at Caistor in 1821, lived in 'slavish fear' and almost lost the liberty of aged 78. thinking freely. His sermons were sometimes Stock: 34381 published. Pincus Steven, '1688: the First Modern Revolution'; not in O'D.

Stock: 35311 289. [To the Inhabitants of the Hundred of East and West Flegg, thiis Portrait of Rev.d B.W. Salmon, Engraved at their request, in token of their respect for his Character, & their Gratitude for his exertions as a Magistrate, is inscribed by their Humble Serv.t W.C. Edwards.] Painted by T. Phillips. Engraved by W.C. Edwards. [n.d. c.1820.] Line engraving on india, prooof before title, very large margins. 355 x 305mm (14 x 12"). Edges soiled. Uncut. £80 Benjamin Wymberley Salmon (1742-1821), the East India Company chaplain at Fort St George (Madras) 1769-1774. In 1781 he became Rector of Caistor in the diocese of Norwich; in 1805 he was appointed Domestic Chaplain to H.R.H. the Prince of Wales (afterwards George IV). He died at Caistor in 1821, aged 78. Stock: 34382

290. The Late Rev.d C. Simeon M.A. 287. Pius Sextus Ex Comitibus Braschi Cambridge. Died Nov. 13th 1836, in the 78th Caesenatib Ad Orbis terrarum Felicitatem Year of his Age & his 54tth Year of his Faithful Pont. Max. renunciatus [...] Ministry. Joan. Dom. Porta Pictor, quam ex vultu expressit Published by R. Dimmock, King's Parade Cambridge. Imaginem eamdem a Domenico Cunego [...] Aquatint with very large marrgins, rare. 355 x 255mm (14 x 9¾"). Tear just entering plate on left. £130 Charles Simeon (1759-1836), evangelical churchman, one of the fouunders of the 'Church Missionary Society' in 1799 and the 'London Society for Promoting Christianity Amongst the Jews' in 1809. In 1783 he took the miniistry of of Holy Trinity Church: at first he was so unpopular that his services were frequently interrupted, but he overcame public prejudice, gaininng a remarkable and lasting influence among the undergraduates of the university. Stock: 35261

291. [Camillo Tacchetti] Hunc sibi Academiae duae Clementina atque Arcadum in suum decus adsciverunt. Petrus Subleyras Ucetiensis pinx / Felix Polanzani Anoalensis sculp. [n.d., c.1741] Engraving, sheet 250 x 205mm (9¾ x 8"). Thread margins; glued to backing sheet. £120 Abbate Camillo Tacchetti, from a miniature by Pierre 294. Serenissima et Pottentissima Anna D.G. Subleyras (1699-1749) now in the Galleria Sabauda, Angliæ Scotiæ Franciæ et Hiberniæ Regina Turin. Subleyras, from France originally, established himself in Rome, where the Catholic church provided &c. Inaugurata XXIII.o die Aprilis Anno 1702. G. Kneller S.R. Imp. et Angll. Eques. Aur. pinx. I. most of his major commissions. Stock: 34235 Smith fec. Sold by I. Smith at ye Lyon & Crown in Russel-street Covent-Garden. [n.d. c.1740.] Fine mezzotint, with small margins. 340 x 250mm 292. Rev.d Will.m Turner, Newcastle upon (13¼ x 9¾"). Mounted in album paper. £240 Tyne. Portrait of Queen Anne 1665-1714), half-length in an Painted by Will.m Nicholson. Engraved by Tho.s oval, wearing small crown, pearl necklace, ermine- Ranson. [n.dd., c.1825.] lined robes with jewels, with the 'Great George' of the Engraving, rare. Sheet 430 x 330mm (17 x 13"). Order of the Garter. Trimmed within plate, laid on album paper. £160 In 1707 Anne signed the Actt of Union, creating the William Turner (1761–1859), Unitarian minister who Kingdom of Great Britain; heere England and Scotland ministered at Newcastle for fifty-nine years, retiring in are still separate kingdoms. CS: 7, state ii of iii. Ex: 1841. He helped found the Literary and Philosophicaal Collection of the Hon. Christtopher Lennox-Boyd. Society at Newcastle in 1793, acting as secretary till Stock: 34367 1833, the Natural Historical Society, 1824, and was a chief projector of the Newcastle branch of the Bible 295. Serenissima Anna D.G. Angl. Scot. Fran. Society. He also campaigned for the anti-slavery et Hiber. Regina &c. Inaugurata XXIII.o die movement. Stock: 34378 Aprilis Anno 1702. G. Kneller Eques pinx. I. Smith fe. et ex. [n.d. c.1740.] 293. Isaac Watts D.D. Mezzotint. Sheet 205 x 145mm (9¾ x 5¾"). Trimed to [Anon, pub. W. Richardson 1803] pllate mark, mounted on albuum paper. £240 Mixed-method, sheet 145 x 100mm (5¾ x 4"). Half-length portrait of Queen Anne (1665-1714), in an Trimmed inside platemark; laid on backing sheet. £65 oval, wearing a crown and the 'Great George' of the Isaac Watts (1674-1748), Independent minister and Order of the Garter. The second daughter of James II writer. Watt's most lasting impact was as a poet (in and successor to William III,, the most important which capacity his abilities were recognized by Samuel constitutional landmark of her reign was the Act of Johnson) and hymn-writer. The success of Watts' Union with Scotland in 1707. The title here lists hymns and psalms was partly due to the Methodists, aas England and Scotland as sepparate kingdoms. CS: 8, John Wesley included many of them (with sttate i of ii. Ex Collection off the Hon. Christopher modifications) in his first hymnbook, in 1737. Watts' Lennox-Boyd. Stock: 34364 'Divine Songs' were imitated and parodied by, amongst others, William Blake (''Songs of Innocence', 1789) and Lewis Carroll ('Alice in Wonderland', 1865). O'D 296. Serenissima Anna D.G. Mag. Brit. Fran. 13 et Hiber. Regina &c. Inaugurata XXIII.o die Stock: 35272 Aprilis Anno 1702. G. Kneller Eques pinx. I. Smith fe. et ex. [n.d. c.1740.] Mezzotint, mounted on album paper (Whatman 1804). 205 x 150mm (9¾ x 6"). £180 Half-length portrait of Queen Anne (1665-1714), in an oval, wearing the 'Great Geoorge' of the Order of the Garter. The second daughter of James II and successor to William III, the most important constitutional landmark of her reign was the Act of Union with Scotland in 1707, creating the Great Britain of the title. CS: 6, state i of ii.. Ex Collection of the Hon. Christopher Lennox-Boyd. Stock: 34363

297. Serenissima et Potentissima Anna D.G. Angliæ Scotiæ Franciæ et Hiberniæ Regina &c. Inaugurata XXIII.o die Aprilis Anno 1702. G. Kneller S.R. Imp. et Angl. Eques. Aur. pinx. I. Smith fec. Sold by I. Smith at ye Lyon & Crown in Russel-street Covent-Garden. [n.d. c.1740.] Fine mezzotint, with small margins. 340 x 250mm (13¼ x 9¾"). £280 Portrait of Queen Anne 1665-1714), half-length in an oval, wearing small crown, pearl necklace, ermine- lined robes with jewels, with the 'Great George' of the Order of the Garter. In 1707 Anne signed the Act of Union, creating the Kingdom of Great Britain; here England and Scotland are still separate kingdoms. CS: 7, state i of iii. Ex: 301. Carolus D: G: Ang: Sco: Fra: et Hib: Collection of the Hon. Christopher Lennox-Boyd. Stock: 34366 Rex. from S.r Peter Lely's Copy of the Celebrated Original Picture painted by S.r 298. Carolus Dei Gratia Magnae Britanniae Anthony Vandyke, which was Destroy'd in the Franciae Et Hibern.Rex. Fire at Whitehall, Anno 1697. Antonius Vaan Dÿck Pinxit. [J. Meyssens.] Excudit. J. Faber fecit. 1738. Sold by J. Faber at the Golden [n.d. c.1640]. Head in Bloomsbury Square.. Etching with very large margins, platemark 242 x Mezzotint. 355 x 250mm (14 x 9¾"), with very large 190mm (9½ x 7½"). Later impression; crease lower margins, the collector's stamp of the Duke of left. £95 Cambridge bottom right. £240 A portrait of Charles I (1600-1649), King of England, Charles I, arm in a velvet sling, hand on table. Scotland and Ireland. See ref 19025 for earlier state. Adolphus Frederick, Duke off Cambridge (1774-1850), Stock: 34254 seventh son of George III annd Viceroy of Hanover on beehalf of his brothers George IV and William IV, was 299. King Charles ye First. as he sat in ye an avid print collector. On hiis death his collection Pretended Court of Judicature. paassed to his son, Prince George, 2nd Duke of Done from ye Original Painting of Vandyke's at Cambridge (1819-1904), Commander-in-Chief of the Oxford. J. Faber Fecit. Printed and Sold by Tho: Forces from 1856 to 1895, and following his death the Bowles Map & Print seller next ye Chapter house in SSt collection was brb oken up by Sothebys in 1904. CS: 75, Paul's Ch. yard, London. [n.d., c.1760.] ii of iii. Ex collection of the Hon. Christopher Lennox- Mezzotint. Plate 227 x 356mm. 9 x 14". Tear into Boyd. Stock: 34266 margin lower left-hand corner. £260 Charles I (1600-1649) in wide-brimmed hat and dark cloak, folding a folded paper in his right hand. CS: 76. 302. [The Marriage of Charles I and Ex Collections of Lady Lucas of Creswell & the Hon Henrietta Maria.] Chrisopher Lennox-Boyd. [Anon, c.1700] Stock: 34268 Engraving, very scarce; sheeet 260 x 360mm (10¼ x 14¼"). Trimmed inside platemark; false margins 300. Carolus D: G: Ang: Sco: Fra: et Hib: added; folds. Pencil annotatioons in image and margins. Rex. from S.r Peter Lely's Copy of the £260 Unusual amateur representattiion of the royal wedding Celebrated Original Picture painted by S.r in 1625 in Paris. Anthony Vandyke, which was Destroy'd in the Stock: 35031 Fire at Whitehall, Anno 1697. J. Faber fecit. 1738. Sold by J. Faber at the Golden 303. Charles Ir. Roy d'Angleterre. Head in Bloomsbury Square. Wander Werff pinxt. / Ben.tt Audran sculpsit Mezzotint, fine impression. 355 x 250mm (14 x 9¾") [Rotterdam, c.1710] Creasing at bottom. £180 Engraving with very large margins, platemark approx Charles I, arm in a velvet sling, hand on table. CS: 75, 305 x 190mm (12 x 7½"). £120 ii of iii. Ex collection of the Hon. Christopher Lennox- Charles I (1600-1649), king oof England, Scotland and Boyd. Ireland. Charles was king duurring most of the English Stock: 34267 Civil War (1642-51), towards the end of which he was death is not mentioned on thiis amateur lithograph, the executed rather than abdicating. iconography clearly indicates it was published after her Plate from Isaac de Larrey's 'Histoire d'Angleterre' death. (1697-1713), from a design by Adriaen van der Werff After the portrait by William Beechey. (1659-1722), acclaimed as the most important Dutch Stock: 35242 Master during his lifetime, although his reputation declined from the late 18th century onwards. 307. [Caroline Matilda,, Queen of Denmark.] Stock: 34243 F. Cotes P. / Watson Sc: [mss] Mezzotint with small margins, platemark 355 x 255mm 304. Carolus. II. D.G. Mag: Brit: Fran: & (14 x 10"). Very fine proof before letters; slight Hiber: Rex. creasing. £390 W Sherwin sc. [London, n.d., c.1690s?] Caroline Matilda, Queen of Denmark (1751-1775). The Engraving. 325 x 205mm. 12¾ x 8¼". Trimmed within youngest child of Frederick, Prince of Wales, she plate, wear to edges. £130 married her cousin, Christian VII of Denmark, at the Portrait of Kiing Charles II (1630 - 1685); standing full- age of fifteen. After the birth of their first child, length, hand on pommel of a sword, with the chain and prroduced for the sake of the succession, Christian Great George of the Order of the Garter; curtain and turned his attentions to a young courtesan, leaving pillar in the background. Caroline unhappy and lonely. By 1770 she had taken By William Sherwin (1645 - 1711). Johann Friedrich Struensee, tthe new royal physician, as Stock: 34397 a lover, and as the king's health declined, their influence increased. However, in 1772, both were 305. Charles II. Roy de la Grande Bretagne arrested, Struensee was execcuuted soon after, and the Wander Werff pinxt. Petr. Drevet sculpsit. marriage of Caroline and Chhrristian was dissolved by [Rotterdam, cc.1710.] divorce. She was deported on board a British Frigate Engraving with very large margins. 305 x 190mm (112 and resided in Castle (iin Hanover, the territory of x 7½"). £220 her brother, George III). her bbrother's territory of Charles II (1630-85), king of England, Scotland, and Hanover. She hoped to return to Denmark, but died Ireland. suddenly of scarlet fever in 1775 at the age of 23. From Isaac de Larrey's 'Histoire d'Angleterre' (1697- After the 1766 pastel by Francis Cotes (versions in 1713), with designs by Adriaen van der Werff (1659- Schloßmuseum Marienburg bei Nordstemmen and 1722), acclaimed as the most important Dutch Master Nationalhistoriske Museum, Frederiksborg), probably during his lifetime, although his reputation declined executed shortly before Caroline Matilda's marriage to from the latee 18th century onwards. Christian VII. Goodwin 107.i; CS 24.i; Neil Jeffares, Stock: 34246 Dictionary of pastellists before 1800. Stock: 34660

308. Edouard VI Dans l'ame d'un enfant j'eus l'esprit d'un grand Roi [...] Adr. vander Werff pinx. / P. a Gunst Sculps. [Rotterdam, c.1710] Engraving with very large margins, platemark approx 305 x 190mm (12 x 7½"). Sllight stain in lower pllatemark. £70 King Edward VI (1537-1553), son of Henry VIII and Jane Seymour. Scholarly and firmly Protestant, he ruled during his minority witth the help of a council, but was dominated first by the Duke of Somerset as Lord Protector, and later by the Duke of Northumberland. The latter induced Edward to will the crown of Lady Jane Grey, in order to ensure the Protestant succession. Plate from Isaac de Larrey's ''Histoire d'Angleterre' (1697-1713) from a design by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, allthough his reputation declined from the late 18th century onwards. 306. Charlotte, Queen of Great Britain. Born Stock: 34248 May 19 1744. L.C.D.S.A.L. [n.d., c.1818.] 309. Elizabeth. Honi soit qui mal y pense. Lithograph with large margins, very rare & early [Anon, c.1620.] lithograph; printed area 320 x 245mm (12½ x 9½"). Engraving, sheet 100 x 85mm (4 x 3¼"). Trimmed £220 from book page (type verso);; top left corner repaired. A memento mori of Queen Charlotte of Mecklenburg- £95 Strelitz (1744-1818), the Queen consort of the United Queen Elizabeth I (1533-1603); reigned 1558-1603. Kingdom as the wife of King George III. Although heer The daughter of Henry VIII and Anne Boleyn, Elizabeth came to the throne on the death of her half- prroposals of marriage, Elizabeth remained single and sister, Mary I. Her long reign, beginning in 1558, saw beecame legendary as the 'virgin queen'. the secure esstablishment of the Church of England. It Plate from Isaac de Larrey's ''Histoire d'Angleterre' was characterised by relative peace and prosperity, a (1697-1713) from design witth allegorical elements and great increase in foreign trade and exploration, and a verses in French, by Adriaen van der Werff (1659- flourishing literary culture. Despite receiving many 1722), acclaimed as the mostt important Dutch Master proposals of marriage, Elizabeth remained single and during his lifetime, although his reputation declined became legendary as the 'virgin queen'. O'D 117(?) from the late 18th century onwards. Stock: 34234 Stock: 34250

312. [Elizabeth, Queen of Edward IV., Founder of Queen's Colllege] [Anon, c.1720] Mezzotint, fine; sheet 260 x 2200mm (10¼ x 8"). Trimmed and tipped into albuum sheet; nick out of image at top. £220 Elizabeth, queen of England,, consort of Edward IV (c.1437-1492). Anonymous copy in reverse from a set of portraits of the founders of Oxford and Cambridge colleges by John Faber, Seniior. Ex: collection of the late Hon. C. Lennox-Boyd; O'D 5 ; CS (Faber, Sen.) 34, copy; for scenes from the life of Elizabeth see refs. 23081 and 23054. Stock: 34120

313. [Elizabeth, Queen of Edward IV., Founder of Queen's Colllege] [Anon, c.1720] Mezzotint, proof before letteers, sheet 250 x 210mm (9¾ x 8¼"). Trimmed insidee platemark lower edge; ms inscription in title area. £160 Elizabeth, queen of England,, consort of Edward IV 310. Elisabetha D.G. Angliæ, Franciæ, et (c.1437-1492). Anonymous copy in reverse from a set Hiberniæ, Regina, &c. of portraits of the founders of Oxford and Cambridge R. Houston fecit. Printed for E. Backwell & H. Parker, colleges by John Faber, Seniior. Ex: collection of the opposite Birchin Lane in Cornhill. [n.d., c.1759.] late Hon. C. Lennox-Boyd; O'D 5 ; CS (Faber, Sen.) Mezzotint with large margins, fine. 260 x 200mm (10¼ 34, copy; for scenes from the life of Elizabeth see refs. x 8"). £180 23081 and 23054. Queen Elizabeth I (1533-1603), from a miniature by Stock: 34119 Isaac Oliver. The plate was originally engraved by John Faber Snr c.1714 for his series 'The Reformers';; 314. England's Hope. this example has been reworked by Richard Houston, J. C. Wilson Lith 1845. Clerk & Co. lith, 202, High who has added his signature, and probably used to Holborn. illustrated Rolt's 'Lives of the Reformers', 1759. CS: Fine hand-coloured lithograph. Sheet: 240 x 300mm, Faber 58. Ex: Collection of the Hon. Christopher (9½ x 12"). Some slight foxiinng.. £140 Lennox-Boyd. A portrait of Albert Edward, Prince of Wales (1841- Stock: 34153 1910), eldest son and second child of Queen Victoria and Prince Albert and future King Edward VII. The 311. Elisabeth D'un Pere furieux, d'une prrince is mounted on a pony along which runs a cruelle Soeur [...] greyhound, two footmen folllow behind. For a Adr. vander Werff pinx. / Vermeulen sculps. lithograph by the same artist of Princess Victoria, [Rotterdam, cc.1710] Princess Royal see ref: 35107 Stock: 35108 Engraving, platemark approx 305 x 190mm (12 x 7½"). Large rrepaired tear at top of print. £90 Elizabeth I (1533-1603); reigned 1558-1603. The 315. England's Pride. Princess Royal. Born daughter of Henry VIII and Anne Boleyn, Elizabeth November 21.st. 1840. came to the throne on the death of her half-sister, Mary J. C. Wilson, 1845. Clerk & C.o. lith.rs. 202, High I. Her long reign, beginning in 1558, saw the secure Holborn. establishment of the Church of England. It was Fine hand-coloured lithograph. Sheet: 240 x 300mm, characterised by relative peace and prosperity, a greaat (9½ x 12"). Some paper tone. Some staining in corners increase in foreign trade and exploration, and a . £140 flourishing literary culture. Despite receiving many A portrait of Victoria, Princess Royal (1840-1901) eldest child of Queen Victoriia and Albert. Victoria rides on a horse whith two spaniels following beside,, a Painted by Robert Edge Pine the year before George group of mounted figures can be seen in the died, it was published six years into the reign of background. Princess Victoria married Frederick George III. CS 26, between state II and iii, with price William of Prussia who was crowned Emperor removed. Ex: Collection of The Hon. C. Lennox-Boyd. Frederick III in 1888. For a lithograph of Edward, Stock: 34273 Prince of Wales by the same artist see ref: 35108. Stock: 35107

316. His Royal Highness Frederick Prince of Wales &c. P. Mercier Serenissimi Walliæ Principis Pictor & Biblithecarius Pinx Ano: 1734. J. Simon fe. et excudit. Mezzotint, rare. Sheet 355 x 250mm (14 x 9¾"). Trimmed close to plate, tear in inscription, taped on right and tear on left. £220 Frederick Louis, Prince of Wales (1707-51), the eldest son of George II and father of George III, half-length in oval. CS: 66; however 'shadows' in the mezzotint frame suggest it is a reworked version of CS 65. Thee oval is likely to have been added to match a portrait of his wife Augusta, whom he married in 1736. Ex Collection on the Hon. Christopher Lennoz-Boyd. Stock: 34365

317. His Royal Highness the Duke of York, Dedicated to His Most Gracious Majesty George 4th by His Loyal & most devoted Servant, William Sams. Painted by J. Jackson, Esq.r R.A. / Engraved by S.W. Reynolds, Engraver to the King & S. Cousins. London, Published Juune 1st 1825 by W. Sams, Book & Printseller to the Royal Family opposite St. James' 319. The Royal Family of Great Britain. Palace. George II.d by the gracee of God King of Great Mezzotint with very large margins, platemark 360 x Brittain &c. Caroline byy the Grace of God 260mm (14¼ x 10¼"). Slight foxing to edges but Queen of Great Brittain &c. His Rotal excellent impression; £240 Highness Frederick Prince of Wales [...] Anne Prince Frederick, duke of York and Albany (1763- Princess Royal [...] Amellia Sophia Elinora [...] 1827), army officer and bishop of Osnabrück, and son Carolina Elizabeth [...] William Duke of of George III and Queen Charlotte. In the 1790s York Cumberland [...] Mary [....] Louis [...] commanded British army contingents in Flanders Printed for & Sold by Eliz. Bakewell, Print & Map unsuccessfully, chronicled by the satires of Gillray Seller against Birchin Lane, CCornhill London. [n.d., during the period. After being appointed commander- c.1765.] in-chief of the army York was subsequently involved A rare mezzotint, very scarce; 360 x 255mm. Trimmed in a scandal after taking Mary Anne Clarke as his to plate. Creasing at top, smmaall tear on right. £380 mistress, who profited from her affair by promising Nine oval portraits, mainly copied from prints after promotions to army officers in return for payment. Simon. CS: Engraver not ascertained 46; Ex: After the scandal became public, York was forced to Collection of Thhe Hon. C. Lennox-Boyd. resign as commander in chief. After the death of his Stock: 34150 father, York became next in line for the throne, but after an attack of dropsy in 1826 he died several 320. [The children of Frederick, Prince of months later. He died over £400,000 in debt. Ex: collection of the late Hon. C. Lennox-Boyd; Whitman Wales.] Just Emblem of tthe genuine British (Cousins) 180 i/ii; Whitman (Reynolds) 310 i/ii; for the Fire!... commissions scandal see ref. 30578. P.Mercier Pinx.t. I.Faber feciit 1744. Publish'd Stock: 34121 according to Act of Parliament, March 25th, 1744. Mezzotint with large marginnss. 350 x 250mm (13¾ x 318. George, II.d. 9¾"). Repaired tear top rightt. £280 R.E. Pine pinx. 1759. W. Dickinson fecit. Published Group portrait of the three elldest children of Frederick: according to Act of Parliament, 1766. George (later George III) on left, Augusta, and Edward Mezzotint, very scarce with large margins. 510 x Augustus (Duke of York and Albany). George is 355mm (20 x 14"). Backed on card. £450 making a spaniel perform triccks. A full-length portrait of George II in court dress, Philippe Mercier (1689 - 1760). Painter and engraver; soldiers with guns and bayonets behind the staircase. puupil of Pesne in Berlin, then in Paris; London 1716. Remained in England for the rest of his life. Painter to Frederick Prince of Wales 1729-36; moved to York 323. [George IV] George Prince of Wales, 1739-51; then returned to London, where he died. Main Regent of Great Britain. business in portraits, but made fancy pictures in the [From a sketch by J. Wright of a painting by Thomas manner of Watteau for engraving. Ex Coollection of the Phillips.] L.C.D.S.A. [n.d., c.1815.] Hon. Christopher Lennox-Boyd. CS 148. Early lithograph on india witth very large margins. 330 Stock: 34425 x 220mm (13 x 8¾"). Slight surface soiling. £220 George IV (1762-1830) as Prrince Regent (1811-19), 321. His most Sacred Majesty George the III shown in uniform with sash. A stipple version of the King of Great Britain, &c. same image was engraved by Luigi Schiavonetti in Frye pinx.t. Printed for John Bowles at the Black Horse 1809. in Cornhill and Carington Bowles in St Paul's Church After Thomas Phillips (17700 - 1845). Yard, Londoon. [n.d. 1760.] Stock: 34584 Mezzotint with small margins. 355 x 255mm (14 x 10"). Ink stamp of the Lennox-Boyd collection on 324. His Royal Highness George Prince of reverse. £320 Wales. Portrait of the young king after Thomas Frye. CS: [Published by Robert Sayer? c.1790.] Engraver not Ascertained, III, 77. Ex collection of the Mezzotint, very rare. Sheet 350 x 250mm (13¾ x 9¾"). Hon. Christopher Lennox-Loyd. Trimmed to plate on three sides, and through Stock: 34446 puublisher's address at bottom. £150 Full-length portrait in uniform and large plumed hat, right hand holding sabre, leaanning on the plinth of a piillar decorated with a plaquue, at the top of a flight of steps. The plate was first published by Sayer, then by Laurie & Whittle c.1800. Ex collection of the Hon. Christopher Lennox-Boyd. Stock: 34392

325. His Royal Highness Prince George of Denmark. etc. Hassman Pinxit. London, Priinted for Bowles & Carver, Map and Printsellers, No 69 St. Paul's Church Yard. [n.d., c.1800.] Mezzotint, rare. Sheet 340 x 250 (13¼ x 9¾"). Trimmed within plate. £220 Portrait of George, Prince off Denmark (1653-1708), standing three-quarter length with one hand on hip, wearing long wig, lace cravat and armour with sash. The second son of Frederick III of Denmark, he married the future Queen Anne of England in 1683. Their son, William, Duke off Gloucester, was the hope of the Stuart succession but he died in 1700, aged eleven. This plate was originally Lely's portrait of William, Prince of Orange (painted 1677 and now in 322. [His RRoyal Highness George Prince of the NPG), as published by Alexander Browne; Thomas Wales, & Frederick Bishop of Osnabrug.] Bowles (fl. 1683-1714) reisssuued the plate altered in [Rob.t Lowrie del. et fecit.] [London, Printed for Rob.t imitation of the portrait of Prrince George by Beckettt Sayer No 53 in Fleet Street as the Act directs 10th after Wissing (CS 76). The fifirm Bowles & Carver were Jan.y 1772.] active 1793-1832. CS: 28, iiii of iii. Stock: 34129 Mezzotint with small margins, proof before letters, scarce. 510 x 355mm (20 x 14"). Old ink mss. attributions (Dukes of Clarence and Sussex) in bottom 326. Henriette Marie de France Reine margin. Laid down. £520 d'Angleterre Epouse de Charles I A portrait of the two eldest sons of George, as young Ant. Vandyck pinx. / Chambers Sculp. A Paris chez boys within an oval frame. The oldest son later became Chereau rue des Malhurins [cc.1770] George IV; the second son, Frederick, became Duke of Engraving with very large margins, platemark 290 x York and Albany in 1784 (mocked as the 'Grand Oldd 210mm (11½ x 8¼"). £85 Duke of York'), but here is 'Prince-Bishop of Henrietta Maria (1609-1669)), Queen of Charles I, Osnabrück', a sinecure from his father's German married in 1625; her Catholiccism alienated many of her dominions. CS: 25, state i of ii; Ex: Collection of The English subjects. She gave sttrong, loving support of Hon. C. Lennox-Boyd. From Salt Library (stamp Charles I during his troubles,, and practical assistance verso). during the Civil War by perssonally bringing munitions Stock: 34152 from France, and pawning her jewellery to raise funds. Stock: 34255 327. Henricus VIII Angliae Fr: & Hiberniae Larrey's 'Histoire d'Angleterrre' (1697-1713). All R.E.X &c Fund.r Coll: Trinit: Cantab: A.o Di poortraits in elaborate surrounds referencing episodes 1546. Hanc Effigiem a Tabula in istius Coll: from their lives designed by Adriaen van der Werff asservata factam Ao. 1714 Rev:do Viro Rich: (1659-1722), acclaimed as the most important Dutch Bentley. S.T.P & ejusdem Coll: Magistro. Master during his lifetime, allthough his reputation declined from the late 18th century onwards. Summa cum Humil: & Observ:a D.D.D. J. Faber. Stock: 34242 [c.1714.] Mezzotint with small margins. 265 x 205mm (10½ x 8"). A few nicks. £130 329. [Henry VIII and his family] A three-quarter lenth portrait of Henry VIII (1491- Hans Holbein Del. / F. Bartolozzi R.A. Sculpt. 1547), one of the 45 plates engraved by John Faber Snr Publish'd March 1 1800 by Anth.y Molteno No. 19 Pall for his 'Founders of Oxford and Cambridge Colleges'', Mall, London. first state, before plate number. Ex: Collection of The Stipple with small margins, platemark 280 x 350mm (11 x 13¾"). Good condition, on wove paper. £220 Hon. Christopher Lennox-Boyd. CS: 34, i of iv. Stock: 34424 Portraits of (l-r): Henry VIII,, William Sommers (court fool); Edward VI; Queen Mary; Queen Elizabeth. Francesco Bartolozzi engravved many of Holbeins drawings and paintings. De Vesme 1121.iii Stock: 34231

330. Jacques II, Roy d'Angleterre [&] Anne Hyde, Epouse du Roy Jacques II. Wander Werff pinxt. / J. Audran sculpsit [James only] Car. Simonneau sculp. [Anne only] [Rotterdam, c.1710] Two engravings with very large margins, each pllatemark approx 305 x 190mm (12 x 7½"). £220 James II and VI (1633-1701)), king of England and Scotland before the invasionn of William of Orange forced him to retreat to France (the design below his poortrait refers to this, showing a monarch fleeing, his crown falling from his head, to flee an approaching attacker). With Anne, duchess of York (1637-1671), first wife of James II. They gave birth to eight children, including the future queens Mary and Anne. Plates from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713), from a design by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, allthough his reputation declined from the late 18th century onwards. Stock: 34247

331. His Royall Highneess James Duke of York and Albany. K.t of the most noble order of the Garter, and sole brotherr to his Sacred Ma.ty King Charles the 2.d &caa. [n.d., c.1670.] Engraving, 17th century wateermarked paper. 260 x 155mm (10¼ x 6¼"). Trimmed within plate, laid on album paper at edges. £160 A full-length portrait of the ffuture James II in ceremonial robes. He was made Duke of Albany on the Restoration in 1660 and he became king 1685. NPG 328. [Henry VIII and his six wives.] D29311. Alexander van der Werff pinx. [all] / G. Valck Sculps Stock: 34976 [Henry VIII only] Vermeulen sculps [all others] [Rotterdam, cc.1710] 332. Jacques II. Roy de la Grande Bretagne Seven engravings with very large margins, all Jacobus II D.G. Britanniiarum Imperator 1701. platemarks appprox 305 x 190mm (12 x 7½"). Good S. Thomassin Sculptor Regius Sculp 1703 Se vend à condition. £750 Paris chez Thomassin, rue Stt. Jacques vis a vis la rue Seven portraaits (Henry VIII, Catherine of Aragon, du Platre a l'Image St. Jean C.P.R. Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard, Catherine Parr) from Isaac de Engraving, rare, sheet 230 x 180mm (9 x 7"). Trimmeed Stipple with small margins Platemark: 160 x 110mm inside platemark; false margins added; '583' in pencil (6¼ x 4¼"). £45 lower right. £260 A portrait of Mary I (1516 - 1558), directed to the James II and VI (1633-1701), king of England and right, facing the viewer, within an oval. Scotland before the invasion of William of Orange Mary I was Queen of England and Ireland from July forced him to retreat to France and organise a 1553 until her death. Her executions of Protestants campaign to recover his kingdoms with the aid of caused her opponents to give her the title 'Bloody Louis XIV. Mary'. As the fourth crowned monarch of the Tudor Published in France soon after his death. Sharp 2 i/ii dynasty, she is remembered ffor her restoration of Stock: 34229 Roman Catholicism after the short-lived Protestant reign of her half-brother, Edward VI. During her five year reign, she had over 280 religious dissenters buurned at the stake. Her re-establishment of Roman Catholicism was reversed aftter her death in 1558 by her younger half-sister and successor, Elizabeth I. Stock: 34602

335. This Print of Mary Queen of Scots is dedicated to Sir Walter Scott Bar.t by his Obliged & Obed.t Humb. Ser.t W.m Fletcher. Painted by Farino. Engravedd by Tho.s Hodgetts & Son. Published by W.m Fletcher, EEdinburgh Oct.r 1828. Mezzotint with very large maargins. 310 x 230mm (12¼ x 9"). Repair in margin. Creease on face. £160 With poem praising Mary by Henry Scott Riddell (1798-1870). See NPG D25084 for later state. Stock: 34355

336. [Poland] Maria Cllementia Magne Britannie & Regina. Augustinus Masucci inv. et delin. Michael Sorello Scul. Rom. S.p.1737. Etching and engraving, rare. 292 x 210mm (11½ x 8¼"). Some creasing. £160 Maria Clementina Sobieska ((1702-1735), the Polish noblewoman who was betrotthed to James Francis Edward Stuart. Despite opposal from George I, they were formally married on 3 September 1719 in the Chapel of episcopal palace of Montefiascone, Italy in the Cathedral of Santa Margherita. Following their marriage, James and Maria Clementina were invited to reside in Rome at the speciall request of Pope Clement 333. Serenissima Princeps Maria Beatrix XI, who acknowledged them as King and Queen of Ducissa Eboracensis &ct. England, Scotland and Ireland. Sharpe: 195 P. Vandrebanc Sculp. Sold by Moses Pitt at ye Angel Stock: 34715 in S.t Pauls Churchyard. [n.d., c.1675.] Copper engraving with large margins, 475 x 280mm 337. Jacques III.me Roy D'Angleterre &c. (18¾ x 11"). £240 Peint a Barleduc par A.S. Belle Peintre de S.M. Brit. / Maria Beatrice Eleanor Anne Margaret Isabella d’Este et gravé par A.M. Horthemells A Paris chez le Sr. Belle (1658-1718), daughter of Alfonso d’Este III, duke of rue du Four Faubourg S. Gerrmain attenant la porte de Modena, shown shortly after her marriage to James, la Foire. Duke of York, in 1673. His conversion to Catholicism, Engraving, sheet 395 x 260mm (15½ x 10¼"). accession to the throne as James II wiith the possibiliity Trimmed inside image; fold tthrough centre; glued to of a Catholic succession resulted in the Glorious baacking sheet. £160 Revolution of 1688. Oval portrait of James Francciis Edward Stuart, the 'Old Engraved byy Peter Vanderbank (Vandrebanc) (1649- Pretender' (1688-1766). As thhe son of James II, his 1697) after a portrait by Sir Peter Lely. Vanderbank biirth raised the prospect of a catholic succession and so moved to Loondon in 1674. NPG: D29318. sparked the 'Glorious Revolution' that forced his father Stock: 34227 into exile. When his father diied in 1701 the Jacobite faction proclaimed him James III, although he would 334. Queen Mary. never take his throne. Alexiss Simon Belle (1674-1734) J. Chapman sculpsit. Published as the Act directs Feb. was James's 'peintre ordinairre du Roy d'Angleterre', 1 . 1800. prroducing a number of propaganda portraits that were smuggled across the Channel to Jacobite supporters. in the dissecting-room, he was compelled to leave Sharpe 145.iii; ex: collection of the Late Hon. C. teaching; and at a dinner pressided over by Dr. Lennox-Boyd; for the first state of this print with titlee in Pettigrew he received from the hands of the Duke of Latin, see ref. 24417. Sussex a marble bust of himself, subscribed for by his Stock: 34675 puupils. After vainly endeavouring to dispose of his museum entire, he was compelled to sell it piecemeal. The final sale took place on 1 March 1830 and twenty- two following days; but very little was realised for Brookes's support in his old aage. Engraved from the portrait, showing Brookes at his study with a book on anatomy and anatomical specimens in top right. W: 432. Stock: 34939

340. Sacred to the Memory of William Buchan M.D. Author of tthe Domestic Medicine. Ob: Ad: MDCCCV Aet: LXXVI. [Anon, c.1805.] 338. No.XXV. Miss B__n. No.XXVI. The Etching, sheet 150 x 115mmm (6 x 4½"). Trimmed Circumnavigator. inside platemark; laid on backing sheet. £75 [1st October, 1773.] William Buchan (1729-18055), physician and author. Engraving, 110 x 175mm (4¼ x 7"). Paper slightly His 'Domestic Medicine, or tthe Family Physician' was soiled. £360 puublished in 1769, and rapiddlly sold out of its first Two bust portraits in oval frames illustrate 'Histories of edition of 5000 copies. Beforre the twentieth century, the Tête-à-Tête annexed'. Sir Joseph Banks, Bt, KCB, no single health guide matched the popularity of FRS. (1743 - 1820), the naturalist and patron of science 'Domestic Medicine', which bby that time had gone famous for his trip around the world with Captain through at least 142 English language editions (it was Cook, and his mistress, apparently the daughter of a paarticularly popular in the USS), and translations into gentleman of fortune who died insolvent. several major European langguuages. In later life he Plate to 'Town and Country Magazine', v. 457. puublished several other minor works. Not in O'D. W. Numbered 'Vol. V' upper right. BM Satires: 5146. 464. Stock: 35277 Kivell & Spence: P.17 Stock: 34570 341. The Reverend Willlliam Buckland, D.D. 339. Joshua Brookes Esq.r F.R.S. Canon of Christ Church, And Professor Painted by T. Phiilips R.A. / Engraved & Published as of Geology and Mineralogy in the University of the Act directs by James Fittler 62 Upper Charlotte Oxford. 1833. Street Fitzroy Square London June 30 1818 and by J Painted by Thomas Phillips Esq.re R.A. / Engraved by Skelton Oxford. Samuel Cousins London Published May 20th 1833, by Engraving with very large margins, platemark 505 x Molteno & Graves 20 Pall Mall. 380mm (19¾ x 15"). Foxing to edges. £320 Mezzotint with very large maargins, platemark 430 x Joshua Brookes (1761 - 1833), anatomist. Brookes 335mm (17 x 13¼"). Foxingg to edges. £360 studied anatomy and surgery in London under Williaam William Buckland (1784-1856), geologist and (from Hunter, afterwards attending the practice of Portal and 1845) dean of Westminster. IIn the century following other eminent surgeons at the Hôtel-Dieu, Paris. his death Buckland's reputatiion was in decline but he is Returning to London he commenced to teach anatomy now being rediscovered as one of the leading figures in and form a museum. He was an accurate anatomist and the golden age of geology, and also notable for helping excellent disssector, and prepared very many of the to make geology acceptable tto the Anglican specimens in his museum. He invented a very useful establishment and perhaps paving the way for the method of preserving subjects for his lectures and class Darwinian revolution. dissections, so as to preserve a healthy colour and Engraved after the 1832 porttrait by Thomas Phillips (in arrest decomposition. For this he was elected a Fellow Westminster Abbey deanery,, London), whose over 700 of the Royal Society. His success as a teacher was so poortraits record the leading personalities of his time. At great that in the course of forty years more than five the time of this portrait Buckland was at the height of thousand pupils passed under his tuition in anatomy his fame and achievement inn Oxford. He holds a skull, and physiology. He was very devoted to the formatioon with fossils on a table beside him, as if in the middle of of his museum, which from first to last cost him a lecture, with a large representation of Kirkdale Cave 30,000l., and was second only to that of John Hunter. It in Yorkshire (where he carried out important included a vast collection of specimens illustrating excavations in 1821) on the wall behind him. Ex: human and comparative anatomy, morbid and normall. Collection of the Late Hon. C. Lennox-Boyd; Whitman His brother kept the celebrated menagerie in Exeter 30 ii/ii; for a caricature of Buuckland, see ref. 33955. Change, and thus Brookes easily obtained specimens. W: 466-1. In 1826, owinng to ill-health brought on by the bad air Stock: 34941 342. Tiberius Cavallo, F.R.S. conditions not infrequently fefell into the hands of [n.d., c.1798]. certain practitioners who werre neither interested in Stipple with large margins. 195 x 130mm (7¾ x 5¼"). diagnosis nor concerned with the indications for their £75 treatment. Curtis was the most notorious of these; he Tiberius Cavallo (1749-1809), Neopolitan physicist had been a dispenser in the navy, but had no medical and natural philosopher working in London from 1771. qualifications. His ideas and practice were a mixture of He became a Fellow of the Royal Society in 1779, and charlatan and of applied common sense' (DNB). Curtis' gave annual Bakerian Lectures from 1780 to 1792. He 'Treatise on the Physiology and Diseases of the Ear' is credited with the invention of 'Cavallo's Multiplier'', (1817) ran to four editions. Establishing himself in a an early electrostatic influence machine which could large property on Soho Squaarre in London, Curtis' amplify a small electric charge to a level where it was clients included George IV and the duke and duchess detectable by the insensitive electroscopes of the dayy. of Gloucester. In 1816 he founded the first specialist Wellcome: 561-3 ear hospital in Britain on nearby Carlisle Street. He Stock: 35339 later squandered his fortune, fled to the Isle of Man to escape his debtors, and died iin an asylum. Only later sttate published by Asperne liisted in O'D. W. 738 I. Stock: 35283

345. John Harrison Currtis Esq.r. F.M.S. Aurist to His Royal Highness The Prince Regent And Lecturer onn the Anatomy, Physiology and Diseases of the Ear. Engraved by R. Cooper, from an original Painting by I.Shand. London, Published ffor the European Magazine, by J.Asperne, Corrnhill 1.st. May 1810. Engraving. Sheet: 130 x 215mmm, (5 x 8½"). Trimmed to plate on left and right sidees. £65 A three-quarter length portrait of John Harrison Curtis (1778-1856) a physician who exclusively treated ailments of the ear. Betweenn 1816 and 1845 Curtis puublished numerous treatises on the diseases and treatments of the ear. Wellcoome: 738-1. Stock: 35354

346. John Harrison Currtis Esq.r F.M.S. Aurist to His Royal Highness The Prince 343. Tiberius Cavallo, F.R.S. European Magazine. Regent And Lecturer onn the Anatomy, Trotter, sculp.t. Published J. Sewell, Cornhill [1798]. Physiology and Diseases of the Ear Stipple with large margins. 175 x 115mm (7 x 4½"). [Engraved by R. Cooper, froom an original Painting by £75 J. Shand] London, Published for the European Tiberius Cavallo (1749-1809), Neopolitan physicist Magazine by J. Asperne, Corrnhill, 1st May 1819. and natural philosopher working in London from 1771. Stipple, sheet 165 x 105mm ((6½ x 4"). Trimmed inside He became a Fellow of the Royal Society in 1779, and pllatemark, losing artist and engraver text line. £70 gave annual Bakerian Lectures from 1780 to 1792. He John Harrison Curtis (1778-1860), otologist. 'In the is credited with the invention of 'Cavallo's Multiplier'', early nineteenth century the management of aural an early electrostatic influence machine which could conditions not infrequently fefell into the hands of amplify a small electric charge to a level where it was certain practitioners who werre neither interested in detectable by the insensitive electroscopes of the dayy. diagnosis nor concerned with the indications for their treatment. Curtis was the most notorious of these; he Wellcome: 561-2 Stock: 35338 had been a dispenser in the navy, but had no medical qualifications. His ideas and practice were a mixture of charlatan and of applied common sense' (DNB). Curtis' 344. John Harrison Curtis Esq.r F.M.S. 'Treatise on the Physiology and Diseases of the Ear' Aurist to His Royal Highness The Prince (1817) ran to four editions. Establishing himself in a Regent And Lecturer on the Anatomy, large property on Soho Squaarre in London, Curtis' Physiology and Diseases of the Ear clients included George IV and the duke and duchess Painted by J. Shand / Engraved by Rob.t Cooper of Gloucester. In 1816 he founded the first specialist London, Published Oct.r 1 1818 by Thompson, ear hospital in Britain on nearby Carlisle Street. He Printseller 26 St. James's Street. later squandered his fortune, fled to the Isle of Man to Stipple, sheet 175 x 125mm (7 x 5"). Proof impression; escape his debtors, and died iin an asylum. O'D 1 (only trimmed inside platemark. £70 engraved likeness listed). W. 738 I John Harrison Curtis (1778-1860), otologist. 'In the Stock: 35285 early nineteenth century the management of aural 347. John Harrison Curtis Esq.r F.M.S. Mezzotint with large marginnss, proof; platemark 230 x Aurist to His Royal Highness The Prince 165mm (9 x 6½"). Rare. £220 Regent And Lecturer on the Anatomy, Sir Humphry Davy (1778-1829), chemist and inventor. Physiology and Diseases of the Ear He is remembered mainly forr his discoveries of several Engraved byy R. Cooper, from an original Painting by J. alkali and alkaline earth metals, as well as his Shand London, Published for the European Magazine contributions to the discoverriies of the elemental nature by J. Asperne, Cornhill, 1st May 1819. of chlorine and iodine. In 1815 he invented the Davy Stipple, sheet 190 x 125mm (7½ x 5"). Trimmed insidde lamp, which allowed miners to work safely in the platemark on three sides £70 prresence of flammable gases. Davy's reputation was John Harrison Curtis (1778-1860), otologist. 'In the soon eclipsed by that of his one-time assistant Michael early nineteenth century the management of aural Faraday, but Davy was one of the first professional conditions not infrequently fell into the hands of men of science, with a high position and great fame in certain practitioners who were neither interested in his own day. diagnosis nor concerned with the indications for their Engraved after the portrait by Thomas Phillips (1770- treatment. Curtis was the most notorious of these; he 1845), whose over 700 portraits record the leading had been a dispenser in the navy, but had no medical peersonalities of his time Ex: Collection of the Late qualifications. His ideas and practice were a mixture of Hon. C. Lennox-Boyd; W 68;; Wellcome: 772-15. Stock: 34954 charlatan and of applied common sense' (DNB). Curtis' 'Treatise on the Physiology and Diseases of the Ear' (1817) ran to four editions. Establishing himself in a 350. Sir Henry Charless Englefield Bar.t large property on Soho Square in London, Curtis' Painted by T. Phillips Esq.r. R. A. Engraved by C. clients included George IV and the duke and duchess Turner, Warren Street, Fitzroy Square. London, of Gloucester. In 1816 he founded the first specialist Published Oct.r. 20. 1821, by M.r. Turner, 50 Warren ear hospital in Britain on nearby Carlisle Street. He St.t. Fitzroy Square. later squandered his fortune, fled to the Isle of Man to Mezzotint with very large maargins. In pencil at bottom escape his debtors, and died in an asylum. O'D 1 (only right T. Phillips. Plate: 290 x 390mm, (11½ x 15¼"). engraved likeness listed). W. 738 I. Some foxing in margins. Laiid on album sheet. £360 Stock: 35284 Half-portrait of Sir Henry Englefield, 7th Baronet (1752-1822), a scientist and aacademic who wrote 348. John Harrison Curtis Esq.r F.M.S. several works on comets, anttiquities and geological Aurist to His Royal Highness The Prince phhenomena. Englefield was an elected fellow of the Royal Society and the Societty of Antiquities, whilst Regent And Lecturer on the Anatomy, also being a member of the Dilettanti Society. Ex: Physiology and Diseases of the Ear Collection of the Hon. C. Lennox-Boyd. Wellcome: Engraved byy R. Cooper, from an original Painting by J. 909-2. Shand London, Published for the European Magazine Stock: 35133 by J. Asperne, Cornhill, 1st May 1819. Stipple, sheet 175 x 125mm (7 x 5"). Trimmed inside platemark. £70 John Harrison Curtis (1778-1860), otologist. 'In the early nineteenth century the management of aural conditions not infrequently fell into the hands of certain practitioners who were neither interested in diagnosis nor concerned with the indications for their treatment. Curtis was the most notorious of these; he had been a dispenser in the navy, but had no medical qualifications. His ideas and practice were a mixture of charlatan and of applied common sense' (DNB). Curtis' 'Treatise on the Physiology and Diseases of the Ear' (1817) ran to four editions. Establishing himself in a large property on Soho Square in London, Curtis' clients included George IV and the duke and duchess of Gloucester. In 1816 he founded the first specialist ear hospital in Britain on nearby Carlisle Street. He later squandered his fortune, fled to the Isle of Man to escape his debtors, and died in an asylum. O'D 1 (only engraved likeness listed). W. 738 I. Stock: 35282 351. George Fordyce. M.D. F.R.S. Senior Physician of S.t. Thomas's Hospital. 349. Sir Humphrey Davy Bar.t President of T. Phillips Pinx.t. G. Keating Sculp.t. Publish'd May the Royal Society &c &c &c 7.th. 1795 by T. Phillips N.o. 20 Air Street. Painted by T. Phillips Esq.r R.A. / Engraved by S.W. Mezzotint, scarce with very llarge margins. Plate: 250 x Reynolds Puubb.d by T. Phillips March 1822 340mm, (9¾ x 13¼"). Some foxing. Laid on album sheet. £390 Half-portrait of George Fordyce (1736-1802), who was interest in botany (a woodpeccker, shellfish and genus a Scottish physician and scientist who was elected as of plants were named after hiim) and published several physician of St. Thomas's Hospital, London in 1770 volumes of antiquarian studiees focusing on the history and was a fellow of the Royal Society and the Royal of southern England. It was tthrough his botanical College of Physicians. Fordyce sits reading a book knowledge that he was introduced to the royal family titled 'Treatise on Fever'. Ex: Collection of the Hon. C. (in Weymouth at the same time as them, he was Lennox-Boyd. Wellcome: 1005 identified as the person to identify a botanical Stock: 35129 specimen one of the princesses had obtained). He subsequently was appointed pphysician-extraordinary to 352. William Jackson Hooker. L.L.D. F.R.AA. Queen Charlotte and physiciaan-in-ordinary to Queen & L.S. Regius Professor of Botany in the Victoria. Vice President Linnean Society of London. University of Glasgow. Frontis to J.A. Paris, A Biogrraphical Sketch of the Late Painted by T. Phillips R.A. Engraved by . Cook. Fisher W. G. Maton, 1838. Not in O'D. W. 1943-2. & Son & Co. London 1834. Stock: 35312 Stipple with very large margins. Proof impression wiith facsimile signnature. India paper, laid on Album sheett. Platemark: 225 x 145mm (9¾ x 5¾"). Light stains in corners of maargins. £95 A portrait of Sir William Jackson Hooker (1785 - 1865). One of the leading botanists of the period, Jackson was Director of the Royal Botanic Gardens at Kew from 1841 to 1865, largely responsible for throwing the Gardens open to the public. Ex Collection: The Hon. Christopher Lennox-Boyd. Wellcome: 1438-2. Stock: 35135

353. [Portrait of Martin Master.] Vera Effigies Dom Martini Master Philom Cantuariensis AEtat suae 53 an nat 1607 [after Richard Gaywood] [Pub. T. & H. Rodd 1821?] Etching, sheet 145 x 135mm (5¾ x 5¼"). Rubbed; ms annotations; trimmed inside platemark. £75 Martin Master (b.1607), mathematician and inventor of the measuring wheel. Richard Gaywood engraved his 356. Everardus Maynwaringe Medicinæ likeness in 1661 as the frontispiece to Master's 'Surveyor's Perambulator'. This print is probably the Doctor Ætatis suæ 38 16668. 1821 facsimile listed by O'Donoghue. O'D 3? W. 1940- R. White sculp. [n.d., c.16700.] Engraving. Sheet 190 x 140mm (7½ x 5½"). Trimmed 2. Stock: 35309 within plate, mounted on albbuum paper. £160 Everard Maynwaring, (c.1627-c.1699), a doctor at the forefront of 'Chemical Medicine'. In 1665 Maynwaring 354. [Portrait of Martin Master.] Vera was one of the proponents off the 'Society of Chymical Effigies Dom Martini Master Philom Physicians', which was meant to challenge the Cantuariensis AEtat suae 53 an nat 1607 authority of the College of Phhysicians. His techniques [after Richard Gaywood] [Pub. T. & H. Rodd 1821?] seem to have been successfuull: also in 1665 he was Etching with large margins, platemark 190 x 140mm entrusted with the care of the pest-house of the society (7½ x 5½"). £90 for employing the poor in Miiddlesex and he claimed Martin Master (b.1607), mathematician and inventor of that out of the eighty patients in his care, fifty-six the measuring wheel. Richard Gaywood engraved his recovered. likeness in 1661 as the frontispiece to Master's Among his booko s were 'The ancient and modem 'Surveyor's Perambulator'. This print is probably the Practice of Physic', 'A Treatiise on the Preservation of 1821 facsimile listed by O'Donoghue. O'D 3? W. 1940- Health and Long Life', 'The' Complete Physician', 2. 'History of the Venereal Luess', 'The Pharmacopian Stock: 35310 Physician'a Repository', 'A Treatise of Consuptions' and another on the Scurvy. After the Restoration King 355. Yours faithfully / WG Maton [facsimile] James's 'Counterblast to Tobbacco" was reprinted: to [Anon, c.1838] which is subjoined 'A learned Discourse written by Dr. Lithograph, rare; sheet 265 x 185mm (10½ x 7¼"). Ms Everard Maynwaring, proving that Tobacco is a annotations. Slight foxing exterior. £120 prrocuring Cause of the Scurvy'; also his 'Serious William George Maton (1774-1835), physician. Cautions against excessive Drinking, with several Educated at Oxford, Maton had a long association with Examples of God's severe Judgments upon Notorious the College of Surgeons and was physician to Drunkards, who have died suddenly', &c.'. It is likely Westminster Hospital in 1800-08. He also took an that this a frontispiece portrait for one of his works. Grainger: 'A Biographical History of England'; the invention was a valuable one, writing about it in his Wellcome 6438i. autobiography. Not in Wellcome. Stock: 34042 Stock: 35334

357. Samuel Merriman, M.D. Ætat 84. 359. G. J. Romanes. Engraved byy Corner from a Miniature of the same size Elliott & Fry photo. Walker & Cockerell. ph. sc. by Richmond. [n.d., c.1815.] [c.1891.] Engraving on indiawith very large margins. 270 x Photogravure with large marrgins. Printed area 145 x 200mm (10½ x 8"). £110 190mm (5¾ x 7½"). £70 Samuel Merriman (1731–1818), a physician George John Romanes (1848-1894), Canadian-born specialising in midwifery. He is said to have attended English evolutionary biologiist and physiologist, more than ten thousand births. Not in Wellcome. heavily influenced by his friendship with Charles Stock: 34969 Darwin. Continuing Darwin's work on evolution he coined the expressions 'neo-Darwinism', which is still used today for any updated foform of Darwinism, and 'anthropomorphism', the giviing to animals of human- like qualities. A photogravurre from a photographic carte-à-visite. Stock: 35316

360. The Marquis of Worcester, first Projector of the Steam Engine. [Anon, c.1830] Stipple engraving, sheet 115 x 70mm (4½ x 2¾"). Trimmed to image; false marrgins added. £60 Edward Somerset, second maarquess of Worcester (d.1667), courtier and scientiist. Worcester was a scientific entrepreneur who iimaginatively patronised hydraulic engineering, but was unable to convince the scientific community of his achievement, and it was left to the Victorians (exempplified by this print) to rescue his reputation as an engineer. He was also a war commander in the Welsh marches, and a diplomat in Ireland. Stock: 35314

361. The Marquis of Worcester, first Projector of the Steam Engine. [Anon, c.1830] 358. W.H. Phillips [facsimile signature] Stipple engraving, sheet 125 x 95mm (5 x 3¾"). Inventor of the Fire Annihilator. Trimmed inside platemark. £70 Alfred Tidey, Pinx.t. William Underwood, Litho. Edward Somerset, second maarquess of Worcester Printed by Hullmandel & Walton. Published June 10th (d.1667), courtier and scientiist. Worcester was a 1852, by J.L. Grundy, 130, Regent St. scientific entrepreneur who iimaginatively patronised Lithograph on india with back-sheet printed with title; hydraulic engineering, but was unable to convince the extremely rare. Sheet 470 x 350mm (18½ x 13¾"). scientific community of his achievement, and it was Some spotting, corner creased. £360 left to the Victorians (exempplified by this print) to Half-length portrait of William Henry Phillips, whose rescue his reputation as an engineer. He was also a war 'Patent portable fire annihilator, for extinguishing fire commander in the Welsh marches, and a diplomat in by gases and vapour, affording a means of saving life Ireland. Stock: 35313 and propertyy when water may be unavailing' was exhibited at the Great Exhibition of 1851, winning a prize. This was a device that used a chemical reaction 362. Louis Valentin. Drr. Medecin / Né le 14 to produce a cloud of carbon dioxide to smother a fire. 8bre 1758 / Mort a Nanccy le 11 Fevrier 1829 A motion was presented to Parliament that every Dess au Physionotrace et gravé par Quenedey rue des government vessel should have an Annihilator. peetits Champs No.15 a Paris 1816 However the Fire Annihilator Works, at Battersea Etching and aquatint with larrge margins, platemark 115 Fields, burned to the ground in 1852, and the businesss x 95mm (4½ x 3¾"). Late impression. £120 failed. P.T. Barnum invested in the company that French doctor Louis Valentin. This print was made by bought the American patent, but after some Edme Quénedey (1756 - 18330) during the sitter's unsatisfactory trials, that company also closed, lifetime and reissued with addition text after his death. although the Great American Showman still believed Quenedey, a miniature painter and engraver, made much use of the physionotrace, a mechanised drawing instrument that could reproduce the outline profile of a 364. Thomas Wright. Phil. Nat. Nat. Et. Mat. portrait. Prof. It was invented by Gilles-Louis Chretien, who Gent. Mag. Jany. 1793. Pl. II. [top of sheet, illegible] engraved Quenedey’s portraits from 1787 to 1789, in Engraving, 200 x 115mm (8 x 4½"). Trimmed to 1786. Chretien and Quenedey founded a very image; laid on backing sheett. £75 successful portrait studio in Paris together in 1788. Thomas Wright (1711 - 1786), astronomer, instrument Between 1786 – c.1810 there were only two studios in maker and landscape gardener. Wright's 'Clavis Paris which produced a relatively small number of paannautici' (1734) described the pannauticon, a paper physionotrace engravings. Consequently very few off instrument dedicated to Georrge II. His 'Clavis coelestis' these intriguing portraits are preserved today. Because (1742) was an enormous engraved diagram of the of their origins and the realism physionotrace portraits heavens and theories of theirr arrangement. He is most have, they can be seen as true photo-graphic objects famous, however, for 'An Orriginal Theory of the and are therefore classified as a forerunner of Universe' (1750), embellished with spectacular photography. engravings and fragments off poetry, which ponders Stock: 35221 why we see the Milky Way as we do. When the work of William Hershel led to acceptance of the galaxy's spiral shape, Wright's 'grindstone' theory was seen as a prrecursor. Wright also designed gardens (in a style similar to William Kent), published books on architecture ('Universal Architecture', 1755-8) and the antiquities of Co. Louth ('Louuthiana', 1748), and designed buildings. With vignette of 'The Astronomical Cylinder or Sun Dial' below portrait. Published in the 'Gentleman's Magazine' of 1793, probably to accompany the poosthumous publication of Wright's description of his house in Byers Green, Countty Durham (which was demolished in 1967). BM: pg.550, 2. W. 3239-3. Stock: 35271

365. The Honourable Miss Bingham. Painted by Sir Joshua Reynoolds. Engraved by Pietro Bonato. [n.d., c.1786.] Engraving. Platemark: 300 x 200mm (11¾ x 8"). £180 A portrait of Lady Anne Binnggham (1767 - 1840) after Sir Joshua Reynolds. Half-leength sitting to the left, head turned to face front, weearing a large straw hat and her hair over her shoulders. Anne Bingham, was the daughter of Charles Bingham, 1st Earl of Lucan. When 363. Mr. William Wollaston. Done after the he became the Earl her title became Lady Anne Marble Bust, in Her Majesty's Hermitage in Bingham. Her sister, Lady Lavinia Bingham, married the Royal Garden at Richmond. the 2nd Earl of Spencer. Thee original painting by I.Faber fecit. Printed for Ca: Bowles in St.Pauls Joshua Reynolds is still owneed by the Spencer family. Church Yard, London. Stock: 35071 Mezzotint with very large margins, platemark 362 x 257mm (14¼ x 10"). £320 366. The most High & Puissant Prince James William Wollaston (1659-1724), moral philosopher. Bruges Duke of Chandos, Marquis & Earl of After studies at the University of Cambridge, Caernarvon [...] 1722 Wollaston became a schoolteacher in Birmingham M. Dahl pinx / J. Simon fecitt Sold by J. Smith in (1682) and soon afterward was ordained a priest. His Exeter Exchange in ye Strandd. major work was 'The Religion of Nature Delineated' Mezzotint, sheet 350 x 250mm (13¾ x 9¾"). Trimmed (1724). to platemark; unidentified collector's stamp verso. In 1730 Queen Caroline commissioned a garden £160 Hermitage with a series of marble busts by the English James Brydges, first duke off Chandos (1674-1744), sculptor Michael Rysbrack to celebrate scientists and poolitician and patron of the arts. After his first wife thinkers. These were engraved and issued as a set of died in 1712, Chandos bought the Cannons estate near five 'philosophers of England' (Wollaston, Isaac Stanmore, Middlesex, wheree he established one of the Newton, Robert Boyle, John Locke and Samuel finest houses in the country, employing leading Clarke) with a view of the Hermitage prefixed. Ex: architects such as Gibbs and Vanbrugh on its design. collection of the late Hon. C. Lennox-Boyd; CS 125 He also had the parish church of St Lawrence at Little iii/iii; for an earlier impression of this print see ref. Stanmore rebuilt, commissioning Grinling Gibbons to 2368; for the bust of Locke see ref. 32333. design a marble tomb for Brydges and his wives. He Stock: 34116 was a notable patron of Handel, and an eager speculator in new ventures, losing money when the frequent sitter in portraits and although known for her South Sea Company collapsed in 1720. style, beauty, and her political campaigning, she was Reduced from the full-length portrait by Michael Dahl. also famed for her love of gambling. Even though her Ex: collection of the late Hon. C. Lennox-Boyd. CS: own family, the Spencers, and her husband's family, 31. the Cavendishes, were immeensely wealthy, she was Stock: 34124 reported to have died deeply in debt due to her excesses. Not in CL-B's Stubbbs volume. 367. The Daughters of Charles B. Calmady Stock: 34387 Esq.r. Froma sketch by Sir Tho.s Lawrence P.R.A. Fred.k C. Lewis, Sculp.t. Published March 1825, by Hurst, Robinson & Co, 90, Cheapside, & 6, Pall Mall. Stipple with very large margins. 360 x 280mm (14¼ x 11"). Uncut. Bit dusty. £240 Portrait of Emily Calmady (1818 - 1906) and her sistter Laura Anne (1820 - 1894). Their father Charles Bigggs Calmady (1791-1855) was Deputy-Lieutenant of the county of Devon and an amateur cricketer who made his first-class debut for the Marylebone Cricket Club in 1828. This is from one of several sketches Thomas Lawrencce made of the girls. The artist saw them aged five and three and was so struck by them that he offered to paint them for half his usual fee. The completed oil was more focused on the blonde Laura Anne: Lawrence wrote: 'This is my best picture. I have no hesitation in saying so - my best picture of the kind - one of the few I should wish hereafter to be known by'. The painting is now in the Metropolitan Museum of Art, New Yorrkk. Stock: 35263

368. Master Caulfield. John Russell Pinxit. J. Dean Fecit. Published Jan. 1, 1777, by Jn.o Dean, Church Street, Soho. Mezzotint. Sheet 345 x 255mm (13½ x 10"). Trimmed to plate, laid on album paper, creasing. Collector's stamp of Sir William Augustus Fraser (1826-1898) in inscription area. £160 William Caulfield, a parrot perched on his finger, held by a string. The BM describes him as the son of Capt. 370. Charlotte Countesss Cholmondeley and James Caulfield; the Bromsgrove catalogue as the the Hon.ble Henry Cholmondeley. nephew of Lord Bute. CS 4, state ii of iii, first Painted by J. Hoppner, Esq.rr R.A. Engraved by C. published state; BM K,58.133; Lugt L2831. Ex Turner. London Published July 15, 1805, by the Collection of the Hon. Christopher Lennox-Boyd. Engraver, No. 50, Warren Sttreet, Fitzroy Square. Stock: 34591 Mezzotint, very fine & pretty with large margins. 640 x 380mm (25¼ x 15"). Repaired tear on left. Ink stamp 369. Georgiana, Dutchess of Devonshire. of the Lennox-Boyd Collectiion on reverse. £360 Engraven from an Original Picture in the Georgiana Charlotte, Marchiioness of Cholmondeley possession of The Right Honorable the (1764-1838), known as Bertiie, daughter of Peregrine, Countess Spencer, to whom this Plate is by 3rd Duke of Ancaster. She married George permission inscribed, by her Ladyships much Cholmondeley, 4th Earl of Cholmondeley in 1791. She obliged most obed.t & devoted hum.ble serv.tt is pictured here with her son,, William Henry Hugh Cholmondeley (1800-84), latter 3rd Marquess of Geo. Townly Stubbs. Cholmondeley. W: 110 London, Pub.d as the Act directs. July 1.st 1782. Stock: 35001 Stipple, very scarce. Sheet size: 190 x 130mm (7½ x 5¼"). Trimmed inside platemark. £220 371. A bust portrait of Georgiana Cavendish, Duchess of [Elizabeth Catheriine ('Kitty') Clarke.] Devonshire (1757 - 1806), facing the viewer, in an E.F. Calze Pinxit. Val.e Green Fecit. Published July 22nd 1771 by John Boydell, Engraver in Cheapside oval. The Duchess of Devonshire was a celebrated London. beauty and socialite who gathered around her a large salon of literary and political figures. She was Mezzotint. Sheet 405 x 290mm (16 x 11½"). Trimmed into plate. £220 connected to key figures of the age such as the Prince of Wales and Marie Antoinette. Cavendish was a Elizabeth Catherine Hunter (died 1795), wife of Field 375. The Right Hon.ble Lady Jane Dundas. Marshal Sir Alured Clarke, commander of the British J. Hoppner R.A. pinx.t / F. Bartolozzi sculp.t, London, army in Georgia (1780), Governor of Jamaica (1784)), Publish'd April 15 1802 by Joohn Jeffryes, Clapham Commander-in-Chief of the Madras Army (1796), Road, acting Governor-General of India (1798) and finally Stipple with very large marggiins, platemark 280 x Commander-in-Chief of India (also 1798). They 220mm (11 x 8½"). Good impression; C.L-B married in 1770, eight years after 'Kitty' had eloped collector's stamp verso; title in open letters. £240 with the married 10th Earl of Pembroke, with whom Lady Jane Dundas (born Jane Hope, 1766-1829), she had a son, Augustus Retnuh (Hunter backwards) daughter of John, second earrl of Hopetoun (1704-1781) Reebkomp (an anagram of Pembroke). Calse was a and his second wife, Jean Olliiphant of Rossie (d.1767). pseudonym for Edward Francis Cunningham. CS 71, In 1793 Hope married the politician Henry Dundas, state ii of ii. Ex. Collection of the Hon.Christopher first Viscount Melville (1742-1811). Lennox-Boyd. Whitman: 29 II of III. In ref. 7403, she is shown handing colours to the Third Stock: 34415 Regiment of Royal East Indiia Volunteers at Lord's Cricket Ground in 1799. De Vesme 1070, 372. Thomas William Coke Esq.r. Member of Stock: 34528 Parliament for the County of Norfolk. (A Distant View of Holkham Hall.) From the original Picture in the Possession of Lord Somerville. London, Painted & Published May 31.st. 1806 by G. Garrard, 28 George S.t. Hanover Sq.r. Mixed-method engraving with large margins. Plate: 215 x 300mm, (8½ x 12"). £130 Full length portrait of Thomas William Coke, 1st Earl of Leicester (1754-1842) who was M.P. for Norfolk and whose agricultural reform has been credited as sparking the British Agricultural Revolution. Coke stands in his estate, his house Holkham Hall in the background, in front of which is a herd of sheep. Stock: 35101

373. M.rs Jenny Deering. In the Common Parlour at Houghton. Peter Lilly Equess Pinxit. Josiah Boydell delin.t. Charles Townley Sculpsit. Member of the Imperial Academy at Florence. Publish'd Sept.r 1.st 1787 by John & Josiah Boydell, No 90 Cheapside London. Mezzotint. 405 x 290mm (16 x 11½"). Bottom left corner of margin torn off. £190 376. Lady Augusta Fane, 1st wife of Lord Lucy Loftus (née Brydges), Viscountess Lisburne Bovingdon [in pencil]. (d.1689). Ex. Collection of the Hon.Christopher [T. Phillips.] [n.d., c.1805] Lennox-Boyd. Mezzotint with large marginnss, rare private plate, proof Stock: 34417 beefore all letters. Plate: 350 x 510mm, (13¾ x 20"). Some foxing. Small stain in plate below printed area. 374. The Hon.ble Mrs. Demer. £360 Reynolds, J Pinx.t Smith, J.R Sculp.t Published March Three quarter length protrait of Lady Augusta Fane 1st 1774 by J. R. Smith, No. 4 Exeter Court, Strand. (1786-1871) who sits on a chair next to a large column. Mezzotint, very fine impression; 280 x 380mm. Lady Augusta, daughter of Earl of Westmoreland Trimmed to image. £160 married her first husband John Parker, Earl of Anne, daughter of the Hon. Seymor Conway, the Bovingdon in 1804, howeverr she divorced him in 1809 distinguished General and Field Marshall, was an marrying instead Sir Arthur Paget two days later amateur sculpptor of considerable talent. Horace causing a huge scandal. As a consequence of her Walpole left her Strawberry Hill for her life. She died divorce from the Earl of Bovingdon, this plate was in 1828. Standing, hands together. Round the neck a never used. Ex: Collection off the Hon. C. Lennox- black ribbon to which is attached a locket. A long plait Boyd. of hair falls over each shoulder. Landscape in Stock: 35131 background. In this state (2/4) the title is mis-spelt 'Demer'. This was later corrected to 'Damer'. Hamilton: 377. Countess of Aylesford [on plynth]. p.94. [State 2/4]. O'Dench 34; Hamilton: 94; CS: 51; Painted by Sir Joshua Reynoolds. Engraved by V. Green Frankau: 105; From Broadlands the Palmerston Mezzotinto Engraver to his Majesty & to the Elector family. Palatine. Publish'd Jan.y 1.stt 1783, by V. Green, No 29, Stock: 27390 Newman Street, Oxford Streeet. Mezzotint with large margins. 455 x 330mm (18" x 380. Elizabeth Dutchess of Hamilton, 13"). £280 Brandon, &c. Louisa Thynnnne (1760-1832, daughter of the 3rd Fran.s Cotes Pinx.t. Miller fecit. London, Printed for Viscount Weymouth (later Marquess of Bath); married John Bowles at the Black Horse in Cornhill. Heneage Finnch, 4th Earl of Aylesford, in 1781, with Mezzotint with very large maargins. 325 x 225mm (12¾ whom she had twelve children. Her husband was Lord x 9") £240 Steward of George III's Household from 1804-1812, Elizabeth Gunning (1733-900)) met James Hamilton, 6th and a talented artist. Tate Britain has 50 watercolourrs, Duke of Hamilton and Argylll, at a party in London. drawings and prints by him. Hamilton: 47; Ex. Robert Walpole reported thaatt he insisted that they Collection of the Hon.Christopher Lennox-Boyd. CS: marry that night, and called ffor a local parson to 4 II of II & Whitman: III of IV. peerform the ceremony. However, without a license, Stock: 34410 calling of banns and a ring, tthhe parson refused, so they married that night in Mayfairr Chapel. Her sister Maria 378. George Fitzroy Earle of Northumberland (1733-60) was also a beauty who married well, in her &c. case George William Coventtry, 6th Earl of Coventry. H. Gascar Pinnx. [n.d., c.1675.] Andrew Miller (d.1763), was an engraver in Dublin. Mezzotint. 340 x 250mm (13½ x 9¾"). £280 Challoner Smith notes 'Nearlly all the prints by Miller George FitzRoy (1665-1716), illegitimate son of are of very great rarity' (p.9221). CS: 21. Ex. Charles II and his mistress Barbara Villiers, as a boy in Collection of the Hon.Christtoopher Lennox-Boyd. Roman garb with a classical landscape behind him. Stock: 34421 He was created Earl of Northumberland, Baron of Pontefract and Viscount Falmouth; in 1683 he was 381. [Henry Hare, 2nd Lord Coleraine.] created Duke of Northumberland. CS: 8, ii of iii. Ex: Effigiem hanc praenobiliis Henrici Heri Baronis Collection of the Hon. Christopher Lennox-Boyd. de Colerane [...] Stock: 34132 [Begun by William Faithornee, finished by George Vertue 1728.] Engraving with very large margins, platemark 370 x 235mm (14½ x 9¼). Good impression. £230 Henry Hare, second Baron Coleraine (bap. 1636- d.1708), antiquary and archittect. Coleraine traveled in Italy and translated G.F. Loreedano's 'The Ascents of the Soul'. He was also MP for Old Sarum in Wiltshire, although he lived for most off his life in Tottenham, Middlesex (now in London) where he remodelled the family house, Bruce Castle (wwhich still survives as a museum, and which Coleraine is said to haunt). William Faithorne, a contemporary of Coleraine, began this plate, presumably after his own drawing, which was completed much later by George Vertue. Coleraine's grandson Henry, 3rd Baron (1693-1749) was a friend and patron of Vertue. Alexander 579; Faagan p.28 ii/ii; for Faithorne's frontispiece to Hare's translation of 'The Ascents off the Soul', see ref. 14866. Stock: 34224

382. [Henry Hare, 2nd Lord Coleraine.] Effigiem hanc praenobiliis Henrici Heri Baronis de Colerane [...] [Begun by William Faithornee, finished by George Vertue 1728.] Engraving, platemark 360 x 2225mm (14¼ x 8¾). Excellent impression; trimmeed inside platemark £180 379. [Mrs Green and Child.] Henry Hare, second Baron Coleraine (bap. 1636- P. Falconet pinxit. Val. Greet Fecit. Publish'd Oct.r d.1708), antiquary and archittect. Coleraine traveled in 16th 1770. Italy and translated G.F. Loreedano's 'The Ascents of Mezzotint, scratch letter proof before title with very the Soul'. He was also MP for Old Sarum in Wiltshire, large marginns. 410 x 280mm (16 x 11"). Small repaired although he lived for most off his life in Tottenham, holes on left and in margin. £260 Middlesex (now in London) where he remodelled the Mary Valentine and Rupert, wife and son of Valentine family house, Bruce Castle (wwhich still survives as a Green the engraver. CS: 54. Whitman: 19 I of II. Ex. museum, and which Coleraine is said to haunt). William Faithorne, a contemporary of Coleraine, began Collection of the Hon.Christopher Lennox-Boyd. Stock: 34422 this plate, presumably after his own drawing, which was completed much later by George Vertue. Coleraine's grandson Henry, 3rd Baron (1693-1749) left, holding a hat in left hand and wearing his robes was a friend and patron of Vertue. Alexander 579; and chain of offf ice. Fagan p.28 ii/ii; for Faithorne's frontispiece to Hare's Sir Peter Laurie was an alderrman, Lord Mayor of translation of 'The Ascents of the Soul', see ref. 14866. London (1832-3), President of the Royal Hospitals of Stock: 34225 Bridewell & Bethlem, and was governor of the Union Bank of London, (1839-61). Throughout his public life, 383. Penelope. Domina Herbert. Laurie promoted schemes off social advancement and Antonius Vaan Dyck Eques pinxit. P. Lombart sculpsit more open government. It is said that The character of londini avec Privileige du Roy et ex parisis. [n.d., c. 'Alderman Cute' in Charles Dickens’ 'The Chimes' 1645.] (1844) is a satirical representtation of Laurie and his Engraving. Sheet 345 x 240mm (13½ x 9½"). Trimmed dismissive attitude towards London’s poor. Ex within plate. £140 Collection: The Honourable Christopher Lennox-Boyd. Penelope Naauunton (d.1649), the daughter of Sir Robert O'D: 259/2. Naunton, Secretary of State to King James I, marriedd Stock: 35130 Philip Herbert, 5th Earl of Pembroke, 2nd Earl of Montgomery in 1639. 386. Elizabeth Marchioness of Stafford. Stock: 34470 T. Phillips A.R.A. pinx.t. C. Turner Sculp.t. London, Published Feb.y 11. 1807 byy C. Turner, No. 50 Warren Street, Fitzroy Square. Mezzotint with large marginnss, very fine. Platemark: 505 x 350mm (19¾ x 13¾").. £320 A portrait of Elizabeth Sutherland Leveson-Gower, Duchess of Sutherland (1765 - 1839), seated to right, facing front, wearing a turbaann, pearl earring and necklace, and shawl with borrder of scrolls. A vase and flowers is to the right. At the age 20, Leveson-Gower married George Granville Leveson-Gower, Viscount Trentham, who was known as Earl Gower frroom 1786 until in 1803 he succeeded to his father's titlee of Marquess of Stafford. In 1832, just six months before he died, he was created Duke of Sutherland and she became known as Duchess-Countess of Sutherlland. (For a portrait of the Duke of Sutherland, see iem ref: 35059). Lady Sutherland instigated a notorrious large scale clearance of the land she owned with her husband, known as the 'Highland Clearances'. Ex Collection: The Honourable Christopher Lennox-Boyd. W: 539 I of II. Stock: 35061

384. [Polly Kennedy.] 387. [John Maitland, Duke of Lauderdale.] E.F. Calze Pinxit. Val.e Green Fecit. Published May James Prince of Walles. Nat. 21 Juni 1688. 1st 1771 by John Boydell, Engraver in Cheapside [by Gerald Valck.] [n.d., c.1710.] London. Engraving, very rare. Sheet 330 x 250mm (13 x 9¾"). Mezzotint with small margins. Sheet 405 x 290mm (116 Trimmed to image on 3 sides, mounted on album x 11½"). £280 paaper. £260 Polly Kennedy (alias Jones) (d. 1781), courtesan and Portrait of John Maitland, firrst Duke of Lauderdale mistress of Sir Charles Bunbury. Calse was a (1616-82), dressed in the robes of the Order of the pseudonym for Edward Francis Cunningham. CS 78. Garter, in which he was enroled in 1672. However this Whitman: 24 II of II. Ex. Collection of the pllate has been altered, with a new title suggesting the Hon.Christopher Lennox-Boyd. sitter is James Francis Edwarrd Stuart (1688-1766), the Stock: 34416 'Old Pretender', without any attempt to re-engrave the face. Not in Sharpe. 385. [Sir Peter Laurie.] Stock: 34053 ['Painted by Thos. Phillips, R.A. Engraved by James Scott.] [London, Published Jany 1839, by Thomas 388. [Lady Isabella Moolyneux, Countess of Boys Printseller to the Royal Family, XI Golden Sefton.] Square, Regent Street.] R. Cosway R. A. Delin.t. W. Dickinson Excudit. Mezzotint with large margins. Very rare proof London, Publish'd June 20.th; 1783 by W. Dickinson impression before all letters. Platemark: 550 x 400mm Engraver & Printseller N.o. 158 New Bond Street. (21½ x 15¾"). £320 Stipple. Plate: 255 x 315mmm,, (10 x 12½"). Trimmed to A portrait of a politician and social campaigner Sir pllate on left, right and top edges. One repaired hole Peter Laurie (1778-1861), turned to front, looking to top left. £140 Full length portrait of Isabella Molyneux (neé required to pay a fine of £30,,000 and was imprisoned Stanhope) (1748-1819), who married Charles William in the Tower of London untill the fine was paid. 8th Viscount Molyneux in 1768, who was created 1st After one of several portraits of Parker by or after Earl of Seftoon in 1771. Lady Molyneux stands on the Kneller and his studio. Ex: coollection of the late Hon. edge of a terrace, one arm resting on the base of pillaar C. Lennox-Boyd; CS 274 (only state). while she hollds the skirt on her dress in her hand. Stock: 34106 Behind her rests a large grecian vase. BM 1856,0308.20. Stock: 35046

389. Mr Charles Moore Son to the Right Reverend the Lord Bishop of Norwich. J. Kerseboom Pinx. / E. Cooper ex. / P. Coombes fec. [c.1707] Mezzotint, rare, sheet 360 x 260mm (14¼ x 10½"). Trimmed to platemark; glued to backing sheet at corners. £240 Charles Moore, son of John Moore, Bishop of Ely, with a dog and large bowl of fruit. One of few prints from paintings by German painter Johann Kerseboom (d.1708), it is also the only print listed by Chaloner Smith for the printmaker Peter Coombes. CS: 7; DNB; Ex collection of the Hon. C. Lennox-Boyd. Stock: 34033

390. [Nellly O'Brien.] "Near a thick Grove whose deep embow'ring Shade, [/] Seem'd most for Love and contemplation made, [/] Thither retir'd from Phoebus sultry Ray_" Dryden. Engraved from and Original Picture Painted by S.r. Joshua Reynnolds by Cha.s. Phillips & Published According to Act of Parliament Aug.t. 24 1770. Mezzotint. Framed. Sheet: 320 x 450mm, (12½ x 17¾"). Frame: 490 x 610mm, (19¼ x 24"). Trimmed to plate. Some slight foxing. Unexamined out of frame. 392. This Print of the Penn Family is with £320 Permission dedicated to JJohn Penn Esq.r by Half-length portrait of Nelly O'Brien a famous beauty his obliged & humble Serrv.t C. Turner. and courtesan who, as a friend of Reynolds, sat for Painted by Sir Joshua Reynoolds. Engraved by C. several of his paintings. O'Brien sits, wearing a large Turner, Warren Street. Londdoon, Published Dec,r 25. brimmed hatt and facing directly out holding a small 1819, by C. Turner, No. 50 Warren Street, Fitzroy lap-dog on her knee. The original painting by Reynolds Square. is in the Wallace Collection. BM 1902,1011.3655 Mezzotint. Platemark: 630 x 435mm (24¾ x 17"). Stock: 35346 Unexamined out of frame. £550 A group family portrait. Juliana Penn can be seen 391. The Right Hon.ble Thomas Lord Parker, standing against a plinth, propping a young boy, Lord High Chancellor of Great Britain, &c. Granville, against a large urn, with another little boy, 1718 John, to whom the print is dedicated, standing in front, G. Kneller S.R. Imp. et Mag Brit Baronet pinx / done holding up a bunch of grapes to his brother. To the left, & Sold by Faber Juni.r over against Essex Street in ye Louisa Penn is reaching down more grapes from the Strand. vine, twined around a tree beside her. Mezzotint, very fine, 18th century watermark; John Penn (1760 - 1834) was the grandson of the platemark 355 x 255mm (14 x 10"). Trimmed inside founder of the Province of Pennsylvania, William Penn platemark bottom edge. £260 (1644 - 1718). John was the sson of Juliana, featured in Thomas Parker, 1st Earl of Macclesfield (1667-1732), the portrait, and Thomas Penn, who inherited the Lord Chancellor. Trained in the law, Thomas Parker poosition of Proprietor of the CColony of Pennsylvania was called to the Bar in 1691 and entered Parliament in for the Crown of England in 1718 on the death of his 1705. He served as Lord Chief Justice frf om 1710 to father William. When Thomaas died in 1775, John Penn 1717 and as Lord Chancellor from 1718 until inherited three-quarters of thhe proprietorship of suspicions of financial irregularities forced him to Pennsylvania. He and his cousin, also named John resign in 1725. Later that year he was impeached and Penn (John Penn the Governnoor), later lost the tried in the House of Lords, and found guilty of prroprietorship as a result of tthe American Revolution. corruption for taking more than one hundn red thousand Penn lived in Philadelphia for five years after the pounds in bribes in exchange for offices. He was Revolution and returned to Great Britain in 1789. He was later appointed as High Sheriff of ii. Ex: Collection of the Hon.. Christopher Lennox- Buckinghamshire, governor of the Isle of Portland, and Boyd. served as a Member of Parliament (1802-1805). Stock: 34997 Stock: 35243 397. Mrs Scott Waring and Children. 393. [Hugh Percy.] Britannicus Gemma Painted by J. Russell R.A. Engraved by C. Turner. Antiqua Exscalpt. Apud Hugonem Smithson London Pub.d Jan.y 2. 1804,, by C. Turner No 50, Baronett. Gem: Mag: Warren Street, Fitzroy Sq.e. Beauvais Sculp. Ægid: Hussey delin. [n.d., c.1770.] Mezzotint. 560 x 370mm (22 x 14½"). Some spotting. Engraving, very rare. 260 x 195mm (10¼ x 7¾"). Ink stamp of the Lennox-Boyd Collection on reverse. Trimmed close to plate lower right. £260 £280 Gem portrait of Sir Hugh Percy (1714-86), 1st Duke of Mary Scott-Waring, née Hughes (d.1812), Irish actress Northumberland. Born Hugh Smithson he took the and second wifef of Major Johhn Scott-Waring (1747- name Percy when he married Lady Elizabeth Seymour, 1819, political agent of Warrren Hastings from 1781 Baroness Percy. He was a patron of Canaletto, Robert and MP for West Looe (1784-90) and Stockbridge Adam and Thomas Chippendale. His illegitimate son, from 1790), with whom she had the son and daughter James Smithson (1765–1829), made the founding shown here. According to Whitman, she gave a masked bequest and provided the name for the Smithsonian baall at Peterborough House in honour of the Prince Institution. Regent in 1812, after which sshe was found at the Stock: 35340 boottom of a staircase with her neck broken. W 516, ii of ii. Ex: Collection of the Hon.. Christopher Lennox- 394. [Elizaabeth, Duchess of Buccleugh, with Boyd. Stock: 34996 her daughter Lady Mary Scott] [James Watson after Sir Joshua Reynolds] Publish'd according to Act of Parliament, March 1st 1775 by Ja. Watson, No. 64 Little Queen Anne Street, Portland Chapel, & B. Clowes, No. 8 Gutter Lane Cheapside. Mezzotint, 6225 x 380mm (24½ x 15"). Trimmed to platemark; nicks to edges; £260 Elizabeth Scott (née Montagu), Duchess of Buccleuch (1743-1827), the only daughter and heir of George, duke of Montagu. In 1767 she married Henry Scott, third duke of Bucchleuch. She inherited the Montagu estates, largely in Northamptonshire, in 1790. Together with her husband she was involved in charitable work such as the founding of Edinburgh's Royal Blind Asylum and School. Hamilton p.86 ii/iii; Goodwin 100 ii/iii Stock: 35022

395. Jn.o Scott of Bungay [facsimile signature]. Born 2 Feb. 1756. died 5 Oct. 18366. R. Mendham Pinx. 1836. W.C. Edwards, sc. 1838. Engraving on india. 315 x 250mm (12¼ x 9¾"). £120 Stock: 34384

396. Mrs Scott Waring and Children. Painted by J. Russell R.A. Engraved by C. Turner. London Pub.d Jan.y 2. 1804, by C. Turner No 50, Warren Street, Fitzroy Sq.e. Mezzotint. 560 x 370mm (22 x 14½"). Late impression. Ink stamp of the Lennox-Boyd Collection on reverse. £160 398. Mrs Scott Waring and Children. Mary Scott-Waring, née Hughes (d.1812), Irish actress Painted by J. Russell R.A. Engraved by C. Turner. and second wife of Major John Scott-Waring (1747- London Pub.d Jan.y 2. 1804,, by C. Turner No 50, 1819, politicaal agent of Warren Hastings from 1781 Warren Street, Fitzroy Sq.e. and MP for West Looe (1784-90) and Stockbridge Mezzotint with small margins. 560 x 370mm (22 x from 1790), with whom she had the son and daughter 14½"). Ink stamp of the Lennox-Boyd Collection on shown here. According to Whitman, she gave a masked reverse. £360 ball at Peterborough House in honour of the Prince Mary Scott-Waring, née Hughes (d.1812), Irish actress Regent in 1812, after which she was found at the and second wifef of Major Johhn Scott-Waring (1747- bottom of a staircase with her neck broken. W 516, ii of 1819, political agent of Warrren Hastings from 1781 and MP for West Looe (1784-90) and Stockbridge from 1790), with whom she had the son and daughter 401. Tho. Seymour Lord Sudley, L.d Ad. of shown here. According to Whitman, she gave a masked England, brother of the Protector Somerset [...] ball at Peterborough House in honour of the Prince The Original Picture is in the Possession of the Regent in 1812, after which she was found at the Marquis of Buckinghamm. This from a fine bottom of a staircase with her neck broken. W 516, i of Miniature after it by Lady Lucan which is at ii. Ex: Collection of the Hon. Christopher Lennox- Strawberry Hill. Boyd. Stock: 34995 H. Holbein Pinx. / J. Ogborne Sculp. Pub. Feb. 15 1786 byy J. Thane Ruppert Street Haymarket Stipple with very large marggiins, rare; platemark 155 x 399. George Selwyn, _ The Hon: Richard 115mm (6 x 4½"). £90 Edgecumbe _ & Gilly Williams. From the Thomas Seymour, Baron Seymour of Sudeley (c.1509- Strawberry Hill Picture now (1857) in the 49), nobleman. At the start of Edward VI's reign, Possession of the Hon.ble Henry Labouchere. Seymour was appointed lordd high admiral but was Sir Joshua Reynolds. W. Greatbach, sculp. London: incensed that his brother Edward, duke of Somerset, Published by Richard Bentley, 1857. was both lord protector and governor, believing that he Engraving. Sheet 140 x 220mm (5½ x 8¾"). Cut to should have one of these positions. Seymour's ambition platemark. £45 led him to begin a series of intrigues which cost him George Augustus Selwyn (1719-91, M.P. for 44 years his position and eventually his life. He defied Somerset without being recorded as making a speech; Richard byy marrying Henry VIII's wiidow Katherine Parr in Edgcumbe (1716-61), 2nd Baron Edgcumbe, politician secret and tried to recruit several noblemen to his and a heavy gambler, losing a "daily twenty guineas"" at cause. He was believed to be plotting to kidnap Edward White's; and George James Williams (1719–1805), and Elizabeth, to marry the princess, and have himself receiver-general of excise. The three were friends of made lord protector in place of his brother, but was Horace Walpole, meeting at stated periods in the year arrested in 1549 and beheaded on Tower Hill soon at Strawberry Hill, where this portrait seems to have after. It is believed that he triied to achieve too much been paintedd. too quickly, and might have hhad more success had he Stock: 35319 delayed his plots until the auutumn of 1549. Stock: 35315

402. Robert Sparrow ESQ.R. (of Worlingham Hall, Suffollk). Painted by T. Phillips R.A. 1821. Drawn on Stone by R. J. Lane A.R.A. 1828. Printed by C. Hullmendel. Stipple with very large marggiins. India paper, laid on Album sheet. Sheet size: 550 x 380mm (21¾ x 15"). £160 The manor of Worlingham was purchased by Robert Sparrow, the elder, on June 23rd, 1755. He arrived as a wealthy property owner from Kettleburgh where the fama ily had resided as landowners since the 17th century. Sparrow the elder became connected with the area of Lowestoft through a commercial interest in 'fish houses' and owned a 'summer property', called Cliff Cottage, sited at the northern edge of the town. Cliff Cottage was probably an artiisan's house, which was 400. Her Grace The Dutchess of Somerset gentrified by Robert Sparrow II at the turn of the 18th P Lely Eques pinxit Sold by Alex Browne at ye bleww century. By the end of the 19th century the building, ballcony in little Queen Street. considerably modified and enlarged, became known Mezzotint, sheet 340 x 255mm (13¼ x 10"). Trimmed locally as 'Sparrows Nest'. NPNPG: D22419. to plate; lower right corner missing and repaired, losing Stock: 35066 some text; other repairs to edges. £240 Elizabeth Seymour, duchess of Somerset (1667-1722), 403. Lady Charles Spencer. courtier and politician, as a child. Lely's painting is at Painted by Sir Joshua Reynoolds. Engraved by W. Boughton House, Northamptonshire, with other Dickinson. London. Publish'd Jan.y 15.th 1776, by versions at Castle Howard and Syon House. Elizabeth W.m Dickinson, at M.rs Sledges, Henrietta Street, became duchess when she married for the second time, Covent Garden. to Charles Seymour, after her first husband Thomas Mezzotint. 510 x 360mm (20 x 14¼"). Thread margins. Thynne was murdered at the behest of Charles, Count £320 Königsmark (she denied any knowledge of the plot buut Portrait of Lady Mary Spenccer (1743-1812), in riding the scandal remained associated with her). She became habit, beside a horse. From Reynolds' painting a close associate of Queen Anne. Ex: collection of the (Mannings 1665) in a private collection. late Hon. C. Lennox-Boyd. CS: 37. Born Mary Beauclerk, she married Lord Charles Stock: 34126 Spencer (1740-1820), son off Charles Spencer, 3rd Duke of Marlborough. Ex: collection of the Late Hon. standing by a curtain with landscape in the C. Lennox-Booyd; CS 77 iii/iii; Hamilton p.132 ii/ii. baackground. Elizabeth, Countess of Lindsay, and Stock: 34998 Philadelphia Wharton (c.16336-1707). Engraved from the portrait by van Dyck, which at this 404. [Clarissa Strozzi] Filia Roberti Strozzi time was part of the collection formed at Houghton by nobilis Florentini. Vid. Epist. P. Aretini. 21. Robert Walpole, before the collection was purchased Titianus pinxit. Dom. Cunego Sculp. Romae 1770. E byy Catherine the Great and installed at the Hermitage Tabula in Aedibus Ducis Strozzi Romae asservata. in St Petersberg. For an earllier impression see ref. Engraving with small margins, platemark 312 x 21542 254mm (12¼ x 10"). Glued to backing sheet. £140 Stock: 34228 Portrait of Clarice Strozzi (1540-1581), part of the great Florentine Strozzi family, standing next to a table 407. Mrs. Whitmore. upon which sits a Cavalier King Charles Spaniel, to T. Phillips Esq.r R.A. pinx.t. C. Turner sculp.t. whom she is giving a biscuit. London, Published Jan.y 1810, by Ant.y Molteno. After the painting by Titian (Berlin, Gemäldegalerie)) Printseller to her Royal Highness the Dutchess of York which is acknowledged as a landmark in the portrayal No. 29 Pall Mall. of children in art. During the Renaissance, child Mezzotint with large marginnss, laid on Album sheet. portraiture was uncommon, although it was later Platemark: 505 x 350mm (19¾ x 13¾"). £280 popularised by Rubens and van Dyck. A portrait of Catherine Whitmore seated slightly to left From "Scholla Italica Picturae sive Selectae Quaedam in front of a curtain, facing annd looking slightly Summorum e Schola Italica Pictorum Tabulae Aere towards right; wearing a cap decorated with pearls, a Incisae Cura et Impensis Gavini Hamilton Pictoris", a dark low-cut dress with shortt sleeves, edged with lace, series of forty plates. see Von Luba Freedman, 'Titian's a transparent shawl over her arms, and a pearl brooch Portrait of Clarissa Strozzi: the State Portrait of a at high waist. Child', Jahrbuch der Berliner Museen, 1989, pp.165- Catherine Whitmore was maarrried to Thomas Whitmore 80. (1782 - 1846), an English Whhig politician who sat in Stock: 35212 the House of Commons from 1806 to 1831. Ex Collection: The Honourable Christopher Lennox-Boyd. 405. Fr. Walsingham, Secretaire d'Elisabeth W: 606 Tel que fut Mecenas, appliqué pour Auguste Stock: 35120 Adr. vander Werff pinx. / P. a Gunst Sculps. [Rotterdam, cc.1710] Engraving with very large margins, platemark approx 305 x 190mm (12 x 7½"). £75 Francis Walsingham (1530-1590), principal secretary to Elizabeth II, who established and ran the great Elizabethan secret service, providing information particularly for William Cecil, Lord Burghley. Its spiies operated mainly against Roman Catholic conspirators and the agents of Philip II of Spain. As Secretary of State (1573-90), Walsingham continually advised Elizabeth to wage war on Spain and foresaw the threat of the Armada. He secured the conviction and execution of Mary, Queen of Scots. Plate from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713) from a design with allegorical elements by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, although his reputation declined from the late 18th century onwards. Stock: 34249

406. Philadelphia and Elizabeth Wharton. The only Daughters of Philip Lord Wharton, 408. The Earl of Egremont. by Elizabeth his First Lady. In the Drawing Painted by T. Phillips Esq. R. A. Engraved by S. W. Room at Houghton. Reynolds. London Published Jan.y. 1. 1826 by W. A. v. Dyck pinx. 1640. P. v. Gunst sculps. et exc. Sams Book and Printseller to the Royal Family N.o. 1 Amstelod. Ex Museo Sereniss. Domini de Wharton. S.t. James's Street opposite the Palace. [n.d. c.1770.] Mezzotint with very large maargins. Proof, very fine. Line engravinng with small margins, plate 520 x 330mm Plate: 270 x 380mm, (10¾ x 15"). Foxing in margins. (20½ x 13"). £260 £320 Portrait of Philadelphia and Elizabeth Wharton, Half-length portrait of George Wyndham, 3rd Earl of daughters of Philip, Lord Wharton, as children, Egremont (1751-1837) a Brittish peer and landowner. Wyndham was a prolific patron of the arts and commissioned works by artists such as Constable and Romney, J. M. W. Turner even had a studio in Wyndham's property Petworth House in Sussex. Ex: Collection the Hon. C. Lennox-Boyd. W: 84 I of II. Stock: 35137

409. [Italy] Decius Brutus. Julius Caesar. From a Coin in Dr. Hunter's Museum. S. Harding Del. E. Harding Sculp. Pub. March. 26, 1793, by E & S Harding Pall Mall. Stipple. Sheet size: 185 x 130mm (7¼ x 5¼"). Trimmed inside platemark. Laid on scrap sheet. £45 A portrait, in profile facing the right, of Decius Brutus [a character in Shakespeare's] Julius Caesar, from a coin in Scottiish anatomist and physician Dr. Williamm Hunter's (1718 -1783) museum. Hunter was an avid antique coin collector and the 'Hunter Coin' cabinet in the Hunterian Museum remains one of the world's great collections. Decimus Brutus was a Roman politician and general of the 1st century BC and one of the leading instigators of Julius Caesar's assassination. Decimus Brutus is not to be confused with the more famous Brutus among the 412. Mrs. Wilson. in the Character of conspirators, Marcus Brutus. In Shakespeare's Julius Harriet, in the Comedy of Seduction. Caesar, Decimus Brutus is mistakenly called 'Decius'', S. Harding delin. W.N. Gardiner sculp. Publish'd as the as inscribed in the title. Act directsJuly 1st, 1787, byy E. Harding, 132 Fleet Stock: 34471 Street. Stipple. Platemark: 205 x 1500mm (8 x 6"). Trimmed to 410. Mrs. Scott Waring and Children. pllatemark. £140 Painted by J. Russell R.A. / Engraved by C. Turner. A portrait of British actress Sarah Harlowe, also known London Pub.d Jan.y 2 1804 by C. Turner No.50 as Sarah Wilson (1765 - 18522), in character as Harriet Warren Street, Fitzroy Sq.e in Holcroft's 'Seduction'. A quotation from the play is Mezzotint with small margins, Collector's stamp of incribed below the title. Chritstopher-Lennox Boyd verso; platemark 560 x Harlowe was a popular actreess of the London stage 365mm (22 x 14¼"). Creasing. £450 around the turn of the 19th ceentury. She was married to Mary Scott-Waring, née Hughes (d.1812), Irish actress actor, playwright and theatree manager Francis and second wife of Major John Scott-Waring (1747- Godolphin Waldron. It was at Sadler's Wells theatre, 1819, politicaal agent of Warren Hastings from 1781 where, as a singer, actor, and performer in pantomimes, and MP for West Looe (1784-90) and Stockbridge Harlowe gained some celebrriity, notably for her from 1790), with whom she had the son and daughter comedic roles. shown here. According to Whitman, she gave a masked Stock: 35083 ball at Peterborough House in honour of the Prince Regent in 1812, after which she was found at the 413. College John of St.. Peter's Westminster. bottom of a staircase with her neck broken. Ex: From a painting by J. Hayes in the possesion of A.R. Collection of the Late Hon. C. Lennox-Boyd; W 516 Sutherland M.D. [n.d., c.1830.] ii/ii Stipple and etching with very large margins. Stock: 35015 Platemark: 305 x 250mm (12 x 9¾"). £130 A half length portrait of John Bavin, more commonly 411. M.elle Sontag. known as 'College John', standing directed slightly to Dessin, d'apres nature par Gosse. Reynolds graveur du the left, facing the viewer. A figure in academic dress Roi f'Angleterre sc. [n.d., c.1840.] can be seen on the steps of the collge entrance in the Mezzotint, rare. Sheet 380 x 265mm (15 x 10½"). baackground to the left. Bavin was a porter at St Peter's, Trimmed within plate, two holes in image, laid on caarrd, Westminster whose responsiibbilities would have varied some surface wear. £220 from controlling entrance to the college, to Henrietta Sontag (1806-1854), German operatic maintenance and repairs. soprano of great international renown, here in 'Die The Royal College of St. Petter in Westminster, better Freischutz' by Carl Maria von Weber. Sontag sang with known as Westminster School, is one of the original various companies including the Paris Italian Opera nine British public schools (tthe so-called 'Clarendon and was often referred to as 'the Nightingale of the Schools') as defined by the Public Schools Act of 1868. North'. Whitman 269. Ex: Collection of the Hon. After British portrait-painter John Hayes (1786 - 1866) Christopher Lennox-Boyd. Harvard IV p.89; 48. Stock: 34501 Stock: 34377 414. [Portrait of Bartolomeo Giavarina.] Bartolomaeus Giavarina in Aula Caesarea apud Leopooldum Imperatorem Venetae [...] J. Van Schuppen Pinxit Parisys 1700 / P. Giffart filius sculpsit Parisys 1700 Engraving with very large margins, platemark 295 x 230mm (11½ x 9"). Fine. Crease through centre; £130 Bartolomeo Giavarina, publisher based in Venice, holding a letter, in trompe l'oeil niche. Stock: 34869

415. [Sir Arthur Guinness] A XX M.P. 'There comes a bark that, blowing forward, bore / Sir Authur, like a modern gentleman / Of stateliest port; and all the people cried, / Arthur is come again!' Spex. Pub. by C. Smyth 57 Dame Street. [n.d., c.1874.] Tinted lithograph, rare. Sheet 380 x 230mm (15 x 9"). Some spotting. £120 Arthur Edward Guinness (1840-1915), 1st Baron Ardilaun, 2nd Baronet, great-grandson of the Arthur Guinness that founded the brewing firm. He was elected to the Irish Parliament in 1868, but this was voided because of his election agent's behaviour (unknown to Guinness). This satire appears to date 417. Sir Will.m Musgrave Baronet, F.R.S. one from his re-election in 1874, depicting him as King of the Commissioners off his Majesty's Arthur in armour, with a cork-screw lance and a shield Customs. with 'Beer and For-Beer' as a motto. A large building, J.R. Smith del.t & fec.t. [n.d.., c.1785.] probably a brewery, is marked 'will shortly be Mezzotint with very large maargins. 380 x 280mm (15 x reopened'. In 1876 He sold his half-share in the 11"). £280 Guinness company to his brother Edward for £600,000, Sir William Musgrave (17355-1800), customs official, A philanthroppist, Guinness gave St Stephen's Green to collector of portrait prints, amateur etcher, and Trustee the people of Dublin. of the British Museum, to which he bequeathed a large 'Ireland's Eye', an Irish version of Vanity Fair, lasted paart of his library. He holds a mezzotint portrait of only 18 months. James Grainger and his rightt arm rests in a portfolio of Stock: 34601 prrints. The original oil attributed to L. F. Abbott is in the British Library. A later sttate of the print ages him 416. M. Levett Negociant Anglais. twenty years. CS: 119, state i of iii; D'Oench 231, Dessiné à Constantinople d'après nature par J. Etiennne "probably a private plate". Ex: Collection of The Hon. Liotard grav J.C. Reinsperger. A Paris chez l'auteur ruue C. Lennox-Boyd. de la Corderie. Rue St Jacques ches la Vve Chereau au Stock: 34146 2 pillier d'Or. Et ches Audran a la Ville de Paris. [n.dd., c. 1750.] 418. Sir Hugh Myddeltoon. This public- Framed. Etching, rare. Sheet size: 195 x 255mm (7¾ x spirited character was a native of Denbigh, in 10"). Unexamined out of frame. Trimmed inside North Wales, and afterwards became a platemark. £320 goldsmith of London [...] A portrait of Francis Levett, in Turkish costume, Holl sculp.t including a fur hat, leaning on his elbow. After the Stipple engraving and letterpress, sheet 235 x 145mm painting by Jean Etienne Liotard in the Louvre (9¼ x 5¾"). £60 Museum in Paris. Sir Hugh Myddelton (1556-1631), goldsmith and Francis Levett of Nethersole, Kent, England, was chiief entrepreneur. Early in the seventeenth century representative of the Levant Company in Myddelton became involvedd in the successful project Constantinople (Istanbul) from 1737 - 1750. The to bring a supply of water to London, which was still company waas an English chartered company formed in the most important source off piped water into the 1581 to regullate English trade with Turkey and the metropolis in the early nineteenth century, when this Levant until 1825. Levett was also a benefactor of prrint was made. Morden College, London. In 1605 an act of parliament was obtained to bring Stock: 35198 water from springs near Herttford to north London (a distance of nearly forty miles). Myddelton's involvement is not recorded uuntil 1609, when he took the lead in the project which was completed in 1613. The establishment of the New River was Myddelton's main claim to fame, and he was involved with the Wedgwood was a highly succcessful potter who is often running of the company for the rest of his life, although credited with the industrialisaation of the manufacture he was also involved in mining and land draining of ceramics. Possibly from tthe enamel in the projects. Wedgwood Museum. CLB: 97 I of II. With letterpress describing Myddelton's involvement Stock: 35353 with the New River project. For an earlier scene of Myddelton observing the first issue of the New River, see ref. 28983. Stock: 35270

419. Sir Hugh Myddelton, Bar.t. The Projector of the New River Aqueduct. On Stone by _ Fussell / Printed by G.E. Madeley London. Pub.d by Simpkin, Marshall & Co. March 25 1835 Lithograph on india, sheet 190 x 130mm (7½ x 5"). £85 Sir Hugh Myddelton (1560-1631), goldsmith and entrepreneur. Early in the seventeenth century Myddelton became involved in the successful project to bring a supply of water to London, which was still the most important source of piped water into the metropolis in the early nineteenth century, when this print was made. In 1605 an act of parliament was obtained to bring water from springs near Hertford to north London (a distance of nearly forty miles). Myddelton's involvement is not recorded until 1609, when he took the lead in the project which was completed in 1613. The establishment of the New River was Myddelton's main claim to fame, and he was involved with the running of the company for the rest of his life, although he was also involved in mining and land draining projects. 421. George Hyde Wolllaston Lithograph after one of several paintings of Myddelton Painted by T. Phillips, Esq.r R.A. / Engraved by W.m by Cornelius Johnson, used as frontispiece to William Ward, Engraver to His Majessty 1831 [pencil Matthews' 'Hydraulia; an Historical and Descriptive inscription in title area] Account of the Water Works of London, and the Mezzotint with very large maargins, platemark 455 x Contrivances for Supplying other Great Cities, in 300mm (18 x 11¾"). Foxingg to margins and title area. Different Ages and Countries' (1835). For an earlier Private plate. £260 scene of Myddelton observing the first isssue of the New George Hyde Wollaston (1765-1841), merchant and River, see ref. 28983. Stock: 35269 baanker, son of the natural phhiilosopher Francis John Hyde Wollaston. Wollaston llived on Clapham Common, where his neighbours included another 420. Josiah Wedgwood Esq.r. Done from an natural philosopher, Henry Cavendish (1731-1810). original Picture Painted in Enamel as large as His daughter Henrietta marriied the army officer Sir Life. George Pollock, well-known for his part in the Afghan George stubbs pinx.t. Geo: Townly Stubbs sculp.t. campaign of 1842. Engraver to His R.H. the Prince of Wales. [n.d., Engraved by William Ward, one of the most prominent c.1795]. mezzotint engravers of his generation, after the portrait Stipple. Sheet: 165 x 210mm, (6½ x 8¼"). Trimmed byy Thomas Phillips (1770-1845), whose over 700 within plate. Repaired vertical crease through print on poortraits record the leading personalities of his time. right side. £140 Ex: Collection of the Late Hon. C. Lennox-Boyd; Not A half portrait in roundel of Josiah Wedgwood (1730- in CS or Frankaau; O'D 1 (only likeness of sitter). 1795) after George Stubbs' miniature portrait. Stock: 34926