Enlightenment Biographies
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Stephen Poyntz Denning and the Herne Hill Art Set
The Dulwich Society from http://www.dulwichsociety.com/ Winter 2014 Artist in Residence – Stephen Poyntz Denning and the Herne Hill Art Set by Brian Green Published on Wednesday, 17 December 2014 16:20 It is quite a coincidence that two major movies are being released at the moment, the principle characters of which were members of the Herne Hill art set. However, like the elephant in the room, a central figure - Elhanan Bicknell, has been excised in Mike Leigh’s award winning film Mr Turner. As indeed has the subject of this article, the artist Stephen Poynzt Denning, a prominent member of the Herne Hill art set and friend of the Bicknell family. The early life of Stephen Poyntz Denning is something of a mystery. His father, Thomas Denning was born in Gloucestershire in 1767 and moved to Newington, Southwark where Stephen was born in 1795. There is no information regarding his mother. His middle name, Poyntz had customarily been used by the Denning family. There must have been some tragedy or misfortune early in Denning’s life. It was partially revealed, when, soon after he was elected curator or custodian of the newly opened Dulwich College Picture Gallery he received a group of Royal Academician visitors, led by Joseph Farington and including Sir Thomas Lawrence. The reason for the visit was to inspect the pictures and select some to be copied by students at the Academy. Denning, who may already have been acquainted with Lawrence, got into conversation with them and clearly impressed Farington who wrote in his diary, “Mr Denning is an artist and excels in miniature painting. -
French Historians in the Nineteenth Century
French Historians in the Nineteenth Century French Historians in the Nineteenth Century: Providence and History By F.L. van Holthoon French Historians in the Nineteenth Century: Providence and History By F.L. van Holthoon This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by F.L. van Holthoon All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-3409-X ISBN (13): 978-1-5275-3409-4 To: Francisca van Holthoon-Richards TABLE OF CONTENTS Acknowledgments ...................................................................................... ix Chapter One ................................................................................................. 1 Introduction Part 1 Chapter Two .............................................................................................. 10 Under the Wings of Doctrinaire Liberalism Chapter Three ............................................................................................ 12 Germaine de Staël on Napoleon Chapter Four .............................................................................................. 23 Le Moment Guizot, François Guizot Chapter Five ............................................................................................. -
Ca Atalogu Ue 48: P Portra Aits
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books Catalogue 48: Portraits October 2014 Item 11. Rubens with his Wife and Child. This catalogue is illustrated in full at www.groosvenorprints.com Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 1. [Portrait of Joshua Barnes] Vera Collection. Lot 2369 & Ex: Collection of the Hon. Effigies Joshuae Barnes S.T.B. [...] Christopher Lennox-Boyd. R. White ad vivum fecit [1694] Stock: 34967 Line engravinng, small margins on 3 sides; platemark 295 x 190mm (11½ x 7½"). Glued at corners to 5. Andrea Vannucchii, d.o And.a del Sarto. backing sheet. £95 Pittore nato in Firenze nel 1488. n. del 1530. Joshua Barnes (1654-1712), Greek scholar and [n.d., c.1795.] antiquary. In 1679 his 'History of Esther' rendered the Coloured engraving. Sheet 285 x 185mm (11¼ x 7¼"). Book of Esther in Homeric hexameters, complete with Trimmed in two sections and laid on card, some commentary in Greek. He later turned to English rubbing. £70 history with a book on Edward III A self-portrait of Andrea d'Agnolo di Francesco di Stock: 34871 Luca di Paolo del Migliore (11486-1530), Florentine paainter better known as 'del Sarto' ('tailor's son'). High- 2. Gulielmus King LLD LLD. Aulæ Beatæ regarded during his lifetime, he was eclipsed after his Mariæ Virginis P Ætatis Anno LXV. -
The Adventurous History of Sabrina Sidney
CONSTRUCTING THE EIGHTEENTH-CENTURY WOMAN: THE ADVENTUROUS HISTORY OF SABRINA SIDNEY By KATHARINE ILES A thesis submitted to the University of Birmingham For the degree of DOCTOR OF PHILOSOPHY School of History and Cultures College of Arts and Law University of Birmingham April 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The story of Thomas Day’s attempt to educate a young girl according to the theories of Jean-Jacques Rousseau, with the aim of marrying her, has often been referred to as a footnote in Enlightenment history. However, the girl chosen by Day, Sabrina Sidney, has never been placed at the centre of any historical enquiry, nor has the experiment been explored in any depth. This study places Sabrina at its centre to investigate its impact on her and to examine the intellectual and societal debates that informed Thomas Day’s decision to educate a wife. This thesis argues that Sabrina Sidney was in a constant state of construction, which changed depending on a myriad of factors and that constructions of her were fluid and flexible. -
Bending the Bars the Opportunities of the Eighteenth Century Salonnière
Bending the bars The opportunities of the eighteenth century salonnière Stella van Ginkel - MA Europe 1000-1800 - Supervisor: dr. Lionel Laborie s1389416 Contents Introduction 2 Chapter one: introduction to salons, salonnières and the situation for women 7 Chapter two: power and career 14 Chapter three: Intellectual opportunities 29 Conclusion 50 Bibliography 52 1 Introduction The French eighteenth century has always managed to capture the imagination, from its extravagant courtly personalities to its exuberant style and from its enormous political upheavals to its artists and thinkers. Continuing on that last part, one of the most well-known parts of the period is the intellectual movement or era known as the Enlightenment. Equally well-known are some of its key players, like Voltaire and Denis Diderot. Perhaps less universally known but never forgotten are the subjects of this thesis: the salonnières. These women hosted the so-called salons1 that were for two centuries important centres of conversation and intellectual exchange and have always been acknowledged as parts of Enlightenment culture. In their own time, their role was sometimes seen as a positive, and sometimes as something to be criticized; some of their contemporaries, like the abbé Morellet and Jean le Rond d’Alembert, praised the way they organized their salons, while others, like Jean-Jacques Rousseau, felt that salonnières had too tight a grip on philosophical culture.2 Later on, salonnières have been portrayed as romantic figures, exemplary of the dignified eighteenth century when women wielded considerable power; one of the best known works that takes this approach is La femme au XVIII siècle, the 1882 book by Edmund and Jules de Goncourt. -
The University of Chicago Sincerity and Social
THE UNIVERSITY OF CHICAGO SINCERITY AND SOCIAL TRANSFORMATION IN THE WORK OF LOUISE D’ÉPINAY A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ROMANCE LANGUAGES AND LITERATURES BY REBECCA ANN CRISAFULLI CHICAGO, ILLINOIS MARCH 2018 © 2018 Rebecca Ann Crisafulli All rights reserved For my wonderful parents Peter and Linda Crisafulli In loving remembrance Virginia L. Tatman and Dorothy J. Crisafulli For my mentors, especially Joan Grimbert For Katie and Kara With thanks to The Two Martins TABLE OF CONTENTS Abstract…………………………………………………………………………………………...vi Acknowledgements……………………………………………………………..............................x Introduction: Rebalancing Women Authors’ Lives and Works…………………………………..1 Part One: Questioning the Traditional Narrative about Louise d’Épinay and L’Histoire de Madame de Montbrillant Chapter One: Re-thinking Louise d’Épinay and L’Histoire de Madame de Montbrillant’s Place in Enlightenment Culture…………………………………………………………………23 Chapter Two: The Many Genres of Montbrillant………………………………………………..58 Chapter Three: Montbrillant’s Manuscript, Publication, and Reception History..………………80 Part Two: Reading Montbrillant as Roman pédagogique Chapter Four: Teaching and Learning by Example…………………………………….............114 Chapter Five: Mothers as Educators: The Example of Sévigné………………………………..133 Chapter Six: Reading Montbrillant as an Education in Sincerity………………………………156 Chapter Seven: How Montbrillant Co-opts Forms of Catholic Spirituality to Teach -
Duke University Dissertation Template
Subaltern Readers in Nineteenth-Century French and Italian Novels by Fiammetta Di Lorenzo Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Roberto Dainotto, Advisor ___________________________ Anne F. Garréta ___________________________ David F. Bell ___________________________ Paola Gambarota ___________________________ Anne-Gaëlle Saliot Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2019 i v ABSTRACT Subaltern Readers in Nineteenth-Century French and Italian Novels by Fiammetta Di Lorenzo Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Roberto Dainotto, Advisor ___________________________ Anne F. Garréta ___________________________ David F. Bell ___________________________ Paola Gambarota ___________________________ Anne-Gaëlle Saliot An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2019 i v Copyright by Fiammetta Di Lorenzo 2019 Abstract In this work I analyze the ways the figure of the fictional subaltern reader in Italian and French novels of the 19th century tends to dramatize her or his exclusion from the public sphere, while attempting, at the same time, to institute new forms of commonality with his or her reader. -
Outlines of the French Revolution Told in Autographs
mmm> j^H^^a J wMm?imm President White Library Cornell University Cornell University Library , l l rench Revolution told i iii iii ili??iii?iMn!i l!S.„f 3 1924 032 226 olm.anx 684 &«J Cornell University Library 'Be h The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924032226684 OUTLINES OF THE FRENCH REVOLUTION TOLDr IN AUTOGRAPHS [SELECTED FROM A PRIVATE COLLECTION] EXHIBITED AT THE LENOX BRANCH OF THE NEW YORK PUBLIC LIBRARY MARCH 20, 1905 I/. ABBREVIATIONS. signed. A. L. S. Autograph letter signed. A. D. S. Autograph document L. S. Letter Signed. D. S. Document Signed. A. L. Autograph Letter. A. D. Autograph document. P. Portrait. I. Illustration. ^5f*0RD BEACONSFIELD — groping for comparisons — declared that 111 there were only two events in history: The Siege of Troy and ^^ the French Revolution. The present exhibition of autographs is an attempt to teach the outlines of history, and particularly of the French Revolution, by means of holographic illustration. The writing of a man, it is held, is the most perfect relic he leaves behind him. Something physical, as well as intellectual and moral, belonging to his personality, has gone into the material substance carrying his writing. A limited space makes the selection of characters a. difficult matter. All students are not likely to agree in regard to the eminence and importance of some individuals who had part in the great event here illustrated. -
The Likeness of Lucinda Sarah Bicknell (Née Browne)
The likeness of Lucinda Sarah Bicknell (née Browne) by Marcus Bicknell, great great grandson of Lucinda Bicknell née Browne I do not believe the portrait by Denning in the National Portrait Gallery (NPG) (Annex 1) called “ probably Lucinda Sarah Bicknell (née Browne) ” (image, right) is Lucinda. It looks neither like the other image we have of her nor does it match the descriptions given of her. The sitter does, however, look like two of Sabrina Bicknell (no relation) by Denning also in the NPG (see page 4). The bust by Baily There are several reasons why the likeness taken from the death mask of Lucinda (1850) attributed to E.H.Baily 1 (image below) is considered a correct likeness of Lucinda Bicknell; the bust has been passed down the family line and is owned by Mark Bicknell, another of her great great grandsons; and it conforms to the written descriptions (see below) and the body language expected. Written descriptions “Lucinda was tiny and beautiful, with lovely hands and an elegant neck and shoulders. Talented and absolutely charming, she spoke fluent French, played the piano and the harp” 2. The lady in the Denning portrait (the NPG engraving) is hardly beautiful, she does not have lovely hands and she does not have an elegant neck. Body language According to Edgar Browne, Lucinda’s nephew and a close friend of Lucinda’s son Clarence, was “a notable woman, and managed her household affairs with a skill truly early Victorian. She had that art of organizing which comes from natural capability, and which made 1 Valerie Lester, Phiz – The Man who Drew Dickens Chatto & Windus 2004 pp. -
Breaking Habits: Identity and the Dissolution of Convents in France, 1789-1808
University of Kentucky UKnowledge Theses and Dissertations--History History 2020 Breaking Habits: Identity and the Dissolution of Convents in France, 1789-1808 Corinne Gressang Right click to open a feedback form in a new tab to let us know how this document benefits ou.y STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. I retain all other ownership rights to the copyright of my work. I also retain the right to use in future works (such as articles or books) all or part of my work. I understand that I am free to register the copyright to my work. REVIEW, APPROVAL AND ACCEPTANCE The document mentioned above has been reviewed and accepted by the student’s advisor, on behalf of the advisory committee, and by the Director of Graduate Studies (DGS), on behalf of the program; we verify that this is the final, approved version of the student’s thesis including all changes required by the advisory committee. -
“Tatiana's Missing Library
Sentimental Novels and Pushkin: European Literary Markets and Russian Readers Hilde Hoogenboom Arizona State University Forthcoming, Slavic Review (Spring 2015) In 1825, Alexander Pushkin groused to another writer about the on-going proliferation of “Kotsebiatina”—a pun on “otsebiatina,” the spouting of nonsense.1 Little had changed from 1802, when Russia’s first professional writer, Nikolai Karamzin, exclaimed about the literary market: “A novel, a tale, good or bad—it is all the same, if on the title page there is the name of the famous Kotzebue.”2 Quantitative analysis of Russian book history reveals that until the 1860s, over 90% of the market for novels in Russia consisted of foreign literature in translation (the percentage would be higher could we account for foreign literature in the original). In 1802, of approximately 350 total publications in Russia, August Kotzebue (1761-1819) published fifty novels and plays in Russian; in 1825, he published 32.3 Success in the nineteenth-century literary market demanded continuous quantities of novels. In both Germany and Russia, the German sentimental novelists August Lafontaine (1758-1831) and Kotzebue, mainly a prolific playwright, reigned through the 1840s in a triumvirate with Walter Scott (1771-1832). In England, Germany, and Russia, the leading French writer was Stéphanie-Félicité, Comtesse de 1 Alexander Pushkin, Polnoe sobranie sochinenii, ed. V. D. Bonch-Bruevich and B. Tomashevskii et al. (Leningrad, 1937), 13:245. My translations appear with volume and page number in text. 2 Nikolai Karamzin, “On the Book Trade and Love of Reading in Russia,” in Selected Prose of N. M. -
THE FRENCH REVOLUTION Recent Titles in the Greenwood Press “Daily Life Through History” Series
DAILY LIFE DURING THE FRENCH REVOLUTION Recent titles in The Greenwood Press “Daily Life Through History” Series Cooking in America, 1840–1945 Alice L. McLean Cooking in Ancient Civilizations Cathy K. Kaufman Nature and the Environment in Pre-Columbian American Life Stacy Kowtko Science and Technology in Medieval European Life Jeffrey R. Wigelsworth Civilians in Wartime Africa: From Slavery Days to the Rwandan Genocide John Laband, editor Christians in Ancient Rome James W. Ermatinger The Army in Transformation, 1790–1860 James M. McCaffrey The Korean War Paul M. Edwards World War I Jennifer D. Keene Civilians in Wartime Early America: From the Colonial Era to the Civil War David S. Heidler and Jeanne T. Heidler, editors Civilians in Wartime Modern America: From the Indian Wars to the Vietnam War David S. Heidler and Jeanne T. Heidler, editors Civilians in Wartime Asia: From the Taiping Rebellion to the Vietnam War Stewart Lone, editor DAILY LIFE DURING THE FRENCH REVOLUTION JAMES M. ANDERSON The Greenwood Press “Daily Life Through History” Series GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Anderson, James Maxwell, 1933– Daily life during the French Revolution / James M. Anderson. p. cm. — (The Greenwood Press daily life through history series, ISSN: 1080–4749) Includes bibliographical references and index. ISBN 0–313–33683–0 (alk. paper) 1. France—History—Revolution, 1789–1799. 2. France—Social conditions— 18th century. I. Title. DC148.A656 2007 944.04—dc22 2006034084 British Library Cataloguing in Publication Data is available. Copyright © 2007 by James M. Anderson All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher.