John Ash and the Rise of the Children's Grammar

Total Page:16

File Type:pdf, Size:1020Kb

John Ash and the Rise of the Children's Grammar John Ash and the Rise of the Children’s Grammar Published by LOT phone: +31 30 253 6006 Trans 10 3512 JK Utrecht e-mail: [email protected] The Netherlands http://www.lotschool.nl Cover illustration: “The Articles”. University of Washington Libraries, Special Collections, The Infant’s Grammar Page 3. ISBN: 978-94-6093-061-4 NUR 616 Copyright © 2011: Karlijn Navest. All rights reserved. John Ash and the Rise of the Children’s Grammar Proefschrift ter verkrijging van de graad van Doctor aan de Universiteit Leiden, op gezag van Rector Magnificus prof. mr. P.F. van der Heijden, volgens besluit van het College voor Promoties te verdedigen op dinsdag 20 september 2011 klokke 16.15 uur door Karlijn Marianne Navest geboren te Bergen op Zoom in 1980 Promotiecommissie promotor Prof. dr. I.M. Tieken-Boon van Ostade overige leden Prof. dr. P.G. Hoftijzer Prof. dr. I. Sluiter Dr. D. Stoker (University of Wales, Aberystwyth, UK) The research for this book was carried out as part of the project “The Codifiers and the English Language: Tracing the Norms of Standard English”, funded by the Netherlands Organisation for Scientific Research (NWO). For my parents Table of Contents Acknowledgements .......................................................................................................... v Chapter 1. Introduction .................................................................................................. 1 1.1. The teaching of English grammar ................................................................................ 1 1.2. The concept of unacknowledged copying ................................................................ 8 1.3. John Ash and his grammar ........................................................................................... 10 1.4. Aims........................................................................................................................................ 12 1.5. Outline of the thesis ......................................................................................................... 14 Chapter 2. John Ash, his life and his grammar .................................................... 19 2.1. Introduction ........................................................................................................................ 19 2.2. John Ash’s life ..................................................................................................................... 20 2.3. Publication history of the grammar ......................................................................... 24 2.3.1. The first five editions of Ash’s grammar ............................................... 24 2.3.2. Ryland’s editions of Ash’s grammar ........................................................ 26 2.3.3. British editions and reprints of Ash’s grammar ................................. 36 2.4. The reception of Ash’s grammar ................................................................................ 45 2.5. Conclusion............................................................................................................................ 60 Chapter 3. Ash’s grammar: its sources, structure and approach ................. 63 3.1. Introduction ........................................................................................................................ 63 3.2. Ash’s use of sources ......................................................................................................... 66 3.3. The structure of Ash’s grammar ................................................................................ 80 3.4. John Ash: prescriptive or descriptive grammarian? ......................................... 86 3.5. The fourth edition of Ash’s grammar ....................................................................... 93 3.6. Conclusion............................................................................................................................ 98 Chapter 4. Ash’s influence across the Atlantic .................................................. 101 4.1. Introduction ...................................................................................................................... 101 4.2. The publication of Ash’s grammar in North America ..................................... 103 ii 4.3. A tale of two grammars: Ash’s Grammatical Institutes and Webster’s Grammatical Institute of the English Language ........................... 109 4.4. The popularity of Murray’s grammar .................................................................... 118 4.5. Murray’s dependence on Ash .................................................................................... 121 4.6. Conclusion.......................................................................................................................... 128 Chapter 5. Female users of Ash’s grammar ........................................................ 131 5.1. Introduction ...................................................................................................................... 131 5.2. Ash’s Grammatical Institutes and the Young Ladies’ Boarding School .................................................................................................................................. 133 5.3. Ash’s grammar studied by women ......................................................................... 138 5.4. Ash’s Grammatical Institutes and the teacher-grammarians ...................... 144 5.5. Conclusion.......................................................................................................................... 151 Chapter 6. “Borrowing a few passages”: Lady Ellenor Fenn’s dependence on Ash’s Grammatical Institutes ....................................................... 153 6.1. Introduction ...................................................................................................................... 153 6.2. Lady Ellenor Fenn: life and works .......................................................................... 155 6.3. Fenn’s little treatises on grammar .......................................................................... 167 6.4. Ash’s grammar as a source of inspiration for Fenn ......................................... 182 6.5. Differences between the grammars by Ash and Fenn .................................... 189 6.6. Conclusion.......................................................................................................................... 200 Chapter 7. Fenn and nineteenth-century female grammarians ................. 203 7.1. Introduction ...................................................................................................................... 203 7.2. Fenwick’s Rays from the Rainbow ........................................................................... 204 7.3. Ballantine’s Decoy ........................................................................................................... 207 7.4. Marcet’s Mary’s Grammar ........................................................................................... 210 7.5. Corner’s Play Grammar ................................................................................................ 216 7.6. More nineteenth-century grammars for children ............................................ 219 7.7. Conclusion.......................................................................................................................... 225 Chapter 8. Conclusion ................................................................................................. 227 Table of Contents iii Appendix 1 ...................................................................................................................... 235 Appendix 2 ...................................................................................................................... 251 References ...................................................................................................................... 255 Primary sources ....................................................................................................................... 255 Secondary sources .................................................................................................................. 269 Samenvatting ................................................................................................................. 293 Curriculum Vitae .......................................................................................................... 301 Acknowledgements My interest in Georgian Britain started at the age of sixteen, while I was watching Andrew Davies’s television adaptation of Jane Austen’s Pride and Prejudice (1995). However, it was not until February 2002, more than five years later, that I was properly introduced to the era while attending Professor Ingrid Tieken-Boon van Ostade’s inspiring MA course about eighteenth-century letter writers entitled “Of Norms and Networks”. Intrigued by the period, I also decided to take her course “Grammars and Grammarians in the Eighteenth Century” in the autumn of 2002. My final paper for this course dealt with the female grammarian Lady Ellenor Fenn (1744–1813), whose grammatical works were specifically aimed at a young audience, and who, as I will also show below, developed interesting pedagogical ideas in teaching children the rudiments of English grammar. In September 2005 I joined Ingrid Tieken-Boon van Ostade’s VICI-project “The Codifiers and the English Language: Tracing the Norms of Standard English”, funded by NWO, the
Recommended publications
  • Towards a Poetics of Becoming: Samuel Taylor Coleridge's and John Keats's Aesthetics Between Idealism and Deconstruction
    Towards a Poetics of Becoming: Samuel Taylor Coleridge’s and John Keats’s Aesthetics Between Idealism and Deconstruction Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV (Sprach- und Literaturwissenschaften) der Universität Regensburg eingereicht von Charles NGIEWIH TEKE Alfons-Auer-Str. 4 93053 Regensburg Februar 2004 Erstgutachter: Prof. Dr. Rainer EMIG Zweitgutachter: Prof. Dr. Dieter A. BERGER 1 TABLE OF CONTENTS PAGE DEDICATION .............................................................................................................. I ACKNOWLEDGMENTS ........................................................................................... II ABSTRACT ............................................................................................................... VI English........................................................................................................................ VI German...................................................................................................................... VII French...................................................................................................................... VIII INTRODUCTION Aims of the Study......................................................................................................... 1 On the Relationship Between S. T. Coleridge and J. Keats.......................................... 5 Certain Critical Terms................................................................................................
    [Show full text]
  • Making Amusement the Vehicle of Instruction’: Key Developments in the Nursery Reading Market 1783-1900
    1 ‘Making amusement the vehicle of instruction’: Key Developments in the Nursery Reading Market 1783-1900 PhD Thesis submitted by Lesley Jane Delaney UCL Department of English Literature and Language 2012 SIGNED DECLARATION 2 I, Lesley Jane Delaney confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ––––––––––––––––––––––––––––––––––––––– ABSTRACT 3 ABSTRACT During the course of the nineteenth century children’s early reading experience was radically transformed; late eighteenth-century children were expected to cut their teeth on morally improving texts, while Victorian children learned to read more playfully through colourful picturebooks. This thesis explores the reasons for this paradigm change through a study of the key developments in children’s publishing from 1783 to 1900. Successively examining an amateur author, a commercial publisher, an innovative editor, and a brilliant illustrator with a strong interest in progressive theories of education, the thesis is alive to the multiplicity of influences on children’s reading over the century. Chapter One outlines the scope of the study. Chapter Two focuses on Ellenor Fenn’s graded dialogues, Cobwebs to catch flies (1783), initially marketed as part of a reading scheme, which remained in print for more than 120 years. Fenn’s highly original method of teaching reading through real stories, with its emphasis on simple words, large type, and high-quality pictures, laid the foundations for modern nursery books. Chapter Three examines John Harris, who issued a ground- breaking series of colour-illustrated rhyming stories and educational books in the 1810s, marketed as ‘Harris’s Cabinet of Amusement and Instruction’.
    [Show full text]
  • Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
    SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted.
    [Show full text]
  • The Lunar Society
    Ch F-X ang PD e w Click to buy NOW! w m o w c .d k. ocu-trac The Lunar Society The Lunar Circle or Society was an informal club or association of significant scientific men which flourished in and around Birmingham for nearly forty years. Origins: The origins of the Lunar Society lie in a pattern of friendships that emerged in the late 1750s. Erasmus Darwin and Matthew Boulton first met in early 1757, possibly through family connections, as Boulton's mother's family were patients of Darwin; or possibly though shared friendships, as both were admirers of the printer John Baskerville and friends of the astronomer and geologist John Michell, a regular visitor to Darwin's house in Lichfield1. Darwin was a physician and poet who had studied at Cambridge and Edinburgh; Boulton had left school at fourteen and started work in his father's business making metal goods in Birmingham at the age of 21. Despite their different backgrounds they shared a common interest in experiment and invention, and their activities would show Darwin's theoretical understanding and Boulton's practical experience to be complementary2. Soon they were visiting each other regularly and conducting investigations into scientific subjects such as electricity, meteorology and geology3. Erasmus Darwin Matthew Boulton In 1758, first Boulton and then Darwin became friends of the Derby-based clockmaker John Whitehurst. The link began with Whitehurst supplying clock movements to Boulton’s manufacturing operation but then extended into other experiments. Boulton, Darwin and Whitehurst were in turn introduced by Mitchell to Benjamin Franklin on his visit to Birmingham in July 1758 "to improve and increase Acquaintance among Persons of Influence"4, and Franklin returned in 1760 to conduct experiments with Boulton on electricity and sound5.
    [Show full text]
  • The Romantic Poetry Handbook
    The Romantic Poetry Handbook This comprehensive survey of British Romantic poetry explores the work of six poets whose names are most closely associated with the Romantic era – Wordsworth, Coleridge, Blake, Keats, Byron, and Shelley – as well as works by other significant but less widely studied poets such as Leigh Hunt, Charlotte Smith, Felicia Hemans, and Letitia Elizabeth Landon. Along with its exceptional coverage, the volume is alert to relevant contexts, and opens up ways of understanding Romantic poetry. The Romantic Poetry Handbook encompasses the entire breadth of the Romantic Movement, from Anna Laetitia Barbauld to Thomas Lovell Beddoes and John Clare. In its central section ‘Readings’ it explores tensions, change, and continuity within the Romantic Movement, and examines a wide range of individual poems and poets through sensitive, attentive, and accessible analyses. In addition, the authors provide a full introduction, a detailed historical and cultural timeline, biographies of the poets whose works are featured, and a helpful guide to further reading. The Romantic Poetry Handbook is an ideal text for undergraduate and postgraduate students of British Romantic poetry. It will also appeal to those with a general interest in poetry and Romantic literature. Michael O’Neill, is Professor of English at Durham University, UK. He has published widely on many aspects of Romantic literature, especially the work of Percy Bysshe Shelley, Victorian poetry, and an array of British, Irish, and American twentieth- and twenty-first-century poets. His most recent book is, as editor, John Keats in Context (2017). He has also published three volumes of poetry. Madeleine Callaghan, is Lecturer in Romantic Literature at the University of Sheffield, UK.
    [Show full text]
  • Using Poetry to Teach Business Studies
    Using Poetry to teach Business Studies By Chris Sivewright Published by: The Oxford School of Learning, 66 Sunderland Avenue, Oxford OX28DU Tel: 01865 512428 1 Contents Page Chapter One: 5 – 18 Chapter Two : 19 – 24 Chapter Three: 25 - 32 Chapter Four: 33 - 76 Chapter Five: 77 - 103 Appendices Appendix 1 : 104 - 108 Appendix II: 109 - 111 Appendix 3: 112 - 113 Appendix 4: 114 - 115 2 Introduction Can poetry be used to teach Business Studies? Are the skills transferable? The aim of this manual is to show how poetry can actually help students learn about business. Brief chapter descriptions follow: Chapter One This puts forward the idea that poetry and business actually complement each other rather than conflict. Readers are asked to create a poem from several business ideas. This is a theme throughout the manual – the emphasis is on readers to actually use the pages here to develop their own poetry skills. Please note: the poem ‘Advertising’ (page 10) is not copyright-free. The chapter concludes with three articles. One by Peter Sansom and the others from The Christian Science Monitor and BBC Online (adapted). Especial thanks are given to Peter Sansom for releasing copyright just for this manual. Please visit the Poetry Society website: http://www.poetrysociety.org.uk/places/pobiz.htm and the Poetry Business homepage: http://www.poetrybusiness.co.uk/ Chapter Two This chapter deals with the mechanics of writing poetry. A variety of terms are listed but it is left to the reader to establish the meaning of each term. A book reference is given. Several examples of poems written by pupils are included.
    [Show full text]
  • Crossroads of Enlightenment 1685-1850: Exploring Education, Science, and Industry Across the Delessert Network
    CROSSROADS OF ENLIGHTENMENT 1685-1850: EXPLORING EDUCATION, SCIENCE, AND INDUSTRY ACROSS THE DELESSERT NETWORK A Dissertation Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History University of Saskatchewan Saskatoon By J. Marc MacDonald © Copyright J. Marc MacDonald, March 2015. All rights reserved PERMISSION TO USE I agree, in presenting this dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, that this University’s Libraries may make the dissertation freely available for consultation. Furthermore, I agree that permission for copying material from this dissertation in any form, in part or in its entirety, for scholarly purposes may be granted by the professors who supervised my dissertation work or, in their absence, by the Head of the History Department or the Dean of the College of Arts, in which I completed this dissertation. It is understood that any copying or publication or use of this dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use that may be made of any material in my dissertation. Request for permission to copy or to make other uses of materials in this dissertation in whole or part should be addressed to: Head of the Department of History University of Saskatchewan 9 Campus Drive, Room 522 Arts Building Saskatoon, SK S7N 5N5 Canada OR Dean College of Graduate Studies and Research University of Saskatchewan, Room C180 105 Administration Place Saskatoon, SK S7N 5A2 Canada i ABSTRACT The Enlightenment did not end with the French Revolution but extended into the nineteenth century, effecting a transformation to modernity.
    [Show full text]
  • The Influence of the National Health Service on General Practitioner Postgraduate Education in the Context of the Development of General Practice in Birmingham
    THE INFLUENCE OF THE NATIONAL HEALTH SERVICE ON GENERAL PRACTITIONER POSTGRADUATE EDUCATION IN THE CONTEXT OF THE DEVELOPMENT OF GENERAL PRACTICE IN BIRMINGHAM by PATRICK GUY HOUGHTON A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY The History of Medicine Unit School of Health and Population Studies College of Medical and Dental Sciences University of Birmingham October 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This study traces the changes in the postgraduate education of General Practitioners in the city of Birmingham during the twentieth century. It begins by considering national milestones in the form of government reports and major conferences. In addition to describing the creation of national bodies, such as the General Medical Council and British Medical Association, it also provides information on local organisations including the Midland Medical Society and the Midland Faculty of the Royal College of General Practitioners and their role in developing training programmes. The increase in GP Training Practices in Birmingham after the inauguration of the National Health Service is analysed statistically.
    [Show full text]
  • Title Polarities : a Study of John Ashbery's "The Tennis Court Oath Author(S) Ford, Mark Citation 英文学評論 (1993), 6
    Title Polarities : A Study of John Ashbery's "The Tennis Court Oath Author(s) Ford, Mark Citation 英文学評論 (1993), 65: 39-80 Issue Date 1993-03 URL https://doi.org/10.14989/RevEL_65_39 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University Polarities : A Study of John Ashbery's "The Tennis Court Oath" Mark Ford The status of The Tennis Court Oath1 within Ashbery's works has always been, and probably always will be, problematic. It drew on pub- lication in 1962 reviews ranging mainly from contemptuous dismissals to expressions of polite puzzlement.2 Only the critic R. W. Flint of Partisan Review seriously grappled with the nature of Ashbery's poetry in this book, and his conclusions about it, though in many places extremely per- ceptive, were not overall encouraging : In John Ashbery the dazzling vatic style of Dylan Thomas or Roethke's "The Shape of the Fire" has become something cool, business-like and very pecu- liar...3 Flint declares himself at first dismayed by the poems' "extreme disjoint- edness" but after prolonged "immersion" in them discovers they possess "a tonal unity in no way dependent on meter or even cadence conven- tionally understood, but rather on a cadence of feeling-sight in which things are coming apart, receding into night and distance, clouding over, or just becoming uncomfortable in a peculiarly sober, visionary, matter- of-fact way." This last cluster of opposed adjectives certainly reflects 40 Polarities : A Study of John Ashbery 's "The Tennis Court Oath" something of the book's pervasive spirit of self-contradiction.
    [Show full text]
  • Shearsman 52 Autumn 2002 Issue
    Shearsman 52 autumn 2002 issue featuring poetry by Michael Ayres Ian Davidson Peter Larkin John Muckle Steven Taylor & Craig Watson edited by Tony Frazer Shearsman Books 58 Velwell Road Exeter EX4 4LD England [email protected] www.shearsman.com Single issue : £2.50 Subscriptions : £7 (4 issues) Cheques payable to Shearsman Books Europe ex-UK : add 65p / £2.50 Rest of the world : add £1.25 / £5 shearsman 52 MICHAEL AYRES Bridge of Sighs It was the summer of the adjectives. Th ey fl owered everywhere, and scattered in scented migrations. We couldn’t fi nd the noun we wanted – home – but made do with ‘glitter’ and ‘warm’ and ‘bare’. Th ese came away from the stars and the breeze and the walls. A beetle on your tanned leg was a Fabergé mountaineer, intense and hard and sapphire – the colour of extinction. It was harsh and rattled and spoke in dry clicks. It wept light on your skin like a metallic tear until I chopped my gaze in two and it vanished through the hole in vision. I fell on both sides of a blink as if halved with an axe and saw the darkness coming. It was smoke in my lungs, another toxic investment with Goldman Sachs. Smoke, lips. Our kiss seemed to core the sexy, laid-back afternoon. We relaxed: 4 storeys of glory, shades – we became quiet, because this was Summer’s story. I held a small chrome house in my hands, my Leica. She cut out her own face with scissors – try to imagine. Th is is a most unlikely story.
    [Show full text]
  • MIDLANDS ENLIGHTENMENT Philip Carter
    THE INDUSTRIAL ENLIGHTENMENT SHAPERS OF THE WEST MIDLANDS ENLIGHTENMENT Philip Carter What can biography tell us about the West Midlands Enlightenment? The stories of its principal figures, including Boulton, Watt and Wedgwood, are regularly told. Those of the people with whom they worked and socialised, their associates and collaborators, are less familiar, but offer a fascinating insight into the values and aspirations of the age. Courtesy of VisitWorcester Courtesy Worcester was very different from Birmingham as an ecclesiastical centre and county town; nevertheless it was a location for scientific lectures in the West Midlands. Knowledge v Resources Peter Jones is Professor hether the ‘eighteenth-century knowledge economy’ can of French History at the account on its own for the accelerating pace of University of Birmingham. industrialisation in Great Britain as opposed to France, His book, Industrial Enlightenment, has the Low Countries, Silesia or the Rhineland is another recently been published in matter, of course. On the evidence of the West paperback. WMidlands, we need also to allow for the role played by the market. Further Reading Many economic historians would argue that Britain industrialised first, not Peter M. Jones, Industrial because knowledge levels reached a critical threshold, but because energy was Enlightenment: Science, comparatively cheap and skilled labour forbiddingly expensive. To survive in Technology and Culture in the marketplace entrepreneurs had little choice but to innovate with the aid of Birmingham and the West labour-saving machinery, alternative technologies and creative marketing Midlands, 1760-1820 strategies. Manchester University Did Industrial Enlightenment in the West Midlands therefore depend more Press, 2009, 2013).
    [Show full text]
  • 1 the Progressive Ideas of Anna Letitia Barbauld Submitted By
    The Progressive Ideas of Anna Letitia Barbauld Submitted by Rachel Hetty Trethewey to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English in January 2013 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature:…………………………………………………………………… 1 Abstract In an age of Revolution, when the rights of the individual were being fought for, Anna Letitia Barbauld was at the centre of the ideological debate. This thesis focuses on her political writing; it argues that she was more radical than previously thought. It provides new evidence of Barbauld’s close connection to an international network of reformers. Motivated by her Dissenting faith, her poems suggest that she made topical interventions which linked humanitarian concerns to wider abuses of power. This thesis traces Barbauld’s intellectual connections to seventeenth- and eighteenth-century religious and political thought. It examines her dialogues with the leading thinkers of her era, in particular Joseph Priestley. Setting her political writing in the context of the 1790s pamphlet wars, I argue that it is surprising that her 1792 pamphlet, Civic Sermons , escaped prosecution; its criticism of the government has similarities to the ideas of writers who were tried. My analysis of Barbauld’s political and socio-economic ideas suggests that, unlike many of her contemporaries, she trusted ordinary people, believing that they had a right to be involved in government.
    [Show full text]