A Short History of the International Language Movement
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A Comparison Between Natural and Planned Languages
UvA-DARE (Digital Academic Repository) The Case of Correlatives: A Comparison between Natural and Planned Languages Gobbo, F. Publication date 2011 Document Version Final published version Published in Journal of Universal Language Link to publication Citation for published version (APA): Gobbo, F. (2011). The Case of Correlatives: A Comparison between Natural and Planned Languages. Journal of Universal Language, 12(2), 45-79. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 Federico Gobbo 45 Journal of Universal Language 12-2 September 2011, 45-79 The Case of Correlatives: A Comparison between Natural and Planned Languages Federico Gobbo University of Insubria 1 Abstract Since the publication of Volapük, the most important functional and deictic words present in grammar—interrogative, relative and demonstrative pronouns, and adjectives among others—have been described in planned grammars in a series or a table, namely “correlatives,” showing a considerable level of regularity. -
The Attachment Esperanto Grammar Is a Basic Summary of the Language by the Inventor Zamenhof
The attachment Esperanto Grammar is a basic summary of the language by the inventor Zamenhof. Additional nuances used in this translation are as follows: • modified letters are written with an 'h' instead of the diacritical mark, thus substitution original pronounciation ch ĉ 'ch' as in 'church' gh ĝ 'j' as in 'join' jh ĵ 'z' as in 'azure' sh ŝ 'sh' as in 'show' u ŭ 'u' as in 'mount' • Most other letters are pronouncable as if in English, at least for the relay. See part A of the Grammar attachment. • the accusative case is used for the direct objekt and to indicate motion in a prepositional phrase. • The suffix -ig- is used to indicate that the subject places the direct object into the state described by the verb root. • For additional information see http://en.wikipedia.org/wiki/Esperanto#Grammar http://en.wikipedia.org/wiki/Esperanto_grammar Vocabulary list: the following are the word roots and suffixes used in the translation. Word Root Forms Used in Text Definition al to antaulonge long ago apart- aparta separate, unusual apud beside auskult- auskultas, auskulti listen bat- piedbatis beat, hit char because ches- chesu cease chi this chu whether; indicates interrogative de of, from demand- demandis ask dir- diris say do thus en in, into Word Root Forms Used in Text Definition fakt- fakte fact, (fakte: in fact) far- fari to do ghen- ghenas bother ghi ghin it halt- haltu stop histori- historio stoty jhet- jhetis throw kaj and kiam when kiel how koler- kolerigis anger konsent- konsentas agree kvazau as if la the lag- lago, lagon lake -
Introduction: in Search of Esperanto
Interdisciplinary Description of Complex Systems 13(2), 182-192, 2015 INTRODUCTION: IN SEARCH OF ESPERANTO Humphrey Tonkin* University of Hartford West Hartford, USA DOI: 10.7906/indecs.13.2.12 Regular article ABSTRACT After almost one hundred years of continuous use, Esperanto has achieved the status and character of a fully-fledged language, functioning much as any other language does. Research on Esperanto is hampered because knowledge of the subject is often regarded, ipso facto, as evidence of a lack of objectivity, and also because Esperanto, as largely an L2, is elusive, and its speakers hard to quantify. The problem is compounded by the rapid shift in its community from membership-based organizations to decentralized, informal web-based communication. Also shifting are the community’s ideological underpinnings: it began as a response to lack of communication across languages but is now often perceived by its users as an alternative, more equitable means of communication than the increasingly ubiquitous English. Underlying these changes is a flourishing cultural base, including an extensive literature and periodical press. There is a need for more research – linguistic, sociolinguistic, and in the history of ideas. In intellectual history, Esperanto and related ideas have played a larger role than is generally recognized, intersecting with, and influencing, such movements as modernization in Japan, the development of international organizations, socialism in many parts of the world, and, in our own day, machine translation. KEY WORDS Esperanto, Esperanto community, interlinguistic research, language ideology CLASSIFICATION JEL: O20 *Corresponding author, : [email protected]; +1 860 768 4448; *Mortensen Library, University of Hartford, West Hartford, CT 06117, USA Introduction: in search of Esperanto INTRODUCTION In an influential essay some years ago, the late Richard Wood described Esperanto as “a voluntary, non-ethnic, non-territorial speech community” [1]. -
The Production of Lexical Tone in Croatian
The production of lexical tone in Croatian Inauguraldissertation zur Erlangung des Grades eines Doktors der Philosophie im Fachbereich Sprach- und Kulturwissenschaften der Johann Wolfgang Goethe-Universität zu Frankfurt am Main vorgelegt von Jevgenij Zintchenko Jurlina aus Kiew 2018 (Einreichungsjahr) 2019 (Erscheinungsjahr) 1. Gutacher: Prof. Dr. Henning Reetz 2. Gutachter: Prof. Dr. Sven Grawunder Tag der mündlichen Prüfung: 01.11.2018 ABSTRACT Jevgenij Zintchenko Jurlina: The production of lexical tone in Croatian (Under the direction of Prof. Dr. Henning Reetz and Prof. Dr. Sven Grawunder) This dissertation is an investigation of pitch accent, or lexical tone, in standard Croatian. The first chapter presents an in-depth overview of the history of the Croatian language, its relationship to Serbo-Croatian, its dialect groups and pronunciation variants, and general phonology. The second chapter explains the difference between various types of prosodic prominence and describes systems of pitch accent in various languages from different parts of the world: Yucatec Maya, Lithuanian and Limburgian. Following is a detailed account of the history of tone in Serbo-Croatian and Croatian, the specifics of its tonal system, intonational phonology and finally, a review of the most prominent phonetic investigations of tone in that language. The focal point of this dissertation is a production experiment, in which ten native speakers of Croatian from the region of Slavonia were recorded. The material recorded included a diverse selection of monosyllabic, bisyllabic, trisyllabic and quadrisyllabic words, containing all four accents of standard Croatian: short falling, long falling, short rising and long rising. Each target word was spoken in initial, medial and final positions of natural Croatian sentences. -
A Brief Introduction to Constructed Languages
A Brief Introduction to Constructed Languages An essay by Laurier Rochon Piet Zwart Institute : June 2011 3750 words Abstract The aim of this essay will be to provide a general overview of what is considered a "constructed language" (also called conlang, formalized language or artificial language) and explore some similarities, differences and specific properties that set these languages apart from natural languages. This essay is not meant to be an exhaustive repertoire of all existing conlangs, nor should it be used as reference material to explain or dissect them. Rather, my intent is to explore and distill meaning from particular conlangs subjectively chosen for their proximity to my personal research practice based on empirical findings I could infer from their observation and brief use. I will not tackle the task of interpreting the various qualities and discrepancies of conlangs within this short study, as it would surely consist of an endeavour of its own. It should also be noted that the varying quality of documentation available for conlangs makes it difficult to find either peer-reviewed works or independent writings on these subjects. As a quick example, many artistic languages are conceived and solely used by the author himself/herself. This person is obviously the only one able to make sense of it. This short study will not focus on artlangs, but one would understand the challenge in analyzing such a creation: straying away from the beaten path affords an interesting quality to the work, but also renders difficult a precise analytical study of it. In many ways, I have realized that people involved in constructing languages are generally engaging in a fringe activity which typically does not gather much attention - understandably so, given the supremacy of natural languages in our world. -
Hergé and Tintin
Hergé and Tintin PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 20 Jan 2012 15:32:26 UTC Contents Articles Hergé 1 Hergé 1 The Adventures of Tintin 11 The Adventures of Tintin 11 Tintin in the Land of the Soviets 30 Tintin in the Congo 37 Tintin in America 44 Cigars of the Pharaoh 47 The Blue Lotus 53 The Broken Ear 58 The Black Island 63 King Ottokar's Sceptre 68 The Crab with the Golden Claws 73 The Shooting Star 76 The Secret of the Unicorn 80 Red Rackham's Treasure 85 The Seven Crystal Balls 90 Prisoners of the Sun 94 Land of Black Gold 97 Destination Moon 102 Explorers on the Moon 105 The Calculus Affair 110 The Red Sea Sharks 114 Tintin in Tibet 118 The Castafiore Emerald 124 Flight 714 126 Tintin and the Picaros 129 Tintin and Alph-Art 132 Publications of Tintin 137 Le Petit Vingtième 137 Le Soir 140 Tintin magazine 141 Casterman 146 Methuen Publishing 147 Tintin characters 150 List of characters 150 Captain Haddock 170 Professor Calculus 173 Thomson and Thompson 177 Rastapopoulos 180 Bianca Castafiore 182 Chang Chong-Chen 184 Nestor 187 Locations in Tintin 188 Settings in The Adventures of Tintin 188 Borduria 192 Bordurian 194 Marlinspike Hall 196 San Theodoros 198 Syldavia 202 Syldavian 207 Tintin in other media 212 Tintin books, films, and media 212 Tintin on postage stamps 216 Tintin coins 217 Books featuring Tintin 218 Tintin's Travel Diaries 218 Tintin television series 219 Hergé's Adventures of Tintin 219 The Adventures of Tintin 222 Tintin films -
Reveno Al Tririvero À Trois-Rivières De Nouveau!
Septembro 2011 Esperanto-Societo Kebekia Jaro 27, No 105 Kebekia esperantista bulteno RRevenoeveno aall TTririveroririvero Julifine en Tririvero .........................2 Ci kaj vi en Esperanto ......................10 Esperanta boatado en Kroatio ........4 Lingwa de Planeta ...........................17 8-a MEKARO ne elrevigis ! ...............5 Esperantistaj enmigrantoj ..............21 Esperanto en la franca poŝt-servo ! .6 Kiel traduki ? ...................................25 L’esperanto : une langue par choix ! 7 150 000 artikoloj en E-Vikipedio .....29 La cimo de l’ jaro 2038 ....................9 Montrealaj k apudaj E-kunvenoj .....31 À TTrois-Rivièresrois-Rivières ddee nnouveau!ouveau! Julifine en Tririvero Francisko Lorrain Treize espérantistes, dont une chienne, se sont rencontrés à Trois-Rivières durant la dernière fin de semaine de juillet, à l’invitation de Suzanne Roy. Il a fait beau. Nous avons visité le Musée du papier, le Parc de la Rivière Batiscan, beaucoup parlé, et dégusté chez Suzanne d’excellents plats végétaliens préparés par Karlo. En la lasta Riverego, iom studis nian lingvon Suzano Roy, el kaj kunmanĝis kun ni. Tririvero, invitis Kvar montrealanoj nin pasigi la du loĝis ĉe Suzano, alia ĉe lastajn tagojn de Francisko Gauthier, tute julio — sabaton kaj proksime, en la centra, dimanĉon — en sia malnova, tre agrabla, urbo. Entute dek tri riveregborda kvartalo Foto: Vikipedio homoj partoprenis en de la urbo. almenaŭ parto de la tuta programo. Eble ne ĉiuj legantoj scias, kial tiu urbo El Montrealo venis nomiĝas Tririvero. Nu, ĝi Ĵoel, Ĵenja, Den, situas ĉe la kunfluejo de Karlo, Espero (la poliglota hundo de Den kaj Karlo la rivero Saint-Maurice kaj riverego Saint-Laurent. — ŝi komprenas kaj la hispanan kaj Esperanton) Sed kiu estas la tria rivero ? Ne estas tria rivero tie. -
The Perfect Language and the Mathematicians
Jekyll.comm 1 – marzo 2002 Mathematicians and the perfect language: Giuseppe Peano’s case By Daniele Gouthier, Nico Pitrelli and Ivan Pupolizo Master’s Degree Course in Scientific Communication – ISAS – Trieste – Italy Attempts to create an International Artificial Language (IAL) have kept pace with the evolution of modern science. Ever since Galileo’s time, scientists have been interested in how to create a perfect language (the adjective “perfect” takes on the meaning of “universal” or “unambiguous” depending on the period) capable of supporting communication at a horizontal level i.e. within the scientific community, and at a vertical level, i.e. between scientists and the public. The first goal of this article is to describe briefly how this need for a perfect language developed over the past years. Special attention will be spent on the mathematicians’ role, especially Giuseppe Peano’s. The second goal is to illustrate how Giuseppe Peano’s contribution to this debate proved twofold and led to various conclusions. The Italian mathematician played a leading role in the creation of a perfect language, both at a horizontal and a vertical level. On the one hand, there is his successful attempt to introduce a standard logical and symbolic system of notation, which became essential for communication among mathematicians. On the other hand, there is the complete failure of his ambitious Latino sine flexione (Latin without inflection), a perfect language which died with its creator. Introduction People have been interested in the creation of a perfect language for more than two thousand years. From ancient Greek philosophers to present PC programmers, the search for a universal language is ever present in the history of culture and, more specifically, of science. -
Jdg Feat New Haven Iou
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Why Esperanto?
Fiat Lingua Title: The Contemporary Esperanto Speech Community Author: Adelina Solis MS Date: 01-12-2013 FL Date: 01-01-2013 FL Number: FL-000010-01 Citation: Solis, Adelina. 2013. “The Contemporary Esperanto Speech Community.” FL-000010-01, Fiat Lingua, <http:// fiatlingua.org>. Web. 01 Jan. 2013. Copyright: © 2013 Adelina Solis. This work is licensed under a Creative Commons Attribution- NonCommercial-NoDerivs 3.0 Unported License. http://creativecommons.org/licenses/by-nc-nd/3.0/ Fiat Lingua is produced and maintained by the Language Creation Society (LCS). For more information about the LCS, visit http://www.conlang.org/ The Contemporary Esperanto Speech Community by Adelina Mariflor Solís Montúfar 1 Table of Contents Chapter 1: Introduction 3 1.1 Definitions 4 1.2 Political support for a universal language 5 1.3 A brief history of language invention 9 1.4 A brief history of Esperanto 14 1.5 The construction, structure, and dissemination of Esperanto 17 1.6 Esperanto and the culture question 24 1.7 Research Methods 29 Chapter 2: Who Speaks Esperanto? 34 2.1 Number and distribution of speakers 34 2.2 Gender distribution 47 Chapter 3: The Esperanto Speech Community 58 3.1 Terminology and definitions 58 3.2 Norms and Ideologies 65 3.3 Approach to language 70 Chapter 4: Why Esperanto? 81 4.1 Ideology-based reasons to speak Esperanto 83 4.2 Practical attractions to Esperanto 86 4.3 More than friendship 94 4.4 The congress effect 95 4.5 Esperanto for the blind 100 4.6 Unexpected benefits 102 Chapter 5: Esperantist Objectives 103 5.1 Attracting new speakers 103 5.2 Teaching Esperanto 107 Chapter 6: Conclusion 116 Works Cited 121 2 Chapter 1: Introduction When we think about invented languages, we may think of childhood games. -
Latinidaj Planlingvoj (AIS-Kurso, 1 Studunuo)
Vĕra Barandovská-Frank: Latinidaj planlingvoj (AIS-kurso, 1 studunuo) La Latina apartenas al la italika grupo de la hindeŭropa lingvofamilio (tiu ĉi lingvofamilio ampleksas i.a. preskaŭ ĉiujn eŭropajn lingvojn, ekz. grupon ĝermanan kaj slavan), el la Latina evoluiĝis etnaj lingvoj nomataj Romanaj ( = latinidaj), precipe itala, romanĉa, sarda, franca, okcitana, hispana, kataluna, galega, portugala, gudezma, rumana, moldava. Latinidaj planlingvoj estas similaj al la Romanaj lingvoj kaj ofte imitas ilian evoluon. Latina skribo (el la greka kaj etruska alfabetoj): originale 20 majusklaj literoj (maiuscula): A B C D E F H I K L M N O P Q R S T V X . Literon I oni uzis ankaŭ por la sono [j], literon C ankaŭ por G, poste diferenciĝis [k] kaj [g]. U kaj V estis la sama litero: majuskle ekzistis nur V, poste minuskle (minuscula) u: VENIO – uenio (minuskloj evoluiĝis el la mezepoka karolinga alfabeto). En la klasika latina ne estis K, k, J j, U, u, v, W, w, Y, y, Z, z poste trans- prenitaj aŭ el la greka alfabeto (K, U, Y, Z ), aŭ faritaj el jam ekzistantaj literoj (J, W). Restaŭrita prononco: vokaloj longaj kaj mallongaj. La litero V/u estas aŭ konsonanta [ŭ] aŭ vokala [u]; i (j) aŭ konsonanta [j] aŭ vokala [i]. La litero c prononciĝis kiel [k]; qu kiel [kŭ]; au kiel [aŭ]; ae kiel [aj]; oe kiel [oj]. h estis antikve ĉiam prononcata, sed iom post iom malaperis. En helenaj pruntvortoj estis uzataj ch, ph, th [kh]/[ĥ], [ph], [th], poste [k], [p], [t]. La akcento ĝenerale troviĝis sur la antaŭlasta silabo, se ĝia vokalo estis longa, aŭ je la antaŭantaŭlasta, se mallonga, ekz. -
The Sound Patterns of Camuno: Description and Explanation in Evolutionary Phonology
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 The Sound Patterns Of Camuno: Description And Explanation In Evolutionary Phonology Michela Cresci Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/191 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SOUND PATTERNS OF CAMUNO: DESCRIPTION AND EXPLANATION IN EVOLUTIONARY PHONOLOGY by MICHELA CRESCI A dissertation submitted to the Graduate Faculty in Linguistics in partial fulfillment of the requirement for the degree of Doctor of Philosophy, The City Universtiy of New York 2014 i 2014 MICHELA CRESCI All rights reserved ii This manuscript has been read and accepted for the Graduate Faculty in Linguistics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. JULIETTE BLEVINS ____________________ __________________________________ Date Chair of Examining Committee GITA MARTOHARDJONO ____________________ ___________________________________ Date Executive Officer KATHLEEN CURRIE HALL DOUGLAS H. WHALEN GIOVANNI BONFADINI Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract THE SOUND PATTERNS OF CAMUNO: DESCRIPTION AND EXPLANATION IN EVOLUTIONARY PHONOLOGY By Michela Cresci Advisor: Professor Juliette Blevins This dissertation presents a linguistic study of the sound patterns of Camuno framed within Evolutionary Phonology (Blevins, 2004, 2006, to appear). Camuno is a variety of Eastern Lombard, a Romance language of northern Italy, spoken in Valcamonica. Camuno is not a local variety of Italian, but a sister of Italian, a local divergent development of the Latin originally spoken in Italy (Maiden & Perry, 1997, p.