ANFORTAS Round 03 1. at Eleusis, This Goddess Was Held to Be The
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Anne Meiring
UWE EBEL DARBIETUNGSFORMEN UND DARBIETUNGSABSICHT IN FORNALDARSAGA UND VERWANDTEN GATTUNGEN VORBEMERKUNG Der folgende Beitrag erschien zuerst 1982. Die mit ihm verfolgte Intention war es, ausgehend von den Graden der Fiktionalisierung des jeweils entfalteten Geschehens eine Differenz zwischen Íslendingasaga und Fornaldarsaga zu erarbeiten. Dabei hatte sich gezeigt, dass die Íslendingasaga trotz all der Momente, die sie als 'realistisch' erlebbar macht, das literarische Phänomen der Semantisierung von Form- elementen kennt, und dass die Fornaldarsaga trotz ihrer Phantastik solche Seman- tisierung nicht oder kaum aufweist. Ohne die mittelalterlichen Texte über jüngere und unangemessene Kriterien und Kategorien beschreiben zu wollen, ließe sich also ein Differenzmerkmal darin erblicken, dass die Íslendingasaga strukturell der Fiktion und die Fornaldarsaga strukturell dem Tatsachenbericht zuzuordnen sind. Erst im Verlauf der Gattungsgeschichte tritt in der Fornaldarsaga der Aspekt der Unter- haltung in den Vordergrund. Mit alledem soll nicht gesagt sein, dass der moderne Begriff der 'Literatur' dem originären Kontext gerecht wird, auch nicht, dass die Intention der Redaktoren und Traditoren damit beschrieben wäre. Das strukturelle Differenzmerkmal ist dennoch nicht zu verkennen und es gälte auszuwerten, was das über die fiktionale Gestaltung von Geschehen im isländischen Mittelalter besagt. Man sollte insgesamt berücksichtigen, dass eine als 'realistisch' erlebbare Literatur die sprachkünstlerische, oder besser die epische Ausdrucksform einer -
What the Riddle-Makers Have Hidden Behind the Fire of a Dragon
Volume 38 Number 2 Article 7 5-15-2020 What the Riddle-Makers Have Hidden Behind the Fire of a Dragon Laurence Smith Independent Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Smith, Laurence (2020) "What the Riddle-Makers Have Hidden Behind the Fire of a Dragon," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 38 : No. 2 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol38/iss2/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Classical mythology, folklore, and fairy tales are full of dragons which exhibit fantastic attributes such as breathing fire, hoarding treasure, or possessing more than one head. This study maintains that some of these puzzling phenomena may derive from riddles, and will focus particularly on some plausible answers that refer to a real creature that has for millennia been valued and hunted by man: the honeybee. -
Studies in the Sources of J.R.R. Tolkien's the Lord of the Rings
.-- . .,l,.. .I~ i . ,. s._ .i. -_. _..-..e.. _ . (3 f Preface i In the Spring of 1968 while I was studying the Old English poem Beowulf with Dr. Rudolph Bambas, my colleague and classmate Judith Moore suggested that I might enjoy reading a new work by J:R.R. Tolkien, known to us as the editor of Sir Gawain and the Green Knight and the author of that seminal article -- “Beowulf: The Monsters and the Critics.” The Hobbit and The Lord of the Rings delighted me that summer. In the fall, at the urging of another colleague, I enrolled in the Old Norse seminar. That conjunction of events proved to be the beginning of a lifelong study of Northern literature and its contributions to the cauldron of story which produced The Lord of the Rings, The Hobbit, The Silmarillion, and The Unfinished Tales. The first version of this study became my doctoral dissertation -- “Studies in the Sources of J.R.R. Tolkien’s The Lord of the Rings.“1 Throughout the years that followed while I was either teaching college English or working as a librarian, I have continued my research. The original study was based on about twenty-five sagas; that number has been tripled. Christopher Tolkien’s careful publication of The Silmarillion, The Unfinished Tales, and six volumes of The Historv of Middle-earth has greatlyreatly expanded the canon available for scholarly study. Humphrey Carpenter’s authorized biography has also been helpful. However, the Letters of J.R.R. Tolkien have produced both the . greatest joy and the greatest terror. -
Turning Points: Tyrfing, Battletech, Battlemech and ’Mech Are Registered Trademarks And/Or Trademarks of the Topps Company, Inc
TURNING POINTS TYRFINGTM Sample file Under License From 35TP024 ® ©2020 The Topps Company Inc. All rights Reserved. Turning Points: Tyrfing, BattleTech, BattleMech and ’Mech are registered trademarks and/or trademarks of The Topps Company, Inc. in the United States and/or other countries. Catalyst Game Labs and the Catalyst Game Labs logo are trademarks of InMediaRes Production, LLC. SLDF Storage Site TV-9 painted over the ’Mech’s head identified it as one of the Black Sharks. Tyrfing They were mercenaries now, but they had once served the Usurper. Free Worlds League Worse, they were selling their services to the Draconis Combine. Renda 15 December 2788 narrowed her eyes and embraced a surge of hatred. The Thunderbolt moved further down the wall out of view. It was Leftenant Renda Montauban of the Fourth Davion Guards swallowed trailed by a Hunchback and two Shadow Hawks. She smiled. In the open the lump in her throat. She commanded a recon lance. Waiting in ambush field, she wouldn’t worry over such opposition. She’d run circles around was hardly her stock-in-trade. And as far as she’d ever experienced, an them. In a close-in fight, though, Bayard and her lancemates—a Wasp, ambush of this type was completely unheard of. That only made her Stinger, and Spider—would be hopelessly outgunned. The current more nervous. situation was another animal entirely. Like the rest of her lance, she was buttoned up tightly in her cockpit The storage site was filled not just with pristine BattleMechs and tanks, in one of the gantries lining the walls of the immense BattleMech facility but staggering amounts of ammunition. -
Matveeva, Elizaveta (2016) Reconsidering the Tradition: the Odinic Hero As Saga Protagonist. Phd Thesis, University of Nottingha
RECONSIDERING THE TRADITION: THE ODINIC HERO AS SAGA PROTAGONIST Elizaveta Matveeva, MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy OCTOBER 2015 1 AСKNOWLEDGEMENTS A number of people greatly supported me throughout the years of my work on this dissertation. First and foremost, I would never have been able to make it this far without the love and support of my husband Mikhail, who had always given me not only comfort and encouragement, but also constructive criticism and hours of proofreading. My warmest gratitude goes to my supervisors Prof Judith Jesch and Dr Paul Cavill who made this research possible by being unbelievably helpful, patient and generous with their time. It is Judith who introduced me to Medieval Studies as an academic field and guided and supported me ever since, helping me to get my direction but always encouraging independent choice. Throughout my first year at the University of Nottingham, both Judith and Dr Christina Lee allowed me to participate in their seminars for postgraduate students, helping my transition to the field of Old Norse studies and giving me some of the best academic classes I have ever had. My obligation to individual lecturers and colleagues extends to the University of Nottingham as an institution that funded my study and conference trips with Vice- Chancellor's Scholarship for Research Excellence, Christine Fell Award and Graduate School Travel Prize. I have also received support from the Viking Society for Northern Research and AHRC that allowed my participation in the Orkney Viking Heritage Project. Finally, Fund Soros’s Global Supplementary Grant Program covered my living expenses for two years, allowing me to focus on my research. -
Turville Petre Myth and Religion of the North
Myth and Religion of the North The Religion of Ancient Scandinavia E. O. G. TURVILLE-PETRE GREENWOOD PRESS, PUBLISHERS WESTPORT, CONNECTICUT ( —— CONTENTS Library of Congress Cataloging in Publication Data Turville -Petrs, Edward Oswald Gabriel. Myth and religion of the North. Reprint of the ed. published by Holt, Rinehart and PREFACE ix Winston, New York. Bibliography: p. Includes index. I THE SOURCES I -Religion. 1. Mythology, Norse. 2. Scandinavia- Introductory—Old Norse Poetry—Histories and Sagas I. Title. Snorri Sturluson—Saxo Grammaticus [BL860.T8 1975] 293' -0948 75-5003 ISBN 0-8371-7420-1 II OBINN 35 God of Poetry—Lord of the Gallows—God of War—Father of Gods and Men— 5dinn and his Animals—Odinn’s Names Odinn’s Eye—The Cult of Odinn—Woden-Wotan / III VxV‘~W'- \ THOR 75 Thdr and the Serpent—Thdr and the Giants—Thdr’s Ham- mer and his Goats—The Worship of Thor—Thdr in the Viking Colonies—Thdr-Thunor—Conclusion IV BALDR 106 The West Norse Sources—Saxo—The Character of Baldr and his Cult Continental and English Tradition * 2551069268 * — Filozoficka fakulta V LOKI 126 Univerzity Karlovy v Praze VI HEIMDALL 147 VII THE VANIR 156 The War of the JSsir and Vanir—Njord—Freyr-Frddi-Ner- thus-Ing—Freyja Winston, New York Originally published in 1964 by Holt, Rinehart and VIII LESSER-KNOWN DEITIES 180 1964 by E.O.G. Turville-Petre Copyright © Tyr—UI1—Bragi—Idunn—Gefjun—Frigg and others permission of Holt, Rinehart and Winston, Inc. Reprinted with the IX THE DIVINE KINGS 190 Reprinted in 1975 by Greenwood Press X THE DIVINE HEROES 196 A division -
The Sixteenth International Saga Conference Sagas and Space
THE SIXTEENTH INTERNATIONAL SAGA CONFERENCE SAGAS AND SPACE 9TH – 15TH AUGUST 2015 UNIVERSITY OF ZURICH & UNIVERSITY OF BASEL, SWITZERLAND PREPRINTS OF ABSTRACTS The Sixteenth International Saga Conference Sagas and Space 9th – 15th August 2015, University of Zurich and University of Basel Preprints of Abstracts Edited by Jürg Glauser, Klaus Müller-Wille, Anna Katharina Richter and Lukas Rösli Published by Schweizerische Gesellschaft für Skandinavische Studien c/o Abteilung für Nordische Philologie Deutsches Seminar Universität Zürich Print: ADAG Copy Shop Universitätsstrasse 8006 Zürich All rights reserved. Copyright © 2015, the Contributors. ISBN: 978-3-033-05167-6 https://sagaconference.unibas.ch/downloads Cover image: The first map of the Swiss Confederation by Albrecht von Bonstetten, 1480. In: Ms. Lat. 5656, fol. 8, National Library of France, Paris. Cover design by Anna Katharina Richter and Andi Gredig, Deutsches Seminar der Universität Zürich. Preface The general theme of The Sixteenth International Saga Conference which is held from the 9th to the 15th August 2015 at the University of Zurich and the University of Basel, Switzerland, is Sagas and Space. This Preprint Publication is principally meant to be a tool to assist participants in deciding which lectures, papers, roundtable discussions and posters to attend, and to have the possibility to read abstracts again even after the conference has ended. Papers and Project Presentations will be presented in one of the following thematic Strands: 1) Constructing Space 2) Mediality 3) Textuality and Manuscript Transmission 4) Reception of Old Norse-Icelandic Literature 5) Continental Europe and Medieval Scandinavia 6) Literatures of Eastern Scandinavia 7) Bodies and Senses in the Scandinavian Middle Ages 8) Open Altogether, the Preprint Publication includes abstracts of the four Plenary Lectures, the 190 Papers (including Project Presentations), the five Roundtable Discussions, and the five Posters. -
Stories and Ballads of the Far Past Cambridge University Press C
<* 1 < ' (A D 1 a A I! JL 5781 A743271 STORIES AND BALLADS OF THE FAR PAST CAMBRIDGE UNIVERSITY PRESS C. F. CLAY, MANAGER LONDON I FETTER LANE, E.G. 4 NEW YORK : THE MACMILLAN CO. BOMBAY ] CALCUTTA > MACMILLAN AND CO., LTD. MADRAS j TORONTO : THE MACMILLAN CO. OF CANADA, LTD. TOKYO : MARUZEN-KABUSHIKI-KAISHA ALL RIGHTS RESERVED STORIES AND BALLADS OF THE FAR PAST TRANSLATED FROM THE NORSE (ICELANDIC AND FAROESE) WITH INTRODUCTIONS AND NOTES BY N. KERSHAW ' > . , I . ' ' , . , > > > . , 1 > I J J >> I. CAMBRIDGE AT THE UNIVERSITY PRESS 1921 1 Preface few of the Fornaldar Sogur Northrlanda VERYhave hitherto been translated into English. The Volsungasaga is of course well known, but with this * exception the Stories of Icelanders,' and the 'Stories of the Kings of Norway' are probably the only sagas familiar to the majority of English readers. Of the four sagas contained in this volume only one the Thdttr of Sorli has appeared in English before, though the poetry which they contain has frequently been translated, from the time of Hickes's Thesaurus (1705). So far as I am' aware "no version of any of the Faroese ballads has appeared in English. Out of the great number which were collected during the i8th and rothS centuries L'-have chosen a few which deal with the same stories as the sagas translated here; and for purposes of comparison I have added a short extract from one of the Icelandic Rimur, as well as a Danish ballad and part of the Shetland Hildina. In accordance with general custom in works of this kind I have discarded the use of accents, un- familiar symbols, etc., except in a few Norse words which can hardly be anglicised. -
Influences of Pre-Christian Mythology and Christianity on Old Norse Poetry
Infl uences of Pre-Christian Mythology and Christianity on Old Norse Poetry NORTHERN MEDIEVAL WORLD EDITORIAL BOARD Carolyne Larrington (Chair) St. John’s College, Oxford Oren Falk Cornell University Dawn Hadley University of Sheffi eld Jana Schulman Western Michigan University Jón Viðar Sigurðsson Universitetet i Oslo Medieval Institute Publications is a program of Th e Medieval Institute, College of Arts and Sciences WESTERN MICHIGAN UNIVERSITY Infl uences of Pre-Christian Mythology and Christianity on Old Norse Poetry A Narrative Study of Vafþrúðnismál Andrew McGillivray Northern Medieval World MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2018 Walter de Gruyter GmbH, Berlin/Boston Library of Congress Cataloging-in-Publication Data are available from the Library of Congress. ISBN: 9781580443357 eISBN: 9781580443364 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in, or introduced into a retrieval system, or trans- mitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Contents Abbreviations vii Acknowledgments ix 1. Vafþrúðnir Who? 1 2. Critical Contexts 25 3. At Home in Ásgarðr 53 -
Norse Mythology: a Guide to the Gods, Heroes, Rituals, and Beliefs
Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs John Lindow OXFORD UNIVERSITY PRESS Norse Mythology This page intentionally left blank Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs John Lindow 3 3 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto and an associated company in Berlin Copyright © 2001 by John Lindow First published by ABC-Clio 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 First issued as an Oxford University Press paperback, 2002 198 Madison Avenue, New York,New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press Library of Congress Cataloging-in-Publication Data Lindow, John. [Handbook of Norse mythology] Norse mythology: a guide to the Gods, heroes, rituals, and beliefs / by John Lindow. p. cm. Includes bibliographical references and index. ISBN 0-19-515382-0 (pbk.: alk. paper) 1. Mythology, Norse. I.Title. BL860.L56 2001 293'.13—dc21 2001058370 10987654321 Printed in the United States of America on acid-free paper CONTENTS A Note on Orthography, xv 1 Introduction, 1 The Historical Background, 2 -
The Sixteenth International Saga Conference Sagas and Space
THE SIXTEENTH INTERNATIONAL SAGA CONFERENCE SAGAS AND SPACE 9TH – 15TH AUGUST 2015 UNIVERSITY OF ZURICH & UNIVERSITY OF BASEL, SWITZERLAND PREPRINTS OF ABSTRACTS The Sixteenth International Saga Conference Sagas and Space 9th – 15th August 2015, University of Zurich and University of Basel Preprints of Abstracts Edited by Jürg Glauser, Klaus Müller-Wille, Anna Katharina Richter and Lukas Rösli Published by Schweizerische Gesellschaft für Skandinavische Studien c/o Abteilung für Nordische Philologie Deutsches Seminar Universität Zürich Print: ADAG Copy Shop Universitätsstrasse 8006 Zürich All rights reserved. Copyright © 2015, the Contributors. ISBN: 978-3-033-05167-6 https://sagaconference.unibas.ch/downloads Cover image: The first map of the Swiss Confederation by Albrecht von Bonstetten, 1480. In: Ms. Lat. 5656, fol. 8, National Library of France, Paris. Cover design by Anna Katharina Richter and Andi Gredig, Deutsches Seminar der Universität Zürich. Preface The general theme of The Sixteenth International Saga Conference which is held from the 9th to the 15th August 2015 at the University of Zurich and the University of Basel, Switzerland, is Sagas and Space. This Preprint Publication is principally meant to be a tool to assist participants in deciding which lectures, papers, roundtable discussions and posters to attend, and to have the possibility to read abstracts again even after the conference has ended. Papers and Project Presentations will be presented in one of the following thematic Strands: 1) Constructing Space 2) Mediality 3) Textuality and Manuscript Transmission 4) Reception of Old Norse-Icelandic Literature 5) Continental Europe and Medieval Scandinavia 6) Literatures of Eastern Scandinavia 7) Bodies and Senses in the Scandinavian Middle Ages 8) Open Altogether, the Preprint Publication includes abstracts of the four Plenary Lectures, the 190 Papers (including Project Presentations), the five Roundtable Discussions, and the five Posters. -
Hervarar Saga Ok Hei!Reks
VIKING SOCIETY FOR NORTHERN RESEARCH TEXT SERIES General Editor: G. Turville-Petre II HERVARAR SAGA OK HEI!REKS HERVARAR SAGA OK HEIÐREKS WITH NOTES AND GLOSSARY BY G. TURVILLE-PETRE INTRODUCTION BY CHRISTOPHER TOLKIEN VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON © Viking Society for Northern Research 1956 Reprinted 1976 with minor corrections and additional bibliography Reprinted 1997 in the University of Birmingham Reprinted 2006 and 2014 (with minor corrections) by Short Run Press Limited, Exeter ISBN: 978-0-903521-11-6 PREFACE The Heruarar Saga ok Heidreks has been selected as the second volume in the Viking Society's Text Series since it stands in sharp contrast to the first volume, the Gunnlaugs Saga, representing an entirely different branch of Icelandic fiterature. The Gunnlaugs Saga might be read as an historical novel, but with the Hervarar Saga we pass into a world of legend and myth. The verses contained in this saga are of particular interest; they represent three distinct styles and are among the most beautiful of their kind. The textual history of this saga is unusually com- plicated, and the text here presented has been prepared and carefully normalized by Dr, GuSni J6nsson on the basis of the critical edition of Dr, J6n Helgason {Heidreks Saga, Copenhagen 1924), in which fidl variant apparatus is provided. It has been decided to keep the Notes in the present book as short as possible, but it is hoped that the Glossary will provide such information as the student needs for enjojmient of the text, I wish first of all to thank Christopher Tolkien, whose knowledge of the legends of this saga has exceptional value, for contributing the Introduction and advising me on many points of detail, Peter G, Foote has kindly read the proofs of the Glossary and saved me from many pitfalls, and Dr, Einar Cl, Sveinsson has also given helpful advice.