Rome, the Eternal City
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For a History of the Use of the Antoninian Baths: Owners, Excavations and Dispossession
ArcHistoR anno VII (2020) n. 13 For a History of the Use of the Antoninian Baths: Owners, Excavations and Dispossession Isabella Salvagni For centuries, the monumental ruins of the Baths of Caracalla in Rome have attracted the attention of humanists, philologists and antique dealers, tickling their curiosity and arousing imaginative reconstructions. From the forefathers to the spokespersons of modern archaeology, it is this discipline that has mostly directed and guided the most recent studies on the complex, from the 1800s to today. However, while the ‘archaeological’ vocation constitutes the most evident and representative essence of these remains, for over a thousand years the whole area over which they lay was mainly used as agricultural land divided and passed on from hand to hand through countless owners. An attempt is made to provide a brief overview of this long and little-known history of use, covering the 300 years from the mid-16th century to the Unification of Italy. Starting from the identification of some of the many figures who have alternated over time as owners of the individual estates in different capacities, the story gives us a valuable amount of information also relating to what the owners themselves, as customers, have deliberated and conducted on the farms which they used, cultivating them, building and directing stripping, excavation, accommodation, reuse, and destruction operations, while providing us with useful data for the analysis of the transformative mechanisms of the land use of this portion of the city, to be related to the more general urban history of Rome. AHR VII (2020) n. -
Pagan-City-And-Christian-Capital-Rome-In-The-Fourth-Century-2000.Pdf
OXFORDCLASSICALMONOGRAPHS Published under the supervision of a Committee of the Faculty of Literae Humaniores in the University of Oxford The aim of the Oxford Classical Monographs series (which replaces the Oxford Classical and Philosophical Monographs) is to publish books based on the best theses on Greek and Latin literature, ancient history, and ancient philosophy examined by the Faculty Board of Literae Humaniores. Pagan City and Christian Capital Rome in the Fourth Century JOHNR.CURRAN CLARENDON PRESS ´ OXFORD 2000 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University's aim of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris SaÄo Paulo Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries Published in the United States by Oxford University Press Inc., New York # John Curran 2000 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2000 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same conditions on any acquirer British Library Cataloguing in Publication Data Data applied for Library of Congress Cataloging in Publication Data Curran, John R. -
Romacultura Agosto 2016
ROMACULTURA AGOSTO 2016 La Chiesa e l’Ospedale dei Genovesi Il magico e il sacro a Trastevere ricordando la peste ROMACULTURA Ma il problema è l’alcool Registrazione Tribunale di Roma n.354/2005 DIRETTORE RESPONSABILE Passeggiate: Tra le Serviane e le Aureliane Stefania Severi RESPONSABILE EDITORIALE Claudia Patruno La chiesa e l’ospedale dei “tignosi” CURATORE INFORMAZIONI D’ARTE Gianleonardo Latini La Mongolia non è solo Gengis Khan EDITORE Hochfeiler via Moricone, 14 00199 Roma Imperatori restaurati ai Capitolini Tel. 39 0662290594/549 www.hochfeiler.it Felix Austria San Cosimato: Da monastero ad ospedale La Spina: Oltre due millenni di storia 1 Pagina ROMA CULTURA Registrazione Tribunale di Roma n.354/2005 Edizioni Hochfeiler ……………… LA CHIESA E L’OSPEDALE DEI GENOVESI In via Anicia, in Trastevere, dietro l’abside della chiesa di Santa Cecilia fiancheggia la strada un edificio che comprende la facciata di una chiesa di non grandi dimensioni e un muro, con un bel portale, che racchiude l’antico ospedale dei Genovesi. Il complesso fu edificato negli ultimi due decenni del ‘400 per la munificenza di un mercante di Genova, Medialuce Cicala, che decise di assistere i suoi connazionali in difficoltà. All’epoca il porto fluviale di Roma era situato nella zona dove ora si trova l’Ospizio del San Michele; intorno all’approdo gravitava una svariata umanità di mercanti, marinai, pescatori, barcaioli, facchini, osti, locandieri e tra loro erano numerosi i cittadini della Repubblica di Genova Il Cicala lasciò i suoi beni legandoli alla costruzione di una chiesa e di un ospedale destinati ad accogliere i suoi connazionali malati; l’ospedale fu edificato dopo il 1482 mentre la chiesa, dedicata a San Giovanni Battista, è citata dalle fonti la prima volta nel 1492. -
Rodolfo Lanciani, the Ruins and Excavations of Ancient Rome, 1897, P
10/29/2010 1 Primus Adventus ad Romam Urbem Aeternam Your First Visit to Rome The Eternal City 2 Accessimus in Urbe AeternA! • Welcome, traveler! Avoiding the travails of the road, you arrived by ship at the port of Ostia; from there, you’ve had a short journey up the Via Ostiensis into Roma herself. What do you see there? 3 Quam pulchra est urbs aeterna! • What is there to see in Rome? • What are some monuments you have heard of? • How old are the buildings in Rome? • How long would it take you to see everything important? 4 Map of Roma 5 The Roman Forum • “According to the Roman legend, Romulus and Tatius, after the mediation of the Sabine women, met on the very spot where the battle had been fought, and made peace and an alliance. The spot, a low, damp, grassy field, exposed to the floods of the river Spinon, took the name of “Comitium” from the verb coire, to assemble. It is possible that, in consequence of the alliance, a road connecting the Sabine and the Roman settlements was made across these swamps; it became afterwards the Sacra Via…. 6 The Roman Forum • “…Tullus Hostilius, the third king, built a stone inclosure on the Comitium, for the meeting of the Senators, named from him Curia Hostilia; then came the state prison built by Ancus Marcius in one of the quarries (the Tullianum). The Tarquin [kings] drained the land, gave the Forum a regular (trapezoidal) shape, divided the space around its borders into building- lots, and sold them to private speculators for shops and houses, the fronts of which were to be lined with porticoes.” --Rodolfo Lanciani, The Ruins and Excavations of Ancient Rome, 1897, p. -
Refractions of Rome in the Russian Political Imagination by Olga Greco
From Triumphal Gates to Triumphant Rotting: Refractions of Rome in the Russian Political Imagination by Olga Greco A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Comparative Literature) in the University of Michigan 2015 Doctoral Committee: Professor Valerie A. Kivelson, Chair Assistant Professor Paolo Asso Associate Professor Basil J. Dufallo Assistant Professor Benjamin B. Paloff With much gratitude to Valerie Kivelson, for her unflagging support, to Yana, for her coffee and tangerines, and to the Prawns, for keeping me sane. ii TABLE OF CONTENTS Dedication ............................................................................................................................... ii Introduction ............................................................................................................................. 1 Chapter I. Writing Empire: Lomonosov’s Rivalry with Imperial Rome ................................... 31 II. Qualifying Empire: Morals and Ethics of Derzhavin’s Romans ............................... 76 III. Freedom, Tyrannicide, and Roman Heroes in the Works of Pushkin and Ryleev .. 122 IV. Ivan Goncharov’s Oblomov and the Rejection of the Political [Rome] .................. 175 V. Blok, Catiline, and the Decomposition of Empire .................................................. 222 Conclusion ........................................................................................................................... 271 Bibliography ....................................................................................................................... -
Catacombs of Rome
Catacombs of Rome The Catacombs of Rome (Italian: Catacombe di Roma) are ancient catacombs, underground burial places under Rome, Italy, of which there are at least forty, some discovered only in recent decades. Though most famous for Christian burials, either in separate catacombs or mixed together, people of all the Roman religions are buried in them, beginning in the 2nd century AD,[1] mainly as a response to overcrowding and shortage of land. The Etruscans, like many other European peoples, used to bury their dead in underground chambers. The original Roman custom was cremation, after which the burnt remains were kept in a pot, ash-chest or urn, often in a columbarium. From about the 2nd century AD, inhumation (burial of unburnt remains) became more fashionable, in graves or sarcophagi, often elaborately carved, for those who could afford them. Christians also preferred burial to cremation because of their belief in bodily resurrection at the Second Coming. The Park of the Caffarella and Colli Albani (Rome Metro) are nearby. The Christian catacombs are extremely important for the art history of Early Christian art, as they contain the great majority of examples from before about 400 AD, in fresco and sculpture, as well as gold glass medallions (these, like most bodies, have been removed). The Jewish catacombs are similarly important for the study of Jewish culture at this period. A number of dubious relics of A Procession in the Catacomb of catacomb saints were promoted after the rediscovery of the catacombs. Callixtus, 1905 by Alberto -
Recent Discoveries in the Forum, 1898-1904
Xil^A.: ORum 1898- 1:904 I^H^^Hyj|Oj|^yL|i|t I '^>^J:r_J~ rCimiR BADDELEY '•^V^^^' ^^^ i^. J^"A % LIBRARY RECENT DISCOVERIES IN THE FORUM Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/recentdiscoverieOObadd ^%p. ji^sa&i jI Demolishing the Houses Purchased by Mp. L. Piitlltps (1899) Frontispiece RECENT DISCOVERIES IN THE FORUM 1898-1904 BY AN EYE-WITNESS S:i^ CLAIR BADDELEY BEING A HANDBOOK FOR TRAVELLERS, WITH A MAP MADE FOR THIS WORK BY ORDER OF THE DIRECTOR OF THE EXCAVATIONS AND 45 ILLUSTRATIONS LONDON GEORGE ALLEN, 156, CHARING CROSS ROAD 1904 [All rights reserved] -. s* r \ i>< ^^ARY# r^ ¥ ^ y rci/O FEB 26 'X_> Printed by BALLANTYNK, HANSON <5r» Co. At the Ballantyne Press TO LIONEL PHILLIPS, Esq, IN MEMORY OF DAYS IN THE FORUM PREFATORY NOTE 1 HAVE heard life in the Forum likened unto ' La Citta Morte/ wherein the malign influences of ancient crimes rise up from the soil and evilly affect those who live upon the site. I have also heard it declared to be a place dangerous to physical health. It is with gratifi- cation, therefore, after living therein, both beneath it and above, as few can have done, for considerable portions of the last six years, that I can bring solid evidence to belie both accusations. They indeed would prove far more applicable if levelled at certain other august centres of Rome. For I find it necessary to return thanks here for valuable assistance given to me without hesitation and at all times, not only by my personal friend Comm. -
An Introduction to Roman Epigraphy an Inscription in the Lapis Niger
To read or not to read: an introduction to Roman epigraphy An inscription in the Lapis Niger (‘Black Stone’) The Lapis Niger, an area of ill-omen and an early cult site in the Forum Romanum, was paved in black stone by Sulla around 80 BC. It provides the earliest evidence of Rome’s comitium (an assembly meeting-point) and contains one of the oldest surviving inscriptions in ancient Rome. The archaic inscription found within this area, often called a cippus (CIL 1.2.1), is an excellent case study, both for archaic Rome and for the use of inscriptions as evidence. This unassuming slab of grey tufa has the distinction of being one of the most confounding objects from antiquity. Even the name, Lapis Niger, often used by scholars for the inscription, is a term coined by the ancient sources for the area around Sulla’s pavement (not the inscription itself). To assess some of the mysteries behind this inscription one must examine it both as a text and as a monument. This involves looking not only at the writing but how it was displayed and in what context it was placed. In this respect the inscription falls within a number of fields, and requires literary, archaeological, geographic and sometimes geological analysis. This study will consider a number of different approaches to show to illustrate both the insights and the limitations of this source. The role of context: what can urban and archaeological contexts tell us about an inscription? The location of this inscription and the fact that it remains in situ provides a wealth of information (especially in Rome, a city that is notorious for ‘eating itself’: materials are often moved and reused). -
De Ornanda Instruendaque Urbe Anne Truetzel
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2011 De Ornanda Instruendaque Urbe Anne Truetzel Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Truetzel, Anne, "De Ornanda Instruendaque Urbe" (2011). All Theses and Dissertations (ETDs). 527. https://openscholarship.wustl.edu/etd/527 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department of Classics De Ornanda Instruendaque Urbe: Julius Caesar’s Influence on the Topography of the Comitium-Rostra-Curia Complex by Anne E. Truetzel A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Master of Arts August 2011 Saint Louis, Missouri ~ Acknowledgments~ I would like to take this opportunity to thank the Classics department at Washington University in St. Louis. The two years that I have spent in this program have been both challenging and rewarding. I thank both the faculty and my fellow graduate students for allowing me to be a part of this community. I now graduate feeling well- prepared for the further graduate study ahead of me. There are many people without whom this project in particular could not have been completed. First and foremost, I thank Professor Susan Rotroff for her guidance and support throughout this process; her insightful comments and suggestions, brilliant ideas and unfailing patience have been invaluable. -
Nel Foro Volano Le Api D'oro
2021 Nel foro volano le api d’oro AN INSTALLATION BY RAFFAELE CURI In the Torre dei Santi Luca e Martina at the Roman Forum via della Curia 4 The UN General Assembly decided to declare 20 May as World Bee Day, the aim being to help preserve the existence of an insect of vital importance for life on earth. To mark this day, the Fondazione Alda Fendi – Esperimenti is presenting its new artistic experiment in the Torre dei Santi Luca e Martina in the Roman Forum: the installation Nel Foro volano le api d’oro – Teocrito [In the Forum Fly Golden Bees – Theocritus] by the artist Raffaele Curi, on view from 20 May to 21 June 2021. Admission free. Two visitors may enter at a time. 2 Rome 20 may - 21 june 2021 3 Bees are at the centre of the vision of Raffaele Curi, who illuminates with golden reflections one of the most beautiful places in the world – the heart of the Caput Mundi, among ancient remains testifying to the power of ancient Rome – in a dialogue with the Baroque of Pietro da Cortona, the architect who designed the church of Santi Luca e Martina in front of the Mamertine Prison where Saint Peter was once imprisoned. 4 A sense of sacredness pervades the entire installation, which collates photographs and images borrowed from art history, with a synchronic gaze so bold as to bring together different cultures and epochs and to erase any temporal distance. Visitors find themselves walking on a carpet of words moved by the breeze, while the air is filled with the song of bees, with their busy conversations, incomprehensible to us and yet pervaded by a hypnotic and profound musicality. -
Annuario 2013-2014 Accademia Nazionale Di San Luca Indice Annuario 2013-2014 a Cura Di Francesco Moschini Annuario 2013-2014
ACCADEMIA NAZIONALE DI SAN LUCA ANNUARIO 2013-2014 ACCADEMIA NAZIONALE DI SAN LUCA INDICE Annuario 2013-2014 a cura di Francesco Moschini Annuario 2013-2014 7 Oltre quattro secoli di storia. Verso il futuro Elaborazione e aggiornamento contenuti 15 Statuto dell’Accademia Nazionale di San Luca Simona Antonelli 27 Regolamento dello Statuto Laura Bertolaccini 31 Consoli dell’Università di San Luca Elisa Camboni Anna Maria De Gregorio 33 Principi dell’Accademia di San Luca Isabella Fiorentino 37 Presidenti dell’Accademia di San Luca Antonella Lavorgna Alessio Miccinilli Albo dell’Accademia 41 Presidenza 2013-2014 42 Consiglio accademico 43 Cariche accademiche 44 Accademici Nazionali Pittori 46 Accademici Nazionali Scultori 48 Accademici Nazionali Architetti 50 Accademici Stranieri Pittori Coordinamento e cura redazionale 50 Accademici Stranieri Scultori Laura Bertolaccini 51 Accademici Stranieri Architetti 52 Accademici Cultori Italiani e Stranieri 54 Accademici Benemeriti Italiani e Stranieri 56 Accademici scomparsi 2013-2014 Elenco Accademici Stampato in Italia da Tipolitografia Trullo, Roma 57 Indirizzario Accademici © Copyright 2015 Accademia Nazionale di San Luca www.accademiasanluca.eu Premio Presidente della Repubblica ISSN 0393-859X 83 Storia del Premio Nazionale per le Arti ISBN 978-88-97610-15-1 87 Elenco dei premiati 1950-2014 Attività 2013-2014 91 Conferenze, convegni, giornate di studio, ANNUARIO incontri, presentazioni di volumi o riviste 104 Didattica 2013-2014 104 Eventi, inaugurazioni, concerti 105 Mostre 106 Pubblicazioni -
The Lacus Curtius in the Forum Romanum and the Dynamics of Memory
THE LACUS CURTIUS IN THE FORUM ROMANUM AND THE DYNAMICS OF MEMORY A contribution to the study of memory in the Roman Republic AUTHOR: PABLO RIERA BEGUÉ SUPERVISOR: NATHALIE DE HAAN MA ETERNAL ROME 15/08/2017 ACKNOLEDGEMENTS I would first like to thank my thesis advisor Dr. Nathalie de Haan of the Faculty of arts at Radboud University. She was always willing to help whenever I ran into a trouble spot or had a question about my thesis. I would also like to thank Dr. Jeremia Pelgrom, director of studies in archaeology at the KNIR, for his invaluable advice on the present research. Without their passionate participation and input, I would not have been able to achieve the present result. I would also like to acknowledge the Koninklijk Nederlands Instituut Rome to permit me to conduct great part of my research in the city of Rome. This thesis would not have been possible without its generous scholarship program for MA students. Finally, I must express my very profound gratitude to my parents and Annelie de Graaf for providing me with unfailing support and continuous encouragement throughout my year of study and through the process of researching and writing this thesis. This accomplishment would not have been possible without them. Thank you. 1 Content INTRODUCTION ......................................................................................................................... 3 1. THEORETICAL FRAMEWORK ............................................................................................ 6 1.1 The evolution of ‘memory studies’