I. Guides to the State of the Field Song Research Tools
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BIbLIOGRAPHY 2016 AFI Annual Report. (2017). Alliance for Financial Inclusion. Retrieved July 31, 2017, from https://www.afi-global.org/sites/default/files/publica- tions/2017-05/2016%20AFI%20Annual%20Report.pdf. A Law of the Abolition of Currencies in a Small Denomination and Rounding off a Fraction, July 15, 1953, Law No.60 (Shōgakutsūka no seiri oyobi shiharaikin no hasūkeisan ni kansuru hōritsu). Retrieved April 11, 2017, from https:// web.archive.org/web/20020628033108/http://www.shugiin.go.jp/itdb_ housei.nsf/html/houritsu/01619530715060.htm. About PBC. (2018, August 21). The People’s Bank of China. Retrieved August 21, 2018, from http://www.pbc.gov.cn/english/130712/index.html. About Us. Alliance for Financial Inclusion. Retrieved July 31, 2017, from https:// www.afi-global.org/about-us. AFI Official Members. Alliance for Financial Inclusion. Retrieved July 31, 2017, from https://www.afi-global.org/sites/default/files/inlinefiles/AFI%20 Official%20Members_8%20February%202018.pdf. Ahamed, L. (2009). Lords of Finance: The Bankers Who Broke the World. London: Penguin Books. Alderman, L., Kanter, J., Yardley, J., Ewing, J., Kitsantonis, N., Daley, S., Russell, K., Higgins, A., & Eavis, P. (2016, June 17). Explaining Greece’s Debt Crisis. The New York Times. Retrieved January 28, 2018, from https://www.nytimes. com/interactive/2016/business/international/greece-debt-crisis-euro.html. Alesina, A. (1988). Macroeconomics and Politics (S. Fischer, Ed.). NBER Macroeconomics Annual, 3, 13–62. Alesina, A. (1989). Politics and Business Cycles in Industrial Democracies. Economic Policy, 4(8), 57–98. © The Author(s) 2018 355 R. Ray Chaudhuri, Central Bank Independence, Regulations, and Monetary Policy, https://doi.org/10.1057/978-1-137-58912-5 356 BIBLIOGRAPHY Alesina, A., & Grilli, V. -
This Article Appeared in a Journal Published by Elsevier. the Attached
This article appeared in a journal published by Elsevier. The attached copy is furnished to the author for internal non-commercial research and education use, including for instruction at the authors institution and sharing with colleagues. Other uses, including reproduction and distribution, or selling or licensing copies, or posting to personal, institutional or third party websites are prohibited. In most cases authors are permitted to post their version of the article (e.g. in Word or Tex form) to their personal website or institutional repository. Authors requiring further information regarding Elsevier’s archiving and manuscript policies are encouraged to visit: http://www.elsevier.com/copyright Author's personal copy e n v i r o n m e n t a l s c i e n c e & p o l i c y 1 4 ( 2 0 1 1 ) 1 1 3 2 – 1 1 3 8 available at www.sciencedirect.com journal homepage: www.elsevier.com/locate/envsci The environmental changes and mitigation actions in the Three Gorges Reservoir region, China a, b,1 Quanfa Zhang *, Zhiping Lou a Key Laboratory of Aquatic Botany and Watershed Ecology, Wuhan Botanical Garden, Chinese Academy of Sciences, Wuhan 430074, PR China b Bureau of Life Sciences and Biotechnology, Chinese Academy of Sciences, Beijing 100864, PR China a r t i c l e i n f o a b s t r a c t The Three Gorges Dam (TGD) is by far the world’s largest hydroelectric scheme. Due to its Published on line 17 August 2011 unprecedented magnitude, the TGD has been controversial ever since it was proposed in the early 20th century and building commenced in 1993. -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
The Web That Has No Weaver
THE WEB THAT HAS NO WEAVER Understanding Chinese Medicine “The Web That Has No Weaver opens the great door of understanding to the profoundness of Chinese medicine.” —People’s Daily, Beijing, China “The Web That Has No Weaver with its manifold merits … is a successful introduction to Chinese medicine. We recommend it to our colleagues in China.” —Chinese Journal of Integrated Traditional and Chinese Medicine, Beijing, China “Ted Kaptchuk’s book [has] something for practically everyone . Kaptchuk, himself an extraordinary combination of elements, is a thinker whose writing is more accessible than that of Joseph Needham or Manfred Porkert with no less scholarship. There is more here to think about, chew over, ponder or reflect upon than you are liable to find elsewhere. This may sound like a rave review: it is.” —Journal of Traditional Acupuncture “The Web That Has No Weaver is an encyclopedia of how to tell from the Eastern perspective ‘what is wrong.’” —Larry Dossey, author of Space, Time, and Medicine “Valuable as a compendium of traditional Chinese medical doctrine.” —Joseph Needham, author of Science and Civilization in China “The only approximation for authenticity is The Barefoot Doctor’s Manual, and this will take readers much further.” —The Kirkus Reviews “Kaptchuk has become a lyricist for the art of healing. And the more he tells us about traditional Chinese medicine, the more clearly we see the link between philosophy, art, and the physician’s craft.” —Houston Chronicle “Ted Kaptchuk’s book was inspirational in the development of my acupuncture practice and gave me a deep understanding of traditional Chinese medicine. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Ming-Qing Women's Song Lyrics to the Tune Man Jiang Hong
engendering heroism: ming-qing women’s song 1 ENGENDERING HEROISM: MING-QING WOMEN’S SONG LYRICS TO THE TUNE MAN JIANG HONG* by LI XIAORONG (McGill University) Abstract The heroic lyric had long been a masculine symbolic space linked with the male so- cial world of career and achievement. However, the participation of a critical mass of Ming-Qing women lyricists, whose gendered consciousness played a role in their tex- tual production, complicated the issue. This paper examines how women crossed gen- der boundaries to appropriate masculine poetics, particularly within the dimension of the heroic lyric to the tune Man jiang hong, to voice their reflections on larger historical circumstances as well as women’s gender roles in their society. The song lyric (ci 詞), along with shi 詩 poetry, was one of the dominant genres in which late imperial Chinese women writers were active.1 The two conceptual categories in the aesthetics and poetics of the song lyric—“masculine” (haofang 豪放) and “feminine” (wanyue 婉約)—may have primarily referred to the textual performance of male authors in the tradition. However, the participation of a critical mass of Ming- Qing women lyricists, whose gendered consciousness played a role in * This paper was originally presented in the Annual Meeting of the Association for Asian Studies, New York, March 27-30, 2003. I am deeply grateful to my supervisor Grace S. Fong for her guidance and encouragement in the course of writing this pa- per. I would like to also express my sincere thanks to Professors Robin Yates, Robert Hegel, Daniel Bryant, Beata Grant, and Harriet Zurndorfer and to two anonymous readers for their valuable comments and suggestions that led me to think further on some critical issues in this paper. -
Phoenix Tree Holdings Limited
SECURITIES AND EXCHANGE COMMISSION FORM F-1 Registration statement for securities of certain foreign private issuers Filing Date: 2019-10-28 SEC Accession No. 0001047469-19-005933 (HTML Version on secdatabase.com) FILER Phoenix Tree Holdings Ltd Mailing Address Business Address ROOM 212, CHAO YANG ROOM 212, CHAO YANG CIK:1785154| IRS No.: 000000000 | State of Incorp.:E9 | Fiscal Year End: 1231 SHOU FU, SHOU FU, Type: F-1 | Act: 33 | File No.: 333-234354 | Film No.: 191173403 8 CHAO YANG MEN NEI ST, 8 CHAO YANG MEN NEI ST, SIC: 6513 Operators of apartment buildings DONGCHENG DIST DONGCHENG DIST BEIJING F4 100010 BEIJING F4 100010 86-10-5717-6925 Copyright © 2019 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document Use these links to rapidly review the document TABLE OF CONTENTS PHOENIX TREE HOLDINGS LIMITED INDEX TO THE CONSOLIDATED FINANCIAL STATEMENTS Table of Contents As filed with the Securities and Exchange Commission on October 28, 2019 Registration No. 333- SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form F-1 REGISTRATION STATEMENT UNDER THE SECURITIES ACT OF 1933 Phoenix Tree Holdings Limited (Exact name of Registrant as specified in its charter) Cayman Islands 7370 Not Applicable (State or Other Jurisdiction of (Primary Standard Industrial (I.R.S. Employer Incorporation or Organization) Classification Code Number) Identification Number) Room 212, Chao Yang Shou Fu 8 Chao Yang Men Nei Street Dongcheng District, Beijing 100010 People's Republic of China +86-10-5717-6925 (Address, including zip code, and telephone number, including area code, of Registrant's principal executive offices) Cogency Global Inc. -
The Auspicious Image at the Court of Huizong Author(S): Peter C
The Smithsonian Institution Regents of the University of Michigan Cranes above Kaifeng: The Auspicious Image at the Court of Huizong Author(s): Peter C. Sturman Source: Ars Orientalis, Vol. 20 (1990), pp. 33-68 Published by: Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan Stable URL: http://www.jstor.org/stable/4629400 . Accessed: 05/08/2011 12:38 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Smithsonian Institution and Regents of the University of Michigan are collaborating with JSTOR to digitize, preserve and extend access to Ars Orientalis. http://www.jstor.org CRANESABOVE KAIFENG:THE AUSPICIOUS IMAGEAT THE COURT OF HUIZONG BY PETER C. STURMAN AMONG THE MANYBEAUTIFUL PAINTINGS ATTIRIBUTED TO THE consider to be the much more significant issue of late Northern Song emperor Huizong (r. A.D. 1100- style. Gathering support from textual sources, includ- 1125), none is so enchanting as the short handscroll ing one written by a contemporary witness to the entitled "Auspicious Cranes" (Fig. 1).' Twenty white activities of Huizong's court, Xu Bangda has argued cranes appear against an azure sky above city gates that the "true"Huizongs are not these fine, jewel-like bathed in magical clouds. -
STUDY of the GENETIC DIVERSITY of KILLER CELL IMMUNOGLOBULIN LIKE RECEPTORS (Kirs) in SOME HUMAN POPULATIONS of SUB-HIMALAYAN REGION
STUDY OF THE GENETIC DIVERSITY OF KILLER CELL IMMUNOGLOBULIN LIKE RECEPTORS (KIRs) IN SOME HUMAN POPULATIONS OF SUB-HIMALAYAN REGION. A THESIS SUBMITTED TO THE UNIVERSITY OF NORTH BENGAL FOR THE AWARD OF DOCTOR OF PHILOSOPHY (Ph.D.) IN ZOOLOGY BY POKHRAJ GUHA SUPERVISOR Prof. Tapas K. Chaudhuri CO-SUPERVISOR Dr. Soumen Bhattacharjee Dr. Biswajit Haldar DEPARTMENT OF ZOOLOGY UNIVERSITY OF NORTH BENGAL JANUARY 2017 DEDICATED TO MY PARENTS AND MY MENTOR PROF. T.K. CHAUDHURI. DECLARATION I declare that the thesis entitled “STUDY OF THE GENETIC DIVERSITY OF KILLER CELL IMMUNOGLOBULIN LIKE RECEPTORS (KIRs) IN SOME HUMAN POPULATIONS OF SUB-HIMALAYAN REGION”, has been prepared by me under the guidance of Prof. T.K. Chaudhuri and Dr. Soumen Bhattacharjee, Department of Zoology, University of North Bengal and Dr. Biswajit Halder, Department of Pathology, North Bengal Medical College and Hospital. No part of the thesis has formed the basis for the award of any degree or fellowship previously. (Pokhraj Guha) Department of Zoology University of North Bengal Raja Rammohunpur, Dist. Darjeeling Dated: 19.01.2017 PREFACE I started my research work in 2009 under the supervision and expert guidance of Prof. T. K. Chaudhuri and co-supervision of Dr. Soumen Bhattacharjee, Department of Zoology, University of North Bengal, and Dr. Biswajit Halder, Department of Pathology, North Bengal Medical College and Hospital, Sushrutnagar, Dist. Darjeeling. My entire work has been documented in this dissertation entitled “STUDY OF THE GENETIC DIVERSITY OF KILLER CELL IMMUNOGLOBULIN LIKE RECEPTORS (KIRS) IN SOME HUMAN POPULATIONS OF SUB-HIMALAYAN REGION”. Killer-cell immunoglobulin-like receptors (KIR) constitute a family of receptor molecules that are present on both natural killer (NK) cells as well as on a subset of T- lymphocytes. -
Wt/Tpr/G/375
RESTRICTED WT/TPR/G/375 6 June 2018 (18-3454) Page: 1/23 Trade Policy Review Body Original: English TRADE POLICY REVIEW REPORT BY CHINA Pursuant to the Agreement Establishing the Trade Policy Review Mechanism (Annex 3 of the Marrakesh Agreement Establishing the World Trade Organization), the policy statement by China is attached. Note: This report is subject to restricted circulation and press embargo until the end of the first session of the meeting of the Trade Policy Review Body on China. WT/TPR/G/375 • China - 2 - Contents 1 INTRODUCTION ........................................................................................................... 3 2 NEW ERA, NEW THOUGHT AND NEW VISION ............................................................... 3 3 APPLYING A NEW DEVELOPMENT VISION AND ESTABLISHING NEW INSTITUTIONS OF AN OPEN ECONOMY ............................................................................ 4 3.1 Setting new mechanisms for sustainable trade development .............................................. 4 3.2 Creating more attractive investment environment ............................................................ 5 3.3 Supporting outbound direct investment cooperation for mutual benefits and win-win with host countries and regions ............................................................................................ 8 3.4 Strengthening the protection of intellectual property rights ................................................ 8 3.5 Building pilot free trade zones according to high standard ................................................ -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
Meaning Beyond Words: Games and Poems in the Northern Song Author(S): Colin Hawes Source: Harvard Journal of Asiatic Studies, Vol
Poésie chinoise et modernité Wang Yucheng 王禹偁 (954-1001) (1) Le chant de l'âne blessé par un corbeau 烏啄瘡驢歌 Pourquoi les corbeaux des monts Shang sont-ils si cruels, Avec leur bec plus long qu'un clou, plus pointu qu'une flèche ! Qu'ils attrapent les insectes, qu'ils brisent des oeufs à leur guise, Mais pourquoi s'en prendre à ma bête déjà blessée ? Depuis un an que je suis banni à Shangyu, J'ai confié tout mon bagage à mon âne boiteux. Dans les Qinling aux falaises escarpées il est grimpé, Avec mes nombreux volumes chargés sur le dos. Une profonde blessure l'avait balafré de l'échine à la panse, Et il a fallu six mois de soins pour qu'enfin il commence à guérir. Mais hier ce corbeau a soudainement fondu sur lui, Becquetant la vieille plaie pour arracher la nouvelle chair. Mon âne a rugi, mon serviteur a grondé, mais envolé le corbeau ! Sur mon toit il s'est juché, aiguisant son bec et battant des ailes. Mon âne n'a rien pu faire, mon serviteur n'a rien pu faire, Quel malheur que de n'avoir ni arc ni filet pour l'attraper ! Nous devons compter sur les rapaces de ces montagnes, Ou prier le voisin de prêter le faisan aux couleurs d'automne : Que leurs serres de fer, que ses griffes crochues, Brisent le cou de ce corbeau, qu'ils dévorent la cervelle de ce corbeau! Mais qu'ils ne songent pas seulement à se remplir le ventre : Il s'agit surtout d'aider à venger un âne blessé ! 1 梅堯臣 Mei Yaochen (1002-1060) 舟中夜與家人飲 (2) La nuit sur un bateau, buvant avec mon épouse 月出斷岸口 La lune qui se lève écorne la falaise, 影照別舸背 Sa lumière découpe la poupe du bateau; 且獨與婦飲 Je bois tout seul avec mon épouse, 頗勝俗客對 Et c'est bien mieux qu'avec l'habituelle compagnie.