APA NEWSLETTER on Asian and Asian-American Philosophers and Philosophies
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Clara Wing-Chung Ho FUSHI
Clara Wing-chung Ho FUSHI: THE SECOND SEX AND THE THIRD SEX IN TRADITIONAL CHINA* A Double Meaning of Fushi If we borrow the Western concept to describe women as the second sex in Chinese history,1 then eunuchs could certainly be understood as the third sex.2 The third sex was an artificial one. It was the first sex, male, aiming to ensure the chastity of the second sex, who created a third sex. In imperial families, castration of male attendants made it possible to prevent palace * The author gratefully acknowledges Professor Kwai-cheung Lo, who read the first draft of this article and offered many valuable comments. An earlier version of this article was presented at the workshop “The Future of Chinese Gender Studies in Europe, Asia and the United States” held in Luxembourg, June 24-26, 2005. The author also acknowledges all the constructive comments and suggestions given by the workshop participants, Professors Harriet Zurndorfer and Angela Ki Che Leung in particular. The author is also grateful to Professor Paolo Santan- gelo and Dr. Donatella Guida for their editorial assistance. The shortcomings of the final ver- sion are, of course, the author’s own. 1 Simone de Beauvior’s (1908-1986) Le Deuxième Sexe (The Second Sex) was first published in French in 1949. Employing biological, psychological and historical analysis, it explains how the men-women relation was compared to the master-slave relation. The book was soon trans- lated into many languages and became a major and well-known reference on gender studies in the second half of the 20th century. -
Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit Name 1.1 Periodisation Sanskrit Dhyāna 1.2 Origins and Taoist Influences (C
7/11/2014 Zen - Wikipedia, the free encyclopedia Zen From Wikipedia, the free encyclopedia Zen is a school of Mahayana Buddhism[note 1] that Zen developed in China during the 6th century as Chán. From China, Zen spread south to Vietnam, northeast to Korea and Chinese name east to Japan.[2] Simplified Chinese 禅 Traditional Chinese 禪 The word Zen is derived from the Japanese pronunciation of the Middle Chinese word 禪 (dʑjen) (pinyin: Chán), which in Transcriptions turn is derived from the Sanskrit word dhyāna,[3] which can Mandarin be approximately translated as "absorption" or "meditative Hanyu Pinyin Chán state".[4] Cantonese Zen emphasizes insight into Buddha-nature and the personal Jyutping Sim4 expression of this insight in daily life, especially for the benefit Middle Chinese [5][6] of others. As such, it de-emphasizes mere knowledge of Middle Chinese dʑjen sutras and doctrine[7][8] and favors direct understanding Vietnamese name through zazen and interaction with an accomplished Vietnamese Thiền teacher.[9] Korean name The teachings of Zen include various sources of Mahāyāna Hangul 선 thought, especially Yogācāra, the Tathāgatagarbha Sutras and Huayan, with their emphasis on Buddha-nature, totality, Hanja 禪 and the Bodhisattva-ideal.[10][11] The Prajñāpāramitā Transcriptions literature[12] and, to a lesser extent, Madhyamaka have also Revised Romanization Seon been influential. Japanese name Kanji 禅 Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit name 1.1 Periodisation Sanskrit dhyāna 1.2 Origins and Taoist influences (c. 200- 500) 1.3 Legendary or Proto-Chán - Six Patriarchs (c. 500-600) 1.4 Early Chán - Tang Dynasty (c. -
Female Images in the Late Ming-Dynasty Chinese Erotic Paintings
A Political Fantasy: Female Images in the Late Ming-Dynasty Chinese Erotic Paintings Senior Honors Thesis Department of Art and Art History By Yuhan Qin Tufts University Medford, Massachusetts TABLE OF CONTENTS List of Illustrations ···························································································································iii Introduction········································································································································1 CHAPTER 1: Is Ming Erotic Painting Art or Pornography? ···················································9 CHAPTER 2: Gender and Body Structure··················································································23 CHAPTER 3: Gaze and Spectatorship·························································································31 Conclusion·········································································································································43 Plates··················································································································································45 Bibliography······································································································································61 ii LIST OF ILLUSTRATIONS Figure 1: Tang Yin, Tao Gu Presenting a Poem (陶穀赠词). Ming Dynasty, hanging scroll, ink and colors on silk, 168.8*102.1 cm. National Palace Museum, Taipei. Figure 2: Anonymous, “Enjoy erotic albums together” (共赏春画). Ming -
Schelling: Understanding German Idealism
SCHELLING Understanding German Idealism ◊ by Michael Tsarion Copyright ©2016 Unslaved Media. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any mechanical, photocopying, recording or otherwise, without the publisher's permission. First Kindle Edition, July 2016 DEDICATIONS This book is dedicated to the memory of Friedrich Wilhelm Joseph Schelling, Georg Wilhelm Friedrich Hegel, Eduard von Hartmann, Jacob Bohme, Meister Eckhart, Nicholas Cusanus, George Berkeley, William Blake, Rudolf Steiner, Wilhelm Reich, Gustave Le Bon, Ayn Rand, Alvin Boyd Kuhn and Otto Rank. ACKNOWLEDGEMENTS To Chris for technical support. To Bryan Magee. To Alan for being a good teacher way back then. TABLE OF CONTENTS INTRODUCTION 1. The Problem of Idealism 2. Back to the Mirror 3. The Freedom of Man 4. The Existential Trinity 5. The Fall of Albion 6. Nothing Higher Than Beauty 7. The Absolute Idealism of Hegel About Author INTRODUCTION Great things are done when men and mountains meet – William Blake I first began studying academic philosophy at a community college in Belfast in 1987. Although I did not take the classes to matriculate, my interest in Western philosophy, which had always been sincere, was enhanced considerably. We were fortunate to have a captivating tutor, a very rare thing in Northern Ireland in those days. Unlike ordinary school we were permitted to wear our own clothes rather than uniforms and even allowed to go about the college smoking. It was a barely bearable experience, but mission accomplished I activated my little grey cells and learned many interesting things. -
I. Guides to the State of the Field Song Research Tools
I. Guides to the State of the Field Page 1 of 125 Song Research Tools home | about | faq I. Guides to the State of the Field The late Etienne Balazs began formulating plans for an international, collaborative study of the Sung period as early as 1949 and formally initiated the "Sung Project" in 1954. The Project was responsible for some of the most valuable reference tools in this guide. Its history is related in: Ref (W) DS751.S86 1978x Yves Hervouet, "Introduction," (W) DS751.S86 1978x A Sung Bibliography Loc: Z3102 .S77 Hong Kong: The Chinese University Press, 1978, pp. vii-xiv. I.A. SOCIETIES, NEWSLETTERS, AND JOURNALS Societies Japan: Sōdaishi kenkyūkai 宋代史研究会 (Society for Song Studies): http://home.hiroshima-u.ac.jp/songdai/songdaishi-yanjiuhui.htm This site contains announcements for and reports on the annual meetings of the society, links to related sites, a bibliography of Japanese scholarship on Song studies (1982-2002) and a directory of Japanese scholars working in the field. Sōdaishi danwakai 宋代史談話會 (Society for the Study of Song History in Japan) http://www2u.biglobe.ne.jp/~songsong/songdai/danwakai.html Established in 1997 as a forum and reading group for young scholars of Song history active in Kyoto-Osaka-Kobe region. Includes meeting information, list of readings, and an announcement board. Sōdai shibun kenkyūkai 宋代詩文研究會 (Society for the Study of Song Literature) http://www9.big.or.jp/~co-ume/song/ http://www9.big.or.jp/~co-ume/song/danwakai.htm Includes announcements and a mailing list. Registration is required to get access to the full site. -
The Pennsylvania State University the Graduate School College of The
The Pennsylvania State University The Graduate School College of the Liberal Arts EXISTENTIALIST ROOTS OF FEMINIST ETHICS A Dissertation in Philosophy by Deniz Durmus Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2015 The dissertation of Deniz Durmus was reviewed and approved* by the following: Shannon Sullivan Professor of Philosophy Women's Studies, and African American Studies, Department Head, Dissertation Advisor, Co-Chair Committee Sarah Clark Miller Associate Professor of Philosophy, Associate Director of Rock Ethics Institute, Co-Chair Committee John Christman Professor of Philosophy, Women’s Studies Robert Bernasconi Edwin Erle Sparks Professor of Philosophy, African American Studies Christine Clark Evans Professor of French and Francophone Studies, Women’s Studies Amy Allen Liberal Arts Professor of Philosophy, Head of Philosophy Department *Signatures are on file in the Graduate School. ii ABSTRACT My dissertation “Existentialist Roots of Feminist Ethics” is an account of existentialist feminist ethics written from the perspective of ambiguous nature of interconnectedness of human freedoms. It explores existentialist tenets in feminist ethics and care ethics and reclaims existentialism as a resourceful theory in addressing global ethical issues. My dissertation moves beyond the once prevalent paradigm that feminist ethics should be devoid of any traditional ethical theories and it shows that an existential phenomenological ethics can complement feminist ethics in a productive way. The first chapter, introduces and discusses an existentialist notion of freedom based on Simone de Beauvoir and Jean Paul Sartre’s writings. In order to establish that human beings are metaphysically free, I explain notions of in-itself, for-itself, transcendence, immanence, facticity, and bad faith which are the basic notions of an existentialist notion of freedom. -
The Oxford Handbook of Philosophy of Social Science
c hapter 16 MODELS OF CULTURE Mark Risjord 16.1. Introduction Th e concept of culture is one of anthropology’s most signifi cant contributions to contemporary thought. What might be now called a “classical” conception of cul- ture developed in the mid-twentieth century. It treated cultures as homogeneous and systematic entities, something shared by individuals within a given social group. Descriptions of culture were thought to be abstracted from individual ac- tions, and appeal to culture was taken as explanatory, both of patterns of action within social groups and of diff erences among groups. Th e culture concept infl u- enced philosophers of language who relied on the idea that linguistic communities have relatively clear boundaries. Philosophical work on language and meaning, in turn, infl uenced both the anthropologists who developed the classical conception and their critics. Contemporary anthropological models of culture continue to be infl uenced by, and have deep relevance for, philosophical understanding of language, thought, and human nature. While the anthropological concept of culture is little more than one hun- dred years old, there have been many ways of conceptualizing it. In a famous survey, Alfred Kroeber and Clyde Kluckhohn ([1952] 1963 ) identifi ed 164 defi ni- tions of culture. At the risk of losing some of the texture of anthropological thought, this chapter will sort these defi nitions into a much smaller number of models. Th e earliest models treated cultures as collections of traits: a grab bag of ideas, material objects, habits, and texts. By the middle of the twentieth century, one of the dominant models came to emphasize norms, values, and beliefs as the central elements of culture, and this semiotic model is probably the notion most familiar to nonanthropologists. -
A Feminist Epistemological Framework: Preventing Knowledge Distortions in Scientific Inquiry
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2019 A Feminist Epistemological Framework: Preventing Knowledge Distortions in Scientific Inquiry Karina Bucciarelli Follow this and additional works at: https://scholarship.claremont.edu/scripps_theses Part of the Epistemology Commons, Feminist Philosophy Commons, and the Philosophy of Science Commons Recommended Citation Bucciarelli, Karina, "A Feminist Epistemological Framework: Preventing Knowledge Distortions in Scientific Inquiry" (2019). Scripps Senior Theses. 1365. https://scholarship.claremont.edu/scripps_theses/1365 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A FEMINIST EPISTEMOLOGICAL FRAMEWORK: PREVENTING KNOWLEDGE DISTORTIONS IN SCIENTIFIC INQUIRY by KARINA MARTINS BUCCIARELLI SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR SUSAN CASTAGNETTO PROFESSOR RIMA BASU APRIL 26, 2019 Bucciarelli 2 Acknowledgements First off, I would like to thank my wonderful family for supporting me every step of the way. Mamãe e Papai, obrigada pelo amor e carinho, mil telefonemas, conversas e risadas. Obrigada por não só proporcionar essa educação incrível, mas também me dar um exemplo de como viver. Rafa, thanks for the jokes, the editing help and the spontaneous phone calls. Bela, thank you for the endless time you give to me, for your patience and for your support (even through WhatsApp audios). To my dear friends, thank you for the late study nights, the wild dance parties, the laughs and the endless support. -
Parte I €“ Dilema éTico Y Virtud
Virtud y consecuencia en la literatura histórica y filosófica pre-Han y Han: el dilema ético en la filosofía y sociedad china César Guarde Paz ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tdx.cat) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tdx.cat) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
Meaning Beyond Words: Games and Poems in the Northern Song Author(S): Colin Hawes Source: Harvard Journal of Asiatic Studies, Vol
Poésie chinoise et modernité Wang Yucheng 王禹偁 (954-1001) (1) Le chant de l'âne blessé par un corbeau 烏啄瘡驢歌 Pourquoi les corbeaux des monts Shang sont-ils si cruels, Avec leur bec plus long qu'un clou, plus pointu qu'une flèche ! Qu'ils attrapent les insectes, qu'ils brisent des oeufs à leur guise, Mais pourquoi s'en prendre à ma bête déjà blessée ? Depuis un an que je suis banni à Shangyu, J'ai confié tout mon bagage à mon âne boiteux. Dans les Qinling aux falaises escarpées il est grimpé, Avec mes nombreux volumes chargés sur le dos. Une profonde blessure l'avait balafré de l'échine à la panse, Et il a fallu six mois de soins pour qu'enfin il commence à guérir. Mais hier ce corbeau a soudainement fondu sur lui, Becquetant la vieille plaie pour arracher la nouvelle chair. Mon âne a rugi, mon serviteur a grondé, mais envolé le corbeau ! Sur mon toit il s'est juché, aiguisant son bec et battant des ailes. Mon âne n'a rien pu faire, mon serviteur n'a rien pu faire, Quel malheur que de n'avoir ni arc ni filet pour l'attraper ! Nous devons compter sur les rapaces de ces montagnes, Ou prier le voisin de prêter le faisan aux couleurs d'automne : Que leurs serres de fer, que ses griffes crochues, Brisent le cou de ce corbeau, qu'ils dévorent la cervelle de ce corbeau! Mais qu'ils ne songent pas seulement à se remplir le ventre : Il s'agit surtout d'aider à venger un âne blessé ! 1 梅堯臣 Mei Yaochen (1002-1060) 舟中夜與家人飲 (2) La nuit sur un bateau, buvant avec mon épouse 月出斷岸口 La lune qui se lève écorne la falaise, 影照別舸背 Sa lumière découpe la poupe du bateau; 且獨與婦飲 Je bois tout seul avec mon épouse, 頗勝俗客對 Et c'est bien mieux qu'avec l'habituelle compagnie. -
Philosophy Emerging from Culture
Cultural Heritage and Contemporary Change Series I. Culture and Values, Volume 42 General Editor: George F. McLean Associate General Editor: William Sweet Philosophy Emerging from Culture Edited by William Sweet George F. McLean Oliva Blanchette Wonbin Park The Council for Research in Values and Philosophy Copyright © 2013 by The Council for Research in Values and Philosophy Box 261 Cardinal Station Washington, D.C. 20064 All rights reserved Printed in the United States of America Library of Congress Cataloging-in-Publication Philosophy emerging from culture / edited by William Sweet, George F. McLean, Oliva Blanchette. -- 1st [edition]. pages cm. -- (Cultural heritage and contemporary change. Series I, Culture and values ; Volume 42) 1. Philosophy and civilization. 2. Philosophy. 3. Culture. I. Sweet, William, editor of compilation. B59.P57 2013 2013015164 100--dc23 CIP ISBN 978-1-56518-285-1 (pbk.) TABLE OF CONTENTS Introduction: Philosophy Emerging From Culture 1 William Sweet and George F. McLean Part I: The Dynamics of Change Chapter I. What Remains of Modernity? Philosophy and 25 Culture in the Transition to a Global Era William Sweet Chapter II. Principles of Western Bioethics and 43 the HIV/AIDS Epidemic in Africa Workineh Kelbessa Chapter III. Rationality in Islamic Peripatetic and 71 Enlightenment Philosophies Sayyed Hassan Houssaini Chapter IV. Theanthropy and Culture According to Karol Wojtyla 87 Andrew N. Woznicki Chapter V. Al-Fārābī’s Approach to Aristotle’s Eudaimonia 99 Mostafa Younesie Part II: The Nature of Culture and its Potential as a Philosophical Source Chapter VI. A Realistic Interpretation of Culture 121 Jeu-Jenq Yuann Chapter VII. Rehabilitating Value: Questions of 145 Meaning and Adequacy Karim Crow Chapter VIII. -
The Mongolian Big Dipper Sūtra
JIABS Journal of the International Association of Buddhist Studies Volume 29 Number 1 2006 (2008) The Journal of the International Association of Buddhist Studies (ISSN 0193-600XX) is the organ of the International Association of Buddhist Studies, Inc. It welcomes scholarly contributions pertaining to all facets of Buddhist Studies. EDITORIAL BOARD JIABS is published twice yearly, in the summer and winter. KELLNER Birgit Manuscripts should preferably be sub- KRASSER Helmut mitted as e-mail attachments to: Joint Editors [email protected] as one single file, complete with footnotes and references, BUSWELL Robert in two different formats: in PDF-format, and in Rich-Text-Format (RTF) or Open- CHEN Jinhua Document-Format (created e.g. by Open COLLINS Steven Office). COX Collet GÓMEZ Luis O. Address books for review to: HARRISON Paul JIABS Editors, Institut für Kultur - und Geistesgeschichte Asiens, Prinz-Eugen- VON HINÜBER Oskar Strasse 8-10, AT-1040 Wien, AUSTRIA JACKSON Roger JAINI Padmanabh S. Address subscription orders and dues, KATSURA Shōryū changes of address, and UO business correspondence K Li-ying (including advertising orders) to: LOPEZ, Jr. Donald S. Dr Jérôme Ducor, IABS Treasurer MACDONALD Alexander Dept of Oriental Languages and Cultures SCHERRER-SCHAUB Cristina Anthropole SEYFORT RUEGG David University of Lausanne CH-1015 Lausanne, Switzerland SHARF Robert email: [email protected] STEINKELLNER Ernst Web: www.iabsinfo.net TILLEMANS Tom Fax: +41 21 692 30 45 ZÜRCHER Erik Subscriptions to JIABS are USD 40 per year for individuals and USD 70 per year for libraries and other institutions. For informations on membership in IABS, see back cover.