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SORS-2021-1.2.Pdf
Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 1.1 (Updated August 2020) Copyright © 2021 by Smithsonian Institution Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 5 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 6 Cooper-Hewitt, National Design Museum (CHNDM) ............................................................................................................................. -
Large Impact Basins on Mercury: Global Distribution, Characteristics, and Modification History from MESSENGER Orbital Data Caleb I
JOURNAL OF GEOPHYSICAL RESEARCH, VOL. 117, E00L08, doi:10.1029/2012JE004154, 2012 Large impact basins on Mercury: Global distribution, characteristics, and modification history from MESSENGER orbital data Caleb I. Fassett,1 James W. Head,2 David M. H. Baker,2 Maria T. Zuber,3 David E. Smith,3,4 Gregory A. Neumann,4 Sean C. Solomon,5,6 Christian Klimczak,5 Robert G. Strom,7 Clark R. Chapman,8 Louise M. Prockter,9 Roger J. Phillips,8 Jürgen Oberst,10 and Frank Preusker10 Received 6 June 2012; revised 31 August 2012; accepted 5 September 2012; published 27 October 2012. [1] The formation of large impact basins (diameter D ≥ 300 km) was an important process in the early geological evolution of Mercury and influenced the planet’s topography, stratigraphy, and crustal structure. We catalog and characterize this basin population on Mercury from global observations by the MESSENGER spacecraft, and we use the new data to evaluate basins suggested on the basis of the Mariner 10 flybys. Forty-six certain or probable impact basins are recognized; a few additional basins that may have been degraded to the point of ambiguity are plausible on the basis of new data but are classified as uncertain. The spatial density of large basins (D ≥ 500 km) on Mercury is lower than that on the Moon. Morphological characteristics of basins on Mercury suggest that on average they are more degraded than lunar basins. These observations are consistent with more efficient modification, degradation, and obliteration of the largest basins on Mercury than on the Moon. This distinction may be a result of differences in the basin formation process (producing fewer rings), relaxation of topography after basin formation (subduing relief), or rates of volcanism (burying basin rings and interiors) during the period of heavy bombardment on Mercury from those on the Moon. -
Get Smart with Art Is Made Possible with Support from the William K
From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco. -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A. -
Cambridge University Press 978-1-107-15445-2 — Mercury Edited by Sean C
Cambridge University Press 978-1-107-15445-2 — Mercury Edited by Sean C. Solomon , Larry R. Nittler , Brian J. Anderson Index More Information INDEX 253 Mathilde, 196 BepiColombo, 46, 109, 134, 136, 138, 279, 314, 315, 366, 403, 463, 2P/Encke, 392 487, 488, 535, 544, 546, 547, 548–562, 563, 564, 565 4 Vesta, 195, 196, 350 BELA. See BepiColombo: BepiColombo Laser Altimeter 433 Eros, 195, 196, 339 BepiColombo Laser Altimeter, 554, 557, 558 gravity assists, 555 activation energy, 409, 412 gyroscope, 556 adiabat, 38 HGA. See BepiColombo: high-gain antenna adiabatic decompression melting, 38, 60, 168, 186 high-gain antenna, 556, 560 adiabatic gradient, 96 ISA. See BepiColombo: Italian Spring Accelerometer admittance, 64, 65, 74, 271 Italian Spring Accelerometer, 549, 554, 557, 558 aerodynamic fractionation, 507, 509 Magnetospheric Orbiter Sunshield and Interface, 552, 553, 555, 560 Airy isostasy, 64 MDM. See BepiColombo: Mercury Dust Monitor Al. See aluminum Mercury Dust Monitor, 554, 560–561 Al exosphere. See aluminum exosphere Mercury flybys, 555 albedo, 192, 198 Mercury Gamma-ray and Neutron Spectrometer, 554, 558 compared with other bodies, 196 Mercury Imaging X-ray Spectrometer, 558 Alfvén Mach number, 430, 433, 442, 463 Mercury Magnetospheric Orbiter, 552, 553, 554, 555, 556, 557, aluminum, 36, 38, 147, 177, 178–184, 185, 186, 209, 559–561 210 Mercury Orbiter Radio Science Experiment, 554, 556–558 aluminum exosphere, 371, 399–400, 403, 423–424 Mercury Planetary Orbiter, 366, 549, 550, 551, 552, 553, 554, 555, ground-based observations, 423 556–559, 560, 562 andesite, 179, 182, 183 Mercury Plasma Particle Experiment, 554, 561 Andrade creep function, 100 Mercury Sodium Atmospheric Spectral Imager, 554, 561 Andrade rheological model, 100 Mercury Thermal Infrared Spectrometer, 366, 554, 557–558 anorthosite, 30, 210 Mercury Transfer Module, 552, 553, 555, 561–562 anticline, 70, 251 MERTIS. -
OSSI ~ but GAS KILNS from 2 Cu
I'D? -SAY- Î14AT- ö.Crmios/JS l.TrtE '^WOiMf'S . g M09T • fâsowàïiwe \ '«OSSI ~ BUT GAS KILNS from 2 cu. ft. to 60 cu. ft. All fire to 2500 F — some to 3000 F. Instrumentation for temperature control and a positive con- trol of atmosphere from highly oxidizing to reducing. ELECTRIC KILNS from 2 cu. ft. to 24 cu. ft. Front loading or top loading, — all models fire to 2350 F — some to 2800 F. Fully instrumented. POTTERY WHEELS come in several models, including an electroni- cally controlled variable speed wheel with constant torque. But re- member we still make the old "KICK WHEEL" too for those who prefer it. See our catalog for WARE TRUCKS, FORMULATING TABLES, GLAZE SPRAY BOOTHS, PUG MILLS, BALL MILLS, and many other items for classroom, shop, and studio. Our catalog illustrates a complete line of equipment to go with these kilns. Also available free of charge is our book- craft horizons January/February 1970 Vol. XXX No. 1 4 The Craftsman's World 8 Countercues 9 Calendar 10 Where to Show 11 Books 12 Letters 13 Our Contributors 14 The Listening Eye by Ann McMillan 20 The Jewelry of Art Smith 24 The Scholtens: Artist-Weavers by Bernardine de Neeve 30 African Travelogue: Part II by Margaret Merwin Patch 36 The Ceramics of Robert Arneson by David Zack 42 Exhibitions Next Issue: The March/April CRAFT HORIZONS will feature The John- son Collection, "Objects: USA," Part II, by poet John Ashbery, executive editor of Art News. The Cover: "Well—yes, I'd say that ceramics is the world's most fascin- ating hobby—but . -
Modern and Contemporary Art and Design + ®
MODERN AND CONTEMPORARY ART AND DESIGN + ® Tuesday, November 21, 2017 NEW YORK DOYLE+DESIGN® MODERN AND CONTEMPORARY ART AND DESIGN AUCTION Tuesday, November 21, 2017 at 10am EXHIBITION Saturday, November 18, 10am – 5pm Sunday, November 19, Noon – 5pm Monday, November 20, 10am – 6pm LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $35 PAINTINGS, SCULPTURE, & PRINTS INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Paintings 1-139 Joseph Bedics, Sr. Prints 140-164 Madelyn O. Biggs Furniture & Decorations 165-268 Rhoda Blumberg A Connecticut Collector Glossary I A Connecticut Private Estate Conditions of Sale II Marian W. Freedman Terms of Guarantee IV Shirley Hecht, Baltimore, Maryland Information on Sales & Use Tax V The Eva Kane Trust Buying at Doyle VI Ellin Jane Krinsly Trust Selling at Doyle VIII Dorothy Lewis 2013 Irrevocable Trust Auction Schedule IX Norman Mercer Company Directory X Barbara Rubin Absentee Bid Form XII Stanley Silverstein, New York Stephen Stempler Murray and Carol Tinkelman The James P. and Joan M. Warburg Collection INCLUDING PROPERTY FROM A Private Collection A Private Collector, Long Island A New York Corporate Collection The Collection of Faith Stewart-Gordon A Santa Barbara Collector The Watermill Center, Water Mill, New York Lot 84 5 1 2 4 6 3 1 2 3 Yaacov Agam Benny Andrews Will Barnet 4 5 6 Israeli, b. 1928 American, 1930-2006 American, 1911-2012 Kevin Barrett Rudolf Bauer Julius Bissier Untitled Rising Sun, 1972 Study I, Recumbent Figure, 1963 American, b. -
The Visual Elements
Chapter Four A The Visual Elements • Line • Shape and Mass • Light Line Line can be continuous or broken, straight or wavy, organic or geometric, round or angular, thin or thick, of constant width or of freely varying widths, etc. Käthe Kollwitz A German painter, printmaker, and sculptor whose work offered an eloquent and often searing account of the human condition in the first half of the 20th century. She was an eloquent advocate for victims of social injustice, war, and inhumanity. “While I drew, and wept with the terrified children I was drawing, I really felt the burden I was bearing...” Käthe Kollwitz Self Portrait with Hand on Her Forehead. 1910. Etching, 6x5” Henry Matisse, Study of a Woman’s Back, 1914. Lithograph, 16x10”. Metropolitan Museum, NY Contour: The perceived edges of a three-dimensional form. Contour lines are lines used to indicate these perceived edges in two-dimensional art. Keith Haring. Untitled. 1983 Käthe Kollwitz Keith Haring. Untitled. 1983 Self Portrait with Hand on Her Forehead. 1910. Etching, 6x5” Keith Haring. Pop Shop Quad IV 1989. Silkscreen Print. h: 24 x w: 30 in / h: 61 x w: 76,2 cm. Edition Size: 75 Types of Lines • Actual lines • Linear forms • Lines formed by edges • Implied lines Ernesto Briel, Untitiled, 1960s Vincent Van Gogh. Road In Etten. 1881 Implied Line Jean Antoine Watteau. The Embarkation for Cythera. 1718-19. Oil on Canvas, 50x76” Jean Antoine Watteau. The Embarkation for Cythera. Detail. 1718-19. 50x76” Line: Direction and Movement Henri Cartier-Bresson. Aquila, Abruzzi, Italy, 1951. Photograph. Line: Direction and Movement Vertical lines seem assertive, or denote growth & strength. -
Lunar ISRU 2019: Developing a New Space Economy Through Lunar Resources and Their Utilization
Program Lunar ISRU 2019: Developing a New Space Economy Through Lunar Resources and Their Utilization July 15–17, 2019 • Columbia, Maryland Institutional Support Lunar and Planetary Institute Universities Space Research Association NASA Lunar Exploration Analysis Group Co-Conveners Stephen Mackwell American Institute of Physics Clive Neal University of Notre Dame Christopher Pestak Universities Space Research Association Science Organizing Committee Angel Abbud-Madrid Colorado School of Mines Dale Boucher Deltion Innovations Ltd., Canada Ben Bussey NASA Human Exploration and Operations Mission Directorate Leslie Gertsch Missouri University of Science and Technology John Gruener NASA Johnson Space Center Samuel Lawrence, LEAG Chair NASA Johnson Space Center Alex McDonald NASA Office of the Administrator Gerald Sanders NASA Johnson Space Center Nantel Suzuki NASA Human Exploration and Operations Mission Directorate Lunar and Planetary Institute 3600 Bay Area Boulevard Houston TX 77058-1113 Abstracts for this meeting are available via the meeting website at www.hou.usra.edu/meetings/lunarisru2019/ Abstracts can be cited as Author A. B. and Author C. D. (2019) Title of abstract. In Lunar ISRU 2019: Developing a New Space Economy Through Lunar Resources and Their Utilization, Abstract #XXXX. LPI Contribution No. 2152, Lunar and Planetary Institute, Houston. Guide to Sessions Lunar ISRU 2019: Developing a New Space Economy Through Lunar Resources and Their Utilization July 15–17, 2019 Columbia, Maryland Monday, July 15, 2019 8:30 a.m. USRA Conference Center Introduction and Updates 1:15 p.m. USRA Conference Center Marketing of Resources 5:00 p.m. USRA Education Gallery Poster Session: Characterization 5:00 p.m. USRA Education Gallery Poster Session: Identification of Resources 5:00 p.m. -
Goes Public No Scope, No Sky, No Problem! P
BONUS: NEW MERCURY BUILDING THE NEXT- Mars: GUIDE TO OBSERVING GLOBALG MAP p. 39 GEN SUPERSCOPE p. 24 THE RED PLANET p. 50 & 54 THE ESSENTIAL GUIDE TO ASTRONOMY Stellar Blackout over New York p. 30 See Quasars from Your Backyard p. 34 MARCH 2014 Planet Hunting Goes Public No scope, no sky, no problem! p. 18 Radically Different Telescope Mount p. 60 How the Web Saved the Webb p. 82 Visit SkyandTelescope.com Download Our Free SkyWeek App FC Mar2014.indd 1 12/23/13 11:51 AM Mercury Earth Meet the planet nearest our Sun Solid inner core The innermost planet has challenged astronomers for centuries. Its proximity to the Sun limits ground- Liquid Mercury outer core based telescopic observations, and when NASA’s Mariner 10 spacecraft made three close passes Mantle during the 1970s, the little planet appeared to have a Crust landscape that strongly resembled the Moon’s. But Mercury is no Moon. NASA’s Messenger spacecraft, in orbit around the Iron Planet since Solid inner core March 2011, has recently fi nished its initial global Moon survey. The work reveals that this wacky world has Liquid outer core a unique, complex history all its own. Mantle The survey images show a marvelous world of Solid ancient volcanic fl oods and mysteriously dark ter- inner core Crust rain (S&T: April 2012, page 26). Plains — mostly Liquid volcanic — cover about 30% of the surface. And outer core as radar images have long suggested, subsurface Mantle water ice lies tucked inside some polar craters. Crust Temperatures in the coldest craters never top 50° above absolute zero, making Mercury both one of the hottest and coldest bodies in the solar system. -
Geochronology Report
In Situ Geochronology for the Next Decade Final Report Submitted in response to NNH18ZDA001N-PMCS: Planetary Mission Concept Studies August 10, 2020 Barbara Cohen Michael Amato Principal Investigator Planetary and Lunar Business Lead NASA Goddard Space Flight Center NASA Goddard Space Flight Center TABLE OF CONTENTS 1. SCIENTIFIC OBJECTIVES. .1 1.1 Science Questions and Objectives . 1 1.2 Science Traceability . 2 2. PAYLOAD DEFINITION AND SAMPLE ANALYSIS . 3 2.1 Instrument Descriptions . 4 2.2 Sample Analysis Concept of Operations . 6 3. HIGH-LEVEL MISSION CONCEPT . 8 3.1 Overview . 8 3.2 Technology Maturity and Technology Development Plan . 9 3.3 Risks. 10 4. LUNAR GEOCHRONOLOGY LANDER MISSION . 10 5. VESTA GEOCHRONOLOGY HOPPER MISSION. .16 6. MARS GEOCHRONOLOGY LANDER MISSION . 20 7. DEVELOPMENT SCHEDULES AND COSTS . 22 APPENDICES A – ACRONYMS . A-1 B1 – SCIENCE TEAM STUDY REPORT. .B1-1 B2 – PAYLOAD. .B2-1 B3 – DESIGN TEAM STUDY REPORT . .B3-1 B4 –DETAILED COST AND SCHEDULE . .B4-1 C – SPECIAL TECHNICAL ANALYSIS – MOBILITY TRADES. C-1 D – REFERENCES . D-1 i PROPRIETARY INFORMATION Use or disclosure of data contained on this sheet is subject to the restriction on the title page of this proposal. STUDY AUTHORS SCIENCE DEFINITION TEAM Barbara Cohen (PI), GSFC Juliane Gross, Rutgers University Kelsey Young (DPI), GSFC Jennifer Grier, PSI Nicolle Zellner, Albion College John Grant, Smithsonian Kris Zacny, Honeybee Robotics Caleb Fassett, MSFC R. Aileen Yingst, PSI Ken Farley, Caltech Ryan Watkins, PSI Ben Farcy, U of Maryland Sarah Valencia,