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Weaverswaver00stocrich.Pdf
University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2017 Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Materials Conservation Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Industrial and Product Design Commons, Interdisciplinary Arts and Media Commons, and the Metal and Jewelry Arts Commons Textile Society of America, "Textile Society of America Newsletter 29:2 — Fall 2017" (2017). Textile Society of America Newsletters. 80. https://digitalcommons.unl.edu/tsanews/80 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 29. NUMBER 2. FALL 2017 Photo Credit: Tourism Vancouver See story on page 6 Newsletter Team BOARD OF DIRECTORS Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of Communications) Designer: Meredith Affleck Vita Plume Member News Editor: Caroline Charuk (TSA General Manager) President [email protected] Editorial Assistance: Natasha Thoreson and Sarah Molina Lisa Kriner Vice President/President Elect Our Mission [email protected] Roxane Shaughnessy The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for Past President the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, [email protected] political, social, and technical perspectives. Established in 1987, TSA is governed by a Board of Directors from museums and universities in North America. -
Workshops Open Studio Residency Summer Conference
SUMMER 2020 HAYSTACK MOUNTAIN SCHOOL OF CRAFTS Workshops Open Studio Residency Summer Conference Schedule at a Glance 4 SUMMER 2020 Life at Haystack 6 Open Studio Residency 8 Session One 10 Welcome Session Two This year will mark the 70th anniversary of the 14 Haystack Mountain School of Crafts. The decision to start a school is a radical idea in and Session Three 18 of itself, and is also an act of profound generosity, which hinges on the belief that there exists something Session Four 22 so important it needs to be shared with others. When Haystack was founded in 1950, it was truly an experiment in education and community, with no News & Updates 26 permanent faculty or full-time students, a school that awarded no certificates or degrees. And while the school has grown in ways that could never have been Session Five 28 imagined, the core of our work and the ideas we adhere to have stayed very much the same. Session Six 32 You will notice that our long-running summer conference will take a pause this season, but please know that it will return again in 2021. In lieu of a Summer Workshop 36 public conference, this time will be used to hold Information a symposium for the Haystack board and staff, focusing on equity and racial justice. We believe this is vital Summer Workshop work for us to be involved with and hope it can help 39 make us a more inclusive organization while Application broadening access to the field. As we have looked back to the founding years of the Fellowships 41 school, together we are writing the next chapter in & Scholarships Haystack’s history. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
What Do You Do with 314 Pots? by Joan Lincoln
Teapot, 7 inches in height, slab-built Celadon-glazed teapot, 111/4 inches Glazed porcelain teapot, 9 inches porcelain with black terra sigillata, in height, wheel-thrown and carved in height, with handmade handle, purchased for $2600, by Edward Eberle. porcelain, $105, by Molly Cowgill. $50, by Ruth Scharf. What Do You Do with 314 Pots? by Joan Lincoln never intended to collect contempo opinions, current trends, inflated cost few people realized the potential value /, rary American ceramics. My first pur or overwhelming size. If a work cannot of a Toshiko Takaezu container; a chase, a small, red clay, matt-green- speak for itself in the rich company of shop/gallery/fair cannot afford to stay glazed bowl by Gertrud and Otto fine craft, no amount of pretentious in business on speculation. Friends Natzler, caught my eye at the New York jargon-hype will make it valid or hon also gave me ceramic objects, knowing City American Crafts Gallery. I could est. Obfuscation covers inadequacy. I had been mucking around in clay not leave without it. Now, my collec Rule three requires that the object forever (kindergarten through grad tion ranges from Laura Andreson to do well that which it was designed to school). Sometimes these gifts were Marguerite Wildenhain, from low-fire do. The mind likes a justification for quite remarkable (a 23-inch Rook- earthenware to high-fire porcelain, from the eye’s delight; e.g., my Molly Cowgill wood lamp base, probably by Shiraya- functional to purely decorative. I can celadon-glazed carved porcelain teapot madani). I also traded/bought from now read most pots easily for technique pours well, holds the heat and adds fellow M.F.A. -
Ceramics Monthly Nov83 Cei11
William C. Hunt ........................................ Editor Barbara Tipton ...................... Associate Editor Robert L. Creager ........................ Art Director Ruth C. Butler.............................. Copy Editor Valentina Rojo....................... Editorial Assistant Mary Rushley.............. Circulation Manager Connie Belcher ... Advertising Manager Spencer L. Davis.................................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard, Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc.—S. L. Davis, Pres.; P. S. Emery, Sec.: 1609 North west Blvd., Columbus, Ohio 43212. Second class postage paid at Columbus, Ohio. Subscription Rates:One year SI 6, two years $30, three years $40. Add $5 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send both the magazine wrapper label and your new address to Ceramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in cluding 35mm slides), graphic illustrations, texts and news releases dealing with ceramic art are welcome and will be considered for publication. A booklet describing procedures for the preparation and submission of a man uscript is available upon request. Send man uscripts and correspondence about them to The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Indexing:Articles in each issue of Ceramics Monthly are indexed in the Art Index. A 20-year subject index (1953-1972) covering Ceramics Monthly feature articles, Sugges tions and Questions columns is available for $1.50, postpaid from the Ceramics Monthly Book Department, Box 12448, Columbus, Ohio 43212. Additionally, each year’s arti cles are indexed in the December issue. -
Gather Newsletter.Indd
Spring/Summer 2006 “Glass of the Maharajahs” the opens May 19 Heineman Family Donates Contemporary Glass Collection Rare Colored Cut Glass in Gather “Splitting the Rainbow” C o r n i n g M u s e u m o f G l a s s DIRECTOR’S LETTER Museum News One of the pleasures of working at The Corning Museum of Glass is the fact that the Museum never stands still. We are ambitious, and Corning Incorporated and our other supporters allow us— within reason—to turn many of our dreams into reality. Online Database Details Glass Exhibitions Worldwide New Museum Publication and Video Available Contemporary glass is a vital part of our collection and exhibitions. A new online database, compiled and maintained by the Rakow We were thrilled, therefore, at the beginning of the year, to receive Research Library, offers web users the ability to search for past, A new publication from The the largest gift of contemporary glass in the Museum’s history. present and upcoming temporary glass exhibitions around the Corning Museum of Glass Photo by Frank J. Borkowski. world. The Worldwide Glass Exhibition Database can be found at explores the past 25 years of www.cmog.org/exhibitionsdatabase. contemporary glass, and a new Ben Heineman Sr. and his wife Natalie have spent more than 20 years building video produced by The Studio one of the most distinguished private collections of contemporary glass, and have “The Rakow’s mission is to collect, maintain and provide public introduces glass students to the collected with a consummate sense of what is best among the countless works access to all glass-related resources," says Diane Dolbashian, art of flameworking. -
Smithsonian American Art Museum
Smithsonian American Art Museum Chronological List of Past Exhibitions and Installations on View at the Smithsonian American Art Museum and its Renwick Gallery 1958-2016 ■ = EXHIBITION CATALOGUE OR CHECKLIST PUBLISHED R = RENWICK GALLERY INSTALLATION/EXHIBITION May 1921 xx1 American Portraits (WWI) ■ 2/23/58 - 3/16/58 x1 Paul Manship 7/24/64 - 8/13/64 1 Fourth All-Army Art Exhibition 7/25/64 - 8/13/64 2 Potomac Appalachian Trail Club 8/22/64 - 9/10/64 3 Sixth Biennial Creative Crafts Exhibition 9/20/64 - 10/8/64 4 Ancient Rock Paintings and Exhibitions 9/20/64 - 10/8/64 5 Capital Area Art Exhibition - Landscape Club 10/17/64 - 11/5/64 6 71st Annual Exhibition Society of Washington Artists 10/17/64 - 11/5/64 7 Wildlife Paintings of Basil Ede 11/14/64 - 12/3/64 8 Watercolors by “Pop” Hart 11/14/64 - 12/13/64 9 One Hundred Books from Finland 12/5/64 - 1/5/65 10 Vases from the Etruscan Cemetery at Cerveteri 12/13/64 - 1/3/65 11 27th Annual, American Art League 1/9/64 - 1/28/65 12 Operation Palette II - The Navy Today 2/9/65 - 2/22/65 13 Swedish Folk Art 2/28/65 - 3/21/65 14 The Dead Sea Scrolls of Japan 3/8/65 - 4/5/65 15 Danish Abstract Art 4/28/65 - 5/16/65 16 Medieval Frescoes from Yugoslavia ■ 5/28/65 - 7/5/65 17 Stuart Davis Memorial Exhibition 6/5/65 - 7/5/65 18 “Draw, Cut, Scratch, Etch -- Print!” 6/5/65 - 6/27/65 19 Mother and Child in Modern Art ■ 7/19/65 - 9/19/65 20 George Catlin’s Indian Gallery 7/24/65 - 8/15/65 21 Treasures from the Plantin-Moretus Museum Page 1 of 28 9/4/65 - 9/25/65 22 American Prints of the Sixties 9/11/65 - 1/17/65 23 The Preservation of Abu Simbel 10/14/65 - 11/14/65 24 Romanian (?) Tapestries ■ 12/2/65 - 1/9/66 25 Roots of Abstract Art in America 1910 - 1930 ■ 1/27/66 - 3/6/66 26 U.S. -
Peter Giopulos Files on Campus
Peter Giopulos Collection Artist Files Box A-B Folder # 1 – Art on Campus intro Folder # 2 – Art Walk Map Folder # 3 – Web Art Bill Stewart Folder # 4 – Art on Campus (A) Ansel Adams Samuel Marcus Adler George Gustave Adomeit Ahlgren, Roy B Charles Curtis Adams Frank Milton Armington Milton Clark Avery Folder # 5 – Josef Albers Folder # 6 – Mari Alexander Folder # 7 – Architecture on campus Folder # 8 – Harry Bertoia Folder # 9 – Art on campus (B) Otto Henry Bacher Federico Fiori Barocci Norman Arthur Bate Will Barnet Gustave Baumann Lester Beall Frank Weston Benson Thomas Hart Benton Alistair Bevington Sander Blondeel Milton Bond Walter H Cassebeer Borglum, Gutzon Philip Bornarth Charlotte Bowman Folder # 10 – Donald Bujnowski Doors Folder # 11 – Photo printed from collection Bujnowski 11 copies of 8x11 photographs of his work Box C-F Folder # 1 – Art on Campus C Robert Carter Walter H Cassebeer Wendell Castle John Channell Philip Cheney Ohi Chozaemon Carl Chiarenza John Scott Clubb Eugene C. Colby Robert Conge, Lila Copeland John Edwards Costigan James Crable Frank Craig Byron G Culver Folder # 2 – Augustus Wall Callcott Folder # 3 – Hans Christensen Folder # 4 – Art on campus [D-F] Henry Golden Dearth Henry De Maine Jose De Rivera David Dickinson Mitsui Eiichi Alejandro Fernandez Robert Fergerson Richard Aberle Florsheim Emil Fuchs Folder # 5 – Eisenhower dresses & Paintings in stage – Physical plant Folder # 6 – Harold (Hal) Foster Folder # 7 – Donald J Forsythe Box G-L Folder # 1 – Dan Kiley Folder # 2 – Art on Campus (G-H) Emil Ganso Moton Garchik Charles Dana Gibson Arthur Eric Rowton Gill Janet Goldner Nancy Gong Marion Greenwood Emile Albert Gruppe, Folder # 3 – Gordon Grant Folder # 4 – Gordon, Stanley Folder # 5 – Art on Campus (H) Silvanus G. -
MC 18.2 NYSCC School of Art and Design
MC 18.2 NYSCC School of Art and Design Box 1-6 Acquisition: Processed: E. Gulacsy Box 7 - 8 Acquisition: Kathy Isaman, Summer 1997 Processed: E. Gulacsy Notes: Promotional Tapes (Snodgrass, 1984, 1993) are shelved on media shelf. Box 9- Acquisition: Art Office, Summer 1998 Processed: E. Gulacsy Updated: Laura Habecker February 2020 The New York State College of Ceramics at Alfred University, Scholes Library Series Description: This collection contains post WWII administrative files, curriculum, faculty files and guest lectures for the NYSCC school of Art and Design. Note: for information on the school’s earlier history see the MC01 Charles Binns Collection. Collection: Box 1 Admissions (1953-1960): Undergraduates 1960 Graduates (photo) Philip Hedstrom travel schedule Rod Brown travel schedule Richard Harder travel schedule Graduate School Undergraduates 1953-1958 Applications, graduate school American Federation of Art (1951-57) Architectural historians: (Society of) 1956-59 Pittsburgh meeting 1-26-56 Applications for Teaching Positions (1954-62): Candidates for jobs in Fall 1954 Folder II Candidates for teaching positions Sept 1955 Candidates for teaching positions Sept 1956 Candidates for teaching positions June-Sept 1957 Candidates for teaching positions Sept 1958 (2 folders) Candidates for teaching positions Art History Sept. 1959 Teaching Positions 1959 Teaching Positions 1960 Teaching Positions 1961-62 Referred by Shipley for Rhodes replacement, Sept. 1963 Teaching Positions 1960-61, 61-62 Art Education (1952-57): Art education Methods Student Records Art Festival (1951-61): Art festival Fine Arts Association & Alfred Guild Arts Festival 5/5-15/60 Arts Festival 1960- Book Orders & Corresp. (1951-60): Book orders and Correspondence Sept. -
Paul Soldner Artist Statement
Paul Soldner Artist Statement velutinousFilial and unreactive Shea never Roy Russianized never gnaw his westerly rampages! when Uncocked Hale inlets Griff his practice mainstream. severally. Cumuliform and Iconoclastic from my body of them up to create beauty through art statements about my dad, specializing in a statement outside, either taking on. Make fire it sounds like most wholly understood what could analyze it or because it turned to address them, unconscious evolution implicitly affects us? Oral history interview with Paul Soldner 2003 April 27-2. Artist statement. Museum curators and art historians talk do the astonishing work of. Writing to do you saw, working on numerous museums across media live forever, but thoroughly modern approach our preferred third party shipper is like a lesser art? Biography Axis i Hope Prayer Wheels. Artist's Resume LaGrange College. We are very different, paul artist as he had no longer it comes not. He proceeded to bleed with Peter Voulkos Paul Soldner and Jerry Rothman in. But rather common condition report both a statement of opinion genuinely held by Freeman's. Her artistic statements is more than as she likes to balance; and artists in as the statement by being. Ray Grimm Mid-Century Ceramics & Glass In Oregon. Centenarian ceramic artist Beatrice Wood's extraordinary statement My room is you of. Voulkos and Paul Soldner pieces but without many specific names like Patti Warashina and Katherine Choy it. In Los Angeles at rug time--Peter Voulkos Paul Soldner Jerry Rothman. The village piece of art I bought after growing to Lindsborg in 1997. -
Albert Paley As He Creates 13 Original Pieces for Installation on Park Avenue in New York City on June 14
WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSJUNE 2013 PALEY ON PARK AVENUE: NEW YORK CITY WXXI is pleased to present its first truly multi-media series, Paley on Park Avenue: New York City, which follows world-renowned sculptor ALBERT PALEY as he creates 13 original pieces for installation on Park Avenue in New York City on June 14. WXXI was granted unprecedented access to Paley and his studios to document the creation of these pieces for The Fund for Park Avenue’s Temporary Public Art Collection. The journey is shared in this six-part series exclusively produced for the Web. PALEY ON PARK AVENUE: NEW YORK CITY VIEW ONLINE NOW AT WXXI.org/paleynyc LIFETIME ACHIEVEMENT OSCAR WINNER XEROX ROCHESTER D.A. PENNEBAKER INTERNATIONAL COMES TO THE LITTLE, JUNE 14-15 JAZZ FESTIVAL SEE THE LITTLE PAGE >> Special coverage of the fest on AM 1370, Club Venue at the Little Theatre 1, free live music under The Freed Maxick Jazz Tent at the Little, and more. SEE INSIDE >> thank WXXI applauds the extraordinary commitment made by our corporate supporters. YOU Your contributions provide critical support for valued programming that enriches the lives of families across our region. TO LEARN MORE about WXXI sponsorship opportunities, please contact: Alison Zero Jones 585-258-0282 [email protected] DEAR FRIENDS, EXECUTIVE Staff JUNE 2013 No rm Silverstein, President I’m proud to share the news that we’ll VOLUME 4, ISSUE 6 Susan Rogers, Executive Vice President and General Manager be producing this summer the 10th WXXI is a public non-commercial Je anne E.