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Paul Soldner Artist Statement
Paul Soldner Artist Statement velutinousFilial and unreactive Shea never Roy Russianized never gnaw his westerly rampages! when Uncocked Hale inlets Griff his practice mainstream. severally. Cumuliform and Iconoclastic from my body of them up to create beauty through art statements about my dad, specializing in a statement outside, either taking on. Make fire it sounds like most wholly understood what could analyze it or because it turned to address them, unconscious evolution implicitly affects us? Oral history interview with Paul Soldner 2003 April 27-2. Artist statement. Museum curators and art historians talk do the astonishing work of. Writing to do you saw, working on numerous museums across media live forever, but thoroughly modern approach our preferred third party shipper is like a lesser art? Biography Axis i Hope Prayer Wheels. Artist's Resume LaGrange College. We are very different, paul artist as he had no longer it comes not. He proceeded to bleed with Peter Voulkos Paul Soldner and Jerry Rothman in. But rather common condition report both a statement of opinion genuinely held by Freeman's. Her artistic statements is more than as she likes to balance; and artists in as the statement by being. Ray Grimm Mid-Century Ceramics & Glass In Oregon. Centenarian ceramic artist Beatrice Wood's extraordinary statement My room is you of. Voulkos and Paul Soldner pieces but without many specific names like Patti Warashina and Katherine Choy it. In Los Angeles at rug time--Peter Voulkos Paul Soldner Jerry Rothman. The village piece of art I bought after growing to Lindsborg in 1997. -
Nmservis Nceca 2015
nce lournal 'Volume37 lllllllIt { t t \ \ t lr tJ. I nceoqKAlt$[$ 5OthAnnual Conference of the NationalCouncilon C0'LECTURE:INNOVATIONS lN CALIFORNIACIAY NancyM. Servis and fohn Toki Introduction of urbanbuildings-first with architecturalterra cotta and then Manythink cerar.nichistory in theSan Francisco Bay Area with Art Decotile. beganin 1959with PeterVoulkos's appointrnent to theUniversi- California'sdiverse history served as the foundationfor ty of California-Berkeley;or with Funkartist, Robert Arneson, its unfolding cultural pluralisrn.Mexico claimed territory whosework at Universityof California-Davisredefined fine art throughlarge land grants given to retiredmilitary officersin rnores.Their transfonnative contributions stand, though the his- themid l9th century.Current cities and regions are namesakes tory requiresfurther inquiry. Califbr- of Spanishexplorers. Missionaries nia proffereda uniqueenvironr.nent arriving fronr Mexico broughtthe through geography,cultural influx, culture of adobe and Spanishtile and societalflair. cleatingopportu- with ther.n.Overland travelers rni- nity fbr experirnentationthat achieved gratedwest in pursuitof wealthand broadexpression in theceralnic arts. oppoltunity,including those warrtilrg Today,artistic clay use in Cali- to establishEuropean-style potteries. forniais extensive.lts modernhistory Workersfrorn China rnined and built beganwith the l9th centurydiscov- railroads,indicative of California's ery of largeclay deposits in the Cen- directconnection to PacificRirn cul- tral Valley, near Sacramento.This -
Oral History Interview with Louis Mueller, 2014 June 24-25
Oral history interview with Louis Mueller, 2014 June 24-25 Funding for this interview was provided by the Artists' Legacy Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Louis Mueller on June 24-25, 2014. The interview took place in New York, NY, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. This interview is part of the Archives of American Art's Viola Frey Oral History Project funded by the Artists' Legacy Foundation. Louis Mueller, Mija Riedel, and the Artists' Legacy Foundation have reviewed the transcript. Their corrections and emendations appear below in brackets appended by initials. The reader should bear in mind they are reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel with Louis Mueller at the artist's home in New York [City] on June 24, 2014 for the Smithsonian Archives of American Art. This is card number one. Let's get the autobiographical information out of the way and we'll move on from there. LOUIS MUELLER: Okay. MS. RIEDEL: —what year were you born? MR. MUELLER: I was born June 15, 1943 in Paterson, NJ . MS. RIEDEL: And what were your parents' names? MR. MUELLER: My mother's name was Loretta. My father's name was Louis Paul. MS. RIEDEL: And your mother's maiden name? MR. MUELLER: Alfano. MS. RIEDEL: Any siblings? MR. MUELLER: No. -
Oral History Interview with Marilyn Levine, 2002 May 15
Oral history interview with Marilyn Levine, 2002 May 15 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Marilyn Levine on May 15, 2002. The interview took place in Oakland, California, and was conducted by Glenn Adamson for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Marilyn Levine and an outside editor have reviewed the transcript and have made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview name is Glenn Adamson. I’m the interviewer and I’m going to be talking with Marilyn for the next couple of hours about her life and work. It is May 15, 2002, and we’re sitting in Marilyn’s home, which adjoins her studio here in Oakland. And I guess, maybe, the first thing I’ll ask you, Marilyn, is how long have you been in this space? MARILYN LEVINE: Well, about 26 years. MR. ADAMSON: Mm-hmm. MS. LEVINE: It was an old warehouse when I moved here. -
Craft Horizons JANUARY/FEBRUARY 1969 $2.00 Potteraipiney Wheel S & CERAMIC EQUIPMENT I
craft horizons JANUARY/FEBRUARY 1969 $2.00 PotterAipiney Wheel s & CERAMIC EQUIPMENT i Operating from one of the most modern facilities of its kind, A. D. Alpine, Inc. has specialized for more than a quarter of a century in the design and manufac- ture of gas and electric kilns, pottery wheels, and a complete line of ceramic equipment. Alpine supplies professional potters, schools, and institutions, throughout the entire United States. We manufacture forty-eight different models of high fire gas and electric kilns. In pottery wheels we have designed an electronically controlled model with vari- able speed and constant torque, but we still manufacture the old "KICK WHEEL" too. ûzùzêog awziözbfe Also available free of charge is our book- let "Planning a Ceramic Studio or an In- stitutional Ceramic Arts Department." WRITE TODAY Dept. A 353 CORAL CIRCLE EL SEGUNDO, CALIF. 90245 AREA CODE (213) 322-2430 772-2SS7 772-2558 horizons crafJanuary/February 196t9 Vol. XXIX No. 1 4 The Craftsman's World 6 Letters 7 Our Contributors 8 Books 10 Three Austrians and the New Jersey Turnpike by Israel Horovitz 14 The Plastics of Architecture by William Gordy 18 The Plastics of Sculpture: Materials and Techniques by Nicholas Roukes 20 Freda Koblick by Nell Znamierowski 22 Reflections on the Machine by John Lahr 26 The New Generation of Ceramic Artists by Erik Gronborg 30 25th Ceramic National by Jean Delius 36 Exhibitions 53 Calendar 54 Where to Show The Cover: "Phenomena Phoenix Run," polyester resin window by Paul Jenkins, 84" x 36", in the "PLASTIC as Plastic" show at New York's Museum of Contemporary Crafts (November 22-Januaiy 12). -
Gathered Momentum: Black Mountain College and Haystack Mountain School of Crafts in the 1950S M
Gathered Momentum: Black Mountain College and Haystack Mountain School of Crafts in the 1950s M. Rachael Arauz, Ph.D. Journal of Black Mountain College Studies Volume 12: Expanding the Canon (Spring 2021) Article URL: http://www.blackmountainstudiesjournal.org/arauz-haystack/ Published online: May 2021 Published by: Black Mountain College Museum + Arts Center Asheville, North Carolina https://www.blackmountaincollege.org Editors: Thomas E. Frank, Wake Forest University Carissa Pfeiffer, Black Mountain College Museum + Arts Center Production Editor: Kate Averett, Black Mountain College Museum + Arts Center Note: The Journal of Black Mountain College Studies is a digital publication, intended to be experienced and referenced online. PDFs are made available for offline reading, but may have changes in layout or lack multimedia content (such as audio or video) as compared to the online article. Journal of Black Mountain College Studies, Volume 12 (Spring 2021) Gathered Momentum: Black Mountain College and Haystack Mountain School of Crafts in the 1950s M. Rachael Arauz, Ph.D. The founding years of Haystack Mountain School of Crafts, an acclaimed alternative institution for craft education still thriving on the coast of Maine, were the subject of a 2019 museum exhibition and scholarly catalogue organized by the Portland Museum of Art, Maine. Diana Greenwold and I served as co-curators for the project, and our research revealed Haystack’s connections to several mid-century experimental and craft-based educational programs such as Black Mountain College and Penland School of Crafts in North Carolina, Cranbrook Academy in Michigan, and Pond Farm Workshops in Guerneville, California. Drawn from that research, this article offers a brief summary of events and specific artists who forged early points of contact between Haystack and Black Mountain College, and suggests the ways in which Black Mountain College’s demise provided a touchstone for Haystack’s innovative beginnings. -
Kilns • Kiln Kits
.o . ,~° D J D 0 o • • • ° °/ ~p "m s i°e ° e -4" v P # ,I °o B* • t WF, STWqlDqDID CEI AMIC, SlIIDIDILY COMIDA Y IDn-i tluuees Vau-ie/ies iJf tonne ,;nn-e Clays!* So when you come to us for clay, be ready with the specifics! We can supply you with a clay which will suit your most exacting needs. WESTWOOD CERAMIC SUPPLY CO. 14400 LOMITAS AVE.. CITY OF INDUSTRY. CALIF. 91"744 THROWING ON THE Decorating POTTER'S Throwing Potter's Pottery on the Wheel with Clay, NH£F'L Potter's Projects Slip & Glaze Wheel edited by by Thomas Sellers Thomas Sellers by F. Carlton Ball This beautifully illustrated book ex- A complete manual on how to use The projects in this handbook pro- the potter's wheel. Covers all basic vide step-by-step instruction on a plores many easy methods of deco- rating pottery with clay, slip and steps from wedging clay to making wide variety of special throwing specific shapes. Clearly describes techniques, with each project demon- glaze. Those who lack skill and confidence in drawing and painting every detail using step-by-step photo strated by an accomplished crafts- technique. Includes section on selec- man. Bells, bird houses and feeders, will find special pleasure in discov- ering the easily executed decorating tion of the proper wheel and acces- musical instruments, teapots, and a text in many you'll techniques devised by this master sory tools. Used as animals are just a few items colleges and schools. 80 pages $4.00 find presented. -
MAY 1970 60C ORDER ANY of THESE SELECT TITLES on OUR MONEY-BACK GUARANTEE
MAY 1970 60c ORDER ANY OF THESE SELECT TITLES ON OUR MONEY-BACK GUARANTEE. WE PAY POSTAGE. CLAY AND GLAZES FOR THE POTTER HANDBOOK OF DESIGNS AND DEVICES STEP-BY-STEP CERAMICS by Daniel Rhodes. Two complete books by Clarence Hornung. Over 1800 by Jolyon Hofsted. In this complete in- in one! Fundamental details on both sketches of basic designs and variations troduction to ceramics, the beginner CLAY and GLAZES make this book a including the ctrele, line. scroll, fret, is led through all of the basic clay "must" for every hobby-craftsman, stu- shield, snow crystals and many more forming and decorating processes. dent, teacher and potter. $7.50 useful svmbols. $2.00 There are special sections on the Pot- CERAMICS AND HOW TO DECORATE ter's Wheel, Glazing, Firing a Kiln, THEM Buildin~ Your Own DESIGN MOTIFS OF ANCIENT MEXICO by Joan Kiln, Decorating B. Priolo. Mrs. Priolo gives de- Techniques and Raku. $2.50 by Jorge Enciso. A compilation of 766 tailed descriptions and illustrations of examples divided into geometric, na- dozens of decorating techniq.es and NATURE AS DESIGNER tural and artificial forms. Includes de- shows how to use them. $6.95 signs based on flowers, birds, fish, hu- by Bertel Bager. This unusual and man figures, etc. 170 pages. $2.50 KILNS: DESIGN, CONSTRUCTION stimulating book presents a treasured collection & FIRING of plant life which demon- ENAMELING ON strates in a unique and very effective METAL by Daniel Rhodes. Everything you need way the beauty of form in nature. The by Oppi Untracht. Step-by-step photos to know about kilns -- setting up, forms will suggest an infinite number firing, various are used to describe fundamentals on types of kilns -- is de- of shapes and textures for pottery. -
20Th Century Design and Craft: the Library of Philip Aarons
20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. -
OSSI ~ but GAS KILNS from 2 Cu
I'D? -SAY- Î14AT- ö.Crmios/JS l.TrtE '^WOiMf'S . g M09T • fâsowàïiwe \ '«OSSI ~ BUT GAS KILNS from 2 cu. ft. to 60 cu. ft. All fire to 2500 F — some to 3000 F. Instrumentation for temperature control and a positive con- trol of atmosphere from highly oxidizing to reducing. ELECTRIC KILNS from 2 cu. ft. to 24 cu. ft. Front loading or top loading, — all models fire to 2350 F — some to 2800 F. Fully instrumented. POTTERY WHEELS come in several models, including an electroni- cally controlled variable speed wheel with constant torque. But re- member we still make the old "KICK WHEEL" too for those who prefer it. See our catalog for WARE TRUCKS, FORMULATING TABLES, GLAZE SPRAY BOOTHS, PUG MILLS, BALL MILLS, and many other items for classroom, shop, and studio. Our catalog illustrates a complete line of equipment to go with these kilns. Also available free of charge is our book- craft horizons January/February 1970 Vol. XXX No. 1 4 The Craftsman's World 8 Countercues 9 Calendar 10 Where to Show 11 Books 12 Letters 13 Our Contributors 14 The Listening Eye by Ann McMillan 20 The Jewelry of Art Smith 24 The Scholtens: Artist-Weavers by Bernardine de Neeve 30 African Travelogue: Part II by Margaret Merwin Patch 36 The Ceramics of Robert Arneson by David Zack 42 Exhibitions Next Issue: The March/April CRAFT HORIZONS will feature The John- son Collection, "Objects: USA," Part II, by poet John Ashbery, executive editor of Art News. The Cover: "Well—yes, I'd say that ceramics is the world's most fascin- ating hobby—but . -
ANNE CURRIER Education: 1974 M.F.A. University of Washington
ANNE CURRIER Education: 1974 M.F.A. University of Washington, Seattle, WA. 1972 B.F.A. School of the Art Institute, Chicago, IL. Awards: 2012 American Crafts Council College of Fellows Award. 2011 The Joseph Kruson Award for Distinguished Service to Alfred University: designation as a Kruson Distinguished Professor 2005, 2003 The Joseph Kruson Trust Fund Award for Excellence in Teaching, Alfred University 1997, 1993, 1988 New York Foundation for the Arts, Individual Artist Fellowship. 1991 Virginia A. Groot Foundation, Evanston, IL, Recognition Grant. 1986 National Endowment for the Arts, Visual Artists Fellowship. Academic Appointments: 2015 - 2016 Sabbatical leave 2012 - 2015 Chair, Division of Ceramic Art, New York State College of Ceramics at Alfred University, Alfred, NY. 1994-Present Professor of Ceramic Art, New York State College of Ceramics at Alfred University, Alfred, NY. 1994-1999 Chair, Division of Ceramic Art, New York State College of Ceramics at Alfred University, Alfred, NY. 1985-1994 Associate Professor, New York State College of Ceramics at Alfred University, Alfred, NY. 1975-1985 Department of Fine Arts, University of Colorado, Boulder, CO. Solo Exhibitions: 2016 Anne Currier: Anamorphosis. Lacoste Gallery, Concord, MA 2014 Anne Currier: Light and Shadow. Harvey Meadows Gallery, Aspen, CO 2011 Anne Currier: Solo. Lacoste Gallery, Concord, MA 2010 Multiple Perspectives: The Sculpture of Anne Currier. The Maslow Gallery for Contemporary Art. Marywood University Shields Center for Visual Arts. Scranton, PA 2008 Anne Currier. The Mercy Gallery at the Richmond Art Center, The Loomis Chaffee School. Windsor, CT 2007 Anne Currier: Keramische Skulptur. Theodor-Zink Museum / Wadgasserhof. Kaiserslautern, Germany 2006 Galerie b15. -
James Gros See Page 2
era Publi calton of the American Crafts Council James Gros See page 2 Second Class Postage Paid at New York, NY and at Additional Mailing Office . ... - ".-.- . _. _._.- ._-_._--_._._----_._-------- CRAFT WORLD of Craft Horizons ACC NEWS Vol. XXXVIII No.4 Rose Slivka, Safari Off Editor-in-Chief Patricia Dandignac , OPEN to Africa Managing Editor Michael Lauretano, DOOR Fertility dolls and ceremonial Art Director Samuel Scherr masks, metalsmithing and pot Edith Dugmore, tery-these are some highlights Assistant Editor As of the April issue, you may of "The Art and Tradition of Michael McTwigan, have noticed that I revised the Editorial Assistant West Africa," a three-week tour heading of this column from of Senegal, Ghana, Togo, and Ni Isa bella Brandt, " Open Windows" to " Open Editorial Assistant geria (August 2-27, 1978, and Door," since I felt strongly that Anita Chmiel, January 7-31,1979). Sponsored Advertising Department the ncw and proper direction of by ACC and Art Safari, Inc., the the American Crafts Council tour is led by Art Safari codirec Editorial Board should invite an easy access to Junius Bird tor James Gross and fiber artist Jean Delius Arline Fi sc h the flow of information and ideas, Eleanor Dickinson. For the Au Persis Grayson not only within the U.S. but also gust tour contact, posthaste: 1924-1978 Robert Beverly Hale abroad. An open door is an invi Steven Adler, 800-223-0694, toll Lee Hall tation to exchange and growth. frce; or write ACC/ Art Safari. Pol ly Lada-Mocarski Another equally significant Jean Delius, jcweler and associate Harvey Littleton change is this month's CRAFT professor at New York State Col Ben Ra eburn HORIZONS with its section of lege at Oswego, died suddenly Ed Rossbach CRAFT WORLD.