DOCSLIB.ORG

Kilns • Kiln Kits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kilns • Kiln Kits .o . ,~° D J D 0 o • • • ° °/ ~p "m s i°e ° e -4" v P # ,I °o B* • t WF, STWqlDqDID CEI AMIC, SlIIDIDILY COMIDA Y IDn-i tluuees Vau-ie/ies iJf tonne ,;nn-e Clays!* So when you come to us for clay, be ready with the specifics! We can supply you with a clay which will suit your most exacting needs. WESTWOOD CERAMIC SUPPLY CO. 14400 LOMITAS AVE.. CITY OF INDUSTRY. CALIF. 91"744 THROWING ON THE Decorating POTTER'S Throwing Potter's Pottery on the Wheel with Clay, NH£F'L Potter's Projects Slip & Glaze Wheel edited by by Thomas Sellers Thomas Sellers by F. Carlton Ball This beautifully illustrated book ex- A complete manual on how to use The projects in this handbook pro- the potter's wheel. Covers all basic vide step-by-step instruction on a plores many easy methods of deco- rating pottery with clay, slip and steps from wedging clay to making wide variety of special throwing specific shapes. Clearly describes techniques, with each project demon- glaze. Those who lack skill and confidence in drawing and painting every detail using step-by-step photo strated by an accomplished crafts- technique. Includes section on selec- man. Bells, bird houses and feeders, will find special pleasure in discov- ering the easily executed decorating tion of the proper wheel and acces- musical instruments, teapots, and a text in many you'll techniques devised by this master sory tools. Used as animals are just a few items colleges and schools. 80 pages $4.00 find presented. 64 pages $2.00 craftsman. 64 pages $3.00 Ceramic Copper Underglaze Enameling Projects Decoration edited by by Jo Rebert Thomas Sellers by Marc Bellaire and Jean O'Hara An outstanding selection of projects This complete handbook has all the Recognized as the best in basic in- for the classroom, home and studio. answers on materials, tools and tech- struction, this elaborate handbook Each project introduces a different niques. You'll like the startling vari- has over 200 photographs. Includes method of working in clay. Foun- ety of new designs Marc Bellaire fundamentals and helpful, illustrated tains, planters, jewelry, bottles, creates before your eyes. Step-by- how-to-do-its on jewelry. Twenty- bowls and many other unique items step projects are profusely illus- one different projects are complete- are presented complete with photos trated. 37 projects in all -- 286 lively ly described. Highly recommended instruction that is illustrations. A practical guide for by leading enamelists and teachers and step-by-step 64 pages $2.00 easy to follow. 64 pages $2.00 the beginner. 64 pages $3.00 everywhere. BOOK DEPARTMENT Box 4548, Columbus, Ohio 43212 Please send me the following: [] Ceramic Projects @ $2.00 [] Potter's Wheel Projects @ $2.00 [] Underglaze Decoration @ $3.00 Brush with [] Decorating Pottery Enameling @ $2.00 Decoration Clay, Slip & Glaze @ $3.00 [] Copper for Ceramics Throwing on the -1 Brush Decoration for by blare Bellaire Potter's Wheel @ $4.00 Ceramics @ $3.00 I enclose ~ Check [] Money Order (Ohio residents add 4% sales tax) A fascinating book on the use and care of brushes. Shows how to make many designs for decorating ceram- Name ics using just three basic brushes -- the watercolor, liner and square Address shader. Designs and sketches shown in this exciting book will offer many decorating ideas. Excellent choice for City State___--__ Zip beginners. 64 pages $3.00 February 1972 3 EQUI] GLORY HOI FURNACE MODEL GH. This glass blowing equipment is designed espe- cially for today's glass blower--ideally suited for small groups of designer craftsmen, studio arti. sans, schools, and universities, working with the age old art of hand blown glassware and art forms. This equipment is highly efficient -- designed for constant use and long life. Zircon firebrick is used in the glass melting tank to eliminate con- tamination and to provide years of service. The design also incorporates easy replacement fea- tures. With the Alpine Glass Tank Melting Furnace, the Glory Hole Furnace, and the Glass Lehr, you have the basic equipment complete for glass blowing. For more information about this equipment, write to the company for specification sheets and prices. WRITE TODAY Dept. B A. D. Alpine," 353 CORAL CIR CL EL SEGUNDO, CALIF. 902, AREA CODE 1213) 322-2430 / 772-2SS7 / 772.2 NOW AVAILABLE! GLAZE MONTHLY PROJECTS Volume 20, Number 2 February 1972 Letters to the Editor ................................ 7 A FORMULARY Suggestions from Our Readers ....................... 9 OF LEADLESS GLAZES Itinerary ............................................ 11 Strawberry Fields Pottery by Joseph Sanders .......... 15 BY Throwing and Using the Hollow Ring by Lukman Glasgow ............................ 18 RICHARD Some Glaze Faults and Their Correction, Part 2 by Richard Behrens ............................. 22 BEHRENS Master Craftsmen Exhibition ......................... 24 Potters everywhere will be pleased to hear that the Richard Behrens handbook on glaze formulation is now available. This Putting Bubbles in Glass by Harriette Anderson ........ 28 new CM handbook is much more than a collection of glaze recipes . the projects include a commentary on raw materials, CeramActivities ..................................... 33 suggestions as to possible uses for the recipes, and interesting background information. who like to experiment in glaze making, this handbook Answers to Questions ................................ 35 For those will be invaluable. GLAZE PROJECTS is e very readable text, and the informal treatment of the subject matter is an aid to New Books ......................................... 42 understanding more about the nature of glazes and glaze making. This exciting new handbook was compiled using a selection of Index to Advertisers .................................. 42 articles by Mr. Behrens that appeared in Ceramics Monthly and a group of projects the author prepared specifically for this book. Included is a unique glossary of materials which the potter will On Our Cover find to be on excellent reference source. The first book of its kind, GLAZE PROJECTS provides an author- Our cover photograph shows a close-up view of Pat Oakley's itative and convenient source of information for the potter on coil-constructed planter, pictured on page 17. Joseph Sanders' the formulation and application of a variety of landless glazes feature story on Pat and Sid Oakley, describing their "dream" in all firing ranges. Price: only $3 a copy. location, Strawberry Fields, starts on page 15 of this issue. USE THE COUPON Editor: THOMAS SFA.LERS BELOW TO ORDER Assistant Editor: Fvagcss SAW-Z~R Art Director: ROBERT L. CREAOFAi YOUR COPY OF Circulation Manager: MARY RUSHLEY Advertising Manager: CONNZE BSLCHER GLAZE PROJECTS Publisher: SPENCER L. DAVIS per copy Advisers and Special Contributors: F. Carlton Ball, Richard only $3.00 Behrens, Kathe Berl, Edris Eckhardt, Zena Hoist, John Kenny, Karl Martz, Ken Smith, Helen Worrall, Don Wood. F I N N U m m m m m Western Advertising Representative: Joseph Mervish Associates, CERAMICS MONTHLY Book Department I 4721 Laurel Canyon, Suite 211, North Hollywood, California 91607. Telephone: TR 7-7556, Area Code 213. Please send me __ _ copies of GLAZE PROJECTS by Copyright 1972 Professional Publications, Inc. Richard Behrens ~ $3.00 Ceramics Monthly February 1972, Vol. 20 -- No. 2. Published monthly except July and August by Professlonal Publications, Inc. -- S. L. Davis, Pres., P. S. Emery, See.; at 1609 Northwest Blvd., Columbus, Ohio 43212. 1 1 Correspondence concerning subscriptions, renewals, and change of address should be addressed to the Circulation Department, Ceramics Monthly, Box 4548, Columbus, Ohio 43212. Second Class postage paid at Athens, Address Ohio, U.S.A. Subscriptions: One year $6; Two years $10; Three years $14. Copyright 1972. At] rights reserved. State 7ip_ . The articles in each issue of Ceramics Monthly are indexed in the Art City ..... Index and The Readers' Guide to Periodical Literature. Microfilm Oh;o residents add 12c per copy sales tax. =1 Microfilms, 313 I copies are available to subscribers from University N. First St., Ann Arbor, Michigan. Manuscripts and illustrations dealing I enclose [] Check [] Money Order with ceramic art activities are welcome and will be considered for publi- cation. Manuscripts should be typed double-spaced and range from G00 L We Pay Postage m Money-Back Guarantee | I to 2000 wordJ. Send manuscripts and correspondence about them to the Editor, Ceramics Monthly, Box 4548. Columbus, Ohio 43212. .J February 1972 5 ALABAMA, Hazel Green 35750 Hozelhurst Ceramics Box 124 ARIZONA, Phoenix 85018 Ceramic Time 1229 N. 32nd St. CALIFORNIA, Berkeley 94706 Leslie Ceramics Supply Co. 1212 San Pablo Ave. CALIFORNIA, Carte Madera 94925 Matin Ceramics 55-A Tamol Vista Blvd. CALIFORNIA, Davenport 95017 Big Creek Pottery Swonfon Rd. CALIFORNIA, Fresno 93728 Potter's Studio 842 N. Fulton CALIFORNIA Imperial Beach 92032 Way-Craft 394 Delaware St. CALIFORNIA Irvine 92664 U.C.I. University Bookstore 4211 W. Campus Dr. CALIFORNIA Laguno Beach 92651 McKee, Mike 344 Ocean Av. CALIFORNIA Los Gatas 95030 Mud In Your Eye 50 Unlverslty CALIFORNIA Modesto 95351 House of Soville 2025 Yosemite Blvd. CALIFORNIA Monterey 93940 Peninsula Po:ters 221 Hoffman Ave. CALIFORNIA Palo Alto 94306 Peninsula Scientific 2185 Park Blvd. CALIFORNIA Pasadena 91101 Robert Weiss Co. 527 S. Fairaaks CALIFORNIA Sacramento 95815 Larry Carnes 537 Blackwood St. CALIFORNIA San Diego 92107 Orion Crafts 1951 AbboH St. MODEL"C" CALIFORNIA San Francisco 94107 Ceramics & Crafts Supply Co. 490 5th St. CALIFORNIA San Luis Obispo 93401 ~J~tot¢.. ~ co~n:~c~L-to ~v~ ~_E~.~ o~ o-22.o ~:~:~. Alberta's Ceramic Studio ~ ~l~, BLE ~-~ -T[-E EE=~-r. ~ ~Dr=~'c" ~ ALL ~-EL 1493 Hicj uera CALIFORNIA Santa Barbara 93104 Benwi;t's Art Supply 1303 State St. WI-UE=LS, Rr=E.~RDLE.SS O~ I:~:~-E. ~ OU~.~::~J AT N~I~O~:'~-~E Dr=N-- CALIFORNIA Santo Clara 95050 LL~rED "V~-(m=. LEI:r O1~ WI~E I:C~ A EREE mE~J4URE.
Load more

Recommended publications
  • Weaverswaver00stocrich.Pdf
    University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2017 Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Materials Conservation Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Industrial and Product Design Commons, Interdisciplinary Arts and Media Commons, and the Metal and Jewelry Arts Commons Textile Society of America, "Textile Society of America Newsletter 29:2 — Fall 2017" (2017). Textile Society of America Newsletters. 80. https://digitalcommons.unl.edu/tsanews/80 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 29. NUMBER 2. FALL 2017 Photo Credit: Tourism Vancouver See story on page 6 Newsletter Team BOARD OF DIRECTORS Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of Communications) Designer: Meredith Affleck Vita Plume Member News Editor: Caroline Charuk (TSA General Manager) President [email protected] Editorial Assistance: Natasha Thoreson and Sarah Molina Lisa Kriner Vice President/President Elect Our Mission [email protected] Roxane Shaughnessy The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for Past President the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, [email protected] political, social, and technical perspectives. Established in 1987, TSA is governed by a Board of Directors from museums and universities in North America.
    [Show full text]
  • Keynote Addressâ•Flsummary Notes
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 Keynote Address—Summary Notes Jack Lenor Larsen Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Larsen, Jack Lenor, "Keynote Address—Summary Notes" (2004). Textile Society of America Symposium Proceedings. 494. https://digitalcommons.unl.edu/tsaconf/494 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Keynote Address—Summary Notes San Francisco Bay as the Fountainhead and Wellspring Jack Lenor Larsen Jack Lenor Larsen led off the 9th Biennial Symposium of the Textile Society of America in Oakland, California, with a plenary session directed to TSA members and conference participants. He congratulated us, even while proposing a larger and more inclusive vision of our field, and exhorting us to a more comprehensive approach to fiber. His plenary remarks were spoken extemporaneously from notes and not recorded. We recognize that their inestimable value deserves to be shared more broadly; Jack has kindly provided us with his rough notes for this keynote address. The breadth of his vision, and his insightful comments regarding fiber and art, are worthy of thoughtful consideration by all who concern themselves with human creativity. On the Textile Society of America Larsen proffered congratulations on the Textile Society of America, now fifteen years old.
    [Show full text]
  • Workshops Open Studio Residency Summer Conference
    SUMMER 2020 HAYSTACK MOUNTAIN SCHOOL OF CRAFTS Workshops Open Studio Residency Summer Conference Schedule at a Glance 4 SUMMER 2020 Life at Haystack 6 Open Studio Residency 8 Session One 10 Welcome Session Two This year will mark the 70th anniversary of the 14 Haystack Mountain School of Crafts. The decision to start a school is a radical idea in and Session Three 18 of itself, and is also an act of profound generosity, which hinges on the belief that there exists something Session Four 22 so important it needs to be shared with others. When Haystack was founded in 1950, it was truly an experiment in education and community, with no News & Updates 26 permanent faculty or full-time students, a school that awarded no certificates or degrees. And while the school has grown in ways that could never have been Session Five 28 imagined, the core of our work and the ideas we adhere to have stayed very much the same. Session Six 32 You will notice that our long-running summer conference will take a pause this season, but please know that it will return again in 2021. In lieu of a Summer Workshop 36 public conference, this time will be used to hold Information a symposium for the Haystack board and staff, focusing on equity and racial justice. We believe this is vital Summer Workshop work for us to be involved with and hope it can help 39 make us a more inclusive organization while Application broadening access to the field. As we have looked back to the founding years of the Fellowships 41 school, together we are writing the next chapter in & Scholarships Haystack’s history.
    [Show full text]
  • Working Checklist 00
    Taking a Thread for a Walk The Museum of Modern Art, New York, October 21, 2019 - June 01, 2020 WORKING CHECKLIST 00 - Introduction ANNI ALBERS (American, born Germany. 1899–1994) Untitled from Connections 1983 One from a portfolio of nine screenprints composition: 17 3/4 × 13 3/4" (45.1 × 34.9 cm); sheet: 27 3/8 × 19 1/2" (69.5 × 49.5 cm) The Museum of Modern Art, New York. Gift of The Josef and Anni Albers Foundation in memory of Joseph Fearer Weber/Danilowitz 74 Wall, framed. Located next to projection in elevator bank ANNI ALBERS (American, born Germany. 1899–1994) Study for Nylon Rug from Connections 1983 One from a portfolio of nine screenprints composition: 20 5/8 × 15 1/8" (52.4 × 38.4 cm); sheet: 27 3/8 × 19 1/2" (69.5 × 49.5 cm) The Museum of Modern Art, New York. Gift of The Josef and Anni Albers Foundation in memory of Joseph Fearer Weber/Danilowitz 75 Wall, framed. Located next to projection in elevator bank ANNI ALBERS (American, born Germany. 1899–1994) With Verticals from Connections 1983 One from a portfolio of nine screenprints composition: 19 3/8 × 14 1/4" (49.2 × 36.2 cm); sheet: 27 3/8 × 19 1/2" (69.5 × 49.5 cm) The Museum of Modern Art, New York. Gift of The Josef and Anni Albers Foundation in memory of Joseph Fearer Weber/Danilowitz 73 Wall, framed. Located next to projection in elevator bank ANNI ALBERS (American, born Germany. 1899–1994) Orchestra III from Connections 1983 One from a portfolio of nine screenprints composition: 26 5/8 × 18 7/8" (67.6 × 47.9 cm); sheet: 27 3/8 × 19 1/2" (69.5 × 49.5 cm) The Museum of Modern Art, New York.
    [Show full text]
  • Summary of Pottery Development to Knowledge
    Global Journal of Arts Education Volume 07, Issue 2, (2017) 47-54 Summary of pottery development to knowledge Uzzi Festus Osarumwense*, Department of Fine and Applied Arts, College of Engineering, Olabisi Onabanjo University, 120107, Ogun State, Nigeria. Edem Peters, Department of Fine Arts and Design, Faculty of Humanities, University of Port Harcourt, River State, Nigeria. Suggested Citation: Osarumwense, U.F. & Peters, E. (2017). Summary of pottery development to knowledge. Global Journal of Arts Education. 7(2), 47-54 Received December 11, 2016; revised March 24, 2016; accepted May 28, 2016. Selection and peer review under responsibility of Prof. Dr. Ayse Cakir Ilhan, Ankara University, Turkey. ©2017 SciencePark Research, Organization & Counseling. All rights reserved Abstract Pottery has been defined and redefined by many scholars of history and anthropologist. Pottery is wrapped in the past with no written record; this study intends to work on the historical analysis of form, style and techniques of Pottery tradition, the various pottery associations in Nigeria will be identified and discussed. The study will also examine the symbolic meaning of each of the traditions, it will also project the aesthetic qualities, and the effects of new ideas of pottery of the indigenous Benin people, and how pottery is interpreted/ the study hopes to compile and analyze forms of pottery that will rekindle interest in pottery, and serve as reference point for the future generation. Keyword: pottery, summary, development, knowledge. *ADDRESS FOR CORRESPONDENCE: Uzzi Festus Osarumwense, Department of Fine and Applied Arts, College of Engineering, Olabisi Onabanjo University, 120107, Ogun State, Nigeria. E-mail address: [email protected] Osarumwense, U.F.
    [Show full text]
  • Education Guide – Community
    CRAFT INeducation AMERICA guide: community 1 contents introduction Craft in America Mission Statement 3 Craft in America, Inc. 3 Craft in America: The Series 3 Viewing the Series 3 Ordering the DVD and Companion Book 3 Audience 3 Craft in America Educator Guides 4 How to Use the Guides 4 Scope and Sequence 4 themes Show Me 5 Hand in Hand 12 Continuity and Change 19 Worksheets 26 Additional Web Resources 34 National Art Education Standards 35 Credits & Copyright 35 On the cover Amy Rueffurt, Log #4 (JFK), 2007, Sibila Savage Photography 2 educator guide information Craft in America, Inc. Craft In America Inc. is a non-profit organization dedicated to the exploration of craft in the United States and its impact on our nation’s cultural heritage. The centerpiece of the company’s efforts is the production of a nationally broadcast television documentary series celebrating American craft and the artists who bring it to life. The project currently includes a three-part television documentary series supported by CRAFT IN AMERICA: Expanding Traditions, a nationally touring exhibition of exceptional craft objects, as well as a companion book, and a comprehensive Web site. Carol Sauvion is the founder and director of Craft in America. Craft in America Mission Statement The mission of Craft in America is to document and advance original handcrafted work through programs in all media made accessible to all Americans. Craft in America: The Series Craft in America’s nationally broadcast PBS documentary series seeks to celebrate craft by honoring the artists who create it. In three episodes entitled Memory, Landscape and Community, Craft in America television viewers will travel throughout the United States visiting America’s premier craft artists in their studios to witness the creation of hand- made objects, and into the homes, businesses and public spaces where functional art is employed and celebrated.
    [Show full text]
  • Peter Giopulos Files on Campus
    Peter Giopulos Collection Artist Files Box A-B Folder # 1 – Art on Campus intro Folder # 2 – Art Walk Map Folder # 3 – Web Art Bill Stewart Folder # 4 – Art on Campus (A) Ansel Adams Samuel Marcus Adler George Gustave Adomeit Ahlgren, Roy B Charles Curtis Adams Frank Milton Armington Milton Clark Avery Folder # 5 – Josef Albers Folder # 6 – Mari Alexander Folder # 7 – Architecture on campus Folder # 8 – Harry Bertoia Folder # 9 – Art on campus (B) Otto Henry Bacher Federico Fiori Barocci Norman Arthur Bate Will Barnet Gustave Baumann Lester Beall Frank Weston Benson Thomas Hart Benton Alistair Bevington Sander Blondeel Milton Bond Walter H Cassebeer Borglum, Gutzon Philip Bornarth Charlotte Bowman Folder # 10 – Donald Bujnowski Doors Folder # 11 – Photo printed from collection Bujnowski 11 copies of 8x11 photographs of his work Box C-F Folder # 1 – Art on Campus C Robert Carter Walter H Cassebeer Wendell Castle John Channell Philip Cheney Ohi Chozaemon Carl Chiarenza John Scott Clubb Eugene C. Colby Robert Conge, Lila Copeland John Edwards Costigan James Crable Frank Craig Byron G Culver Folder # 2 – Augustus Wall Callcott Folder # 3 – Hans Christensen Folder # 4 – Art on campus [D-F] Henry Golden Dearth Henry De Maine Jose De Rivera David Dickinson Mitsui Eiichi Alejandro Fernandez Robert Fergerson Richard Aberle Florsheim Emil Fuchs Folder # 5 – Eisenhower dresses & Paintings in stage – Physical plant Folder # 6 – Harold (Hal) Foster Folder # 7 – Donald J Forsythe Box G-L Folder # 1 – Dan Kiley Folder # 2 – Art on Campus (G-H) Emil Ganso Moton Garchik Charles Dana Gibson Arthur Eric Rowton Gill Janet Goldner Nancy Gong Marion Greenwood Emile Albert Gruppe, Folder # 3 – Gordon Grant Folder # 4 – Gordon, Stanley Folder # 5 – Art on Campus (H) Silvanus G.
    [Show full text]
  • Oral History Interview with Michael W. Monroe
    Oral history interview with Michael W. Monroe Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Michael W. Monroe AAA.monroe18 Collection Overview Repository: Archives of American Art Title: Oral history interview with Michael W. Monroe Identifier: AAA.monroe18 Date: 2018 January 22-March 1 Creator: Monroe, Michael W. (Interviewee) Herman, Lloyd E. Extent: 8 Items (sound files (3 hr., 59 min.) Audio; digital, wav) 71 Pages (Transcript) Language: English . Digital Digital Content: Oral history interview with Michael W. Monroe,
    [Show full text]
  • MC 18.2 NYSCC School of Art and Design
    MC 18.2 NYSCC School of Art and Design Box 1-6 Acquisition: Processed: E. Gulacsy Box 7 - 8 Acquisition: Kathy Isaman, Summer 1997 Processed: E. Gulacsy Notes: Promotional Tapes (Snodgrass, 1984, 1993) are shelved on media shelf. Box 9- Acquisition: Art Office, Summer 1998 Processed: E. Gulacsy Updated: Laura Habecker February 2020 The New York State College of Ceramics at Alfred University, Scholes Library Series Description: This collection contains post WWII administrative files, curriculum, faculty files and guest lectures for the NYSCC school of Art and Design. Note: for information on the school’s earlier history see the MC01 Charles Binns Collection. Collection: Box 1 Admissions (1953-1960): Undergraduates 1960 Graduates (photo) Philip Hedstrom travel schedule Rod Brown travel schedule Richard Harder travel schedule Graduate School Undergraduates 1953-1958 Applications, graduate school American Federation of Art (1951-57) Architectural historians: (Society of) 1956-59 Pittsburgh meeting 1-26-56 Applications for Teaching Positions (1954-62): Candidates for jobs in Fall 1954 Folder II Candidates for teaching positions Sept 1955 Candidates for teaching positions Sept 1956 Candidates for teaching positions June-Sept 1957 Candidates for teaching positions Sept 1958 (2 folders) Candidates for teaching positions Art History Sept. 1959 Teaching Positions 1959 Teaching Positions 1960 Teaching Positions 1961-62 Referred by Shipley for Rhodes replacement, Sept. 1963 Teaching Positions 1960-61, 61-62 Art Education (1952-57): Art education Methods Student Records Art Festival (1951-61): Art festival Fine Arts Association & Alfred Guild Arts Festival 5/5-15/60 Arts Festival 1960- Book Orders & Corresp. (1951-60): Book orders and Correspondence Sept.
    [Show full text]
  • Paul Soldner Artist Statement
    Paul Soldner Artist Statement velutinousFilial and unreactive Shea never Roy Russianized never gnaw his westerly rampages! when Uncocked Hale inlets Griff his practice mainstream. severally. Cumuliform and Iconoclastic from my body of them up to create beauty through art statements about my dad, specializing in a statement outside, either taking on. Make fire it sounds like most wholly understood what could analyze it or because it turned to address them, unconscious evolution implicitly affects us? Oral history interview with Paul Soldner 2003 April 27-2. Artist statement. Museum curators and art historians talk do the astonishing work of. Writing to do you saw, working on numerous museums across media live forever, but thoroughly modern approach our preferred third party shipper is like a lesser art? Biography Axis i Hope Prayer Wheels. Artist's Resume LaGrange College. We are very different, paul artist as he had no longer it comes not. He proceeded to bleed with Peter Voulkos Paul Soldner and Jerry Rothman in. But rather common condition report both a statement of opinion genuinely held by Freeman's. Her artistic statements is more than as she likes to balance; and artists in as the statement by being. Ray Grimm Mid-Century Ceramics & Glass In Oregon. Centenarian ceramic artist Beatrice Wood's extraordinary statement My room is you of. Voulkos and Paul Soldner pieces but without many specific names like Patti Warashina and Katherine Choy it. In Los Angeles at rug time--Peter Voulkos Paul Soldner Jerry Rothman. The village piece of art I bought after growing to Lindsborg in 1997.
    [Show full text]
  • Craft Alliance Center for Art and Design Records (S0439)
    PRELIMINARY INVENTORY S0439 (SA0010, SA2390, SA2492, SA2714, SA3035, SA3068, SA3103, SA3633, SA3958) CRAFT ALLIANCE CENTER FOR ART AND DESIGN RECORDS This collection is available at The State Historical Society of Missouri Research Center- St. Louis. If you would like more information, please contact us at [email protected]. Introduction Approximately 58 cubic feet The Craft Alliance is a non-profit, cultural and educational organization which promotes the production, enjoyment, and understanding of the crafts. The records include budgets, bylaws, correspondence, exhibition schedules, Education Center program schedules, newsletters, scrapbooks, and photographs. Donor Information The records were donated to the University of Missouri by Mrs. Norman Morse on January 29, 1971 (Accession No. SA0010). Additions were made on April 7, 1981 by a representative of the Craft Alliance (Accession No. SA2930); November 2, 1982 by Mary Colton (Accession No. SA2492); September 11, 1985 by Wilda Swift (Accession No. SA2714); December 1, 1991 by Barbara Jedda (Accession No. SA3035); June 24, 1992 by Barbara Jedda (Accession No. SA3068); December 28, 1992 by Barbara Jedda (Accession No. SA3103); September 7, 2005 by Alexi Glynias (Accession No. SA3633); July 12, 2011 by Barbara Jedda (Accession No. SA3958); August 14, 2020 by Mark Witzling (Accession No. SA4474); August 26, 2020 by Mark Witzling (Accession No. SA4479). Copyright and Restrictions The Donor has given and assigned to the State Historical Society of Missouri all rights of copyright which the Donor has in the Materials and in such of the Donor’s works as may be found among any collections of Materials received by the Society from others.
    [Show full text]