Oral History Interview with Michael W. Monroe
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Weaverswaver00stocrich.Pdf
University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
Architecture Art in Architecture Art by Architects Architect Six Texas Museums Mansbendel, Woodcarver N0
In this issue: Design: Art or Object? Texas Art and Architecture Art in Architecture Art by Architects Architect Six Texas Museums Mansbendel, Woodcarver N0. 1 VOL. 28 JAN./ FEB. 1978 Contents 3 Tnas Archlttct is the official pubhcalion or The Texas Sociely or Archnecl\. TSA is lhe omcial or Design: Work of Art or aaniuuon .,r the Texas Rea,on or lhe American ln ,11,ute or Arch11ec1,. Working Object? .. 10 Des Taylor Editor-In-Chief A report 011 the A I A DeiiR11 Co11- Larry Paul Fuller Managing Editor f ere11ce in Warhingron D.C.. where Michael McCullnr Associate Editor John I a,h Advertising Director that regulllrly posed queHion wm Kay Payne Circulation Manager left 11n,1111wercd once ,1~ain. llydcr Jo,cph Brown, AIA E:dilorial Con,ultant Art and Arch itecture: Editorial Policy Committee Rivalry or Symbiosis? . .. 14 Mort I cvy. Chairman Jack E. Mee~ J,1d, Craycroh Jack M11<hdl A look at an apparent dil•,•rR<'IICe < r.111,t K,·nn,·d~ Jim Fo,h.·1 of l'iewpoint between arti.rt Pt\. l nrcnntrn I nrry Cinou and architect. Hn,n ,on n~u,t.·\ Tn11r Arr/111tct i, published ~ix time• yearly by the Art in Architecture: le,." S.m<ty or Arch11ecl\, 2121 Auslln Na1lo113I Does it Fit? 18 Bank Tower, Conarcss at Sixth, Austln, Texas 78701 1 clcphone ~ 12 •478-7'86. Sub,cription price is S6.00 A II a11alysir of large-.rc,ilt• art a11d per yc.ir for addr"\e, wnhin the con11nentnl Uniled itr role in em•iro11me11tal deri(l11. -
Wanxin Zhang Zhang | Totem with an Exhibition of Life-Size Ceramic Sculptures
San Francisco, CA: Catharine Clark Gallery presents Wanxin Wanxin Zhang Zhang | Totem with an exhibition of life-size ceramic sculptures. Totem is deeply inspired by Zhang’s upbringing Totem in Maoist China, his subsequent disillusionment, and his ultimate relocation to California as a young artist in the 1990s. The work in the exhibit reflects both a geographical November 8, 2014 – January 3, 2015 journey and an ideological search. Totem demonstrates Zhang’s mastery of the malleable and expressive qualities of Join us for an opening with the artist clay to disrupt and reshape both the form and meaning of on Saturday, November 8 traditional symbols and icons. from 4:00-6:00 pm Zhang’s new monumental clay figures feature the artist’s signature style—a blend that reflects Bay Area Figurative and California Funk traditions with nods to Chinese history. Inspired by his time studying with Peter Voulkous, and by the innovations of Robert Arneson and Stephen De Staebler, Zhang’s figures explore the organic, evocative qualities of clay, and the impact of popular culture on the body. Pink Warrior (2014) exemplifies the departure and hybridity in Zhang’s new work: an androgynous soldier coated in a glossy bubble-gum pink sheen; face and body a landscape of finger prints, gouges, coils and layers; inscripted with individual emotion rather than blank anonymity. This warrior retains the freeform construction and visual weight Wanxin Zhang of Zhang’s well known Pit #5 series, but is an entirely new The Refluent Tide ensign of power structure dismantlement. Zhang’s Pieta 2014 figures further exemplify the cross-cultural reshaping unique 24 x 24 x 32 inches to the artist’s aesthetic. -
Viola Frey……………………………………………...6
Dear Educator, We are delighted that you have scheduled a visit to Bigger, Better, More: The Art of Vila Frey. When you and your students visit the Museum of Arts and Design, you will be given an informative tour of the exhibition with a museum educator, followed by an inspiring hands-on project, which students can then take home with them. To make your museum experience more enriching and meaningful, we strongly encourage you to use this packet as a resource, and work with your students in the classroom before and after your museum visit. This packet includes topics for discussion and activities intended to introduce the key themes and concepts of the exhibition. Writing, storytelling and art projects have been suggested so that you can explore ideas from the exhibition in ways that relate directly to students’ lives and experiences. Please feel free to adapt and build on these materials and to use this packet in any way that you wish. We look forward to welcoming you and your students to the Museum of Arts and Design. Sincerely, Cathleen Lewis Molly MacFadden Manager of School, Youth School Visit Coordinator And Family Programs Kate Fauvell, Dess Kelley, Petra Pankow, Catherine Rosamond Artist Educators 2 COLUMBUS CIRCLE NEW YORK, NEW YORK 10019 P 212.299.7777 F 212.299.7701 MADMUSEUM.ORG Table of Contents Introduction The Museum of Arts and Design………………………………………………..............3 Helpful Hints for your Museum Visit………………………………………….................4 Bigger, Better, More: The Art of Viola Frey……………………………………………...6 Featured Works • Group Series: Questioning Woman I……………………………………………………1 • Family Portrait……………………………………………………………………………..8 • Double Self ……………………………………………………………………...............11 • Western Civilization Fountain…………………………………………………………..13 • Studio View – Man In Doorway ………………………………………………………. -
Oral History Interview with Robert David Brady
Oral history interview with Robert David Brady Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Robert David Brady -
Bay-Area-Clay-Exhibi
A Legacy of Social Consciousness Bay Area Clay Arts Benicia 991 Tyler Street, Suite 114 Benicia, CA 94510 Gallery Hours: Wednesday-Sunday, 12-5 pm 707.747.0131 artsbenicia.org October 14 - November 19, 2017 Bay Area Clay A Legacy of Social Consciousness Funding for Bay Area Clay - a Legacy of Social Consciousness is supported in part by an award from the National Endowment for the Arts, a federal agency. A Legacy of Social Consciousness I want to thank every artist in this exhibition for their help and support, and for the powerful art that they create and share with the world. I am most grateful to Richard Notkin for sharing his personal narrative and philosophical insight on the history of Clay and Social Consciousness. –Lisa Reinertson Thank you to the individual artists and to these organizations for the loan of artwork for this exhibition: The Artists’ Legacy Foundation/Licensed by VAGA, NY for the loan of Viola Frey’s work Dolby Chadwick Gallery and the Estate of Stephen De Staebler The Estate of Robert Arneson and Sandra Shannonhouse The exhibition and catalog for Bay Area Clay – A Legacy of Social Consciousness were created and produced by the following: Lisa Reinertson, Curator Arts Benicia Staff: Celeste Smeland, Executive Director Mary Shaw, Exhibitions and Programs Manager Peg Jackson, Administrative Coordinator and Graphics Designer Jean Purnell, Development Associate We are deeply grateful to the following individuals and organizations for their support of this exhibition. National Endowment for the Arts, a federal agency, -
The Magazine of the Museum of Texas Tech University in This Issue | Fall-Winter 2017
The Magazine of the Museum Mof Texas Tech University In This Issue | Fall-Winter 2017 Bringing the Abstract Heroes of the Postosuchus: Special Needs Art Meets Holocaust T. Rex of the Community to Atmospheric Triassic the Museum Science The Magazine of The Texas Tech University Museum M The Magazine of the Museum is for Museum of Texas Tech University M Fall/Winter 2017 2 Staff Publisher and Executive Editor M=eC Gary Morgan, Ph.D. Copy Editor Daniel Tyler Stakeholder engagement for a university Editorial Committee Sally Post, Jill Hoffman Ph.D. museum is a continuum between the university Design (Campus) and the Community. The Museum Armando Godinez Jr. must engage with the Campus; it must engage M is a biannual publication of the Museum of Texas Tech University. with the Community; and it must facilitate 3301 4th St, Lubbock, TX 79409 Phone: 806.742.2490 engagement between Campus and Community. www.museum.ttu.edu All rights reserved. Museum (M) equals engagement (e) ©Museum of Texas Tech University 2017 by Campus (C) and by Community (C). Cover Photo: Harvey Chick The Texas Liberator: Witness to the Holocaust 2 | FAll/Winter 2017 Museum at sunrise with desert agave casting shadows. Photo: Ashley Rodgers Fall/Winter 2017 | 3 M The Magazine of The Texas Tech University Museum 12 Lessons Large and Small By Deborah Bigness 16 Beauty Abounds By Marian Ann J. Montgomery 22 Inside M Bringing the Special Needs Community to the Museum M News . 7 By Bethany Chesire Light Up Lubbock. 9 Genetic Resources Collection . 11 25 Extending Creative Visions . -
Education Guide – Community
CRAFT INeducation AMERICA guide: community 1 contents introduction Craft in America Mission Statement 3 Craft in America, Inc. 3 Craft in America: The Series 3 Viewing the Series 3 Ordering the DVD and Companion Book 3 Audience 3 Craft in America Educator Guides 4 How to Use the Guides 4 Scope and Sequence 4 themes Show Me 5 Hand in Hand 12 Continuity and Change 19 Worksheets 26 Additional Web Resources 34 National Art Education Standards 35 Credits & Copyright 35 On the cover Amy Rueffurt, Log #4 (JFK), 2007, Sibila Savage Photography 2 educator guide information Craft in America, Inc. Craft In America Inc. is a non-profit organization dedicated to the exploration of craft in the United States and its impact on our nation’s cultural heritage. The centerpiece of the company’s efforts is the production of a nationally broadcast television documentary series celebrating American craft and the artists who bring it to life. The project currently includes a three-part television documentary series supported by CRAFT IN AMERICA: Expanding Traditions, a nationally touring exhibition of exceptional craft objects, as well as a companion book, and a comprehensive Web site. Carol Sauvion is the founder and director of Craft in America. Craft in America Mission Statement The mission of Craft in America is to document and advance original handcrafted work through programs in all media made accessible to all Americans. Craft in America: The Series Craft in America’s nationally broadcast PBS documentary series seeks to celebrate craft by honoring the artists who create it. In three episodes entitled Memory, Landscape and Community, Craft in America television viewers will travel throughout the United States visiting America’s premier craft artists in their studios to witness the creation of hand- made objects, and into the homes, businesses and public spaces where functional art is employed and celebrated. -
Press Release, P
1 Contacts: Karen Frascona Amelia Kantrovitz 617.369.3442 617.369.3447 [email protected] [email protected] MUSEUM OF FINE ARTS, BOSTON, ANNOUNCES MAJOR GIFT OF CONTEMPORARY CRAFT FROM DAPHNE FARAGO COLLECTION BOSTON, MA (January 18, 2013)— The Museum of Fine Arts, Boston (MFA), announces a gift of 161 works from longtime supporter Daphne Farago — the Museum’s largest-ever gift of contemporary craft across a range of media. These 20th- and 21st-century works are among the finest examples of studio craft and represent objects by notable artists, such as fiber artists Anni Albers and Sheila Hicks, sculptor Robert Arneson, glass artist Dale Chihuly, and furniture maker John Cederquist. The gift includes works of fiber (94), ceramics (24), glass (19), turned wood/carvings (11), metal (5), furniture (4), jewelry (2), Structure No. 18: Theory of Lift, basketry (1), and folk art (1). The largest donor of contemporary craft in the Jeanette Marie Ahlgren, 1994 Museum’s history, Mrs. Farago has transformed the MFA’s collection with gifts totaling nearly 950 objects to the Museum in her lifetime. Other significant donations to the MFA by Mrs. Farago include the 2006 gift of more than 650 pieces of contemporary jewelry and the 2004 gift of more than 80 works of contemporary fiber art created by the late Edward Rossbach and Katherine Westphal. "These works illustrate Daphne Farago's vision as a collector — they are part of her personal collection and represent some of the finest, most intellectually and technically ambitious creations in these areas," said Malcolm Rogers, Ann and Graham Gund Director of the MFA. -
Annual Report 2013-2014
The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I. -
Ceramics Monthly Mar05 Cei03
www.ceramicsmonthly.org Editorial [email protected] telephone: (614) 895-4213 fax: (614) 891-8960 editor Sherman Hall assistant editor Ren£e Fairchild assistant editor Jennifer Poellot publisher Rich Guerrein Advertising/Classifieds [email protected] (614) 794-5809 fax: (614) 891-8960 [email protected] (614) 794-5866 advertising manager Steve Hecker advertising services Debbie Plummer Subscriptions/Circulation customer service: (614) 794-5890 [email protected] marketing manager Susan Enderle Design/Production design Paula John graphics David Houghton Editorial, advertising and circulation offices 735 Ceramic Place Westerville, Ohio 43081 USA Editorial Advisory Board Linda Arbuckle Dick Lehman Don Pilcher Bernie Pucker Tom Turner Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by The American Ceramic Society, 735 Ceramic Place, Westerville, Ohio 43081; www.ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices. Opinions expressed are those of the contributors and do not necessarily represent those of the editors or The Ameri can Ceramic Society. subscription rates: One year $32, two years $60, three years $86. Add $25 per year for subscriptions outside North America. In Canada, add 7% GST (registration number R123994618). back issues: When available, back issues are $6 each, plus $3 shipping/ handling; $8 for expedited shipping (UPS 2-day air); and $6 for shipping outside North America. Allow 4-6 weeks for delivery. change of address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation De partment, PO Box 6136, Westerville, OH 43086-6136. contributors: Writing and photographic guidelines are available online at www.ceramicsmonthly.org. -
Peter Giopulos Files on Campus
Peter Giopulos Collection Artist Files Box A-B Folder # 1 – Art on Campus intro Folder # 2 – Art Walk Map Folder # 3 – Web Art Bill Stewart Folder # 4 – Art on Campus (A) Ansel Adams Samuel Marcus Adler George Gustave Adomeit Ahlgren, Roy B Charles Curtis Adams Frank Milton Armington Milton Clark Avery Folder # 5 – Josef Albers Folder # 6 – Mari Alexander Folder # 7 – Architecture on campus Folder # 8 – Harry Bertoia Folder # 9 – Art on campus (B) Otto Henry Bacher Federico Fiori Barocci Norman Arthur Bate Will Barnet Gustave Baumann Lester Beall Frank Weston Benson Thomas Hart Benton Alistair Bevington Sander Blondeel Milton Bond Walter H Cassebeer Borglum, Gutzon Philip Bornarth Charlotte Bowman Folder # 10 – Donald Bujnowski Doors Folder # 11 – Photo printed from collection Bujnowski 11 copies of 8x11 photographs of his work Box C-F Folder # 1 – Art on Campus C Robert Carter Walter H Cassebeer Wendell Castle John Channell Philip Cheney Ohi Chozaemon Carl Chiarenza John Scott Clubb Eugene C. Colby Robert Conge, Lila Copeland John Edwards Costigan James Crable Frank Craig Byron G Culver Folder # 2 – Augustus Wall Callcott Folder # 3 – Hans Christensen Folder # 4 – Art on campus [D-F] Henry Golden Dearth Henry De Maine Jose De Rivera David Dickinson Mitsui Eiichi Alejandro Fernandez Robert Fergerson Richard Aberle Florsheim Emil Fuchs Folder # 5 – Eisenhower dresses & Paintings in stage – Physical plant Folder # 6 – Harold (Hal) Foster Folder # 7 – Donald J Forsythe Box G-L Folder # 1 – Dan Kiley Folder # 2 – Art on Campus (G-H) Emil Ganso Moton Garchik Charles Dana Gibson Arthur Eric Rowton Gill Janet Goldner Nancy Gong Marion Greenwood Emile Albert Gruppe, Folder # 3 – Gordon Grant Folder # 4 – Gordon, Stanley Folder # 5 – Art on Campus (H) Silvanus G.