DOCSLIB.ORG

Craft Horizons JANUARY/FEBRUARY 1969 $2.00 Potteraipiney Wheel S & CERAMIC EQUIPMENT I

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Craft Horizons JANUARY/FEBRUARY 1969 $2.00 Potteraipiney Wheel S & CERAMIC EQUIPMENT I craft horizons JANUARY/FEBRUARY 1969 $2.00 PotterAipiney Wheel s & CERAMIC EQUIPMENT i Operating from one of the most modern facilities of its kind, A. D. Alpine, Inc. has specialized for more than a quarter of a century in the design and manufac- ture of gas and electric kilns, pottery wheels, and a complete line of ceramic equipment. Alpine supplies professional potters, schools, and institutions, throughout the entire United States. We manufacture forty-eight different models of high fire gas and electric kilns. In pottery wheels we have designed an electronically controlled model with vari- able speed and constant torque, but we still manufacture the old "KICK WHEEL" too. ûzùzêog awziözbfe Also available free of charge is our book- let "Planning a Ceramic Studio or an In- stitutional Ceramic Arts Department." WRITE TODAY Dept. A 353 CORAL CIRCLE EL SEGUNDO, CALIF. 90245 AREA CODE (213) 322-2430 772-2SS7 772-2558 horizons crafJanuary/February 196t9 Vol. XXIX No. 1 4 The Craftsman's World 6 Letters 7 Our Contributors 8 Books 10 Three Austrians and the New Jersey Turnpike by Israel Horovitz 14 The Plastics of Architecture by William Gordy 18 The Plastics of Sculpture: Materials and Techniques by Nicholas Roukes 20 Freda Koblick by Nell Znamierowski 22 Reflections on the Machine by John Lahr 26 The New Generation of Ceramic Artists by Erik Gronborg 30 25th Ceramic National by Jean Delius 36 Exhibitions 53 Calendar 54 Where to Show The Cover: "Phenomena Phoenix Run," polyester resin window by Paul Jenkins, 84" x 36", in the "PLASTIC as Plastic" show at New York's Museum of Contemporary Crafts (November 22-Januaiy 12). In this issue CRAFT HORIZONS presents the second of its two part investigation of the medium. Photograph by John Schiff. Editor-in-Chief Rose Slivka Managing Editor Patricia Dandignac Editorial Assistant Edith Dugmore Advertising Department Wylie Cumbie Editorial Board Robert Beverly Hale William Lescaze Leo Lionni Aileen 0. Webb Ceramics Daniel Rhodes Metal Adda Husted-Andersen Textiles—-— __Li!i Blumenau Wood — Charles V.W. Brooks Bookbinding Polly Lada-Mocarski Published bimonthly and copyrighted 1969 by the American Craftsmen's Council, 16 East 52nd Street, New York, N.Y. 10022. Telephone: PLaza 3-7425. Aileen O. Webb, Chairman of the Board; Kenneth Chorley, Vice-Chairman; Donald L. Wyckoff, Direc- tor; May E. Walter, Secretary; R. Leigh Glover, Treasurer; Joseph P. Fallarlno, Assis- tant Treasurer. Trustees are: Nicholas B. Angel!, Alfred Auerbach, John L. Baringer, Mrs. Lewis G. Carpenter, Mrs. H. Lansing Clute, Mark Ellingson, Robert D. Graff, August Heckscher, Walter H. Kilham, Jr., Jack Lenor Larsen, De Witt Peterkin, Jr., William Snaith, Frank Stanton. Honorary trustees are: Valla Lada-Mocarski, Dorothy Liebes, Edward Wormley. Craftsmen-trustees are: J. Sheldon Carey, Charles Counts, Trude Guermonprez, Kenneth Shores, Peter Wedland, James Wozniak. Membership rates: $10 per year and higher, includes subscription to CRAFT HORIZONS. Single copy: $2. Second class postage paid at New York, N.Y. The complete content of each issue of CRAFT HORIZONS is Indexed In the Art Index and Reader's Guide to Periodical Literature, available in public libraries. Book reviews published In CRAFT HORIZONS are indexed in Book Review Index. Microfilm, edition is available from Universal Microfilms, 313 North First Street, Ann Arbor, Michigan 48103. 1969. The job will concentrate on the educational program, the The Craftsman's World teaching of some classes, and will offer opportunities to work with exhibition installations and special programming. Strength in ce- ramics, with a good background in general art eduction and other Focus studio areas are desired. The salary is $6,500 and carries fringe benefits. Applicants should send credentials and references to: New Mexico in late spring, June 7-11, the most beautiful time of Richard Leet, director, Charles H. MacNider Museum, 303 Second the year for this part of the country, will be the scene of ACC's Street, S.E., Mason City, Iowa 50401 . The Virginia Museum of Fifth National Conference. The first such meeting since 1964, it Fine Arts is seeking a professional ceramist for its Resident Crafts- will be held at the University of New Mexico, Albuquerque, and man Program, beginning in the fall. Provided with studios and will open with the exhibition arising from ACC's current national classrooms, the resident will lecture-demonstrate in Richmond competition "Young Americans 1969" [see page 54]. With its theme and in the twenty-seven Virginia communities where chapters or entitled "Focus," programs and discussions will be geared to a affiliates of the Museum exist. The craftsman is also given an an- study of the various directions modern craftsmanship in the U.S. nual grant of $3,500 to cover living expenses, supplemented by is taking today. Three specific areas will focus on the factors that income from classes taught. A $500 fund is available for approved influence the development of the craftsman, on the commitments travel for purposes of attending meetings, workshops, etc. Appli- of the craftsman, and on new materials and technology. Trips to cants should send a photograph, a resume, and slides of their work various sites of archaeological interest and meetings with Navaho to: Catherine Ellyson, supervisor, Education Services, Virginia Mu- Indian craftsmen will be additional highlights. Following the con- seum of Fine Arts, Boulevard and Grove Avenue, Richmond, Vir- ference proper, charter flights to Mexico City, Yucatan Peninsula, ginia 23221. ... An opening for an experienced potter in earthen- Juarez, and San Francisco will be available to conferees. Group ware production has become available. Someone is needed to flight rates to Albuquerque from all parts of the country have been reproduce in quantity an extensive collection of complex eigh- arranged for those planning to attend. There will be camp sites teenth-century German and English forms for sale, from which for those who wish to take advantage of the low humidity climate there will be a percentage given plus a regular salary. For detailed and cool nights, while costs for living and dining accommodations information, write: John Bevins, Jr., Curator of Crafts, Old Salem, will be nominal. For more detailed information, see the March/ Inc., Winston-Salem, North Carolina 27108. April CRAFT HORIZONS. New Publications On 1st The Indian Arts and Crafts Board of the U.S. Department of the Bert Stern, photographer extraordinaire, has opened his own Interior has just published a sixty-page study of its Institute of aesthetic supermarket, On 1st, at 1159 First Avenue, New York, American Indian Arts in Santa Fe, New Mexico. Founded in 1962^ to peddle everyday objects to people who grub for beauty in the Institute is operated by the Bureau of Indian Affairs, USDI, boutiques. Decorated in Yves Klein ultramarine, On 1st is no as a national training program in the arts for Indian, Eskimo, and thrift shop. The price of the Lichtenstein wrapping paper goes up Aleut youth of the U.S. The publication features a major article, irrationally by the yard—to prevent hoarding. On 1st ostensibly "Cultural Difference as the Basis for Creative Education," by Lloyd "combines for the first time a store and an art gallery," selling New, director of the Institute. A special illustrated section depicts objects as art and providing artists with a new outlet. But the every phase of its arts training program from painting, sculpture, form of the store itself is somehow more interesting than its and the crafts to creative writing, the dance, and dramatic produc- contents, and the Sven Lukin street facade, the space-age control tions. Entitled "Institute of American Indian Art," the price is $.65 console, and the reflecting mirrors on the ceiling are much more and copies may be ordered from the Superintendent of Docu- of a thing than the scarves by Billy Apple, Gerald Laing, and the ments, Government Printing Office, Washington, D.C. 20402. silk-screen Marilyn Monroes that Bert Stern seems to trot in at every available moment. Also pushed are lamps, plastic furniture, and unique contemporary objects to be used in everyday life. Here and There The store has been designed as a contained environment of sound, light, and color that involves the people in it with the The American Institute of Interior Designers, in its 24th Interna- objects on display. The first floor gallery is a spatial capsule, tional Design Awards program, granted a special citation to the covered entirely in blue carpet with no windows to connect the American Craftsmen's Council for its performance as a vigorous visitor with the outside world; it has a feeling of spacelessness. force in encouraging and expanding the role of notable American Merchandise hangs from a crisscross gird on the ceiling and is handcrafts and for demonstrating to industry the contributions lit by a unique system of spotlights and mirrors so that it appears that manual skills and creative craftsmanship can make to indus- to float in mid-air. Going down the spiral staircase, the blue of trial design expressions. On January 5, Donald Wyckoff, executive the gallery gradually changes through the colors of the spectrum vice-president of the ACC, accepted the award in Chicago, at a into the red of the room below (there is real charm in James dinner climaxing the presentation of the twenty-five awards given Byars's multiple garment of scarlet silk, casually flung on the blue for product designs. Also given a special award citation was ACC carpeting). Lighted by gigantic colored light bulbs, this area is trustee Dorothy Liebes for her international influence as a colorist more the conventional store. The clothes can be tried on in a and as an innovator with man-made fibers . The Architectural changing room with a two-way mirror so that the customer con- League of New York has announced its 1969 Arnold W.
Load more

Recommended publications
  • Weaverswaver00stocrich.Pdf
    University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • David Shaner – (1934 – 2002) Artist's Statement – David
    DAVID SHANER – (1934 – 2002) David Shaner is an icon in the field of American ceramic art. He was instrumental in establishing the Archie Bray Foundation as a major player in ceramics, and he continued to support the Bray after retiring as its Resident Director. His exquisitely formed vessels with their understated glazes are a reflection of the man himself, a man in harmony with his environment and at peace in himself. Shaner was also noted as a teacher, a collector, and a generous contributor to the world of ceramic art and the field of environmental protection; his gardens which he called his “spiritual work” included notable specialized collections. While David Shaner’s life was cut short by ALS, his legacy continues through the David and Ann Shaner Resident Studio Complex which opened in 2005 at the Archie Bray foundation. ARTIST’S STATEMENT – DAVID SHANER “Basically, I am doing what I want to do and have never done anything else. By competing only with myself, I am not in pursuit of the crowd. Following one’s work is a joy and a challenge. One learns to do what is in one’s soul – thus revealing the connections between life and art. Although over the years I have become deeply involved with my tools and materials, simplicity of form and process have been my greatest achievements. And while the pots have been saturated with optimism, this has not always been easy to achieve. It is with a certain resilience I carry the belief that as life is enriched, the work can answer a resounding YES!”1 1.
    [Show full text]
  • 1960 National Gold Medal Exhibition of the Building Arts
    EtSm „ NA 2340 A7 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/nationalgoldOOarch The Architectural League of Yew York 1960 National Gold Medal Exhibition of the Building Arts ichievement in the Building Arts : sponsored by: The Architectural League of New York in collaboration with: The American Craftsmen's Council held at: The Museum of Contemporary Crafts 29 West 53rd Street, New York 19, N.Y. February 25 through May 15, i960 circulated by The American Federation of Arts September i960 through September 1962 © iy6o by The Architectural League of New York. Printed by Clarke & Way, Inc., in New York. The Architectural League of New York, a national organization, was founded in 1881 "to quicken and encourage the development of the art of architecture, the arts and crafts, and to unite in fellowship the practitioners of these arts and crafts, to the end that ever-improving leadership may be developed for the nation's service." Since then it has held sixtv notable National Gold Medal Exhibitions that have symbolized achievement in the building arts. The creative work of designers throughout the country has been shown and the high qual- ity of their work, together with the unique character of The League's membership, composed of architects, engineers, muralists, sculptors, landscape architects, interior designers, craftsmen and other practi- tioners of the building arts, have made these exhibitions events of outstanding importance. The League is privileged to collaborate on The i960 National Gold Medal Exhibition of The Building Arts with The American Crafts- men's Council, the only non-profit national organization working for the benefit of the handcrafts through exhibitions, conferences, pro- duction and marketing, education and research, publications and information services.
    [Show full text]
  • Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2017 Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Materials Conservation Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Industrial and Product Design Commons, Interdisciplinary Arts and Media Commons, and the Metal and Jewelry Arts Commons Textile Society of America, "Textile Society of America Newsletter 29:2 — Fall 2017" (2017). Textile Society of America Newsletters. 80. https://digitalcommons.unl.edu/tsanews/80 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 29. NUMBER 2. FALL 2017 Photo Credit: Tourism Vancouver See story on page 6 Newsletter Team BOARD OF DIRECTORS Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of Communications) Designer: Meredith Affleck Vita Plume Member News Editor: Caroline Charuk (TSA General Manager) President [email protected] Editorial Assistance: Natasha Thoreson and Sarah Molina Lisa Kriner Vice President/President Elect Our Mission [email protected] Roxane Shaughnessy The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for Past President the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, [email protected] political, social, and technical perspectives. Established in 1987, TSA is governed by a Board of Directors from museums and universities in North America.
    [Show full text]
  • The Factory of Visual
    ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving.
    [Show full text]
  • Movers & Shakers in American Ceramics
    A Ceramics Monthly Handbook Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Published by The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, Ohio 43082 USA The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, OH 43082 © 2003, 2011 by The American Ceramic Society, All rights reserved. ISBN: 1-57498-165-X (Paperback) ISBN: 978-1-57498-560-3 (PDF) No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher, except by a reviewer, who may quote brief passages in review. Authorization to photocopy for internal or personal use beyond the limits of Sections 107 and 108 of the U.S. Copyright Law is granted by The American Ceramic Society, provided that the appropriate fee is paid directly to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923 U.S.A., www.copyright.com. Prior to photocopying items for educational classroom use, please contact Copyright Clearance Center, Inc. This consent does not extend to copyright items for general distribution or for advertising or promotional purposes or to republishing items in whole or in part in any work in any format. Requests for special photocopying permission and reprint requests should be directed to Director, Publications, The American Ceramic Society, 600 N.
    [Show full text]
  • What Do You Do with 314 Pots? by Joan Lincoln
    Teapot, 7 inches in height, slab-built Celadon-glazed teapot, 111/4 inches Glazed porcelain teapot, 9 inches porcelain with black terra sigillata, in height, wheel-thrown and carved in height, with handmade handle, purchased for $2600, by Edward Eberle. porcelain, $105, by Molly Cowgill. $50, by Ruth Scharf. What Do You Do with 314 Pots? by Joan Lincoln never intended to collect contempo­ opinions, current trends, inflated cost few people realized the potential value /, rary American ceramics. My first pur­ or overwhelming size. If a work cannot of a Toshiko Takaezu container; a chase, a small, red clay, matt-green- speak for itself in the rich company of shop/gallery/fair cannot afford to stay glazed bowl by Gertrud and Otto fine craft, no amount of pretentious in business on speculation. Friends Natzler, caught my eye at the New York jargon-hype will make it valid or hon­ also gave me ceramic objects, knowing City American Crafts Gallery. I could est. Obfuscation covers inadequacy. I had been mucking around in clay not leave without it. Now, my collec­ Rule three requires that the object forever (kindergarten through grad tion ranges from Laura Andreson to do well that which it was designed to school). Sometimes these gifts were Marguerite Wildenhain, from low-fire do. The mind likes a justification for quite remarkable (a 23-inch Rook- earthenware to high-fire porcelain, from the eye’s delight; e.g., my Molly Cowgill wood lamp base, probably by Shiraya- functional to purely decorative. I can celadon-glazed carved porcelain teapot madani). I also traded/bought from now read most pots easily for technique pours well, holds the heat and adds fellow M.F.A.
    [Show full text]
  • Ceramics Monthly Nov83 Cei11
    William C. Hunt ........................................ Editor Barbara Tipton ...................... Associate Editor Robert L. Creager ........................ Art Director Ruth C. Butler.............................. Copy Editor Valentina Rojo....................... Editorial Assistant Mary Rushley.............. Circulation Manager Connie Belcher ... Advertising Manager Spencer L. Davis.................................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard, Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc.—S. L. Davis, Pres.; P. S. Emery, Sec.: 1609 North­ west Blvd., Columbus, Ohio 43212. Second class postage paid at Columbus, Ohio. Subscription Rates:One year SI 6, two years $30, three years $40. Add $5 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send both the magazine wrapper label and your new address to Ceramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in­ cluding 35mm slides), graphic illustrations, texts and news releases dealing with ceramic art are welcome and will be considered for publication. A booklet describing procedures for the preparation and submission of a man­ uscript is available upon request. Send man­ uscripts and correspondence about them to The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Indexing:Articles in each issue of Ceramics Monthly are indexed in the Art Index. A 20-year subject index (1953-1972) covering Ceramics Monthly feature articles, Sugges­ tions and Questions columns is available for $1.50, postpaid from the Ceramics Monthly Book Department, Box 12448, Columbus, Ohio 43212. Additionally, each year’s arti­ cles are indexed in the December issue.
    [Show full text]
  • Calm Down NEW YORK — East Met West at Tiffany on Sunday Morning in a Smart, Chic Collection by Behnaz Sarafpour
    WINSTON MINES GROWTH/10 GUCCI’S GIANNINI TALKS TEAM/22 WWDWomen’s Wear Daily • The Retailers’MONDAY Daily Newspaper • September 13, 2004 • $2.00 Accessories/Innerwear/Legwear Calm Down NEW YORK — East met West at Tiffany on Sunday morning in a smart, chic collection by Behnaz Sarafpour. And in the midst of the cross-cultural current inspired by the designer’s recent trip to Japan, she gave ample play to the new calm percolating through fashion, one likely to gain momentum as the season progresses. Here, Sarafpour’s sleek dress secured with an obi sash. For more on the season, see pages 12 to 18. Hip-Hop’s Rising Heat: As Firms Chase Deals, Is Rocawear in Play? By Lauren DeCarlo NEW YORK — The bling-bling world of hip- hop is clearly more than a flash in the pan, with more conglomerates than ever eager to get a piece of it. The latest brand J.Lo Plans Show for Sweetface, Sells $15,000 Of Fragrance at Macy’s Appearance. Page 2. said to be entertaining suitors is none other than one that helped pioneer the sector: Rocawear. Sources said Rocawear may be ready to consider offers for a sale of the company, which is said to generate more than $125 million in wholesale volume. See Rocawear, Page4 PHOTO BY GEORGE CHINSEE PHOTO BY 2 WWD, MONDAY, SEPTEMBER 13, 2004 WWW.WWD.COM WWDMONDAY J.Lo Talks Scents, Shows at Macy’s Accessories/Innerwear/Legwear By Julie Naughton and Pete Born FASHION The spring collections kicked into high gear over the weekend with shows Jennifer Lopez in Jennifer Lopez in from Behnaz Sarafpour, DKNY, Baby Phat and Zac Posen.
    [Show full text]
  • Gather Newsletter.Indd
    Spring/Summer 2006 “Glass of the Maharajahs” the opens May 19 Heineman Family Donates Contemporary Glass Collection Rare Colored Cut Glass in Gather “Splitting the Rainbow” C o r n i n g M u s e u m o f G l a s s DIRECTOR’S LETTER Museum News One of the pleasures of working at The Corning Museum of Glass is the fact that the Museum never stands still. We are ambitious, and Corning Incorporated and our other supporters allow us— within reason—to turn many of our dreams into reality. Online Database Details Glass Exhibitions Worldwide New Museum Publication and Video Available Contemporary glass is a vital part of our collection and exhibitions. A new online database, compiled and maintained by the Rakow We were thrilled, therefore, at the beginning of the year, to receive Research Library, offers web users the ability to search for past, A new publication from The the largest gift of contemporary glass in the Museum’s history. present and upcoming temporary glass exhibitions around the Corning Museum of Glass Photo by Frank J. Borkowski. world. The Worldwide Glass Exhibition Database can be found at explores the past 25 years of www.cmog.org/exhibitionsdatabase. contemporary glass, and a new Ben Heineman Sr. and his wife Natalie have spent more than 20 years building video produced by The Studio one of the most distinguished private collections of contemporary glass, and have “The Rakow’s mission is to collect, maintain and provide public introduces glass students to the collected with a consummate sense of what is best among the countless works access to all glass-related resources," says Diane Dolbashian, art of flameworking.
    [Show full text]
  • Download New Glass Review 15
    eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird.
    [Show full text]
  • CITYLAND NEW FILINGS & DECISIONS | July 2020
    CITYLAND NEW FILINGS & DECISIONS | July 2020 Due to the COVID-19 pandemic, the Uniform Land Use Review Procedure was suspended and there were no scheduled City Planning Commission public hearings in July 2020. City Planning re-convened for the first time on August 3, 2020 at a virtual review session. CITY PLANNING PIPELINE New Applications Filed with DCP — July 1 to July 31, 2020 APPLICANT PROJECT/ADDRESS DESCRIPTION ULURP NO. REPRESENTATIVE ZONING TEXT AND MAP AMENDMENTS McDonald’s 606 Neptune Avenue A zoning map amendment from an R6/C1-2 zoning district and the M 210034 LDK; Langan Corporation Special Ocean Parkway District (OP) to R6/C2-4/OP and a modification 210033 ZMK to the Legal Document (Restrictive Declaration) to facilitate 4,249 sf of commercial development, including the legalization of an existing accessory drive through facility, is being sought by McDonald’s Corporation a private applicant at 606 Neptune Avenue in Coney Island, Community District 13, Brooklyn. Almonte Lincoln Sutter Avenue Rezoning This is a private application by Almonte Lincoln LLC requesting a zoning 210031 ZMK; Lisa Orrantia LLC map amendment to change from R5 to R6A/C2-4 and a zoning text 210032 ZRK amendment to designate the rezoned area as a MIH, to facilitate the development of a 5-story building with ground floor commercial and 28 residential units, located at 1377-1385 Sutter Avenue in CD 5, East New York, Brooklyn. Damien Smith Broadway and 11th A Zoning Map Amendment (from R5 to M1-4/R7A) and zoning text 210025 ZMQ; Frank St. Jacques Street Rezoning amendments (to ZR 123-90 and Appendix F) to facilitate a new eight- 210026 ZRQ story, mixed use development, including approximately 217 residential units and 30,000 square feet for commercial and manufacturing uses, is being sought by 11 St & Broadway LLC at 11-01 33rd Avenue in Astoria, Community District 1, Queens.
    [Show full text]