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Annual Index September 1976-August 1977 Vol. 3
INDEX I- !/oluJne3 Numbers 1-12 ONANTIQUES , September, 1976-August, 1977 AND COLLECTABLES Pages 1-144 PAGES ISSUE DATE 1-12 No.1 September, 1976 13-24 No.2 October, 1976 25-36 No.3 November, 1976 37-48 No.4 December, 1976 49-60 No.5 January, 1977 61-72 No.6 February, 1977 & Kovel On became Ralph Terry Antiques Kovels 73-84 No.7 March,1977 On and Antiques Collectables in April, 1977 (Vol. 85-96 No.8 April,1977 3, No.8). , 97-108 No.9 May, 1977 Amberina glass, 91 109-120 No� 10 June, 1977 Americana, 17 121-132 No.l1 July, 1977 American Indian, 30 133-144 No. 12 August, 1977 American Numismatic Association Convention, 122 Anamorphic Art, 8 Antique Toy World, 67 in Katherine ART DECO Antiques Miniature, by Morrison McClinton, 105 Furniture, 38, 88 Autumn The 0 Glass, 88 Leaf Story, by J Cunningham, 35 Metalwork, 88 Avons other Dee Bottles-by any name, by Sculpture, 88 Schneider, 118 Art 42 Nouveau, 38, Avons Award Bottles, Gifts, Prizes, by Dee' Art Nouveau furniture, 38 Schneider, 118 "Auction 133 & 140 Avons Fever," Bottles Research and History, by Dee 118 Autographs, 112 Schneider, Avons Dee 118 Banks, 53 Congratulations, -by Schneider, Avons President's Club Barometers, 30 History, Jewelry, by Bauer 81 Dee 118 pottery, Schneider, Bauer- The California Pottery Rainbow, by Bottle Convention, 8 Barbara Jean Hayes, 81 Bottles, 61 The Beer Can-A Complete Guide to Collecting, Books, 30 by the Beer Can Collectors of America, 106 BOOKS & PUBLICATIONS REVIEWED The Beer Can Collectors News Report, by the Abage Enclyclopedia of Bronzes, Sculptors, & Beer Can Collectors of America, 107 Founders, Volumes I & II, by Harold A Beginner's Guide to Beer Cans, by Thomas Berman, 52 Toepfer, 106 American Beer Can Encyclopedia, by Thomas The Belleek Collector's Newsletter the ' by Toepfer, 106 Belleek Collector's Club, 23- American Copper and Brass, by Henry J. -
LOTNUM LEAD DESCRIPTION 1 Sylvester Hodgdon "Castle Island" Oil on Canvas 2 Hampshire Pottery Green Handled Vase 3
LOTNUM LEAD DESCRIPTION 1 Sylvester Hodgdon "Castle Island" oil on canvas 2 Hampshire Pottery Green Handled Vase 3 (2) Pair of Brass Candlesticks 4 (2) Cast Iron Horse-Drawn Surrey Toys 5 (4) Glass Pieces w/Lalique 6 18th c. Tilt-Top Table 7 (2) Black Painted Children's Chairs 8 Corner Chair 9 Vitrine Filled with (21) Jasperware Pieces and Planter 10 Bannister Back Armchair 11 (4) Pieces of Colored Art Glass 12 (8) Pieces of Amethyst Glass 13 "Ship Mercury" 19thc. Port Painting 14 (18) Pieces of Jasperware 15 Inlaid Mahogany Card Table 16 Lolling Chair with Green Upholstery 17 (8) Pieces of Cranberry Glass 18 (2) Child's Chairs (1) Caned (1) Painted Black 19 (16) Pieces of Balleek China 20 (13) Pieces of Balleek China 21 (32) Pieces of Balleek China 22 Over (20) Pieces of Balleek China 23 (2) Foot Stools with Needlepoint 24 Table Fitted with Ceramic Turkey Platter 25 Pair of Imari Lamps 26 Whale Oil Peg Lamp 27 (2) Blue and White Export Ceramic Plates 28 Michael Stoffa "Thatcher's Island" oil w/ (2) other Artworks 29 Pair of End Tables 30 Custom Upholstered Sofa 31 Wesley Webber "Artic Voyage 1879" oil on canvas 32 H. Crane "Steam Liner" small gouache 33 E. Sherman "Steam Liner in Harbor" oil on canvas board 34 Oil Painting "Boston Light" signed FWS 35 Pair of Figured Maple Chairs 36 19th c. "Ships Sailing off Lighthouse" oil on canvas 37 Pate Sur Pate Cameo Vase 38 (3) Framed Artworks 39 (3) Leather Bound Books, Box and Pitcher 40 Easy Chair with Pillows 41 Upholstered Window Bench 42 Lot of Games 43 Rayo-Type Electrified Kerosene Lamp 44 Sextant 45 (11) Pieces of Fireplace Equipment and a Brass Bucket 46 (9) Pieces of Glass (some cut) 47 High Chest 48 Sewing Stand 49 (3) Chinese Rugs 50 "Lost at Sea" oil on canvas 51 Misc. -
Charles Lang Freer and His Gallery of Art : Turn-Of-The-Century Politics and Aesthetics on the National Mall
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2007 Charles Lang Freer and his gallery of art : turn-of-the-century politics and aesthetics on the National Mall. Patricia L. Guardiola University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Guardiola, Patricia L., "Charles Lang Freer and his gallery of art : turn-of-the-century politics and aesthetics on the National Mall." (2007). Electronic Theses and Dissertations. Paper 543. https://doi.org/10.18297/etd/543 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CHARLES LANG FREER AND HIS GALLERY OF ART: TURN-OF-THE-CENTURY POLITICS AND AESTHETICS ON THE NATIONAL MALL By Patricia L. Guardiola B.A., Bellarmine University, 2004 A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville In Partial Fulfillment of the Requirements F or the Degree of Master of Arts Department of Fine Arts University of Louisville Louisville, Kentucky August 2007 CHARLES LANG FREER AND HIS GALLERY OF ART: TURN-OF-THE-CENTURY POLITICS AND AESTHETICS ON THE NATIONAL MALL By Patricia L. Guardiola B.A., Bellarmine University, 2004 A Thesis Approved on June 8, 2007 By the following Thesis Committee: Thesis Director ii DEDICATION In memory of my grandfathers, Mr. -
List of Articles
THE LIZZADRO MUSEUM PUBLICATION INDEX OF ARTICLES Subject Description Issue Number of Pages AGATE. .. Beggar beads of India F-W 74-75 pg 10 2 . Lake Superior Spring 70 Q pg 8 4 ALEXANDRITE . & Synthetic alexandrite F-W 70-71 pg 13 2 . Gem with color change F-W 77-78 pg 19 1 AMBER . Description of carving F-W 71-72 pg 2 2 . Superstitions W-S 80 pg 18 5 . in depth treatise W-S 82 pg 5 7 AMETHYST . Stone & geode acquisitions S-F 86 pg 19 2 AUSTRALIA . & New Zealand F-W 71-72 pg 3 4 BAMBOO . Symbolism Winter 68 Q pg 8 1 BIRTHSTONES . Folklore of W-S 93 pg 2 13 . History of S-S 71 pg 27 4 . Garnet for January F-W 78-79 pg 20 3 . Amethyst for February F-W 78-79 pg 22 3 . Bloodstone & aquamarine for March S-S 77 pg 16 3 . Diamond for April S-S 77 pg 18 3 . Emerald for May S-S 77 pg 20 3 . Ruby for July F-W 77-78 pg 20 2 . Sapphire for September S-S 78 pg 15 3 . Opal & tourmaline for October S-S 78 pg 18 5 . Topaz for November S-S 78 pg 22 2 . Turquoise & zircon for December F-W 78-79 pg 16 5 CAMEOS . In-depth article Summer 68 Q pg 1 6 . More about cameos W-S 80 pg 5 10 . Italian cameos S-S 77 pg 3 3 . Of stone & shell W-S 89 pg 14 6 . Description of “Neptune” W-S 90 pg 20 1 CARNELIAN . -
(Together “Knife Rights”) Respectfully Offer the Following Comments In
Knife Rights, Inc. and Knife Rights Foundation, Inc. (together “Knife Rights”) respectfully offer the following comments in opposition to the proposed rulemaking revising the rule for the African elephant promulgated under § 4(d) of the Endangered Species Act of 1973 (“ESA”) (50 C.F.R. 17.40(e)) by the United States Fish and Wildlife Service (“the Agency”). Docket No. FWS–HQ–IA–2013–0091; 96300–1671–0000–R4 (80 Fed. Reg. 45154, July 29, 2015). Knife Rights represents America's millions of knife owners, knife collectors, knifemakers, knife artisans (including scrimshaw artists and engravers) and suppliers to knifemakers and knife artisans. As written, the proposed rule will expose many individuals and businesses to criminal liability for activities that are integral to the legitimate ownership, investment, collection, repair, manufacture, crafting and production of knives. Even where such activities may not be directly regulated by the proposed rule, its terms are so vague and confusing that it would undoubtedly lead to excessive self-regulation and chill harmless and lawful conduct. The Agency’s proposed revisions to the rule for the African Elephant under section 4(d) of the ESA (“the proposed rule”) must be withdrawn, or in the alternative, significantly amended to address these terminal defects: (1) Violations of the Administrative Procedure Act (“APA”) (Pub. L. 79–404, 60 Stat. 237) and 5 U.S.C. § 605(b) of the Regulatory Flexibility Act (“RFA”); (2) Violation of the Federal Data Quality Act (aka Information Quality Act) (“DQA”/”IQA”) (Pub. L. 106–554, § 515); (3) Violation of Small Business Regulatory Enforcement Fairness Act (“SBREFA”)(Pub. -
Arthur M. Sackler Gallery/Freer Gallery of Art
ARTHUR M. SACKLER GALLERY/FREER GALLERY OF ART APPLICATION OF OPERATING RESOURCES FEDERAL GENERAL DONOR/SPONSOR- GOV’T GRANTS APPROPRIATIONS TRUST DESIGNATED & CONTRACTS FTE $000 FTE $000 FTE $000 FTE $000 FY 2007 48 5,679 0 0 57 10,543 0 0 ACTUAL FY 2008 57 5,787 0 434 65 12,480 0 0 ESTIMATE FY 2009 57 5,937 0 434 65 12,480 0 0 ESTIMATE STRATEGIC GOALS: INCREASED PUBLIC ENGAGEMENT; STRENGTHENED RESEARCH; AND ENHANCED MANAGEMENT EXCELLENCE Federal Resource Summary by Performance Objective and Program Category Performance Objective/ FY 2008 FY 2009 Change Performance Category FTE $000 FTE $000 FTE $000 Increased Public Engagement Public Programs Engage and inspire diverse audiences 8 812 8 834 0 22 Provide reference services and information to the 8 812 8 833 0 21 public Exhibitions Offer compelling, first-class exhibitions 15 1,523 15 1,562 0 39 Collections Improve the stewardship of the national 14 1,421 14 1,458 0 37 collections Strengthened Research Research Ensure the advancement of knowledge in the 4 406 4 417 0 11 humanities Enhanced Management Excellence Information Technology Modernize the Institution’s information technology 3 305 3 312 0 7 systems and infrastructure Management Operations Modernize the Institution’s financial management 5 508 5 521 0 13 and accounting operations Total 57 5,787 57 5,937 0 150 77 BACKGROUND AND CONTEXT The Freer Gallery of Art and the Arthur M. Sackler Gallery (FSG) celebrate the artistic traditions of Asia and are widely regarded as one of the world’s most important centers for collections of Asian art. -
Freer Sackler Fact Sheet
Fact Sheet Freer|Sackler Smithsonian Institution ABOUT THE FREER|SACKLER The Freer Gallery of Art and Arthur M. Sackler Gallery, located on the National Mall in Washington, DC, comprise the Smithsonian’s museum of Asian art. The Freer|Sackler contains one of the most important collections of Asian art in the world, featuring more than 40,000 objects dating from the Neolithic period to the present day, with especially fine groupings of Islamic art; Chinese jades, bronzes, and paintings; and the art of the ancient Near East. The museum also contains important masterworks from Japan, ancient Egypt, South and Southeast Asia, and Korea, as well as a noted collection of American art. The Freer|Sackler is committed to expanding public knowledge of the collections through exhibitions, research, and publications. As of 2016, the Freer building is closed for renovation. It will reopen in 2017 with modernized technology and infrastructure, refreshed gallery spaces, and an enhanced Eugene and Agnes E. Meyer Auditorium. Visit asia.si.edu/future for more information. BACKGROUND AND COLLECTIONS Charles Lang Freer, a self-taught connoisseur, began purchasing American art in the 1880s. With the encouragement of American artist James McNeill Whistler (1834–1903), Freer also began to collect Asian art, assembling a preeminent group of works. In 1904, Freer offered his collection to the nation, to be held in trust by the Smithsonian Institution. The Freer Gallery of Art opened to the public in 1923—the first Smithsonian museum dedicated to fine art. The Freer’s collection spans six thousand years and many different cultures. Besides Asian art, the Freer houses a collection of nineteenth- and early twentieth-century American art, including the world’s largest number of works by Whistler. -
THIRD PRESENTATION of the CHARLES LANG FREER MEDAL September 15, 1965
--·' FREER GALLERY OF AR1' Smithsonian Institution THIRD PRESENTATION of the CHARLES LANG FREER MEDAJ_, Washington, D.C. September 15. 1965 FREER GALLERY OF ART Smithsonian Institution THIRD PRESENTATION ill of the CHARLES LANG FREER MEDAL PROFESSOR Ymao YASHmo Washington, D. C. September 15, 1965 FOREWORD On February 25, 1956, the one-hundredth anniver sary of the birth of the late Charles Lang Freer, a medal was established in his memory to be presented from time to time to scholars throughout the world "For distin guished contribution to the knowledge and understand ing of Oriental civilizations as reflected in their arts." On February 25, 1956, the first presentation was made to Professor Osvald Siren of Stockholm, Sweden, the eminent scholar of Chinese art. The second presenta tion was made on May 3, 1960, to the Islamic scholar, Professor Ernst Kuhnel of Berlin, Germany. The third presentation is being made today to Professor Yukio Yashiro of Oiso, Japan, for hisoutstanding contributions and achievements in the field of Japanese art. The bronze :t:Qedal was designed by a leading Ameri- can sculptor, Paul Manship. JOH A. POPE Director Freer Galleryof Art WASHINGTON, D. C. SEPTEMBER 15, 1965 iii THIRD PRESENTATION of the CHARLES LANG FREER MEDAL September 15, 1965 Opening Remarks s. DILON RILEY Secretary, Smithsonian Institution THE CAREER OF PROFESSOR YUKIO YASHIRO JOHN A. POPE Director, Freer Gallery of Art PRESENTATION by TH SECRETARY OF T SMITIISONIAN INSTITUTION ADDRESS OF ACCEPTANCE PROFESSOR YUKo YAsHo Following the Address of Acceptance Reception in Gallery 17 V OPENING REMARKS s. DILLON RIPLEY Secretary, Smithsonian Institution Mr. -
Oware/Mancala) Bonsai Trees
Carved game boards (Oware/Mancala) Bonsai Trees Raw glass dishware sintered rusted moodust “Luna Cotta” Hewn and carved basalt water features INDEX MMM THEMES: ARTS & CRAFTS (Including Home Furnishings and Performing Arts) FOREWORD: Development of Lunar Arts & Crafts with minimal to zero reliance on imported media and materi- als will be essential to the Pioneers in their eforts to become truly “At Home” on the Moon. Every fron- tier is foreign and hostile until we learn how to express ourselves and meet our needs by creative use of local materials. Arts and Crafts have been an essential “interpretive” medium for peoples of all lands and times. Homes adorned with indigenous Art and Crafts objects will “interpret” the hostile outdoors in a friendly way, resulting in pioneer pride in their surroundings which will be seen as far less hostile and unforgiving as a result. At the same time, these arts and crafts, starting as “cottage industries.” will become an important element in the lunar economy, both for adorning lunar interiors - and exteriors - and as a source of income through sales to tourists, and exports to Earth and elsewhere. Artists love free and cheap materials, and their pursuits will be a part of pioneer recycling eforts. From time immemorial, as humans settled new parts of Africa and then the continents beyond, development of new indigenous arts and crafts have played an important role in adaptation of new en- vironments “as if they were our aboriginal territories.” In all these senses, the Arts & Crafts have played a strong and vital second to the development of new technologies that made adaptation to new frontiers easier. -
The Smithsonian Comprehensive Campaign
1002435_Smithsonian.qxp:Layout 1 6/29/10 10:03 AM Page 1 JUNE 2010 briefing paper for the smithsonian comprehensive campaign Smithsonian Institution 1002435_Smithsonian.qxp:Layout 1 6/29/10 10:03 AM Page 2 SMITHSONIAN CAMPAIGN BRIEFING PAPER Smithsonian Institution at a Glance MUSEUMS Anacostia Community Museum Cooper-Hewitt, National Design Museum Freer Gallery of Art and Arthur M. Sackler Gallery Hirshhorn Museum and Sculpture Garden National Air and Space Museum and Steven F. Udvar-Hazy Center National Museum of African American History and Culture National Museum of African Art National Museum of American History, Kenneth E. Behring Center National Museum of the American Indian and the George Gustav Heye Center National Museum of Natural History National Portrait Gallery National Postal Museum National Zoological Park Smithsonian American Art Museum and the Renwick Gallery RESEARCH CENTERS Archives of American Art Museum Conservation Institute Smithsonian Astrophysical Observatory Smithsonian Environmental Research Center Smithsonian Institution Archives Smithsonian Institution Libraries Smithsonian Marine Station at Fort Pierce Smithsonian Tropical Research Institute (Panama) EDUCATION AND OUTREACH Center for Folklife and Cultural Heritage National Science Resources Center Office of Fellowships Smithsonian Affiliations Smithsonian Asian Pacific American Program Smithsonian Center for Education and Museum Studies Smithsonian Institution Traveling Exhibition Service Smithsonian Latino Center The Smithsonian Associates 1002435_Smithsonian.qxp:Layout 1 6/29/10 10:03 AM Page 1 SMITHSONIAN CAMPAIGN BRIEFING PAPER The Smithsonian Stands in Singular Space WE ARE KEEPERS OF THE AMERICAN SPIRIT and stewards of our sacred objects. We speak with voices that reflect our diversity and tell the stories that define our common experience. -
Large Impact Basins on Mercury: Global Distribution, Characteristics, and Modification History from MESSENGER Orbital Data Caleb I
JOURNAL OF GEOPHYSICAL RESEARCH, VOL. 117, E00L08, doi:10.1029/2012JE004154, 2012 Large impact basins on Mercury: Global distribution, characteristics, and modification history from MESSENGER orbital data Caleb I. Fassett,1 James W. Head,2 David M. H. Baker,2 Maria T. Zuber,3 David E. Smith,3,4 Gregory A. Neumann,4 Sean C. Solomon,5,6 Christian Klimczak,5 Robert G. Strom,7 Clark R. Chapman,8 Louise M. Prockter,9 Roger J. Phillips,8 Jürgen Oberst,10 and Frank Preusker10 Received 6 June 2012; revised 31 August 2012; accepted 5 September 2012; published 27 October 2012. [1] The formation of large impact basins (diameter D ≥ 300 km) was an important process in the early geological evolution of Mercury and influenced the planet’s topography, stratigraphy, and crustal structure. We catalog and characterize this basin population on Mercury from global observations by the MESSENGER spacecraft, and we use the new data to evaluate basins suggested on the basis of the Mariner 10 flybys. Forty-six certain or probable impact basins are recognized; a few additional basins that may have been degraded to the point of ambiguity are plausible on the basis of new data but are classified as uncertain. The spatial density of large basins (D ≥ 500 km) on Mercury is lower than that on the Moon. Morphological characteristics of basins on Mercury suggest that on average they are more degraded than lunar basins. These observations are consistent with more efficient modification, degradation, and obliteration of the largest basins on Mercury than on the Moon. This distinction may be a result of differences in the basin formation process (producing fewer rings), relaxation of topography after basin formation (subduing relief), or rates of volcanism (burying basin rings and interiors) during the period of heavy bombardment on Mercury from those on the Moon. -
The Oscartek Journal
___________________________________________________________________________________________ Volume 102 May 2021 ___________________________________________________________________________________________ New U.S refrigerant The Journal mandate; read below Smithsonian Museum reopens to visitors; Vibrant History is coming alive ________________________________________________________________________________________________________________ CHANTILLY, Va. May 1, 2021 — The Smithsonian reopened the first of several museums on Wednesday after closing because of the COVID-19 crisis. A bit of bright news for the Washington, D.C., cultural scene (and tourism machine): A slew of Smithsonian Institution-operated museums—seven in total—along with the National Zoo will reopen throughout May after being shuttered for over a year, save for a brief phased reopening last summer and fall. The sweeping closures were instituted as part of a second District-wide rollout of COVID-19 shutdowns in November put in place as a new wave of infections swept the nation. With the Smithsonian being a notable holdout, many smaller private museums across the nation’s capital, and the country, have already The Smithsonian, Maryland Ave DC welcomed back (a limited number of) guests in recent weeks with health and safety protocols in place. (Be sure to check out AN’s non- exhaustive list of new exhibitions to check out this spring at reopened museums in D.C. The first Smithsonian institution to reopen will be the Steven F. Udvar-Hazy Center at the National Air and Space Museum in Chantilly, Virginia, on May 5, an event that coincides with the 60th anniversary of Alan Shepard becoming the second man, and first American, to travel to space. The National Museum of African American History and Culture, the National Portrait Gallery, and the Smithsonian American Art Museum and its Renwick Gallery are all slated to reopen on May 14.