DOCSLIB.ORG

List of Articles

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
List of Articles THE LIZZADRO MUSEUM PUBLICATION INDEX OF ARTICLES Subject Description Issue Number of Pages AGATE. .. Beggar beads of India F-W 74-75 pg 10 2 . Lake Superior Spring 70 Q pg 8 4 ALEXANDRITE . & Synthetic alexandrite F-W 70-71 pg 13 2 . Gem with color change F-W 77-78 pg 19 1 AMBER . Description of carving F-W 71-72 pg 2 2 . Superstitions W-S 80 pg 18 5 . in depth treatise W-S 82 pg 5 7 AMETHYST . Stone & geode acquisitions S-F 86 pg 19 2 AUSTRALIA . & New Zealand F-W 71-72 pg 3 4 BAMBOO . Symbolism Winter 68 Q pg 8 1 BIRTHSTONES . Folklore of W-S 93 pg 2 13 . History of S-S 71 pg 27 4 . Garnet for January F-W 78-79 pg 20 3 . Amethyst for February F-W 78-79 pg 22 3 . Bloodstone & aquamarine for March S-S 77 pg 16 3 . Diamond for April S-S 77 pg 18 3 . Emerald for May S-S 77 pg 20 3 . Ruby for July F-W 77-78 pg 20 2 . Sapphire for September S-S 78 pg 15 3 . Opal & tourmaline for October S-S 78 pg 18 5 . Topaz for November S-S 78 pg 22 2 . Turquoise & zircon for December F-W 78-79 pg 16 5 CAMEOS . In-depth article Summer 68 Q pg 1 6 . More about cameos W-S 80 pg 5 10 . Italian cameos S-S 77 pg 3 3 . Of stone & shell W-S 89 pg 14 6 . Description of “Neptune” W-S 90 pg 20 1 CARNELIAN . Reddish chalcedony F-W 77-78 pg 21 2 CASTLE LIZZADRO . Making of W-S 85 pg 3 10 . Toliday remembrance article 1996 pg 5 4 CHINA . Manheim trip to Mainland S-S 76 pg 3 12 CHOPS . Chinese seals S-S 79 pg 5 7 CHRYSANTHEMUM . Stone with Suiseki art W-S 87 pg 13 8 CHRYSOBERYL . Faceted & cat’s eye F-W 75-76 pg 20 4 CLOISONNE . History & manufacture Summer 69 Q pg 11 3 COLHOUR, OLIVE . Lapidary art of W-S 93 pg 15 3 COLLECTING . J Lizzadro on collecting S-S 72 pg 2 3 CONCRETIONS . .& septeria S-F 85 pg 17 3 COPPER . Largest float specimen S-S 75 pg 19 2 CORAL . Origins & carving Winter 69 Q pg 10 2 . In-depth presentation F-W 78-79 pg 2 11 CRAZY HORSE . Thunderhead Mountain Sculpture 2001 pg 18 9 CREVOSHAY . Paula, Voices of the Earth Collection 2002 pg 12 10 DIAMONDS . Purchase information F-W 73-74 pg 14 10 . Famous 1998 pg 17 15 Subject Description Issue Number of Pages . Cold Cuts, Canadian diamonds 2003 pg 9 12 DIORAMAS . Carvings, Idar-Oberstein Summer 68 Q pg 6 6 . Featuring birds Spring 69 Q pg 1 5 DIORAMAS . Updated S-F 81 pg 3 14 . In collection W-S 90 pg 2 11 . Creating a scene W-S 90 pg 13 5 DRAGON . Dragon symbolism Spring 68 Q pg 7 1 EGGS . Art of decorating F-W 70-71 pg 15 2 ELEPHANT . & Ivory S-F 83 pg 17 5 ENAMEL ART . Ancient art, new expression S-F 89 pg 16 3 ENHYDRO . New display W-S 80 pg 4 1 . Brazilian Winter 70 Q pg 11 1 FABERGE . Styled art S-S 71 pg 19 7 . Brief history of S-F 89 pg 19 1 FACETING . Techniques Winter 70 Q pg 1 7 FLOWERS . Hard-stone flowers Spring 69 Q pg 8 3 FLUORESCENCE . Examining phenomenon Spring 70 Q pg 12 4 FLUORITE . Illinois state mineral F-W 73-74 pg 28 3 . Mineral properties W-S 82 pg 17 2 . Blue John W-S 84 pg 9 10 . Blue John carving F-W 71-72 pg 12 4 FOSSILS . Bundenbach area S-S 71 pg 25 1 . Bundenbach identification S-F 81 pg 21 2 . Thomas Bones donation Spring 69 Q pg 11 1 . Local sources Summer 69 Q pg 6 5 . From Bundenbach S-F 94 pg 2 7 . Illinois Coal Age 1997 pg 21 8 . Pit 11, Mazon Creek 2000 pg 35 4 GEMSTONES . Gemstones and Faceting techniques Winter 70 Q pg 1 7 . Alexandrite F-W 77-78 pg 19 1 . Chatoyancy effect F-W 75-76 pg 21 3 . Mounted Display F-W 75-76 pg 14 2 . Spodumene “onion” S-S 73 pg 30 1 . Star stones F-W 75-76 pg 9 5 . Enhancement in the 80s S-F 91 pg 2 14 . New finds 1997 pg 14 7 . ... Michigan history Spring 70 Q pg 1 6 . History of W-S 91 pg 2 8 . On Keweenaw Peninsula W-S 91 pg 10 5 GEODES . Wild Deuce Mine, Missouri 2001 pg 1 7 GEOLOGY . Chicagoland’s past 1999 pg 21 9 GERMAN DISPLAY. Idar-Oberstein carvings F-W 71-72 pg 28 2 GOLD . Black Hills jewelry S-F 85 pg 13 4 . New gold exhibit Winter 70 Q pg 10 1 . Definition of alloys F-W 73-74 pg 26 1 GOLDSTONE . Definition & history W-S 87 pg 11 1 HORNBILL . Description of carving S-S 73 pg 22 4 IDAR-OBERSTEIN . Historical & present S-S 71 pg 3 10 INTARSIA . & mosaics Winter 69 Q pg 1 9 Subject Description Issue Number of Pages . Florentine mosaics F-W 72-73 pg 21 9 . Lizzadro Memorial F-W 76-77 pg 2 11 . Unveiling Lizzadro Intarsia S-S 77 pg 2 1 ITACOLUMITE . Bending rock W-S 80 pg 4 1 ITALIAN MARBLE . From Tuscany S-S 79 pg 21 2 IVORY . Description of Last Supper F-W 70 pg 27 2 IVORY . Carvings in the Museum F-W 77-78 pg 3 8 . Eighteen Lohan W-S 88 pg 7 8 . Henry IV carving W-S 82 pg 19 2 . Past & present Spring 68 Q pg 1 6 . Oriental carvings S-F 83 pg 5 13 . Timeless beauty 2000 pg 17 9 . Trade ban 2000 pg 26 2 JADE . Alaska & British Columbia S-F 87 pg 15 9 . Alaskan vases S-S 75 pg 13 6 . Carvers & carvings of W-S 84 pg 3 6 . How it was first worked W-S 86 pg 16 1 . Imperial altar set Summer 69 Q pg 1 5 . New Zealand greenstone F-W 71-72 pg 7 5 . New Zealand museums & Factories S-F 84 pg 8 14 . Imitations F-W 70-71 pg 4 2 . Ruyi in Museum W-S 94 pg 2 8 . Personal ornaments 1995 pg 25 8 . Chinese fashion 1998 pg 11 6 . Pendants 1996 pg 18 10 . Jade in the Museum F-W 72-73 pg 11 11 . Small Chinese carvings S-S 75 pg 3 10 . Small pieces in Museum F-W 73-74 pg 4 10 . Survey, jadeite & nephrite S-S 72 pg 18 4 . ..
Load more

Recommended publications
  • Annual Index September 1976-August 1977 Vol. 3
    INDEX I- !/oluJne3 Numbers 1-12 ONANTIQUES , September, 1976-August, 1977 AND COLLECTABLES Pages 1-144 PAGES ISSUE DATE 1-12 No.1 September, 1976 13-24 No.2 October, 1976 25-36 No.3 November, 1976 37-48 No.4 December, 1976 49-60 No.5 January, 1977 61-72 No.6 February, 1977 & Kovel On became Ralph Terry Antiques Kovels 73-84 No.7 March,1977 On and Antiques Collectables in April, 1977 (Vol. 85-96 No.8 April,1977 3, No.8). , 97-108 No.9 May, 1977 Amberina glass, 91 109-120 No� 10 June, 1977 Americana, 17 121-132 No.l1 July, 1977 American Indian, 30 133-144 No. 12 August, 1977 American Numismatic Association Convention, 122 Anamorphic Art, 8 Antique Toy World, 67 in Katherine ART DECO Antiques Miniature, by Morrison McClinton, 105 Furniture, 38, 88 Autumn The 0 Glass, 88 Leaf Story, by J Cunningham, 35 Metalwork, 88 Avons other Dee Bottles-by any name, by Sculpture, 88 Schneider, 118 Art 42 Nouveau, 38, Avons Award Bottles, Gifts, Prizes, by Dee' Art Nouveau furniture, 38 Schneider, 118 "Auction 133 & 140 Avons Fever," Bottles Research and History, by Dee 118 Autographs, 112 Schneider, Avons Dee 118 Banks, 53 Congratulations, -by Schneider, Avons President's Club Barometers, 30 History, Jewelry, by Bauer 81 Dee 118 pottery, Schneider, Bauer- The California Pottery Rainbow, by Bottle Convention, 8 Barbara Jean Hayes, 81 Bottles, 61 The Beer Can-A Complete Guide to Collecting, Books, 30 by the Beer Can Collectors of America, 106 BOOKS & PUBLICATIONS REVIEWED The Beer Can Collectors News Report, by the Abage Enclyclopedia of Bronzes, Sculptors, & Beer Can Collectors of America, 107 Founders, Volumes I & II, by Harold A Beginner's Guide to Beer Cans, by Thomas Berman, 52 Toepfer, 106 American Beer Can Encyclopedia, by Thomas The Belleek Collector's Newsletter the ' by Toepfer, 106 Belleek Collector's Club, 23- American Copper and Brass, by Henry J.
    [Show full text]
  • SORS-2021-1.2.Pdf
    Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 1.1 (Updated August 2020) Copyright © 2021 by Smithsonian Institution Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 5 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 6 Cooper-Hewitt, National Design Museum (CHNDM) .............................................................................................................................
    [Show full text]
  • LOTNUM LEAD DESCRIPTION 1 Sylvester Hodgdon "Castle Island" Oil on Canvas 2 Hampshire Pottery Green Handled Vase 3
    LOTNUM LEAD DESCRIPTION 1 Sylvester Hodgdon "Castle Island" oil on canvas 2 Hampshire Pottery Green Handled Vase 3 (2) Pair of Brass Candlesticks 4 (2) Cast Iron Horse-Drawn Surrey Toys 5 (4) Glass Pieces w/Lalique 6 18th c. Tilt-Top Table 7 (2) Black Painted Children's Chairs 8 Corner Chair 9 Vitrine Filled with (21) Jasperware Pieces and Planter 10 Bannister Back Armchair 11 (4) Pieces of Colored Art Glass 12 (8) Pieces of Amethyst Glass 13 "Ship Mercury" 19thc. Port Painting 14 (18) Pieces of Jasperware 15 Inlaid Mahogany Card Table 16 Lolling Chair with Green Upholstery 17 (8) Pieces of Cranberry Glass 18 (2) Child's Chairs (1) Caned (1) Painted Black 19 (16) Pieces of Balleek China 20 (13) Pieces of Balleek China 21 (32) Pieces of Balleek China 22 Over (20) Pieces of Balleek China 23 (2) Foot Stools with Needlepoint 24 Table Fitted with Ceramic Turkey Platter 25 Pair of Imari Lamps 26 Whale Oil Peg Lamp 27 (2) Blue and White Export Ceramic Plates 28 Michael Stoffa "Thatcher's Island" oil w/ (2) other Artworks 29 Pair of End Tables 30 Custom Upholstered Sofa 31 Wesley Webber "Artic Voyage 1879" oil on canvas 32 H. Crane "Steam Liner" small gouache 33 E. Sherman "Steam Liner in Harbor" oil on canvas board 34 Oil Painting "Boston Light" signed FWS 35 Pair of Figured Maple Chairs 36 19th c. "Ships Sailing off Lighthouse" oil on canvas 37 Pate Sur Pate Cameo Vase 38 (3) Framed Artworks 39 (3) Leather Bound Books, Box and Pitcher 40 Easy Chair with Pillows 41 Upholstered Window Bench 42 Lot of Games 43 Rayo-Type Electrified Kerosene Lamp 44 Sextant 45 (11) Pieces of Fireplace Equipment and a Brass Bucket 46 (9) Pieces of Glass (some cut) 47 High Chest 48 Sewing Stand 49 (3) Chinese Rugs 50 "Lost at Sea" oil on canvas 51 Misc.
    [Show full text]
  • (Together “Knife Rights”) Respectfully Offer the Following Comments In
    Knife Rights, Inc. and Knife Rights Foundation, Inc. (together “Knife Rights”) respectfully offer the following comments in opposition to the proposed rulemaking revising the rule for the African elephant promulgated under § 4(d) of the Endangered Species Act of 1973 (“ESA”) (50 C.F.R. 17.40(e)) by the United States Fish and Wildlife Service (“the Agency”). Docket No. FWS–HQ–IA–2013–0091; 96300–1671–0000–R4 (80 Fed. Reg. 45154, July 29, 2015). Knife Rights represents America's millions of knife owners, knife collectors, knifemakers, knife artisans (including scrimshaw artists and engravers) and suppliers to knifemakers and knife artisans. As written, the proposed rule will expose many individuals and businesses to criminal liability for activities that are integral to the legitimate ownership, investment, collection, repair, manufacture, crafting and production of knives. Even where such activities may not be directly regulated by the proposed rule, its terms are so vague and confusing that it would undoubtedly lead to excessive self-regulation and chill harmless and lawful conduct. The Agency’s proposed revisions to the rule for the African Elephant under section 4(d) of the ESA (“the proposed rule”) must be withdrawn, or in the alternative, significantly amended to address these terminal defects: (1) Violations of the Administrative Procedure Act (“APA”) (Pub. L. 79–404, 60 Stat. 237) and 5 U.S.C. § 605(b) of the Regulatory Flexibility Act (“RFA”); (2) Violation of the Federal Data Quality Act (aka Information Quality Act) (“DQA”/”IQA”) (Pub. L. 106–554, § 515); (3) Violation of Small Business Regulatory Enforcement Fairness Act (“SBREFA”)(Pub.
    [Show full text]
  • Oware/Mancala) Bonsai Trees
    Carved game boards (Oware/Mancala) Bonsai Trees Raw glass dishware sintered rusted moodust “Luna Cotta” Hewn and carved basalt water features INDEX MMM THEMES: ARTS & CRAFTS (Including Home Furnishings and Performing Arts) FOREWORD: Development of Lunar Arts & Crafts with minimal to zero reliance on imported media and materi- als will be essential to the Pioneers in their eforts to become truly “At Home” on the Moon. Every fron- tier is foreign and hostile until we learn how to express ourselves and meet our needs by creative use of local materials. Arts and Crafts have been an essential “interpretive” medium for peoples of all lands and times. Homes adorned with indigenous Art and Crafts objects will “interpret” the hostile outdoors in a friendly way, resulting in pioneer pride in their surroundings which will be seen as far less hostile and unforgiving as a result. At the same time, these arts and crafts, starting as “cottage industries.” will become an important element in the lunar economy, both for adorning lunar interiors - and exteriors - and as a source of income through sales to tourists, and exports to Earth and elsewhere. Artists love free and cheap materials, and their pursuits will be a part of pioneer recycling eforts. From time immemorial, as humans settled new parts of Africa and then the continents beyond, development of new indigenous arts and crafts have played an important role in adaptation of new en- vironments “as if they were our aboriginal territories.” In all these senses, the Arts & Crafts have played a strong and vital second to the development of new technologies that made adaptation to new frontiers easier.
    [Show full text]
  • A Mat of Serpents: Aztec Strategies of Control from an Empire in Decline
    A Mat of Serpents: Aztec Strategies of Control from an Empire in Decline Jerónimo Reyes On my honor, Professors Andrea Lepage and Elliot King mark the only aid to this thesis. “… the ruler sits on the serpent mat, and the crown and the skull in front of him indicate… that if he maintained his place on the mat, the reward was rulership, and if he lost control, the result was death.” - Aztec rulership metaphor1 1 Emily Umberger, " The Metaphorical Underpinnings of Aztec History: The Case of the 1473 Civil War," Ancient Mesoamerica 18, 1 (2007): 18. I dedicate this thesis to my mom, my sister, and my brother for teaching me what family is, to Professor Andrea Lepage for helping me learn about my people, to Professors George Bent, and Melissa Kerin for giving me the words necessary to find my voice, and to everyone and anyone finding their identity within the self and the other. Table of Contents List of Illustrations ………………………………………………………………… page 5 Introduction: Threads Become Tapestry ………………………………………… page 6 Chapter I: The Sum of its Parts ………………………………………………… page 15 Chapter II: Commodification ………………………………………………… page 25 Commodification of History ………………………………………… page 28 Commodification of Religion ………………………………………… page 34 Commodification of the People ………………………………………… page 44 Conclusion ……………………………………………………………………... page 53 Illustrations ……………………………………………………………………... page 54 Appendices ……………………………………………………………………... page 58 Bibliography ……………………………………………………………………... page 60 …. List of Illustrations Figure 1: Statue of Coatlicue, Late Period, 1439 (disputed) Figure 2: Peasant Ritual Figurines, Date Unknown Figure 3: Tula Warrior Figure Figure 4: Mexica copy of Tula Warrior Figure, Late Aztec Period Figure 5: Coyolxauhqui Stone, Late Aztec Period, 1473 Figure 6: Male Coyolxauhqui, carving on greenstone pendant, found in cache beneath the Coyolxauhqui Stone, Date Unknown Figure 7: Vessel with Tezcatlipoca Relief, Late Aztec Period, ca.
    [Show full text]
  • The Bilimek Pulque Vessel (From in His Argument for the Tentative Date of 1 Ozomatli, Seler (1902-1923:2:923) Called Atten- Nicholson and Quiñones Keber 1983:No
    CHAPTER 9 The BilimekPulqueVessel:Starlore, Calendrics,andCosmologyof LatePostclassicCentralMexico The Bilimek Vessel of the Museum für Völkerkunde in Vienna is a tour de force of Aztec lapidary art (Figure 1). Carved in dark-green phyllite, the vessel is covered with complex iconographic scenes. Eduard Seler (1902, 1902-1923:2:913-952) was the first to interpret its a function and iconographic significance, noting that the imagery concerns the beverage pulque, or octli, the fermented juice of the maguey. In his pioneering analysis, Seler discussed many of the more esoteric aspects of the cult of pulque in ancient highland Mexico. In this study, I address the significance of pulque in Aztec mythology, cosmology, and calendrics and note that the Bilimek Vessel is a powerful period-ending statement pertaining to star gods of the night sky, cosmic battle, and the completion of the Aztec 52-year cycle. The Iconography of the Bilimek Vessel The most prominent element on the Bilimek Vessel is the large head projecting from the side of the vase (Figure 2a). Noting the bone jaw and fringe of malinalli grass hair, Seler (1902-1923:2:916) suggested that the head represents the day sign Malinalli, which for the b Aztec frequently appears as a skeletal head with malinalli hair (Figure 2b). However, because the head is not accompanied by the numeral coefficient required for a completetonalpohualli Figure 2. Comparison of face date, Seler rejected the Malinalli identification. Based on the appearance of the date 8 Flint on front of Bilimek Vessel with Aztec Malinalli sign: (a) face on on the vessel rim, Seler suggested that the face is the day sign Ozomatli, with an inferred Bilimek Vessel, note malinalli tonalpohualli reference to the trecena 1 Ozomatli (1902-1923:2:922-923).
    [Show full text]
  • PO Box 957 (Mail & Payments) Woodbury, CT 06798 P
    Woodbury Auction LLC 710 Main Street South (Auction Gallery & Pick up) PO Box 957 (Mail & Payments) Woodbury, CT 06798 Phone: 203-266-0323 Fax: 203-266-0707 April Connecticut Fine Estates Auction 4/26/2015 LOT # LOT # 1 Handel Desk Lamp 5 Four Tiffany & Co. Silver Shell Dishes Handel desk lamp, base in copper finish with Four Tiffany & Co. sterling silver shell form interior painted glass shade signed "Handel". 14 dishes, monogrammed. 2 7/8" long, 2 1/2" wide. 1/4" high, 10" wide. Condition: base with Weight: 4.720 OZT. Condition: scratches. repairs, refinished, a few interior edge chips, 200.00 - 300.00 signature rubbed. 500.00 - 700.00 6 Southern Walnut/Yellow Pine Hepplewhite Stand 2 "The Gibson" Style Three Ukulele Southern walnut and yellow pine Hepplewhite "The Gibson" style three ukulele circa stand, with square top and single drawer on 1920-1930. 20 3/4" long, 6 3/8" wide. square tapering legs. 28" high, 17" wide, 16" Condition: age cracks, scratches, soiling, finish deep. Condition: split to top, lacks drawer pull. wear, loss, small edge chips to top. 1,000.00 - 200.00 - 300.00 1,500.00 7 French Marble Art Deco Clock Garniture 3 Platinum & Diamond Wedding Band French marble Art Deco three piece clock Platinum and diamond wedding band containing garniture with enamel dial signed "Charmeux twenty round diamonds weighing 2.02 carats Montereau". 6 1/2" high, 5" wide to 9 3/4" high, total weight. Diamonds are F color, SI1 clarity 12 1/2" wide. Condition: marble chips, not set in a common prong platinum mounting.
    [Show full text]
  • BOOTH # EXHIBITOR DESCRIPTION __ North Sandusky Between William and Winter Streets
    BOOTH # EXHIBITOR DESCRIPTION __ North Sandusky between William and Winter Streets — Booths Facing East 1 STAINLESS STEEL ART Sculpture 2 & 3 COOL TIE DYE OSU Tie Dye, etc. 4 SUPREME ACCENTS Quilting 5 KYLEEMAE DESIGNS Unique Jewelry from Repurposed Items 6 J FETZER POTTERY Stoneware & Horsehair Pottery 7 & 8 COLADA CO. Original Women's Clothing 9 CALLIGRAPHY and COLLAGE Inspirational Quotations 10 VARU HANDBAGS Handbags & Accessories 11 DAN PHIBBS Hand Tie Dyed Clothing 12 CONTEMPORARY GLASSWORKS Fused Glass & Jewelry 13 & 14 ENCORE ENVIE BOOTIQUE Recycled & Upscale Boutique Items 15 MURPHY'S WOOD SHOP Boxes, Boards & Pepper Mills 16 RUSTIC APPLE ART Metal License Plate Art 17 JIM WECKBACHER Caricature Drawing 18 MAYFLY PRINTSHOP & TEXTILE LAB Nature Printed Clothing & Printmaking 19 COURTNEY B DESIGNS Lamp work & Wire Weave Jewelry 20 WOOD BUTCHER Wood Art & Animal Puzzles 21 KID STUDIO Mixed Media Sculpture & Frames 22 JEWELRY WITH A PAST Jewelry incorporating Antique Buttons 23 GLO GLASS Hand Blown Glass 24 PEOPLE IN NEED Local Non-Profit Organization 25 TIN TREASURES Tin Cookie Cutters, Birdhouses, etc. 26 PAPAW'S WORKSHOP Benches, Boxes, Barn wood Flag, etc. 27 MEGARA WILD FINE ART & DESIGN Canvas & Animal Skull Paintings 28 UNCOMMON UNIQUE ECLECTIC JEWELRY Chain Maille, Beaded & Wire wrapped 29 HEEKIN PEWTER CO. Pewter Sculpture 30 BATIK CREATIONS Batik Apparel The DELAWARE GAZETTE Information Booth SPONSOR North Sandusky between Winter Street and Central Avenue - Booths Facing East 31 JENEEN HOBBY Fine Art Color Photography 32 SCRIMSHAW by MARK THORGERSON Scrimshaw Jewelry, etc. 33 CENTRAL OHIO SYMPHONY Local Non-Profit Organization 34 & 35 LITTLE CREEK CANDLES Folk Art Candles & Metal craft 36 SUSAN ROCKS ! Items Created from Great Lakes Stone 37 LANFORD BEADWORKS Jewelry from Hand Made Glass Beads 38 & 39 3S CRAFTWORKS Wood items made from Bourbon Barrels 40 CW CANVAS PRINTING Art Printed on Canvas 41 DAVID W BORDINE Stained Glass Window Art 42 MELLISA O'BRIEN DESIGNS Fabricated Sterling Silver Jewelry 43 & 44 J.
    [Show full text]
  • Pennsylvania Folklife Vol. 37, No. 4 Carl Ned Foltz
    Ursinus College Digital Commons @ Ursinus College Pennsylvania Folklife Magazine Pennsylvania Folklife Society Collection Summer 1988 Pennsylvania Folklife Vol. 37, No. 4 Carl Ned Foltz Paul Shetrompf Deborah Shetrompf Gregory A. Petrick Patrick Rudolph See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/pafolklifemag Part of the American Art and Architecture Commons, American Material Culture Commons, Christian Denominations and Sects Commons, Cultural History Commons, Ethnic Studies Commons, Fiber, Textile, and Weaving Arts Commons, Folklore Commons, Genealogy Commons, German Language and Literature Commons, Historic Preservation and Conservation Commons, History of Religion Commons, Linguistics Commons, and the Social and Cultural Anthropology Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Foltz, Carl Ned; Shetrompf, Paul; Shetrompf, Deborah; Petrick, Gregory A.; Rudolph, Patrick; Belac, Ivan; Belac, Loretta; Marks, David S.; Heffner, Lee S.; Hoyt, Ivan E.; Miller, J. Ernest; Jones, Malcolm; Janse, Sheldon; Janse, Rachel; Evans, Robert; DeWalt, Richard; and Gilpin, Sandra, "Pennsylvania Folklife Vol. 37, No. 4" (1988). Pennsylvania Folklife Magazine. 121. https://digitalcommons.ursinus.edu/pafolklifemag/121 This Book is brought to you for free and open access by the Pennsylvania Folklife Society Collection at Digital Commons @ Ursinus College. It has been accepted for inclusion in Pennsylvania Folklife Magazine by an authorized
    [Show full text]
  • An Osteological Analysis of Human Remains From
    AN OSTEOLOGICAL ANALYSIS OF HUMAN REMAINS FROM CUSIRISNA CAVE, NICARAGUA by Kendra L. Philmon A Thesis submitted to the Faculty of the Dorothy F. Schmidt College of Arts and Letters in Partial fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida December 2012 Copyright by Kendra L. Philmon 2012 ii ACKNOWLEDGEMENTS This thesis would not have been possible without my thesis advisor Dr. Clifford T. Brown. The idea underlying the project was originally suggested to him by Dr. James Brady, and without this suggestion, we would know nothing about the skeletal remains from Cusirisna Cave. Dr. Brown has provided endless support throughout this process by explaining Mesoamerican archaeology and history, making research and reference suggestions, providing direction, arranging weekly meetings to discuss ideas, offering continuous review and editing, and for instilling confidence in my ability to complete the research. I will be forever grateful to the Department of Anthropology for the opportunity to conduct bioarchaeological research. Thank you to my committee members Drs. Broadfield and Detwiler for their assistance in the research and for reviewing this thesis. Thanks also to Harvard Peabody Museum for their kindness in allowing examination of the Cusirisna Cave collection, for accommodating my research, and especially to Dr. Viva Fisher for approving the radiocarbon sampling and for shipping the specimen, as well as for her support in procuring copies of the documentation and other matters. I also thank Dr. Patricia Kervick who provided access to Earl Flint's reports, and correspondence, made copies of them, and granted us permission to use them.
    [Show full text]
  • Olmecs: Where the Sidewalk Begins by Jeffrey Benson Western Oregon University
    Olmecs: Where the Sidewalk Begins By Jeffrey Benson Western Oregon University An In Depth Look at the Olmec Controversy Mother Culture or Sister Culture 1 The discovery of the Olmecs has caused archeologists, scientists, historians and scholars from various fields to reevaluate the research of the Olmecs on account of the highly discussed and argued areas of debate that surround the people known as the Olmecs. Given that the Olmecs have only been studied in a more thorough manner for only about a half a century, today we have been able to study this group with more overall gathered information of Mesoamerica and we have been able to take a more technological approach to studying the Olmecs. The studies of the Olmecs reveals much information about who these people were, what kind of a civilization they had, but more importantly the studies reveal a linkage between the Olmecs as a mother culture to later established civilizations including the Mayas, Teotihuacan and other various city- states of Mesoamerica. The data collected links the Olmecs to other cultures in several areas such as writing, pottery and art. With this new found data two main theories have evolved. The first is that the Olmecs were the mother culture. This theory states that writing, the calendar and types of art originated under Olmec rule and later were spread to future generational tribes of Mesoamerica. The second main theory proposes that the Olmecs were one of many contemporary cultures all which acted sister cultures. The thought is that it was not the Olmecs who were the first to introduce writing or the calendar to Mesoamerica but that various indigenous surrounding tribes influenced and helped establish forms of writing, a calendar system and common types of art.
    [Show full text]