Annual Index September 1976-August 1977 Vol. 3

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SORS-2021-1.2.Pdf

Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 1.1 (Updated August 2020) Copyright © 2021 by Smithsonian Institution Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 5 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 6 Cooper-Hewitt, National Design Museum (CHNDM) .............................................................................................................................
LOTNUM LEAD DESCRIPTION 1 Sylvester Hodgdon "Castle Island" Oil on Canvas 2 Hampshire Pottery Green Handled Vase 3

LOTNUM LEAD DESCRIPTION 1 Sylvester Hodgdon "Castle Island" oil on canvas 2 Hampshire Pottery Green Handled Vase 3 (2) Pair of Brass Candlesticks 4 (2) Cast Iron Horse-Drawn Surrey Toys 5 (4) Glass Pieces w/Lalique 6 18th c. Tilt-Top Table 7 (2) Black Painted Children's Chairs 8 Corner Chair 9 Vitrine Filled with (21) Jasperware Pieces and Planter 10 Bannister Back Armchair 11 (4) Pieces of Colored Art Glass 12 (8) Pieces of Amethyst Glass 13 "Ship Mercury" 19thc. Port Painting 14 (18) Pieces of Jasperware 15 Inlaid Mahogany Card Table 16 Lolling Chair with Green Upholstery 17 (8) Pieces of Cranberry Glass 18 (2) Child's Chairs (1) Caned (1) Painted Black 19 (16) Pieces of Balleek China 20 (13) Pieces of Balleek China 21 (32) Pieces of Balleek China 22 Over (20) Pieces of Balleek China 23 (2) Foot Stools with Needlepoint 24 Table Fitted with Ceramic Turkey Platter 25 Pair of Imari Lamps 26 Whale Oil Peg Lamp 27 (2) Blue and White Export Ceramic Plates 28 Michael Stoffa "Thatcher's Island" oil w/ (2) other Artworks 29 Pair of End Tables 30 Custom Upholstered Sofa 31 Wesley Webber "Artic Voyage 1879" oil on canvas 32 H. Crane "Steam Liner" small gouache 33 E. Sherman "Steam Liner in Harbor" oil on canvas board 34 Oil Painting "Boston Light" signed FWS 35 Pair of Figured Maple Chairs 36 19th c. "Ships Sailing off Lighthouse" oil on canvas 37 Pate Sur Pate Cameo Vase 38 (3) Framed Artworks 39 (3) Leather Bound Books, Box and Pitcher 40 Easy Chair with Pillows 41 Upholstered Window Bench 42 Lot of Games 43 Rayo-Type Electrified Kerosene Lamp 44 Sextant 45 (11) Pieces of Fireplace Equipment and a Brass Bucket 46 (9) Pieces of Glass (some cut) 47 High Chest 48 Sewing Stand 49 (3) Chinese Rugs 50 "Lost at Sea" oil on canvas 51 Misc.
Company Phone Website E-Mail Address Frank's Ceramics Calle 8 Blq

COMPANY PHONE WEBSITE E-MAIL ADDRESS FRANK'S CERAMICS CALLE 8 BLQ. 4 #2 AVE CAMPO RICO SAVANNA (787) 752-8210 GARDENS CAROLINA, PR 00630 USA EL TRAPITO "ART SHOP" PLACITA DE ROOSEVELT 302 CALLE J. A. RIVERA (787) 763-4331 SAN JUAN, PR 00918 USA CLAY MATES CERAMIC CAFE 37 STATE ST [email protected] BOX 1170 (413) 323-6505 BELCHERTOWN, MA 01007 USA PISTACHIO POTTER 44 E HILL RD www.pistachiopotter.com [email protected] (413) 245-3498 BRIMFIELD, MA 01010 USA SHEFFIELD POTTERY, INC. P O BOX 399 www.sheffield/pottery.com magar@sheffield/pottery.com (413) 229-7700 SHEFFIELD, MA 01257 USA DOLLS IN WONDERLAND 1794 BRIDGE ST [email protected] UNIT 26B (978) 452-3655 DRACUT, MA 01876 USA BOSTON KILN SALES AND SERVICES 66 THOMAS ST www.bostonkiln.com [email protected] (617) 926-1802 MEDFORD, MA 02155 USA THE STAINED GLASS EMPORIUM 69 FALL RIVER AVE www.stainedglassemporium.com [email protected] (508) 336-5455 REHOBOTH, MA 02769 USA ADVISOR IN METALS 336 GOVERNORS RD [email protected] (603) 755-9232 MILTON, NH 03851 USA COUNTRY GOOSE CERAMIC SUPPLY 26 BRICK YARD CT [email protected] (207) 363-8440 YORK, ME 03909 USA RUSTY KILNS 136 BOULEVARD RD www.rustykiln.com [email protected] (860) 423-1550 NORTH WINDHAM, CT 06256 USA CERAMIC SUPPLY OF NY & NJ INC 7 RT 46 W www.7ceramic.com [email protected] (973) 340-3005 LODI, NJ 07644 USA NORA'S CERAMICS 280 MAIN ST (732) 495-6268 KEANSBURG, NJ 07734 USA OUR CLAY HOUSE 95 BARTLEY RD (973) 383-1166 FLANDERS, NJ 07836 USA ARTHUR H KUK KILN REPAIR 400 W EVESHAM (856) 783-5103 MAGNOLIA, NJ 08049 USA LYNN'S CERAMICS INC.
Ceramic Production and Circulation in the Greater Southwest

MONOGRAPH 44 Ceramic Production and Circulation in the Greater Southwest Source Determination by INAA and Complementary Mineralogical Investigations Edited by Donna M. Glowacki and Hector Neff The Cotsen Institute ofArchaeology University of California, Los Angeles 2002 IO Patayan Ceramic Variability Using Trace Elements and Petrographic Analysis to Study Brown and BuffWares in Southern California john A. Hildebrand, G. Timothy Cross,jerry Schaefer, and Hector Neff N THE LOWER COLORADO RivER and adjacent desert tain a large fraction of granitic inclusions, and when present and upland regions of southern California and in prehistoric pottery, me inclusions may not represent added 0 western Arizona, the late prehistoric Patayan temper but me remnants of incompletely weamered parent produced predominantly undecorated ceramics using a pad rock (Shepard 1964). In the lower Colorado River and Salton dle and anvil technique (Colton 1945; Rogers 1945a; Waters Trough regions, alluvial clays are available with a low iron 1982). Patayan ceramic vessels were important to both mixed content, hence their buff color, and which contain little or horticultural economies along the Colorado and adjacent no intrinsic inclusions. In this case, tempering materials may river systems, and to largely hunting and gathering econo be purposefully added to the alluvial clays. For the historic mies in the adjacent uplands. Patayan ceramic production Kumeyaay/ Kamia, a Yuman-speaking group known to have began at about AD 700 (Schroeder 1961), and continued into occupied both mountain and desert regions west of the low recent times among the Yuman speakers of this region, de er Colorado River (Hicks 1963), the same potters may have scendants of the Patayan (Rogers 1936).
List of Articles

THE LIZZADRO MUSEUM PUBLICATION INDEX OF ARTICLES Subject Description Issue Number of Pages AGATE. .. Beggar beads of India F-W 74-75 pg 10 2 . Lake Superior Spring 70 Q pg 8 4 ALEXANDRITE . & Synthetic alexandrite F-W 70-71 pg 13 2 . Gem with color change F-W 77-78 pg 19 1 AMBER . Description of carving F-W 71-72 pg 2 2 . Superstitions W-S 80 pg 18 5 . in depth treatise W-S 82 pg 5 7 AMETHYST . Stone & geode acquisitions S-F 86 pg 19 2 AUSTRALIA . & New Zealand F-W 71-72 pg 3 4 BAMBOO . Symbolism Winter 68 Q pg 8 1 BIRTHSTONES . Folklore of W-S 93 pg 2 13 . History of S-S 71 pg 27 4 . Garnet for January F-W 78-79 pg 20 3 . Amethyst for February F-W 78-79 pg 22 3 . Bloodstone & aquamarine for March S-S 77 pg 16 3 . Diamond for April S-S 77 pg 18 3 . Emerald for May S-S 77 pg 20 3 . Ruby for July F-W 77-78 pg 20 2 . Sapphire for September S-S 78 pg 15 3 . Opal & tourmaline for October S-S 78 pg 18 5 . Topaz for November S-S 78 pg 22 2 . Turquoise & zircon for December F-W 78-79 pg 16 5 CAMEOS . In-depth article Summer 68 Q pg 1 6 . More about cameos W-S 80 pg 5 10 . Italian cameos S-S 77 pg 3 3 . Of stone & shell W-S 89 pg 14 6 . Description of “Neptune” W-S 90 pg 20 1 CARNELIAN .
(Together “Knife Rights”) Respectfully Offer the Following Comments In

Knife Rights, Inc. and Knife Rights Foundation, Inc. (together “Knife Rights”) respectfully offer the following comments in opposition to the proposed rulemaking revising the rule for the African elephant promulgated under § 4(d) of the Endangered Species Act of 1973 (“ESA”) (50 C.F.R. 17.40(e)) by the United States Fish and Wildlife Service (“the Agency”). Docket No. FWS–HQ–IA–2013–0091; 96300–1671–0000–R4 (80 Fed. Reg. 45154, July 29, 2015). Knife Rights represents America's millions of knife owners, knife collectors, knifemakers, knife artisans (including scrimshaw artists and engravers) and suppliers to knifemakers and knife artisans. As written, the proposed rule will expose many individuals and businesses to criminal liability for activities that are integral to the legitimate ownership, investment, collection, repair, manufacture, crafting and production of knives. Even where such activities may not be directly regulated by the proposed rule, its terms are so vague and confusing that it would undoubtedly lead to excessive self-regulation and chill harmless and lawful conduct. The Agency’s proposed revisions to the rule for the African Elephant under section 4(d) of the ESA (“the proposed rule”) must be withdrawn, or in the alternative, significantly amended to address these terminal defects: (1) Violations of the Administrative Procedure Act (“APA”) (Pub. L. 79–404, 60 Stat. 237) and 5 U.S.C. § 605(b) of the Regulatory Flexibility Act (“RFA”); (2) Violation of the Federal Data Quality Act (aka Information Quality Act) (“DQA”/”IQA”) (Pub. L. 106–554, § 515); (3) Violation of Small Business Regulatory Enforcement Fairness Act (“SBREFA”)(Pub.
Oware/Mancala) Bonsai Trees

Carved game boards (Oware/Mancala) Bonsai Trees Raw glass dishware sintered rusted moodust “Luna Cotta” Hewn and carved basalt water features INDEX MMM THEMES: ARTS & CRAFTS (Including Home Furnishings and Performing Arts) FOREWORD: Development of Lunar Arts & Crafts with minimal to zero reliance on imported media and materi- als will be essential to the Pioneers in their eforts to become truly “At Home” on the Moon. Every fron- tier is foreign and hostile until we learn how to express ourselves and meet our needs by creative use of local materials. Arts and Crafts have been an essential “interpretive” medium for peoples of all lands and times. Homes adorned with indigenous Art and Crafts objects will “interpret” the hostile outdoors in a friendly way, resulting in pioneer pride in their surroundings which will be seen as far less hostile and unforgiving as a result. At the same time, these arts and crafts, starting as “cottage industries.” will become an important element in the lunar economy, both for adorning lunar interiors - and exteriors - and as a source of income through sales to tourists, and exports to Earth and elsewhere. Artists love free and cheap materials, and their pursuits will be a part of pioneer recycling eforts. From time immemorial, as humans settled new parts of Africa and then the continents beyond, development of new indigenous arts and crafts have played an important role in adaptation of new en- vironments “as if they were our aboriginal territories.” In all these senses, the Arts & Crafts have played a strong and vital second to the development of new technologies that made adaptation to new frontiers easier.
James Lovera – (1920 - )

JAMES LOVERA – (1920 - ) California native James Lovera received his education, pursued his studio career, and taught for nearly 40 years in northern California during a time of great transition and upheaval in ceramic arts. He worked with and learned from some of the legends of American ceramics and witnessed the Voulkos revolution that was to so change the course of the field of ceramics. Throughout Lovera followed his own path, focusing on color and design and making exquisite forms with equally exquisite glazing – “playing with fire” by pushing glaze experimentation to the edge. Influenced by Asian porcelain traditions and 20th century Modernism, his work copies neither but instead reflects his reverence for simplicity and a dedication to the vessel as a canvas for his art. ARTIST’S STATEMENT – JAMES LOVERA “True art is expressed through intellectual and visual awareness, honest inner discipline and spiritual insight. Craft becomes a true art form when its elements speak the universal language of the spirit. When an object is broken down into its basic elements and still leaves its observer in awe, the underlying principles are at one with the universe. The unknown is the element of the individual; the mystery, the uniqueness of the being.”1 1. Quoted in: Paul F. Dauer. “James Lovera’s Holistic World.” Ceramics (Sydney, Australia) no. 60 (2005). RESUME – JAMES LOVERA 1920 Born, San Lorenzo, CA (now Hayward, CA) 1938-1942 California School of Fine Arts, San Francisco, CA (now San Francisco Art Institute) 1942 Studio artist University of California, Berkeley, CA 1945-1948 Specialist, California Pottery Company, Niles Canyon, CA (now Fremont, CA) 1948-1986 Professor, San Jose State University, San Jose, CA 1986 Professor Emeritus, San Jose State University, San Jose, CA 1986-present Studio artist BIOGRAPHY – JAMES LOVERA James Lovera is a product of his northern California roots.
PO Box 957 (Mail & Payments) Woodbury, CT 06798 P

Woodbury Auction LLC 710 Main Street South (Auction Gallery & Pick up) PO Box 957 (Mail & Payments) Woodbury, CT 06798 Phone: 203-266-0323 Fax: 203-266-0707 April Connecticut Fine Estates Auction 4/26/2015 LOT # LOT # 1 Handel Desk Lamp 5 Four Tiffany & Co. Silver Shell Dishes Handel desk lamp, base in copper finish with Four Tiffany & Co. sterling silver shell form interior painted glass shade signed "Handel". 14 dishes, monogrammed. 2 7/8" long, 2 1/2" wide. 1/4" high, 10" wide. Condition: base with Weight: 4.720 OZT. Condition: scratches. repairs, refinished, a few interior edge chips, 200.00 - 300.00 signature rubbed. 500.00 - 700.00 6 Southern Walnut/Yellow Pine Hepplewhite Stand 2 "The Gibson" Style Three Ukulele Southern walnut and yellow pine Hepplewhite "The Gibson" style three ukulele circa stand, with square top and single drawer on 1920-1930. 20 3/4" long, 6 3/8" wide. square tapering legs. 28" high, 17" wide, 16" Condition: age cracks, scratches, soiling, finish deep. Condition: split to top, lacks drawer pull. wear, loss, small edge chips to top. 1,000.00 - 200.00 - 300.00 1,500.00 7 French Marble Art Deco Clock Garniture 3 Platinum & Diamond Wedding Band French marble Art Deco three piece clock Platinum and diamond wedding band containing garniture with enamel dial signed "Charmeux twenty round diamonds weighing 2.02 carats Montereau". 6 1/2" high, 5" wide to 9 3/4" high, total weight. Diamonds are F color, SI1 clarity 12 1/2" wide. Condition: marble chips, not set in a common prong platinum mounting.
BOOTH # EXHIBITOR DESCRIPTION __ North Sandusky Between William and Winter Streets

BOOTH # EXHIBITOR DESCRIPTION __ North Sandusky between William and Winter Streets — Booths Facing East 1 STAINLESS STEEL ART Sculpture 2 & 3 COOL TIE DYE OSU Tie Dye, etc. 4 SUPREME ACCENTS Quilting 5 KYLEEMAE DESIGNS Unique Jewelry from Repurposed Items 6 J FETZER POTTERY Stoneware & Horsehair Pottery 7 & 8 COLADA CO. Original Women's Clothing 9 CALLIGRAPHY and COLLAGE Inspirational Quotations 10 VARU HANDBAGS Handbags & Accessories 11 DAN PHIBBS Hand Tie Dyed Clothing 12 CONTEMPORARY GLASSWORKS Fused Glass & Jewelry 13 & 14 ENCORE ENVIE BOOTIQUE Recycled & Upscale Boutique Items 15 MURPHY'S WOOD SHOP Boxes, Boards & Pepper Mills 16 RUSTIC APPLE ART Metal License Plate Art 17 JIM WECKBACHER Caricature Drawing 18 MAYFLY PRINTSHOP & TEXTILE LAB Nature Printed Clothing & Printmaking 19 COURTNEY B DESIGNS Lamp work & Wire Weave Jewelry 20 WOOD BUTCHER Wood Art & Animal Puzzles 21 KID STUDIO Mixed Media Sculpture & Frames 22 JEWELRY WITH A PAST Jewelry incorporating Antique Buttons 23 GLO GLASS Hand Blown Glass 24 PEOPLE IN NEED Local Non-Profit Organization 25 TIN TREASURES Tin Cookie Cutters, Birdhouses, etc. 26 PAPAW'S WORKSHOP Benches, Boxes, Barn wood Flag, etc. 27 MEGARA WILD FINE ART & DESIGN Canvas & Animal Skull Paintings 28 UNCOMMON UNIQUE ECLECTIC JEWELRY Chain Maille, Beaded & Wire wrapped 29 HEEKIN PEWTER CO. Pewter Sculpture 30 BATIK CREATIONS Batik Apparel The DELAWARE GAZETTE Information Booth SPONSOR North Sandusky between Winter Street and Central Avenue - Booths Facing East 31 JENEEN HOBBY Fine Art Color Photography 32 SCRIMSHAW by MARK THORGERSON Scrimshaw Jewelry, etc. 33 CENTRAL OHIO SYMPHONY Local Non-Profit Organization 34 & 35 LITTLE CREEK CANDLES Folk Art Candles & Metal craft 36 SUSAN ROCKS ! Items Created from Great Lakes Stone 37 LANFORD BEADWORKS Jewelry from Hand Made Glass Beads 38 & 39 3S CRAFTWORKS Wood items made from Bourbon Barrels 40 CW CANVAS PRINTING Art Printed on Canvas 41 DAVID W BORDINE Stained Glass Window Art 42 MELLISA O'BRIEN DESIGNS Fabricated Sterling Silver Jewelry 43 & 44 J.
Pennsylvania Folklife Vol. 37, No. 4 Carl Ned Foltz

Ursinus College Digital Commons @ Ursinus College Pennsylvania Folklife Magazine Pennsylvania Folklife Society Collection Summer 1988 Pennsylvania Folklife Vol. 37, No. 4 Carl Ned Foltz Paul Shetrompf Deborah Shetrompf Gregory A. Petrick Patrick Rudolph See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/pafolklifemag Part of the American Art and Architecture Commons, American Material Culture Commons, Christian Denominations and Sects Commons, Cultural History Commons, Ethnic Studies Commons, Fiber, Textile, and Weaving Arts Commons, Folklore Commons, Genealogy Commons, German Language and Literature Commons, Historic Preservation and Conservation Commons, History of Religion Commons, Linguistics Commons, and the Social and Cultural Anthropology Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Foltz, Carl Ned; Shetrompf, Paul; Shetrompf, Deborah; Petrick, Gregory A.; Rudolph, Patrick; Belac, Ivan; Belac, Loretta; Marks, David S.; Heffner, Lee S.; Hoyt, Ivan E.; Miller, J. Ernest; Jones, Malcolm; Janse, Sheldon; Janse, Rachel; Evans, Robert; DeWalt, Richard; and Gilpin, Sandra, "Pennsylvania Folklife Vol. 37, No. 4" (1988). Pennsylvania Folklife Magazine. 121. https://digitalcommons.ursinus.edu/pafolklifemag/121 This Book is brought to you for free and open access by the Pennsylvania Folklife Society Collection at Digital Commons @ Ursinus College. It has been accepted for inclusion in Pennsylvania Folklife Magazine by an authorized
Malcolm J. Rogers on Archaeological Ceramics: Foundations and Current Studies in the San Diego Region

Malcolm J. Rogers on Archaeological Ceramics: Foundations and Current Studies in the San Diego Region Margie M. Burton and Patrick S. Quinn Abstract the past (Rogers 1945:168; Ezell 1961:532). This synthetic approach, combining different lines of Malcolm J. Rogers’ investigations of archaeological ceramics from southern California and the broader “Yuman” area beginning in evidence, is exemplified in his pottery studies (Hanna the 1920s provided the foundation for subsequent ceramic studies 1982:381). In spite of a limited record of publica- in the region. Although much information about his methods and tion and the later paradigm shifts in archaeological analyses remains unpublished, his type collections and notes curated at the San Diego Museum of Man evidence efforts to develop a research, Rogers’ work has remained the “jump- regional ceramic typology influenced by ethnographic observa- ing-off point” for ceramic researchers today. This tions. This paper describes how Rogers’ work has shaped studies by paper summarizes major aspects of archaeological later researchers. Recently, larger sample sets and new analytical techniques are helping to refine and sometimes refute his early pottery studies conducted by Rogers and some of the interpretations of archaeological ceramics. directions taken by later researchers, with a focus on southernmost California including San Diego and Introduction Imperial counties. Throughout the 1920s and up until his death in 1960, Ceramic Investigations by Malcolm J. Rogers Malcolm J. Rogers dedicated significant effort to col- lecting and studying the indigenous pottery of south- During his extensive surveys, Malcolm Rogers ern California, western Arizona, and Baja California identified over 500 sites with archaeological ceramics (Hanna 1982).