Large Impact Basins on Mercury: Global Distribution, Characteristics, and Modification History from MESSENGER Orbital Data Caleb I
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Wallace Berman Aleph
“Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle B.A. Art History, Emphasis in Public Art and Architecture University of San Diego, 2006 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2012 ©2012 Chelsea Ryanne Behle. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________ Department of Architecture May 24, 2012 Certified by: __________________________________________________________ Caroline Jones, PhD Professor of the History of Art Thesis Supervisor Accepted by:__________________________________________________________ Takehiko Nagakura Associate Professor of Design and Computation Chair of the Department Committee on Graduate Students Thesis Supervisor: Caroline Jones, PhD Title: Professor of the History of Art Thesis Reader 1: Kristel Smentek, PhD Title: Class of 1958 Career Development Assistant Professor of the History of Art Thesis Reader 2: Rebecca Sheehan, PhD Title: College Fellow in Visual and Environmental Studies, Harvard University 2 “Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle Submitted to the Department of Architecture on May 24, 2012 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies ABSTRACT In 1956 in Los Angeles, California, Wallace Berman, a Beat assemblage artist, poet and founder of Semina magazine, began to make a film. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
"THE POSSIBLES WE DARE": ART AND IDENTITY IN THE POETRY OF THEODORE ROETHKE Item Type text; Dissertation-Reproduction (electronic) Authors Maselli, Sharon Ann Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 14:20:34 Link to Item http://hdl.handle.net/10150/290470 INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. -
Copyrighted Material
Index Abulfeda crater chain (Moon), 97 Aphrodite Terra (Venus), 142, 143, 144, 145, 146 Acheron Fossae (Mars), 165 Apohele asteroids, 353–354 Achilles asteroids, 351 Apollinaris Patera (Mars), 168 achondrite meteorites, 360 Apollo asteroids, 346, 353, 354, 361, 371 Acidalia Planitia (Mars), 164 Apollo program, 86, 96, 97, 101, 102, 108–109, 110, 361 Adams, John Couch, 298 Apollo 8, 96 Adonis, 371 Apollo 11, 94, 110 Adrastea, 238, 241 Apollo 12, 96, 110 Aegaeon, 263 Apollo 14, 93, 110 Africa, 63, 73, 143 Apollo 15, 100, 103, 104, 110 Akatsuki spacecraft (see Venus Climate Orbiter) Apollo 16, 59, 96, 102, 103, 110 Akna Montes (Venus), 142 Apollo 17, 95, 99, 100, 102, 103, 110 Alabama, 62 Apollodorus crater (Mercury), 127 Alba Patera (Mars), 167 Apollo Lunar Surface Experiments Package (ALSEP), 110 Aldrin, Edwin (Buzz), 94 Apophis, 354, 355 Alexandria, 69 Appalachian mountains (Earth), 74, 270 Alfvén, Hannes, 35 Aqua, 56 Alfvén waves, 35–36, 43, 49 Arabia Terra (Mars), 177, 191, 200 Algeria, 358 arachnoids (see Venus) ALH 84001, 201, 204–205 Archimedes crater (Moon), 93, 106 Allan Hills, 109, 201 Arctic, 62, 67, 84, 186, 229 Allende meteorite, 359, 360 Arden Corona (Miranda), 291 Allen Telescope Array, 409 Arecibo Observatory, 114, 144, 341, 379, 380, 408, 409 Alpha Regio (Venus), 144, 148, 149 Ares Vallis (Mars), 179, 180, 199 Alphonsus crater (Moon), 99, 102 Argentina, 408 Alps (Moon), 93 Argyre Basin (Mars), 161, 162, 163, 166, 186 Amalthea, 236–237, 238, 239, 241 Ariadaeus Rille (Moon), 100, 102 Amazonis Planitia (Mars), 161 COPYRIGHTED -
The Futurist Moment : Avant-Garde, Avant Guerre, and the Language of Rupture
MARJORIE PERLOFF Avant-Garde, Avant Guerre, and the Language of Rupture THE UNIVERSITY OF CHICAGO PRESS CHICAGO AND LONDON FUTURIST Marjorie Perloff is professor of English and comparative literature at Stanford University. She is the author of many articles and books, including The Dance of the Intellect: Studies in the Poetry of the Pound Tradition and The Poetics of Indeterminacy: Rimbaud to Cage. Published with the assistance of the J. Paul Getty Trust Permission to quote from the following sources is gratefully acknowledged: Ezra Pound, Personae. Copyright 1926 by Ezra Pound. Used by permission of New Directions Publishing Corp. Ezra Pound, Collected Early Poems. Copyright 1976 by the Trustees of the Ezra Pound Literary Property Trust. All rights reserved. Used by permission of New Directions Publishing Corp. Ezra Pound, The Cantos of Ezra Pound. Copyright 1934, 1948, 1956 by Ezra Pound. Used by permission of New Directions Publishing Corp. Blaise Cendrars, Selected Writings. Copyright 1962, 1966 by Walter Albert. Used by permission of New Directions Publishing Corp. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1986 by The University of Chicago All rights reserved. Published 1986 Printed in the United States of America 95 94 93 92 91 90 89 88 87 86 54321 Library of Congress Cataloging-in-Publication Data Perloff, Marjorie. The futurist moment. Bibliography: p. Includes index. 1. Futurism. 2. Arts, Modern—20th century. I. Title. NX600.F8P46 1986 700'. 94 86-3147 ISBN 0-226-65731-0 For DAVID ANTIN CONTENTS List of Illustrations ix Abbreviations xiii Preface xvii 1. -
Select Letters of Percy Bysshe Shelley
ENGLISH CLÀSSICS The vignette, representing Shelleÿs house at Great Mar lou) before the late alterations, is /ro m a water- colour drawing by Dina Williams, daughter of Shelleÿs friend Edward Williams, given to the E ditor by / . Bertrand Payne, Esq., and probably made about 1840. SELECT LETTERS OF PERCY BYSSHE SHELLEY EDITED WITH AN INTRODUCTION BY RICHARD GARNETT NEW YORK D.APPLETON AND COMPANY X, 3, AND 5 BOND STREET MDCCCLXXXIII INTRODUCTION T he publication of a book in the series of which this little volume forms part, implies a claim on its behalf to a perfe&ion of form, as well as an attradiveness of subjeâ:, entitling it to the rank of a recognised English classic. This pretensión can rarely be advanced in favour of familiar letters, written in haste for the information or entertain ment of private friends. Such letters are frequently among the most delightful of literary compositions, but the stamp of absolute literary perfe&ion is rarely impressed upon them. The exceptions to this rule, in English literature at least, occur principally in the epistolary litera ture of the eighteenth century. Pope and Gray, artificial in their poetry, were not less artificial in genius to Cowper and Gray ; but would their un- their correspondence ; but while in the former premeditated utterances, from a literary point of department of composition they strove to display view, compare with the artifice of their prede their art, in the latter their no less successful cessors? The answer is not doubtful. Byron, endeavour was to conceal it. Together with Scott, and Kcats are excellent letter-writers, but Cowper and Walpole, they achieved the feat of their letters are far from possessing the classical imparting a literary value to ordinary topics by impress which they communicated to their poetry. -
The Fumarolic CO Output from Pico Do Fogo Volcano
Ital. J. Geosci., Vol. 139, No. 3 (2020), pp. 325-340, 9 figs., 3 tabs. (https://doi.org/10.3301/IJG.2020.03) © Società Geologica Italiana, Roma 2020 The fumarolic CO2 output from Pico do Fogo Volcano (Cape Verde) ALESSANDRO AIUPPA (1), MARCELLO BITETTO (1), ANDREA L. RIZZO (2), FATIMA VIVEIROS (3), PATRICK ALLARD (4), MARIA LUCE FREZZOTTI (5), VIRGINIA VALENTI (5) & VITTORIO ZANON (3, 4) ABSTRACT output started early back in the 1990s (e.g., GERLACH, 1991), The Pico do Fogo volcano, in the Cape Verde Archipelago off substantial budget refinements have only recently arisen the western coasts of Africa, has been the most active volcano in the from the 8-years (2011-2019) DECADE (Deep Earth Carbon Macaronesia region in the Central Atlantic, with at least 27 eruptions Degassing; https://deepcarboncycle.org/about-decade) during the last 500 years. Between eruptions fumarolic activity has research program of the Deep Carbon Observatory (https:// been persisting in its summit crater, but limited information exists for the chemistry and output of these gas emissions. Here, we use the deepcarbon.net/project/decade#Overview) (FISCHER, 2013; results acquired during a field survey in February 2019 to quantify FISCHER et alii, 2019). the quiescent summit fumaroles’ volatile output for the first time. By One key result of DECADE-funded research has been combining measurements of the fumarole compositions (using both a the recognition that the global CO2 output from subaerial portable Multi-GAS and direct sampling of the hottest fumarole) and volcanism is predominantly sourced from a relatively of the SO2 flux (using near-vent UV Camera recording), we quantify small number of strongly degassing volcanoes. -
Shallow Crustal Composition of Mercury As Revealed by Spectral Properties and Geological Units of Two Impact Craters
Planetary and Space Science 119 (2015) 250–263 Contents lists available at ScienceDirect Planetary and Space Science journal homepage: www.elsevier.com/locate/pss Shallow crustal composition of Mercury as revealed by spectral properties and geological units of two impact craters Piero D’Incecco a,n, Jörn Helbert a, Mario D’Amore a, Alessandro Maturilli a, James W. Head b, Rachel L. Klima c, Noam R. Izenberg c, William E. McClintock d, Harald Hiesinger e, Sabrina Ferrari a a Institute of Planetary Research, German Aerospace Center, Rutherfordstrasse 2, D-12489 Berlin, Germany b Department of Geological Sciences, Brown University, Providence, RI 02912, USA c The Johns Hopkins University Applied Physics Laboratory, Laurel, MD 20723, USA d Laboratory for Atmospheric and Space Physics, University of Colorado, Boulder, CO 80303, USA e Westfälische Wilhelms-Universität Münster, Institut für Planetologie, Wilhelm-Klemm Str. 10, D-48149 Münster, Germany article info abstract Article history: We have performed a combined geological and spectral analysis of two impact craters on Mercury: the Received 5 March 2015 15 km diameter Waters crater (106°W; 9°S) and the 62.3 km diameter Kuiper crater (30°W; 11°S). Using Received in revised form the Mercury Dual Imaging System (MDIS) Narrow Angle Camera (NAC) dataset we defined and mapped 9 October 2015 several units for each crater and for an external reference area far from any impact related deposits. For Accepted 12 October 2015 each of these units we extracted all spectra from the MESSENGER Atmosphere and Surface Composition Available online 24 October 2015 Spectrometer (MASCS) Visible-InfraRed Spectrograph (VIRS) applying a first order photometric correc- Keywords: tion. -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Sunnyvale Heritage Resources
CARIBBEAN DR 3RD AV G ST C ST BORDEAUX DR H ST 3RD AV Heritage Trees CARIBBEAN DR CASPIAN CT GENEVA DR ENTERPRISE WY 4TH AV Local Landmarks E ST CASPIAN DR BALTIC WY Heritage Resources 5TH AV JAVA DR 5TH AV MOFFETT PARK DR CROSSMAN AV 300-ft Buffer CHESAPEAKE TR GIBRALTAR CT GIBRALTAR DR ORLEANS DR MOFFETT PARK DR 7TH AV MACON RD ANVILWOOD City Boundary ENTERPRISEWY CT G ST C ST MOFFETT PARK CT 8TH AV HUMBOLDT CT PERSIAN DR FORGEWOODAV SR-237 ANVILWOODAV INNSBRUCK DR ELKO DR 9TH AV E ST FAIR OAKS WY BORREGAS AV D ST P O R P O I S ALDERWOODAV 11TH AV MOFFETT PARK DR E BA Y TR PARIA BIRCHWOODDR MATHILDA AV GLIESSEN JAEGALS RD GLIN SR-237 PLAZA DR PLENTYGLIN LA ROCHELLE TR TASMAN DR ENTERPRISE WY ENTERPRISE MONTEGO VIENNA DR KASSEL INNOVATION WAY BRADFORD DR MOLUCCA MONTEREY LEYTE MORSE AV KIHOLO LEMANS ROSS DR MUNICH LUND TASMAN CT KARLSTAD DR ESSEX AV COLTON AV FULTON AV DUNCAN AV HAMLIN CT SAGINAW FAIR OAKS AV TOYAMA DR SACO LAWRENCEEXPRESSWAY GARNER DR LYON US-101 SALERNO SAN JORGEKOSTANZ TIMOR KIEL CT SIRTE SOLOMON SUEZ LAKEBIRD DR CT DRIFTWOOD DRIFTWOOD CT CHARMWOOD CHARMWOOD CT SKYLAKE VALELAKE CT CT CLYDE AV BREEZEWOOD CT LAKECHIME DR JENNA PECOS WY AHWANEE AV LAKEDALE WY WEDDELL LOTUSLAKE CT GREENLAKE DR HIDDENLAKE DR WEDDELL DR MEADOWLAKE DR ALMANOR AV FAIRWOODAV STONYLAKE SR-237 LAKEFAIR DR CT CT LYRELAKE LYRELAKE HEM BLAZINGWOOD DR REDROCK CT LO CT CK ALTURAS AV SILVERLAKEDR AV CT CANDLEWOOD LAKEHAVEN DR BURNTWOOD CT C B LAKEHAVEN A TR U JADELAKE SAN ALESO AV R N MADRONE AV LAKEKNOLL DR N D T L PALOMAR AV SANTA CHRISTINA W CT -
March 21–25, 2016
FORTY-SEVENTH LUNAR AND PLANETARY SCIENCE CONFERENCE PROGRAM OF TECHNICAL SESSIONS MARCH 21–25, 2016 The Woodlands Waterway Marriott Hotel and Convention Center The Woodlands, Texas INSTITUTIONAL SUPPORT Universities Space Research Association Lunar and Planetary Institute National Aeronautics and Space Administration CONFERENCE CO-CHAIRS Stephen Mackwell, Lunar and Planetary Institute Eileen Stansbery, NASA Johnson Space Center PROGRAM COMMITTEE CHAIRS David Draper, NASA Johnson Space Center Walter Kiefer, Lunar and Planetary Institute PROGRAM COMMITTEE P. Doug Archer, NASA Johnson Space Center Nicolas LeCorvec, Lunar and Planetary Institute Katherine Bermingham, University of Maryland Yo Matsubara, Smithsonian Institute Janice Bishop, SETI and NASA Ames Research Center Francis McCubbin, NASA Johnson Space Center Jeremy Boyce, University of California, Los Angeles Andrew Needham, Carnegie Institution of Washington Lisa Danielson, NASA Johnson Space Center Lan-Anh Nguyen, NASA Johnson Space Center Deepak Dhingra, University of Idaho Paul Niles, NASA Johnson Space Center Stephen Elardo, Carnegie Institution of Washington Dorothy Oehler, NASA Johnson Space Center Marc Fries, NASA Johnson Space Center D. Alex Patthoff, Jet Propulsion Laboratory Cyrena Goodrich, Lunar and Planetary Institute Elizabeth Rampe, Aerodyne Industries, Jacobs JETS at John Gruener, NASA Johnson Space Center NASA Johnson Space Center Justin Hagerty, U.S. Geological Survey Carol Raymond, Jet Propulsion Laboratory Lindsay Hays, Jet Propulsion Laboratory Paul Schenk,