Select Letters of Percy Bysshe Shelley
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Fearless Therefore Powerful» Sociability and Emotions in Mary Shelley’S Frankenstein
«FEARLESS THEREFORE POWERFUL» SOCIABILITY AND EMOTIONS IN MARY SHELLEY’S FRANKENSTEIN Cristina Paoletti Università di Bologna, Dipartimento di Filosofia, [email protected] Abstract. «Fearless therefore Powerful». Sociability and Emotions in Mary Shelley’s Frankenstein This paper analyses the role played by fear as the motive of both Victor Frankenstein and his monster’s behaviour. Moving from the natural horror the monster excites, fear is mostly considered by Mary Shelley as a normal reaction, and its absence marks pathological circumstances, such as cruelty or unsympathetic and antisocial feelings. Referring to the philosophical debate on moral sympathy and to the scientific discussion on Erasmus Darwin’s account of animal instincts, Shelley also provided remarkable criticis Keywords: Enlightenment, Emotions, English Literature, Seventeenth Century. So should young SYMPATHY, in female form, Climb the tall rock, spectatress of the storm; Life's sinking wrecks with secret sighs deplore, And bleed for others' woes, Herself on shore; To friendless Virtue, gasping on the strand, Governare la paura – 2008, giugno Cristina Paoletti Bare her warm heart, her virgin arms expand1. An essay on Mary Shelley’s Frankenstein might perhaps appear an obvious choice when dealing with fear and its literary and artistic representations. Victor Frankenstein’s odd and shocking story was firstly received with dismay and disappointment and an early reviewer explained the terror produced by the novel with the folly of the author. The [author’s] dreams of insanity are embodied in the strong and striking language of the insane, and the author, notwithstanding the rationality of his preface, often leaves us in doubt whether he is not as mad as his hero. -
Climbing the Sea Annual Report
WWW.MOUNTAINEERS.ORG MARCH/APRIL 2015 • VOLUME 109 • NO. 2 MountaineerEXPLORE • LEARN • CONSERVE Annual Report 2014 PAGE 3 Climbing the Sea sailing PAGE 23 tableofcontents Mar/Apr 2015 » Volume 109 » Number 2 The Mountaineers enriches lives and communities by helping people explore, conserve, learn about and enjoy the lands and waters of the Pacific Northwest and beyond. Features 3 Breakthrough The Mountaineers Annual Report 2014 23 Climbing the Sea a sailing experience 28 Sea Kayaking 23 a sport for everyone 30 National Trails Day celebrating the trails we love Columns 22 SUMMIT Savvy Guess that peak 29 MEMbER HIGHLIGHT Masako Nair 32 Nature’S WAy Western Bluebirds 34 RETRO REWIND Fred Beckey 36 PEAK FITNESS 30 Back-to-Backs Discover The Mountaineers Mountaineer magazine would like to thank The Mountaineers If you are thinking of joining — or have joined and aren’t sure where Foundation for its financial assistance. The Foundation operates to start — why not set a date to Meet The Mountaineers? Check the as a separate organization from The Mountaineers, which has received about one-third of the Foundation’s gifts to various Branching Out section of the magazine for times and locations of nonprofit organizations. informational meetings at each of our seven branches. Mountaineer uses: CLEAR on the cover: Lori Stamper learning to sail. Sailing story on page 23. photographer: Alan Vogt AREA 2 the mountaineer magazine mar/apr 2015 THE MOUNTAINEERS ANNUAL REPORT 2014 FROM THE BOARD PRESIDENT Without individuals who appreciate the natural world and actively champion its preservation, we wouldn’t have the nearly 110 million acres of wilderness areas that we enjoy today. -
El Espanol Y El Japones
神戸市外国語大学 学術情報リポジトリ El espanol y el japones タイトル(その他言語 イスパニア語と日本語 ) 著者 福嶌 教隆 journal or Monograph series in Foreign studies publication title number 53 page range 1-188 year 2014-03-01 URL http://id.nii.ac.jp/1085/00001678/ Creative Commons : 表示 - 非営利 - 改変禁止 http://creativecommons.org/licenses/by-nc-nd/3.0/deed.ja 1 NORITAKA FUKUSHIMA EL ESPAÑOL Y EL JAPONÉS Universidad de Estudios Extrranjeros de Kobe Kobe, Japón 2014 1 2 PUBLICACIÓN: marzo de 2014 TÍTULO: El español y el japonés (Tomo LIII de la Serie monográfica en Estudios Extranjeros) AUTOR: Noritaka FUKUSHIMA Publicado por el Instituto de Investigación de la Universidad de Estudios Extranjeros de Kobe. Gakuen-Higashi-machi 9-1, Nishi-ku, Kobe (651-2187), Japón. http://www.kobe-cufs.ac.jp/ ISSN: 1345-8604 2 Índice 3 ÍNDICE Índice ------------------------------------------------------------------------------------------ 3 Prólogo ---------------------------------------------------------------------------------------- 6 Primera parte. El modo y la modalidad ----------------------------------------------- 9 Capítulo 1 La órbita de los estudios contrastivos sobre la modalidad en español y japonés ----------------------------------------------------------------------- 10 1.1. Introducción ------------------------------------------------------------------------ 10 1.2. Estudios del “chinjutsu” y la modalidad del japonés -------------------------- 11 1.3. Estudios sobre la modalidad en español y a nivel universal ----------------- 14 1.4. Estudios contrastivos I. Aproximación directa --------------------------------- -
Extraordinary Rocks from the Peak Ring of the Chicxulub Impact Crater: P-Wave Velocity, Density, and Porosity Measurements from IODP/ICDP Expedition 364 ∗ G.L
Earth and Planetary Science Letters 495 (2018) 1–11 Contents lists available at ScienceDirect Earth and Planetary Science Letters www.elsevier.com/locate/epsl Extraordinary rocks from the peak ring of the Chicxulub impact crater: P-wave velocity, density, and porosity measurements from IODP/ICDP Expedition 364 ∗ G.L. Christeson a, , S.P.S. Gulick a,b, J.V. Morgan c, C. Gebhardt d, D.A. Kring e, E. Le Ber f, J. Lofi g, C. Nixon h, M. Poelchau i, A.S.P. Rae c, M. Rebolledo-Vieyra j, U. Riller k, D.R. Schmitt h,1, A. Wittmann l, T.J. Bralower m, E. Chenot n, P. Claeys o, C.S. Cockell p, M.J.L. Coolen q, L. Ferrière r, S. Green s, K. Goto t, H. Jones m, C.M. Lowery a, C. Mellett u, R. Ocampo-Torres v, L. Perez-Cruz w, A.E. Pickersgill x,y, C. Rasmussen z,2, H. Sato aa,3, J. Smit ab, S.M. Tikoo ac, N. Tomioka ad, J. Urrutia-Fucugauchi w, M.T. Whalen ae, L. Xiao af, K.E. Yamaguchi ag,ah a University of Texas Institute for Geophysics, Jackson School of Geosciences, Austin, USA b Department of Geological Sciences, Jackson School of Geosciences, Austin, USA c Department of Earth Science and Engineering, Imperial College, London, UK d Alfred Wegener Institute Helmholtz Centre of Polar and Marine Research, Bremerhaven, Germany e Lunar and Planetary Institute, Houston, USA f Department of Geology, University of Leicester, UK g Géosciences Montpellier, Université de Montpellier, France h Department of Physics, University of Alberta, Canada i Department of Geology, University of Freiburg, Germany j SM 312, Mza 7, Chipre 5, Resid. -
Il Sereno Fact Sheet
FACT SHEET ADDRESS: Via Torrazza, 10 22020 Torno, Como, Italy (Village of Torno, Province of Como, Region of Lombardy, Italy) www.ilsereno.com TELEPHONE: +39 031 5477800 OPENED: August 1, 2016 OWNERSHIP: Contreras Family MANAGING DIRECTOR: Samy Ghachem ARCHITECTURE AND INTERIOR DESIGN: Patricia Urquiola SUITE RATES: Starting at €750 - €800 OVERVIEW: Il Sereno Lago di Como is a small and intimate ultra-luxury hotel on the iconic shores of Lake Como, Italy. Respecting its natural and historical surroundings, Il Sereno Lago di Como joins a select group of illustrious lake hotels in this exclusive destination. Building on the success of Le Sereno St Barth’s, the owners joined forces with Milan-based designer Patricia Urquiola to introduce a contemporary and more relaxed interpretation of luxury, design and personalized service to Lake Como. Il Sereno Lago di Como is positioned as the most stylish and private sanctuary among the lake’s prestigious collection of hotels. Il Sereno and nearby Villa Pliniana are members of Leading Hotels of the World and Virtuoso. LOCATION: Since time immemorial, Lake Como has seduced visitors with its natural beauty and dramatic vistas of the southern Italian Alps. Long a destination of choice for European aristocrats and today’s glitterati; Lake Como remains the epitome of a glamorous vacation destination. Situated on a sunny promontory next to the village of Torno and surrounded by peaceful views of Lake Como’s natural beauty, lush gardens and idyllic small towns, Il Sereno”s lakefront location stretches approximately 140 meters (450 feet) along the eastern shore of Lake Como. The hotel is less than 6km (4 miles) from the center of Como, just a short 8-minute drive; and approximately 50 minutes from both Milano- Malpensa airport or from the center of Milan. -
The Leadership Issue
SUMMER 2017 NON PROFIT ORG. U.S. POSTAGE PAID ROLAND PARK COUNTRY SCHOOL connections BALTIMORE, MD 5204 Roland Avenue THE MAGAZINE OF ROLAND PARK COUNTRY SCHOOL Baltimore, MD 21210 PERMIT NO. 3621 connections THE ROLAND PARK COUNTRY SCHOOL COUNTRY PARK ROLAND SUMMER 2017 LEADERSHIP ISSUE connections ROLAND AVE. TO WALL ST. PAGE 6 INNOVATION MASTER PAGE 12 WE ARE THE ROSES PAGE 16 ADENA TESTA FRIEDMAN, 1987 FROM THE HEAD OF SCHOOL Dear Roland Park Country School Community, Leadership. A cornerstone of our programming here at Roland Park Country School. Since we feel so passionately about this topic we thought it was fitting to commence our first themed issue of Connections around this important facet of our connections teaching and learning environment. In all divisions and across all ages here at Roland Park Country School — and life beyond From Roland Avenue to Wall Street graduation — leadership is one of the connecting, lasting 06 President and CEO of Nasdaq, Adena Testa Friedman, 1987 themes that spans the past, present, and future lives of our (cover) reflects on her time at RPCS community members. Joe LePain, Innovation Master The range of leadership experiences reflected in this issue of Get to know our new Director of Information and Innovation Connections indicates a key understanding we have about the 12 education we provide at RPCS: we are intentional about how we create leadership opportunities for our students of today — and We Are The Roses for the ever-changing world of tomorrow. We want our students 16 20 years. 163 Roses. One Dance. to have the skills they need to be successful in the future. -
British & American Literature: Romanticism to Modernism (The Long 19Th Century)
Dept. of English & Comparative Literature, SJSU MA Exam Reading List: Group 2 British & American Literature: Romanticism to Modernism (the long 19th century) Description: This part of the MA exam focuses on major 19th century writers/texts from the U.K. and U.S.A. Students should have a general knowledge of the definitions and rules of the various forms and genres popular during the British Romantic and Victorian literary periods, as well as the American Romantic, Transcendentalist, and Realist movements. Students should also pay attention to how these forms and genres are used/deployed in different historical and cultural moments. Poetry: ● Lyrical ballad ● Odal hymn ● Elegy ● Sonnet (Petrarchan, Miltonic, Shakespearean) ● Broadsides Prose: ● Gothic Novel ● Historical Romance ● Bildungsroman ● Domestic Novel ● Detective Novel ● Serialized Novel ● Silverfork Novel ● Slave Narrative ● Short Story ● Sketch ● Tall Tale Students should also familiarize themselves with the general biographical, cultural, historical, and political for the various texts and their related periods. A review of the information included in the introduction and headnotes in most anthologies is sufficient; however, the Broadview anthologies offer the most current and diverse historical context on these periods. British: Romantic-era (1775-1835) and Victorian-era (1835-1902) Literature Charlotte Smith (1749-1806) Elegiac Sonnets (1795) William Blake (1757-1827) Songs of Innocence and Experience Mary Wollstonecraft (1759-97) Vindication of the Rights of Men, Vindication of the Rights of Woman William Wordsworth (1770-1850) and Samuel Taylor Coleridge (1772-1834) Lyrical Ballads (1798 version), Preface to the 1800 edition of Lyrical Ballads Jane Austen (1775-1817) Pride and Prejudice or Northanger Abbey George Gordon, Lord Byron (1788-1824) Don Juan Percy Bysshe Shelley (1792-1822) “Prometheus,” “Hymn to Intellectual Beauty,” “Ozymandias,” “Mutability,” “England in 1819,” A Defence of Poetry John Keats (1795-1821) “The Eve of St. -
From Brunate to Monte Piatto Easy Trail Along the Mountain Side , East from Como
1 From Brunate to Monte Piatto Easy trail along the mountain side , east from Como. From Torno it is possible to get back to Como by boat all year round. ITINERARY: Brunate - Monte Piatto - Torno WALKING TIME: 2hrs 30min ASCENT: almost none DESCENT: 400m DIFFICULTY: Easy. The path is mainly flat. The last section is a stepped mule track downhill, but the first section of the path is rather rugged. Not recommended in bad weather. TRAIL SIGNS: Signs to “Montepiatto” all along the trail CONNECTIONS: To Brunate Funicular from Como, Piazza De Gasperi every 30 minutes From Torno to Como boats and buses no. C30/31/32 ROUTE: From the lakeside road Lungo Lario Trieste in Como you can reach Brunate by funicular. The tram-like vehicle shuffles between the lake and the mountain village in 8 minutes. At the top station walk down the steps to turn right along via Roma. Here you can see lots of charming buildings dating back to the early 20th century, the golden era for Brunate’s tourism, like Villa Pirotta (Federico Frigerio, 1902) or the fountain called “Tre Fontane” with a Campari advertising bas-relief of the 30es. Turn left to follow via Nidrino, and pass by the Chalet Sonzogno (1902). Do not follow via Monte Rosa but instead walk down to the sportscentre. At the end of the football pitch follow the track on the right marked as “Strada Regia.” The trail slowly works its way down to the Monti di Blevio . Ignore the “Strada Regia” which leads to Capovico but continue straight along the flat path until you reach Monti di Sorto . -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
COURT of CLAIMS of THE
REPORTS OF Cases Argued and Determined IN THE COURT of CLAIMS OF THE STATE OF ILLINOIS VOLUME 39 Containing cases in which opinions were filed and orders of dismissal entered, without opinion for: Fiscal Year 1987 - July 1, 1986-June 30, 1987 SPRINGFIELD, ILLINOIS 1988 (Printed by authority of the State of Illinois) (65655--300-7/88) PREFACE The opinions of the Court of Claims reported herein are published by authority of the provisions of Section 18 of the Court of Claims Act, Ill. Rev. Stat. 1987, ch. 37, par. 439.1 et seq. The Court of Claims has exclusive jurisdiction to hear and determine the following matters: (a) all claims against the State of Illinois founded upon any law of the State, or upon an regulation thereunder by an executive or administrative ofgcer or agency, other than claims arising under the Workers’ Compensation Act or the Workers’ Occupational Diseases Act, or claims for certain expenses in civil litigation, (b) all claims against the State founded upon any contract entered into with the State, (c) all claims against the State for time unjustly served in prisons of this State where the persons imprisoned shall receive a pardon from the Governor stating that such pardon is issued on the grounds of innocence of the crime for which they were imprisoned, (d) all claims against the State in cases sounding in tort, (e) all claims for recoupment made by the State against any Claimant, (f) certain claims to compel replacement of a lost or destroyed State warrant, (g) certain claims based on torts by escaped inmates of State institutions, (h) certain representation and indemnification cases, (i) all claims pursuant to the Law Enforcement Officers, Civil Defense Workers, Civil Air Patrol Members, Paramedics and Firemen Compensation Act, (j) all claims pursuant to the Illinois National Guardsman’s and Naval Militiaman’s Compensation Act, and (k) all claims pursuant to the Crime Victims Compensation Act. -
The Skeptical Gothic in Mary Shelley's Frankenstein
ARTICLE https://doi.org/10.1057/s41599-020-0408-5 OPEN Anatomy of tragedy: the skeptical gothic in Mary Shelley’s Frankenstein ✉ Veronika Ruttkay 1 ABSTRACT Combining philosophical and literary perspectives, this paper argues that Mary Shelley’s Frankenstein is informed by a skeptical problematic that may be traced back to the work of the young David Hume. As the foundational text on romantic monstrosity, Fran- kenstein 1234567890():,; has been studied from various critical angles, including that of Humean skepticism by Sarah Tindal Kareem (Eighteenth-century fiction and the reinvention of wonder. Oxford University Press, Oxford, 2014) and Monique Morgan (Romant Net 44, doi:10.7202/ 013998ar, 2006). However, the striking connections with Hume’s Treatise have not been fully explored. The paper begins by comparing the three narrators of Frankenstein with three figures appearing in Hume’s Conclusion to Book I: the anatomist, the explorer, and the monster. It proceeds by looking at the hybrid “anatomies” offered by Hume and Shelley, suggesting that Frankenstein might be regarded as a tragic re-enactment and radicalization of Hume’s skeptical impasse. Whereas Hume alerted his readers to the dangers of a thor- oughgoing skepticism only to steer his argument in a new direction, Shelley shows those dangers realized in the “catastrophe” of the Monster’s birth. While Hume had called attention to the impossibility of conducting strictly scientific experiments on “moral subjects”, Shelley devises a counterfactual plot and a multi-layered narrative structure in order to explore that very impossibility. Interpreting Frankenstein as an instance of the “skeptical gothic”, I suggest that both the monster and the scientist (Victor) share some traits with Hume’s radically skeptical philosopher, including a tendency to give up responsibility for what Stanley Cavell (The Claim of Reason: Wittgenstein, skepticism, morality, and tragedy. -
Percy Bysshe Shelley's Conception of the Poet and Poetic Creativity
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347–4564; ISSN (E): 2321–8878 Vol. 9, Issue 3, Mar 2021, 29–44 © Impact Journals PERCY BYSSHE SHELLEY’S CONCEPTION OF THE POET AND POETIC CREATIVITY Ladan Farah Bakhsh Research Scholar, University of Warsaw, Poland Received: 12 Mar 2021 Accepted: 17 Mar 2021 Published: 31 Mar 2021 ABSTRACT Percy By she Shelley, as one of the pioneers of English Romanticism, depicts many of the school’s principles in his poems; typical motifs and themes that keep recurring in typical Romantic texts include imagination, nature, inspiration, individualism, revolutionism, emotionality, and nostalgia. These elements, which are also common in the works of the founders of British Romanticism, laid the foundation of an unprecedented way of literary aesthetics in the last years of the eighteenth century. Therefore, a thorough study of Shelley’s or any other Romantic writer’s works can yield a perfect picture of Romantic tenets and values in writing. In the present article the central questions of are: What are Shelley’s views regarding the poet, the process of writing, and poetic creativity? Can we consider Shelley as a Romantic critic? To answer the questions, the researcher draws upon Shelley’s ideas inserted in his “A Defence of Poetry” and highlights the relevant propositions and assertions proclaimed by the poet. This research shows that Shelley held individualistic and idiosyncratic criteria for appreciating and composing literary texts. Furthermore, like Blake, Wordsworth, and Coleridge, Shelley founded his writings on certain theories and expositions he expounded in a critical essay.