Dangerous Liaisons Revisited
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Cover Title Authors Edition Volume Genre Format ISBN Keywords The Museum of Found Mirjam, LINSCHOOTEN Exhibition Soft cover 9780968546819 Objects: Toronto (ed.), Sameer, FAROOQ Catalogue (Maharaja and - ) (ed.), Haema, SIVANESAN (Da bao)(Takeout) Anik, GLAUDE (ed.), Meg, Exhibition Soft cover 9780973589689 Chinese, TAYLOR (ed.), Ruth, Catalogue Canadian art, GASKILL (ed.), Jing Yuan, multimedia, 21st HUANG (trans.), Xiao, century, Ontario, OUYANG (trans.), Mark, Markham TIMMINGS Piercing Brightness Shezad, DAWOOD. (ill.), Exhibition Hard 9783863351465 film Gerrie, van NOORD. (ed.), Catalogue cover Malenie, POCOCK (ed.), Abake 52nd International Art Ming-Liang, TSAI (ill.), Exhibition Soft cover film, mixed Exhibition - La Biennale Huang-Chen, TANG (ill.), Catalogue media, print, di Venezia - Atopia Kuo Min, LEE (ill.), Shih performance art Chieh, HUANG (ill.), VIVA (ill.), Hongjohn, LIN (ed.) Passage Osvaldo, YERO (ill.), Exhibition Soft cover 9780978241995 Sculpture, mixed Charo, NEVILLE (ed.), Catalogue media, ceramic, Scott, WATSON (ed.) Installaion China International Arata, ISOZAKI (ill.), Exhibition Soft cover architecture, Practical Exhibition of Jiakun, LIU (ill.), Jiang, XU Catalogue design, China Architecture (ill.), Xiaoshan, LI (ill.), Steven, HOLL (ill.), Kai, ZHOU (ill.), Mathias, KLOTZ (ill.), Qingyun, MA (ill.), Hrvoje, NJIRIC (ill.), Kazuyo, SEJIMA (ill.), Ryue, NISHIZAWA (ill.), David, ADJAYE (ill.), Ettore, SOTTSASS (ill.), Lei, ZHANG (ill.), Luis M. MANSILLA (ill.), Sean, GODSELL (ill.), Gabor, BACHMAN (ill.), Yung -
Contemporary Art Transcript
The Asian Art Museum Mobile Guide Contemporary Art An Acoustiguide Tour STOP LIST (L = LAYER; ADDITIONAL CONTENT) 52. CONTEMPORARY JAPANESE CERAMICS 55. COLLECTED LETTERS (F2016.2) (L) 56. MY HOUSE, MY TOMB, Afruz Amighi (Lent by the artist) (L) 57. INTRODUCTION TO THE ART TERRACE 58. FOUNTAIN OF LIGHT, Ai Weiwei (Collection Farschou) 59. DON’T MESS WITH ME, Jas Charanjiva (Commissioned by the AAM, courtesy of the artist) (L) 60. LUMINOUS GROUND, Ala Ebtekar (Commissioned by the AAM, courtesy of the artist) (L) 61. BREAST STUPA TOPIARY, Pinaree Sanpitak (2019.7, .10, and .11) (L) 62. I WAS, I AM, I WILL BE, Chanel Miller (Commissioned by the AAM, courtesy of the artist) (L) 63. INTRODUCTION TO MEMENTO 64. A DAY OF TWO SUNS (2019), Lam Tung Pang (2019.69) (L) 65. PERSONAL SPACE (2010.326), Jayashree Chakravarty (2010.326) (L) 52. CONTEMPORARY JAPANESE CERAMICS NARRATOR: Welcome to our rotating collection of ceramic art from Japan. The Ceramics Masterpiece Moment showcases work from historic kilns and the modern movements of the 20th century, as well as a deep dive into contemporary ceramic practices. Karin Oen, Associate Curator of Contemporary Art. KARIN OEN: The evolution of ceramics is not any one trajectory, and that’s the beauty of this type of installation. It allows the diversity within ceramic arts to shine through. We have traditions that are very rooted in the particular kind of clay and glaze that is related to specific areas. We see ash-based glazes that have a sort of rustic look and are actually quite difficult to predict how they will fire. -
SORS-2021-1.2.Pdf
Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 1.1 (Updated August 2020) Copyright © 2021 by Smithsonian Institution Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 5 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 6 Cooper-Hewitt, National Design Museum (CHNDM) ............................................................................................................................. -
List of Objects Proposed for Protection Under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (Protection of Cultural Objects on Loan)
List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Bronze 15 September 2012 to 9 December 2012 Title: Altarpiece dedicated to Buddha Maitreya Date / Period: c. 525-35 Origin: China, late Northern Wei or Eastern Wei dynasties Inv.N: 38.158.2a-e Medium: Gilt leaded Bronze Size: 59.1 x 38.1 x 19.1 cm © 2012. Image copyright The Metropolitan Museum of Art, Art Resource, Scala, Florence Lender: Provenance: Lent by The Metropolitan Acquired in 1925 by Mrs John D. Rockefeller, from Museum of Art, Rogers whom acquired by the Metropolitan Museum of Art Fund, 1938 in 1938. List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Bronze 15 September 2012 to 9 December 2012 Title: Apollo Fountain Date / Period: 1532 Artist: Peter Flötner Inv.N: PL 1206/PL 0024 Medium: Brass Size: H. Incl. Base: 100 cm Base: 55 x 55 cm Museen der Stadt Nürnberg, Gemälde- und Skulpturensammlung Lender: Provenance: Leihgabe der Museen der Commissioned by the archers’ company for their Stadt Nürnberg, Gemälde- shooting yard, Herrenschiesshaus am Sand, und Skulpturensammlung Nuremberg; courtyard of the Pellerhaus. City Museum Fembohaus, Nuremberg (on permanent loan from the city of Nuremberg). List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Bronze 15 September 2012 to 9 December 2012 Title: Avalokiteshvara Date / Period: 9th- 10th century Origin: Java Inv.N: 509 Medium: Silvered Bronze Size: sculpture: 101 x 49 x 28 cm Base: 140 x 47 cm Weight: 250-300kgs Jakarta, Museum Nasional Indonesia Collection/Photo Feri Latief Lender: Provenance: National Museum Discovered in Tekaran, in Surakarta, Indonesia Indonesia (Philip Rawson, The Art of Southeast Asia, London, 1967, pp. -
Postgraduate Diploma in Asian Art PROSPECTUS 2021/22
SOAS University of London Postgraduate Diploma in Asian Art PROSPECTUS 2021/22 In Association with POSTGRADUATE DIPLOMA IN ASIAN ART 2 The Postgraduate Diploma in Asian art at SOAS University of London offers a programme renowned for its excellence. The course provides object-based study through lectures and contributions from a wide range of leading scholars, curators, and art market professionals. We have a formal association with the British Museum and the Victoria and Albert Museum (V&A), which means we offer exceptional access to the collections and curatorial expertise of both institutions. The Postgraduate Diploma will appeal to all those with a serious interest in Asian art, regardless of your personal, professional or academic background. It is also a proven pathway to further postgraduate study in Asian art and careers in museums, the art world and academia. In 2021/22 all our full-time modules will be fully available online, so you can study with us from anywhere in the world. Those able to travel to London will be able to join selected sessions in person, where circumstances allow. We also plan to host a series of co-curricular events, including in-person visits to the V&A and British Museum, subject to current safety measures. The online modules have been a game changer for me! I would have never “been able to physically go to London because of my work and studies. Also, the format allowed for such a diverse group of students as well as lecturers to come together, which was really enjoyable. Coming together in this virtual space allowed us students to sharpen our senses with regards to seeing the tiniest details that may have escaped our attention if in situ. -
Charles Lang Freer and His Gallery of Art : Turn-Of-The-Century Politics and Aesthetics on the National Mall
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2007 Charles Lang Freer and his gallery of art : turn-of-the-century politics and aesthetics on the National Mall. Patricia L. Guardiola University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Guardiola, Patricia L., "Charles Lang Freer and his gallery of art : turn-of-the-century politics and aesthetics on the National Mall." (2007). Electronic Theses and Dissertations. Paper 543. https://doi.org/10.18297/etd/543 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CHARLES LANG FREER AND HIS GALLERY OF ART: TURN-OF-THE-CENTURY POLITICS AND AESTHETICS ON THE NATIONAL MALL By Patricia L. Guardiola B.A., Bellarmine University, 2004 A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville In Partial Fulfillment of the Requirements F or the Degree of Master of Arts Department of Fine Arts University of Louisville Louisville, Kentucky August 2007 CHARLES LANG FREER AND HIS GALLERY OF ART: TURN-OF-THE-CENTURY POLITICS AND AESTHETICS ON THE NATIONAL MALL By Patricia L. Guardiola B.A., Bellarmine University, 2004 A Thesis Approved on June 8, 2007 By the following Thesis Committee: Thesis Director ii DEDICATION In memory of my grandfathers, Mr. -
8 Days Beijing / Chengde Tour Day 1: Singapore – Beijing
HEARTLINK HOLIDAYS PTE LTD 32 Seletar Terrace, Singapore 806933, Tel: 65-68755563, Fax: 65-68812302 www.heartlinkholidays.com Registration No: 201100061N TA02039 8 Days Beijing / Chengde Tour Day 1: Singapore – Beijing. Assemble at Changi Airport for your flight to Beijing. Upon arrival, meet the local representative and transfer to hotel for check-in. After that, free at your leisure time. Day 2: Beijing (B/L) Visit the Tiananmen Square- the largest square in the world. Where you can visit Tiananmen Tower, Monument to the People's Heroes, and Great Hall of the People, Mao Zedong Memorial Hall and see the national flag raising ceremony. Thousands of people come to the Square every day. It is the must place to visit in Beijing City. Then proceed to the Forbidden City, residence of the Emperors of Ming and Qing Dynasties. There are 6 main places and many small buildings, containing over 9000 rooms. After lunch process to Temple of Heaven, a place of prayer for Ming, Qing Emperors and a masterpiece of 15th century architecture. The Temple of Heaven is the most holy of Beijing's Imperial temples. For this is where the Emperor came every winter solstice to worship heaven and to solemnly pray for a good harvest. Since his rule was legitimised by a mandate from heaven, a bad harvest could be interpreted as his fall from heaven's favour and threaten the stability of his reign. So, it was not without a measure of self-interest that the Emperor fervently prayed for a very good crop. Day 3: Beijing (B/L) Morning highlight is the Great Wall - Mutianyu. -
Gates Chili School District on Dec. 8Th, CIAU Faculty Juan
NOVEMBER-DECEMBER 2016 Gates Chili School District On Dec. 13th, Rita Xu started a On Dec. 8th, CIAU faculty Juan weekly Chinese culture class with (Rita) Xu started a Mandarin Club at the third grade students at Paul Road the Florence Brasser Elementary Elementary School. The students School. The club meets every are very curious about historical Thursday after school, and nineteen sites in China, such as the Great third grade students have joined. Wall, the Terra Cotta Army in the They learned Chinese culture and tomb of the first emperor of the Qin did some crafts such as paper dynasty, the Forbidden City, the cutting. They showed strong interest Summer Palace, and the Temple of in this club. One said, “I wish every Heaven. They have learned some of day was Thursday!” and another the geography of China, such as the replied, “Me, too!” highest mountain, the longest river, and the biggest city. Students showing their paper-cutting work Instructor Xu teaching class In November and December, Rita Development Program. They found Xu continued teaching 6th, 7th, and the training to be very beneficial. 8th grade students at Gates Chili On the 15th of November, the Middle school, and 3rd grade Chinese director of the Confucius students at Walt Disney and Institute of Alfred University Florence Brasser Elementary (CIAU), Dr. Jijun (Andy) Yu, came Schools greetings, country names, to Geneva to observe the Mandarin numbers, family, body parts, etc. classes and gave the Mandarin The children learned the Chinese teachers great support. The Chinese gestures of 1 to 10 and learned how teachers also exchanged ideas and to count from 1 to 99, tried using suggestions about their work. -
Münzen Aus Dem Reich Der Mitte – Von Der Kaurischnecke Zum Käsch
Münzen aus dem Reich der Mitte – von der Kaurischnecke zum Käsch Um 1500 v. Chr. benutzte man in China Schneckengehäuse als Münzen; später wurden die Schnecken aus Knochen oder Kupfer nachgeahmt. Daneben zirkulierte Gerätegeld, zum Beispiel in Form von Messer- oder Spatenmünzen, aber auch runde Münzen waren in Gebrauch. 211 v. Chr. begann der erste chinesische Kaiser mit der Ausgabe von einheitlichen Reichsmünzen, aus denen sich schliesslich die Käschmünze entwickelte: eine runde Kupfermünze mit viereckigem Loch, die bis zum Ende der chinesischen Kaiserzeit im Jahr 1911 ausgegeben wurde. 1 von 21 www.sunflower.ch China, Shang-Dynastie, durchbohrte Cypraea moneta (Kauri) Denomination: Cypraea Moneta (Kauri) Prägeautorität: Prägeort: Prägejahr: -1500 Gewicht in Gramm: 0.9 Durchmesser in mm: 21.0 Material: Andere Eigentümer: Sunflower Foundation Kaurischnecken waren die langlebigste Währung aller Zeiten. In China wurden sie schon vor über 3000 Jahren als Geld benutzt und liefen, zusammen mit anderen Zahlungsmitteln, bis 1578 um. Die chinesische Schrift, die im 2. Jahrtausend v. Chr. entwickelt wurde, verwendet das Zeichen für Kauri noch heute in Wörtern wie Münze, Geld, Kaufen, Wert und ähnlichen. Das Zeichen ist auch Bestandteil der Inschrift auf vielen chinesischen Käschmünzen. Der venezianische Händler Marco Polo, der im späten 13. Jahrhundert während mehrerer Jahre in China lebte, überlieferte in seinen Reisebeschreibungen (Il Milione) einige Preise. Demnach bezahlte man damals in China für ein Huhn 5 Kauri, für vier Kilogramm Getreide 8 Kauri und für eine Kuh 320 Kauri. 2 von 21 www.sunflower.ch China, Zhou-Dynastie, Kauriimitation aus Knochen, ca. 700 v. Chr. Denomination: Kauriimitation Prägeautorität: Zhou-Dynastie Prägeort: Unbestimmt Prägejahr: -700 Gewicht in Gramm: 2.84 Durchmesser in mm: 28.0 Material: Andere Eigentümer: Sunflower Foundation Um dem Handel und dem täglichen Gebrauch zu genügen, brauchte man eine grosse Menge Kauris. -
Freer Sackler Fact Sheet
Fact Sheet Freer|Sackler Smithsonian Institution ABOUT THE FREER|SACKLER The Freer Gallery of Art and Arthur M. Sackler Gallery, located on the National Mall in Washington, DC, comprise the Smithsonian’s museum of Asian art. The Freer|Sackler contains one of the most important collections of Asian art in the world, featuring more than 40,000 objects dating from the Neolithic period to the present day, with especially fine groupings of Islamic art; Chinese jades, bronzes, and paintings; and the art of the ancient Near East. The museum also contains important masterworks from Japan, ancient Egypt, South and Southeast Asia, and Korea, as well as a noted collection of American art. The Freer|Sackler is committed to expanding public knowledge of the collections through exhibitions, research, and publications. As of 2016, the Freer building is closed for renovation. It will reopen in 2017 with modernized technology and infrastructure, refreshed gallery spaces, and an enhanced Eugene and Agnes E. Meyer Auditorium. Visit asia.si.edu/future for more information. BACKGROUND AND COLLECTIONS Charles Lang Freer, a self-taught connoisseur, began purchasing American art in the 1880s. With the encouragement of American artist James McNeill Whistler (1834–1903), Freer also began to collect Asian art, assembling a preeminent group of works. In 1904, Freer offered his collection to the nation, to be held in trust by the Smithsonian Institution. The Freer Gallery of Art opened to the public in 1923—the first Smithsonian museum dedicated to fine art. The Freer’s collection spans six thousand years and many different cultures. Besides Asian art, the Freer houses a collection of nineteenth- and early twentieth-century American art, including the world’s largest number of works by Whistler. -
The Library of the Musée National Des Arts Asiatiques Guimet (National Museum of Asian Arts, Paris, France)
Submitted on: June 1, 2013 Museum library and intercultural networking : the library of the Musée national des arts asiatiques Guimet (National Museum of Asian Arts, Paris, France) Cristina Cramerotti Library and archives department, Musée national des arts asiatiques Guimet, Paris, France [email protected] Copyright © 2013 by Cristina Cramerotti. This work is made available under the terms of the Creative Commons Attribution 3.0 Unported License: http://creativecommons.org/licenses/by/3.0/ Abstract: The Library and archives department of the musée Guimet possess a wide array of collections: besides books and periodicals, it houses manuscripts, scientific archives – both public and privates, photographic archives and sound archives. From the beginning in 1889, the library is at the core of research and communications with scholars, museums, and various cultural institutions all around the world, especially China, Japan, Korea and Taiwan. We exchange exhibition catalogues and publications dealing with the museum collections, engage in joint editions of its most valuable manuscripts (with China), bilingual editions of historical documents (French and Japanese) and joint databases of photographs (with Japan). Every exhibition, edition or database project requires the cooperation of the two parties, a curator of musée Guimet and a counterpart from the institution we deal with. The exchange is twofold and mutually enriching. Since some years we are engaged in various national databases in order to highlight our collection: a collective library catalogue, the French photographic platform Arago, and of course Joconde, central database maintained by the Ministry of culture which documents the collections of the main French museums. Other databases are available on our website in cooperation with Réunion des musées nationaux, a virtual exposition on early Meiji Japan, and a database of Chinese ceramics. -
CURRICULUM VITAE François Louis Associate Professor, the Bard Graduate Center: Studies in the Decorative Arts, Design, and Culture
CURRICULUM VITAE François Louis Associate Professor, The Bard Graduate Center: Studies in the Decorative Arts, Design, and Culture 18 West 86th Street New York, NY 10024 Phone (office): 212-501-3088 Fax. (office): 212-501-3045 E-mail: [email protected] Nationality: Swiss; U.S. resident alien Languages: German (mother tongue); French; Italian; Chinese; Latin EDUCATION Ph.D. East Asian Art History, University of Zurich (1997) M.phil. European Art History (minors: East Asian Art History and Sinology), University of Zurich (1992) EMPLOYMENT 1999– Bard Graduate Center, New York (Assistant Professor until 2004) 2002–2008 ARTIBUS ASIAE: Editor-in-Chief 1992–1998 Museum Rietberg Zurich: Research Assistant; Assistant Curator; Research Associate 1993–1996 University of Zurich: Lecturer in Art History COURSES OFFERED Bard Graduate Center 500/501. Survey of the Decorative Arts, Design History, and Material Culture 526. Decorative Arts of Later Imperial China, 1100-1900 563. Interiors in Early Modern China and Japan 564. Design and Ritual in Imperial China 567. Art and Material Culture of the Tang Period: Famensi 572. Arts of Song Period China, 960-1279 590. Bard Term Study Abroad: China 598. Master's Thesis Seminar 627. Western Luxuries and Chinese Taste 646. Domestic Interiors in China 648. Art and Ornament in Early China, 1500–1 BCE 694. Landscape and Rusticity in the Chinese Living Environment 702. A Cultural History of Gardens in China and Japan 752. Antiquaries and Antiquarianism in Europe and China, 1000-1800 761. Design and Material Culture of the Qing Period 802. Arts of the Kitan Empire (907-1125) 820. Chinese Ceramics 817.