List of Objects Proposed for Protection Under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (Protection of Cultural Objects on Loan)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Library of the Musée National Des Arts Asiatiques Guimet (National Museum of Asian Arts, Paris, France)
Submitted on: June 1, 2013 Museum library and intercultural networking : the library of the Musée national des arts asiatiques Guimet (National Museum of Asian Arts, Paris, France) Cristina Cramerotti Library and archives department, Musée national des arts asiatiques Guimet, Paris, France [email protected] Copyright © 2013 by Cristina Cramerotti. This work is made available under the terms of the Creative Commons Attribution 3.0 Unported License: http://creativecommons.org/licenses/by/3.0/ Abstract: The Library and archives department of the musée Guimet possess a wide array of collections: besides books and periodicals, it houses manuscripts, scientific archives – both public and privates, photographic archives and sound archives. From the beginning in 1889, the library is at the core of research and communications with scholars, museums, and various cultural institutions all around the world, especially China, Japan, Korea and Taiwan. We exchange exhibition catalogues and publications dealing with the museum collections, engage in joint editions of its most valuable manuscripts (with China), bilingual editions of historical documents (French and Japanese) and joint databases of photographs (with Japan). Every exhibition, edition or database project requires the cooperation of the two parties, a curator of musée Guimet and a counterpart from the institution we deal with. The exchange is twofold and mutually enriching. Since some years we are engaged in various national databases in order to highlight our collection: a collective library catalogue, the French photographic platform Arago, and of course Joconde, central database maintained by the Ministry of culture which documents the collections of the main French museums. Other databases are available on our website in cooperation with Réunion des musées nationaux, a virtual exposition on early Meiji Japan, and a database of Chinese ceramics. -
Press Kit Shangri-La Hotel, Paris
PRESS KIT SHANGRI-LA HOTEL, PARIS CONTENTS Shangri-La Hotel, Paris – A Princely Retreat………………………………………………..…….2 Remembering Prince Roland Bonaparte’s Historic Palace………………………………………..4 Shangri-La’s Commitment To Preserving French Heritage……………………………………….9 Accommodations………………………………………………………………………………...12 Culinary Experiences…………………………………………………………………………….26 Health and Wellness……………………………………………………………………………..29 Celebrations and Events………………………………………………………………………….31 Corporate Social Responsibility………………………………………………………………….34 Awards and Talent..…………………………………………………………………….…….......35 Paris, France – A City Of Romance………………………………………………………………40 About Shangri-La Hotels and Resorts……………………………………………………………42 Shangri-La Hotel, Paris – A Princely Retreat Shangri-La Hotel, Paris cultivates a warm and authentic ambience, drawing the best from two cultures – the Asian art of hospitality and the French art of living. With 100 rooms and suites, two restaurants including the only Michelin-starred Chinese restaurant in France, one bar and four historic events and reception rooms, guests may look forward to a princely stay in a historic retreat. A Refined Setting in the Heart of Paris’ Most Chic and Discreet Neighbourhood Passing through the original iron gates, guests arrive in a small, protected courtyard under the restored glass porte cochere. Two Ming Dynasty inspired vases flank the entryway and set the tone from the outset for Asia-meets-Paris elegance. To the right, visitors take a step back in time to 1896 as they enter the historic billiard room with a fireplace, fumoir and waiting room. Bathed in natural light, the hotel lobby features high ceilings and refurbished marble. Its thoughtfully placed alcoves offer discreet nooks for guests to consult with Shangri-La personnel. Imperial insignias and ornate monograms of Prince Roland Bonaparte, subtly integrated into the Page 2 architecture, are complemented with Asian influence in the decor and ambience of the hotel and its restaurants, bar and salons. -
Buddhist Japonisme : Emile Guimet and the Butsuzō-Zui Jérôme Ducor
Buddhist Japonisme : Emile Guimet and the Butsuzō-zui Jérôme Ducor To cite this version: Jérôme Ducor. Buddhist Japonisme : Emile Guimet and the Butsuzō-zui. Japanese Collections in European Museums, Vol. V - With special Reference to Buddhist Art - (JapanArchiv: Schriftenreihe der Forschungstellungsstelle Modernes Japan; Bd. 5, 5., 2016. hal-03154274 HAL Id: hal-03154274 https://hal.archives-ouvertes.fr/hal-03154274 Submitted on 28 Feb 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. JD / 9 Feb. 2015 EAJS Section 4a: Visual Arts Japanese Buddhist Art in European Collections (Part I) BUDDHIST JAPONISME: EMILE GUIMET AND THE BUTSUZŌ-ZUI Jérôme DUCOR* The nucleus of most collections of Japanese Buddhist artefacts in Europe developed during the Meiji period, which happened to be contemporary with the so-called “Japonism” (or Japonisme) movement in art history. We can therefore say there was at that time a “Buddhist Japonism” trend in Europe. Its most representative figure is Emile Guimet (1836-1918). During his trip in Japan (1876), he collected material items – around 300 paintings, 600 statues, and 1000 volumes of books – most of them made available because of the anti- Buddhist campaign of that time1. -
INFORMATIONS PRATIQUES Visuels Libres De Droit Pour
Sous le Haut Patronage de Sa Majesté Monsieur François Hollande, Preah Bat Samdech Preah Boromneath Président de la République française Norodom Sihamoni Roi du Cambodge INFORMATIONS PRATIQUES Avec le généreux soutien de nos mécènes : la Fondation Total, la Société des Amis du Musée Guimet, NOMURA, l’agence Terre Entière, My Major Company, Thalys et Visuels libres de droit pour la presse dans la période Conférences : VINCI Airports. de l’exposition « Du rêve à la science : le Cambodge de Louis Les visuels sont téléchargeables sur le serveur Delaporte » par Pierre Baptiste, sans réservation En partenariat avec Beaux-Arts magazine, Le Monde, Iliade Productions/ ARTE France, du musée national des arts asiatiques-Guimet. préalable, dans la limite des places disponibles. Metronews, A Nous Paris, Télérama, Le Monde des Religions. Adresse : ftp://ftp.guimet.fr <ftp://ftp.guimet.fr/> Billets à retirer aux caisses du musée. Le musée national des arts asiatiques-Guimet va remonter aux origines du mythe Utilisateur : ftpcom Lieu de la conférence : Auditorium d’Angkor, tel que l’Europe, et tout particulièrement la France, l’a construit à la fin du Mot de passe : edo009 7 novembre 2013 à 12h15 XIXe siècle et au début du XXe. Cette exposition montrera comment le patrimoine khmer Répertoire : Exposition_Angkor « Angkor aux musées : les moulages du musée a été redécouvert et comment les monuments d’Angkor ont été présentés au public à Musée national des arts asiatiques-Guimet : 6, place indochinois du Trocadéro » par Thierry Zéphir, l’époque des spectaculaires Expositions universelles et coloniales. d’Iéna, 75116 Paris sans réservation préalable, dans la limite des places Issues d’un corpus d’une grande richesse, quelque 250 pièces seront présentées au sein Tel : 01 56 52 53 00 disponibles. -
Dangerous Liaisons Revisited
Asian Art hires logo 15/8/05 8:34 am Page 1 ASIAN ART The newspaper for collectors, dealers, museums and galleries june 2005 £5.00/US$8/€10 The Taj Mahal and the Battle of Air Pollution THE GOVERNMENT OF India buy the more expensive ticket if they courtyard and its cloisters were added announced earlier this year that it is to want to get around the limit. Night subsequently and the complex was restrict the number of daily visitors to viewing is still permitted, but restricted fnally completed in 1653, with the the Taj Mahal in an attempt to to fve nights a month (including full tomb being the central focus of the preserve the 17th-century monument. moon). entire complex of the Taj Mahal. One of the best known buildings in Smog and heavy air pollution has It was inscribed on the World the world, and arguably India’s greatest been yellowing the Taj Mahal for Heritage List in 1983. Although the monument, makes it one of the most- many years and conservationists have Taj Trapezium Zone (TTZ), which visited tourist attractions in the world. been fghting through the courts to looks after 40 protected monuments, Millions of mostly Indian tourists visit control the levels of pollution in Agra. including three World Heritage Sites, the Taj Mahal every year and their Te Taj faces numerous threats, not Taj Mahal, Agra Fort and Fatehpur numbers are increasing steadily, as only from air pollution, but also insects, Sikri, delivered a court ban on the use domestic travel becomes easier. -
News from FRANCE Tudes Toward Art
http://www.ambafrance-us.org http://www.france.diplomatie.fr VOL. 06.05 MAY 03, 2006 A free triweekly review of French news & trends Online at: www.ambafrance-us.org/publi Chirac Unveils Industry Innovation Plan INSIDE 2 L’événement 250th Anniversary of RENCH President Jacques Chirac announced plans on future." Most notably, France will join efforts with Germany to French & Indian War April 25 to strengthen industrial innovation in France create "Quaero," a European competitor to the search engine 3 France-Amérique with a new law adopted several days ago by the French Google (see NFF 06.01). Lastly, French researchers will use new Paris Featured in Films parliament. The legislation is an effort to media technology to develop a tech- Fboost industrial dynamism in France and in Europe, nique for broadcasting digital television 4 Profil and to place France at the forefront of technological to mobile phones. French Pastries innovation. It is also expected to create tens of thou- Approximately 30 other projects will 5 Économie / Science sands of new jobs. be considered throughout the year as The Next Generation The new law is composed of three parts, each aim- well. Several of the undertakings strive ing to bolster a different aspect of industry and sci- to solve future environmental concerns. of Cell Phones ence. First, it will implement a comprehensive reform These projects include a light metro 6 Société on research and development, making the field more train called "NeoVal," a plan to produce The Latest Hip and transparent and efficient. Concurrently, it will plastics from starch, and a project called Trendy Bars in Paris encourage more productive cooperation between the "Homes" that will try to cut household nation's research universities, while according an electricity consumption by 20 percent. -
Lucie Chopard Chinese Porcelain Enters the Louvre: a Collector, His Dealers, and the Parisian Art Market (C
ISSN: 2511–7602 Journal for Art Market Studies 2 (2020) Lucie Chopard Chinese Porcelain enters the Louvre: A Collector, his Dealers, and the Parisian Art Market (c. 1870-1912) ABSTRACT in which Grandidier recorded details for each piece in his collection. The Grandidi- This study focuses on the relationship er collection helps to define the Parisian between Ernest Grandidier and the art art market and its actors by providing an dealers who helped him to build the most ensemble of over 6,000 pieces, gathered important collection of Chinese ceramics between the late 1860s and 1912. Leaving in France. The history of this incredible apart the question of the collector’s taste, collection – today considered as the larg- the close study of the purchases helps us to est one of Chinese ceramics in France and identify new dealers, enhances our under- kept at the Guimet museum in Paris - is rel- standing of others and provides the quan- atively unknown. Often underestimated by tity and typology of the pieces they supply. the Louvre administration during the nine- Progress in the field of the study of the teenth and twentieth centuries, the Grandi- Parisian art market will provide more data dier collection continues to be absent from and allow for a better comprehension of the major studies dedicated to the history the complex interaction between scholars, of the Louvre museum. From 1894 to 1912, collectors, art dealers and museums which Grandidier was the sole keeper of his col- facilitated a meeting between the French lection and the only one to preside over his cultural milieu and Asian art in the second collection’s display and acquisitions. -
Art & the Côte D'azur 2014
ART & THE CÔTE D’AZUR 2014 The year 2014 marks the 50th anniversary of the Fondation Maeght in Saint-Paul de Vence, the hottest cultural event of the year in France! The Fondation Maeght is undoubtedly Europe's most famous private foundation. It is the result of the hard work and passion shown by some exceptional men and women, including architect Josef Luis Sert, artists Braque, Chagall, Calder, Giacometti, and Miró, encouraged by Aimé and Marguerite Maeght. The Fondation has since become an indisputable reference in the Art world, and shall be paying tribute to the Maeghts this summer through an exhibition of some of the most beautiful works to have been sold by art dealer Maeght. The Museums of the Côte d’Azur will simultaneously be hosting the Fondation's collection, thus allowing the public to rediscover a large part of the collections belonging to one of the Côte d’Azur's most emblematic families. In addition, the CRT Côte d’Azur will be launching a brand new initiative with the COTEDAZUR-CARD, allowing visitors to enjoy a number of places, sites, cultural and tourist tours as well as exhibitions, gardens and leisure activities - all at a single fantastic price designed to showcase the "many faces" of the region. The card will be valid from April to October at an affordable price, ensuring the full richness and diversity of the Côte d’Azur is enjoyed by all. Get all the latest news on the Côte d’Azur at visitcotedazur.travel Happy reading and welcome! SOME FIGURES The French Riviera offers an extremely broad range of cultural institutions with over 100 museums and over 150 art galleries in the Alpes-Maritimes département and the Principality of Monaco. -
The Scopophilic Garden from Monet to Mirbeau in His Attempt
CHAPTER 7 Hysterical Vision: The Scopophilic Garden from Monet to Mirbeau In his attempt to give ocular disorders a psychoanalytical inter pretation, Freud cited the tale of Lady Godiva. This "beautiful legend," he wrote, "tells how all the town's inhabitants hid behind their shuttered windows, so as to make easier the lady's task of riding naked through the streets in broad daylight, and how the only man who peeped through the shutters at her revealed loveli ness was punished by going blind."1 For Freud, the fate of the renegade voyeur illustrated how scopophilia (the "love of looking") is punished by the ego with blindness or, in the term popularized by his teacher Jean-Martin Charcot, with scotomization (from the Greek skotos, meaning "darkness"; signifying partial, distorted, or peripheral vision within the fieldof ophthalmology). Moving beyond the studies of hysterical vision made by Charcot and Pierre Janet between 1887 and 1889, which merely identified characteristic symptoms such as color blindness, dilated pupils, strabismus, and the twisting of the orb to reveal the whites of the eye, Freud inferred the law of lex talionis (Urteilvenverfung), literally, "retaliation," in the condemnation of a visual representation deemed sexually culpable by the faculty of judgment. This "verdict of guilty," strangely recalling the old wives' tale that masturbation leads to blindness, also evokes as its corollary the equally proverbial notion 1. Sigmund Freud, "The Psycho-Analytic View of Psychogenic Disturbance of Vision" (1910), Standard Edition 11:217. Further references to this essay will be to this edition and will be abbreviated "DY.'' 147 148 Feminizing the Fetish of "turning a blind eye." For Freud, however, these sayings were the folkloric expressions of a malady that was not only individual but also collective. -
Paris Metro Line 9 Map with Stops, Connections and POI Via Eutouring.Com
Via - EUtouring.com Paris Metro line 9 Pont de Sevres to Mairie de Montreuil metro map with station stops, transport connections and points of interest helping you discover more of Paris Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Stade Roland-Garros Musee Bouchard Ranelagh Gardens Palais de Chaillot Liberty Flame Champs Elysees Gardens Chapelle Expiatoire Palais Garnier Opera House Bouillon Chartier Restaurant Musee de l'Eventail Fan Museum Bataclan Smoking Museum Artishow Cabaret Bouillon Belge Bar Musee Marmottan Monet Trocadero Gardens Modern Art Museum Theatre Marigny Square Marcel Pagnol Opera Museum Square Emile Chautemps Bouglione Circus Museum Mansouria Restaurant Square Sarah Bernhardt Wine Museum and Restaurant Carette Pastry House Palais de Tokyo Champs Elysees Fountains Barramundi La Gaite Lyrique Cirque d'Hiver Bouglione 9 Paris Aquarium Paris Sewers Museum Arts et Metiers Museum Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Paris Metropolitain System Theatre le Ranelagh Guimet Museum Champs Elysees Avenue Jacquemart-Andre Museum l'OpenTour Bus Tours Opera Comique Theatre du Gymnase Alhambra Pop In Bar and Music Venue Pierre Joseph Redoute Garden -
Exhibiting Mestizaje in Paris
ISSN: 1562-384X Revista de Filosofía y Letras Departamento de Filosofía / Departamento de Letras EXHIBITING MESTIZAJE IN Paris, with its famous exhibitions and 1 galleries, is the most visited city in PARIS . Europe. The blockbuster shows like Kandinsky, Alexander Calder, Picasso- Cristina Castellano Depto. de Lenguas Modernas/CUCSH/UdeG Manet and Jackson Pollock were visited [email protected] by a lot of international and European audiences in the lasts years2. The art museums are stillaudiences the most inpopular the lastsinstitutions, years. andThe itart is difficult to make criticism - from decolonial aesthetic mstandpointsuseums are - whenstill the culturmostal popularsystem legitimates the masterpieces, made by the key male namesinstitutions, in the history and ofit art.is difficultParis contains to make the largest collections of public interest in France. The museumcriticisms mission -s arefrom: decolonial aesthetic “ […] to preserve, restore and study collections, tostandpoints make them -open when to the public,cultural to system operate educational actions and to give equal accesslegitimates to the culture the masterpieces”3. , made by the key male names in the history of art. We can find different categories of cultural institutionsParis contains like art themuse largestums such collections as Louvre of Museum, Orsay Museum, the Centre Pompidou, the Guimetpublic Museum interest of Asianin France. Art, w Thee can m alsouseum finds biographical museums like the Natural History Museum, themission Immigrations are: Museum, the Museum of Sciences, the Navy Museum, the Museum of Music, and the Post Office Museum. But recently, the museums of civilization became more visible and controversial. This is the case of the Museum of the Civilizations of Europe and the Mediterranean Sea (MUCEM), who opened its doors in the city of Marseille in 2013, and the Quai Branly Museum (MQB) inaugurated in 2006 and dedicated to the arts of Africa, Oceania, Asia and Americas. -
Initial Interview Part
positive answer, I took a piece of paper and drew up a bank balance sheet with credit and debit on opposite sides. I showed what items to put under assets, and what to list under debits. in a Central Bank balance sheet. I explained that you cannot just go down into the vault of the Central Bank and take the bank notes as if you had earned the money. We discussed the need for drawing up a national budget and the advantages of a convertible currency. What I had learned about finance at Harvard came in very handy. I was surely not the only one who tried to convince President Keita of the advantages for Mali to remain in a convertible currency zone. Malraux made the same points and he undoubtedly had much greater Influence with Modibo Keita than I ever had. In the course of this continuous dialogue I had with President Keita, I was asked what I thought about Mali establishing its own Airline. My response was very negative because I thought Mali was too small a country and had an insufficient number of air travelers to make Air Mali a profitable operation. Despite my advice, for a very brief period, a few planes flew under the Air Mali flag. Then, common sense prevailed and Air Mali became part of the regional airline: Air Afrique. But independence and the departure of the French military also meant that President Keita started to look around to find new sources of assistance for equipping and modernizing the Malian Army. When approached by Modibo Keita whether the U.S.