Press Kit Shangri-La Hotel, Paris
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P22 445 Index
INDEXRUNNING HEAD VERSO PAGES 445 Explanatory or more relevant references (where there are many) are given in bold. Dates are given for all artists and architects. Numbers in italics are picture references. A Aurleder, John (b. 1948) 345 Aalto, Alvar (1898–1976) 273 Automobile Club 212 Abadie, Paul (1812–84) 256 Avenues Abaquesne, Masséot 417 Av. des Champs-Elysées 212 Abbate, Nicolo dell’ (c. 1510–71) 147 Av. Daumesnil 310 Abélard, Pierre 10, 42, 327 Av. Foch 222 Absinthe Drinkers, The (Edgar Degas) 83 Av. Montaigne 222 Académie Française 73 Av. de l’Observatoire 96 Alexander III, Pope 25 Av. Victor-Hugo 222 Allée de Longchamp 357 Allée des Cygnes 135 B Alphand, Jean-Charles 223 Bacon, Francis (1909–92) 270 American Embassy 222 Ballu, Théodore (1817–85) 260 André, Albert (1869–1954) 413 Baltard, Victor (1805–74) 261, 263 Anguier, François (c. 1604–69) 98, Balzac, Honoré de 18, 117, 224, 327, 241, 302 350, 370; (statue ) 108 Anguier, Michel (1614–86) 98, 189 Banque de France 250 Anne of Austria, mother of Louis XIV Barrias, Louis-Ernest (1841–1905) 89, 98, 248 135, 215 Antoine, J.-D. (1771–75) 73 Barry, Mme du 17, 34, 386, 392, 393 Apollinaire, Guillaume (1880–1918) 92 Bartholdi, Auguste (1834–1904) 96, Aquarium du Trocadéro 419 108, 260 Arc de Triomphe 17, 220 Barye, Antoine-Louis (1795–1875) 189 Arc de Triomphe du Carrousel 194 Baselitz, Georg (b. 1938) 273 Arceuil, Aqueduct de 372 Bassin du Combat 320 Archipenko, Alexander (1887–1964) Bassin de la Villette 320 267 Bastien-Lepage, Jules (1848–84) 89, Arènes de Lutèce 60 284 Arlandes, François d’ 103, 351 Bastille 16, 307 Arman, Armand Fernandez Bateau-Lavoir 254 (1928–2005) 270 Batignolles 18, 83, 234 Arp, Hans (Jean: 1886–1966) 269, 341 Baudelaire, Charles 31, 40, 82, 90, 96, Arras, Jean d’ 412 108 Arsenal 308 Baudot, Anatole de (1834–1915) 254 Assemblée Nationale 91 Baudry, F. -
List of Objects Proposed for Protection Under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (Protection of Cultural Objects on Loan)
List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Bronze 15 September 2012 to 9 December 2012 Title: Altarpiece dedicated to Buddha Maitreya Date / Period: c. 525-35 Origin: China, late Northern Wei or Eastern Wei dynasties Inv.N: 38.158.2a-e Medium: Gilt leaded Bronze Size: 59.1 x 38.1 x 19.1 cm © 2012. Image copyright The Metropolitan Museum of Art, Art Resource, Scala, Florence Lender: Provenance: Lent by The Metropolitan Acquired in 1925 by Mrs John D. Rockefeller, from Museum of Art, Rogers whom acquired by the Metropolitan Museum of Art Fund, 1938 in 1938. List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Bronze 15 September 2012 to 9 December 2012 Title: Apollo Fountain Date / Period: 1532 Artist: Peter Flötner Inv.N: PL 1206/PL 0024 Medium: Brass Size: H. Incl. Base: 100 cm Base: 55 x 55 cm Museen der Stadt Nürnberg, Gemälde- und Skulpturensammlung Lender: Provenance: Leihgabe der Museen der Commissioned by the archers’ company for their Stadt Nürnberg, Gemälde- shooting yard, Herrenschiesshaus am Sand, und Skulpturensammlung Nuremberg; courtyard of the Pellerhaus. City Museum Fembohaus, Nuremberg (on permanent loan from the city of Nuremberg). List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Bronze 15 September 2012 to 9 December 2012 Title: Avalokiteshvara Date / Period: 9th- 10th century Origin: Java Inv.N: 509 Medium: Silvered Bronze Size: sculpture: 101 x 49 x 28 cm Base: 140 x 47 cm Weight: 250-300kgs Jakarta, Museum Nasional Indonesia Collection/Photo Feri Latief Lender: Provenance: National Museum Discovered in Tekaran, in Surakarta, Indonesia Indonesia (Philip Rawson, The Art of Southeast Asia, London, 1967, pp. -
The Zibby Garnett Travel Fellowship Report by Daisy Graham Textile
The Zibby Garnett Travel Fellowship Report by Daisy Graham Textile Conservation Placement at the Palais Galliera: Musée de la mode de Paris. 12th June 2017 – 3rd August 2017. 1 Contents Introduction…………………………………………..……………….……….……..5 Study Trip…………………………………………………………………..……..….5 Budget…………………………………………………………….…..………………6 Paris……………………………………………………………………………..……6 Palais Galliera: Musée de la mode de Paris……………………………………….….7 Arriving in Paris……………………………………………………………...……..11 Beginning the Placement…………………………………………………….……...12 Conserving Costume: the evening jacket…………………………………………...13 Conserving costume: the Eleonora dress……………………………………………14 Working in the Conservation Studio…………………………………………..……17 Opportunities and External Visits…………………………………………….…….19 Visit to Musée de la Vie romantique (Museum of Romantic Life)…………..……..19 Opening of “Costume Espagnols Entre ombre et lumière (Spanish Costume, between light and dark)” at La Maison Victor Hugo……………….………………………...20 Opening of “Christian Dior: Couturier des Rêves.……………….……………...….21 Trip to Angers…………………………...…………………………………………..24 Acknowledgments and thanks………………………...…………………………….26 2 List of Figures Figure 1: Map of France Figure 2: Eiffel Tower Figure3: Palais Galliera, main building Figure 4: Map of Paris. Figure 5: Recent exhibitions curated by the Palais Galliera. Figure 6: Working in the conservation studio Figure 7: Fondation Hellenqiue. Figure 8: The evening jacket on display Figure 9: The Eleonora dress on display Figure 10: Using melinex to shape the support Figure 11: Couching one of the supports in place Figure 12: Taking a pattern of the pocket Figure 13: The "rodeo trick” Figures 14 and 15: Eleonora dress left sleeve lining before and after conservation Figure 16 and 17: The front lining of the Eleonora dress before and after conservation Figure 18: Conserving the pleats Figure 19: Working on the jacket Figure 20: Musée de la Vie Romantique. -
Paris 16 Auteuil Le Saviezvous ?
PARIS 16 AUTEUIL LE SAVIEZVOUS ? De la Seine à l’avenue de la Grande Armée, le 16e est le plus grand et le plus verdoyant des arrondissements de Paris. Son capital vert, hérité de l’époque des villégiatures, offre de prestigieuses PARIS adresses résidentielles et maintes destinations de promenades au grand air allant du parc de Passy aux allées cavalières, serres et lacs du bois de CÔTÉ NATURE Boulogne. PARIS 16 PARIS AUTEUIL 1 2 3 1. JARDIN DES SERRES D’AUTEUIL De la colline de Chaillot aux lignes audacieuses de la Fondation Louis Vuitton, abritant des collections de plantes cet arrondissement fascine par la diversité et la qualité des interventions et d’arbres remarquables architecturales qui ont forgé son identité résidentielle. La plupart des 2. FONDATION LOUIS VUITTON nombreux musées ont élu domicile dans les anciens hameaux de Passy ou inaugurée en 2014, conçue par Chaillot : Guimet, Galliera, Marmottan Monet, la Fondation Pierre Bergé - l’architecte Frank Gehry Yves Saint Laurent, la Maison de Balzac… 3. BALADE EN BARQUE Loin d’être fi gé dans son passé prestigieux, l’arrondissement a opéré sur le lac inférieur du bois de Boulogne sa mue. Porte d’Auteuil, l’ancienne gare accueille des immeubles aux architectures contemporaines. La piscine Molitor a fait peau neuve et les grands équipements sportifs se métamorphosent pour accueillir un public international toujours plus exigeant. AUTEUIL, LE HAUT LIEU DU TOUTPARIS 2 Très vite, ce petit coin de campagne attira artistes et intellectuels qui aimaient y refaire le monde et UN QUARTIER DE CONNAISSEURS contribuèrent grandement à sa réputation. -
WHAT Architect WHERE Notes Arrondissement 1: Louvre Built in 1632 As a Masterpiece of Late Gothic Architecture
WHAT Architect WHERE Notes Arrondissement 1: Louvre Built in 1632 as a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also Church of Saint 2 Impasse Saint- chose the sanctuary as the location for his mother’s funeral. Among ** Unknown Eustace Eustache those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. Amazing façade. Mon-Fri (9.30am-7pm), Sat-Sun (9am-7pm) Japanese architect Tadao Ando has revealed his plans to convert Paris' Bourse de Commerce building into a museum that will host one of the world's largest contemporary art collections. Ando was commissioned to create the gallery within the heritage-listed building by French Bourse de Commerce ***** Tadao Ando businessman François Pinault, who will use the space to host his / Collection Pinault collection of contemporary artworks known as the Pinault Collection. A new 300-seat auditorium and foyer will be set beneath the main gallery. The entire cylinder will be encased by nine-metre-tall concrete walls and will span 30 metres in diameter. Opening soon The Jardin du Palais Royal is a perfect spot to sit, contemplate and picnic between boxed hedges, or shop in the trio of beautiful arcades that frame the garden: the Galerie de Valois (east), Galerie de Montpensier (west) and Galerie Beaujolais (north). However, it's the southern end of the complex, polka-dotted with sculptor Daniel Buren's Domaine National du ***** 8 Rue de Montpensier 260 black-and-white striped columns, that has become the garden's Palais-Royal signature feature. -
The Library of the Musée National Des Arts Asiatiques Guimet (National Museum of Asian Arts, Paris, France)
Submitted on: June 1, 2013 Museum library and intercultural networking : the library of the Musée national des arts asiatiques Guimet (National Museum of Asian Arts, Paris, France) Cristina Cramerotti Library and archives department, Musée national des arts asiatiques Guimet, Paris, France [email protected] Copyright © 2013 by Cristina Cramerotti. This work is made available under the terms of the Creative Commons Attribution 3.0 Unported License: http://creativecommons.org/licenses/by/3.0/ Abstract: The Library and archives department of the musée Guimet possess a wide array of collections: besides books and periodicals, it houses manuscripts, scientific archives – both public and privates, photographic archives and sound archives. From the beginning in 1889, the library is at the core of research and communications with scholars, museums, and various cultural institutions all around the world, especially China, Japan, Korea and Taiwan. We exchange exhibition catalogues and publications dealing with the museum collections, engage in joint editions of its most valuable manuscripts (with China), bilingual editions of historical documents (French and Japanese) and joint databases of photographs (with Japan). Every exhibition, edition or database project requires the cooperation of the two parties, a curator of musée Guimet and a counterpart from the institution we deal with. The exchange is twofold and mutually enriching. Since some years we are engaged in various national databases in order to highlight our collection: a collective library catalogue, the French photographic platform Arago, and of course Joconde, central database maintained by the Ministry of culture which documents the collections of the main French museums. Other databases are available on our website in cooperation with Réunion des musées nationaux, a virtual exposition on early Meiji Japan, and a database of Chinese ceramics. -
Savvy. Opinionated. Inspired. Gay. 2016 Masterfile Paris: Manaboutworld Masterfile
PARIS SAVVY. OPINIONATED. INSPIRED. GAY. 2016 MASTERFILE PARIS: MANABOUTWORLD MASTERFILE ManAboutWorld provides information and inspiration for gay men who love traveling. “Expert-sourced” from our network of Global Correspondents and contributors, we’re all about insider recommendations, opinionated reviews and savvy advice for getting the most out of every trip. ManAboutWorld MasterFiles are the internal files we use to aggregate all of our insder information for a destination. They contain all of the content from every article we’ve published on the destination, along with new restaurants, hotels, shops and nightlife that periodically appear in the CitySeen and Radar sections of our magazine. This MasterFile is over 16,000 words long — a savvy guide to the City of Light. And while it’s been recently updated, things are always changing, so be sure to verify our listings before using them. And if you find something out-of-date, please let us know! You’ll get a free subscription to ManAboutWorld when you submit updates to [email protected] CONTENTS INTRODUCTION GAY PARIS WHERE WE STAY: RIVE DROITE WHERE WE STAY: RIVE GAUCHE WHERE WE EAT WHERE WE PLAY/MEET WHERE WE SHOP WHAT WE SEE/DO TOURIST OR TRAVELIST WHERE WE WORKOUT GET SMART Cover Photo Credit: (cc) juanetdc.com Thanks for reading ManAboutWorld Magazine. © ManAboutWorld Incorporated 2012-2016. All rights reserved, except for photographs used under a Creative Commons share and share alike license (cc), which are not subject to our copyright. INTRODUCTION: #YAYFORPARIS Paris has a magical attraction for travelers of all orientations. Europe’s grandest capital is the planet’s premier stage for romance. -
02 Paris Métro Mural 1280X990 1-2016.Indd
ff l s Stations ou gares en correspondance t R H. Barbusse H. HB b R Av.A dud Pdt Symboles utilisés o u l u t R Roosevelt e e u i R Avenue u d a D L u @I s e u t ose a i e n Asnières–Gennevilliers r ie Ligne et station de Métro o y L Saint-Denis s Pontoise a Creil u l La Courneuve R B r n H le u e d e e Hôpital Terminus de ligne n @d v @c© y C e #@ r H a s e A è @O GENNEVILLIERS @O @d m s @H r a @ O A B H D G C Université F n A A 8 Mai 1945 Avicenne COLOMBES ’ Les Courtilles e e o l Ligne et gare de RER d Les Agnettes t v Rue Gabriel Péri b L. P. a Bd A. France Pôle d’échange multimodal, métro, RER, tramway e u RueR A. Briand e d u ns 254 274 Rue Élisée Reclus e os d Rue Félix Faure Mairie 235 238 276 r St-Denis St-Denis 11 253 255 Square r 178 238 366 t 152 173 607 DRANCY G R Parc #@ R. du Landy G Ru de Bois Colombes Le Bus #@ @A @I Rue du Pont Blanc #@ @A es Liaisons urbaines e 304 378 du port Mini-Faculté Abel Mézières 256 268 356 L. Brun Ligned et gare SNCF Pont @o #@ @A@h Pte de Paris* 609 610 Stal R AvenueA de la e J. -
Buddhist Japonisme : Emile Guimet and the Butsuzō-Zui Jérôme Ducor
Buddhist Japonisme : Emile Guimet and the Butsuzō-zui Jérôme Ducor To cite this version: Jérôme Ducor. Buddhist Japonisme : Emile Guimet and the Butsuzō-zui. Japanese Collections in European Museums, Vol. V - With special Reference to Buddhist Art - (JapanArchiv: Schriftenreihe der Forschungstellungsstelle Modernes Japan; Bd. 5, 5., 2016. hal-03154274 HAL Id: hal-03154274 https://hal.archives-ouvertes.fr/hal-03154274 Submitted on 28 Feb 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. JD / 9 Feb. 2015 EAJS Section 4a: Visual Arts Japanese Buddhist Art in European Collections (Part I) BUDDHIST JAPONISME: EMILE GUIMET AND THE BUTSUZŌ-ZUI Jérôme DUCOR* The nucleus of most collections of Japanese Buddhist artefacts in Europe developed during the Meiji period, which happened to be contemporary with the so-called “Japonism” (or Japonisme) movement in art history. We can therefore say there was at that time a “Buddhist Japonism” trend in Europe. Its most representative figure is Emile Guimet (1836-1918). During his trip in Japan (1876), he collected material items – around 300 paintings, 600 statues, and 1000 volumes of books – most of them made available because of the anti- Buddhist campaign of that time1. -
INFORMATIONS PRATIQUES Visuels Libres De Droit Pour
Sous le Haut Patronage de Sa Majesté Monsieur François Hollande, Preah Bat Samdech Preah Boromneath Président de la République française Norodom Sihamoni Roi du Cambodge INFORMATIONS PRATIQUES Avec le généreux soutien de nos mécènes : la Fondation Total, la Société des Amis du Musée Guimet, NOMURA, l’agence Terre Entière, My Major Company, Thalys et Visuels libres de droit pour la presse dans la période Conférences : VINCI Airports. de l’exposition « Du rêve à la science : le Cambodge de Louis Les visuels sont téléchargeables sur le serveur Delaporte » par Pierre Baptiste, sans réservation En partenariat avec Beaux-Arts magazine, Le Monde, Iliade Productions/ ARTE France, du musée national des arts asiatiques-Guimet. préalable, dans la limite des places disponibles. Metronews, A Nous Paris, Télérama, Le Monde des Religions. Adresse : ftp://ftp.guimet.fr <ftp://ftp.guimet.fr/> Billets à retirer aux caisses du musée. Le musée national des arts asiatiques-Guimet va remonter aux origines du mythe Utilisateur : ftpcom Lieu de la conférence : Auditorium d’Angkor, tel que l’Europe, et tout particulièrement la France, l’a construit à la fin du Mot de passe : edo009 7 novembre 2013 à 12h15 XIXe siècle et au début du XXe. Cette exposition montrera comment le patrimoine khmer Répertoire : Exposition_Angkor « Angkor aux musées : les moulages du musée a été redécouvert et comment les monuments d’Angkor ont été présentés au public à Musée national des arts asiatiques-Guimet : 6, place indochinois du Trocadéro » par Thierry Zéphir, l’époque des spectaculaires Expositions universelles et coloniales. d’Iéna, 75116 Paris sans réservation préalable, dans la limite des places Issues d’un corpus d’une grande richesse, quelque 250 pièces seront présentées au sein Tel : 01 56 52 53 00 disponibles. -
La Culture Dans Le16 E
La culture dans le16 e 87 La colline de Chaillot 93 Passy - Auteuil 96 Bois de Boulogne www.16leguide.com La colline de Chaillot La culture la CULTURE e dans le 16 dans le 16e Culture LE 16E EST CULTUREL PAR ESSENCE : PRESQUE LA MOITIÉ DES MUSÉES PARISIENS in the 16th S’Y TROUVENT, DONT CERTAINS, COMME LA CITÉ DE L’ARCHITECTURE OU LE MUSÉE GUIMET, SONT ABSOLUMENT INCONTOURNABLES... LOVÉ ENTRE LE BOIS DE BOULOGNE ET LA SEINE, L’ARRONDISSEMENT COMPTE AUSSI DEUX THÉÂTRES, UN CINÉMA, DEUX BIBLIOTHÈQUES ET TROIS CENTRES CULTURELS (RUSSIE, ALLEMAGNE, CORÉE)...16, LE JOURNAL VOUS PROPOSE UN PANORAMA DES ACTIVITÉS CULTURELLES DU SEIZIÈME ! Culture in the 16th The 16th district is by nature a cultural hub : almost half of Paris’ museums are there, including La Cité de l’Architecture and the Musée Guimet, both absolutely essential ! Nestled between the Bois de Boulogne and the river Seine, the district also includes two theaters, a cinema, two libraries and three cultural centers (Russian, German, Korean) ... «16, le Journal» gives an overview of all the local cultural events and activities! 86 La culture dans le 16 e LA COLLINE DE CHAILLOT Le cœur culturel La colline de Chaillot La colline de Chaillot est un pôle culturel La Colline de Chaillot has been the cultural hotspot for depuis fort longtemps déjà. C’est à l’occasion de l’exposition many decades. The Palais de Tokyo and the Palais de Chaillot internationale de 1937 que furent construits le Palais de Tokyo - were built for the international exhibition of 1937. The first one que se partagent aujourd’hui le Musée d’Art Moderne et le Palais is split between the Musée d’Art Moderne and the Palais de de Tokyo proprement dit - et le Palais de Chaillot - qui accueille Tokyo itself; the second one hosts La Cité de l’Architecture, Le la Cité de l’Architecture, le Théâtre National de Chaillot, le Musée Théâtre National de Chaillot, Le Musée de la Marine and Le Mu- de la Marine et le Musée de l’Homme en travaux. -
Novel of a Wardrobe Parisian Chic from the Belle Epoque
PRESS KIT NOVEL OF A SEPTEMBER 2013 WARDROBE PARISIAN CHIC FROM THE BELLE EPOQUE TO THE 1930S CARNAVALET EXHIBITION INFORMATIONS MUSEUM- 17 OCTOBER www.carnavalet.paris.fr HISTORY OF 2013 TO 16 PARIS MARCH 2014 Anonyme Femme à l’écharpe Huile sur bois 1900 © Musée Carnavalet / Roger-Viollet 0 CONTENTS Press release ......................................................................................................................... 2 Intention of the exhibition ....................................................................................................... 3 Exhibition path ....................................................................................................................... 4 The beginnings, family influences and the first steps of Alice in sewing ....................................................................................... 5 The Parisian fashion scene in the neighborhood of the Place Vendome and Rue de la Paix ....................................................... 6 At Chéruit, Alice Alleaume, first saleswoman ............................................................................................................................... 7 30 years, Alice Alleaume, Parisienne fashion .............................................................................................................................. 9 Timeline ............................................................................................................................... 10 Specifications of the exhibition ...........................................................................................