Air and Space Museum Air and Space Museum Arab World Institute Arab

Total Page:16

File Type:pdf, Size:1020Kb

Air and Space Museum Air and Space Museum Arab World Institute Arab Air and Space Museum With more than 150 authentic airplanes, hundreds of scale models and one of the finest collections of aircrafts in the world ranging from 17 th century balloons to Boeing 747, Mirage and Concorde, this museum has the largest collection of originals in the world. It also pays tribute to Antoine de Saint-Exupéry, pilot and writer of the Little Prince . In the Planet Pilot area, children can manipulate 40 interactive exhibits related to air and space. Arab World Institute The other-worldly frame of the institute is by architect Jean Nouvel and the Architecture-Studio’s masterpieces of contemporary building design (1981-1987). Above the glass front, a metallic screen unfolds Arabic style motifs. The Arab World Institute showcases Arab and Muslim art through the ages, and important temporary exhibitions. It also houses a library, an auditorium and a tea room/restaurant. The terrace rooftop offers an excellent view of Paris. ArcArcArc hhh ofofof TriTriTri uuumph The Arc de Triomphe is one of most famous landmarks in Paris. It is located at the top of the avenue of les Champs- Elysées. It was commissioned in 1806 by Napoleon I st to glorify his armies. The architect J.F.T. Chalgrin started building the monument, but it was only completed under the July Monarchy by the architects Goust and Huyot (1836). The platform affords an exceptional panorama of the capital. Be sure to be at the foot at 6:30p.m. to witness the Remembrance Ceremony. 1 Architecture and Patrimony Museum Housed in the East wing of the Palais de Chaillot, built for the 1937 World’s Fair, and refurbished in 2005 by the architect Jean-François Baudin, the museum’s diverse exhibits illustrate the developments of French architecture through the ages. Some displays are life size casts of civil and religious architecture from the 12 th – 18 th century. A modern and contemporary gallery shows scale models of famous buildings, and a full size 1:1 model of an apartment of Le Corbusier Cité Radieuse in Marseille. Arena of Lutetium Built around 200 and buried for 1,500 years before accidently being rediscovered in 1869, the arena is one of the important vestiges from the Gallo-Roman period in Paris. Standing at the center, one can still observe the elliptical arena, the stage, its nine niches, and the grilled cages on the wall. This amphitheater could once seat more than 15,000 people, and was used to present gladiatorial combats, circus and theatrical presentations. (Invalides ))) Army Museum Discover the Tombs of Napoleon I, Napoleon II “L’Aiglon”, Joseph and Gerome Bonaparte in the former Royal Church. Today, the outer buildings house the French Army Museum, displaying the world’s largest military collections from the Middle-Ages to the present day: Scale models collection of fortified cities, relief maps, sumptuous royal armors of some of the kings of France in the old refectory, the Charles de Gaulle Memorial exhibit. 2 Art and History of Judaism Museum The Arts and History of Judaism museum displays the collections of the former Jewish museum, of the Ministry of Culture, including the Isaac Strauss Collection, and has benefited from the allocation of the Hôtel de Saint-Aignan by the City of Paris. This museum, opened in 1998, celebrates all forms of artistic expressions related to Jewish culture in all its diversity through its permanent and temporary exhibits. Not to be missed: the painters of the “School of Paris”: Lipchitz, Soutine, Modigliani, or the Dreyfus sculpture. Arts and Trades Museum Since it opened in 1794, the Arts and Trades museum has been considered the “Louvre of technical sciences”. It is housed in the former Priory of Saint-Martin in the Fields. It underwent a major renovation in 1990 and includes 7 departments showing from the Renaissance to modern day: Scientific Instruments, Materials, Construction, Communication, Energy, Mechanics and Transport. The former church presents, aviation, vehicles and scientific masterpieces including Foucault’s pendulum . Asian Art Museum The brain child of industrialist Emile Guimet, who travelled extensively and acquired religious objects from Ancient Egypt, Greece and Asia, the Guimet museum opened in 1889. It was reorganized in 1945, to present exclusively Asian art. Renovated (1997-2001) by architects Henri and Bruno Gaudin, the new spaces host exquisite collections, including, paintings, sculptures, objects from Korea, India, Japan, Cambodia, China, Vietnam, Tibet, Afghanistan/Pakistan, including the famous “Foucher” Bodhisattva. 3 Auvers ---sursursur ---Oise Castle The town of Auvers-sur-Oise is linked forever to the memory of Vincent Van Gogh, and to the impressionists’ artists who lived there. The castle presents audiovisual projections on screens which focus on a painting or in a detail, taking us back to the times of the impressionists through music, Parisian voices, songs, old movies, photography and authentic objects. Please note that there are no original canvases in this museum. Paris Baccarat Museum Housed in the prestigious mansion of art patron Marie-Laure de Noailles (1920-1970) and refurbished by trend setting designer Philippe Stark. The Baccarat Museum features 4 rooms of dazzling commissions including, legendary pieces, as well as limited-edition collections created by famous designers such as Georges Chevalier, Ettore Sottsass, the former dining room in which Starck chose to preserve its original design while giving it a necessary touch of daringness. Balzac’s Museum During Balzac’s time, the house was concealed by a building, into which it was necessary to enter, go down two floors and give a password in order to arrive at the author's pavilion. Balzac lived in this house (1840 - 1847) where he wrote a significant part of his monumental masterpiece, La Comédie Humaine, as well as other acclaimed novels. Officially transformed into a museum in 1949, it features, manuscripts, engravings depicting the characters which populated Balzac’s fictional world. 4 Bastille Opera House The Bastille Opera House was built to commemorate the bicentennial of the French Revolution, in the historic site of the state prison under the French Monarchy. The building, designed by architect Carlos Ott, is a massive, curved glass and concrete structure. The main auditorium has a seating capacity for 2,700 people. The backstage with 4 storage areas of the same dimensions of the stage allows the presentation of several productions concurrently. Backstage visits include workshops and machinery. Beaux Arts School The origins of the Beaux Arts School go back to 1648 when the Academy of Fine Arts was founded by Cardinal Mazarin. Today, it owns around 450,000 artworks and historical books, making it one of the largest public collections in France. Many artistic productions were created by the students themselves, who contribute, along with scholars to enlarge the holdings with gifts and donations to the institution, which displays them regularly. Bourdelle Museum Located in Montparnasse, the Bourdelle museum is the former studio of the sculptor Antoine Bourdelle (1861-1929). It became a museum in 1949. It was expanded in 1961 by architect Henri Gautruche and in 1992 by Christian de Portzampac. Today it contains more than 500 works including marble, plaster, and bronze statues, the original plaster casts of some of his finest works, including 21 studies of Beethoven, as well as his personal archives, fine art collection including Delacroix, Ingres. 5 Brancusi Wor kkkshop Constantin Brancusi (1876 - 1957) bequeathed part of his collections to the French state on condition that his workshop be rebuilt as it was on the day he died. Designed by the Renzo Piano’s workshop after the original studio in its volume, shape, and wooden framework, the Brancusi Workshop was inaugurated in 1997. The new building combines the highest architectural standards with optimized curatorial conditions for displaying the artist’s sculptures, including the sublime sleeping muse. (History of Paris) Carnavalet MMMuseum It is a must visit if you are in the city of lights. The Carnavalet museum, housed in two magnificent mansions, in the fashionable Marais district, displays collections covering a broad span of time from the Neolithic to present time. It traces the cultural heritage of the capital through scale models of the city and its monuments, paintings, sculptures, furniture, period rooms, and features decorations from different Parisian buildings, including the Fouquet Jewelry Shop designed by Alphonse Mucha. Foundation Henri Cartier ---Bresson The Henri Cartier-Bresson Foundation, housed in an Art- Deco studio in the Montparnasse area, displays the work of this world known photographer: original prints, contact sheets, drawings, publications, and correspondence from his travels around the world which serve to document his photographs about countries, wars, artists, politicians. It also holds regularly temporary exhibits from other artists whose work is akin with the master of photojournalism and candid photography. 6 Foundation Cartier for Contemporary Art This non-profit Foundation, created in 1984 by Alain- Dominique Perrin in Jouy-en-Josas, moved to its present location in the Montparnasse area in 1994, in a building created by Jean Nouvel with garden landscaping by Lothar Baumgarten. The architect imagined a transparent form to remove the barrier between the inside and the outside, blurring its boundaries and denying a reading of a solid cube. The foundation shows works of established contemporary artists and encourages creations by young artists. Catacombs The Catacombs are an ossuary holding the remains of about six million people. The entrance is located in a former tax- collectors’ toll house. The bones are displayed in a curious and artistic way inside vaults of an old underground stone quarry. It opened on small scale as a tourist attraction in the late 18 th century, and on regular basis since 1867. It is also a place of inspiration for film producers and writers: Umberto Eco’s parchment about the Knights Templar in his novel Foucault’s Pendulum is resting there.
Recommended publications
  • Partial List of Institutional Clients
    Lord Cultural Resources has completed over 2500 museum planning projects in 57+ countries on 6 continents. North America Austria Turkey Israel Canada Belgium Ukraine Japan Mexico Czech Republic United Kingdom Jordan USA Estonia Korea Africa France Kuwait Egypt Central America Germany Lebanon Morocco Belize Hungary Malaysia Namibia Costa Rica Iceland Philippines Nigeria Guatemala Ireland Qatar South Africa Italy Saudi Arabia The Caribbean Tunisia Aruba Latvia Singapore Bermuda Liechtenstein Asia Taiwan Trinidad & Tobago Luxembourg Azerbaijan Thailand Poland Bahrain United Arab Emirates South America Russia Bangladesh Oceania Brazil Spain Brunei Australia Sweden China Europe New Zealand Andorra Switzerland India CLIENT LIST Delta Museum and Archives, Ladner North America The Haisla Nation, Kitamaat Village Council Kamloops Art Gallery Canada Kitimat Centennial Museum Association Maritime Museum of British Columbia, Victoria Alberta Museum at Campbell River Alberta Culture and Multiculturalism Museum of Northern British Columbia, Alberta College of Art and Design (ACAD), Calgary Prince Rupert Alberta Tourism Nanaimo Centennial Museum and Archives Alberta Foundation for the Arts North Vancouver Museum Art Gallery of Alberta, Edmonton Port Alberni Valley Museum Barr Colony Heritage Cultural Centre, Lloydminster Prince George Art Gallery Boreal Centre for Bird Conservation, Slave Lake National Historic Site, Port Alberni Canada West Military Museums, Calgary R.B. McLean Lumber Co. Canadian Pacific Railway, Calgary Richmond Olympic Experience
    [Show full text]
  • TEL AVIV PANTONE 425U Gris PANTONE 653C Bleu Bleu PANTONE 653 C
    ART MODERNE ET CONTEMPORAIN TRIPLEX PARIS - NEW YORK TEL AVIV Bleu PANTONE 653 C Gris PANTONE 425 U Bleu PANTONE 653 C Gris PANTONE 425 U ART MODERNE et CONTEMPORAIN Ecole de Paris Tableaux, dessins et sculptures Le Mardi 19 Juin 2012 à 19h. 5, Avenue d’Eylau 75116 Paris Expositions privées: Lundi 18 juin de 10 h. à 18h. Mardi 19 juin de 10h. à 15h. 5, Avenue d’ Eylau 75116 Paris Expert pour les tableaux: Cécile RITZENTHALER Tel: +33 (0) 6 85 07 00 36 [email protected] Assistée d’Alix PIGNON-HERIARD Tel: +33 (0) 1 47 27 76 72 Fax: 33 (0) 1 47 27 70 89 [email protected] EXPERTISES SUR RDV ESTIMATIONS CONDITIONS REPORTS ORDRES D’ACHAt RESERVATION DE PLACES Catalogue en ligne sur notre site www.millon-associes.com בס’’ד MODERN AND CONTEMPORARY FINE ART NEW YORK : Tuesday, June 19, 2012 1 pm TEL AV IV : Tuesday, 19 June 2012 20:00 PARIS : Mardi, 19 Juin 2012 19h AUCTION MATSART USA 444 W. 55th St. New York, NY 10019 PREVIEW IN NEW YORK 444 W. 55th St. New York, NY. 10019 tel. +1-347-705-9820 Thursday June 14 6-8 pm opening reception Friday June 15 11 am – 5 pm Saturday June 16 closed Sunday June 17 11 am – 5 pm Monday June 18 11 am – 5 pm Other times by appointment: 1 347 705 9820 PREVIEW AND SALES ROOM IN TEL AVIV 15 Frishman St., Tel Aviv +972-2-6251049 Thursday June 14 6-10 pm opening reception Friday June 15 11 am – 3 pm Saturday June 16 closed Sunday June 17 11 am – 6 pm Monday June 18 11 am – 6 pm tuesday June 19 (auction day) 11 am – 2 pm Bleu PREVIEW ANDPANTONE 653 C SALES ROOM IN PARIS Gris 5, avenuePANTONE d’Eylau, 425 U 75016 Paris Monday 18 June 10 am – 6 pm tuesday 19 June 10 am – 3 pm live Auction 123 will be held simultaneously bid worldwide and selected items will be exhibited www.artonline.com at each of three locations as noted in the catalog.
    [Show full text]
  • University of Florida Thesis Or Dissertation Formatting
    HOW AN ISLAMIC SOLUTION BECAME AN ISLAMIST PROBLEM: EDUCATION, AUTHORITARIANISM AND THE POLITICS OF OPPOSITION IN MOROCCO By ANN MARIE WAINSCOTT A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 Ann Marie Wainscott 2 To Tom and Mary Wainscott 3 ACKNOWLEDGMENTS It is hubris to try to acknowledge everyone who contributed to a project of this magnitude; I’m going to try anyway. But first, another sort of acknowledgement is necessary. The parsimonious theories and neat typologies I was taught in graduate school in no way prepared me to understand the tremendous sacrifices and risks of physical and psychological violence that individuals take in authoritarian contexts to participate as members of the political opposition; that is something one learns in the field. I’d like to begin the dissertation by acknowledging my deep respect for those activists, regardless of political persuasion, whose phone calls are recorded and monitored, who are followed every time they leave their homes, who risk their lives and the lives of those they love on behalf of their ideals. For those who have “disappeared,” for those who have endured torture, sometimes for years or decades, for those who are presently in detention, for those whose bodies are dissolved in acid, buried at sea or in mass graves, I acknowledge your sacrifice. I know some of your stories. Although most of my colleagues, interlocutors and friends in Morocco must go unnamed, they ought not go unacknowledged.
    [Show full text]
  • P22 445 Index
    INDEXRUNNING HEAD VERSO PAGES 445 Explanatory or more relevant references (where there are many) are given in bold. Dates are given for all artists and architects. Numbers in italics are picture references. A Aurleder, John (b. 1948) 345 Aalto, Alvar (1898–1976) 273 Automobile Club 212 Abadie, Paul (1812–84) 256 Avenues Abaquesne, Masséot 417 Av. des Champs-Elysées 212 Abbate, Nicolo dell’ (c. 1510–71) 147 Av. Daumesnil 310 Abélard, Pierre 10, 42, 327 Av. Foch 222 Absinthe Drinkers, The (Edgar Degas) 83 Av. Montaigne 222 Académie Française 73 Av. de l’Observatoire 96 Alexander III, Pope 25 Av. Victor-Hugo 222 Allée de Longchamp 357 Allée des Cygnes 135 B Alphand, Jean-Charles 223 Bacon, Francis (1909–92) 270 American Embassy 222 Ballu, Théodore (1817–85) 260 André, Albert (1869–1954) 413 Baltard, Victor (1805–74) 261, 263 Anguier, François (c. 1604–69) 98, Balzac, Honoré de 18, 117, 224, 327, 241, 302 350, 370; (statue ) 108 Anguier, Michel (1614–86) 98, 189 Banque de France 250 Anne of Austria, mother of Louis XIV Barrias, Louis-Ernest (1841–1905) 89, 98, 248 135, 215 Antoine, J.-D. (1771–75) 73 Barry, Mme du 17, 34, 386, 392, 393 Apollinaire, Guillaume (1880–1918) 92 Bartholdi, Auguste (1834–1904) 96, Aquarium du Trocadéro 419 108, 260 Arc de Triomphe 17, 220 Barye, Antoine-Louis (1795–1875) 189 Arc de Triomphe du Carrousel 194 Baselitz, Georg (b. 1938) 273 Arceuil, Aqueduct de 372 Bassin du Combat 320 Archipenko, Alexander (1887–1964) Bassin de la Villette 320 267 Bastien-Lepage, Jules (1848–84) 89, Arènes de Lutèce 60 284 Arlandes, François d’ 103, 351 Bastille 16, 307 Arman, Armand Fernandez Bateau-Lavoir 254 (1928–2005) 270 Batignolles 18, 83, 234 Arp, Hans (Jean: 1886–1966) 269, 341 Baudelaire, Charles 31, 40, 82, 90, 96, Arras, Jean d’ 412 108 Arsenal 308 Baudot, Anatole de (1834–1915) 254 Assemblée Nationale 91 Baudry, F.
    [Show full text]
  • The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020
    City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-5-2021 The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 Denali Elizabeth Kemper CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/661 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 By Denali Elizabeth Kemper Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2020 Thesis sponsor: January 5, 2021____ Emily Braun_________________________ Date Signature January 5, 2021____ Joachim Pissarro______________________ Date Signature Table of Contents Acronyms i List of Illustrations ii Introduction 1 Chapter 1: Points of Reckoning 14 Chapter 2: The Generational Shift 41 Chapter 3: The Return of the Repressed 63 Chapter 4: The Power of Nazi Images 74 Bibliography 93 Illustrations 101 i Acronyms CCP = Central Collecting Points FRG = Federal Republic of Germany, West Germany GDK = Grosse Deutsche Kunstaustellung (Great German Art Exhibitions) GDR = German Democratic Republic, East Germany HDK = Haus der Deutschen Kunst (House of German Art) MFAA = Monuments, Fine Arts, and Archives Program NSDAP = Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Worker’s or Nazi Party) SS = Schutzstaffel, a former paramilitary organization in Nazi Germany ii List of Illustrations Figure 1: Anonymous photographer.
    [Show full text]
  • Stanley Chase Papers LSC.1090
    http://oac.cdlib.org/findaid/ark:/13030/kt6h4nc876 No online items Finding Aid for the Stanley Chase Papers LSC.1090 Processed by Timothy Holland and Joshua Amberg in the Center For Primary Research and Training (CFPRT), with assistance from Laurel McPhee, Fall 2005; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala, Caroline Cubé, Laurel McPhee and Amy Shung-Gee Wong. UCLA Library Special Collections Online finding aid last updated on 2020 December 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Stanley Chase LSC.1090 1 Papers LSC.1090 Contributing Institution: UCLA Library Special Collections Title: Stanley Chase papers Creator: Chase, Stanley Identifier/Call Number: LSC.1090 Physical Description: 157.2 Linear Feet(105 boxes, 12 oversize boxes, 27 map folders) Date (inclusive): circa 1925-2001 Date (bulk): 1955-1989 Abstract: Stanley Chase (1928-) was a theater, film, and television producer. The collection consists of production and business files, original production drawings, posters, press clippings, sound recordings, and scripts from his major projects. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials.
    [Show full text]
  • List of Objects Proposed for Protection Under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (Protection of Cultural Objects on Loan)
    List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Bronze 15 September 2012 to 9 December 2012 Title: Altarpiece dedicated to Buddha Maitreya Date / Period: c. 525-35 Origin: China, late Northern Wei or Eastern Wei dynasties Inv.N: 38.158.2a-e Medium: Gilt leaded Bronze Size: 59.1 x 38.1 x 19.1 cm © 2012. Image copyright The Metropolitan Museum of Art, Art Resource, Scala, Florence Lender: Provenance: Lent by The Metropolitan Acquired in 1925 by Mrs John D. Rockefeller, from Museum of Art, Rogers whom acquired by the Metropolitan Museum of Art Fund, 1938 in 1938. List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Bronze 15 September 2012 to 9 December 2012 Title: Apollo Fountain Date / Period: 1532 Artist: Peter Flötner Inv.N: PL 1206/PL 0024 Medium: Brass Size: H. Incl. Base: 100 cm Base: 55 x 55 cm Museen der Stadt Nürnberg, Gemälde- und Skulpturensammlung Lender: Provenance: Leihgabe der Museen der Commissioned by the archers’ company for their Stadt Nürnberg, Gemälde- shooting yard, Herrenschiesshaus am Sand, und Skulpturensammlung Nuremberg; courtyard of the Pellerhaus. City Museum Fembohaus, Nuremberg (on permanent loan from the city of Nuremberg). List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Bronze 15 September 2012 to 9 December 2012 Title: Avalokiteshvara Date / Period: 9th- 10th century Origin: Java Inv.N: 509 Medium: Silvered Bronze Size: sculpture: 101 x 49 x 28 cm Base: 140 x 47 cm Weight: 250-300kgs Jakarta, Museum Nasional Indonesia Collection/Photo Feri Latief Lender: Provenance: National Museum Discovered in Tekaran, in Surakarta, Indonesia Indonesia (Philip Rawson, The Art of Southeast Asia, London, 1967, pp.
    [Show full text]
  • Download Lot Listing
    IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private
    [Show full text]
  • Interdisciplinary, and Some Resources for History, Philosophy, Religion, and Literature Are Also Included in the Guide. Images A
    Bard Graduate Center Research Guide: Ancient and Medieval China (to c. 1000 C.E.) This guide lists resources for researching the arts and material culture of ancient and medieval imperial China, to c. 1000 C.E. This time period begins with the neolithic and bronze ages (c. 4000 - 200 B.C.E.) and continues through the end of the Five Dynasties period (960 C.E.), including the Xia, Shang, Zhou, Han, and T'ang dynasties. Although art history and material archaeology resources are emphasized, research on this topic is very interdisciplinary, and some resources for history, philosophy, religion, and literature are also included in the guide. This guide was compiled by Karyn Hinkle at the Bard Graduate Center Library. Images above, left to right: a gold cup from the Warring States period, jade deer from the Zhou dynasty, a bronze wine vessel from the Shang dynasty, all described in Patricia Buckley Ebrey's Visual Sourcebook of Chinese Civilization. Reference sources for ancient and medieval China Ebrey, Patricia Buckley, and Kwang-Ching Liu. The Cambridge Illustrated History of China. Cambridge: Cambridge University Press, 1996. DS 706 .E37 1996 Loewe, Michael and Edward L. Shaughnessy. The Cambridge History of Ancient China: From the Origins of Civilization to 221 BC. Cambridge: Cambridge University Press, 1999. DS 741.5 .C35 1999; also available online through Bard College Nadeau, Randall Laird, ed. The Wiley-Blackwell Companion to Chinese Religions. Wiley-Blackwell Companions to Religion. Chichester, UK: Wiley-Blackwell, 2012. Available online through Bard College Gold Monster Shaanxi Museum The Han Dynasty Length:11 cm Height:11.5 cm Unearthed in 1957 from Gaotucun,Shenmu County,Shaanxi Province Important books on ancient and medieval China, and good general introductions to Chinese history and art Boyd, Andrew.
    [Show full text]
  • Im Pressio Nist M O Dern & Co Ntem Po Rary Art 27 January
    IMPRESSIONIST MODERN & CONTEMPORARY ART CONTEMPORARY & MODERN IMPRESSIONIST 27 JANUARY 2015 8 PM 8 2015 JANUARY 27 27 JANUARY 2015 PM 8 2015 JANUARY 27 134 IMPRESSIONIST MODERN & CONTEMPORARY ART CONTEMPORARY & MODERN IMPRESSIONIST VIEWINGS: Thu 15 Jan 5 pm - 10 pm Fri 16 Jan 11 am - 3 pm Sat 17 Jan 10 pm - 12 am IMPRESSIONISSun - Thu /T 18-22, MO JanDERN 11 am - 10 pm Fri 23 Jan 11 am - 3 pm & CONSat T24EMPORAR Jan Y 10 pm - 12 am Sun - Mon / 25 - 26 Jan 11 am - 10 pm FINE TueAR 27T JanAUCTION 11 am - 8 pm JERUSALEM, JANUARY 27, 2015, 8 PM SALE 134 PREVIEW IN JERUSALEM: Thu 15 Jan 5 pm - 10 pm Fri 16 Jan 11 am - 3 pm Sat 17 Jan 10 pm - 12 am Sun - Thu / 18-22 Jan 11 am - 10 pm Fri 23 Jan 11 am - 3 pm Sat 24 Jan 10 pm - 12 am Sun - Mon / 25 - 26 Jan 11 am - 10 pm Tue 27 Jan 11 am - 8 pm PREVIEW IN NEW YORK: Thu 15 Jan 12 pm - 5 pm Fri 16 Jan 11 am - 3 pm Sun - Thu / 18-22 Jan 12 pm - 5 pm Fri 23 Jan 11 am - 3 pm Sun - Mon / 25 - 26 Jan 12 pm - 5 pm Tue 27 Jan 11 am - 1 pm PREVIEW & AUCTION MATSART GALLERY 21 King David St., Jerusalem tel +972-2-6251049 www.matsart.net בס"ד MATSART AUCTIONEERS & APPRAISERS 21 King David St., Jerusalem 9410145 +972-2-6251049 5 Frishman St., Tel Aviv 6357815 +972-3-6810001 415 East 72 st., New York, NY 10021 +1-718-289-0889 LUCIEN KRIEF OREN MIgdAL Owner, Director Head of Department Expert Israeli Art [email protected] [email protected] StELLA COSTA ALICE MARTINOV-LEVIN Senior Director Head of Department [email protected] Modern & Contemporary Art [email protected] EVGENY KOLOSOV YEHUDIT RATZABI AuctionAdministrator AuctionAdministrator Modern & Contemporary Art [email protected] [email protected] REIZY GOODWIN MIRIAM PERKAL Logistics & Shipping Client Accounts Manager [email protected] [email protected] All lots are sold “as is” and subject to a reserve.
    [Show full text]
  • Paintings, Photographs, Prints, and Drawings from the Col/Ection of the Art Institute of Chicago, December 9, T989· March T 1990 in Gallery 14
    his critical response to the annual» The hie 01 our city is rich In poetiC and marvelous subjects We are enveloped and Sleeped as though If! an Ion exhibition of 1846, french poet Charles atmosphere oj the marvelous, but we do not notice it ,. CH~Rl15 S.~VO[L)IRf ·S,IJ.O~ D( 1&\6' Baudelaire lamented the number of nudes and mythotcgical and historical scenes, which out· numbered paintings that celebrated "the pageant of fashionable life and the thousands of floating existences" of modern Paris. In his view, the quick pace of the city, the bustling of crinolined skirts, and the stop and go of horse-<lrawn om· nibuses were the truths of contemporary life and the onty worthwhile subjects for the modern artist. Whereas in the decade aOer Baudelaire's n oma~ the conet",,, of the pronouncement, the painter's brush may have bicentennial of the french Revolution. been abte to give the impression of urban life, The Art Institute of Chicago has se· the photographer's camera required long expo­ lected .....orks from its collections of sures, making it difficult to capture the move· Twentieth.(entury Painting. European ment and rich detail of the boulevard parade. It Painting. Photography, Prints and would be two more decades before photography Drawings, and Architecture that cele· could stop the motion of the man on the street. brate france, her land and landmarks. The rising popularity of photographic imagery and her people. The pictures in this was the focus of Baudelaire's famous diatribe of e ~ hib i tion are by artists who .....ere.
    [Show full text]
  • Museum Partnership Report Understanding the National Museums’ Partnership Activities in 2017/18
    Museum Partnership Report Understanding the national museums’ partnership activities in 2017/18 August 2019 We can also provide documents to meet the Specifc requirements for people with disabilities. Please email [email protected] Department for Digital, Culture, Media & Sport Printed in the UK on recycled paper ©Crown copyright 2019 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit http://www.nationalarchives.gov.uk/doc/ open-government-licence/ or e-mail: [email protected] Where we have identifed any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at [email protected] Museum Partnership Report : Understanding the national museums’ partnership activities in 2017/18 3 Contents EXECUTIVE SUMMARY 4 INTRODUCTION 5 Background to the Report 5 The national museums 6 The Survey 9 SHARING COLLECTIONS 10 Sharing collections in the UK 10 Sharing collections internationally 17 Sharing collections for research 19 Supporting new collections and acquisitions 20 Borrowing Collections 20 SHARING KNOWLEDGE 24 Partnering to build capacity and deliver professional development in the museums sector 24 Academic partnerships and collaborations 29 Acting as experts for Government 34 SUPPORTING AUDIENCE ENGAGEMENT AND SOCIAL OUTCOMES 36 Partnering to improve museum and cultural participation 37 Partnering to deliver education and learning 38 Partnering to support our health and wellbeing 41 Partnering to develop skills and careers 42 CONCLUSIONS AND LOOKING FORWARD 45 APPENDIX 1: LIST OF IMAGES 46 APPENDIX 2: THE SURVEY 48 APPENDIX 3: USEFUL LINKS 50 4 1.
    [Show full text]