Im Pressio Nist M O Dern & Co Ntem Po Rary Art 27 January
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TEL AVIV PANTONE 425U Gris PANTONE 653C Bleu Bleu PANTONE 653 C
ART MODERNE ET CONTEMPORAIN TRIPLEX PARIS - NEW YORK TEL AVIV Bleu PANTONE 653 C Gris PANTONE 425 U Bleu PANTONE 653 C Gris PANTONE 425 U ART MODERNE et CONTEMPORAIN Ecole de Paris Tableaux, dessins et sculptures Le Mardi 19 Juin 2012 à 19h. 5, Avenue d’Eylau 75116 Paris Expositions privées: Lundi 18 juin de 10 h. à 18h. Mardi 19 juin de 10h. à 15h. 5, Avenue d’ Eylau 75116 Paris Expert pour les tableaux: Cécile RITZENTHALER Tel: +33 (0) 6 85 07 00 36 [email protected] Assistée d’Alix PIGNON-HERIARD Tel: +33 (0) 1 47 27 76 72 Fax: 33 (0) 1 47 27 70 89 [email protected] EXPERTISES SUR RDV ESTIMATIONS CONDITIONS REPORTS ORDRES D’ACHAt RESERVATION DE PLACES Catalogue en ligne sur notre site www.millon-associes.com בס’’ד MODERN AND CONTEMPORARY FINE ART NEW YORK : Tuesday, June 19, 2012 1 pm TEL AV IV : Tuesday, 19 June 2012 20:00 PARIS : Mardi, 19 Juin 2012 19h AUCTION MATSART USA 444 W. 55th St. New York, NY 10019 PREVIEW IN NEW YORK 444 W. 55th St. New York, NY. 10019 tel. +1-347-705-9820 Thursday June 14 6-8 pm opening reception Friday June 15 11 am – 5 pm Saturday June 16 closed Sunday June 17 11 am – 5 pm Monday June 18 11 am – 5 pm Other times by appointment: 1 347 705 9820 PREVIEW AND SALES ROOM IN TEL AVIV 15 Frishman St., Tel Aviv +972-2-6251049 Thursday June 14 6-10 pm opening reception Friday June 15 11 am – 3 pm Saturday June 16 closed Sunday June 17 11 am – 6 pm Monday June 18 11 am – 6 pm tuesday June 19 (auction day) 11 am – 2 pm Bleu PREVIEW ANDPANTONE 653 C SALES ROOM IN PARIS Gris 5, avenuePANTONE d’Eylau, 425 U 75016 Paris Monday 18 June 10 am – 6 pm tuesday 19 June 10 am – 3 pm live Auction 123 will be held simultaneously bid worldwide and selected items will be exhibited www.artonline.com at each of three locations as noted in the catalog. -
Stanley Chase Papers LSC.1090
http://oac.cdlib.org/findaid/ark:/13030/kt6h4nc876 No online items Finding Aid for the Stanley Chase Papers LSC.1090 Processed by Timothy Holland and Joshua Amberg in the Center For Primary Research and Training (CFPRT), with assistance from Laurel McPhee, Fall 2005; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala, Caroline Cubé, Laurel McPhee and Amy Shung-Gee Wong. UCLA Library Special Collections Online finding aid last updated on 2020 December 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Stanley Chase LSC.1090 1 Papers LSC.1090 Contributing Institution: UCLA Library Special Collections Title: Stanley Chase papers Creator: Chase, Stanley Identifier/Call Number: LSC.1090 Physical Description: 157.2 Linear Feet(105 boxes, 12 oversize boxes, 27 map folders) Date (inclusive): circa 1925-2001 Date (bulk): 1955-1989 Abstract: Stanley Chase (1928-) was a theater, film, and television producer. The collection consists of production and business files, original production drawings, posters, press clippings, sound recordings, and scripts from his major projects. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. -
Impressionist Adventures
impressionist adventures THE NORMANDY & PARIS REGION GUIDE 2020 IMPRESSIONIST ADVENTURES, INSPIRING MOMENTS! elcome to Normandy and Paris Region! It is in these regions and nowhere else that you can admire marvellous Impressionist paintings W while also enjoying the instantaneous emotions that inspired their artists. It was here that the art movement that revolutionised the history of art came into being and blossomed. Enamoured of nature and the advances in modern life, the Impressionists set up their easels in forests and gardens along the rivers Seine and Oise, on the Norman coasts, and in the heart of Paris’s districts where modernity was at its height. These settings and landscapes, which for the most part remain unspoilt, still bear the stamp of the greatest Impressionist artists, their precursors and their heirs: Daubigny, Boudin, Monet, Renoir, Degas, Morisot, Pissarro, Caillebotte, Sisley, Van Gogh, Luce and many others. Today these regions invite you on a series of Impressionist journeys on which to experience many joyous moments. Admire the changing sky and light as you gaze out to sea and recharge your batteries in the cool of a garden. Relive the artistic excitement of Paris and Montmartre and the authenticity of the period’s bohemian culture. Enjoy a certain Impressionist joie de vivre in company: a “déjeuner sur l’herbe” with family, or a glass of wine with friends on the banks of the Oise or at an open-air café on the Seine. Be moved by the beauty of the paintings that fill the museums and enter the private lives of the artists, exploring their gardens and homes-cum-studios. -
Download Lot Listing
IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private -
Litvak Art in the Context of the Ecole De Paris ANTANAS ANDRIJAUSKAS
Litvak Art in the Context of the Ecole de Paris ANTANAS ANDRIJAUSKAS Introduction Some studies, like this one, begin as fragmentary thoughts recorded on various occasions: they are born naturally and imperceptibly when the time is right. In my childhood, while wandering with a fishing pole outside Veisiejai near Lake Ančia, I slipped, and my feet disturbed a thick layer of moss under which was buried a dark stone with strange characters in an unknown language. My elders later told me that these were vestiges of the Lithuanian Jewish culture that had once existed here. That was my first contact with the culture of Lith- uanian Jews, the Litvaks. I learned that before World War II, in Veisiejai, a small town in Dzūkija, there had been a large Jewish community. The inventor of Esperanto, L. L. Zamenhof, had also lived here. When I moved there with my parents after the war, at the age of six, there were no Litvaks left in this town. The entire community was mercilessly annihilated. Much later, in my travels, I continued to encounter, in various contexts, manifestations of Litvak culture - works in Parisian exhibition halls and galleries with the names of Jew- ish Litvak artists who represented the third generation resid- ing abroad. Next to their names I often saw the words litvak or juif d'origine lituanicnne. It greatly intrigued me that in Paris so many people identified themselves with - and had roots in - ANTANAS ANDRIJAUSKAS is Head of the Department of Compara- tive Cultural Studies at the Institute for Culture, Philosophy, and Art, and President of the Lithuanian Aesthetic Association. -
Art-Related Archival Materials in the Chicago Area
ART-RELATED ARCHIVAL MATERIALS IN THE CHICAGO AREA Betty Blum Archives of American Art American Art-Portrait Gallery Building Smithsonian Institution 8th and G Streets, N.W. Washington, D.C. 20560 1991 TRUSTEES Chairman Emeritus Richard A. Manoogian Mrs. Otto L. Spaeth Mrs. Meyer P. Potamkin Mrs. Richard Roob President Mrs. John N. Rosekrans, Jr. Richard J. Schwartz Alan E. Schwartz A. Alfred Taubman Vice-Presidents John Wilmerding Mrs. Keith S. Wellin R. Frederick Woolworth Mrs. Robert F. Shapiro Max N. Berry HONORARY TRUSTEES Dr. Irving R. Burton Treasurer Howard W. Lipman Mrs. Abbott K. Schlain Russell Lynes Mrs. William L. Richards Secretary to the Board Mrs. Dana M. Raymond FOUNDING TRUSTEES Lawrence A. Fleischman honorary Officers Edgar P. Richardson (deceased) Mrs. Francis de Marneffe Mrs. Edsel B. Ford (deceased) Miss Julienne M. Michel EX-OFFICIO TRUSTEES Members Robert McCormick Adams Tom L. Freudenheim Charles Blitzer Marc J. Pachter Eli Broad Gerald E. Buck ARCHIVES STAFF Ms. Gabriella de Ferrari Gilbert S. Edelson Richard J. Wattenmaker, Director Mrs. Ahmet M. Ertegun Susan Hamilton, Deputy Director Mrs. Arthur A. Feder James B. Byers, Assistant Director for Miles Q. Fiterman Archival Programs Mrs. Daniel Fraad Elizabeth S. Kirwin, Southeast Regional Mrs. Eugenio Garza Laguera Collector Hugh Halff, Jr. Arthur J. Breton, Curator of Manuscripts John K. Howat Judith E. Throm, Reference Archivist Dr. Helen Jessup Robert F. Brown, New England Regional Mrs. Dwight M. Kendall Center Gilbert H. Kinney Judith A. Gustafson, Midwest -
Neemijos Arbit Blato Kūrybos Stilistinės Metamorfozės
MENAS Gauta 2008 11 10 ANTANAS ANDRIJAUSKAS Vilniaus dailës akademija NEEMIJOS ARBIT BLATO KÛRYBOS STILISTINËS METAMORFOZËS The Stylistic Metamorphoses in the Creative Works of Neemija Arbit Blat SUMMARY The alumni of Kaunas Fine Arts School Neemija Arbit Blat (19081999) was a visual historiographer of the Lécole de Paris. The article considers his artistic works, especially those accomplished in Paris, and his association with La Ruche and the grand masters of the Lécole de Paris. The article discusses the portraits series and late sculpture works of the artist. SANTRAUKA Straipsnyje aptariamos lécole de Paris vizualinio istoriografo, Kauno meno mokyklos auklëtinio Neemijos Arbit Blato kûrybos iðtakos, pagrindinës meninës raiðkos sritys. Ypatingas dëmesys skiriamas paryþietið- kam jo kûrybos etapui, dailininko sàsajom su La Ruche aplinka ir didþiaisiais Paryþiaus mokyklos meist- rais. Tekste iðsamiau aptariama jo didiesiems Paryþiaus mokyklos meistrams skirtø portretø serija ir vë- lyvieji skulptûros kûriniai. TARP LIETUVOS IR PARYÞIAUS Vienas didþiøjø pasauliná pripaþini- nografijos srityse. Nors gimë ûkuose pa- mà pelniusiø litvakø dailininkø buvo skendusioje Lietuvoje ir buvo paveiktas Neemija Arbit Blatas (Arbitblatas, 1908 niûraus vokiðkojo ekspresionizmo kolo- 1999). Tai universalus menininkas, reið- rito, taèiau jo brandi Prancûzijoje sukur- kæsis tapybos, skulptûros, grafikos ir sce- ta tapyba kupina ekspresijos, impresio- RAKTAÞODÞIAI: litvakø dailë, Neemija Arbit Blatas, modernizmas, Paryþiaus mokykla. KEY WORDS: the fine arts of Lithuanian Jews, Neemija Arbit Blat, modernism, Lécole de Paris. LOGOS 57 139 2008 SPALIS GRUODIS ANTANAS ANDRIJAUSKAS nuoðirdþiai manau, kad ðiandien tai jau negali pasikartoti.1 Taèiau ið tiesø Lie- tuva, ðis unikalus spalvingos archajiðkos poetikos kupinas pasaulis, kuris pagim- dë didþiø dailininkø plejadà, po katast- rofos negráþtamai nuslinko á praeitá. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: [No Value], Louise Elizabeth Hughes Title: Chaim Soutine (1893-1943) Receptions, constructions and significance General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Chaim Soutine (1893-1943): Receptions, Constructions and Significance Louise Elizabeth Hughes A dissertation submitted to the University of Bristol in accordance with the requirements of the degree of Doctor of Philosophy in the Faculty of Arts. -
Albert Lebourg 1849-1929
Albert Lebourg 1849-1929 Canal in Holland Oil on canvas / signed and dated 1896 lower left Dimensions : 39 x 55 cm Dimensions : 15.35 x 21.65 inch 32 avenue Marceau 75008 Paris | +33 (0)1 42 61 42 10 | +33 (0)6 07 88 75 84 | [email protected] | galeriearyjan.com Albert Lebourg 1849-1929 32 avenue Marceau 75008 Paris | +33 (0)1 42 61 42 10 | +33 (0)6 07 88 75 84 | [email protected] | galeriearyjan.com Albert Lebourg 1849-1929 Biography Born in the Eure department in Normandy, Albert Lebourg was only nineteen years old when he settled in Rouen to work with an architect. In the evening, he took painting and drawing lessons with Gustave Morin. Nevertheless, he quickly get bored of doing copies of antique plasters and prefered to paint outside, looking for inspiration in the surrounding countryside. In 1872, he was noticed by a collector who proposed him to become a drawing teacher at the Fine Arts school in Algiers, where he stayed for five years. During this time, Albert Lebourg devoted himself to painting, inspired by the light variations. He liked to paint l'Amirauté, its embankments and its green balconies, the mosque Jamaa al-Jdid, also named mosque of the Pêcherie, and the little streets of the white city. Lebourg often painted the same motifs at different moments of the day. His palette brightened and his style was completely impressionnist. However, the artist was still ignorant of this new artistic movement that he will discover when he got back in France in 1877. -
In Ein Harod,Chaim Soutine Meets Israeliart Exhibit Isshowcasingworks by the Greatpainter,Who Left Mark on Israeliartists Some of Whose Works Are on Display
In Ein Harod,Chaim Soutine meets Israeliart Exhibit isshowcasingworks by the greatpainter,who left mark on Israeliartists some of whose works are on display V. Ji-V Chaim Soutine,Self-Portrait,ca. 1916. IgaelTumarkin, Homage to Soutine from the seriesButchers Chaim Soutine,Girl in Blue ca. 1938-39. CollectionoftheIsrael CollectionofTelAviv Museum ofArt bequest,ofMala Silson,New York (1968-69),restored (1992). CollectionofTelAviv Museum ofArt Museum, Jerusalem,giftofEdwin and Grace Hokin Chicago “Gladioli” about four his well-known able works of art that are Soutine’s Naama Riba years paintings: work, Shapira $1ST$museums$1ST$said he would not have־$1ST$Soutine$1ST$Curator Shapira: “The Pastry Chef,”“Page on loan from major muse־ago. He lectures about Sou painting“Gladioli” tine$2ND$Soutine$2ND$and periodicallyholds Boy at Cafe Maxim” and ums$2ND$museums$2ND$abroad is extremely forgone the other works ”.$1ST$dedicated$1ST$‘ShowingSoutine paintingfrom his animal costly and complicated; shown in “Naked Soul־by Chaim Soutine fell “Soutiniana” events dedi $$1ST$power$1ST־Theinto the hands of Ya- cated$2ND$dedicated$2ND$to the artist.Tatz was is spiritual carcass series. most small institutions of “That’s the entire pow $$1ST$explained.$1ST־$1ST$kibbutz$1ST$ Soutine was considered this kind have neither the er$2ND$power$2ND$of this show,” he ex־niv Shapira,curator of the excited to hear that the kib $$1ST$wonderful$1ST־$1ST$influential$1ST$time, staff or expertiseto plained.$2ND$explained.$2ND$“Soutine is won־$1ST$organizing$1ST$experience.When to be one of the most influ־Mishkan Museum of Art at butz$2ND$kibbutz$2ND$museum was organiz $$1ST$involved.$1ST־$1ST$almost$1ST$an exhibition dedicated ential$2ND$influential$2ND$artists in deal with the in־Ein in the al Harod, north, ing$2ND$organizing$2ND$ stand in working procedures derful$2ND$wonderful$2ND$artist and showing most$2ND$almost$2ND$by accident. -
The Yiddish Life of Chaim Soutine (1893-1943): New Materials
The Yiddish Life of Chaim Soutine (1893-1943): New Materials Introduction and translations by Ofer Dynes In geveb: A Journal of Yiddish Studies (April 2020) For the online version of this article: [http://ingeveb.org/texts-and-translations/life-of-soutine] In geveb: A Journal of Yiddish Studies April (2020) The Yiddish Life of Chaim Soutine (1893-1943): New Materials Ofer Dynes Most biographies of Chaim Soutine comment at some point on how impossible it is to write a biography of Chaim Soutine: “What sources do we have for writing about Soutine?” mused Michel LeBrun-Franzaroli ruefully, after decades of meticulous research following the footsteps of Soutine across France: “Leopold Zborowski, his art dealer… didn’t leave any archive, any financial account, any catalogue… Soutine himself hardly spoke, practically never wrote, and at any rate, didn’t say anything about his art.” The preface to the biographical note in Soutine’s Catalogue Raisonné conveys the same sense of frustration, albeit much more succinctly: “The artist left few personal papers and 1 no records.” The few letters of Soutine that have survived are prosaic in their content and laconic in their style. In 1964, Harvard University was able to purchase one of the most extensive collections of Soutine’s correspondence. The hopes were high: the collection contained 37 letters of Soutine, no less, addressed to Henri Sérouya (born Aharon Tsruya, 1895-1968), a renowned Kabbalah scholar who had claimed that Soutine’s paintings are troubling because they “are permeated with the vehemence of Jewish 2 mysticism.” One cannot help wondering: Did Soutine agree with this statement? What kind of conversations did he and Sérouya hold on the subjects of Jewish Mysticism or French Modernism, considering that Sérouya was an expert on both? Disappointingly, the letters do not provide any clues. -
ART MODERNE & ÉCOLE DE PARIS Mercredi 23 Mars 2016 Expert
ART MODERNE & ÉCOLE DE PARIS Mercredi 23 Mars 2016 Expert Cécile RITZENTHALER ART MODERNE & ÉCOLE DE PARIS Richelieu-Drouot, Salle 5 Mercredi 23 Mars 2016 14h Expositions publiques Mardi 22 mars 2016, de 11h à 18h Mercredi 23 mars 2016, de 11h à 12h Expositions privées sur rendez-vous Du lundi 14 mars au jeudi 17 mars 2016 5, avenue d’Eylau 75 116 Paris Intégralité des lots sur millon.com En partenariat avec Département Art Moderne Cécile Ritzenthaler Alix Casciello Lucina Savelli Pour tout renseignement Renseignements, ordres d’achat, rapports d’état Expert expertises gratuites sur rendez-vous Cécile Ritzenthaler T +33 (0)6 85 07 00 36 Inquiries, absentee bids, condition reports, [email protected] free appraisals by appointment Sculptures : Responsable du département Claude-Annie MARZET Alix Casciello Tel +33(0)6 12 31 12 84 [email protected] Consultant MILLON Trocadéro Ecole de Paris & Peintres d’Europe Centrale Lucina Savelli Maurice MIELNICZUK 5, avenue d’Eylau Tel : + 33 (0)7 60 32 32 23 75 116 Paris T +33 (0)1 47 27 76 72 F +33 (0)1 47 27 70 89 [email protected] 4 ART MODERNE Sommaire Index p 4 Le XIXeme siècle : Les ancrages de la modernité p 8 Le Symbolisme p 30 Au tournant d'un siècle : Les Impressionnistes p 36 Les Modernes p 86 Les Céramiques de Picasso p 96 École de Paris, venir de l'Est Vivre et peindre p 102 Post-War p 126 Conditions de vente p 142 Ordres d’achat p 144 MILLON 5 Index SOMM Henri 1,2,3 GUYON Maximilienne 36 ORANGE Maurice Henri 28 ADRION Lucien 80,83 GUYOT Georges-Lucien 93 OSBERT Alphonse 41 AIZPIRI Paul