Impressionist Adventures
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Liste À Publier 25 Janvier 2017.Pdf
_ ERP de Seine-Maritime qui se sont déclarés comme étant accessibles par leur gestionnaire/propriétaire aux règles d’accessibilité (attestation d’accessibilité ou cerfa 15247) – Mise à jour de la liste 31/12/2016 Adresse de l’ERP 1 SIRET Catégorie Numéro de 5 Nom de l’établissement Type d’ERP 2 Nom gestionnaire/propriétaire ou Date de dépôt d’ERP l’attestation 4 DATE DE NAISSANCE Rue Code postal COMMUNE 7 Auto école MACADAM CONDUITE 2 place du Tilleul 76190 ALLOUVILLE BELLEFOSSE 5 R AC-076-000700 CARLE Jérôme 53954774500023 09/06/2015 Le Pousserdas 2 rue Jacques Anquetil 76190 ALLOUVILLE BELLEFOSSE 5 M-N AC-076-003350 Non DEHAIS Dominique 80842135800017 29/01/2016 Pharmacie du Chêne 18 rue Jacques Anquetil 76190 ALLOUVILLE BELLEFOSSE 5 M AC-076-003717 Non PETIT Carine 50075159200012 06/03/2015 Eglise rue des Tilleuls 76640 ALVIMARE 5 V AC-076-002393 Non LEMERCIER Michel 21760002200016 28/09/2015 Garage Blondel 44 RD 6015 76640 ALVIMARE 5 M AC-076-003443 Non BLONDEL Léo 35076381900017 08/06/2016 Salle communale 3 route de la Chapelle 76640 ALVIMARE 5 L AC-076-002394 Non LEMERCIER Michel 21760002200016 28/09/2015 L’Ancienne Mare rue de l’Ancienne Mare 76550 AMBRUMESNIL 5 M AC-076-003145 Non PATE Philippe 45179779900017 30/06/2016 Bowling Billard Anfreville 177 route de Paris 76920 AMFREVILLE LA MIVOIE 4 P AC-076-004354 Oui SARL BBA – EL MNRRETAR Aicha 43176378800012 23/09/2015 Cabinet d’infirmières 59 rue F.Mitterand / Rés. Sente des près 76920 AMFREVILLE LA MIVOIE 5 U AC-076-001263 Non HOJNACKI-BUQUET 40856764200025 11/03/2015 Kinésithérapeute -
Lapin Agile in Winter
ART AND IMAGES IN PSYCHIATRY SECTION EDITOR: JAMES C. HARRIS, MD Lapin Agile in Winter Ah, Montmartre, with its provincial corners and its bohemian ways...Iwould be so at ease near you, sitting in my room, composing a motif of white houses or all other things. Utrillo to César Gay from the Villejuif asylum, 19161(p6) AURICE UTRILLO (1883-1955) WAS BORN ON instruction, and he began to demonstrate real talent. Relieved, December 26 in the Montmartre quarter of and considering him cured, his mother took him back to Mont- Paris, France. He began to paint as occupa- martre, thinking that she could return to her own work as an art- tional therapy under the tutelage of his mother ist. Soon Maurice was drinking again and getting into fights, of- to divert him from alcoholism.2 Reluctant at ten returning home beaten and bruised. Mfirst, he gradually began to paint what he saw around him. His As his talent was recognized, rather than serve as a distraction cityscapes (city streets, favorite parts of Montmartre, and churches) from alcohol, his paintings were often exchanged for drinks. Each delighted the man in the street and intrigued the connoisseur. day he would vow to remain sober, yet by day’s end, he would be Although he was surrounded by the founders of modern ab- overcome by a craving for alcohol. He would drink alone and be- stract art, he recreated the city around him by realistically pre- come agitated and threatening. His mother continually rescued senting simplified images of familiar scenes. His work has a cer- him after his bouts of drinking and brought him home, seeking tain calmness and a nostalgic vitality about it, suggesting that there hospital admission as a last resort. -
Allouville Bellefosse A.S
ALLOUVILLE BELLEFOSSE A.S. ALLOUVILLE BELLEFOSSE 521219 Couleurs : Vert Et Noir Siège social : mairie Email officiel : [email protected] 76190 ALLOUVILLE BELLEFOSSE President : M. TALBOT Sylvain Correspondant : Mme RICARD Clemence Terrain : STADE JEAN-PIERRE CORDERON 47-29 Rue De Liernu 76190 ALLOUVILLE BELLEFOSSE AMFREVILLE LA MI VOIE A.S.ML. D'AMFREVILLE LA MIVOIE 538786 Couleurs : Rose Noir Siège social : RUE FRANCOIS MITTERAND Site internet : asmla.footeo.com MAIRIE Email officiel : [email protected] 76920 AMFREVILLE LA MI VOIE President : M. D'ABREU Stephane Correspondant : M. ZAMMIT Romain Terrain : STADE ROBERT TALBOT 1 Terrain A Quai Lescure 76920 AMFREVILLE LA MI VOIE ANGERVILLE L ORCHER A.S. ANGERVILLE L'ORCHER 501611 Couleurs : Rouge Siège social : MAIRIE Email officiel : [email protected] 76280 ANGERVILLE L ORCHER Site internet : club.sportsregions.fr/asao-foot President : M. BAIET Benjamin Correspondant : M. GOUZIEN Donovan Mob. personnel : 0668172693 170 Rue Du Presbytère Email officiel : [email protected] 76110 ST SAUVEUR D EMALLEVILLE Email principal : [email protected] Terrain : STADE MUNICIPAL Rue Des Hellandes 76280 ANGERVILLE L ORCHER ANGERVILLE LA MARTEL AS COLLEVILLE ANGERVILLE 582389 Couleurs : Bleu Et Blanc Siège social : MAIRIE Email officiel : [email protected] 1 le BOURG Email autre : andre- 76540 ANGERVILLE LA MARTEL [email protected] Mob. personnel : 06 48 33 04 89 President : M. DESCHAMPS Regis Correspondant : M. VAUCHEL Johann ANNEVILLE AMBOURVILLE U.S. DE LA PRESQU ILE 546932 Couleurs : Rouge Siège social : MAIRIE Email officiel : [email protected] 76480 ANNEVILLE AMBOURVILLE Email principal : [email protected] Site internet : uspi.footeo.com President : M. MOTTIN PERROTTE Sebastien Correspondant : M. -
Edrs Price Descriptors
DOCUMENT RESUME ED 088 224 EA 005 958 AUTHOR Kohl, Mary TITLE Guide to Selected Art Prints. Using Art Prints in Classrooms. INSTITUTION Oregon Association for Supervision and Curriculum Development, Salem. PUB DATE Mar 74 NOTE 43p.; Oregon'ASCD Curriculum Bulletin v28 n322 AVAILABLE FROMOregon Association for Supervision and Curriculum Development, P.O. Box 421, Salem, Oregon 9730A, ($2.00) EDRS PRICE MF-$0.75 HC-$1.85 DESCRIPTORS *Art Appreciation; *Art Education; *Art Expression; Color Presentation; Elementary Schools; *Painting; Space; *Teaching Guides IDENTIFIERS Texture ABSTRACT A sequential framework of study, that can be individually and creatively expanded, is provided for the purpose of developing in children understanding of and enjoyment in art. .The guide indicates routes of approach to certain kinds of major art, provides historical and biographical information, clarifies certain fundamentals of art, offers some activities related to the various ,elements, and conveys some continuing enthusiasm for the yonder of art creation. The elements of art--color, line, texture, shape, space, and forms of expression--provide the structure of pictorial organization. All of the pictures recomme ded are accessible tc teachers through illustrations in famil'a art books listed in the bibliography. (Author/MLF) US DEPARTMENT OF HE/ EDUCATION & WELFAS NATIONAL INSTITUTE I EOW:AT ION THIS DOCUMENT HAS BEEF DUCED EXACTLY AS RECEIV e THE PERSON OR ORGANIZATIO ATING IT POINTS OF VIEW OR STATED DO NOT NECESSAR IL SENT OFFICIAL NATIONAL INS1 EDUCATION POSIT100. OR POL Li Vi CD CO I IP GUIDE TO SELECTED ART PRINTS by Mary Kohl 1 INTRODUCTION TO GUIDE broaden and deepen his understanding and appreciation of art. -
Monet and American Impressionism
Harn Museum of Art Educator Resource Monet & Impressionism About the Artist Claude Monet was born in Paris on November 14, 1840. He enjoyed drawing lessons in school and began making and selling caricatures at age seventeen. In 1858, he met landscape artist Eugène Boudin (1824-1898) who introduced him to plein-air (outdoor) painting. During the 1860s, only a few of Monet’s paintings were accepted for exhibition in the prestigious annual exhibitions known as the Salons. This rejection led him to join with other Claude Monet, 1899 artists to form an independent group, later known as the Impressionists. Photo by Nadar During the 1860s and 1870s, Monet developed his technique of using broken, rhythmic brushstrokes of pure color to represent atmosphere, light and visual effects while depicting his immediate surroundings in Paris and nearby villages. During the next decade, his fortune began to improve as a result of a growing base of support from art dealers and collectors, both in Europe and the United States. By the mid-1880s, his paintings began to receive critical “Everyone discusses my acclaim. art and pretends to understand, as if it were By 1890, Monet was financially secure enough to purchase a house in Giverny, a rural town in Normandy. During these later years, Monet began painting the same subject over and over necessary to understand, again at different times of the day or year. These series paintings became some of his most when it is simply famous works and include views of the Siene River, the Thames River in London, Rouen necessary to love.” Cathedral, oat fields, haystacks and water lilies. -
La Celle-Saint-Cloud Gare Rueil Malmaison La Celle
27 LA CELLE-SAINT-CLOUD GARE RUEIL MALMAISON 27 LA CELLE-SAINT-CLOUD GARE RUEIL MALMAISON Du lundi au vendredi La Gare de Croissy-sur-Seine Seine la Celle St Cloud Mairie Bourg Sablons Élysée Chemin des Vignes Jonchère Le Parc LA CELLE-ST-CLOUD Gare de la Celle-St-Cloud SNCF 06:20 06:35 07:00 07:25 07:50 08:15 08:40 09:15 09:50 10:25 11:00 11:35 12:10 12:45 13:20 14:00 14:40 15:20 16:00 16:25 16:52 17:21 17:40 18:16 18:48 19:10 19:32 20:35 21:35 μ Gare de Rueil L £ £ £ 1 r 30 r 5 rr 38 r 503 £ 503 £ 258 Malmaison £ r 0 r 503 Chatou 1 r 30 r 2 r 0 r + + r +([ r NUIT1 $ +([ r NUIT1 A Châtaigniers de Tournebride Musée Tourguéniev Stade £ Avenue 01 r 0 r r 1 Lycée Gal et Av. Av. des du Parc Stade Esso 158 r 1 r r 3 Mairie 06:21 06:36 07:01 07:27 07:52 08:17 08:42 09:16 09:51 10:26 11:01 11:36 12:11 12:46 13:21 14:01 14:41 15:21 16:01 16:26 16:53 17:23 17:42 18:18 18:50 19:11 19:33 20:36 21:38 Cha de la r N153 technologique rles Jonchè d Combattants r Château Pierre Corneille e Gaull e lle e £ ei RAC 258 r 503 Mairie Annexe Av. -
Page 1 H-France Review Vol. 15 (July 2015), No. 91 Claire White
H-France Review Volume 15 (2015) Page 1 H-France Review Vol. 15 (July 2015), No. 91 Claire White, Work and Leisure in Late Nineteenth-Century French Literature and Visual Culture: Time, Politics and Class. Basingstoke: Palgrave MacMillan, 2014. 246 pp. Figures, notes, bibliography, and index. $75.00 U.S. (hb). ISBN 978-1-137-37306-9. Review by Elizabeth Emery, Montclair State University. The 2006 youth protests against the Contrat première embauche and the 2014 CGT and FO walkouts on the third Conférence sociale pour le travail provide vivid examples of the extent to which the regulation of work continues to dominate the French cultural landscape. Claire White’s Work and Leisure in Late Nineteenth-Century French Literature and Visual Culture contributes a new and fascinating, if idiosyncratic, chapter to our knowledge of French attitudes toward labor and leisure. This is not a classic history of labor reform, but rather, as the author puts it in her introduction, an attempt to situate art and literature within this well-studied context by focusing primarily on the representation of work and leisure in the novels of Emile Zola, the poetry of Jules Laforgue, and the paintings of Maximilien Luce. The book’s title should not be interpreted as a study of the representation of work and leisure in literature and visual culture in general, but in the specific case of these three artists, each of whom “engages with discourses of labour and leisure in a way which is both highly self-conscious and which reveals something about his own understanding of the processes, values and politics of cultural work in the early Third Republic” (p. -
Mise En Page 1
900x210 24/02/12 18:20 Page 1 H LA MAISON FOURNAISE LE RENDEZ-VOUS DES IMPRESSIONNISTES LES DEUX FAUVES DE CHATOU UN DÉJEUNER À WASHINGTON LES COLLECTIONS DU MUSÉE LES ANIMATIONS DU MUSÉE FOURNAISE ADÉCOUVRIR SUR L’ILE DES IMPRESSIONNISTES COMMENT YACCÉDER : ANDRÉ DERAIN ET MAURICE DE VLAMINCK Le musée Fournaise conserve Individuel mo mo OURNAISE O F U Célèbre guinguette des bords de Seine, le charme du lieu attire ET DES ÉCRIVAINS André Derain (né à Chatou) et Maurice de Vlaminck installent leur Ce tableau, Le Déjeuner des Canotiers, est mondialement reconnu des collections picturales et • Visite audio-guide français, anglais, allemand 6e Renoir. Sur le balcon de la maison, il peint son célèbre Déjeuner Claude Monet, Alfred Sisley, Berthe atelier en 1900 dans une maison comme étant un chef-d’œuvre de l’impressionnisme. graphiques sur l’histoire de la • Visite sans audio-guide S museum and E des Canotiers à la fin de l’été en 1880. Morisot, Edouard Manet, Camille voisine du restaurant Fournaise, En 1924, Duncan Phillips et son épouse Isadora l’acquièrent pour le Maison Fournaise et du cano- Plein tarif 5e PAR LA ROUTE : A Pissarro, Pierre Prins, arpentent l’île la Maison Levanneur. Guillaume premier musée privé américain d’art moderne et considèrent alors tage. Elle comprend notamment Tarif réduit (sur justificatif) 3e Croisière à bord du Dénicheur, Adresse GPS : restaurant 3 rue du Bac - 78400 Chatou 10 km de que le monde entier se déplacera jusqu’à Washington pour une remarquable collection de • Visite guidée tous les dimanches à 15h 6e bateau électrique en quête de cette lumière mobile sur Apollinaire et Henri Matisse leur Depuis Paris, prendre les autoroutes PARIS l’admirer. -
The Skin of Van Gogh's Paintings Joris Dik*, Matthias Alfeld, Koen Janssens and Ella Hendriks * Dept
1788 Microsc. Microanal. 17 (Suppl 2), 2011 doi:10.1017/S1431927611009810 © Microscopy Society of America 2011 The Skin of Van Gogh's Paintings Joris Dik*, Matthias Alfeld, Koen Janssens and Ella Hendriks * Dept. of Materials Science, Delft University of Technology, Mekelweg 2, 2628CD, Delft, the Netherlands Just microns below their paint surface lay a wealth of information on Old Master Paintings. Hidden layers can include the underdrawing, the underpainting or compositional alterations by the artist. In addition, the outer surface of a paint layer may have suffered from discoloration. Thus, a look through the paint surface provides a look over the artist’s shoulder, which is crucial in technical art history, conservation issues and authenticity studies. In this contribution I will focus on the degradation mechanism of early modern painting pigments used in the work of Vincent van Gogh. These include pigments such as cadmium yellow and lead chromate yellow. Recent studies [1,2,3] of these pigments have revealed stability problems. Cadmium yellow, or cadmium sulfide, may suffer from photo-oxidation at the utmost surface of the paint film, resulting in the formation of colorless cadmium sulfate hydrates. Lead chromate, on the other hand, can be subject to a reduction process, yielding green chrome oxide at the visible surface. Obviously, such effects can seriously disfigure the original appearance of Van Gogh's oeuvre, as will be shown by a number of case studies. The degradation mechanisms were revealed using an elaborate analytical campaign, mostly involving cross-sections from the original artwork, as well as model paintings that had been aged artificially. -
Im Pressio Nist M O Dern & Co Ntem Po Rary Art 27 January
IMPRESSIONIST MODERN & CONTEMPORARY ART CONTEMPORARY & MODERN IMPRESSIONIST 27 JANUARY 2015 8 PM 8 2015 JANUARY 27 27 JANUARY 2015 PM 8 2015 JANUARY 27 134 IMPRESSIONIST MODERN & CONTEMPORARY ART CONTEMPORARY & MODERN IMPRESSIONIST VIEWINGS: Thu 15 Jan 5 pm - 10 pm Fri 16 Jan 11 am - 3 pm Sat 17 Jan 10 pm - 12 am IMPRESSIONISSun - Thu /T 18-22, MO JanDERN 11 am - 10 pm Fri 23 Jan 11 am - 3 pm & CONSat T24EMPORAR Jan Y 10 pm - 12 am Sun - Mon / 25 - 26 Jan 11 am - 10 pm FINE TueAR 27T JanAUCTION 11 am - 8 pm JERUSALEM, JANUARY 27, 2015, 8 PM SALE 134 PREVIEW IN JERUSALEM: Thu 15 Jan 5 pm - 10 pm Fri 16 Jan 11 am - 3 pm Sat 17 Jan 10 pm - 12 am Sun - Thu / 18-22 Jan 11 am - 10 pm Fri 23 Jan 11 am - 3 pm Sat 24 Jan 10 pm - 12 am Sun - Mon / 25 - 26 Jan 11 am - 10 pm Tue 27 Jan 11 am - 8 pm PREVIEW IN NEW YORK: Thu 15 Jan 12 pm - 5 pm Fri 16 Jan 11 am - 3 pm Sun - Thu / 18-22 Jan 12 pm - 5 pm Fri 23 Jan 11 am - 3 pm Sun - Mon / 25 - 26 Jan 12 pm - 5 pm Tue 27 Jan 11 am - 1 pm PREVIEW & AUCTION MATSART GALLERY 21 King David St., Jerusalem tel +972-2-6251049 www.matsart.net בס"ד MATSART AUCTIONEERS & APPRAISERS 21 King David St., Jerusalem 9410145 +972-2-6251049 5 Frishman St., Tel Aviv 6357815 +972-3-6810001 415 East 72 st., New York, NY 10021 +1-718-289-0889 LUCIEN KRIEF OREN MIgdAL Owner, Director Head of Department Expert Israeli Art [email protected] [email protected] StELLA COSTA ALICE MARTINOV-LEVIN Senior Director Head of Department [email protected] Modern & Contemporary Art [email protected] EVGENY KOLOSOV YEHUDIT RATZABI AuctionAdministrator AuctionAdministrator Modern & Contemporary Art [email protected] [email protected] REIZY GOODWIN MIRIAM PERKAL Logistics & Shipping Client Accounts Manager [email protected] [email protected] All lots are sold “as is” and subject to a reserve. -
American Art New York | November 19, 2019
American Art New York | November 19, 2019 AMERICAN ART | 39 2 | BONHAMS AMERICAN ART | 3 American Art at Bonhams New York Jennifer Jacobsen Director Aaron Anderson Los Angeles Scot Levitt Vice President Kathy Wong Specialist San Francisco Aaron Bastian Director American Art New York | Tuesday November 19, 2019 at 4pm BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 Jennifer Jacobsen Front Cover: Lot 15 New York, New York 10022 +1 (212) 644 9009 fax Director Inside Front Cover: Lots 47 and 48 bonhams.com [email protected] +1 (917) 206 1699 Inside Back Cover: Lot 91 [email protected] Back Cover: Lot 14 PREVIEW To bid via the internet please visit Friday, November 15, 10am - 5pm www.bonhams.com/25246 Aaron Anderson Saturday, November 16, 10am - 5pm +1 (917) 206 1616 Sunday, November 17, 12pm - 5pm Please note that bids should be [email protected] Monday, November 18, 10am - 5pm summited no later than 24hrs prior to the sale. New Bidders must REGISTRATION also provide proof of identity when IMPORTANT NOTICE SALE NUMBER: 25246 submitting bids. Failure to do this Please note that all customers, Lots 1 - 101 may result in your bid not being irrespective of any previous processed. activity with Bonhams, are CATALOG: $35 required to complete the Bidder LIVE ONLINE BIDDING IS Registration Form in advance of AUCTIONEER AVAILABLE FOR THIS SALE the sale. The form can be found Rupert Banner - 1325532-DCA Please email bids.us@bonhams. at the back of every catalogue com with “Live bidding” in the and on our website at www. -
Renoir, Impressionism, and Full-Length Painting
FIRST COMPREHENSIVE STUDY OF RENOIR’S FULL-LENGTH CANVASES BRINGS TOGETHER ICONIC WORKS FROM EUROPE AND THE U.S. FOR AN EXCLUSIVE NEW YORK CITY EXHIBITION RENOIR, IMPRESSIONISM, AND FULL-LENGTH PAINTING February 7 through May 13, 2012 This winter and spring The Frick Collection presents an exhibition of nine iconic Impressionist paintings by Pierre-Auguste Renoir, offering the first comprehensive study of the artist’s engagement with the full-length format. Its use was associated with the official Paris Salon from the mid-1870s to mid- 1880s, the decade that saw the emergence of a fully fledged Impressionist aesthetic. The project was inspired by Renoir’s La Promenade of 1875–76, the most significant Impressionist work in the Frick’s permanent collection. Intended for public display, the vertical grand-scale canvases in the exhibition are among the artist’s most daring and ambitious presentations of contemporary subjects and are today considered masterpieces of Impressionism. The show and accompanying catalogue draw on contemporary criticism, literature, and archival documents to explore the motivation behind Renoir’s full-length figure paintings as well as their reception by critics, peers, and the public. Recently-undertaken technical studies of the canvases will also shed new light on the artist’s working methods. Works on loan from international institutions are La Parisienne from Pierre-Auguste Renoir (1841–1919), Dance at Bougival, 1883, oil on canvas, 71 5/8 x 38 5/8 inches, Museum of Fine Arts, Boston, Picture Fund; photo: © 2012 Museum the National Museum Wales, Cardiff; The Umbrellas (Les Parapluies) from The of Fine Arts, Boston National Gallery, London (first time since 1886 on view in the United States); and Dance in the City and Dance in the Country from the Musée d’Orsay, Paris.