Helena Rubinstein the Adventure of Beauty
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Annual Report 2002
ANNUAL REPORT 2002 Founded nearly a century ago by the chemist Eugène Schueller, L’Oréal has consistently applied its policy of investing in research, ensuring that its products meet the highest possible standards of quality, safety and innovation. Today, the group contributes to the beauty of women and men all over the world, providing everyday solutions that enhance their sense of well-being. CONTENTS 01 Board of Directors 02 Chairman’s message 06 Management Committee 08 Financial highlights L’Oréal over ten years 12 Brands 14 Research and Development 18 Production and Technology 20 Human Resources 22 Sustainable Development 24 COSMETICS 26 Professional Products 32 Consumer Products 40 Luxury Products 48 Active Cosmetics 52 DERMATOLOGY AND NUTRICOSMETICS 54 PHARMACEUTICALS The L’Oréal Annual Report comprises three separate 56 CORPORATE GOVERNANCE documents: 1 a general brochure; 2 the consolidated financial statements 58 Stock exchange and shareholders available on Thursday 3rd April 2003; 3 the Management Report of the Board of Directors, the L’Oréal parent company financial statements plus additional information for the Reference Document as required by law, available two weeks prior to the Annual General Meeting convened for Thursday 22nd May 2003. L’Oréal Annual Report 2002 BOARD OF DIRECTORS BOARD OF DIRECTORS Lindsay Owen-Jones CBE Chairman and Chief Executive Officer Jean-Pierre Meyers Rainer E. Gut Vice-Chairman Xavier Fontanet Liliane Bettencourt Director since 29th May 2002 Françoise Bettencourt Meyers Marc Ladreit de Lacharrière Peter Brabeck–Letmathe Olivier Lecerf Franck Riboud Francisco Castañer Basco Director since 29th May 2002 François Dalle Edouard de Royère Jean-Louis Dumas Michel Somnolet Director since 29th May 2002 Director up to 31st December 2002 Auditors The presentation of the directors is on page 57. -
Monthly Disclosure of Trading in Own Shares Carried out in March 2016
Monthly disclosure of trading in own shares carried out in March 2016 Pursuant to Article 4 paragraph 4 of European Regulation n° 2273/2003 of December 22, 2003 implementing Directive 2003/6/EC of January 28, 2003, and in compliance with Article 241-4 of the AMF's General Regulations, L’Oreal declares below the transactions made on its own shares for the 14/03/2016 to the 18/03/2016 period: Weighted average Session of Number of shares Amount in € price in € 14/03/2016 Purchase 120 000 157,9826 18 957 912,00 15/03/2016 Purchase 65 000 157,4023 10 231 149,50 16/03/2016 Purchase 120 000 156,3470 18 761 640,00 17/03/2016 Purchase 175 000 154,3358 27 008 765,00 18/03/2016 Purchase 123 358 157,6754 19 450 521,99 TOTAL 603 358 94 409 988.49 Since its creation by a chemist, a century ago, L’Oréal is concentrated on one unique area of expertise, cosmetics. With a turnover of euros 25.26 billion in 2015, the group focuses its activities on 32 global and culturally diverse brands distributed in every distribution channel : -L’Oréal Professionnel, Matrix, Kérastase, Redken, Decléor, Carita in hair dressing salons. -L’Oréal Paris, Maybelline, Garnier, SoftSheen·Carson, Essie, MG, NYX Professional Makeup in mass market. -Vichy, La Roche Posay, Roger&Gallet, and Skinceuticals in pharmacies and drugstores. -Lancôme, Helena Rubinstein, Biotherm, Shu Uemura, Kiehl’s, Giorgio Armani, Cacharel, Ralph Lauren, Diesel, Viktor&Rolf, Clarisonic, Urban Decay, Yue-Sai and YSL in perfumeries and department stores, -The Body Shop in its own stores. -
Chief Executive Agendas
the insider’s beauty bible A FAIRCHILD PUBLICATION Leaders Outline Plans for Changing Times Shiseido’s Shinzo Maeda Victoria’s Secret’s Christine Beauchamp N.V. Perricone’s Shashi Batra Jurlique’s Eli Halliwell Frédéric Fekkai’s Melisse Shaban PLUS Fall Fragrances CHIEF Edible Beauty Second Life EXECUTIVE AGENDAS L’Oréal’s Jean-Paul Agon Plots a New Course for Growth Contents DEPARTMENTS 16 People, Places & Lipsticks Inside-out beauty, the lighting guru and an unsual take on the manicure. 20 What’s In Store Beach-ready essentials, artistic cosmetics and relief for stressed-out strands. 26 A Closer Look: Fragrance The comeback of classic flowers, not to mention the return of more celebrity scents. 52 The It List: Beauty Still Life Photographers When these artists get behind the camera, the results are more than just a pretty picture. They’re money-making masterpieces. 58 Last Call: Second (Life) Coming In our tech-savvy times, more beauty brands are embracing the undeniable tug of marketing products in a virtual world. FEATURES 30 Agon In Command L’Oréal’s ceo sets the stage for a new era at the French beauty company. And the analysts weigh in. 38 Beauty CEO Pop Quiz What’s on William Lauder’s reading list? And how does Maureen Chiquet keep her cool? Beauty’s top brass reveal all. 40 Young & Royally Talented Say hello to four emerging beauty bosses who are taking the industry into new territory. Shiseido’s Heidi Manheimer and Carsten Fischer flank ceo Shinzo Maeda, whose sweeping changes will soon be felt 44 Quiet Giant beyond Japan’s borders. -
Im Pressio Nist M O Dern & Co Ntem Po Rary Art 27 January
IMPRESSIONIST MODERN & CONTEMPORARY ART CONTEMPORARY & MODERN IMPRESSIONIST 27 JANUARY 2015 8 PM 8 2015 JANUARY 27 27 JANUARY 2015 PM 8 2015 JANUARY 27 134 IMPRESSIONIST MODERN & CONTEMPORARY ART CONTEMPORARY & MODERN IMPRESSIONIST VIEWINGS: Thu 15 Jan 5 pm - 10 pm Fri 16 Jan 11 am - 3 pm Sat 17 Jan 10 pm - 12 am IMPRESSIONISSun - Thu /T 18-22, MO JanDERN 11 am - 10 pm Fri 23 Jan 11 am - 3 pm & CONSat T24EMPORAR Jan Y 10 pm - 12 am Sun - Mon / 25 - 26 Jan 11 am - 10 pm FINE TueAR 27T JanAUCTION 11 am - 8 pm JERUSALEM, JANUARY 27, 2015, 8 PM SALE 134 PREVIEW IN JERUSALEM: Thu 15 Jan 5 pm - 10 pm Fri 16 Jan 11 am - 3 pm Sat 17 Jan 10 pm - 12 am Sun - Thu / 18-22 Jan 11 am - 10 pm Fri 23 Jan 11 am - 3 pm Sat 24 Jan 10 pm - 12 am Sun - Mon / 25 - 26 Jan 11 am - 10 pm Tue 27 Jan 11 am - 8 pm PREVIEW IN NEW YORK: Thu 15 Jan 12 pm - 5 pm Fri 16 Jan 11 am - 3 pm Sun - Thu / 18-22 Jan 12 pm - 5 pm Fri 23 Jan 11 am - 3 pm Sun - Mon / 25 - 26 Jan 12 pm - 5 pm Tue 27 Jan 11 am - 1 pm PREVIEW & AUCTION MATSART GALLERY 21 King David St., Jerusalem tel +972-2-6251049 www.matsart.net בס"ד MATSART AUCTIONEERS & APPRAISERS 21 King David St., Jerusalem 9410145 +972-2-6251049 5 Frishman St., Tel Aviv 6357815 +972-3-6810001 415 East 72 st., New York, NY 10021 +1-718-289-0889 LUCIEN KRIEF OREN MIgdAL Owner, Director Head of Department Expert Israeli Art [email protected] [email protected] StELLA COSTA ALICE MARTINOV-LEVIN Senior Director Head of Department [email protected] Modern & Contemporary Art [email protected] EVGENY KOLOSOV YEHUDIT RATZABI AuctionAdministrator AuctionAdministrator Modern & Contemporary Art [email protected] [email protected] REIZY GOODWIN MIRIAM PERKAL Logistics & Shipping Client Accounts Manager [email protected] [email protected] All lots are sold “as is” and subject to a reserve. -
Art-Related Archival Materials in the Chicago Area
ART-RELATED ARCHIVAL MATERIALS IN THE CHICAGO AREA Betty Blum Archives of American Art American Art-Portrait Gallery Building Smithsonian Institution 8th and G Streets, N.W. Washington, D.C. 20560 1991 TRUSTEES Chairman Emeritus Richard A. Manoogian Mrs. Otto L. Spaeth Mrs. Meyer P. Potamkin Mrs. Richard Roob President Mrs. John N. Rosekrans, Jr. Richard J. Schwartz Alan E. Schwartz A. Alfred Taubman Vice-Presidents John Wilmerding Mrs. Keith S. Wellin R. Frederick Woolworth Mrs. Robert F. Shapiro Max N. Berry HONORARY TRUSTEES Dr. Irving R. Burton Treasurer Howard W. Lipman Mrs. Abbott K. Schlain Russell Lynes Mrs. William L. Richards Secretary to the Board Mrs. Dana M. Raymond FOUNDING TRUSTEES Lawrence A. Fleischman honorary Officers Edgar P. Richardson (deceased) Mrs. Francis de Marneffe Mrs. Edsel B. Ford (deceased) Miss Julienne M. Michel EX-OFFICIO TRUSTEES Members Robert McCormick Adams Tom L. Freudenheim Charles Blitzer Marc J. Pachter Eli Broad Gerald E. Buck ARCHIVES STAFF Ms. Gabriella de Ferrari Gilbert S. Edelson Richard J. Wattenmaker, Director Mrs. Ahmet M. Ertegun Susan Hamilton, Deputy Director Mrs. Arthur A. Feder James B. Byers, Assistant Director for Miles Q. Fiterman Archival Programs Mrs. Daniel Fraad Elizabeth S. Kirwin, Southeast Regional Mrs. Eugenio Garza Laguera Collector Hugh Halff, Jr. Arthur J. Breton, Curator of Manuscripts John K. Howat Judith E. Throm, Reference Archivist Dr. Helen Jessup Robert F. Brown, New England Regional Mrs. Dwight M. Kendall Center Gilbert H. Kinney Judith A. Gustafson, Midwest -
Color Theory and Cosmetics Emma E
Central Washington University ScholarWorks@CWU Undergraduate Honors Theses Student Scholarship and Creative Works Spring 2016 Color Theory and Cosmetics Emma E. Mahr Central Washington University, [email protected] Follow this and additional works at: http://digitalcommons.cwu.edu/undergrad_hontheses Part of the Photography Commons Recommended Citation Mahr, Emma E., "Color Theory and Cosmetics" (2016). Undergraduate Honors Theses. Paper 6. This Thesis is brought to you for free and open access by the Student Scholarship and Creative Works at ScholarWorks@CWU. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of ScholarWorks@CWU. Color Theory and Cosmetics Emma Mahr Senior Thesis Submitted in Partial Fulfillment of the Requirements for Graduation Arts & Humanities Honors Program William O. Douglas Honors College Central Washington University May 2016 Accepted by: ___________________________________________________________ __________ Andrea Eklund, Associate Professor, Family & Consumer Sciences Dept. Date _________________________________________________________ __________ Katherine Boswell, Lecturer, English Department Date 2 Table of Contents Abstract 3 Introduction 4 Background 5 A Brief History of Modern Cosmetics 5 Terms Defined 8 Methods 9 Models 9 Consultations 10 Products 11 Sanitation 13 Process 13 Look One 14 Look Two 14 Look Three 15 Individualized Looks 16 Analysis 17 Look One 17 Look Two 18 Look Three 19 Individualized Looks 20 Reflection 21 References 23 Appendix Consent Forms 25 Face Templates 28 Photographs 35 3 Abstract In this research project, I attempted to discover what difference does color make on the perception of the face. I examined the effects of cosmetics on the appearance of the face using color theory. Three models were used for this project. -
L'oréal Returns to Growth
Clichy, 22 October 2020 at 6.00 p.m. SALES AT 30 SEPTEMBER 2020 L’ORÉAL RETURNS TO GROWTH Sales: 20.11 billion euros 1 o -7,4% like-for-like o -6,9% at constant exchange rates o -8,6% based on reported figures Growth in the third quarter: +1.6% like-for-like 1 Exceptional growth of the Active Cosmetics Division: +15.2% like-for-like 1 Power and growth in e-commerce 2: 23.7% of sales, +61.6% 1 Strong growth in mainland China: +20.8% like-for-like 1 Commenting on the figures, Mr Jean-Paul Agon, Chairman and Chief Executive Officer of L'Oréal, said: “In the context of the ongoing epidemic crisis, L’Oréal’s absolute priority continues to be to protect the health of all its employees worldwide. The Group was able to return to growth as soon as this third quarter thanks to the determination and the relevance of the strategic choices taken in all Divisions and geographic Zones. After a first half marked by a crisis of supply, linked to the closure of points of sale around the world, L’Oréal put everything in place, as early as June, to stimulate demand for its brands and products and to re-engage all its business drivers. All of the launches initially planned went ahead, business drivers and media investments were strengthened, and “Back to Beauty” plans were deployed with our distribution partners everywhere, in brick-and-mortar and e-commerce, to stimulate the return to consumption. This return to growth is evidence of consumers’ robust appetite for beauty products and our innovations. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: [No Value], Louise Elizabeth Hughes Title: Chaim Soutine (1893-1943) Receptions, constructions and significance General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Chaim Soutine (1893-1943): Receptions, Constructions and Significance Louise Elizabeth Hughes A dissertation submitted to the University of Bristol in accordance with the requirements of the degree of Doctor of Philosophy in the Faculty of Arts. -
Deloitte Global Powers of Luxury Goods 2018
Global Powers of Luxury Goods 2018 Shaping the future of the luxury industry Contents Foreword 3 Top 100 quick statistics 4 Shaping the future of the luxury industry 5 Global Economic Outlook 9 Top 100 highlights 13 Global Powers of Luxury Goods Top 100 15 Top 10 highlights 23 Fastest 20 27 Product sector analysis 29 Geographic analysis 37 Newcomers 45 Study methodology and data sources 47 Endnotes 50 Contacts 51 Luxury goods in this report focuses on luxury for personal use, and is the aggregation of designer clothing and footwear (ready-to-wear), luxury bags and accessories (including eyewear), luxury jewellery and watches and premium cosmetics and fragrances. Foreword Welcome to the fifthGlobal Powers of Luxury Goods. The report examines and lists the 100 largest luxury goods companies globally, based on the consolidated sales of luxury goods in FY2016 (which we define as financial years ending within the 12 months to 30 June 2017). It also discusses the key trends shaping the luxury market and provides a global economic outlook. The world’s 100 largest luxury goods companies generated personal luxury goods sales of US$217 billion in FY2016. At constant currency, the growth rate was 1 per cent, 5.8 percentage points lower than the 6.8 per cent currency-adjusted growth achieved by these companies in the previous year. The average luxury goods annual sales for a Top 100 company is now US$2.2 billion. The luxury market has bounced back from economic uncertainty and geopolitical crises, edging closer to annual sales of US $1 trillion at the end of 2017. -
In Ein Harod,Chaim Soutine Meets Israeliart Exhibit Isshowcasingworks by the Greatpainter,Who Left Mark on Israeliartists Some of Whose Works Are on Display
In Ein Harod,Chaim Soutine meets Israeliart Exhibit isshowcasingworks by the greatpainter,who left mark on Israeliartists some of whose works are on display V. Ji-V Chaim Soutine,Self-Portrait,ca. 1916. IgaelTumarkin, Homage to Soutine from the seriesButchers Chaim Soutine,Girl in Blue ca. 1938-39. CollectionoftheIsrael CollectionofTelAviv Museum ofArt bequest,ofMala Silson,New York (1968-69),restored (1992). CollectionofTelAviv Museum ofArt Museum, Jerusalem,giftofEdwin and Grace Hokin Chicago “Gladioli” about four his well-known able works of art that are Soutine’s Naama Riba years paintings: work, Shapira $1ST$museums$1ST$said he would not have־$1ST$Soutine$1ST$Curator Shapira: “The Pastry Chef,”“Page on loan from major muse־ago. He lectures about Sou painting“Gladioli” tine$2ND$Soutine$2ND$and periodicallyholds Boy at Cafe Maxim” and ums$2ND$museums$2ND$abroad is extremely forgone the other works ”.$1ST$dedicated$1ST$‘ShowingSoutine paintingfrom his animal costly and complicated; shown in “Naked Soul־by Chaim Soutine fell “Soutiniana” events dedi $$1ST$power$1ST־Theinto the hands of Ya- cated$2ND$dedicated$2ND$to the artist.Tatz was is spiritual carcass series. most small institutions of “That’s the entire pow $$1ST$explained.$1ST־$1ST$kibbutz$1ST$ Soutine was considered this kind have neither the er$2ND$power$2ND$of this show,” he ex־niv Shapira,curator of the excited to hear that the kib $$1ST$wonderful$1ST־$1ST$influential$1ST$time, staff or expertiseto plained.$2ND$explained.$2ND$“Soutine is won־$1ST$organizing$1ST$experience.When to be one of the most influ־Mishkan Museum of Art at butz$2ND$kibbutz$2ND$museum was organiz $$1ST$involved.$1ST־$1ST$almost$1ST$an exhibition dedicated ential$2ND$influential$2ND$artists in deal with the in־Ein in the al Harod, north, ing$2ND$organizing$2ND$ stand in working procedures derful$2ND$wonderful$2ND$artist and showing most$2ND$almost$2ND$by accident. -
The Yiddish Life of Chaim Soutine (1893-1943): New Materials
The Yiddish Life of Chaim Soutine (1893-1943): New Materials Introduction and translations by Ofer Dynes In geveb: A Journal of Yiddish Studies (April 2020) For the online version of this article: [http://ingeveb.org/texts-and-translations/life-of-soutine] In geveb: A Journal of Yiddish Studies April (2020) The Yiddish Life of Chaim Soutine (1893-1943): New Materials Ofer Dynes Most biographies of Chaim Soutine comment at some point on how impossible it is to write a biography of Chaim Soutine: “What sources do we have for writing about Soutine?” mused Michel LeBrun-Franzaroli ruefully, after decades of meticulous research following the footsteps of Soutine across France: “Leopold Zborowski, his art dealer… didn’t leave any archive, any financial account, any catalogue… Soutine himself hardly spoke, practically never wrote, and at any rate, didn’t say anything about his art.” The preface to the biographical note in Soutine’s Catalogue Raisonné conveys the same sense of frustration, albeit much more succinctly: “The artist left few personal papers and 1 no records.” The few letters of Soutine that have survived are prosaic in their content and laconic in their style. In 1964, Harvard University was able to purchase one of the most extensive collections of Soutine’s correspondence. The hopes were high: the collection contained 37 letters of Soutine, no less, addressed to Henri Sérouya (born Aharon Tsruya, 1895-1968), a renowned Kabbalah scholar who had claimed that Soutine’s paintings are troubling because they “are permeated with the vehemence of Jewish 2 mysticism.” One cannot help wondering: Did Soutine agree with this statement? What kind of conversations did he and Sérouya hold on the subjects of Jewish Mysticism or French Modernism, considering that Sérouya was an expert on both? Disappointingly, the letters do not provide any clues. -
Global Mba with Major in Luxury Brand Management
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