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Annual Report 1999

Annual Report 1999

NATIONAL GALLERY OF 1999 Annual Report

1999 ANNUAL REPORT

NATIONAL GALLERY OF ART 1999 Annual Report Copyright © 2000 Board of Trustees, Cover: View of the in the new National Details illustrated at section openings: Gallery of Art Garden, with the western , Washington. p. 5: , Saint Martin and the Beggar, facade of the West Building in the background. 1597/1599, oil on canvas, Widener Collection, All rights reserved. Photograph by Robert Shelley 1942.9.25 Photograph on page 65: copyright © Title page: Sanford Robinson Gifford, Siout, , p. 7: Albrecht Diirer, Small Horse, 1505, engraving, 1874, oil on canvas, 53.3 x 101.6 cm, New Century Rosenwald Collection, 1943.3.3558 2000 Estate of Andre Kertesz Fund, Gift of Joan and Maxwell, 1999.7.1 p. 9: Moritz von Schwind, Saint George and the Image of House I by Dragon, 1825/1830, pen and brown ink on wove Photographic credits: Works in the collection of the paper, Ailsa Mellon Bruce Fund, 1998.22.2 (page 80): copyright © 2000 Estate of National Gallery of Art have been photographed by Roy Lichtenstein the department of imaging and visual services. p. 13: Augustus Saint-Gaudens, Memorial to Robert Image of Cheval Rouge by Other photographs are by Dennis Brack / Black Shaw and the Fifty-fourth Regiment, Star (pp. 12, 18, 34, 40, 68, 86, 94), Sally Freitag 1900, patinated plaster, on long-term loan from the (page 80): copyright © 2000 (p. 70), and Robert Shelley (cover and pp. 75, 80) Department of the , National Estate of /Artists Park Service, Saint-Gaudens National Historic Site, Rights Society (ARS), New York Cornish, New Hampshire p. 19: Edgar , Horse Galloping on Right Foot, This publication was produced by the 1889/1890, brown wax and cork, Collection of Editors Office, National Gallery of Art Mr. and Mrs. Paul Mellon, 1999.80.11 Production Manager, Chris p. 41: Albrecht Diirer, Knight on Horseback and the Editor, Tarn Curry Bryfogle Lansquenet, c. 1496/1497, , Gift of W.G. Allen, 1941.1.41 Editorial Assistant, Mariah Shay p. 51: Nineteenth-century American, Allegory of Freedom, 1863 or later, oil on canvas, Gift of Edgar Designed by Susan Lehmann, William and Bernice Chrysler Garbisch, 1955.11.4

Washington, D.C. p. 69: Joseph A. , Neigh of an Horse, 1860, Printed by Schneidereith and Sons, oil on canvas, Gift of Edgar William and Bernice Baltimore, Maryland Chrysler Garbisch, 1980.62.69 The type is Meridien, set by ARTECH p. 81: Theodore Gericault, Trumpeters of 's Graphics II, Inc. Imperial Guard, 1812/1814, oil on canvas, Chester Fund, 1972.25.1 ISBN 0-89468-280-6 p. 87: Aelbert Cuyp, Horsemen and Herdsmen with Cattle, 1655/1660, oil on canvas, Widener Collection, 1942.9.16 National Gallery of Art p. 95: Eugene , Encounter of the Moorish 4th Street and Constitution Avenue, N.W. Horsemen, 1834, etching and drypoint, Rosenwald Washington, D.C. 20565 Collection, 1950.7.1 Web site: www.nga.gov CONTENTS

Trustees and Trustee Committees 7 Acquisitions 51

President's Report 9 Exhibitions 69 Exhibitions at the Director's Report 13 National Gallery of Art 69 Lenders 70 Summary Report of Activities 19 Loans 73 Gifts and Acquisitions 19 Exhibitions 27 Appendices 81 Public Programs: Education, Films, Changes of Attribution 81 Music 31 Publications and Awards 83 Collection Management and Conservation 34 Staff, Fellows, Volunteers, and Resources for Scholarly Research: Interns 87 Archives, Library, Publications, Photographic Services 36 Gzfk 95 The Center for Advanced Study in the Visual 39

Treasurer's Report 41 Financial Statements 43 f * t

Robert F. Erburu r David 0. Maxwell Carter Stevenson Trustee Emerita

• v <5*

William H. Rehnquist Madeleine K. Albright Lawrence H. Summers I. Michael Heyman The Chief Justice of the The Secretary of State The Secretary of the Treasury The Secretary of the United States TRUSTEE MMITTEES AND OFFICERS

Board of Trustees Finance Committee (as of 30 September 1999) (as of 30 September 1999)

Alexander M. Laughlin, Chairman Robert H. , Chairman Robert H. Smith, President Lawrence H. Summers T/zf Secretary Treasury Robert F. Erburu I. Michael Heyman Julian Ganz Jr. The Secretary of the Smithsonian Institution David O. Maxwell Alexander M. Laughlin William H. Rehnquist Robert F. Erburu Julian Ganz Jr. Madeleine K. Albright Alexander M. Laughlin Robert H. Smith SaTf&zfy 0/Aak David O. Maxwell Chairman President Lawrence H. Summers The Secretary of the Treasury I. Michael Heyman Art and Education Committee 77# arcrf&ny 0/(Ae AKfi'fwfzon (as of 30 September 1999)

Ruth Carter Stevenson, Trustee Emerita Robert H. Smith, Chairman Earl A. Powell III Audit Committee Alexander M. Laughlin (as of 30 September 1999) Robert F. Erburu

Alexander M. Laughlin, Chairman Julian Ganz Jr. Lawrence H. Summers David O. Maxwell 7%e Secrf&zry o/f&f Treasury Robert H. Smith Robert F. Erburu Julian Ganz Jr. David O. Maxwell

* deceased

7 , Racehorses (study for "Scene from the Steeplechase: The Fallen Jockey"), c. 1866, charcoal on light brown paper, 27.6 x 43.2 cm, Collection of Mr. and Mrs. Paul Mellon, 1999.79.9

Trustees' Council Teresa F. Heinz Executive Officers (as of 30 September 1999) Raymond J. Robert H. Smith, President George F. Jewett Jr. Earl A. Powell III, Director David O. Maxwell, Chair Stephen M. Kellen Alan Shestack, Deputy Director Robert W. Duemling, Vice-Chair Leonard A. Lauder A. Millon, Dean Nancy Lee Bass LaSalle D. Leffall Jr. Center for Advanced Study in the Visual Arts Heidi L. Donald B. Marron Darrell Willson, Administrator Leon D. Black Edward J. Mathias James E. Duff, Treasurer Calvin Cafritz Louise W. Mellon Philip C. Jessup Jr., Secretary and General Counsel Joyce Menschel Melvin S. Cohen Joseph J. Krakora, External and International Liselotte Millard Affairs Officer William T. Coleman Jr. Harvey S. Shipley Miller Edwin L. Cox Diane A. Nixon J. Carter Brown, Director Emeritus James T. Dyke Lucio A. Noto A. Ebsworth Diana C. Prince Edward E. Elson Roger W. Sant Doris Fisher B. Francis Saul II Aaron I. Fleischman James S. Smith Juliet C. Folger Ruth Carter Stevenson John C. Fontaine Frederick A. Terry Jr. Marina I<. French Ladislaus von Hoffmann Morton Funger John C. Whitehead Evelyn D. Haas Dian Woodner *4tr

PRESIDENT'S FOREWORD

The loss of Paul Mellon this past year The dynamic partnership between the has prompted all of us at the National federal government and the private sec- Gallery of Art to reflect on, and to cele- tor, proposed by Andrew Mellon and brate, his extraordinary gifts to the accepted by D. Roosevelt and world's arts community. Over nearly the Seventy-fifth Congress in 1937, has sixty years, as a founding benefactor, enabled the National Gallery to estab- trustee, president, chairman, and lish and sustain the highest standards of finally, honorary trustee, Paul Mellon museum practice. In 1999 there was no guided the National Gallery with wis- clearer example of this public-private dom and dedication, leaving the indeli- cooperation than the opening of ble mark of his fine eye, farsighted the National Gallery of Art Sculpture judgment, and penetrating generosity Garden. Located on a prominent site on every aspect of the institution. My on the National Mall adjacent to the fellow trustees and I have treasured Gallery's West Building—federal land Paul's gracious leadership. In his final set aside for the purpose—the wonder- gift he bequeathed a substantial endow- ful new outdoor exhibition space was ment for art acquisition, education, the given to the nation by The Morris and Gallery Archives, and the Center for Gwendolyn Cafritz Foundation, which Advanced Study in the Visual Arts in generously provided funds for the addition to donating seventy-three mas- design and construction of the garden terworks of , sculpture, and as well as for the purchase of several carefully chosen from his per- monumental works of art. Further sonal collection. A magnificent legacy, exceptional acquisitions were made pos- this bequest continues the remarkable sible by other private gifts from The thoughtfulness that characterized his Nancy Lee and Perry Bass Fund, The lifetime of philanthropy. On behalf of Donald Fisher Family, and John and the trustees and the entire staff of the Mary Pappajohn. National Gallery, I extend deepest sym- The National Gallery is indebted to pathies to Paul's wife, Bunny, his fam- the president of the United States and ily, and his many friends. the Congress, which continued funding in fiscal year 1999 for the Gallery's Washington metropolitan area whose operations and maintenance and for the donations fund the acquisition of major repair and renovation of its landmark works of art. It means a great deal to us facilities. These funds enable the institu- that so many who enjoy the hometown tion to fulfill its mission of service to the advantage of the Gallery's collections and nation, with year-round free admission. programs have responded generously. The Gallery's buildings and all works The lasting impact of planned giving is of art are gifts from the private sector or also tremendously important to the purchases through private funds. Private National Gallery. In the past year sev- philanthropy also supports the excel- eral individuals have made commit- lence of the Gallery's programs. Since its ments to establish charitable remainder inception, the nation's art museum has trusts and planned bequest intentions. benefited from the support of founda- The Gallery's two annual giving pro- tions. The highlight among many notable grams, the Collectors Committee and grants this year for a range of projects The Circle of the National Gallery of was a major commitment from the Art, include members from across the Richard King Mellon Foundation in country. The Collectors Committee, honor of Paul Mellon. This memorial cochaired by Doris Fisher and Barney gift is for the renovation of the West Ebsworth, meets once a year to acquire Building ground floor sculpture galleries, modern and for the which was of great importance to Paul. Gallery's collection. This spring the group We were delighted as well to receive a seized the opportunity to purchase a significant commitment from the Roger rare by photographer and Vicki Sant Fund of The Community . The Circle of the Foundation for the National Capital National Gallery provides the resources Region for the acquisition of nineteenth- and flexibility to fund acquisitions, con- century European . servation, education, and exhibitions. The National Gallery of Art has also We appreciate the energetic leadership enjoyed generous corporate sponsorship of Julie Folger and David Maxwell, of special exhibitions and programs over which has fueled the steady growth of the years. The Board of Trustees recog- The Circle. As David Maxwell stepped nized four outstanding members of the down this year, we welcomed Marina corporate community, awarding the French of as the new co- Medal for Distinguished Service to Edu- chair of the group. cation in Art to Charles R. Lee, as chair- In 1999 the composition of the Board man and chief executive officer of GTE of Trustees changed when Louise W. Corporation; Lucio A. Noto, as chair- Mellon retired after six years of service. man and chief executive officer David O. Maxwell, a longtime supporter of Mobil Corporation; and Lily and of the Gallery, was elected to fill the Edmond J. Safra, of Republic New York vacated position on the board. Alexander Corporation and Safra Republic Hold- M. Laughlin is chairman of the board, ings. We are grateful for their leadership and Robert F. Erburu, Julian Ganz Jr., in promoting public appreciation for the and I, as president, continue as private arts. Special thanks in fiscal year 1999 trustees. The Chief Justice of the Su- go to Andersen Consulting for its sup- preme Court, the Secretary of State, the port of the exhibition 's Van Secretary of the Treasury, and the Sec- Goghs: Masterpieces from the Van Gogh retary of the Smithsonian Institution Museum, Amsterdam; Nippon Telegraph are ex officio trustees. and Telephone Corporation for Edo: Art David Maxwell took the place of in 1615-1868; Ford Motor Com- Julian Ganz as chair of the Trustees' pany for ; Airbus Council, the national group that advises Industrie for Portraits by Ingres: Image of the board, with Robert W. Duemling an Epoch; and Aetna for . continuing as vice-chair. We would like The New Century Gift Committee to thank those on the Council whose continues to attract friends from the terms ended in 1999: Daniel N. Belin of

10 John Frederick Peto, The Blue Envelope, c. 1890s, ; Frederic C. Hamilton of a living institution. He was justifiably oil on wood, 10.8 x 16.5 cm, Collection of Mr. Denver; Linda H. Kaufman of Norfolk, proud of what his family had created in and Mrs. Paul Mellon, 1999.79.28 Virginia; Frank H. Pearl and Sharon partnership with the United States gov- Rockefeller of Washington, D.C.; and ernment for the benefit of the American Richard M. Scaife of Pittsburgh. New people, and he nurtured its growth and members are William T. Coleman Jr. of development with great satisfaction. The McLean, Virginia; La Salle D. Leffall Jr. trustees of the National Gallery of Art and Roger W. Sant of Washington, D.C.; share his pride and are deeply grateful Edward J. Mathias of Bethesda, Mary- to the federal government and to the land; and Diane A. Nixon and Frederick many private friends whose generous A. Terry Jr. of New York City. We also support continues to sustain this precious received returning members Calvin vitality. Reinforced by the exceptional Cafritz of Washington, D.C.; James T. talents of the staff, we look forward to a Dyke of Little Rock, Arkansas; Edward future of excellence, achievement, and E. Elson of New York City; Doris Fisher service to the nation. of San Francisco; and Teresa Heinz of Pittsburgh. On behalf of the board, I Robert H. Smith wish to thank all of the volunteers who, President through their dedication and service to the National Gallery, uphold Paul Mel- Ion's example of stewardship. Paul Mellon's love of the National Gallery centered on his belief that it is

11

DIRECTOR' TATEMENT

The defining qualities and strengths of 1985, when he became an honorary the National Gallery of Art are the trustee. It was under his guidance that enduring legacy of Andrew W. Mellon, both the West and the East Buildings his son Paul Mellon, and daughter were designed and built, the latter with Ailsa Mellon Bruce. Paul Mellon, the funds provided by Paul, Ailsa, and The renowned philanthropist, art collector, Andrew W. Mellon Foundation. The patron of the arts, and horse breeder, nation has Paul Mellon to thank for the was unparalleled in his gifts to the choice of I. M. Pei as the architect of the nation's cultural life. His generosity East Building. He was also instrumental established the Gallery as one of the in founding the Gallery's Center for premier art museums in the world. Advanced Study in the Visual Arts, with Modest and kind, he was among the the mandate, in his words, "to increase great philanthropists of our time and a our understanding of our heritage of gentleman in every sense. the art of the Western world." Paul Melton and his sister Ailsa repre- Paul Mellon's beneficence to the sent the second generation of benefac- National Gallery and to the country tors to the National Gallery. Paul con- concluded with the bequest of seventy- tinued the family's extraordinary three major works of art, many of which munificence, his father's commitment he lived with and enjoyed immensely. to giving back to society becoming the With these and earlier gifts, he made son's way of life. He provided visionary the Gallery one of the world's foremost and judicious leadership that spanned centers of French impressionist and decades, from the founding of the post-impressionist art, with great depth Gallery until his death last year. Paul and strength in American masterworks Mellon served as the National Gallery's of the nineteenth century and a com- first president from 1938 to 1939, prehensive representation of key figures

Paul Mellon at the opening of the West Building's rejoining the Board of Trustees in 1945 in British art. During his lifetime Paul ground floor sculpture galleries in 1983, with two following his military service. He served Mellon donated some 900 paintings, works given by Mr. and Mrs. Mellon: Antoine- again as president from 1963 to 1979 sculpture, and works on paper to the Louis B a rye's Gaston de Foix on Horseback and Jean-Louis-Ernest Meissonier's Horseman in a Storm. and as board chairman from 1979 to Gallery. A memorial exhibition is

13 planned for fiscal year 2000 to celebrate Stewart Udall, as Secretary of the Inte- the interests of Paul and Bunny Mellon rior, had signed an agreement to pursue and the discernment and elegance for in 1966. Indeed it reflects the intentions which they have become known. Their of eighteenth-century city planner gifts have more than fulfilled Andrew Pierre-Charles L'Enfant, who envisioned Mellon's vision, placing the National a park on the site. The present design Gallery at the forefront of the world's was created by Laurie D. Olin, land- great art museums. scape architect, of Olin Partnership, in The character of the Gallery is epito- association with key members of the mized by its collection. What began as Gallery staff. New plantings of native the gift to the nation from one man, American canopy trees, flowering trees, Andrew Mellon, now includes works of shrubs, groundcover, and perennials art given by more than 1,100 donors. provide a natural, parklike setting for This year was an extraordinary one for the display of significant works of sculp- acquisitions. Sanford Gifford's Siout, ture. A fountain in the center becomes Egypt, the finest and most important of a new ice skating rink in the winter. this major nineteenth-century American Installed throughout the Sculpture landscape painter's Egyptian works, Garden are seventeen outstanding came to the Gallery as the gift of Joan examples of twentieth-century sculp- and David Maxwell. John Haberle's Imi- ture, ranging from forty-two inches to tation, a great trompe-l'oeil painting and twenty feet in height and weighing as one of the artist's masterpieces, was a much as eight tons. Among the works gift from the Amon G. Carter Founda- entering the collection this year, four tion. Raphaelle Peak's A Dessert, an were donated by The Morris and Gwen- exemplar of early American still-life dofyn Cafritz Foundation: Puellae by painting and the first work by this artist Polish-born Magdalena Abakanowicz; to enter the coilection, was a partial and Stele II by American artist Ellsworth promised gift from Jo Ann and Julian Kelly; House I by American pop artist Ganz Jr. in memory of Franklin D. Roy Lichtenstein; and Typewriter Eraser, Murphy. Scale X, by and Coosje Major examples of twentieth-century van Bruggen. Other works given this art were atso noteworthy additions to year included British artist Barry Flana- the collection. A compelling work by gan's Thinker on a Rock, a gift of John Washington painter Morris and Mary Pappajohn; American artist Louis, Ambi II, and American abstract Sol LeWitt's Four-Sided Pyramid, a gift of expressionist Robert Motherwell's In The Donald Fisher Family; and Lucas Plato's Cave No. I were both acquired Samaras' Chair Transformation Number through The Nancy Lee and Perry Bass 20B, acquired through The Nancy Lee Fund. Georgia O'Keeffe's powerful and Perry Bass Fund. We were particu- abstract Black, White and Blue was a par- larly pleased that this new urban space tial and promised gift from Mr. and Mrs. attracted more than 660,700 visits in its Barney A. Ebsworth, and Pat Steir's dra- first four months. matic Curtain Waterfall was also a gift Special exhibitions at the National from the Ebsworths. Le Tournesol by Gallery continue to be an integral aspect Edward Steichen is the only extant of our programming. The year began painting from the artist's modernist with great enthusiasm as we opened the period. Acquired for the Gallery by exceedingly popular Van Gogh's Van the Collectors Committee, it greatly Goghs: Masterpieces from the Van Gogh enriches the collection of early twen- Museum, Amsterdam. The international tieth-century American art. focus then turned to Edo: Art in Japan The May 23 opening of the National 1615-1868 with its concurrent perform- Gallery of Art Sculpture Garden, made ing arts festivai; monographic exhibi- possible with funding from The Morris tions of paintings by nineteenth-century and Gwendolyn Cafritz Foundation, American expatriate John Singer Sargent realized a plan that Paul Mellon and and the grand-style portraits of French

14 ••

Raphaelle Peale, A Dessert, 1814, oil on wood, 34 x master Jean-Auguste-Dominique Ingres; works of art, now provides diffused nat- 48.3 cm. Gift (Partial and Promised) of Jo Ann and finally the groundbreaking Golden ural light in which to view the nation's and Julian Ganz Jr. in memory of Franklin D. Murphy, 1999.44.1 Age of Chinese Archaeology: Celebrated Dis- paintings and sculpture in more than coveries from the People's Republic of China. ninety floor galleries. Significant Please look for descriptions of these and progress was also made toward installa- other exhibitions in the following sec- tion of new automation/energy man- tion of this report. agement and fire protection systems. One of the Gallery's highest priorities In addition, a comprehensive master remains the stewardship of the West facilities plan recently adopted ensures and East Buildings. We are grateful for that the buildings and systems will be the continued federal funding of several repaired or replaced on a cycle that pro- crucial capital improvements. We were vides optimum operations effectiveness particularly pleased this year with the and efficiency. This ten- to twelve-year completion of the fifth and final phase plan is ambitious yet critical. It includes of replacing the original skylights in the exterior, structural, and architectural West Building. This major project, which repairs; interior mechanical, electrical, required the successive closing of quad- and plumbing systems replacement; and rants of the building and removal of the safety and security improvements. An

15 Pat Steir, Curtain Waterfall, 1991, oil on canvas, 351.8 x 295.9 cm, Gift of Mr. and Mrs. Barney A. Ebsworth, 1998.97.1

16 office of capital projects was established and grounds; and widening its appeal to to manage the design and construction all Americans through active education work called for in this plan and to coor- and exhibition programs. The Gallery dinate it with myriad other Gallery continues to seek out and acquire out- activities. standing works of art, either by dona- Two significant curatorial appoint- tion or by purchase with private funds. ments were made this year: Peter Par- Special exhibitions are in development shall joined the Gallery as curator that will illuminate particular aspects of of prints, and Jeffrey Weiss the collection as well as focus on mater- was promoted to curator of modern and ial of exceptional merit from other cul- contemporary art. I was also pleased to tures and periods. The multiyear master name Ysabel Lightner as chief of the facilities plan for the West and East Gallery Shops division. Buildings launches the Gallery on a We noted with great sadness the carefully planned strategy to safeguard death of Frances P. Smyth-Ravenel, these national treasures. Renovation the Gallery's editor-in-chief for the past began this year on the West Building eighteen years and a key member of the ground floor sculpture galleries. Slated staff for thirty years. She oversaw the for completion in 2001, the new exhibi- editing, design, and production of hun- tion spaces will give added prominence dreds of exhibition catalogues and other to the 3,000 works in the Gallery's publications, each one undeniably sculpture holdings and will be a won- influenced by her keen eye and refined derful capstone for the celebration of taste. The Gallery owes much to Branny the collection as we enter the new for her commitment to excellence, both millennium. in intelligent and elegant design and in clear, concise writing. Earl A. Powell III In fiscal year 1999 we recorded more Director than 6.7 million visits to the National Gallery, the highest number since 1988. Visitors came from every U.S. state and territory as well as from eighty foreign countries. I am particularly grateful to the Administration and Congress for honoring their original pledge of on- going appropriations of federal funds to operate and maintain the Gallery and to protect and care for the nation's art col- lection. I also appreciate the dedication of the staff and volunteers of the Gallery, who share their knowledge, talent, experience, and dedication in the ser- vice of a local, national, and interna- tional constituency, reaching school children and adults of all ages. Finally, my gratitude is extended to the many lenders and donors, both public and pri- vate, whose generosity enables the Gallery to maintain the high quality of the collections and special exhibitions. The mission and goals set in place by the founder of the National Gallery remain vital and vibrant today. As we look ahead, the Gallery is committed to strengthening the collection; protecting and enhancing the Gallery's buildings

17 TA'J SUMMARY OF THE YEAR

Gifts and Acquisitions sympathetic portrayal of a dog that looks Among the many works of art that directly at the viewer while balancing came to the National Gallery in the gingerly in a vessel that floats through bequest of Paul Mellon, none is more the English countryside. Of the five still poignant than Degas' Scene from the lifes by John Frederick Peto in the Mel- Steeplechase: The Fallen Jockey. Mr. Mellon lon bequest, all are compact tabletop greatly admired Degas, sharing his sense groupings of desk or kitchen subjects. of the beauty and grace of hordes and Peto's focus on the simplest arrange- his fascination with the excitement of ments, or even a single object seen at the racetrack. In this monumental oil close range, gives these works a height- two riderless horses seem just about to ened power that belies their small size. trample the recumbent figure of an These choice works of art are but a injured jockey. With the pink of the few of those Mr. Mellon designated as jockey's coat echoed in the sunset final gifts to the institution his father beyond, this image strikes a somber founded in 1937. Other notable acquisi- chord. Nine and by tions, including gifts from new and Degas, including several studies for this longtime friends of the National Gallery, painting, were part of Mr. Mellon's gift. are mentioned in the following para- Another highlight of the Mellon graphs, in roughly chronological order bequest were thirty-four spectacular by date of execution. A complete list of wax and plaster by Degas, art acquisitions for fiscal year 1999 is completing the group of fifty-one such published on pages 51-67 of this annual works that Mr. and Mrs. Mellon began report. giving the Gallery in 1985. These include numerous figures of horses and jockeys PAINTINGS—Valentin de Boulogne's Scott 's Six-Part Seating, 1985 (fabricated as well as the wax original of the cele- Soldiers Playing Cards and Dice, acquired 1998), Gift of the Collectors Committee, 1998.146.1, and Mark Di Suvero's , brated Fourteen Years Old, through the Patrons' Permanent Fund, 1992-1993, Gift of The Morris and Gwendoiyn exhibited in Paris in 1881. is a major addition to the collection of Cafritz Foundation, f996.72.f, are installed at the northeast corner of the National Gallery of Art George Stubbs' White Poodle in a Punt, seventeenth-century baroque paintings. Sculpture Garden. a personal favorite of Mr. Mellon's, is a The powerful image shows the perva-

19 George Stubbs, White Poodle in a Punt, c. 1780, oil on canvas, 127 x 101.5 cm, Paul Mellon Collection, 1999.80.22

Edgar Degas, Scene from the Steeplechase: The Fallen Jockey, 1866, reworked 1880-1881 and c. 1897, oil on canvas, 180 x 152 cm, Collection of Mr. and Mrs. Paul Mellon, 1999.79.10

sive influence of (who died composition, and broad technique, this decanter and wine glass behind the in in 1610, about five years panoramic landscape is the type of work sumptuous array of lemons, oranges, before Valentin's arrival in the city), by Maris that was admired by the young and nuts to create a sense of bounty both in its low-life subject and in its Van Gogh. It is the first Hague School and a feast for the eyes. strong chiaroscuro. painting to enter the collection. Another important early American A characteristic painting by nine- Raphaelle Peale's evocative , painting was John Haberle's Imitation, teenth-century Dutch artist Jacob A Dessert, came to the Gallery as the acquired through the New Century Maris, View of the Mill and Bridge on the partial and promised gift of Jo Ann and Fund, gift of the Amon G. Carter Foun- Noordwest Buitensingel in The Hague, was Julian Ganz Jr. Although Peak suggests dation. The meticulously rendered still purchased through the Patrons' Perma- the brevity of life by focusing on perish- life of a dollar bill, coins, and stamps nent Fund. With its large scale, bold able fruits, he includes an amply filled established Haberle's professional repu-

20

•J Hflberlv

tation. It joins still lifes by Peto and by the artist's travels to this exotic location. partial and promised gift of Georgia William Harnett to establish a significant It is the first painting by Gifford to enter O'Keeffe's superb Black, White and Blue, representation of trompe-l'oeil painting the collection and beautifully demon- an abstract painting that shows the in the collection. strates his mastery of both atmospheric artist at the height of her powers. Two fine nineteenth-century land- and linear perspective. The Nancy Lee and Perry Bass Fund scapes were added to the American col- The Collectors Committee purchased enabled the Gallery to purchase two lection. George Henry Durrie's Winter in for the Gallery an extremely rare paint- important paintings: Morris Louis' Ambi the Country, purchased through the ing by photographer Edward Steichen, II and the first and finest in a series of Avalon Fund, distills the quiet beauties Le Tournesol (The Sunflower), that dates six works by Robert Motherwell that of a New farmscape. Currier from the precisionist period of his work. explore the spatial conventions of the and made Durrie's images familiar Other major twentieth-century paint- window, In Plato's Cave No. 1. The Morris through its published lithographs, yet ings acquired by the National Gallery and Gwendolyn Cafritz Foundation none of the prints can match the lovely this year were Mr. and Mrs. Barney A. funded the purchase of a triptych by details and subtle handling of his best Ebsworth's generous gift of Pat Steir's , Three Panels: Yellow, paintings. Sanford Robinson Gifford's dramatic Curtain Waterfall, which alter- Orange, Blue, a recent example of Kelly's Siout, Egypt, which came to the Gallery nately evokes the gestural brush strokes further refinement of color and abstract through the New Century Fund as the of abstract and Asian form. Bleckner's Birds Falling, the gift of Joan and David Maxwell, recalls painting traditions, and the Ebsworths' first work by the artist to enter the col-

22 John Haberle, Imitation, 1887, oil on canvas, 25.4 x 35.6 cm, New Century Fund, Gift of the Amon G. Carter Foundation, 1998.96.1

Adelaide Labille-Guiard, Marie-Josephe-Felicite de la Rochefoucauld, Vicomtesse de Gand, 1787, on blue paper, 55 x 46 cm, New Century Fund, 1999.92.1

lection, was the gift of Anthony T. composition as the Gallery's figure of a a Book was the gift of Sharon Greer- Podesta. Flagellator by Algardi, a group repre- Phillips in memory of her husband, This year thirty paintings in the col- senting The Flagellation of Christ. Neil Franklyn Phillips. A striking Ger- lection were reframed with antique or Christo's Package of 1961, the earliest man fifteenth-century drawing of Christ reproduction period frames. The frame work by this artist in the collection, was and Mary Interceding with God the Father committee traveled to England, Ger- given by Dorothy and Herbert Vogel. came to the Gallery through the Ailsa many, and in search of DRAWINGS — Albrecht 's Female Mellon Bruce Fund. antique frames, and twenty-four frames Praying was the latest gift from Diane Allen Nixon gave two impor- were purchased with funding from the Dian and Andrea Woodner, who con- tant Italian drawings: An Angel in Flight Ailsa Mellon Bruce Fund and The New tinue to preserve at the National Gallery of about 1594 by Jacopo Chimenti, a Century Fund. the core of the great collection assem- delightful study of a human young SCULPTURE—An exquisite silver by their father, Ian Woodner. The angel on the wing, and The Return of the statuette of Christ at the Column, mod- addition of this excellent figure study Prodigal Son by , of about 1640, eled by the great Roman baroque sculp- makes the Gallery the largest and most exemplifying the artist's masterful pen tor Alessandro Algardi, was acquired important repository of Dtirer drawings work. Giovanni Battista Tiepolo's Head through the William Stamps Parish outside Europe. A drawing by one of of a Magician, gift of Mrs. Christian Aall, Fund. Mounted on an ebonized wood Durer's foremost pupils, Hans Siiss von is a beautifully rendered study. From reliquary base, it belongs to the same ICulmbach, A Standing Apostle Holding Michael Miller and Lucy Vivante came

23 Master of the Playing Cards, A Poet Reading, 1430s, engraving, 13.3 x 9 cm, Gift of Ladislaus and Beatrix von Hoffmann, 1999.26.1

a witty caricature drawing by Pier all made during his years at the French Kandinsky, Geteilt (Divided), a bold Francesco Mola. Academy in Rome, 1775-1780. This example of his work in a medium that The Gallery, in making a concerted album, a significant contribution to the was vital to his art throughout his career. effort to improve its small holdings of Gallery's neoclassical holdings, includes With the Director's Discretionary Fund pastels, used the New Century Fund to thirteen remarkable landscape studies the Gallery acquired its first watercolor purchase an elegant portrait of the made in the streets of Rome and the sur- by Max Weber, Dancer in , one of Vicomtesse de Gand done by Adelaide rounding countryside as well as copies the earliest cubist images in American Labille-Guiard, one of the leading female after paintings and antique sculpture. art. The Eugene L. and Marie-Louise artists of the eighteenth century. In The Dr. Cyrus Katzen Foundation Garbaty Fund made possible the pur- addition, 's La Vachere, enabled the Gallery to acquire a unique chase of a fine watercolor by American a large, strikingly colorful pastel of a 1912 sketchbook by Oscar F. Bluemner, artist Stanton MacDonald-, Gen- young woman, was acquired through with beautiful landscape drawings— eration, the first synchromist work to the generosity of three longtime friends most in watercolor with artist's notes— enter the collection. of the Gallery, Evelyn Stefansson Nef that record Bluemner's travels through The Gallery's holdings of Kline's and Mr. and Mrs. James T. Dyke. and . This colorful volume work expanded dramatically with Rufus The Patrons' Permanent Fund made strengthens the collection of artists' F. Zogbaum's marvelous gift of twenty- possible the purchase of a very rare orig- sketchbooks. five drawings, among them many early inal album of sixty-one drawings and Mr. and Mrs. Stephen Kellen gave the figurative sketches. Elisabeth R. Zogbaum twenty tracings by Jacques-Louis David, Gallery its first watercolor by Wassily added five mature drawings by Kline to

24 The New Century Fund made possi- tion sculpture, including works by ble the purchase of two other outstand- James Rosenquist, Keith Sonnier, ing early German engravings, both by , and the Gallery's first the Master E.S.: St. Barbara is our first examples by Andrea Modica, Lorna example of the artist's earliest style, and Simpson, and Mexican artist Graciela The and Child in a Garden is a Iturbide. refined and delicate work printed in In the course of this year, 929 visitors white ink on black paper—one of only examined works of art in the European four impressions in the world. print and drawing study room in the A lithograph of Predjama Castle by East Building. Another 441 visitors made Karl Friedrich Schinkel, the leading use of the study room for American architect in early nineteenth-century prints, drawings, and photographs in , is a quintessential romantic the West Building. work, acquired through the Pepita Mil- PHOTOGRAPHS—The New Century more Memorial Fund. Fund enabled the Gallery to purchase a Another notable purchase through group of four exceptional vintage pho- the New Century Fund was a stunning tographs by August from his series of five unique artist's proofs of series Man of the Twentieth Century, 's important early startlingly direct portraits of German , La Parisienne, tournee a droite, people of every level of society and pro- revealing the artist's daring experimen- fession. Laszlo Moholy-Nagy's Untitled tation with color and exploitation of (Positive), purchased with funds from technical variations of intaglio The Circle of the National Gallery of processes. In an unusual coincidence, Art, derives from the artist's experi- the Gallery also acquired three further ments with photograms (cameraless unique proofs of this print—one thanks photographs). Funds from the Collec- to the generosity of Evelyn Stefansson tors Committee supported the purchase Nef, and two through the Eugene L. of a unique photograph by sculptor and Marie-Louise Garbaty Fund. David Smith, made as the artist moved Augmenting their previous gifts of from cubist paintings to collages and prints, Gerhard E. and then to free-standing sculpture. Pho- Marianne Pinkus donated sixteen tographs such as Untitled provided splendid prints and drawings, plus a Smith with another means of exploring portrait of Chagall by German print- ways to combine forms, define space, maker Hermann Struck. Dr. Toni G. and use light to reveal structure. Marcy added three drypoints, a soft- Augmenting its previous gifts, The her previous gifts of works by this im- ground etching, and a lithograph by Andre and Elizabeth Kertesz Foundation portant abstract expressionist. The to her previous gifts of generously donated seven rare vintage Nancy Lee and Perry Bass Fund also works by this important German print- photographs by Kertesz. The group made possible the purchase of six draw- maker. The generosity of Werner H. and includes self-portraits that comment on ings and collages by Motherwell, Sarah Ann Kramarsky made it possible his relationship to the world around selected to represent a wide range of his for the Gallery to acquire ' him, such as Albany, in which he is work and to make especially significant latest print, with its luscious, richly col- both the observer and the observed, additions to the collection. ored surface; the work was inspired by and Port, , which PRINTS — Ladislaus and Beatrix von Matthias Grunewald's sixteenth-century speaks of his dislocation from his sur- Hoffmann very generously provided Isenheim Altarpiece. roundings. funds for the Gallery to purchase a fif- Dr. Christopher A. Graf donated four teenth-century engraving of great rarity prints and two bound volumes pro- SCULPTURE GARDEN —Following and art historical significance: A Poet duced at the contemporary print work- decades of planning and great anticipa- Reading is by the Master of the Playing shop, Landfall Press in , which tion, the National Gallery of Art Sculp- Cards, the first artist known to have attest to the richness, diversity, and ture Garden opened this year with made engravings. Probably the last conceptual range of Landfall's work. seventeen outstanding examples of work by this artist that remained in The Gallery's Graphicstudio Archive twentieth-century sculpture, more than private hands, it is a beautiful and sen- was enriched with thirteen contempo- half of which were new acquisitions sitively rendered image. rary prints, two portfolios, and an edi- by major postwar artists. In addition to

25 funding the development of the site, sionistic effects of a third dimension to Four-Sided Pyramid, which recalls the The Morris and Gwendolyn Cafritz create a witty object based on stage set ancient ziggurat structure that the artist Foundation made possible the purchase design. Claes Oldenburg and Coosje van first employed in the 1960s. Barry of several seminal works. Magdalena Bruggen's Typewriter Eraser, Scale X, Flanagan's The Thinker on a Rock, an Abakanowicz' Puellae consists of thirty monumentalizes a common—now irreverent parody of 's The Thinker, individual headless girls cast in bronze— obsolete—object, which had been a was given by John and Mary Pappajohn. one of her "crowds," which are often favorite childhood toy of Oldenburg's The Nancy Lee and Perry Bass Fund seen as the artist's response to the for- from his father's office and entered the made possible the purchase of Lucas mer totalitarianism of her native Poland. artist's repertoire in the late 1960s. Tony Samaras' Chair Transformation Number Louis Bourgeois' Spider, with its silver Smith's multifaceted Moondog, consisting 20B, a fantastical stairlike stack of five nitrate patina, is a unique variant from of fifteen extended octahedrons and ten chairs, executed in bronze with a pow- the artist's spider series in which the tetrahedrons, relates at once to Smith's dery verdigris patina. looming yet fragile creature embodies training as an architect, the various The National Gallery of Art offers sin- childhood memories of security, fear, geometries of minimalist art, and nat- cere thanks to all who gave so gener- and loss. Ellsworth Kelly's Stele II, an ural forms. ously to build the nation's art collection early outdoor planar sculpture in Numerous individual gifts were also in the past fiscal year. Among the 921 weathering steel, is named for a type of made for the Sculpture Garden. The works of art acquired, there were 26 ancient commemorative monument, Collectors Committee acquired Scott paintings, 117 sculptures, 150 drawings, but its refined shape actually recalls that Burton's Six-Part Seating, a group of ele- 475 prints, portfolios, and volumes, and of kilometer markers the artist saw in gant red granite seats/sculptures ideally 153 photographs. Please see pages France in the 1950s. Roy Lichtenstein's suited for utilitarian purposes in an out- 51-67 for a complete list of gifts and House I incorporates the hallmarks of his door public setting. The Donald Fisher acquisitions. "pop" style while exploiting the illu- Family generously donated Sol LeWitt's

26 's Rome: Italian Baroque Terra- Japan, and the Japan Foundation. It cottas from The State , was accompanied by a fully illustrated St. Petersburg (11 October 1998 to catalogue, color brochure, large-print 18 January 1999) came to Washington guide, teaching program, and two ver- with the support of Republic National sions of the audio tour that reflected Bank of New York, Safra Republic Hold- changes in the objects displayed. The ings S.A., Luxembourg, and Banco Safra Gallery worked with NTT and a consul- S.A., Brazil. Organized by the Art Insti- tant from Scripps College to develop tute of Chicago and the State Hermitage and install an interactive, multimedia Museum, St. Petersburg, the exhibition program at six kiosks near the exit of included thirty-five choice terracotta the exhibition. The Edo Festival—fea- studies and models by seventeenth- and turing performances by Taiko drum- eighteenth-century Italian masters rep- mers, firemen acrobats, kabuki actors resenting the sculptors' purest and and dancers, and a marionette theater freest style. troupe, among other entertainers—was To celebrate last year's magnificent made possible by The Circle of the bequest from Betsey Gushing Whitney, National Gallery of Art, the Fund for the Gallery presented Gifts to the Nation the International Exchange of Art, and from Mr. and Mrs. Whitney The Japan Foundation. (18 October 1998 to 3 January 1999), In the new year American Impres- with sixteen masterpieces of post-impres- sionism and : The Margaret and sionism and by such artists as Raymond Horowitz Collection (24 January , -Lautrec, and Braque. to 9 May 1999) gave visitors an oppor- The installation was supported by The tunity to view forty-nine superb paint- Circle of the National Gallery ol Art. ings, watercolors, pastels, and drawings August Sander, Road Construction Workers, Westerwald, 1917, gelatin silver print, 16.9 x 23 cm, Love and War: A Manual for Life in the by , , New Century Fund, 1999.49.1 Late Middle Ages (8 November 1998 to John Twachtman, and others that are 31 January 1999) focused on the so- not usually accessible to the public. called Housebook, the most important Margaret and Raymond Horowitz, hav- secular manuscript from medieval Ger- ing formed one of the finest groups of many, still privately owned. Comple- American impressionist and realist works menting its fascinating images of joust- in private hands, most generously made Exhibitions ing, courtly love, and ordinary life were their collection available for exhibition drypoints by the Housebook Master, at the National Gallery, which published The 1999 fiscal year opened with the prints, drawings, manuscripts, and illus- a handsome, fully illustrated catalogue immensely popular Van Gogh's Van trated books by other fifteenth-century on this occasion. Goghs: Masterpieces from the Van Gogh artists, and contemporary artifacts such The Dutch Cabinet Galleries, created Museum, Amsterdam (4 October 1998 to as armor and one of the earliest surviv- with the generous support of Juliet and 3 January 1999), supported by Andersen ing mechanical clocks. Lee Folger / The Folger Fund, provided Consulting. Organized by the National Edo: Art in Japan 1615-1868 (1 5 Nov- the setting for From Botany to Bouquets: Gallery of Art and the Van Gogh Muse- ember 1998 to 15 February 1999), sup- Flowers in Northern Art (31 January to um, Amsterdam, in collaboration with ported by NTT Corporation, was an 31 May 1999), the second in a series of the Los Angeles County Museum of Art, unprecedented presentation of more exhibitions made possible by Shell Oil the exhibition brought to an enthusias- than 200 art objects from feudal Japan, Company Foundation. A radiant selec- tic American audience seventy com- including nearly fifty National Treasures tion of sixteenth- and seventeenth- pelling canvases that spanned the artist's and Important Cultural Properties, century floral still-life paintings was entire career. The Gallery published a many of which had never before left displayed alongside watercolors, manu- fully illustrated catalogue, brochure, the country. Grouped thematically, the scripts, and botanical books, revealing large-print guide, and teaching pro- screen paintings and scrolls, sculpture not only their life-like qualities but also gram. It also produced a recorded tour and armor, ceramics and lacquers, tex- their relationships to nature and poetry. with commentary and music in new tiles and color woodblock prints eluci- The acclaimed John Singer Sargent exhi- high-fidelity audio and random-access dated the society and culture of the bition (21 February to 31 May 1999), format. The exhibition traveled to the period. The exhibition was organized by supported by Ford Motor Company, Los Angeles County Museum of Art, its the National Gallery of Art, the Agency drew throngs of appreciative visitors to only other U.S. venue. for Cultural Affairs, Government of see 113 works by the greatest portraitist

27 's Wheatfield with Crows, 1890, oil on canvas, Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation), was among the powerful works on view in the exhibition Van Gogh's Van Goghs.

Jean-Auguste-Dominique Ingres, Monsieur Louis-Frangois Bertin, 1832, oil on canvas, Musee du , Paris, was part of the Ingres exhibition.

An especially notable loan for the Edo: Art in Japan exhibition was The Hikone Screen, c. 1620s-1640s, six panels (two shown at top of facing page), from the Hikone Castle Museum, Shiga; designated a National Treasure, this elegant screen had never before left Japan. Other select works included the seventeenth-century No mask: Zo onna (Zdami-style woman), Ishikawa Prefectural Museum of Art, and the Footed bowl with heron and lotus design, 1690-1720, The Kyushu Ceramic Museum, Saga, Important Cultural Property. of the Edwardian age. Organized by the acquisitions in an area of growing portrait paintings and drawings by an Gallery, , in collaboration strength in the Gallery's collecting. Sup- equally gifted master of an earlier age. with the National Gallery of Art and the ported by The Circle of the National Supported by Airbus Industrie and Museum of Fine Arts, Boston, it included Gallery of Art, this exhibition included organized by the Metropolitan Museum not only Sargent's virtuoso portraits but photographs by William Henry Tal- of Art, New York, the National Gallery his brilliant landscape and figure paint- bot, Andre ICertesz, Robert Frank, Julia of Art, Washington, and the National ings as well. In addition to the fully illus- Margaret , Charles Sheeler, Gallery, London, this show assembled trated scholarly catalogue, the Gallery , and others. some forty paintings and more than produced an illustrated brochure, a Overlapping briefly with the Sargent sixty drawings, including celebrated large-print guide, and an audio tour. exhibition, Portraits by Ingres: Image of an portraits of Napoleon Bonaparte, the Photographs from the Collection (25 April Epoch (23 May to 22 August 1999) due d'Orleans, and newspaper magnate to 5 July 1999) presented exceptional brought together a dazzling range of Louis-Francois Berlin. Accompanying

30 the exhibition were a fully illustrated Asian Art Museum of San Francisco. catalogue, brochure, large-print guide, The National Gallery published a fully and audio tour as well as a one-day illustrated catalogue as well as a public symposium of distinguished brochure, large-print guide, and teach- scholars of Ingres. ing program. It also produced an audio The recent rediscovery of a long-lost tour and a nineteen-minute film, Beyond masterpiece by Caravaggio in the resi- the Yellow River: Recent Discoveries from dence of the Society of Jesus (the Ancient China, narrated by Amy Tan, Jesuits) in Dublin, Ireland, was the which was shown continuously in the occasion for Caravaggio's "The Taking of exhibition. A performing arts festival, Christ": Saints and Sinners in Baroque including a presentation by Chinese bell Painting (30 May to 18 July 1999). ringers, was made possible by The Circle Derived from an exhibition at the of the National Gallery of Art. McMullen Museum of Art, Boston Col- Finally, The Drawings of Annibale Car- lege, the presentation of this work at racci (26 September 1999 to 9 January the National Gallery, made possible by 2000) presented ninety-five powerful EduCap Inc., was complemented by and evocative drawings by this great nine baroque paintings of "saints and sixteenth-century Bolognese artist. The sinners" from the Gallery collection and centerpiece was the eleven-foot-square was discussed in an illustrated brochure. cartoon of The Triumph of and Crowds of summer visitors came to Ariadne for the decoration of the Gallery see Mary Cassatt (6 June to 6 September Farnese in Rome. The exhibition was 1999), its ninety paintings and prints supported by Republic National Bank of representing the remarkable achieve- New York, and Safra Republic Holdings, ment of a modern woman working S.A., Luxembourg, with additional sup- around the turn of the nineteenth cen- port from the Samuel H. Kress Founda- tury. Supported by Aetna and organized tion and The Circle of the National by the in collab- Gallery of Art. The Gallery published a oration with the Museum of Fine Arts, fully illustrated catalogue. Boston, and the National Gallery, the During the fiscal year 304 lenders exhibition included Cassatt's innovative from twenty-two countries and twenty- scenes of the theater as well as her best- four states loaned 1,451 works of art to known images of mothers and children. sixteen exhibitions (including two that Two exquisite models—Bernini's Angel with the An audio tour provided a guide to the continued from the previous fiscal Superscription and Ecstasy of St. Teresa, on loan with show in Washington. other terracottas from The State Hermitage Museum, year). For a complete list of lenders, St. Petersburg—give a sense of the beautiful objects In the fall The Golden Age of Chinese please see pages 70-73 of this report. presented in the exhibition Bernini's Rome. Archaeology: Celebrated Discoveries from The United States government indemnity People's Republic of China (19 September was secured for six exhibitions. 1999 to 2 January 2000) brought more than 200 astonishing works of art to Public Programs American viewers. Supported by East- man Kodak Company, with additional The National Gallery's art education ini- support from the Henry Luce Founda- tiatives served more than 10 million tion, the exhibition spanned nearly six children, students, and adults around millennia and included ceramics and the world in fiscal year 1999. Focusing jade carvings, bronze vessels and on the diverse needs and interests of its ornaments, stone sculpture and life-size many constituencies, the Gallery offered terracotta figures. Organized by the programs for local, inner city elemen- National Gallery of Art and the Nelson- tary and high school classes as well as Atkins Museum of Art, Kansas City, in publications on its Web site and multi- cooperation with the State Administra- media productions. The free loan of tion of Cultural Heritage and Art Exhi- materials such as videos, books, slides, bitions China, The People's Republic of videodiscs, and CD-ROMs continued to China, this presentation traveled to the be a primary source of art education for Museum of Fine Arts, Houston, and the Americans both here and abroad.

31

Public tours and lectures at the American art videodisc, which contains Gallery covered eighty topics related to almost 500 artist biographies, texts on the collection and special exhibitions as 1,200 objects, a 150-word glossary, and well as introductory art appreciation more than 300 keywords. This tool was courses. Lecturers presented the popular sent to more than 500 educational insti- "Approaches to Van Gogh" and a seven- tutions across the U.S. that had received part summer series "Great Women in the videodisc. It is also being circulated the Arts." In "Point-Counterpoint" they as a long-term loan to audiences nation- debated different interpretations of indi- wide, and large portions of the text are vidual paintings. They also trained vol- being reconfigured for the Gallery's Web unteer docents on subjects as varied as site. New free-loan resources include images of African Americans in the col- the teaching programs on art since 1950 lection, Christian imagery in European and Edo Japan as well as the CD-ROM art, and American . National Gallery of Art, Washington. Edu- Docents added a new weekly tour in cation resource programs were shown which they analyzed the impact of fun- 159,629 times nationally and interna- damental artistic decisions. Outside tionally—an all-time high—to audiences scholars delivered thirty-five Sunday reported to number 7,944, 111. lectures, including the 1999 Andrew W. The Gallery offered programs for Mellon Lectures in the Fine Arts; they 60,000 teachers, students, and their participated in three public symposia families this year, including a new High and three extended programs, including School Institute, which introduced sev- one on George Romney organized with enteen students from public and private the Folger Library. A public schools in the District of Columbia to "conversation" with Margaret and Ray- careers at the Gallery and seven Smith- mond Horowitz focused on American sonian agencies. Another seventeen stu- impressionist and realist paintings in a dents participated in a High School special exhibition of their collection. Seminar focusing on the American col- These programs served almost 100,000 lection. New for families was a Children's visitors. The Gallery also hosted sixty Film Program, which attracted more interns in various departments. than 300 for one viewing and was a Education publications took advan- venue for the D.C. International Film tage of changing technologies. The Festival for 3,200 children and adults. Micro Gallery, previously accessible only These programs allowed the Gallery to at the museum, was extensively revised serve 7,390 families, almost double ear- and produced in CD-ROM format. In- lier numbers. About 50,000 school-age depth studies on artists and important children made 3,000 tours of the collec- works in the collection reached growing tion, guided by 150 volunteer docents. audiences through the Gallery's Web A new class of 27 volunteers started the site (www.nga.gov). Traditional teaching three-year training program. More than programs were published on ancient 150 teachers, principals, and adminis- Chinese art and archaeology, Edo period trators participated in three six-day ses- Japan, and art since 1950—several of sions of the Teacher Institute, which which were made available online, focused on American art of the 1950s along with SchoolArts magazine articles and 1960s; included were visits to the and curricula for teachers. More than 7 studios of Sam Gilliam and William million pages of art education materials Christenberry and performances by were used by visitors to the Web site. Thelonius Monk Jr. and David Amram. The Terracotta figure of a kneeling archer, Qin Dynasty (221-207 B.C.), from the Qin Terra-cotta Museum, The corps of 163 art information vol- Programs for Edo, Sargent, Shaw Lintong, Shaanxi Province, was a dramatic presence unteers, plus 61 volunteers who carried Memorial, and Van Gogh exhibitions in The Golden Age of Chinese Archaeology exhibition. out a year-long survey of Gallery visi- A Bronze tiger, Shange Dynasty (c. 1600-1050 B.C.), included workshops for 800 teachers, from the Jiangxi Provincial Museum, Nanchange, tors, gave about 21,000 hours of service High School Days for 350 students, and Jiangxi Province, and a Gilt bronze pagoda, Tang to the National Gallery during the year. tours for 2,000 schoolchildren. Dynasty (A.D. 618-907), from the Famen Monastery Museum, Fufeng, Shaanxi Province, The Gallery completed an interactive Thematic film series, several of them represented much earlier and later eras. computer program to accompany its offered in conjunction with exhibitions,

33 Paul Mercer conducted the Dukes of Dixieland at the concert on the Mall to cele- brate the opening of the National Gallery of Art Sculpture Garden in May 1999.

drew record crowds to the East Building Gallery Orchestra performed its New mance Today," including three rebroad- auditorium this year. Programs included Year's concert for an overflow audience casts of the recital by pianist Kirill Gli- "Japan in the Edo Period," with Wash- of 600 in the West Garden Court, adja- adkovsky. The concerts were the subject ington premieres of several Japanese cent lobbies, and the West Sculpture of one feature article, eight photo pre- jidai-geki, the sophisticated period films Hall. The orchestra dedicated its 7 Feb- views, and nine reviews in local media. for which Japanese filmmakers are ruary 1999 concert to the memory of Previews of upcoming concerts are a renowned; " and Blood Paul Mellon, who had died earlier that regular feature on WGMS-FM's "This Melodrama: The American Film Noir," week. Composer Nicholas Maw had the Week at the National Gallery of Art." which drew young people to see this unusual honor of hearing two of his classic American form presented in works performed in one season at the Collection Management and pristine theatrical prints; and "New Gallery: violinist Mark Rush played his Conservation Canadian Documentaries." Retro- Sonata for Solo Violin, and the Coull spectives featured the work of Mexican String Quartet played the first Wash- The completion of the skylight replace- director Arturo Ripstein, of esteemed ington performance of his Third String ment project in the West Building French director , and of Quartet. A jazz concert on the Mall that brought to a close a four-year marathon Francois Truffaut. Four filmmakers from marked the opening of the National of . The registrar's staff Kazakhstan, a country now developing Gallery of Art Sculpture Garden fea- effectively moved more than 1,000 a distinctive film culture, discussed their tured the Duke Ellington Orchestra and works out of successive construction recent work. Finally, "Bo Widerberg: A the Dukes of Dixieland. In all, thirty- zones into storage or changing exhibi- New Wave in Sweden" opened with a nine concerts were presented, sup- tion spaces, then reinstalled them in new print of Elvira Madigan from 1967. ported by funds bequeathed to the their original galleries. During the last Highlights of the 57th season of Gallery by William Nelson Cromwell and phase of construction over the French free weekly concerts, which ran from F. Lammot Belin, with additional sub- galleries, eighty-five paintings were lent 4 October 1998 through 27 June 1999, vention from The Circle of the National to Kyoto and Tokyo, with sixty-nine included performances by the Brubeck Gallery of Art, the Embassy of Canada, continuing on to Los Angeles, for tem- Brothers Quartet, pianist Gregory Sioles, and the Ann and Gordon Getty Foun- porary exhibitions. This comprised the and the Christmas concert by the Wash- dation. Excerpts from Gallery concerts largest single group of works the Gallery ington Men's Camerata. The National were heard nationally on NPR's "Perfor- has ever lent abroad. Acquiring an off-

34 needed paint consolidation and removal display at the Gallery, a boon to the col- of discolored background overpaint; laborative study with Harvard Univer- Whistler's George W. Vanderbilt, which sity of the Fogg's Bernini bozetti and a had its dark varnish and extensive over- complement to research being con- paint removed; and Velazquez' Pope ducted by the Mellon Fellow on the Innocent X. Tanzio da Varallo's St. Sebast- polychrome Portrait of a Nobleman by ian, Vouet's St. Jerome and the Angel, and Onofri. An intern from Chile with expe- the newly acquired Soldiers Playing Cards rience treating the colossal stone heads and Dice by Valentin de Boulogne were of Easter Island helped devise a treat- shown to great effect following varnish ment plan for Noguchi's Great Rock of removal and inpainting. Removal of Inner Seeking. The recent conservation of green overpaint from the Tanzio drap- Saint-Gaudens' Shaw Memorial was the ery revealed the original yellow drapery subject of "Scientific American Fron- in perfect condition underneath. Clean- tiers" on PBS and a live broadcast by ing of Van Dyck's Queen Henrietta Maria the Massachusetts Corporation for Edu- with Sir Jeffrey Hudson made the work cational Television. available in its best condition for exhibi- Paper conservators treated four fragile tion on the 400th anniversary of the graphite drawings in the collection artist's birth. Other treatments focused before their inclusion in the Ingres on Blake's Job and His Daughters, exhibition. Research and treatment of Boudin's Concert at the Casino, Deauville, the fragmentary St. Michael Defeating the Philippe de Champaigne's Martyrdom of Devils by Master E.S. identified the print St. Lawrence, Jules Coignet's View of as the best impression extant and pre- Botzen with a Painter, Paolo di Giovanni pared it for display. Photograph conser- Fei's Presentation of the Virgin, a Follower vators made progress on a three-year of Pieter Brueghel's Temptation of St. project to get the Gallery's Stieglitz pho- Anthony, and a Follower of Velazquez' tographs ready for publication, present- site storage facility for over-size works Portrait of a Young Man. Early modern ing their research at an Andrew W. previously housed in the East Building and twentieth-century paintings under- Mellon Foundation workshop at New concourse galleries made it possible to went treatments, generally varnish York University. Major treatments were reinstall the contemporary art collection removals, which revealed the artists' performed on 80 works of art, while in these spaces. The Gallery also issued intended rich surfaces: Andre 's 745 prints and drawings were rematted 43 copyist permits; processed 3,001 View of the Thames, Arthur 's Moth for exhibition and 256 were reframed. incoming and 1,837 outgoing objects; , Van Gogh's Flower Beds in Scientists and conservators completed and handled 11,663 movements of art. Holland, Eva Hesse's Test Piece for "Contin- a thorough comparative study of com- Conservators and scientists provided gent, " Joan Mitchell's Piano mechanique, monly used retouching paints and a another level of expert care for works in Modigliani's Monsieur Deleu and Nude on batch of urea-aldehyde resin retouching the collection and in exhibitions over- a Blue Cushion, 's Bridge at Argen- paints newly developed in the Gallery's seen by the Gallery, which entailed teuil, Gray Day, and 's Nude research laboratory. The new paint thousands of examinations and minor Woman. proved stable in accelerated aging ex- treatments. In addition, they pursued Considerable attention was given to periments and was found to have desir- technical research to enhance conserva- examining and treating works for the able optical and handling properties by tion practices around the world, making new Sculpture Garden, and a National a group of conservators in the U.S. and available the results of their studies in Park Service grant to "Save America's abroad. It will be produced commer- international symposia, conferences, Treasures" was received for conserva- cially by the manufacturer that collabo- and professional journals. Continuing to tion of some of the objects. Notable rated on this project. The National Cen- build a "library" of artists' materials for among thirteen major sculpture treat- ter for Preservation Technology and use in research, conservators this year ments were those for 's The Training continued its funding of collected significant plant, pigment, and Snake Is Out in front of the East Building research into protective coating systems dyestuff in Japan. and Verrocchio's Giuliano de' Medici. for outdoor bronzes. An ongoing study Of twenty-five major painting conser- Conservators also undertook technical of the effects of cleaning solvents on oil vation treatments, many were under- research and treatment of Tilman paints received additional support from taken to prepare works for travel and 's St. Burchard in the Organization for Scien- exhibition. Such treatments benefited preparation for exhibition. They ana- tific Research. The new Culpeper Fellow 's Mrs. Adam Babcock, which lyzed terracottas from the Hermitage on began a study of the role of gelatin in

35 the long-term stability of paper. Scien- Resources for Scholarly tists identified pigments and media in Research drawings, papers, and paintings in the collection. They undertook technical The National Gallery has undertaken a studies in conjunction with curatorial thorough review of the provenances of research on Flemish seventeenth-cen- its prewar European paintings, in keep- tury paintings, focusing on the artistic ing with guidelines issued by the Asso- development of and Van Dyck. ciation of Art Museum Directors They used microscopic analysis to iden- through its task force on the spoliation tify the woods from which panel paint- of art during the Nazi/World War II era. ings were constructed. A study was The Gallery routinely conducts research undertaken of materials and methods on the provenance of works in its col- used in paintings by Aelbert Cuyp. X-ray lection, consulting the National fluorescence analyses were performed Archives, the London-based Art Loss on several bronzes to determine the Register, and other sources. It publishes surface alloy composition as well as on the information not only in its system- many of Van Gogh's paintings to define atic catalogue but also on its Web site, the artist's palette. Technical research which includes known provenance for was done on two paintings by Manet— every painting and most sculpture in the Gallery's Dead Toreador and the Prick the collection. Extensive research is Collection's The —to look into ongoing, but to date the Gallery has Manet's development of two composi- received no claims and has found no tions from one painting. Gallery painting in the collection that appears scientists characterized efflorescence on on lists of unrestituted looted objects. works by Oldenburg, Rothko, and Jacob Curatorial files and electronic records Lawrence. They evaluated twelve fabrics are updated daily. proposed for use in exhibition case lin- In addition, the National Gallery ings. They also carried out analyses of Archives reorganized the papers of offi- fourteen papers made by Mexican arti- cers of Monuments, Fine Arts and sans to determine their suitability for Archives, including Charles Parkhurst, use in fine art ; these papers Edith Standen, Frederick Hartt, and came to the Gallery by way of Graphic- Craig Hugh Smyth. It also produced a studio, The University of South Florida. Guide to Research Resources Relating to While conservators were involved in World War II in its holdings, which was all of last year's temporary exhibitions, expanded and made available on the they played a major role in arrangements Web last year. The Gallery's photo- for Edo: Art in Japan and The Golden Age graphic archives continued its organiza- of Chinese Archaeology. Spending several tion and documentation of the weeks in Japan and in China, they pre- Central Collecting Point negative pared reports on the condition of each archive, making more than 9,000 prints object and assisted with packing. They and adding 12,000 records of artworks worked closely with Japanese and Chi- to a database that serves as an elec- nese colleagues to safeguard highly sen- tronic finding aid for researchers. sitive textiles, prints and scrolls, and The Gallery Archives also completed sculpture in these exhibitions and mon- for the Web site an encyclopedic list of itored many works in display cases that more than 700 exhibitions held at the were buffered with silica gel to provide National Gallery between 1941 and the appropriate relative humidity. Mat- 1997. Drawings of the East Building by ters, framers, and the frame conserva- architect/artist Paul Stevenson Oles tors provided support for exhibitions as were photographed and catalogued. well as works in the collection. More than 1,300 color slides of Gallery buildings, visitors, and staff were digi- tized to permit preservation of the origi- nals. Pond and Company transferred more than 800 drawings that document

36 recent mechanical work on the Gallery including the estate of Paul Mellon; the buildings, which were organized and estate of Frances P. Smyth-Ravenel and added to the database of architectural Gaillard Ravenel; Malcolm Bell; Brenda, records. Oral history interviews were Lady ; Patricia England; Ruth Fine; conducted with former staff members Julian Ganz Jr.; Mark Samuels Lasner; Laura Smith Fisher, Robin Pell, David and Herbert and Dorothy Vogel. Rust, and Ross Watson. Deputy director Substantial progress was made on a Alan Shestack shared his knowledge of two-year project to catalogue titles in Rosenwald and the develop- the Biblioteca Cicognara microfiche, ment of the Rosenwald Collection. supported by a grant from the Samuel Curator Ruth Fine interviewed Mrs. H. Kress Foundation. In 1999 the library Martin Atlas concerning the develop- acquired 8,299 volumes, admitted 3,918 ment of the Martin and Liane W. Atlas visitors, answered 22,702 reference Collection of avant-garde theater pro- inquiries, and shared 3,985 volumes grams. Director Earl A. Powell III and with other institutions via interlibrary staff member Catharine Brown were loan. The online catalogue of 100,000 interviewed about their memories of bibliographic records was published on Paul Mellon. the Gallery's Web site. The library The National Gallery library acquired loaned several rare books for exhibition several important rare books last year. at the Palazzo Grass! in and the The Circle of the National Gallery of Art . The Gallery supported the purchase of both Furstliche produced an eighteen-minute film, Bau-Lust (1698), one of five extant Ex Libris: An Introduction to the National copies of a book that describes the house Gallery of Art's Rare Book Collection, which and gardens of Heinrich, Duke of Sach- premiered in January 1999. sen-Romhild, and Roma festeggiante The photographic archives added (1687), an illustrated account of two 12,564 photographs and 72,000 micro- festivals honoring Louis XIV (this copy form images to the collection. Signifi- presented to festival sponsor, Cardinal cant acquisitions included 1,700 pho- Ottoboni, who became Pope Alexander tographs of French baroque paintings VIII in 1689). The Circle also made pos- and drawings from John O'Brien; 400 sible the purchase of a superb collection photographs of Italian of about 400 nineteenth-century texts sculpture from the estate of Dr. Wendy on the development of photography, Stedman Sheard; additional black-and- including first editions of Louis white prints of historic architecture in 's Historique et description des the Urals and Siberia, donated by procedes du et du diorama William Brumfield, who took almost (1839) and Eadweard Muybridge's Ani- 5,000 photographs during expeditions to mal Locomotion (1888). Other notable the region supported by the Library of acquisitions included Heinrich Lauten- Congress. Two nineteenth-century sack's Dess Circkelss vnd Richtscheyts, auch albums depict well-known monuments: der Perspectiua, vnd Proportion der Men- a French album created shortly after the schen vndRosse (1618), purchased fall of the Paris Commune in 1871 doc- through the Andrew W. Mellon New uments firearm and artillery damage to Century Fund; and Hieronymus the Louvre and Tuileries palaces; and a Rodler's Eyn schon niitzlich Buchlin und two-volume set of photographs by Vnderweisung der Kunst des Messens Stephen Thompson from 1872 features (1531), Paul Pfinzing's Schoner kurtzer antiquities in the , in- Extract der Geometriae und Perspectivae cluding the Elgin Marbles. The archives (1616), and Vincenzo Danti's unique 11 began to organize John Rewald's exten- primo libro del trattato delle perfette pro- sive collection of photographs relating porzioni. . . (1567), purchased through to Paul Cezanne, which includes pho- the J. Paul Getty Fund in honor of tographs of the paintings as well as Franklin D. Murphy. The library is also images of family, friends, and sites rele- grateful for the gifts of individuals, vant to the artist's life and work.

37 The slide library's database was film "Ginevra's Story." It now produces to seven major exhibition catalogues updated to include records for 63,500 and sells archival high-resolution ink-jet and brochures, including those for the images, nearly 35 percent of the total digital reproductions. In fiscal year 1999 monumental Edo and Chinese Archaeology holdings of 180,000 slides. Of these, the Gallery issued 3,843 contracts to projects, the editors office published the about 24,000 slides circulated, 16 per- reproduce works in the collection, sold third of four volumes on the Mark J. cent of them to public borrowers. The 941 black-and-white photographs and Millard Architectural Collection, and reorganization of the collection was 854 duplicate slides, and loaned 1,446 one volume in the Studies in the History completed, with slides in both staff and color transparencies for reproduction. of Art symposium series. The Gallery lending collections filed in a manner The digital-imaging staff produced 6,005 also produced three teaching programs, consistent with systems in other major scans and 13,705 prints. The photo- the bimonthly calendars of events, The museum libraries. Notable gifts were graphic laboratory produced 8,430 color Circle Bulletins, myriad program bro- made by the Museum of transparencies, 25,414 original 35mm chures, invitations, and a book of Art; the Museum of Fine Arts, Houston; color slides, 29,031 duplicate trans- poetry. An exceptional publication was the National Museum of American Art; parencies and slides, and 28,168 black- the second revised edition, copublished and the Museum of Fine Arts, Boston. and-white prints for Gallery staff and with Bulfinch Press/Little, Brown and Continued advances in digital-imag- outside scholars, publishers, and other Company, Boston, of the award-win- ing capabilities enhanced numerous institutions. ning 1983 letterpress volume Alfred programs and projects. The Gallery The National Gallery published a wide Stieglitz: Photographs and Writings. completed a digital reconstruction of array of scholarly catalogues in fiscal Leonardo 's Ginevra de' Benci year 1999 along with educational, devel- and provided technical support for the opment, and press materials. In addition

38 The Center for Advanced day-long seminar on "Ancient American Study in the Visual Arts Architectural Models." Meetings were complemented by lectures, including The Center for Advanced Study in the the Andrew W. Mellon Lectures in the Visual Arts sponsors scholarship in four Fine Arts, presented by Carlo Bertelli. major program areas: fellowships, Other lecture topics included the vener- research, publications, and meetings. ation of saints and their relics, urban The resident community of scholars at studio artists in late imperial China, and the Center in 1998-1999 included indi- modernist conceptions of the sculptural viduals working on topics that ranged object. One informal presentation of from scribal traditions in ancient Meso- research focused on the inventory of america to Picasso's working methods. the Kunstkammer of the dukes of Among the members of the Center . were scholars from , France, One volume in the Studies in the Germany, Italy, , the People's symposium series was Republic of China, Poland, the United published this year, The Art of Ancient Kingdom, and the United States. For a Spectacle. For a complete description of complete list of fellows, see page 92 in the Center's activities, see Center 19: this report. The year 1998-1999 was the Record of Activities and Research Programs, first in a four-year initiative to encour- June 1998-May 1999. age the participation of scholars from East and South Asia in the Center's pro- grams. Initially funded by The Andrew W. Mellon Foundation and currently by The Starr Foundation, these fellowships provide for two months of research at

Jacob Maris, View of the Mill and Bridge on the - the Center in Washington plus two west Buitensingel in The Hague, 1873, oil on canvas, months of travel to visit collections, 81 x 144 cm, Patrons' Permanent Fund, 1999.56.1 libraries, and other institutions in the U.S. Progress was made in three long-term research projects, including an illus- trated glossary of landscape vocabulary in America from the colonial period to the mid-nineteenth century; and a guide to documentary sources for the art history and archaeology of the Andes, funded by the Getty Grant Pro- gram and the Center. In addition, about 39,000 images from European collec- tions were acquired for the Gallery's photographic archives of pre-1800 Ital- ian architectural drawings. The Center sponsored three symposia during the 1998-1999 academic year: "Italian Panel Painting in the Dugento and Trecento," made possible by the Arthur Vining Davis Foundations; "Small Bronzes in the Renaissance," funded by the Samuel H. Kress Foun- dation; and "Moche: Art and Political Representation in Ancient Peru," sup- ported by The Andrew W. Mellon Foun- dation. Among informal meetings was a

V)

REPORT OF THE TREASURER

The year 1999 was an exciting one for panded its program of capital projects to the National Gallery, beginning with the include a comprehensive master facili- opening of the exhibition Van Gogh's Van ties plan that has been designed to Goghs and marking the culmination of address necessary improvements to our many years' effort with the dedication galleries and public spaces and to restore of the National Gallery of Art Sculpture both the East and West Buildings over a Garden, a gift to the nation from The ten- to twelve-year period. Morris and Gwendolyn Cafritz Founda- The federal government also provides tion. It is the continued support from crucial support through its indemnity public and private sectors that makes program for the international compo- possible these notable accomplishments. nent of the Gallery's special exhibitions. The Gallery is grateful to the Adminis- By assuming responsibility for insurance tration and to Congress for the ongoing costs, the Federal Council on the Arts of federal funds to ensure and the Humanities enables the Gallery the efficient operation and maintenance to present great works of art borrowed of the Gallery and the protection and from public and private collections care of the nation's art collection. around the world to millions of visitors Appropriated federal funds supported each year. In fiscal year 1999 federal increases in salary costs and fringe indemnity was granted for six exhibi- benefits as well as the supply, utility, tions at the National Gallery of Art, and maintenance expenses for the new including Van Gogh's Van Goghs, Edo: Art Sculpture Garden. Federal renovation in Japan, and The Golden Age of Chinese funds supported several major capital Archaeology, presentations that would projects, including the installation of an not have been possible without this key up-to-date fire protection system, the federal support. completion of a multiyear program of The Gallery's net assets increased dur-

Louise Bourgeois, Spicier, 1996 (cast 1997), bronze skylight replacement in the West Build- ing the year, largely reflecting the strong with silver nitrate patina, Gift of The Morris and ing, and the continuation of repairs and performance of the investment portfolio Gwendolyn Cafritz Foundation, 1997.136.1, greets visitors to the National Gallery of Art Sculpture restoration in both the East and West compared with fiscal year 1998 and the Garden. Buildings. This year the Gallery ex- continued successes of the National

41 Gallery's development efforts. During Statement of Financial Position portion of the portfolio's return not fiscal year 1999 the Gallery also adopted used by operating activities. Deferred The Gallery's financial position con- two new accounting policies reflected in charges decreased in fiscal 1999 because tinues to strengthen, with net assets the accompanying financial statements of the recognition of costs associated increasing by $44.9 million, or 7.9 per- with the large exhibitions that opened regarding the treatment of fixed assets cent, during the year as a result of gifts, and the recognition of investment gains early in the fiscal year. grants, and investment returns in excess and losses on restricted funds. The auditor's report and the state- of amounts designated for operations. ments of financial position, activities, The investment portfolio, which in- Operating Results and cash flows for the Gallery for the cludes funds for operations, special pur- Fiscal year 1999 operating revenue years ended 30 September 1999 and pose funds, and endowment funds, totaled $88.2 million, an increase of 1998 are presented in the following increased by $51.1 million in fiscal year $9.2 million, or 11.7 percent, over the pages. 1999 to more than $456.2 million by previous year. Most of this increase 30 September 1999. The Gallery's diver- James E. Duff occurred as a result of higher levels of sified investment portfolio is managed Treasurer annual giving and income from the by outside managers who invest the Gallery Shops. The Gallery's investment portfolio returned 13.8 percent in fiscal year 1999 and continues to benefit from a robust financial market. The Gallery's policy, set by the Board of Trustees, limits spending endowment income and gains that are available to support oper- T ations to 5 percent of the average mar- Fticm ERHOUsE(CVPERS ® ket value as measured over a prior fif- teen-quarter period. Investment return PricewaterhouseCoopers LLP 1900 K Street, N.W. for the year in excess of the amount Washington DC 20006-1110 - . , . . . . . Telephone (202) 822 4000 designated for operations was $41.1 Report of Independent Accountants Facsimile <2021822 ssoo million. Other non-operating support, including gifts and grants designated for To The Board of Trustees of The National Gallery of Art special purposes, art acquisitions, and In our opinion, the accompanying statements of financial position and the related statements of endowment funds, declined in 1999 by activities and cash flows present fairly, in all material respects, the financial position of The $3.6 million when compared with 1998, National Gallery of Art (the Gallery) at September 30, 1999, and the changes in its net assets and its cash flows for the year then ended in conformity with accounting principles generally accepted owing to several large bequests received in the United States. These financial statements are the responsibility of the Gallery's in 1998. management; our responsibility is to express an opinion on these financial statements based on our audit. We conducted our audit of these financial statements in accordance with auditing Operating expenses of $81.8 million standards generally accepted in the United States and Government Auditing Standards issued by the Comptroller General of the United States, which require that we plan and perform the audit to for fiscal year 1999 were 11 percent obtain reasonable assurance about whether the financial statements are free of material higher than the previous year, mainly misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the accounting principles used and significant because of increases in staff salaries and estimates made by management, and evaluating the overall financial statement presentation. We fringe benefits and the organizational believe that our audit provides a reasonable basis for the opinion expressed above. costs of several large exhibitions. Federal We have audited the accompanying statement of financial position of the Gallery as of September appropriated funds totaling $62.6 mil- 30, 1998, and the related statements of activities and cash flows for the year then ended. These financial statements are the responsibility of the Gallery's management; our responsibility is to lion were used for the operation, main- express an opinion on these financial statements based on our audit. In our report dated December 11, 1998 we expressed an unqualified opinion on these financial statements. In our tenance, and renovation of the Gallery. opinion, the information set forth in the accompanying summarized comparative information is Operating expenses will vary from year fairly stated, after giving retroactive effect to the adjustment described in Note 11, in all material respects, in relation to the financial statements from which it has been derived. to year, depending on the exhibition schedule, and this year major exhibi- As described in Note 15, the September 30, 1998 financial statements have been restated to properly reflect income gains and losses on investments and to reflect the change in the Gallery's tions such as John Singer Sargent, Por- method of accounting for contributions restricted to long-lived assets. traits by Ingres, and Edo: Art in Japan gen- In accordance with Government Auditing Standards, we have also issued a report dated January erated costs that were 19 percent higher 6, 2000, on our consideration of the Gallery's internal control structure and its compliance with laws and regulations. than in fiscal year 1998. But as a result of these special exhibitions, the Gallery enjoyed attendance of 6.7 million, its highest in eleven years. January 6, 2000

42 STATEMENTS OF FINANCIAL POSITION 30 September 1999 and 1998

ASSETS 1999 1998 (a; Cash and cash , including interest-bearing demand deposits and appropriated amounts remaining on deposit with the U.S. Treasury $ 15,170,105 $ 14,303,679 Accounts receivable, net 3,112,548 3,949,899 Pledges receivable, net 8,433,867 15,263,190 Investments 456,228,754 405,170,042 Trusts held by others 7,693,843 6,552,630 Publications inventory 3,853,613 4,238,555 Deferred charges 993,179 3,744,335 Fixed assets, net 1 15,167,266 113,259,338

Art collections — —

TOTAL ASSETS $610,653,175 $566,481,668

LIABILITIES AND NET ASSETS Liabilities: Accounts payable, accrued expenses, and undelivered orders $ 20,674,704 $ 21,357,585 Total liabilities 20,674,704 21,357,585 Net assets: Unrestricted Designated for collections and art purchases 17,512,875 15,507,797 Designated for special exhibitions 4,571,745 701,267 Designated for capital projects 27,758,828 22,507,526 Designated for education and public programs 20,796,593 18,114,082 Designated for other operating purposes 14,121,716 6,884,824 Designated for publications, including systematic catalogues 23,406,230 21,268,237 Designated for fixed assets 115,167,266 1 13,259,338 Total unrestricted 223,335,253 198,243,071 Temporarily restricted 122,071,223 1 15,653,177 Permanently restricted 244,571,995 231,227,835 Total net assets 589.978,471 545,124,083

TOTAL LIABILITIES AND NET ASSETS $610,653,175 $566,481,668

The accompanying notes are an integral part of these financial statements.

43 STATEMENTS OF ACTIVITIES FOR THE YEAR ENDED 30 SEPTEMBER 1999 WITH SUMMARIZED FINANCIAL INFORMATION FOR THE YEAR ENDED 30 SEPTEMBER 1998

7998 Temporarily Permanently /999 Total Unrestricted Restricted Restricted Total (as restated)

OPERATING Support and revenue: U.S. Government appropriation $ 54,933,335 $ 3,026,000 $ $ 57,959,335 $56,048,199

Gifts and grants 2,891,052 6,739,823 — 9,630,875 8,257,963

Gallery Shops and related sales income, net 3,068,788 — — 3,068,788 352,648

Investment return designated for operations 2,601,192 12,855,000 — 15,456,192 13,357,661

Royalties and other income 2,060,815 — — 2,060,815 916,889

65,555,182 22,620,823 — 88,176,005 78,933,360 Net assets released from restrictions

to fund operating expenses 21,260,867 (21,260,867) — — —

TOTAL SUPPORT AND REVENUE 86,816,049 1,359,956 — 88,176,005 78,933,360 Operating expenses: Program services:

Collections 24,011,022 — — 24,011,022 21,547,984

Special exhibitions 16,707,594 — — 16,707,594 13,956,326

Education and public programs 19,603,791 — — 19,603,791 17,527,576

Editorial and photography 3,162,367 — — 3,162,367 3,650,513

TOTAL PROGRAM SERVICES 63,484,774 — — 63,484,774 56,682,399 Supporting services:

General and administrative 15,203,466 — — 15,203,466 14,207,189

Development 3,102,629 — — 3,102,629 2,795,836

TOTAL SUPPORTING SERVICES 18,306,095 — — 18,306,095 17,003,025

TOTAL EXPENSES 81,790,869 — — 81,790,869 73,685,424

Increase in net assets from operating activities 5,025,180 1,359,956 — 6,385,136 5,247,936

NON-OPERATING

U.S. Government appropriation—no-year renovation funds — 6,311,000 — 6,311,000 6,192,000 Non-operating gifts and grants 30,787 8,011,393 2,682,860 10,725,040 10,367,157 Changes in value of trusts held by others (71,054) 38,867 1,035,259 1,003,072 (312,667) Investment return in excess of amount designated for operations 15,274,181 16,234,973 9,626,041 41,135,195 (7,764,540)

Renovation and equipment expenditures (4,752,624) — — (4,752,624) (5,342,261 )

Capitalization of renovation and equipment expenditures 2.793,678 — — 2,793,678 6,306,394 Net assets released from restrictions to fund

non-operating activities 25,538,143 (25,538,143) — — — Change in net assets from non-operating activities before acquisitions of works of art 38,813,111 5,058,090 13,344,160 57,215,361 9,446,083

Acquisitions of works of art (18,746,109 — — (18,746,109 (7,633,918) Increase in net assets 25,092,182 6,418,046 13,344,160 44,854,388 7,060,101 NET ASSETS AT BEGINNING OF YEAR 198,243,071 115,653,177 231,227,835 545,124,083 538,063,982 NET ASSETS AT END OF YEAR $223,335,253 $122,071,223 $244,571,995 $589,978,471 $545,124,083

The accompanying notes are an integral part of these financial statements.

44 STATEMENTS OF CASH FLOWS FOR THE YEARS ENDED 30 SEPTEMBER 1999 AND 1998

1999 1998

CASH FLOWS FROM OPERATING ACTIVITIES:

Increase in net assets $44,854,388 $7,060,101 Adjustments to reconcile increase in net assets to net cash (used in) provided by operating activities:

Depreciation and amortization 4,391,108 4,373,217 Contributions and investment appreciation for

permanently restricted investment (13,344,160) (5,893,842)

Realized gains on sale of investments (25,545,694) (28,883,239)

Unrealized (gains) losses on investments (19,692,066) 34,435,877

Changes in value of trusts held by others (1,141,213) (134,828) Decrease (increase) in accounts receivable 837,351 (770,814)

Decrease in pledges receivable 6,829.323 710,611

Decrease (increase) in publications inventory 384.942 (1,214,967)

Decrease (increase) in deferred charges 2,751,156 (2,728,890) Decrease in accounts payable, accrued

expenses and undelivered orders (682,881) (2,607,590)

NET CASH (USED IN) PROVIDED BY OPERATING ACTIVITIES (357,746) 4,345,636

CASH FLOWS FROM INVESTING ACTIVITIES:

Purchase of investments (424,438,116) (682,346,406) Proceeds from sale of investments 418,617,164 679,710,905

Purchase of fixed assets (6,299,036) (14,787,527)

NET CASH USED IN INVESTMENT ACTIVITIES (12,119,988) (17.423,028)

CASH FLOWS FROM FINANCING ACTIVITIES: Contributions and investment appreciation for

permanently restricted investment 13,344,160 5,893,842

NET CASH PROVIDED BY FINANCING ACTIVITIES 13,344,160 5.893,842

Net increase (decrease) in cash and cash equivalents 866,426 (7,183,550)

Cash and cash equivalents, at beginning of year 14.303.679 21,487,229

Cash and cash equivalents, at end of year $15,170,105 $14,303,679

The accompanying notes are an integral part of these financial statements.

45 Notes to Financial Statements 1. Summary of significant accounting Gallery in accordance with federal guidelines. from these trusts are recorded as investment policies At the discretion of the Gallery's Board of income and changes in the value of these GENERAL—The National Gallery of Art (the Trustees, private funds, which are not trusts are recorded as "changes in the value Gallery) receives an annual appropriation to expended for operating activities, may be set of trusts held by others" in the statement of cover its core programs as part of the budget aside in designated reserves and earmarked activities. to cover future program costs or other approved annually by Congress and signed PUBLICATIONS INVENTORY—Publications by the president. This is supplemented with contingencies. inventory is carried at the lower of cost or income from endowments designated for • Temporarily restricted net assets carry specific market. Cost is determined using the retail current operating expenditures as well as donor-imposed restrictions on the expendi- cost method. gifts and grants designated by the donors for ture or other use of the contributed funds. In DEFERRED CHARGES—Deferred charges rep- addition, the Gallery's "no-year" federal specific programmatic activity. (All monies, resent expenses incurred in connection with appropriations for special exhibitions and for related activities, and balances from federal future special exhibitions and other activities, the repair, renovation, and restoration of its sources are referred to herein as "federal," and expenses are recognized in the period in buildings are classified as temporarily while all other monies, related activities, and which the exhibition occurs. balances are referred to herein as "private.") restricted net assets. FIXED ASSETS—The land occupied by the All identified intrafund transactions have been Temporary restrictions may expire as a Gallery's buildings was appropriated and eliminated from the financial statements. result of fulfillment of the donor's wishes or the passage of time. Transfers from temporar- reserved by the Congress of the United States MEASURE OF OPERATIONS—The Gallery ily restricted to unrestricted net assets occur for that purpose. No value has been assigned includes in its measure of operations all fed- when contributions are expended and are in the accompanying financial statements. eral and private support and revenue and reported as net assets released from restric- Buildings are recorded at cost and depreci- expenses that are integral to its core program tions in the statement of activities. ated on a straight-line basis over the esti- services: collections, special exhibitions, edu- • Permanently restricted net assets have donor- mated useful life of fifty years. Building cation and public programs, and editorial and imposed restrictions that stipulate that the improvements, equipment, furniture, and photography. The measure of operations corpus of the gifts be retained permanently. computer software are also recorded at cost excludes certain non-operating activities such In some cases the donor has also perma- and depreciated on a straight-line basis over as non-operating gifts and grants, investment nently restricted the use of income and any estimated useful lives ranging from five to return in excess of amounts designated for realized or unrealized gains attributable to twenty-five years. Upon retirement of fixed operations, and acquisitions of works of art. the corpus. assets, the related cost and accumulated The Gallery's Board of Trustees designates depreciation are removed from the accounts CASH AND CASH EQUIVALENTS—The only a portion of the Gallery's cumulative (see Note 7). Gallery considers all highly liquid invest- investment return for support of current ments with an original maturity of three ART COLLECTIONS—The Gallery's art collec- operations; the remainder is retained to sup- months or less to be cash equivalents, except tions focus on European and American port operations of future years and offset where such cash equivalents are held as part paintings, sculpture, and works on paper. In potential market declines. The amount com- of a long-term investment strategy (see Notes conformity with accounting procedures gen- puted under the spending policy of the 2 and 5). erally followed by art museums, the value of investments and all interest income earned art has been excluded from the statement of by investing cash in excess of daily require- PLEDGES RECEIVABLE—Unconditional financial position. The Gallery's collections ments are used to support current operations promises to contribute to the Gallery in the are maintained for public exhibition, educa- (see Note 5). future (pledges receivable) are recorded at tion and research in furtherance of public the present value of future cash flows, using SUMMARIZED FINANCIAL INFORMATION— service, rather than for financial gain. a risk-free rate of return, after providing an The financial statements include certain sum- The Gallery acquires its art collections allowance for uncollectibility. marized prior-year information in total, but through purchase or by donation-in-kind. not by net asset class. Such information does INVESTMENTS—Investments are carried at Only current-year purchases made from not include sufficient detail to constitute a fair value based on the last reported sales specifically designated funds, not donations- presentation in conformity with generally price at the end of the fiscal year or, in the in-kind, are reflected in the statement of accepted accounting principles. Accordingly, absence of a reported sale, on the average of activities. The Gallery does not deaccession such information should be read in conjunc- the bid and ask prices. Purchases and sales of its collections. tion with the Gallery's financial statements securities are reflected on a trade-date basis. UNDELIVERED ORDERS—In accordance with for the year ended 30 September 1998, from Gain or loss on sales of securities is based on accounting principles prescribed by the which the summarized information was average historical value (cost of securities if Comptroller General of the United States as derived. purchased or the fair market value at the set forth in the Policy and Procedures Manual date of receipt if received by donation). Divi- NET ASSETS—The Gallery's net assets, sup- for Guidance of Federal Agencies, the obligation dends and interest are recorded on the port and revenue, expenses, gains, and losses basis of accounting used for federal funds accrual basis. In accordance with the policy are classified based on the existence or differs in some respects from generally of stating investments at fair value, the net absence of donor-imposed restrictions. accepted accounting principles. Obligations, change in unrealized appreciation or depreci- Accordingly, net assets of the Gallery are such as purchase orders and contracts, are ation for the year is reflected in the state- classified and reported as follows: recognized as expenses and are carried as lia- ment of activities (see Note 5). • Unrestricted net assets include "multiyear bilities even though the related goods or ser- or one-year" federal appropriations and all TRUSTS HELD BY OTHERS-—The Gallery has vices may not have been received. Such other resources, which are not subject to been named as beneficiary in several irrevo- amounts are labelled undelivered orders. This donor-imposed restrictions. Multiyear and cable charitable trusts held by third parties. accounting treatment is used only for federal one-year federal appropriations that are not The Gallery's share of these trusts is recorded funds. Certain of these amounts will be capi- obligated or expended are retained by the at current fair value. Income distributions talized in the following year.

46 UNEXPENDED APPROPRIATIONS—Unex- System and the Federal Employees' Retire- tive management, financial administration, pended appropriations represent the Gallery's ment System (FERS), which went into effect information systems, human resources, and liability for funds provided by congressional 1 January 1987. All employees have the legal services. Fundraising costs include the appropriations and consist of obligated funds, option to make tax-deferred contributions to expenses associated with individual and cor- unobligated funds, and unavailable authority. a Thrift Savings Plan and in some instances porate gifts and grants, annual appeals, and Obligated funds represent amounts desig- receive a matching portion from the Gallery. other fundraising efforts. nated for payment of goods and services The Gallery funds all retirement contribu- ESTIMATES—The preparation of the financial ordered but not received, or for goods tions on a current basis, and accordingly statements, in conformity with generally received and not yet paid for. Unobligated there are no unfunded retirement costs (see accepted accounting principles, requires funds are generally available for current Note 12). management to make estimates and assump- operations; however, there may be restric- The standard also requires that the Gallery tions that affect the reported amount of tions placed on the use of these amounts. recognize a current-period expense for the assets and liabilities, disclosure of contingent Unobligated funds include amounts made future cost of post-retirement health benefits assets and liabilities, and the reported available for multiple fiscal years and no-year and life insurance for its employees while amounts of support and revenue and appropriations that are available for an indef- they are still working. The Gallery accounts expenses at the date of the financial state- inite period of time. Unavailable authority for and reports this expense in its financial ments and during the reporting period. Actual includes amounts appropriated to the Gallery statements in a manner similar to that used results could differ from these estimates. in prior fiscal years, which may not be used for pension expense, with the exception that RECLASSIFICATIONS—Certain prior-year bal- for current operations. employees and the Gallery do not make ances have been reclassified to conform to current contributions to fund these future ACCRUED LEAVE—Annual leave is accrued current year presentation. benefits. as it is earned by employees and is included in personnel compensation and benefit costs. IMPUTED FINANCING SOURCES—In certain 2. Cash and cash equivalents An unfunded liability as of the date of the cases, the operating costs of the Gallery are As of 30 September 1999 and 1998, federal financial statements is recognized for earned paid out of funds appropriated to other cash of $12,142,747 and $12,941,159, but unused annual leave by federal em- federal agencies. For example, by law, certain respectively, was on deposit with the U.S. ployees since from a budgetary standpoint, costs of retirement programs are paid by Treasury and represents appropriated this annual leave will be paid from future OPM and certain legal judgments against the amounts yet to be disbursed. There are no federal appropriations when the leave is used Gallery are paid from the Judgment Fund reconciling items between the amounts by employees. The amount accrued is based maintained by Treasury. Costs that are identi- recorded by the Gallery and on deposit with on current pay of the employees. fiable to the Gallery and directly attributable the U.S. Treasury. to the Gallery's operations are paid by these EMPLOYEE BENEFITS—The Federal Account- federal agencies. ing Standards Advisory Board issued State- ment of Federal Financial Accounting Stan- CONTRIBUTED SERVICES—The Gallery has dards Number 5, "Accounting for Liabilities volunteers who provide assistance in various of the Federal Government," which requires departments. Such contributed services do employing agencies to recognize the cost of not meet the criteria for recognition of con- pensions and other retirement benefits dur- tributed services contained in Statement of ing their employees' active years of service. Financial Accounting Standards No. 116 and, The pension expense recognized in the accordingly, are not reflected in the accompa- Gallery's financial statements is equal to the nying financial statements. current service cost for the Gallery's em- FUNCTIONAL ALLOCATION OF EXPENSES— ployees for the accounting period less the The cost of providing various programs and amount contributed by the employees. The other activities has been summarized on a measurement of the pension service cost functional basis in the statement of activities. requires the use of an actuarial cost method Certain costs including depreciation, utilities, and assumptions, with factors applied by the building maintenance, security, and other Gallery that are supplied by the Office of Per- operating costs have been allocated among sonnel Management (OPM), the agency that program and supporting services. administers the plan. The excess of the recog- Included under the collection category are nized pension expense over the amount con- the costs of the care and display of the tributed by the Gallery represents the Gallery's collections. Education and public amount being financed directly through the programs include the costs of providing a Civil Service Retirement and Disability Fund wide array of lectures, tours, films, music, administered by OPM. This amount is consid- symposia, and academic programs to the gen- ered imputed financing by the Gallery. eral public. Special exhibitions include travel, All permanent employees of the Gallery, transportation of items, and other services both federal and nonfederal, hired prior to necessary for the display of special exhibi- 1 January 1984, participate in the Civil Ser- tions. Editorial and photography includes the vice Retirement System (CSRS). Employees costs to produce the many publications pro- hired subsequent to 1 January 1984 partici- duced by the Gallery. General and adminis- pate in both the Social Security Retirement trative costs include expenses for the execu-

-17 3. Accounts receivable As of 30 September 1999 and 1998, accounts receivable consisted of the following:

7999 199& Due from brokers on sales of securities and accrued investment income $1,826,616 $1,707,695 Special exhibition and other program receivables 1,151,442 1,967,894 Other 202,240 286,187 Subtotal 3,180,298 3,961,776 Less allowances (67,750) (11,877) Total $3,112,548 $3,949,899

4. Pledges receivable As of 30 September 1999 and 1998, pledges receivable consisted of the following

;9vv 1998 Due in one year or less $; 4,303,115 51 9,619,339 Due between one year and five years 4,679,391 6,406,341 Due in more than five years 200,000 300,000 Subtotal 9,182,506 16,325,680 Less discounts of $598,639 and $912,490 and allowances of $150,000 and $150,000, respectively (748,639) (1,062,490) Total $8,433,867 3115,263,19 0

5. Investments As of 30 September 1999 and 1998, investments consisted of the following:

;999 Cost Fair Value Cost Fair Value Loan to the U.S. Treasury $ 5,000,000 $ 5,000,000 $ 5,000,000 $; 5,000,000 Government obligations and cash equivalents 43,508,144 43,962,660 54,946,696 55,519,827 Common and preferred stocks 180,868,881 221,970,086 184,866,107 207,164,997 Mutual funds 178,959,116 182,667,642 132,384,825 135,219,148 Other 2,670,324 2,628,366 2,394,178 2,266,070 Total $411,006,465 $456,228,754 $379,591,806 $405,170,042

In 1942 the Gallery, under authority of an Act of Congress, made a $5,000,000 permanent loan to the U.S. Treasury. This loan bears interest at 1/4% below the average monthly rate for long-term funds paid by the U.S. Treasury (ranging from 4.75% to 6.0% during fiscal year 1999). Interest income on this loan was $270,434 and $281,549 for the years ended 30 September 1999 and 1998, respectively. According to the Gallery's spending policy set by the Board of Trustees, only a portion of the total investment return derived from investments is available to support current opera- tions, while the remainder is reinvested. Under this spending policy, five percent of the aver- age fair value of the previous three and three-quarter years is appropriated to support current operations. The following schedule summarizes the investment return and its classification in the statement of activities:

Temporarily Permanently 1999 1998 Unrestricted Restricted Restricted Total Total Dividends and interest (net of expenses of $1,367,523 and $1,358,292, respectively) $ 3,761,650 $ 5,669,347 $ 162,438 $ 9,593,435 $ 9,552,098 Net realized gains on sale of investments 2,630,693 21,425,273 1,489,728 25,545,694 28,883,239 Net unrealized (depreciation) appreciation 9,722,838 1,995,353 7,973,875 19,692,066 (34,435,877 Return on long-term investments 16,115,181 29,089,973 9,626,041 54,831,195 3,999,460

Interest on short-term investments 1,760,192 — — 1,760,192 1,593,661 Total return on investments 17,875,373 29,089,973 9,626,041 56,591,387 5,593,121

Investment return designated for current operations (841,000) (12,855,000) — (13,696,000) (11,764,000

Interest on short-term investments (1,760,192) — — (1,760,192) (1,593,661

Total investment return designated for current operations (2,601,192) (12,855,000) — (15,456,192) (13,357.661 Investment return in excess of (reduced by) amounts designated for current operations $15,274,181 $16,234,973 $9,626,041 $41,135,195 $(7,764,540

48 6. Publications inventory As of 30 September 1999 and 1998, publications inventory consisted of the following:

7999 7998 Retail $1,192,754 $1,573,054 Work-in-process 1,636,762 2,236,009 Consignment 1,024,097 429,492 Total $3,853,613 $4,238,555

7. Fixed assets As of 30 September 1999 and 1998, fixed assets consisted of the following:

J999 1998 Buildings and improvements $170,558,218 $153,549,579 Equipment 37,048,935 36,460,707 Construction-in-progress 2,517,127 13,833,408 210,124,280 203,843,694 Less accumulated depreciation (94,957.014) (90,584,356) Total $115,167,266 $113,259,338

Depreciation expense was $4,391,108 and $4,373,217 for fiscal years 1999 and 1998, respectively.

8. Unexpended appropriations The Gallery's unexpended federal appropriations as of 30 September 1999 and 1998 are as follows:

No-year J 999 Total 1998 Multiyear and No-year special federal federal exhibition appropriated appropriated funds funds funds funds funds Balance beginning of period: Available $ — $1,866,927 $ 538,398 $ 2,405,325 $ 2,170,575

Unavailable 741,925 — 741,925 1,100,175 Total beginning unexpended appropriations 741,925 1,866,927 538,398 3,147,250 3,270,750

Unavailable authority returned to Treasury (19,658) — (19,658) (474,650) Current appropriation received 55,009,000 6,311,000 3,026,000 64,346,000 62,029,000 Obligations incurred:

Art care (20,165,007) — (20,165,007) (18,948,407)

Operations and maintenance (12,102,283) — (12,102,283) (12,182,965)

Security (12,378,764) — (12,378,764) (11,439,212) General and administrative (10,129,284) — (10,129,284) (10,016,599)

Special exhibitions — — (3.040,879) (3,040,879) (3,748,406)

Renovation and equipment (157,997) (4,594,627) — (4,752,624) (5,342,261) Total obligations incurred (54,933,335) (4,594,627) (3,040,879) (62,568,841) (61,677,850) Net change 56,007 1,716,373 (14,879) 1,757,501 (123,500) Balance end of period: Available 71,664 3,583,300 523,519 4,178,483 2,405,325

Unavailable 726,268 — 726,268 741,925 Total ending unexpended appropriations $ 797,932 $3,583,300 $ 523,519 $ 4,904,751 $ 3,147,250

9. Net assets released from restrictions Net assets were released from donor restrictions when the expenses were incurred to satisfy the restricted purposes as specified by donors. The donor specified restrictions that have been met were as follows: J999 J 998 Operating Non-operating Operating Non-operating

Acquisition of art $ — $18,832,500 $ — $ 7,569,772 Collections 1,749,706 — 298,474 Special exhibitions 11,676,770 — 7,354,390 Education and public programs 2,612,382 — 1,361,057 Editorial and photography 662,089 562,463 Capital projects — 6,705,643 — 7,073,701 Operations 4,559,920 600,946 Total $21,260,867 $25,538,143 $10,177,330 $14,643,473

49 10. Analysis of restricted net assets 15. Restatement of financial information As of 30 September 1999 and 1998, temporarily restricted net assets and the investment The Gallery changed its method of account- income from permanently restricted net assets are restricted to support the following ing for the release of net assets temporarily purposes: restricted for the construction or use of long 7999 7994 lived assets, and the 30 September 1998 Temporarily Permanently Temporarily Permanently financial statements have been retroactively rafndwf restricted restricted restricted restated accordingly. The effect of this Acquisition of art $101,418,451 !( 64,453,670 $ 95,488,049 $ 63,391.993 restatement was to increase unrestricted net Collections 1,149,874 34,836,403 556,855 31,581,653 assets and decrease temporarily restricted net Special exhibitions 5,362,832 1,189,831 8,631,420 1,175,845 assets by $92,326,744. Education and public programs 6,414,346 56,086,528 5,121,684 50,696,038 In addition, prior to the 1999 fiscal year, Editorial and photography 839,346 — 1,286,682 — the Gallery's unrealized and realized gains Capital projects 6,428,374 4,236,578 — and losses on investments were allocated to Operations 458,000 88,005,563 331,909 84,382,306 unrestricted net assets. However, in accor- Total $122,071,223 $244,571,995 !6115,653,17 7 $231,227,835 dance with Statement of Financial Account- ing Standards No. 124, "Accounting for Cer- 11. Gallery Shops and related sales income, net tain Investments Held by Not-for-Profit For the years ended 30 September 1999 and 1998, net Gallery Shops and related sales Organizations," the allocation of investment income comprised the following: gains and losses should match donor restric- 1999 1998 tions on related investment income, if there Sales $19,008,271 $11,260,918 are such restrictions. The 30 September 1998 Less cost of goods sold (8,637,579) (5,762,939) financial statements have been restated to make the proper allocation of gains and Gross profit 10,370,692 5,497,979 losses associated with investments for which Less merchandising expenses (7,301,904) (5,145,331) donors have placed restrictions on related Net Gallery Shops and related sales income $ 3,068,788 $ 352,648 income. As a result of the restatement of 30 September 1998, unrestricted net assets 12. Employee benefits 13. Income taxes decreased $122,070,638, temporarily Total pension expense recognized in the The Gallery is a nonprofit organization restricted net assets increased $89,542,733, Gallery's financial statements was $3,749,913 exempt from federal income taxes under the and permanently restricted net assets and $3,559,606 for the years ended provisions of 501(c)(3) of the Internal Rev- increased $32,527,905. 30 September 1999 and 1998, respectively. enue Code. These amounts do not include pension expense financed by OPM and imputed to 14. Rental commitments the Gallery of $890,421 and $945,235, The Gallery has entered into several operat- respectively. To the extent that Gallery ing leases for warehouse and office space, employees are covered by the Thrift Savings which expire, through 31 January 2009. The component of FERS, the Gallery's payments terms of these leases include additional rent to the plan are recorded as operating for operating expenses, real estate taxes, util- expenses. The Gallery's cost associated ities, and maintenance. Future minimum with the Thrift Savings component of FERS rental commitments under these operating for the years ended 30 September 1999 and leases for the fiscal years ending 30 September 1998 was $941,463 and $812,038, are as follows: respectively. Total In addition, the Gallery makes matching 2000 $ 809,736 contributions for all employees who are eli- 2001 818,222 gible for current health and life insurance 2002 826,878 benefits. The Gallery's contributions for 2003 835,707 active employees are recognized as operating 2004 844,713 expenses. During fiscal years 1999 and 1998 Thereafter 3,775,331 the Gallery contributed $2,165,519 and Total future minimum $2,105,278, respectively. Using the cost fac- rental commitments $7,910,587 tors supplied by OPM, the Gallery has not recognized as an expense in its financial Rental expense was approximately statements the future cost of post-retirement $747,000 and $691,000 for the years ended health benefits and life insurance for its 30 September 1999 and 1998, respectively. employees. This cost amounted to approxi- mately $3,375,949 and $2,803,991 during fiscal years 1999 and 1998, respectively, and it is financed by OPM and imputed to the Gallery.

50 UISiTIONS

Paintings Louis, Morris, American, 1912-1962 Ambi II, 1959, acrylic on canvas, 1998.98.1, The Bleckner, Ross, American, born 1949 Nancy Lee and Perry Bass Fund Birds Falling, 1994-1995, oil on canvas, Maris, Jacob, Dutch, 1837-1899 1998.106.1, Gift of Anthony T. Podesta, View of the Mill and Bridge on the Noordwest Washington, D.C. Buitensingel in The Hague, 1873, oil on canvas, Carolus-Duran, French, 1837-1917 1999.56.1, Patrons' Permanent Fund Study of Lilia, 1887, oil on canvas, 1999.45.1, Marshall, Benjamin, British, 1768-1835 New Century Fund, Gift of Edwin L. Cox—Ed Cox J. G. Shaddick, the Celebrated Sportsman, 1806, oil Foundation on canvas, 1999.79.24, Paul Mellon Collection

Dahl, Johan Christian, Norwegian, Moses, Grandma, American, 1860-1961 1788-1857 A Fire in the Woods, 1947, oil on board, 1999.81.1, View from Vaekero near Christiania, 1827, oil on Gift of Margaret P. Mallory in memory of Ala Story canvas, 1999.99.1, Patrons' Permanent Fund Motherwell, Robert, American, 1915-1991 Degas, Edgar, French, 1834-1917 In Plato's Cave No. 1, 1972, acrylic on canvas, Scene from the Steeplechase: The Fallen Jockey, 1866, 1999.1.1, The Nancy Lee and Perry Bass Fund reworked 1880-1881 and c. 1897, oil on canvas, O'Keeffe, Georgia, American, 1887-1986 1999.79.10, Collection of Mr. and Mrs. Paul Mellon Black, White and Blue, 1930, oil on canvas, Durrie, George Henry, American, 1820-1863 1998.93.1, Gift (Partial and Promised) of Mr. and Mrs. Winter in the Country, c. 1859, oil on canvas, Barney A. Ebsworth 1999.42.1, Avalon Fund Peale, Raphaelle, American, 1774-1825 Gifford, Sanford Robinson, American, A Dessert, 1814, oil on wood, 1999.44.1, Gift (Par- 1823-1880 tial and Promised) of Jo Ann and Julian Ganz Jr. in Siout, Egypt, 1874, oil on canvas, 1999.7.1, New memory of Franklin D. Murphy Century Fund, Gift of Joan and David Maxwell Peto, John Frederick, American, 1854-1907 Haberle, John, American, 1856-1933 The Blue Envelope, c. 1890s, oil on wood Imitation, 1887, oil on canvas, 1998.96.1, New Breakfast, c. 1890s, oil on academy board Century Fund, Gift of the Anion G. Carter Foundation An English Breakfast, c. 1890s, oil on academy Kelly, Ellsworth. American, born 1923 board Three Panels: Yellow, Orange, Blue, 1997, oil on The Old Kettle, c. 1890s, oil on wood canvas, 1999.15.1, Gift ol The Morris and Gwendolyn Still Life with Oranges and Goblet of Wine, Cafritz Foundation 1880-1890s, oil on artist's board 1999.79.28-32, Collection of Mr. and Mrs. Paul Mellon Levy, E„ French Rowing Scene: Crowds Watching from the River Shannon, James Jebusa, British, 1862-1923 Banks, late , oil on wood, Nora McMullen Mellon (Mrs. Andrew W. Mellon), 1999.79.15, Collection ol Mr. and Mrs. Paul Mellon 1910, oil on canvas, 1999.79.33, Paul Mellon Collection

51 Steichen, Edward, American, 1879-1973 Stubbs, George, British, 1724-1806 Valentin de Boulogne, Soldiers Playing Cards and Dice Le Tournesol (The Sunflower), c. 1920, tempera White Poodle in a Punt, c. 1780, oil on canvas, (The Cheats), c. 1620/1622, oil on canvas, 121 x and oil on canvas, 1999.43.1, Gift of the Collectors 1999.80.22, Paul Mellon Collection 152 cm, Patrons' Permanent Fund, 1998.104.1 Committee Valentin de Boulogne, French, c. 1591-1632 Steir, Pat, American, born 1940 Soldiers Playing Cards and Dice (The Cheats), Curtain Waterfall, 1991, oil on canvas, 1998.97.1, c. 1620/1622, oil on canvas, 1998.104.1, Patrons' Gift of Mr. and Mrs. Barney A. Ebsworth Permanent Fund

52 Anguier, Michel, Follower of Arabesque over the Right Leg, Right Hand near the Juno/Proserpina, c. 1700, bronze, 1999.2.1, Gift of Ground, Left Arm Outstretched (First Arabesque Guy Ladriere Penchee), c. 1882/1895, brown wax Dancer at Rest, Hands Behind Her Back, Right Leg Argentario, Bartolomeo, Italian, died 1591 Forward, mid-1880s (?), dark greenish wax (obverse), and Roman 16th Century (reverse) Dancer Bowing (The Curtain Call), c. 1880/1885, Gregory XIII...Pope 1572 (obverse), Religion yellow-brown wax Enthroned between Theology, Astronomy, Philosophy, Dancer Fastening the String of Her Tights, and Literature (reverse), 1582, bronze, c. 1885/1890, yellow-brown plastilene 1998.108.19.a,b, Gift of Lisa and Leonard Baskin Dancer Looking at the Sole of Her Right Foot, Aury, Pierre, Dutch, active 1672 c. 1890/1900, dark green wax and cork Assassination of the Brothers Cornelius and Johann Dancer Moving Forward, Arms Raised, de Witt at The Hague (obverse), Ten-Headed Mon- c. 1885/1890, greenish black wax, metal ster Preying on Two Nude Bodies (reverse), 1672, armature silver, 1998.108.l.a.b. Gift of Lisa and Dancer Putting on Her Stocking, c. 1890/1895, Leonard Baskin brown wax Barye, Antoine-Louis, French, 1795-1875 Fourth Position Front, on the Left Leg, Crouching Rabbit, c. 1820s c. 1883/1888, brown wax and cork Pawn Scratching, model before 1847 Grande Arabesque, Second Time, c. 1882/1895, brown plastilene, wax, and cork Reclining Doe and Deer, model before 1855 Grande Arabesque, Third Time (First Arabesque Tortoise, model c. 1820s Asian Elephant Walking, model c. 1830s Penchee), c. 1882/1895, greenish brown and black plastilene Reclining Tunisian Panther, model 1840 bronzes, 1999.79.1-4, 1999.79.19-20, Collection of Horse Galloping on Right Foot, 1889/1890, brown Mr. and Mrs. Paul Mellon wax and cork Horse Trotting, the Feet Not Touching the Ground, Bourgeois, Louise, American, born 1911 1880s, dark red wax Spider, 1996, cast 1997, bronze with silver Horse Walking, probably before 1881, reddish nitrate patina, 1997.136.1, Gift of The Morris and wax Gwendolyn Cafritz Foundation Horse with Jockey; Horse Galloping on Right Foot, the Brandt, Henri Francois, Swiss, 1789-1845 Back Left Only Touching the Ground, 1890s, brown Pius VII. . . Pope 1800 (obverse), Rome and the wax and cloth Papal States Welcoming the Return of the Pope from Horse with Jockey; Horse Galloping, Turning the Imprisonment (reverse), 1816, silver, Head to the Right, the Feet Not Touching the Ground, 1998.108.2.a,b, Gift of Lisa and Leonard Baskin mid-, dark greenish and reddish brown wax Burton, Scott, American, 1939-1989 Horse with Head Lowered, late 1880s/early 1890s, Six-Part Seating, conceived 1985, fabricated brown wax and cork 1998, polished granite, 1998.146.1, Gift of the Col- Rearing Horse, 1880s, red wax lectors Committee The Schoolgirl (Woman Walking in the Street), Central or North Italian 16th Century c. 1880/1881, red wax Altar Pax: Pieta, c. 1575, gilded bronze, Thoroughbred Horse Walking, Part of the Neck Miss- 1998.107.2, Gift of Claire, Monica, and Antonia Geber ing, early 1870s, yellow-brown wax in memory of their parents, Anthony and Margaret Woman Washing Her Left Leg, c. 1890/1900 (?), Mary Geber brown wax and cloth Woman Washing Her Left Leg, c. 1890, yellow, red, Christo, American, born 1935 and olive green wax, green ceramic pot Package, 1961, fabric, rope, and cord on wooden Arabesque over the Right Leg, Left Arm in Front, board, 1999.4.1, Gift of Dorothy and Herbert Vogel c. 1882/1895, yellow-brown wax, metal frame Dassier, Jean, Swiss, 1676-1763 Dancer at Rest, Hands on Her Hips, Left Leg Louis II de Bourbon, Prince de Conde (obverse), Forward, late 1870s (?), brown wax Memorial Tablet, with Geniuses of Death and Fame Dancer in the Role of Harlequin, c. 1884/1885, (reverse), first half of 18th century, silver, red-brown wax 1998.108.3.a,b, Gift of Lisa and Leonard Baskin Grande Arabesque, First Time, c. 1882/1895, dark green wax Degas, Edgar, French, 1834-1917 Horse Balking (Horse Clearing an Obstacle), 1880s, Horse Trotting, the Feet Not Touching the Ground, yellow wax model 1880s, cast 1919/1921, bronze Little Dancer Aged Fourteen—wax stauette, The Schoolgirl, model c. 1880/1881, cast 1956, 1879-1881, yellow wax, hair, ribbon, linen bronze bodice, satin shoes, muslin tutu, wood base Rearing Horse, model 1880s, cast 1919/1921, Spanish Dance, c. 1883/1885, dark green wax bronze Woman Arranging Her Hair, c. 1895/1910, Thoroughbred Horse Walking, Part of the Neck Miss- yellow wax ing, model early 1870s, cast 1919/1921, bronze 1999.79.36-43, 1999.80.1-30, Collection of Mr. and Head Resting on One Hand, Bust, c. 1885/1888, Mrs. Paul Mellon Sculpture indefinable matter, containing plaster Head, Study for the Portrait of Mme Salle, Delabriere, Paul Edouard, French, Abakanowicz, Magdalena, Polish, born 1930 c. 1882/1895, indefinable matter, containing 1829-1912 Puellae (Girls), 1992, bronze, 1998.148.1, Gift of plaster Pointer Standing over a Pheasant, bronze, The Morris and Gwendolyn Cafritz Foundation Head, Study for the Portrait of Mme Salle, 1999.79.21, Collection of Mr. and Mrs. Paul Mellon Algardi, Alessandro, Italian, 1598-1654 c. 1882/1895, indefinable matter, containing Christ at the Column, model c. 1630s, cast proba- plaster bly mid-17th century, silver, 1998.95.1, The Woman Rubbing Her Back with a Sponge, Torso, William Stamps Parish Fund c. 1900, plaster

53 LeWitt, Sol, American, born 1928 Four-Sided Pyramid, first installation 1997, fabri- cated 1999, concrete blocks and mortar, 1998.149.1, Gift of The Donald Fisher Family

Lichtenstein, Roy, American, 1923-1997 House I, model 1996, fabricated 1998, fabricated and painted aluminum, 1998.147.1, Gift of The Morris and Gwendolyn Cafritz Foundation

Marisol, American, born 1930 Untitled, c. 1963/1968, mixed media, 1999.3.1, Gift of Adeline and Sidney R. Yates

Marriani, John, British, active c. 1817-1830 Death of King George III (obverse), Britannia Griev- ing before Monument of the Stricken King . . . (reverse), 1820, silver, 1998.108.8.a,b, Gift of Lisa and Leonard Baskin

Mene, Pierre-Jules, French, 1810-1879 A Family of Foxes, model 1847, bronze A Fox Holding a Dead Rooster, wax Whippets, model c. 1848, silver plated copper alloy Pointer, model c. 1860s, bronze A Saddled Racehorse, model c. 1860s, bronze Setter (setting right), model c. 1840/1845, bronze The Fox, model c. 1845, bronze 1999.79.16-18, 1999.79.44, 1999.79.25-27, 1999.79.35, Collection of Mr. and Mrs. Paul Mellon

Morone Mola, Gasparo, Italian, active 1627-1669 Clement IX . . . Pope 1667 (obverse), Beatification of the Blessed Rosa of Lima (reverse), 1668 Urban VIII. . . Pope 1623 (obverse), Mining Works on Monte Leone (reverse), 1641 bronze, 1998.108.9.a,b, 1998.108.10.a,b, Gift of Lisa and Leonard Baskin

Natter, Johann Lorenz, German, 1705-1763 Coronation of King George III (obverse), Britannia Crowning the King (reverse), 1761 Coronation of Queen Charlotte (obverse), Fame Crowning the Queen . . . (reverse), 1761 Alessandro Algardi, Christ at the Column, model silver, 1998.108.11.a,b, 1998.108.12.a,b, Gift of Lisa c. 1630s, cast probably mid-17th century, silver, and Leonard Baskin height without base: 21.9 cm, The William Stamps Neapolitan 16th Century Parish Fund, 1998.95.1 Francesco Potenziano . . . (obverse), A Radiant Sun Dispelling Clouds (reverse), c. 1575, bronze, 1998.108.13.a,b, Gift of Lisa and Leonard Baskin North Italian 16th Century Altar Pax: Christ as the Man of Sorrows with the Vir- Domenico di Polo, Italian, 1480 or after-1547 French 16th Century gin, Saint John, and Angels, c. 1500, gilded bronze, 1998.107.1, Gift of Claire, Monica, and Anto- Cosimo I de' Medici... Duke of Florence 7 53 7 Antoine de Bourbon, Due de Venddme, King of nia Geber in memory of their parents, Anthony and (obverse), The Constellation Capricorn (reverse), Navarre, 1555, bronze, 1998.108.5, Gift of Lisa and Margaret Mary Geber 1537, bronze, 1998.108.4.a,b, Gift of Lisa and Leonard Baskin Leonard Baskin French or German 19th Century North Italian 17th Century, Possibly Saint , c. 1650, bronze, European 19th Century, Probably Walking Ostrich, model 19th century, bronze, 1998.108.14. Gift of Lisa and Leonard Baskin Life Cast of a Lizard, probably 19th century, 1999.79.23, Collection of Mr. and Mrs. Paul Mellon gilded bronze, 1998.108.24, Gift of Lisa and Oldenburg, Claes, American, born 1929, and Hamerani, Ottone, Italian, 1694-1761 Leonard Baskin Coosje van Bruggen, American, born 1942 Prince Charles Stuart... (obverse), Prince Henry Stu- Typewriter Eraser, Scale X, model 1998, fabricated Filarete, Italian, c. 1400-c. 1469 art (reverse), 1729, bronze, 1998.108.6.a,b, Gift of 1999, stainless steel and cement painted with King Juba I of Numidia Led in Triumph by Julius Lisa and Leonard Baskin acrylic urethane, 1998.150.1, Gift of The Morris and Caesar, c. 1433/1435, bronze, 1999.102.1, Patrons Holtzhey, Johann Georg, Dutch, 1729-1808 Gwendolyn Cafritz Foundation Permanent Fund Emperor Joseph II...Holy Roman Emperor 1765 Pistrucci, Benedetto, Italian, 1784-1855 Flanagan, Barry, British, born 1941 (obverse), The Emperor Enlightened... (reverse), Coronation of King George IV (obverse), Britannia, Thinker on a Rock, 1997, bronze, 1999.30.1, Gift of 1782, silver, 1998.108.7.a,b, Gift of Lisa and Scotia, and Hibernia . . . (reverse), 1821, silver, John and Mary Pappajohn, Des Moines, Iowa Leonard Baskin 1998.108.15.a,b, Gift of Lisa and Leonard Baskin Fratin, Christophe, French, 1801-1864 Kelly, Ellsworth, American, born 1923 Pointer, bronze, 1999.79.22, Collection of Mr. and Stele II, 1973, one-inch weathering steel, Mrs. Paul Mellon 1999.15.2, Gift of The Morris and Gwendolyn Cafritz Foundation

54 Charles Michel-Ange Challe, Arches of the Large Baths at Hadrian's Villa, c. 1745, black chalk drawing heightened with white on light brown paper, 30.4 x 47.6 cm, Ailsa Mellon Bruce Fund, 1999.19.2

Poggini, Gianpaolo, Italian, 1518-c. 1582 c. 1573, bronze, 1998.108.23.a,b, Gift of Lisa and Berlin, Fran^ois-Edouard. French, Dona Juana of Portugal (obverse), Allegory of Leonard Baskin 1797-1871 A Terrace and Garden on Capri (recto), View up Peace(?) . . . (reverse), 1564, bronze, Tourgueneff, Pierre Nicholas, French, 1998.108-16.a,b, Gift of Lisa and Leonard Baskin a Street in Sorrento (verso), c. 1822 or later, 1854-1912 charcoal and white chalk on blue paper, Rancetti, Giorgio, Italian, 1558-1610 Walking Terrier, bronze, 1999.79.34, Collection of 1999.17.1.a,b, Ailsa Mellon Bruce Fund Leo XI... Pope 1605 (obverse), Emblem of Lion and Mr. and Mrs. Paul Mellon Bees (reverse), 1605, bronze, I998.l08.l7.a,b, Gift Bladen, Ronald, American, 1918-1988 Tuttle, Richard. American, born 1941 of Lisa and Leonard Baskin Untitled, 3 graphite drawings, 1946-1947 and Renaissance Unframed 26, 1995 (published 1996), 1946, 1998.81.1-3, Gift of Barbara Bladen Roettiers, Jean, Flemish, 1631-1703 two-part bronze sculpture with black patina, King Charles II. . . (obverse), Armed Britannia 1998.87.24.a,b, Gift of Graphicstudio, The University of Bluemner, Oscar F„ American, 1867-1938 Surveying Her Navies (reverse), 1667, silver, South Florida, and the Artist Bluemner Sketchbook, 1912, sketchbook with 156 1998.108.18.a,b, Gift of Lisa and Leonard Baskin drawings in various media, 1999.89.1-156, Gift of Yeo, Richard, British, c. 1710-1779 the Dr. Cyrus Katzen Foundation Roman 16th Century William, Duke of Cumberland (obverse), The Duke Gregory XIII. . . Pope 1572 (obverse), Abraham as Hercules . . . (reverse), 1746, silver, Callahan, Kenneth, American, 1905-1985 and His Captains Met by Melchizedek (reverse), 1998.108.25.a,b, Gift of Lisa and Leonard Baskin Callahan Sketchbooks, late 1920s-1970s, 8 - 1582 books with drawings in various media Innocent IX .. . Pope 1591 (obverse), Allegory with Untitled, 1960s-1970s, brush and black ink on the Figure of Roma, as Minerva . . . (reverse), 1591 Drawings oriental paper bronze, 1998.108.20.a,b, 1998.108.21.a,b, Gift of Lisa 1998.111.1-9, Gift of Beth Callahan and Leonard Baskin Barbieri, Giovanni Francesco, called Guer- Chagall, Marc, Russian, 1887-1985 Ruspagiari, Alfonso, Italian, 1521-1576 cino, Italian, 1591-1666 The Finding of Moses, c. 1930, graphite Lucia Ruspagiari (?), bronze, 1998.108.22, Gift of The Return of the Prodigal Son, c. 1640, pen and Moses on the Mount, c. 1930, graphite transfer Lisa and Leonard Baskin brown iron gall ink, 1998.103.1, Gift of Diane Allen drawing on tracing paper, 1998.82.5, 1998.82.12, Nixon and Ailsa Mellon Bruce Fund Gift of Mr. and Mrs. Gerhard E. Pinkus Samaras, Lucas, American, born 1936 Chair Transformation Number 20B, 1996, pati- Baur, Johann Wilhelm, German, 1607-1641 Challe, Charles Michel-Ange, French, nated bronze, 1998.99.1, The Nancy Lee and Perry A Battle between Oriental Cavalry and Soldiers, 1718-1778 Bass Fund 1636, pen and brown ink and wash, 1999.98.1, The Interior of the Colosseum, c. 1745 Ailsa Mellon Bruce Fund Arches of the Large Baths at Hadrian's Villa, c. 1745 Smith, Tony, American, 1912-1980 black chalk drawings heightened with white on Moondog, model 1964, fabricated 1998-1999, Baziotes, William, American, 1912-1963 light brown paper, 1999.19.1, 2, Ailsa Mellon Bruce painted aluminum, 1997.137.1, Gift of The Morris Baziotes Sketchbook, sketchbook with 94 drawings Fund and Gwendolyn Cafritz Foundation in various media Baziotes Sketchbook, sketchbook with 123 draw- Chimenti, Jacopo, Italian, c. 1554-1610 Spanish 16th Century ings in various media An Angel in Flight, c. 1594, black chalk and Mateo Vasquez, d. 1591 . . . (obverse), Shield of 1998.132.1-2, Gift of Mr. and Mrs. Robert Harris graphite on brown prepared paper, 1999.29.1, Gift Arms Held by an Angel of the Resurrection (reverse), of Diane Allen Nixon

55

Page 56. Georgia O'Keeffe, Black, White and Blue, 1930, oil on canvas, 121.9 x 76.2 cm. Gift (Partial and Promised) of Mr. and Mrs. Barney A. Ebsworth, 1998.93.1

Edward Steichen, Le Tournesol (The Sunflower), c. 1920, tempera and oil on canvas, 92.1 x 81.9 cm, Gift of the Collectors Committee, 1999.43.1

57 Master E.S., The Martyrdom of Saint Barbara, c. 1450, engraving on paper, image: 13.8 x 10.4 cm. New Century Fund, 1999.27.2

Christo, American, born 1935 Degas, Edgar, French, 1834-1917 Deshays, Jean-Baptiste, French, 1729-1765 The Umbrellas, Japan-USA, 1984-1991, Study of Horses, c. 1886, charcoal and graphite Herdsmen Driving Cattle, c. 1755, black chalk, 1990-1991, 18 drawings in various media, Fallen Jockey (study for "Scene from the Steeplechase: brown wash, and oil on paper, laid down on 1999.4.2-19, Gilt of Dorothy and Herbert Vogel The Fallen Jockey"), c. 1866, graphite board, 1999.19.4, Ailsa Mellon Bruce Fund Head of the Fallen Jockey (study for "Scene from the Corinth, Lovis, German, 1858-1925 Diepenbeeck, Abraham van, Flemish, Steeplechase: The Fallen Jockey"), c. 1866, black Hermann Struck in Uniform, 1914, gouache, 1596-1675 chalk heightened with white on brown paper 1999.16.1, Ailsa Mellon Bruce Fund The Conversion of Saint Paul (after Sir Peter Paul Horse and Rider, c. 1878, charcoal Rubens), 1640s, pen and ink and over Cuevas, Jose Luis, Mexican, born 1934 Racehorses (study for "Scene from the Steeplechase: black chalk on brown paper, laid down on Retrato multiple del pintor H. Jaimes Sanchez, 1957, The Fallen Jockey), c. 1866, charcoal on light canvas, 1999.25.1, Pepita Milmore Memorial Fund pen and black ink with brown ink over graphite brown paper on paperboard Fallen Jockey (study for "Scene from the Steeplechase: Dunker, Balthasar Anton, German, Untitled, 1959, pen and black ink with gray The Fallen Jockey"), c. 1881, black chalk and pas- 1746-1807 washes and varnish over blue pencil and tel heightened with white on brown paper Encounter by the Garden Fence, 1796, red chalk, graphite Study of a Jockey, c. 1884, charcoal 1998.80.1, Gift of John Morton Morris 1998.114.1-2, Gift of Adeline and Sidney R. Yates Study of a Jockey (M. de Broutelles), c. 1884, Dtirer, Albrecht, German, 1471-1528 David, Jacques-Louis, French, 1748-1825 charcoal Female Nude Praying, 1497/1500, pen and brown Two Studies of a Jockey, c. 1884, black chalk, Italian Landscapes and Antiquities (Roman Album ink, 1999.31.1, Woodner Collection No. 4), 1775-1780, bound album with 61 draw- charcoal, and pastel German or Austrian 16th Century ings and 20 tracings, 1998.105.1, Patrons' Perma- 1999.79.5-9, 11-14, Collection of Mr. and Mrs. Paul Palatial Mantelpiece with a Scene of Ancient Sacrifice nent Fund Mellon (recto), Wall Monument with an Armillary Sphere (verso), 1571

58 Stanton MacDonald-Wright, Generation, 1914, watercolor and ink over graphite, 49.2 x 31.6 cm, Eugene L. and Marie-Louise Garbaty Fund, 1998.140.1

Palatial Mantelpiece with and Hope (recto), Jensen, Alfred, American, 1903-1981 Kandinsky, Wassily, Russian, 1866-1944 Palatial Mantelpiece with a Winged Triton (verso), 7x 360 = 2520, 1965, gouache, watercolor, blue Geteilt (Divided), 1928, watercolor with pen and 1571 ballpoint pen, brush and black ink, and ink, 1999.51.1, Gift of Mr. and Mrs. Stephen M. Kellen pen and brown ink drawings, 1999.8.1-2.a,b, graphite, 1998.141.1, Gift of the Collectors Committee Keller, Johann Heinrich, Swiss, 1692-1765 Mark J. Millard Architectural Collection Kainen, Jacob, American, born 1909 Diana and , 1765, pen and brown ink German 15th Century Kainen Sketchbooks, 20 sketchbooks with draw- with gray wash over black chalk, 1999.21.1, Christ and Mary Interceding with God the Father, ings in various media, 1999.82.1-20, Gift of Ruth Ailsa Mellon Bruce Fund c. 1485, pen and brown ink over black chalk, Cole Kainen in honor of the artist's 90th birthday 1999.13.1, Ailsa Mellon Bruce Fund

59 Kline, Franz, American, 1910-1962 Lichtenstein, Roy, American, 1923-1997 Pissarro, Camille, French, 1830-1903 Untitled, 1940s-1950s, brush and black ink on Shipboard Girl: Separation Drawing for Blue, 1965, La Vachere, c. 1892, pastel and black chalk on telephone book page collage, black gouache, black felt-tip pen, and light blue paper, 1998.144.1, Gift of Evelyn Stefans- Untitled, 1940s-1950s, oil paint (applied recto graphite son Nef and Mr. and Mrs. James T. Dyke and verso) Shipboard Girl: Separation Drawing for Red, 1965, Ramberg, Johann Heinrich, German, Untitled, 1940s-1950s, brush and black ink collage, black gouache, and graphite 1763-1840 Untitled, 1940s-1950s, brush and black ink Shipboard Girl: Separation Drawing for Yellow, Sketchbook of Faces and Figures, c. 1790, sketch- (applied recto and verso) on tracing paper 1965, black gouache, black felt-tip pen, and book with 44 drawings, 1998.145.1.a-rr, William B. Untitled, 1940s-1950s, brush and black ink graphite O'Neal Fund 1998.112.1-5, Gift of Elisabeth R. Zogbaum Sunrise: Separation Drawing for Blue, 1965, black felt-tip pen, collage, and graphite Rollins, Tim, American, born 1955, and Untitled, 1940s-1950s, tempera, brush and black Sunrise: Separation Drawing for Red, 1965, black K.O.S. ink, and colored chalk felt-tip pen, collage, and graphite Der Verschollene, 1990, black and gold ink on Untitled, 1940s-1950s, tempera Sunrise: Separation Drawing for Yellow, 1965, black single page of 1983 edition of 's vol- Seated Figure, 1940s-1950s, brush and black ink felt-tip pen and graphite ume of the same title, 1998.117.1, Gift of Brenda Seated Woman, 1940s-1950s, brush and black ink 1999.11.1-6, Director's Discretionary Fund and Robert Edelson Untitled, 1940s-1950s, oil paint Untitled, 1940s-1950s, oil paint and paper Liverani, Romolo, Italian, 1809-1872 Schallhas, Carl Philipp, Austrian, 1767-1797 collage Graveyard of the Ravenswoods, for "Lucia di Lam- Ancient Trees in a Pastoral Landscape, 1790/1795, Untitled, 1940s-1950s, gouache and brush and mermoor," 1835, pen and brown ink with gray red chalk over traces of black chalk, 1998.79.1, black ink wash over graphite, 1999.65.1, William B. O'Neal Gift of Katrin Bellinger in memory of Wolfgang Ratjen Untitled, 1940s-1950s, brush and black ink Fund Shannon, Charles Hazelwood, British, Woman Seated in Armchair, 1940s-1950s, pen MacDonald-Wright, Stanton, American, 1863-1937 and black ink on ledger paper 1890-1973 TWo Male Figures: Study for "The Good Samaritan," Figure at a Table, 1940s-1950s, oil paint on Generation, 1914, watercolor and ink over 1918, black and white chalk on gray paper, paperboard graphite, 1998.140.1, Eugene L. and Marie-Louise 1999.40.2, Collection of Mr. and Mrs. Ide Standing Female Nude Seen from Behind, Garbaty Fund 1940s-1950s, graphite Smithson, Robert, American, 1938-f973 Seated Woman (recto), Studies of a Woman's Head Maganza, Alessandro, Italian, 1556-1640 Partially Buried Woodshed, 1970, black felt-tip pen (verso), 1940s-1950s, pen and black ink and A Compartmented Ceiling with Allegories and Myths, on 6 sheets of paper, 1998.116.l.a-f, Gift of the graphite 1590/1600, pen and brown ink over black Estate of Robert Smithson and Werner H. Kramarsky chalk, 1999.63.6, Ailsa Mellon Bruce Fund Three Figure Studies (recto), Untitled (verso), Stella, Joseph, American, 1877-1946 1940s-1950s, brush and black and brown ink Mauro, Alessandro, Italian, active 1709-1748, Orange Gladiola and White Dahlia, 2 silverpoint on ledger paper and Francesco de Mura, Italian, 1696-1782 and crayon drawings, 1998.134.1-2, Gift of Robin Untitled, 1940s-1950s, graphite The Triumph of Empire, with the Four Continents, Pell Reclining Figure Facing Right, 1940s-1950s, brush c. 1730, pen and brown ink with brown and and blue ink Tiepolo, Giovanni Battista, Italian, gray washes over black chalk, 1999.19.3, Reclining Female Nude, 1946, brush and black ink 1696-1770 William B. O'Neal Fund Two Studies of Standing Female Nude (recto), Unti- Head of a Magician, c. 1760, pen and brown ink tled (verso), 1940s-1950s, brush and black and Mola, Pier Francesco, Italian, 1612-1666 with golden brown wash over graphite, brown ink on ledger paper Caricature with Mola Protecting Himself from a Man 1998.110.1, Gift of Mrs. Christian Aall Holding a Viper, pen and brown ink, 1998.109.1, Untitled, 1940s-1950s, brush and black ink Twombly, Cy, American, born 1928 Gift of Michael Miller and Lucy Vivante Figure Study (recto), Untitled (verso), Untitled, 1950s, 6 drawings in graphite on trac- 1940s-1950s, brush and black ink and graphite Motherwell, Robert, American, 1915-1991 ing paper, 1998.115.1-6, Gift of Stephen Mazoh Seated Female Facing Left, 1944, brush and Beside the Sea #42, 1966, black ink Vernet, Carle, French, 1758-1836 black ink Black Shapes, 1961, black acrylic View of Paris from the Terrace of the Pavilion de Figure Study, 1946, brush and black ink Pregnant Nude Holding a Child, 1953, black ink Brimborion, 1810/1812, watercolor over Untitled, 1940s-1950s, brush and black ink and orange watercolor graphite, 1999.40.1, Collection of Mr. and Mrs. John Untitled, 1940s-1950s, brush and black ink Summertime in Italy, 1960, oil and graphite over Jay Ide Seated Women Facing Left (recto), Study of a watercolor Woman (verso), c. 1945, graphite Tricolor, 1959, oil and collage Weber, Max, American, 1881-1961 Seated Female Nude, 1940s-1950s, pen and Untitled, 1955, collage, oil, and pencil on board Dancer in Green, 1912, watercolor with pen and black ink 1999.55.1-6, Nancy Lee and Perry Bass Fund black ink and graphite on paperboard, 1999.50.1, 1998.113.1-25, Gift of Rufus F. Zogbaum Director's Discretionary Fund Naeke, Gustav Heinrich, German, 1786-1835 Kulmbach, Hans Suss von, German, Head of a Young Man, c. 1818, graphite, 1999.21.2, Wyeth, Andrew, American, born 1917 c. 1485-1522 Pepita Milmore Memorial Fund The Door Step, , watercolor over graphite A Standing Apostle Holding a Book, c. 1510 or East Friendship, , c. 1945, watercolor over Pajou, Augustin, French, 1730-1809 before, pen and black ink, lightly washed pink, graphite Angel from a Painting in San Luigi dei Francesi 1998.94.1, Gift of Sharon Greer Phillips in memory of Morris Cove, c. 1941, watercolor over graphite (recto), The Ripetta in Rome (verso), 1752/1756, her husband Neil Franklyn Phillips The Oak, 1940-1945, watercolor on paperboard black chalk; pen and brown ink over black 1998.92.1-4, Gift of Edward Hyde Cox Labille-Guiard, Adelaide. French, 1749-1803 chalk Marie-Josephe-Felicite de la Rochefoucauld, The Ludovisi Water Carrier, 1752/1756, black Vicomtesse de Gand, 1787, pastel on blue paper, chalk and gray wash 1999.92.1, New Century Fund One of Niobe's Daughters, 1752/1756, black chalk Laboureur, Jean-Emile, French, 1877-1943 The Borghese Cybele, 1752/1756, pen and brown Le Diner a Vauberge, 1917/1922, pen and black ink with brown wash over black chalk ink, 1999.63.5, William B. O'Neal Fund Lion's Head from the Capitoline Staircase (recto), Ancient Ruins on the Bank of the Tiber (verso), Lethiere, Guillaume, French, 1760-1832 1752/1756, black chalk; pen and brown ink The Judgment of Paris (recto), Study of an Arm over black chalk (verso), c. 1812, watercolor over black chalk, The LudovisiMenander, 1752/1756, pen and squared in black chalk; black chalk, black ink with gray wash over black chalk 1998.100.1.a,b, William B. O'Neal Fund 1999.75.1-6, Ailsa Mellon Bruce Fund

60 Prints Cendrars, Blaise (author), Swiss, f887-f96f, Courtin, Louis-Pierre-Marie, French, born and Fernand Leger, French, 1881—195 5 f 788 Amenoff, Gregory, American, born 1948, and La Fin du monde filmee par VAnge N.-D. (Paris, Cheval anglais monte par un jockey (after Theodore Bradford Morrow (author), American, born 1919), bound volume with line-block and Gericault), f 822 1951 color pochoir illustrations, 1999.61.1, William B. Cheval franchissant une barriere (after Theodore Elephant and Earthworm, 1990, 2 color relief O'Neal Fund Gericault), 1823 lithographs, 1998.118.1, 2, Gift of David E. Rust prints, from A Bestiary portfolio, 1998.124.2, 29, Chagall, Marc, Russian, f 887-f 985 Gift of Dr. and Mrs. Richard Susel Anger I, 1925, etching and drypoint in reddish Daumier, Honore, French, 1808-f 879 Andoe, Joe, American, born 1955, and Brad- brown on china paper Fausse position!, 1840 ford Morrow (author) Anger II, 1925, etching, aquatint, and drypoint File.. .Moellol Via le municipal!, 1839 Owl and Firefly, 1990, 2 relief prints, from in reddish brown on china paper A la recherche d'une foret en Champagne, 1847 A Bestiary portfolio, 1998.124.18, 27, Gift of Dr. At the Easel, i 922, drypoint Nayades de la , 1847 and Mrs. Richard Susel Boots, f 922/f 923, transfer lithograph Pas engageant pour les autres, 1868 The Finding of Moses, 1931/1939, etching and Tiens c't'idee! Le municipal qui boit un coup..., 1841 Andrews, Sybil, British, f898-f992 engraving lithographs, 1998.118.3-8, Gift of David E. Rust Racing, t934, color linocut on oriental laid paper The Fox and the Grapes, 1927/1930, etching and David, Giovanni, italian, 1743-1790 [trial proof], 1998.135.1, Gift of the Collectors aquatint Caspar Gribolari Brocanteur a Padotie, 1775, Committee Greed I, f 925, etching, drypoint, and roulette in etching reddish brown on china paper Rata!lie, Henri, French, 1872-1922 Le Perruquier fatigue, 1775, etching Greed II, i925, etching, aquatint, and drypoint Ton Sang, c. 1895, lithograph in gray, 1999.46.1, LeZendale, 1775, etching in reddish brown on china paper Gift of Liane W. Atlas Le Zendale, 1775, etching and aquatint Jew with a Torah, 1922/1923, woodcut on japan Beheim, Johann, Austrian, active f762-f770 1998.143.1-4, Ailsa Mellon Bruce Fund paper Four Saints (after Franz Anton Maulbertsch), Man with Sideburns, 1922/1923, transfer Decamps, Alexandre-, French, 1762, etching and engraving, 1999.98.2, Gift of lithograph 1803-1860 The Ahmanson Foundation Moses on the Mount, 1931/1939, etching and soft- River Landscape with a Bridge; Monkey Paging Beuys, Joseph, German, 1921-1986 ground etching [trial proof] through a Book, 1830/1835, etching (2 subjects Filzpostkarte, 1985, screenprint in white on gray The Musician, f 922, drypoint on one plate with remarques, proof), 1999.47.1, felt, 1999.35.1, Gift of Hanns Hubach Promenade II, 1922, drypoint on japan paper Ailsa Mellon Bruce Fund Self-Portrait with a Decorated Hat, 1928, drypoint Bidloo, Govert (author), Dutch, f 649-1713, Delacroix, Eugene, French, 1798-1863 1998.82.1-4, 6-11, 13-16, Gift of Mr. and Mrs. Gerhard and Pieter Stevens van Gunst, Dutch, Legon de Voltiges, 1822, lithograph, 1998.118.9, E. Pinkus 1659-c. 1724 Gift of David E. Rust Komste van Zyne Majesteit Willem III... (The Hague, Chase, Louisa, American, born f95f, and Erhard, Johann Christoph, German, Bradford Morrow (author) 1691), bound volume with engraved and etched 1795-1822 illustrations, after Johann Brandon and Romeyn Lemming and Mongoose, f 990, 2 color relief Im Hollenthal (In the Hollen Valley), 1818, etching, prints, from A Bestiary portfolio, 1998.124.5, 19, de Hooghe, and woodcut decorations, 1999.22.1, 1999.32.1, Ailsa Mellon Bruce Fund Mark J. Millard Architectural Collection Gift of Dr. and Mrs. Richard Susel Erhard, Johann Christoph, German, Blooteling, Abraham, Dutch, f640-f690 Clemente, Francesco, Italian, born 1952 1795-f 822, and Johann Adam Klein, Ger- Untitled, 1997, digital ink jet print, from Begraef-plaets der Joden, buyten Amsteldam (after man, 1792-1875 The Geldzahler Portfolio, 1999.97.2, Director's Discre- Jacob van Ruisdael), 1670, etching, 1999.64.1, The Georgenberg in the Tyrol, 1818 Ailsa Mellon Bruce Fund tionary Fund and Gift of the Estate Project for Artists Radstadt near Tauern, 1818 with AIDS Boissieu, Jean-Jacques de, French, etchings, 1999.98.3, 17, Gift of The Ahmanson 1736-1810 Close, Chuck, American, born f 940 Foundation Oboe Player, 1782, etching, drypoint, and Keith, t975, lithograph, 1999.86.1, Gift of Dr. Falcini, Domenico, Attributed to, Italian, roulette touched with gray wash [proof] Christopher A. Graf born c. 1570 View of Saint- Andeol, f 774, etching with drypoint Cochin I, Charles-Nicolas, French, f 688-1754 The Penitent Magdalene (after Francesco Villa- 1999.63.1-2, Katharine Shepard Fund Pompe funebre de Polixene de Hesse-Rhinfels, f 735, after Francesco Vanni), engraving, Bourdon, Sebastien, French, 1616-1671 etching and engraving, 1999.9.3, Gift of Ivan and 1999.64.3, Ailsa Mellon Bruce Fund Rest on the Flight into Egypt, c. 1650, etching, Winifred Phillips in memory of Neil F. Phillips Falck, Jeremias, German, c. 1619-1677 1999.64.2, Ailsa Mellon Bruce Fund Cochin II, Charles-Nicolas, French, The Ecstasy of Saint Paul, c. 1655, engraving and Bourgeois, Louise, American, born 1911 1715-1790 etching, 1999.98.4, Gift of The Ahmanson Foundation A Flower in the Forest, 1997, color lithograph, Pompe funebre d'Elisabeth Therese de Lorraine, Fischl, Eric, American, born 1948, and from The Geldzahler Portfolio, 1999.97.1, Director's 1741 Bradford Morrow (author) Discretionary Fund and Gift of the Estate Project for Pompe funebre de Catherine Opalinska, 1746 Horse and Trout, 1990, 2 relief prints, from Artists with AIDS etchings with engraving, 1999.9.1-2, Gift of Ivan A Bestiary portfolio, 1998.124.9, 24, Gift of Dr. and and Winifred Phillips in memory of Neil F. Phillips Brown, James, American, born 1951, and Mrs. Richard Susel Bradford Morrow (author) Cole, Timothy, American, 1852—1931 Piers, Robert de (author), French, 1872-1927, Opossum, Beaver, and Hummingbird, t990, 3 relief Marchesa Elena Grimaldi, Wife of Marchese Nicola and Alphonse Maria Mucha, French, Cattaneo (after Sir Anthony van Dyck), f 9f 0, prints, from A Bestiary portfolio, 1998.124.15, 32, 33, 1860-1939 Gift of Dr. and Mrs. Richard Susel wood engraving on japan paper, 1998.123.1, Gift Usee, princesse de Tripoli (Paris, 1897), bound vol- of Eric Denker in honor of Arthur K. Wheelock Jr. , Giovanni Benedetto, italian, ume with chromolithographic illustrations, 1609 or before-f 664 Corinth, Lovis, German, f 858-f 925 1999.48.1, William B. O'Neal Fund Shepherds Following Their Flock, c. f 650, etching, Portrait Sketches, f 920, drypoint Gericault, Theodore, French, 1791-1824 1999.78.1, Gift of Bert Freidus Woman Undressing, 1921, drypoint Cheval de la plaine de Caen, 1822 Reclining Female Nude, 1911, softground etching Celmins, Vija, American, born f 939, and Cheval de Mecklembourg, 1822 Thomas Corinth, 1922, drypoint Bradford Morrow (author) Cheveaux des Ardennes, 1822 Walchensee in Fog, f 920, crayon lithograph Whale and Beetle, f 990, 2 relief prints, from lithographs, 1998.118.10-12, Gift of David E. Rust 1998.83.1-5, Gift of Dr. Toni G. Marcy A Bestiary portfolio, 1998.124.1, 22, Gift of Dr. and Mrs. Richard Susel

61 Jacques Villon, La Parisienne, 1902, color intaglio [proof], image: 45.2 x 34.9 cm, New Century Fund,

Gunther, Christian August, German, Hashey, Jan, American, born 1938, and Aus den Memoiren des Herrn von Schnabelewopsky 1759-1824 Bradford Morrow (author) (Berlin, 1910), bound volume with 35 litho- Study of Leaves, c. 1796, aquatint and etching, Cheetah and Lioness, 1990, 2 relief prints, from graphic illustrations (6 hand-colored), 1999.98.5, Gift of The Ahmanson Foundation A Bestiary portfolio, 1998.124.17, 25, Gift of Dr. and 1998.119.1, Gift of Ann R. Vershbow Mrs. Richard Susel Guston, Philip, American, 1913-1980 Hockney, David, British, born 1937 Untitled, 1966, lithograph, 1998.84.2, Gift of Ruth , Heinrich (author), German, Ruth Fine, 1990-1991, color laser printed still Fine in memory of Larry Day 1795-1856, and Jules Pascin, French, video composite, 1998.84.3, Gift of Ruth Fine in 1885-1930 memory of Larry Day

62 Panama Hat with a Bow Tie on a Chair, 1998, The Sculptor, 1939, lithograph Lasansky, Mauricio, American, born 1914 etching and aquatint, from The Geldzahler Self-Portrait with Drypoint Needle, 1945, drypoint Self-Portrait, 1957, color intaglio, 1999.85.1, Gift of Portfolio, 1999.97.3, Director's Discretionary Fund and Snowfall, 1939, color screenprint John and Mary Pappajohn Gift of the Estate Project for Artists with AIDS Stranger in the Gates, 1953, woodcut Le Coeur, Louis, French, active c. 1780-1800 Stranger in the Gates, 1953, woodcut in black and Hofmann, Hans, American, 1880-1966 Bal de la Bastille (after Jacques Francois Joseph red Composition in Blue, 1952, screenprint in blue Swebach), 1790, color aquatint, 1999.77.1, Gift of Sun in the Hills, 1951, woodcut and color stencil and black with handcoloring, 1998.84.1, Gift of Ivan and Winifred Phillips in memory of Neil F. Phillips Alone, c. 1937, etching Ruth Fine in memory of Larry Day Cement Mixer, 1938, lithograph Lepic, Ludovic Napoleon, Vicomte, French, , Dennis, American 1999.82.21-45, Gift of Ruth Cole Kainen in honor of 1839-1889 , David Hockney, Henry Geldzahler, and the artist's 90th birthday Les Oeufs de Paques, 1878, [proof] Jeff Goodman from "Out of the '60's," 1997, color Les Oeufs de Paques, 1878, [edition state] Mr. Trouble, set of 10 intaglio prints [trial photolithograph, from The Geldzahler Portfolio, etchings, 1999.46.5-6, Ailsa Mellon Bruce Fund proofs], 1999.82.46-55, Gift of Ruth Cole Kainen in 1999.97.4, Director's Discretionary Fund and Gift of the honor of the artist's 90th birthday Lichtenstein, Roy, American, 1929-1997 Estate Project for Artists with AIDS Cubist Cello (progressive proofs 1-12), 1997 Kelly, Ellsworth, American, born 1923 Hurson, Michael, American, born 1941, and CwWCk/k, 1997 Blue (for Leo), 1997, color screenprint, from Leo Bradford Morrow (author) 12 proofs and edition color screenprint, Castelli 90th Birthday Portfolio, 1999.36.2, Gift of Prog and Canis, 1990, 2 color relief prints, from 1998.88.1-13, Gift of Karen McCready and Jean-Yves Jean-Christophe Castelli and tribute from Ellsworth A Bestiary portfolio, 1998.124.7, 28, Gift of Dr. and Noblet Kelly in honor of Leo Castelli Mrs. Richard Susel Interior with Chair, 1997, color screenprint, from Untitled, 1997, color lithograph, from The Ibels, Henri-Gabriel, French, 1867-1936 Leo Castelli 90th Birthday Portfolio, 1999.36.4, Gift of Geldzahler Portfolio, 1999.97.6, Director's Discre- Les Programmes du Theatre Libre, c. 1893, color Jean-Christophe Castelli and tribute from Roy Lichten- tionary Fund and Gift of the Estate Project for Artists lithograph, 1999.46.2, Gift of the Cafritz Foundation stein in honor of Leo Castelli with AIDS in memory of Martin Atlas Untitled, 1997, color screenprint, from The Kendrick, Mel, American, born 1949 L'Arlequin, 1890s, lithograph in black and red, Geldzahler Portfolio, 1999.97.7, Director's Discre- 6 Locks, 1996 1999.46.4, Ailsa Mellon Bruce Fund tionary Fund and Gift of the Estate Project for Artists 7 lock, 1996 with AIDS Isabey, Eugene, French, 1803-1886 on japan paper, 1998.87.11-12, Gift of Returning to Port (Large Version), 1839, lithograph Graphicstudio, The University of South Florida, and the Lievens, Jan, Dutch, 1607-1674 on chine colle, 1998.101.1, Ailsa Mellon Bruce Fund Artist Bust of a Young Man in Profile, Facing Right, c. 1631, etching, 1999.63.3, Ailsa Mellon Bruce Fund Iturbide, Graciela, Mexican, born 1942 Kendrick, Mel, American, born 1949, and Espiritu Santo, 1997, portfolio of six photo- Bradford Morrow (author) Master E.S., German, active c. 1450-1467 gravures with text by Richard Hakluyt Little Cock and Giraffe, 1990, 2 relief prints, from The Madonna and Child in a Garden, c. 1465/1467, Mujer/Angel, 1996, photogravure A Bestiary portfolio, 1998.124.16, 21, Gift of Dr. and engraving in white on paper prepared with Nuestra Senora de las Iguanas, 1996, photogravure Mrs. Richard Susel black ink Janet, 1997, photogravure The Martyrdom of Saint Barbara, c. 1450, Kirchner, Ernst Ludwig, German, 1880-1938 Jano, 1997, photogravure engraving Peter Schlemihls wundersame Geschichte, 1915, 1998.8.1-6; 1998.87.7-10, Gift of Graphicstudio, The 1999.27.1-2, New Century Fund complete set of 7 color woodcuts, 1999.68.1-7, University of South Florida, and the Artist New Century Fund and Gift of Ruth and Jacob Kainen Master of the Playing Cards, German, active Johns, Jasper, American, born 1930 c. 1430/1455 Klee, Paul, Swiss, 1879-1940 Leo, 1997, color etching, from Leo Castelli 90th A Poet Reading, 1430s, engraving, 1999.26.1, Gift Park, 1920, color lithograph, 1998.121.1, Gift of Birthday Portfolio, 1999.36.1, Gift of Jean-Christophe of Ladislaus and Beatrix von Hoffmann Mrs. John Alexander Pope Castelli and tribute from Jasper Johns in honor of Leo Master Z.B.M., Italian, active 1557 Castelli Klein, Johann Adam, German, 1792-1875 Pandora Opening Her Box, 1557, etching and Ansicht von St. Helena und des Schlosses Rauhenstein Untitled, 1999, color intaglio, 1999.90.1, Gift of engraving, 1999.63.4, Ailsa Mellon Bruce Fund bey Baden, 1817 Werner H. and Sarah-Ann Kramarsky Cossack Horses in a Courtyard, 1818, [proof] Maulbertsch, Franz Anton, Austrian, Untitled, 1998, color etching and aquatint, from J. C. Erhard, 1822 1724-1796 The Geldzahler Portfolio, 1999.97.5, Director's Discre- Shepherd Boy with Two Goats, 1817, [proof] The Institution of the Eucharist, c. 1765, etching tionary Fund and Gift of the Estate Project for Artists etchings, 1999.14.1-4, Ailsa Mellon Bruce Fund and engraving, 1999.98.6, Gift of The Ahmanson with AIDS Foundation Koch, Joseph Anton, Austrian, 1768-1839 Kainen, Jacob, American, born 1909 Views of Rome, 1810, bound album with com- Modica, Andrea, American, born 1960 Barber Shop, 1940, lithograph plete set of 20 etchings, 1998.102.1, Ailsa Mellon Dime Box, Texas, 1996, photogravure with Gampi Breakfast, 1938, color lithograph Bruce Fund chine colle, 1998.87.13, Gift of Graphicstudio, The Crusade, 1984, color woodcut University of South Florida, and the Artist Kosuth, Joseph, American, born 1945 Early Evening, 1938, lithograph Title Quotation (for L.C.), 1997, screenprint and Miiller, Johann Gotthard, German, Eugene, 1946, etching hot stamping, from Leo Castelli 90th Birthday Port- 1747-1830 Generalissimo, 1975, color lithograph folio, 1999.36.3, Gift of Jean-Christophe Castelli and The Battle at Bunker's Hill (after John Trumbull), Intersection, 1955, woodcut tribute from in honor of Leo Castelli 1797, engraving, 1998.118.13, Gift of David E. Rust Intersection II, 1955, woodcut Intersection II, 1955, woodcut Kupka, Frantisek, Czechoslovakian, , Edvard, Norwegian, 1863-1944 Letter from Tblisi, 1976, hard and soft ground 1871-1957 The Cardplayers, 1906, drypoint etching on green paper Quatre Histoires de Blanc et Noir (Puteaux, 1926), Gunnar Heiberg, 1896, lithograph The Midnight Sun, 1960, etching, drypoint, and unbound deluxe edition volume with wood Rouge et Noir, 1898, woodcut [proof] engraving engravings, with a complete extra set of Three Faces, 1902, mezzotint Mona, 1968, woodcut unnumbered proof impressions, 1999.72.l.a-eee, 1999.84.1-4, Gift of the Epstein Family Collection Aftermath, 1937, lithograph with watercolor William B. O'Neal Fund Nares, James, British, born 1953, and Newborn, 1948, drypoint Lalanne, Maxime, French, 1827-1886 Bradford Morrow (author) Night Walk, 1965, woodcut on oriental paper Richmond, etching, 1999.83.1, Gift of Mr. and Mrs. Starling and Unicorn, 1990, 2 color relief prints, Rambler, 1978, lithograph [trial proof] Martin Atlas from A Bestiary portfolio, 1998.124.10, 35, Gift of Rambler, 1978, lithograph Dr. and Mrs. Richard Susel

63 Nauman, Bruce, American, born 1941 The Flame Still Dances on Leo's Book, 1997, color A Bestiary portfolio, 1998.124.20, 36, Gift of Dr. and Life Fly Lifes Flies, 1997, etching, from Leo Castelli lithograph, from Leo Castelli 90th Birthday Portfo- Mrs. Richard Susel 90th Birthday Portfolio, 1999.36.5, Gift of Jean- lio, 1999.36.7, Gift of Jean-Christophe Castelli and trib- Sonnier, Keith, American, born 1941 Christophe Castelli and tribute from in ute from James Rosenquist in honor of Leo Castelli Changaloo, 1996, color lithograph honor of Leo Castelli Henry's Arrival on the Art World Causes Gravity, Computographics, 1995, portfolio of 5 accordion- Oldenburg, Claes, American, born 1929 1998, color lithograph, from The Geldzahler Port- folded color planographic/photoetchings with Pizza/Palette, 1996, color lithograph, 1998.125.1, folio, 1999.97.8, Director's Discretionary Fund and Gift paper collage, text by , Gift of Helen and Paul Anbinder of the Estate Project for Artists with AIDS 1998.87.18-23, Gift of Graphicstudio, The University of South Florida, and the Artist Bat Spinning at the Speed of Light, 1975 Ruggi, Lorenzo, Italian, active after 1836 Picasso Cufflink, 1974 Raccolta inedita di cinquanta scene teatrali le piu Sovak, Provoslav, Czechoslovakian, born 1926 color lithographs, 1999.86.2, 3, Gift of Dr. Christo- applaudite dei teatri Italiani (Bologna, 1836), Horizons—In Memorium Hercules Seghers, pher A. Graf bound volume with 50 engraved plates, 1979-1981, etching on japan paper, 1998.84.4, 1999.62.1, Mark J. Millard Architectural Collection Gift of Ruth Fine in memory of Larry Day Palko, Franz Xaver, Czechoslovakian, 1724-1767/1770 Rumpf, Philipp, German, 1821-1896 Stephan, Joseph, German, 1709-1786 God Commanding Adam and Eve, 1760s, etching, Young Woman Reading by a Window, c. 1855, Architectural Fantasy with Roman Ruins, 1769, 1999.98.7, Gift of The Ahmanson Foundation etching, 1999.71.1, Katharine Shepard Fund etching, 1999.18.1, Gift of Melissa J. Stegeman in honor of Paul Mellon Partenheimer, Jtirgen, German, born 1947 Ruscha, Edward, American, born 1937 Canto V, 1, 1997, color lithograph, softground "L.C.," 1997, color screenprint, from Leo Castelli Stella, Frank, American, born 1936 etching, spitbite aquatint, and heliorelief wood- 90th Birthday Portfolio, 1999.36.8, Gift of Jean- Coxuria, 1997, color screenprint, from The cut, 1998.87.14, Gift of Graphicstudio, The University Christophe Castelli and tribute from in Geldzahler Portfolio, 1999.97.10, Director's Discre- of South Florida, and the Artist honor of Leo Castelli tionary Fund and Gift of the Estate Project for Artists with AIDS Partenheimer, Jtirgen, German, born 1947, Sadeler, Aegidius, II, Flemish, c. 1570-1629 and De Angulo, Jaime (author), American, The Twelve Months (after Paul Bril), 1615, com- Storck, John, (author), American, 20th century, 1887-1950 plete set of 6 engravings, 1998.142.1-6, Ailsa Mel- and Steve Wheeler, American, 1912-1992 Coyote (New York, 1986), bound volume with 12 lon Bruce Fund Hello Steve, 1947, bound volume with 13 color linocuts, 1998.86.1, Gift of Susan Lorence photoscreenprints, 1998.85.1, Gift of Richard York Salle, David, American, born 1952 Gallery, New York, and Estate of Steve Wheeler Phelan, Ellen, American, born 1943 and Paper Lanterns, 1998, color solar plate/intaglio, Bradford Morrow (author) from The Geldzahler Portfolio, 1999.97.9, Director's Storey, David, American, born 1948, and Plankton and Mussel, 1990, 2 relief prints, from Discretionary Fund and Gift of the Estate Project for Bradford Morrow (author) A Bestiary portfolio, 1998.124.11, 31, Gift of Dr. and Artists with AIDS Scorpion and Hare, 1990, 2 color relief prints, Mrs. Richard Susel from A Bestiary portfolio, 1998.124.8, 13, Gift of Dr. Schadow, Gottfried, German, 1764-1850 and Mrs. Richard Susel Picasso, Pablo, Spanish, 1881-1973 The Accountant Rudolf Schadow (The Artist's Painter Picking Up His Brush, 1927-1928, etching, Brother), 1824, lithograph, 1999.98.8, Gift of The Struck, Hermann, German, 1876-1944 1999.12.1, The William Stamps Parish Fund Ahmanson Foundation Marc Chagall, c. 1922, drypoint, 1998.82.17, Gift of Mr. and Mrs. Gerhard E. Pinkus Pique I, 1959, linocut in black and two shades of Schinkel, Karl Friedrich, German, 1781-1841 brown on light brown paper, 1999.20.1, Ailsa Mel- Predjama Castle in Carniola, Twelve Hours from Tri- Stuart, Michelle, American, born 1940, and lon Bruce Fund este, 1816, lithograph on golden paper, 1999.52.1, Bradford Morrow (author) Pepita Milmore Memorial Fund Picasso, Pablo, After Armadillo and Yak, 1990, 2 relief prints, from A Bestiary portfolio, 1998.124.14, 26, Gift of Dr. and Pierrot and Harlequin, after 1920, color pochoir, , Martin Johann, German, Mrs. Richard Susel 1998.122.1, Gift of Lisa , William O'Reilly, N.Y., 1718-1801 in honor of Jacob Kainen Saint James Major Preaching, c. 1764 Synave, Tancrede, French, born 1860 Saint Nicholas Rescuing Sailors, 1771 Mademoiselle Fifi, 1896, color lithograph, Puryear, Martin, American, born 1941 etchings, 1999.98.9, 10, Gift of The Ahmanson 1999.34.1, Gift of Liane W. Atlas African Boy, 1965 Foundation Untitled, 1966 Thrash, Dox, American, 1892-1965 woodcuts, 1999.74.1-2, Director's Discretionary Fund Serra, Richard, American, born 1937 Man Working (recto), Laundry Day (verso), car- Leo, 1998, etching, from Leo Castelli 90th Birthday borundum print; aquatint, 1998.84.5.a,b, Gift of Quarenghi, Giacomo (author), Italian, 1744-1817, and Cavaliere Giulio Quarenghi, Portfolio, 1999.36.9, Gift of Jean-Christophe Castelli Ruth Fine in memory of Larry Day and tribute from in honor of Leo Castelli Italian, active 19 th century Troger, Paul, Austrian, 1698-1762 Fabbriche e Disegni (volume I) (Milan, 1821), Shapiro, Joel, American, born 1941, and A Philosopher, 1720s, etching bound volume with 60 engravings, the title and Bradford Morrow (author) Pieta, 1720s, etching half-title printed with colored borders Snake, 1990, relief print, from A Bestiary port- The Rest on the Flight into Egypt, 1721, etching Fabbriche e Disegni (volume II) (Mantua, 1844), folio, 1998.124.4, Gift of Dr. and Mrs. Richard Susel with roulette bound volume with portrait frontispiece and 66 1999.98.12-14, Gift of The Ahmanson Foundation Sigrist, Franz, the Elder, Austrian, 1727-1803 engraved plates; blue and pink border on dedi- Tobias Healing His Father, c. 1752, etching, Tuttle, Richard, American, born 1941, and cation page and green border on title page 1999.98.11, Gift of The Ahmanson Foundation Bradford Morrow (author) 1999.73.1-2, Mark J. Millard Architectural Collection Pig and Grouse, 1990, 2 color relief prints, from Simpson, Lorna, American, born 1960 Rauschenberg, Robert, American, born 1925 A Bestiary portfolio, 1998.124.3, 34, Gift of Dr. and Two Pairs, 1997, photogravure, 1998.87.17, Gift Caucus, 1997, color offset lithograph, from Leo Mrs. Richard Susel of Graphicstudio, The University of South Florida, and Castelli 90th Birthday Portfolio, 1999.36.6, Gift of the Artist Vallotton, Felix, Swiss, 1865-1925 Jean-Christophe Castelli and tribute from Robert Pere, 1894, lithograph in green on japan paper Rauschenberg in honor of Leo Castelli Sloan, Jeannette Pasin, American, born 1946 (deluxe edition impression), 1999.46.3, Gift of the Jeanette Pasin Sloan, 1986, portfolio of 2 color Rosenquist, James, American, born 1933 Cafritz Foundation in memory of Martin Atlas lithographs, 1 etching, and 1 color woodcut, Color of Mind and Muscle, 1996, color screenprint 1999.86.4, Gift of Dr. Christopher A. Graf Venet, Bernar, French, born 1941 New Objective Picture, 1996, color screenprint and Random Combination of Indeterminate Lines, 1996, lithograph Smith, Kiki, American, born 1954, and drypoint, open-bite etching, and aquatint, 1998.87.15-16, Gift of Graphicstudio, The University of Bradford Morrow (author) 1998.87.25, Gift of Graphicstudio, The University of South Florida, and the Artist Anemone and Bat, 1990, 2 relief prints, from South Florida, and the Artist

64 Andre Kertesz, South Port, Long Island, 1942 or 1949, gelatin silver print, 24.3 x 19.6 cm, Gift of The Andre and Elizabeth Kertesz Foundation, 1998.90.5

Villamena, Francesco, Italian, 1566-1624 Weiss, Bartholomaus Ignaz, German, Winters, Robin, American, born 1950, and The Penitent Magdalene (after Francesco Vanni), 1730-1814 Bradford Morrow (author) first quarter 17th century, engraving, 1999.64.4, Diana, 1790s, etching with drypoint, 1999.71.2, Skunk and The Monkey Prince, 1990, 2 color relief Ailsa Mellon Bruce Fund Katharine Shepard Fund prints, from A Bestiary portfolio, 1998.124.6, 30, Gift of Dr. and Mrs. Richard Susel Villon, Jacques, French, 1875-1963 Welliver, Neil, American, born 1929 La Parisienne, 1902, color intaglio [proof], Study for New Dams in Meadow, 1984, color Woeiriot, Pierre, French, 1532-after 1596 1999.53.1, Gift of Evelyn Stefansson Nef woodcut on japan paper, 1998.84.6, Gift of Ruth Francoys de Scepeaulx, 1564, engraving, 1999.10.1, Fine in memory of Larry Day Ailsa Mellon Bruce Fund La Parisienne, 1902, 5 color intaglios [proofs], 1999.54.1-5, New Century Fund Wiley, William T„ American, born 1937 I Hope You Learned Your Lesson, 1974, color La Parisienne, intaglio in black [proof], 1999.93.1, etching and aquatint Eugene L. and Marie-Louise Garbaty Fund Photographs Suite of Daze, 1977, bound volume with 14 La Parisienne, color intaglio [proof], 1999.93.2, etchings Abbott, Berenice, American, 1898-1991 Edward E. MacCrone Fund 1999.86.4-5.a-n, Gift of Dr. Christopher A. Graf New York at Night, c. 1932, gelatin silver print, 1970s, 1998.89.1, Gift (Partial and Promised) of Warhol, Andy, American, 1928-1987 Willmann, Michael Lukas Leopold, German, Francine Schear Linde in honor of her parents, Herbert Henry Geldzahler, 1964, video tape of black-and- 1630-1706 and Blanche Schear white film, from The Geldzahler Portfolio, Self-Portrait Drawing, 1675, etching, 1999.98.15, 1999.97.11, Director's Discretionary Fund and Gift of Gift of The Ahmanson Foundation American 19th Century the Estate Project for Artists with AIDS Worth Going For, Maine, 1880s, albumen print, Winck, Thomas Christian, German, 1999.57.1, Anonymous Gift Weber, Max, American, 1881-1961 1738-1797 Frieze, 1919-1920, woodcut in brown The Seven , etching, 1999.98.16, Gift of The American 20th Century Figure Composition, 1919/1920, color woodcut Ahmanson Foundation Cryogenic Section of a Cadaver, c. 1900-1920, Figure, 1919-1920, woodcut in reddish brown cyanotype, 1999.33.1, Anonymous Gift Winkfield, Trevor, British, born 1944, and Head of a Man, 1919/1920, woodcut on gray Bradford Morrow (author) , Eugene, French, 1857-1927 mica paper Tortoise and Bee, 1990, 2 color relief prints, from Luxembourg, Anne of Brittany, 1923-1926, arrow- Head and Shoulders of Figure, 1919/1920, color A Bestiary portfolio, 1998.124.12, 23, Gift of Dr. and root print, 1999.59.1, Anonymous Gift woodcut on gray mica paper Mrs. Richard Susel 1998.120.1-5, Gift of Jack and Margrit Vanderryn

65 Beato, Felice, British, c. 1825-c. 1907 Callahan, Harry, American, 1912-1999 Photogram, 1947, gelatin silver print, 1999.91.3, Woman at Toilette, 1867-1868, albumen print Highland Park, Michigan, 1941 Anonymous Gift with watercolor, 1999.37.1, Gilt of Ken and Kiyo Highland Park, Michigan, 1941 , Imogen, American, 1883-1976 Hitch in memory of Harry Lunn Jr. Eleanor, Chicago, 1948 James Stephens, 1935, gelatin silver print, Chicago, 1950 Bing, Use, American, 1899-1998 1998.129.1, Gift of Charles Isaacs and Carol Nigro Chicago, 1950 Eiffel Tower, Paris, 1931, gelatin silver print, Weeds in Snow, Rhode Island, c. 1965 DeCarava, Roy, American, born 1919 1999.24.1, Gift of The Circle of the National Gallery of gelatin silver prints, 1998.133.1-6, Gift of Susan P. Hallway, 1953, gelatin silver print, 1999.41.1, Gift Art MacGill of the Roy and Sherry DeCarava Foundation New York: Courtyard with Laundry and Reflections of New York, 1945 Car behind building, 1953 Sunlight, 1952, gelatin silver print, 1999.96.1, Gift Eleanor, New York, 1945 Man lying down, subway steps, 1965 of Marvin Breckinridge Patterson Eleanor, Chicago, 1952 gelatin silver prints, 1999.67.1-2, New Century Brandt, Bill, British, 1904-1983 gelatin silver prints, 1999.5.1-3, Gift of Ann Fund, Fund for Living Photographers Rainswept Roofs, 1933, gelatin silver print, Solomon Mississippi freedom marcher, Washington, D.C., 1999.60.1, Anonymous Gift Chauvassaignes, Franc, French, active 1850s 1963, gelatin silver print, 1999.67.3, Anonymous Bubley, Esther, American, 1921-1998 Nude, c. 1856, albumen print from collodion Gift Girl Sitting Alone in the Sea Grill, a Bar and Restau- negative, 1999.28.1, Anonymous Gift Edgerton, Harold, American, 1903-1990 rant, for a Pick-up, Washington, D.C., 1943 Crawford, Ralston, American, 1906-1978 Water from a Faucet, 1932, gelatin silver print, Bridge, New York, c. 1947 Photogram, 1947 1999.23.1, Anonymous Gift gelatin silver prints, 1999.108.1-2, Gift of Marvin Photogram, 1947 Breckinridge Patterson gelatin silver prints, 1999.91.1-2, Gift of Henry Buhl

66 Hoepffner, Marta, German, born 1912 San Jacinto Mountains Sequence, 1985 The Plunge into the Deep, 1935, gouache collaged chromogenic prints, 1998.91.1-30, Anonymous Gift with gelatin silver prints, 1999.95.1, Gift of Marvin Hassayampa Plain, 31 October 1996, 5:49 p.m. Breckinridge Patterson Polaris over Lake , 14-15 1997, Jaques, Bertha Evelyn, American, 1863-1941 11:56 p.m.-4:15 a.m. Darnel, 1909, cyanotype, 1999.95.2, Gift of Marvin chromogenic prints, 1999.88.1-2, Gift of Lannan Breckinridge Patterson Foundation

Jeanrenaud, Alphonse, French, 1835-1895 Model, Lisette, American, f906-f 983 Fontainebleau, c. 1860s, albumen print, 1999.70.1, 42nd Street from the Sixth Avenue Subway (Running Gift of Amy Rose Silverman and Anonymous Gift Legs), New York, 1942, gelatin silver print, 1998.137.1, Gift of Marvin Breckinridge Patterson Kenna, Michael, British, born 1953 Points East, Pendine Sands, , 1997 Moholy-Nagy, Laszld, American, 1895-1946 La Poele, Vaux-le-Vicomte, France, 1996 Untitled (Positive), c. 1922-1924, gelatin silver gelatin silver prints, 1999.66.1-2, Director s Discre- print from photogram negative, 1999.23.2, Gift of tionary Fund The Circle of the National Gallery of Art

Kertesz, Andre, American, 1894-1985 Moran, John, American, 1831-1903 Albany, 1918 The Wissahickon Creek near Philadelphia, c. 1865, Elizabeth and I, 1931 albumen print, 1999.6.1, Anonymous Gift Self-Portrait at the Hotel Beaux-Arts, 1936 Newman, Arnold, American, born 1918 Self-Portrait with Beekeeper, probably 1923 George and Edith Rickey with Sons Stuart and Philip, South Port, Long Island, 1942 or 1949 East Chatham, New York, 1973, gelatin silver , Utica, New York, 1961 print, 1999.87.1, Gift of Nan Rosenthal Skywriting, New York, 1938 gelatin silver prints, 1998.90.1-6, 1999.39.1, Gift of Norman, Dorothy, American, 1905-1997 The Andre and Elizabeth Kertesz Foundation Alfred Stieglitz, 1933 Telephone in Front of Stieglitz "Equivalent," c. 1940 Kiihn, Heinrich, German, 1866-1944 gelatin silver prints, 1998.128.4-5, Gift of Mr. and Alfred Stieglitz, f 907, platinum print with mer- Mrs. Raymond W. Merritt cury, f999.76.f, Gift in memory of Harry H. Lunn Jr. from his friends and family Rossler, Jaroslav, Chechoslovakian, 1902-1990 Paris, 1928, gelatin silver print, 1999.69.1, Gift of Langenheim, Frederick, American, Joyce and Robert Menschel and Anonymous Gift 1809-1879, and William Langenheim, Ameri- can, f807-f874 Sander, August, German, 1876-1964 Merchant's Exchange, Philadelphia, f849, salted Near Nonnenwerth Island, f 937 paper print from paper negative, 1998.126.1, Gift The Siebengebirge as seen from Rheinbreitbach, f 936 of Harvey S. Shipley Miller and J. Randall Plummer Untitled—Snow-Covered Tree, c. f 930-1940 View of the Ederkopf, c. 1930-1940 Macpherson, Robert, Scottish, 1811—1872 gelatin silver prints, 1998.130.1-4, Gift of Kent and The Templum Minerva Medica and the Surrounding Marcia Minichiello Area, 1861, albumen print, 1998.127.1, Gift of Andrew Szegedy-Maszak and Elizabeth Bobrick in Road Construction Workers, Westerwald, 1917 Ilse Bing, Eiffel Tower, Paris, 1931, gelatin silver honor of Aladar and Hanna Szegedy-Maszak The Composer Kaspar Roseling, 1925 print, 22.3 x 28.2 cm, Gift of The Circle of the Match Seller, Cologne, 1926 National Gallery of Art, 1999.24.1 Metzker, Ray K., American, born 1931 Recipient of Welfare Assistance, 1930 A tlantic City, 1966, gelatin silver print, 1998.137.2, gelatin silver prints, 1999.49.1-4, New Century Gift of Joyce and Robert Menschel Fund Misonne, Leonard, Belgian, 1870-1943 Smith, David, American, 1906-1965 Landscape, c. 1920, gelatin silver print, 1999.38.1, Untitled, c. 1932-1935, gelatin silver print, Gift of Harvey S. Shipley Miller and J. Randall 1998.138.1, Gift of the Collectors Committee Plummer Fichter, Robert, American, born 1939 Southworth, Albert Sands, American, Misrach, Richard, American, born 1949 Hiroshima Memorial, c. 1982 1811-1894, and Josiah Johnson Hawes, Bomb Crater and Destroyed Convoy, Bravo 20 Bomb- Ma Bell Madonna, 1982 American, 1808-1901 ing Range, Nevada, 1986 Turkey Puzzle, c. 1982 The Letter, c. 1850, daguerreotype, 1999.94.1, Boy Scouts and Fremont's Pyramid, Pyramid Lake cibachrome prints, 1998.131.1-3, Gift of Marc Patrons' Permanent Fund Indian Reservation, Nevada, 1991 Freidus Danny Boy, Salt Flats, Utah, 1992 Sutcliffe, Frank Meadow, British, 1853-1941 French 19th Century Dead Animals #1, Nevada, 1987 Whitby Fishermen, c. 1885, carbon print, Peasant Woman, 1870s, albumen print from col- Dead Fish, Salton Sea, California, 1983 1999.57.2, Anonymous Gift lodion negative, 1999.58.1, Anonymous Gift "Eat My Fallout" Graffiti, Wendover Air Base, Utah, Talbot, William Henry Fox, British, 1988 Gibson, Ralph, American, born 1939 1800-1877 Flooded Marina (Gas Pumps), Salton Sea, California, Untitled, 1969 Orleans Cathedral, 1843, salted paper print from 1983 Untitled, 1960 paper negative, 1998.136.1, Anonymous Gift Office, Project W-47 Support Hangar, Wendover Air [/nAW, 1967 Base, Utah, 1989 gelatin silver prints, 1998.128.1-3, Gift of Mr. and Outdoor Dining, Bonneville Salt Flats, Utah, 1992 Mrs. Raymond W. Merritt Princesses against Plutonium, Nuclear Test Site, Haynes, F. Jay, American, 1853-1921 Nevada, 1988 Yellowstone Lake, 1880s, gelatin silver printed-out Rocky Flats Mesa, Colorado, 1987 print, 1998.139.1, Anonymous Gift Salton Sea Interior (with Chair), California, 1985 Snow Canyon State Park, Utah, 1987 White Man Contemplating Pyramids, Egypt, 1989

f.7

EXHIBITIONS

Temporary Exhibitions at the National Gallery of Art A Design for the National Gallery of Art: Love and War: A Manual for Life in the Celebrating the 20th Anniversary of Late Middle Ages I. M. Pei's East Building 8 November 1998 to 31 January 1999 continued from the previous fiscal year to Andrew Robison and Virginia Clayton, curators 11 October 1998 Edo: Art in Japan 1615-1868 A Collector's Cabinet 15 November 1998 to 15 February 1999 continued from the previous fiscal year to Robert Singer, guest curator I November 1998 supported by NTT Corporation also supported by an indemnity from the Federal French Drawings from the Armand Ham- Council on the Arts and the Humanities mer Collection continued from the previous fiscal year to Figure Studies and Compositional Draw- 8 November 1998 ings from the Armand Hammer Collection 22 November 1998 to 9 May 1999 Van Gogh's Van Goghs: Masterpieces from Margaret Morgan Grasselli, curator the Van Gogh Museum, Amsterdam 4 October 1998 to 3 January 1999 and Realism: Philip Conisbee, curator, with Louis van Tilborgh The Margaret and Raymond Horowitz and John Leighton, guest curators Collection supported by Andersen Consulting 24 January to 9 May 1999 also supported by an indemnity from the Federal Nicolai Cikovsky Jr., curator Council on the Arts and the Humanities From Botany to Bouquets: Flowers in Bernini's Rome: Italian Baroque Terra- Northern Art cottas from The State Hermitage Museum, 31 January to 31 May 1999 St. Petersburg Arthur Wheelock Jr., curator II October 1998 to 18 January 1999 supported by Shell Oil Company Foundation Ian Wardropper, guest curator supported by Republic National Bank of New York, John Singer Sargent 21 February to 31 May 1999 Safra Republic Holdings S.A., Luxembourg, and ' Chair Transformation Number 20B, Nicolai Cikovsky Jr., curator, with Richard Ormond Banco Safra S.A., Brazil 1996, patinated bronze, The Nancy Lee and Perry and Elaine Kilmurray, guest curators Bass Fund, 1998.99.1, and Sol LeWitt's Four-Sided Gifts to the Nation from Mr. and Mrs. supported by Ford Motor Company Pyramid, first installation 1997 (fabricated 1999), also supported by an indemnity from the Federal concrete blocks and mortar, Gift of The Donald 18 October 1998 to 3 January 1999 Council on the Arts and the Humanities Fisher Family, 1998.149.1, are installed at the Philip Conisbee, curator Photographs from the Collection southeast corner of the National Gallery of Art supported by The Circle of the National Gallery 25 April to 5 July 1999 Sculpture Garden. of Art Sarah Greenough, curator supported by The Circle of the National Gallery of Art

69 For the Sargent exhibition, the painting Gassed needed to be moved in its crate into and out of the West Building through the Sixth Street portico by a crane owing to its twenty-two-foot length.

Faces and Figures: Drawings from the Lenders to Exhibitions Robbie and Sam Vickers Arrnand Hammer Collection Richard Stiftung 16 May 1999 to 7 November 1999 Private Collections Collection of the Princes of Waldburg-Wolfegg Margaret Morgan Grasselli, curator Collection of Carol and Terence Wall Anonymous lenders Jane P. Watkins Portraits by Ingres: Image of an Epoch Abrams Collection The Henry H. Weldon Collection 23 May to 22 August 1999 Maida and George Abrams Collection of Dian and Andrea Woodner Philip Conisbee, curator, with Christopher Riopelle Arc en Ciel Foundation and Gary Tinterow, guest curators Dr. and Mrs. Herbert Axelrod supported by Airbus Industrie Public Collections Collection Yves Saint Laurent and Pierre Berge also supported by an indemnity from the Federal Austria Andre Bromberg Council on the Arts and the Humanities Vienna: Graphische Sammlung Albertina The Duke of Devonshire and the Chatsworth Set- Caravaggio's "The Taking of Christ": tlement Trustees Belgium Saints and Sinners in Baroque Painting Anne-Cecile de Bruyne : Koninklijk Museum voor Schone 30 May to 18 July 1999 Pieter C.W.M. Dreesmann Kunsten Antwerpen Philip Conisbee, curator Eisei Bunko Foundation Liege: Musee d'Art Moderne et d'Art Contemporain supported by EduCap Inc. Her Majesty Queen Elizabeth II Canada Collection of Daniel and Rita Fraad Mary Cassatt : Mr. and Mrs. Hugh Halff Jr. 6 June to 6 September 1999 China Nicolai Cikovsky Jr., curator, with Judith Barter, The Armand Hammer Foundation Beijing: Institute of Archaeology, Chinese Academy guest curator Philip and Charlotte Hanes of Social Sciences; National Museum of Chinese supported by Aetna Harrison Family Teresa Heinz (and the late Senator John Heinz) History The Golden Age of Chinese Archaeology: Collection of Mr. and Mrs. Charles Hermanowski Chunhua County Cultural Relics Museum, Shaanxi Celebrated Discoveries from The People's Mr. and Mrs. S. Roger Horchow Province Republic of China Mr. and Mrs. Michal Hornstein Fufeng, Shaanxi Province: Famen Monastery 19 September 1999 to 2 January 2000 Collection of Margaret and Raymond Horowitz Museum; Zhouyuan Administrative Office of Xiaoneng Yang, guest curator The Hosomi Art Foundation Cultural Relics supported by Kodak Company; additional Society of Jesus, Ireland Guangzhou: Museum of the Western Han Tomb of support provided by the Henry Luce Foundation Kawabata Foundation the Nanyue King also supported by an indemnity from the Federal The Andre and Elizabeth Kertesz Foundation Hangzhou: Zhejiang Provincial Institute of Council on the Arts and the Humanities Collection Jan and Marie-Anne Krugier-Ponia- Archaeology The Drawings of Annibale Carracci towski Jingzhou Prefecture Museum 26 September 1999 to 9 January 2000 Mr. and Mrs. Meredith J. Long Lanzhou: Gansu Provincial Museum Margaret Morgan Grasselli, curator Collection of Mrs. Paul Mellon Lintong, Shaanxi Province: Qin Terra-cotta supported by Republic National Bank of New York, Mr. and Mrs. Max Palevsky Museum and Safra Republic Holdings, S.A., Luxembourg; Prat Collection Nanchang: Jiangxi Provincial Museum additional support provided by the Samuel H. Kress Paul Proute, S.A. Qingzhou Municipal Museum, Shandong Province Foundation and The Circle of the National Gallery Senator and Mrs. John D. Rockefeller IV Sanxingdui Museum of Art Rust Collection Shenyang: Liaoning Provincial Institute of Archae- also supported by an indemnity from the Federal Mr. and Mrs. Peter G. Terian ology; Liaoning Provincial Museum Council on the Arts and the Humanities Terra Foundation for the Arts Shijiazhuang: Hebei Provincial Cultural Relics Insti- tute; Hebei Provincial Museum

70 Hyogo Prefecture: Kurokawa Ancient Writings California Research Organization Los Angeles: Armand Hammer Museum of Art; Los Ikeda: Itsuo Art Museum Angeles County Museum of Art; J. Paul Getty Izumi: Kuboso Memorial Museum of Arts Museum Kanazawa: Ishikawa Prefectural Museum of Art Sacramento: Crocker Art Museum Kobe City Museum Fine Arts Museums of San Francisco Komaki: Menard Art Museum San Marino: Huntington Library, Art Collections, Kyoto: Konchi'in; Kyoto City; Kyoto National and Botanical Gardens Museum; Kyoto University; Shinjd'in Colorado Machida City Museum of Graphic Arts Colorado Springs Fine Arts Center Prefecture: Keishoji; Shogenji Okayama: Hayashibara Museum of Art; Okayama Connecticut Prefectural Museum of Art Hartford: Wadsworth Atheneum Museum of Art Osaka: Fujita Museum of Art; Osaka City Museum New London: Lyman Allyn Art Museum Otsu: Museum of Shiga Prefecture Biwako- District of Columbia Bunkakan Arthur M. Sackler Gallery; ; Freer Saga Prefecture: Imaemon Museum of Ceramic Gallery of Art; National Museum of American Antiques; Kyushu Ceramic Museum Art; National Museum of American History; Saitama Prefecture: Saitama Prefectural Museum; National Museum of Health and Medicine; Toyama Memorial Museum National Museum of Natural History; National Sakai Museum Portrait Gallery; Catholic University of America; Sendai City Museum Corcoran Gallery of Art; Folger Shakespeare Shizuoka Prefectural Museum Library; Shizuoka Prefecture: Kunozan TOshogu Shrine; Illinois Seikenji Art Institute of Chicago Takayama: Iisanji Rockford: Time Museum Tochigi Prefecture: Kiyotakiji; Tochikubo Yakushidd Tokyo: Agency for Cultural Affairs; Chotokuji; Iowa Idemitsu Museum of Arts; Itabashi Art Museum; Des Moines Art Center Maeda Ikutokukai; Mitsui Bunko; Nippon Kansas Express Co., Ltd.; Nitto Boseki Co., Ltd.; Preser- Wichita Art Museum vation Committee of Oba Local Governor's Office; Rakanji; Seikado Bunko Art Museum; Maryland Suntory Museum of Art; Sojiji; Gotoh Museum; Annapolis: Maryland Commission on Artistic Nezu Institute of Fine Arts; Ota Memorial Property Taiyuan: Shanxi Provincial Institute of Archaeology Museum of Art; Tokyo National Museum; Zojoji Baltimore: Walters Art Gallery Wuhan: Hubei Provincial Museum Yamagata Prefecture: Yamagata Museum of Art Xi'an: Shaanxi History Museum; Xi'an Municipal Massachusetts Yamanashi Prefecture: Ganshoji Institute of Archaeology and Preservation of Cul- Boston: Stewart Gardner Museum; tural Relics Netherlands Museum of Fine Arts, Boston Yanshi City Museum, Henan Province Amsterdam: Amsterdams Historisch Museum; : Art Museums Zhengzhou: Henan Museum ; Rijksmuseum Vincent van Gogh Williamstown: Sterling and Francine Haarlem: Teylers Museum Art Institute France Rotterdam: Museum Boijmans van Beuningen Aix-en-Provence: Musee Granet Michigan The Hague: Haags Gemeentemuseum Besanqon: Musee des Beaux-Arts et d'Archeologie Detroit Institute of Arts Dijon: Musee des Beaux-Arts Portugal Flint Institute of Arts Nantes: Musee des Beaux-Arts Lisbon: Fundaqao Calouste Gulbenkian Paris: £cole Nationale Superieure des Beaux Arts; Kansas City: Nelson-Atkins Museum of Art Musee d'Orsay; Musee de l'Armee; Musee des St. Petersburg: State Hermitage Museum Arts Decoratifs; Musee du Louvre; Musee du ; Musee Carnavalet Singapore Nebraska Omaha: Rouen: Musee des Beaux-Arts National Museums of Singapore Toulouse: Musee des Augustins Spain New York Versailles: Musee national des Chateaux de Ver- Bilbao: Museo de Bellas Artes of Art sailles et de Trianon New York: Harvard Club; Hispanic Society of Amer- Switzerland ica; Frick Collection; Metropolitan Museum of Germany Kunstmuseum Bern Art; Pierpont Morgan Library Berlin: Staatliche Museen zu Berlin, Preussischer Vevey: Musee Jenisch, Musee des Beaux-Arts et Rochester: Memorial Art Gallery of the University Kulturbesitz, Kupferstichkabinett Cabinet Cantonal des Estampes : Stadelsches Kunstinstitut of Rochester —England Munich: Staatliche Graphische Sammlung Cambridge: Staatsgalerie Stuttgart, Graphische Sammlung Asheville: Biltmore Estate Liverpool: Lady Lever Art Gallery Raleigh: North Carolina Museum of Art Hungary London: ; National Portrait Budapest: Szepmiiveszeti Muzeum Gallery; ; Tate Gallery; Italy British Museum; National Gallery; and Cincinnati: Cincinnati Art Museum; Taft Museum Florence: Galleria degli Uffizi Albert Museum Museum of Art Turin: Biblioteca Reale : Graves Art Gallery Urbino: Galleria Nazionale delle Marche United Kingdom—Scotland Venice: Gallerie dell'Accademia Edinburgh: National Gallery of Scotland Philadelphia Museum of Art Japan United States Pittsburgh: Carnegie Museum of Art Akita Museum of Alabama Arita Ceramic Museum Rhode Island Tuscaloosa: Warner Collection of Gulf States Paper Chiba Prefecture: National Museum of Japanese Providence: Museum of Art, Rhode Island School of Corporation History Design Fukuoka Art Museum; Fukuoka City Museum Virginia Hikone Castle Museum Norfolk: Chrysler Museum of Art Richmond: Virginia Museum of Fine Arts

71 Katsushika , Kirifuri Waterfall at Mount Kurokami in Shimotsuke Province, c. 1833-1834, color woodblock print, was lent by a Los Angeles private collector for the Edo: Art in Japan exhibition.

Lenders of Works Displayed with Catholic University of America, Oliveira Lima Mr. and Mrs. Michal Hornstein, Montreal Library Paulus Bor, Still Life with Travel Pouch: Caesar van Collection Frans Post, Brazilian Landscape, Said to Be Pernambuco Everdingen, Rape of Europa: Jacques Linard, Still Life of Shells Abbott Guggenheim Collection -Hewitt, National Museum of Design, Workshop of Tiziano Aspetti, Vulcan: Attributed to Smithsonian Institution Peter A. Jay Girolamo Campagna, Angel Giovanni Domenico Tiepolo, Immaculate Conception Stuart, John Jay

Abrams Collection, Boston Mr. and Mrs. Barney A. Ebsworth Collection of the Artist Pieter Duyfhuysen, Boy Eating Porridge; Jan Olis, , : Charles Sheeler, Classic Jasper Johns, Between the Clock and the Bed: Field Interior with Young Men Playing Tric-Trac : No: Target: Untitled (Red, Yellow, Blue)

Hispanic Society of America, New York John Singer Sargent, Spanish Dance

72 Koninklijk Museum voor Schone Kunsten, and Cupid at the Forge of Vulcan; Sir Peter Paul Montgomery Museum of Fine Arts Antwerp Rubens, Landscape with Willows; Salomon van Ruys- , Untitled Jacob Jordaens, As the Old Sing, So Pipe the Young dael, River Landscape; Pieter Jansz Saenredam, Inte- California rior of the St. Peter's Church in 's-Hertogenbosch; David Calder Foundation, New York Oakland Museum Teniers II, Dice and Skittle Players in a Tavern Court- Alexander Calder, Tom's; Cheval Rouge Mark Rothko, 2 untitled works yard; Adriaen van de Velde, Figures in a Deer Park; Manoogian Collection Winter Landscape; Willem van de Velde, Ships on a Connecticut George Caleb Bingham, Jolly Flatboatmen Calm Sea; Philips Wouwerman, Landscape Hartford, Wadsworth Atheneum Manoogian Foundation Mark Rothko, Untitled William Merritt Chase, Portrait of Whittredge; Richard District of Columbia Caton Woodville, War News from Mexico Loans National Museum of American History Joseph F. McCrindle Charles Peale Polk, General Washington at Princeton Jan de Bray, Double Profile Portrait of the Artist's Extended Loans from National National Portrait Gallery Parents... Gallery Collections Chester Harding, Self-Portrait; Daniel Huntington, Metropolitan Museum of Art Henry Theodore Tuckerman; Dr. James Hall; John Wes- All works are part of the National Lending Service Benvenuto Tisi da Garofalo, St. Nicholas ofTolentino ley Jarvis, Thomas Paine; Edward , George unless indicated by * Reviving a Child; St. Nicholas of Tolentino Reviving the Washington; Irving R. Wiles, Miss Julia Marlowe Birds BELGIUM for Historic Preservation National Museum of American Art, Smithsonian Hailstone, David E. Finley Brussels, U.S. Embassy Residence, NATO Institution Blair House Gilbert Stuart, George Pollock; Mrs. George Pollock; Sir Anthony van Dyck, Marchesa Elena Grimaldi-Cat- Thomas Sully, Ann Biddle Hopkinson; Francis Hopkin- , Harrison Gray; Style of Ben- taneo; French 13th Century, Vita Contemplativa; son; Leland jamin Marshall, Race Horse and Trainer; Gilbert Stu- Heraldic Panel; Bishop Blessing; Angel Holding the Cross art, Dr. William Hartigan (?) and Crown of Thorns: Jan Anthonisz Ravesteyn, CANADA Library of Congress Judith Langley Carl Milles, Head of Orpheus Ottawa, U.S. Embassy Residence National Museum of Health and Medicine of the John Singer Sargent, Mrs. Joseph Chamberlain; Office of the Vice President of the United States Armed Forces Institute of Pathology Gilbert Stuart, William Thornton; Mrs. William American 18th Century, Attack on Bunker's Hill, with , Dr. John H. Brinton Thornton the Burning of Charles Town; A. Hashagen, Ship Morton G. Family Collection "Arkansas" Leaving Havana; John Wesley Jarvis, , Calligraphy of Navels; Jean Dubuffet, ENGLAND Commodore John Rodgers; John Neagle, Colonel Augus- aux Houppes; Dhotel Hairy with Yellow tus James Pleasonton; John Vanderlyn, John Sudam London, U.S. Embassy Residence Teeth; , Seated Woman; Fernand Residence of the Vice President of the United Sir William Beechey, Lieutenant-General Sir Thomas Leger, Still Life; Joan Miro, Spanish Dancer, Francis States Picton; Francis Cotes, Mrs. Thomas Home; Franklin Picabia, Amorous Parade; , Young Girl , Memories C. Courier, Lincoln and His Son, Tad *; Thomas with Left Arm Raised; , Argentine Tango , William Yelverton Davenport; Michiel Musee du Louvre, Reunion des Musees van Miereveld, Portrait of a Lady with a Ruff; John George Catlin, Battle between the Jiccarilla Apachees Nationaux, Paris Singer Sargent, Miss Grace Woodhouse; Thomas Sully, and Camanchees; Camanchee Chief, His Wife, and a Venetian 16th Century, Boy on a Dolphin John Quincy ; after Benjamin West, Benjamin Warrior; Camanchee Chief with Three Warriors; Excavat- ing a Canoe—Nay as Indians; Flathead Chief with His U.S. Department of the Interior, National Park West Family; Ojibbeway Indians; Three Navaho Indians; Two Service, Saint-Gaudens National Historic Site, London, Collection Unidentified North American Indians; View of the Lower Cornish, New Hampshire Sir Thomas Lawrence, Francis Charles Seymour- Mississippi; , Basin at Deauville *; Henri Augustus Saint-Gaudens, Study Head of a Black Sol- Conway... Matisse, Still Life with Pineapple; Mark Rothko, Num- dier; Study Head of a Black Soldier; Study Head of a ber 7; Thomas Sully, Andrew Jackson Black Soldier; Study Head of a Black Soldier; Study Head FRANCE of a Black Soldier; Study Head of a Black Soldier; Prelim- Secretary of Agriculture Paris, Musee du Louvre inary Sketch for Shaw Memorial; Shaw Memorial; Early American 19th Century, Spring on the Range; Bucks Severo da Ravenna, Christ Child * County Farm Outside Doylestown, Pennsylvania; Amzi Study of the Allegorical Figure for the Shaw Memorial Paris, U.S. Embassy Residence Emmons Zeliff, Barnyard Collection of and Rebecca Smith George Inness, Lake Albano, Sunset; Walt Kuhn, Secretary of Commerce David Smith, Aggressive Character; Lunar Arcs on One White Clown (returned); Mark Rothko, Untitled Thomas Chambers, New York Harbor with Pilot Boat Leg; Blue Construction; Ninety Father; Black-White "George Washington "; Raoul Dufy, Regatta at Cowes *; Forward IRELAND Music and the Pink Violin (returned); Philip van White House Collection Kouwenbergh, Flowers in a Vase (returned); Walt Dublin, U.S. Embassy Residence Paul Cezanne, The Forest; House on the Marne; House Kuhn, Green Apples and Scoop; Leonid, Derrynane Gilbert Stuart, Counsellor John Dunn (returned); John on a Hill Harbor, Ireland Bill Ricketts (returned) Erving and Joyce Wolf Secretary of Education Francis Augustus Silva, Indian Rock, Narragansett Bay ITALY American 19th Century, Sargent Family; American 20th Century, After the Wedding in Warren, Pennsylva- Anonymous Florence, Casa Buonarroti nia (returned); French 19th Century, Race Course at Hendrick Avercamp, Winter Landscape with Golfers; after Buonarroti, Damned Soul * Longchamps; after Jean-Baptiste Greuze, Benjamin Bernardo Bellotto, Pima, Fortress of Sonnenstein; Bot- Franklin (returned) ticelli, Portrait of a Young Man Holding a Medallion; PORTUGAL Bartholomeus Breenbergh, Landscape with Christ and Secretary of Energy Lisbon, U.S. Embassy Residence the Woman of Samaria; Jan Brueghel the Elder, Flow- American 19th Century, Chief Jumper of the American 19th Century, Allegory of Freedom; View of ers in a Glass Vase; A Road with a Ford in a Wood; Seminoles; Lexington Battle Monument; Indians Cooking Concord; Ralph Eleaser Whiteside Earl, Family Por- Jean-Charles Cazin, Quarry of Monsieur Pascal near Maize; Thomas Chambers, Storm-Tossed Frigate; trait; Fritz Miiller, Capture of the "Savannah" by the Nauterre; Pieter Claesz, Still Life with a Basket of Joseph Bartholomew Kidd after John James U.S.S. "Perry"; Thomas Sully, Vanderkemp Children Grapes; , Jasper; Sanford Robinson Gil- Audubon, Black-Backed Three-Toed Woodpecker ford, Long Branch Beach; Arshile Gorky, Self-Portrait; Secretary of Housing and Urban Development UNITED STATES The Limit; Portrait of Master Bill; Jan van der Heyden, American 19th Century, Imaginary Regatta of Amer- View in Amsterdam; Jan van Huysum, Still Life of Alabama ica's Cup Winners; "We Go for the Union"; Eugene Flowers and Fruit; Laurent de La Hire, Presentation in Birmingham Museum of Art Boudin, Coast of Brittany *; George Ropes, Mount Ver- the Temple; Roy Lichtenstein, Cosmology; Edouard Mark Rothko, Untitled (black and gray); Anders Zorn, non; Douglas Volk, Manet, —Le Printemps; Frans van Mieris, Reisinger Director, Office of Management and Budget Musical Party on a Terrace; Jacopo Palma il Giovane, Raoul Dufy, Regatta at Henley (returned)

73 Secretary of State Pennsylvania American 19th Century, Washington at Valley Forge) Doylestown, James A. Michener Art Museum Raoul Dufy, July 14 in (returned); A. A. American 19th Century, Profile Portrait of a Man *; Lamb, Emancipation Proclamation-, , Profile Portrait of a Lady *; William Bonnell, Clement Pont Saint-Michel, Paris Bonnell *; Joseph Goodhue , Girl with U.S. Trade Representative Kitten; Edward Hicks, Landing of Columbus American 19th Century, New England Farm in Virginia Winter, Chinese Qing Dynasty, Archery Contest; Karl Fairfax, George Mason University Knaths, Marble Mantel, Mark Rothko, Untitled; Mar- Alfredo Halegua, America; Lila Pell Katzen, guerite Zorach, Christmas Mail Antecedent Secretary of Transportation Circle of Jacob Adriaensz Bellevois, Dutch Ships in a Lively Breeze; Follower of Claude Lorrain, Harbor at National Gallery Loans to Sunset; L. M. Cooke, Salute to General Washington in Temporary Exhibitions New York Harbor; Hugues Merle, Children Playing in a Works in National Lending Service marked f Park; Rene Pierre Charles Princeteau, Horses Secretary of the Treasury AUSTRALIA Billy Morrow Jackson, Eve *; Chaim Soutine, Pastry Chef; James McNeill Whistler, Head of a Girl , Art Gallery of New South Wales CLASSIC CEZANNE, 28 Nov. 1998-28 Feb. 1999 White House Chief of Staff Paul Cezanne, Still Life f Mark Rothko, Untitled (woman and girl in interior); 3 untitled works AUSTRIA Supreme Court of the United States Vienna, Osterreichische Galerie Belvedere Mr. Chief Justice Rehnquist AMERICAN PAINTING OF THE 19TH CENTURY, George Cuitt the Younger, Easby Abbey, near Rich- 17 Mar.-20 June 1999 The Chinese Archaeology exhibition included an mond; Jean-Louis Forain, Behind the Scenes , Club Night f; George Catlin, White installation of this Chime of twenty-six bronze zhong (returned); Captain Edward H. Molyneux, Chapel Cloud, Head Chief of the Iowas f; Fitz , bells from the Spring and Period (770-476 in Provence; Thomas Sully, Thomas Alston; Frits Lumber Schooners at Evening on Penobscot Bay; Rem- B.C.), lent by the Henan Museum, Zhengzhou, Thaulow, River Scene; Eugene Lawrence Vail, Flags, brandt Peale, Rubens Peale with a Geranium; James Henan Province. St. Mark's, Venice—Fete Day McNeill Whistler, Symphony in White, No. 1: The Mme Justice Ruth Bader Ginsburg White Girl Mark Rothko, Untitled; The Omen Mr. Justice Anthony Kennedy BELGIUM Jean Beraud, Paris, rue du Havre; Dutch 17th Cen- Antwerp, Koninklijk Museum voor Schone tury, Flowers in a Classical Vase; Walt Kuhn, Zinnias; Kunsten Antwerpen Humlebaek, Henri Moret, Island of Raguenez, Brittany (returned) ANTHONY VAN DYCK, 15 May-15 Aug. 1999 JOAN MIRd, 18 Sept. 1998-10 Jan. 1999 Mme Justice Sandra Day O'Connor Sir Anthony van Dyck, Isabella Brant; Clelia Cattaneo, Joan Miro, Head of a Catalan Peasant; The Farm George Catlin, After the Buffalo Chase—Sioux; Buffalo Daughter of Marchesa Elena Grimaldi; A Genoese Noble- Chase, Sioux Indians, Upper Missouri; Crow Village and woman and Her Son; Queen Henrietta Maria with Sir ENGLAND the Salmon River Mountains; Little Sioux Village; Two Jeffrey Hudson; circulated to Royal Academy of Arts, London, Blackfoot Warriors and a Woman London, 11 Sept.-lO Dec. 1999 PIETERDE HOOCH, 1629-1684, Mr. Justice Antonin Scalia Antwerp, Rubenshuis 3 Sept.-24 Nov. 1998 James Bard, Steamer "St. Lawrence" (returned); LIGHT OF NATURE: LANDSCAPE DRAWINGS AND Pieter de Hooch, Dutch Courtyard; The Bedroom; cir- Gilbert Stuart, George Washington; Thomas Sully, WATERCOLOURS BY VAN DYCK AND HIS CONTEM- culated to Wadsworth Atheneum, Hartford, Henry Pratt; Augustus Vincent Tack, Charles PORARIES, 15 May-22 Aug. 1999 17 Dec. 1998-14 Mar. 1999 Hughes; Alexander Helwig Wyant, Peaceful Valley Sir Anthony van Dyck, Edge of a Wood; circulated to London, National Gallery (returned) British Museum, London, 10 Sept.-28 Nov. 1999 PORTRAITS BY INGRES: IMAGE OF AN EPOCH, Mr. Justice David Souter 27 Jan.-25 Apr. 1999 Peale, George Washington; Gilbert Stuart, CANADA J.-A.-D. Ingres, Madame Moitessier; Sketch for Madame Captain Joseph Anthony; after Gilbert Stuart, James Montreal Museum of Fine Arts Moitessier; Monsieur Marcotte; Mrs. Charles Badham; Dr. Lloyd; William Constable; Augustus Vincent Tack, LES TEMPS DES NABIS, 20 Aug.-22 Nov. 1998 Louis Martinet Harlan F. Stone Edouard Vuillard, Conversation; Yellow Curtain REMBRANDT BY HIMSELF, 9 June-5 Sept. 1999 Mr. Justice John Paul Stevens Rembrandt van Rijn, Self-Portrait; Self-Portrait; circu- American 19th Century, Portland Harbor, Maine; COSMOS: FROM TO THE AVANT- lated to Royal Cabinet of Paintings Mauritshuis, The George Catlin, Scene from the Lower Mississippi; GARDE, 1801-2001, 17 June-17 Oct. 1999 Hague, 25 Sept. 1999-9 Jan. 2000 Eduard Gaertner, City Hall at Torun; Alphonse Alexander Calder, Untitled (The Constellation Mobile); Legros, Hampstead Heath; Franz Xaver Winterhalter, Movement in Space; Mark Rothko, Untitled (black and London, Tate Gallery Queen Victoria gray) f JOHN SINGER SARGENT, 15 Oct. 1998-17 Jan. 1999 John Singer Sargent, Nonchaloir (); circulated Indiana Ottawa, National Gallery of Canada SONGS ON STONE: WHISTLER AND THE ART OF to Museum of Fine Arts, Boston, 23 June- Indianapolis Museum of Art , 1 Oct. 1998-3 Jan. 1999 26 Sept. 1999 Max Beckmann, Christ in Limbo; Larry Bell, Chrome James McNeill Whistler, Drury Lane Rags; Woman and Glass Construction; Mark Rothko, Sketch for with a Fan; Little 's FRANCE Mural H HONORS DAUMIER, 3 June-6 Sept. 1999 Palais des Beaux Arts de Lille Maryland Honore Daumier, C'est unique! j'ai pris quatre , UN REGARD LIBRE, 12 Dec. 1998- Hagerstown, Washington County Museum of Fine tailles...; Vous avezperdu votre proces c'est vrai...; Scene 21 Mar. 1999 Arts of the Tribunal (The Verdict); 4 versions of Prodigal Son Francisco de Goya, Young Lady Wearing a Mantilla Frederick Kemmelmeyer, First Landing of Christopher and Basquina; circulated to Philadelphia Museum of VAN GOGH'S IRIS: MASTERPIECE IN FOCUS, Columbus Art, 17 Apr.-ll July 1999 15 June-6 Sept. 1999 New York Vincent van Gogh, Roses Paris, Galerie Sud, Centre Georges Pompidou Mountainville, Storm King Art Center ROBERT 1906-1914. DE LTMPRES- Mark Di Suvero, Aurora * (returned) SIONISME A L'ABSTRACTION, 1 June- 16 Aug. 1999 , Political Drama

74 Paris, Galeries Rationales du Grand Palais Dusseldorf, Kunstsammlung Nordrhein-Westfalen ITALY , 13 Oct. 1998-11 Jan. 1999 : SCULPTURES, HOUSES, LANDSCAPES, , Exhibit Halls, Lorenzo Lotto, St. Catherine-, Allegory of Chastity, Alle- 5 Sept.-29 Nov. 1998 , 27 Sept.-14 Dec. 1998 gory of Virtue and Vice; The Nativity Max Ernst, A Moment of Calm Dosso Dossi, Aeneas and Achates on the Libyan Coast; CHARDIN, 7 Sept.-22 Nov. 1999 Museum Folkwang Essen Circe and Her Lovers in a Landscape; circulated to Met- Jean Simeon Chardin, Still Life with Game; Kitchen PAUL : VERLORENE PARADIES, ropolitan Museum of Art, New York, Maid 17 June-18 Oct. 1998 11 Jan.-29 Mar. 1999, and J. Paul Getty Museum, , Parau na te Varua ino (Words of the Los Angeles, 27 Apr.-l 1 July 1999, along with Paris, Musee du Petit Palais Devil) +; circulated to Neue Nationalgalerie, Berlin, Dosso Dossi, St. Lucretia GIAMBATTISTA TIEPOLO 1696-1770, 31 Oct. 1998-24 Jan. 1999, along with Paul Gau- 22 Oct. 1998-24 Jan. 1999 Mantua, Fruttiere di Palazzo Te guin, Te Pape Nave Nave (Delectable ) Giovanni Battista Tiepolo, Wealth and Benefits of the ROMA E LO STILE CLASSICO DI RAFFAELLO Spanish Monarchy under Charles III; Young Lady in a Hamburg, 1515-1527, 21 Mar.-30 May 1999 Tricorn Hat MAX BECHMANN. LANDSCHAFT ALS FREMDE, Baccio Bandinelli, Two Male Nudes (Study for the Mas- 7 Aug.-8 Nov. 1998 sacre of the Innocents); circulated to Akademiehof, GERMANY Max Beckmann, Falling Man\; circulated to Kun- Graphische Sammlung Albertina, Vienna, 9 July- sthalle Bielefeld, 29 Nov. 1998-14 Feb. 1999; and 19 Sept. 1999, along with Sebastiano del Piombo, Berlin, Kulturforum Kunstforum Wien, 12 Mar.-6 June 1999 Prophet Addressed by an Angel FONTANE UNO DIE BILDENDE KUNST, 4 Sept.- 29 Nov. 1998 Munich, Haus der Kunst , Galleria Estense, Palazzo dei Musei J.M.W. Turner, Approach to Venice DIE NACHT, 1 Nov. 1998-14 Feb. 1999 SOVRANE PASSIONI. LE RACCOLTE D'ARTE DELLA Giovanni Girolamo Savoldo, The Adoration of the DUCALE GALLERIA ESTENSE, 3 Oct.-13 Dec. 1998 Berlin, Neue Nationalgalerie Shepherds Guercino, Amnon and Tamar LYONEL FEININGER—VON GELMERODA NACH MANHATTAN, 3 July-11 Oct. 1998 MUELLER COLLECTION, 19 Feb.-30 May 1999 Rome, Museo del Palazzo di Venezia Lyonel Feininger, Bicycle Race +; circulated to Ha us , Improvisation 31 (Sea Battle) GIAN LORENZO BERNINI, REGISTRA DEL BAROCCO, der Kunst, Munich, 1 Nov. 1998-24 Jan. 1999 20 May-16 Sept. 1999 Saarbrucken, Saarland Museum Gian Lorenzo Bernini, Monsignor Francesco Barberini MAX ERNST: DIE RETROSPEKTIVE, 5 Mar.- JEAN DUBUFFET—HEADS AND FIGURES, 30 May 1999 12 Sept.-14 Nov. 1999 Rome, Palazzo delle Esposizioni Max Ernst, Moment of Calm; circulated to Haus der Jean Dubuffet, Bertele as a Blossoming Bouquet, Side- ALESSANDRO ALGARDI: L'ALTRA FACCIA DEL Kunst, Munich, 11 June-19 Sept. 1999 show Portrait; Marbleized Body of a Lady; Darner of BAROCCO, 21 Jan.-30 Apr. 1999 Socks Alessandro Algardi, Christ on the Cross Kunstmuseum Bonn PHILIP GUSTON RETROSPECTIVE, 26 Aug.- Kunstsammlungen zu Weimar, Schlossmuseum Turin, La Palazzina di Caccia di Stupinigi 1 Nov. 1999 RISE AND FALL OF . WEIMAR— TRIUMPH OF THE BAROQUE: ARCHITECTURE IN Philip Guston, Review A GERMAN EXAMPLE, 9 May-1 Aug. 1999 EUROPE 1600-1750, 3 July-7 Nov. 1999 Lyonel Feininger, Zirchow VII f Bernardo Bellotto and Workshop, Nymphenburg Cologne, Museum Ludwig Palace, Munich : A RETROSPECTIVE, Kunstmuseum Wolfsburg 27 June-11 Oct. 1998 ANDY WARHOL: A FACTORY, 2 Oct. 1998- Venice, Museo del Settecento Veneziano—Ca'Rez- Robert Rauschenberg, Altar Peace/ROCI MEXICO; 10 Jan. 1999 zonico s Rocks (Bachs Steine)/ROCI BERLIN; circulated Andy Warhol, A Boy for Meg f; circulated to Kun- IL MONDO DI GIACOMO CASANOVA: UN to Museo Guggenheim Bilbao, 21 Nov. 1998- sthalle Wien, Vienna, 5 Mar.-2 May 1999, VENEZIANO IN EUROPA 1725-1798, 7 Mar. 1999 and Palais des Beaux Arts, Brussels, 31 May-19 11 Sept. 1998-16 Feb. 1999 Sept. 1999

75 Venetian 18th Century, Procession in the Courtyard of NETHERLANDS the Ducal Palace, Venice + Gemeentearchief Amsterdam Venice, Palazzo Grassi REMBRANDT'S AMSTERDAM, 29 Sept.- RENAISSANCE VENICE AND THE NORTH: , 30 Nov. 1998 DURER, AND , 5 Sept. 1999-9 Jan. 2000 Rembrandt van Rijn, Cottages and Barn beside a Road; Giovanni Bellini, Portrait of a Young Man; St. Jerome View of Houtewael near the Sint Anthoniespoort (recto); Reading-, Pieter the Elder, Landscape with the circulated to Institut Neerlandais, Paris, Penitence of St. Jerome-, Lorenzo Lotto, Allegory of 17 Dec. 1998-14 Feb. 1999 Virtue and Vice Amsterdam, Rijksmuseum STILL-LIFE PAINTINGS FROM THE NETHERLANDS JAPAN 1550-1720, 19 June-19 Sept. 1999 Kyoto Municipal Museum of Art Osias Beert the Elder, Banquet Piece with Oysters, MASTERPIECES FROM THE NATIONAL GALLERY OF Fruit, and Wine ART, WASHINGTON, 30 Jan.-4 Apr. 1999 Amsterdam, Van Gogh Museum Frederic Bazille, Ramparts at Aigues-Mortes +; Edmond THEO VAN GOGH, 1857-1891: ART DEALER, COL- Maitre f; , Artist's Sister and Her Chil- LECTOR AND BROTHER OF VINCENT, 24 June- dren; Green Table; Table Set in a Garden; Bouquet of 5 Sept. 1999 Flowers f; Spring Landscape; Stairs in the Artist's Gar- Camille Corot, St. Sebastian Succored by the Holy den +; Eugene Boudin, Beach at Trouville; Yacht Basin Women f at Trouville-Deauville; Time at Deauville; Jetty and Wharf at Trouville; Figures on the Beach; Gustave N O RWAY Caillebotte, Skiffs f; , Porta Portello, ; Paul Cezanne, Riverbank; At the Water's Edge f; Battle Oslo, Museet for Samtidskunst of Love f; Mont Sainte-Victoire f; Harlequin; Camille ROBERT SMITHSON, 27 Feb.-2 May 1999 Corot, Gypsy Girl with Mandolin; Ville d'Avray; River Robert Smithson, Mud Flow (F-14); Mud Flow (1000 Scene with Bridge; Madame Stumpf and Her Daughter; Tons of Yellow Mud); Partially Buried Woodshed; circu- , Boats on a Beach, Etretat f; La Bre- lated to , , 19 June- tonnerie in the Department of Indre f; Henri Edmond 12 Sept. 1999 Cross, Coast near f; Charles-Francois Daubigny, Landscape with Figures; Edgar Degas, RUSSIA Before the Ballet; ; Andre Derain, Char- Moscow, Pushkin State Museum of Fine Arts ing Cross Bridge, London f; Mountains at Collioure f; CEZANNE AND THE RUSSIAN AVANT-GARDE, Sir Anthony van Dyck, Dona Polyxena Spinola Guz- 5 Oct.-l 5 Nov. 1998 man de Leganes; Jean-Louis Forain, Behind the Scenes Paul Cezanne, Houses in Provence f; Paul Gauguin, Haystacks in Brittany f; Vincent van St. Petersburg, State Hermitage Museum Gogh, Farmhouse in Provence; Flower Beds in Holland; MAGRITTE, 4 Aug.-18 Oct. 1998 El Greco, Holy Family with St. Anne and the Infant Rene Magritte, La condition humaine; circulated to John the Baptist; Edouard Manet, Tragic Actor (Rou- Pushkin State Museum of Fine Arts, Moscow, viere as Hamlet); Still Life with Melon and Peaches; Oys- 4 Nov. 1998-15 Jan. 1999 ters; A King Charles Spaniel; Flowers in a Crystal Vase; , Still Life; , ; UNKNOWN TERRAIN: THE LANDSCAPES OF Ships Riding on the Seine at Rouen; Bridge at Argenteuil , 15 Oct. 1998-10 Jan. 1999 on a Gray Day; Artist's Garden at Vetheuil; Cradle— Andrew Wyeth, Snow Flurries Camille with the Artist's Son Jean; Woman with a Para- sol—Madame Monet and Her Son; Japanese Footbridge; SPAIN Henri Moret, Island of Raguenez, Brittany f; Berthe Gran Canada, Centro Atlantico de Arte Moderno Morisot, Sisters; Artist's Sister at a Window; Harbor at The Sargent exhibition boasted such classic portraits A REBOURS, 20 Apr.-l 3 June 1999 Lorient; Young Woman with a Straw Hat f; Girl in a as The Daughters of Edward Darley Boit, 1882, oil on Franz Kline, Four Square f; Mark Rothko, 3 untitled Boat with Geese +; Pablo Picasso, Lady with a Fan f; canvas, lent by Museum of Fine Arts, Boston, Gift works; circulated to Museo Nacional Centro de Arte Camille Pissarro, Peasant Girl with a Straw Hat; of Mary Louisa Boit, Julia Overing Boit, Jane Hub- Reina Sofia, Madrid, 6 July-11 Oct. 1999 Hampton Court Green; Artist's Garden at Eragny; Place bard Boit, and Florence D. Boit, in memory of du Carrousel, Paris; Sir Henry Raeburn, Captain Madrid, Fundacion Coleccion Thyssen- their father, Edward Darley Boit. Patrick Miller f; , Flowers in a Vase; Bornemisza Auguste , Mile Charlotte Berthier; Pont Neuf KUPKA: LOCALIZACI6N DE M6VILES GRAFICOS Paris; Young Woman Braiding Her Hair; Young Spanish 1912-1913, 15 Oct. 1998-10 Jan. 1999 Woman with a Guitar; Flowers in a Vase; Child with Frantisek ICupka, Organization of Graphic Motifs II Toys—Gabrielle and the Artist's Son, Jean; Jacob van EL GRECO: IDENTIDAD Y TRANSFORMACldN, Ruisdael, Landscape; John Singer Sargent, Miss 3 Feb.-16 May 1999 Mathilde Townsend f; , Seascape at El Greco, Christ Cleansing the Temple; circulated to SWEDEN Port-en-Bessin, f; , Boulevard Palazzo delle Esposizioni, Rome, 10 June- Heloi'se, Argenteuil; Meadow; Jacopo , 30 Sept. 1999 Stockholm, Nationalmuseum Susanna; Titian, Portrait of a Lady; Henri de ADRIAEN (1556-1626), IMPERIAL Madrid, Fundacion Juan March Toulouse-Lautrec, Carmen Gaudin; Constant Troyon, SCULPTOR, 15 Apr.-29 Aug. 1999 RICHARD LINDNER, 2 0ct.-20 Dec. 1998 Approaching Storm; Johannes Vermeer, Lady Writing; Adriaen de Vries, Empire Triumphant over Avarice Richard Lindner, Contact; circulated to IVAM Centre Vernet, Hunting in the Pontine Marshes; Julio Gonzalez, Valencia, 14 Jan.-14 Mar. 1999 Antoine Vollon, Mound of Butter; Edouard Vuillard, SWITZERLAND Yellow Curtain; Woman Sitting by the Fireside; Vase of Madrid, Museo Nacional del Prado Basel, Fondation Beyeler Flowers on a Mantelpiece; circulated to Tokyo Metro- FELIPE II, PRINCIPE DEL RENACIMIENTO, FACE TO FACE TO CYBERSPACE, 30 May- politan Art Museum, 17 Apr.-l 1 July 1999 13 Oct. 1998-10 Jan. 1999 12 Sept. 1999 Luca Cambiaso, Martyrdom of St. Lawrence Sakura, Kawamura Memorial Museum of Art Jean Dubuffet, Bertele as a Blossoming Bouquet, Side- RENOIR: MODERN EYES, 3 Apr.-l6 May 1999 Madrid, Palacio Real de Aranjuez show Portrait; Limbour Prepared as a Chicken Dropping Auguste Renoir, Madame Henriot, Regatta at Argen- FELIPE II: EL REY INTIMO. JARDfN Y NATURALEZA Lausanne, Musee Cantonal des Beaux-Arts teuil; circulated to Miyagi Museum of Art, Sendai, EN EL SIGLO XVI, 23 Sept.-23 Nov. 1998 GUSTAVE COURBET: ARTISTE ET PROMOTEUR DE 25 May-4 July 1999, and Hokkaido Museum of Lucas Cranach the Elder, Nymph of the Spring SON OEVRE, 21 Nov. 1998-21 Feb. 1999 Modern Art, Sapporo, 15 July-29 Aug. 1999 Gustave Courbet, The Stream

76 Martigny, Fondation Pierre Gianadda California Los Angeles, Museum of Contemporary Art GAUGUIN, 10 June-22 Nov. 1998 Los Angeles, J. Paul Getty Museum AFTERIMAGE: DRAWING THROUGH PROCESS, Paul Gauguin, Self-Portrait Dedicated to Carriere ERCOLE DE' ROBERTI: RENAISSANCE IN FERRARA, 11 Apr.-22 Aug. 1999 27 Apr.-ll July 1999 Joel Shapiro, Finger Print Drawing UNITED STATES Ercole de' Roberti, Wife of Hasdrubal and Her Children Los Angeles, Museum of Contemporary Art/ Arizona Los Angeles County Museum of Art Geffen Contemporary SAM FRANCIS, 7 Mar.-25 July 1999 Phoenix Art Museum ARTHUR DOVE: A RETROSPECTIVE, 1 Aug.- Sam Francis, White Line; circulated to Menil Collec- COPPER AS CANVAS: TWO CENTURIES OF MASTER- 4 Oct. 1998 tion, Houston, 10 Sept. 1999-2 Jan. 2000 PIECE PAINTINGS ON COPPER, 1525-1775, Arthur Dove, Rain Sacramento, Crocker Art Museum 19 Dec. 1998-28 Feb. 1999 AROUND IMPRESSIONISM: FRENCH PAINTINGS FATE, FORTUNE, NEMESIS: ALBRECHT DURER AT Attributed to Pieter Gysels, River Landscape with Vil- FROM THE NATIONAL GALLERY OF ART, THE CENTURY'S END, 29 Jan.-l 1 Apr. 1999 lages and Trawlers (verso); circulated to Nelson- 15 Aug.-29 Nov. 1999 Albrecht Durer, Four Naked Women; Virgin on the Atkins Museum of Art, Kansas City, 28 Mar- 69 French paintings listed under Japan, Kyoto Crescent; St. Sebastian Bound to the Column-, St. Sebast- 6 June 1999, and Royal Cabinet of Paintings Mau- Municipal Museum of Art, plus Claude Monet, ian Bound to the Tree-, Man of Sorrows with Arms Out- ritshuis, The Hague, 26 June-22 Aug. 1999. Bazille and Camille, and Auguste Renoir, Woman with stretched; Standard Bearer; Hercules; Dream of the Doctor Ambrosius Bosschaert the Elder, Bouquet of Flowers a Cat, exhibited 1-29 Nov. 1999 in a Glass Vase traveled to The Hague only. (Temptation of the Idler)

77 San Diego Museum of Art No. 14); Winter Road I; Alfred Stieglitz, Georgia Chestnut Hill, McMullen Museum of Art, Boston M. C. ESCHER: A CENTENNIAL TRIBUTE, O'Keeffe: A Portrait. Four versions of J ack-in-the-Pulpit College 3 Oct. 1998-3 Jan. 1999 circulated to Georgia O'Keeffe Museum, Santa Fe, SAINTS & SINNERS: CARAVAGGIO & THE BAROQUE M. C. Escher, 67 prints, 5 bound volumes, 7 draw- 14 Aug.-lO Oct. 1999 IMAGE, 1 Feb.-24 May 1999 ings, and 5 woodcut blocks; circulated to Chrysler Guercino, Joseph and Potiphar's Wife JUDITH ROTHSCHILD: AN ARTIST'S SEARCH, Museum of Art, Norfolk, 6 Feb.-2 May 1999 15 May-15 Aug. 1999 Heritage Plantation of Sandwich San Diego, Timken Museum of Art Judith Rothschild, Gothic XI ART OF THE DEPARTED: THE GRAVESTONES OF JOHN SINGLETON COPLEY AND MARGARET CAPE COD, 10 May-18 Oct. 1998 White House KEMBLE GAGE: TURKISH FASHION IN 18TH-CEN- American 19th Century, Family Burying Ground f; TWENTIETH-CENTURY AMERICAN SCULPTURE: TURY AMERICA, 10 Dec. 1998-11 Apr. 1999 Thomas Chambers, Mount Auburn Cemetery f INSPIRED BY RODIN, 28 Sept. 1998-17 Oct. 1999 John Singleton Copley, Mrs. Adam Babcock; circu- , Memorial Relief (Hand of Child) South Had ley, Mount Holyoke College Art lated to Canton Museum of Art (Ohio), 25 Apr- Museum Florida 13 June 1999 THE MOON AND THE STARS: AFTERLIFE OF AN San Francisco Museum of Modern Art West Palm Beach, Norton Gallery and School of EMPRESS, 1 Sept.-18 Dec. 1999 ALEXANDER CALDER: 1898-1976, 4 Sept.- Art Deruta 16th Century, Large dish with...pro file bust of 1 Dec. 1998 RAOUL DUFY: LAST OF THE FAUVES, 27 Mar.- "Faustina " 6 June 1999 Alexander Calder, Crinkly Taureau; Rearing Stallion-, Williamstown, Sterling and Francine Clark Art Raoul Dufy, July 14 in Le Havre f; Music and the Pink Little Spider, Vertical Constellation with Bomb; Wood Institute Violin f; Beach at Sainte-Adresse; circulated to Dixon Mobile: Constellation Mobile; Ruby-Eyed; Finny Fish; FAREWELL TO THE WET NURSE: ETIENNE AUBRY Gallery and Gardens, Memphis, 27 June- Tower with Pinwheel; Triple Gong; Black, White, and AND IMAGES OF BREAST-FEEDING IN EIGHTEENTH- 5 Sept. 1999 Ten Red; Four White Petals; Untitled (The McCausland CENTURY FRANCE, 12 Sept. 1998-3 Jan. 1999 Mobile); Untitled (Study for Mobile); Movement in Space; Georgia Antoine-Jean Duclos after Charles Monnet, La Atlanta, Fontaine de la Regeneration sur les debris de la Bastille, , 9 Oct. 1998-19 Jan. 1999 CLAUDE MONET AND FR£D£R!C BAZILLE: EARLY le 10 avril 1793; Jean-Francois Janinet after Francois Richard Diebenkorn, Berkeley No. 52; Seated Figure IMPRESSIONISM AND COLLABORATION IN THE Boucher, Les nourrices with Hat; Study Related to "Untitled (from Club/Spade STUDIO, 23 Feb.-l 6 May 1999 Michigan Group '81-82)" Claude Monet, Bazille and Camille Grand Rapids Art Museum WATKINS: THE ART OF PERCEPTION, Illinois A MORAL COMPASS: SEVENTEENTH AND EIGH- 28 May-7 Sept. 1999 Art Institute of Chicago TEENTH CENTURY PAINTING IN THE NETHERLANDS, Carleton E. Watkins, Piwyac, Falls, 300 feet, JULIA MARGARET CAMERON'S WOMEN, 16 Apr.-l 5 Aug. 1999 Yosemite; Twin Redwoods, Palo Alto 19 Sept. 1998-10 Jan. 1999 Gerard Dou, The Hermit; Jan van Kessel I, Study of Colorado Julia Margaret Cameron, Mrs. Herbert Duckworth Butterflies and Insects; Pieter Molijn, Landscape with Open Gate Aspen Art Museum MARY CASSATT: MODERN WOMAN, POWDER, 25 Feb.-l 1 Apr. 1999 13 Oct. 1998-10 Jan. 1999 Missouri Jean Dubuffet, Crescent Mouth, or Laughing Woman Mary Cassatt, Gathering Fruit; The Visitor; Interior: Kansas City, Nelson-Atkins Museum of Art with a Crescent-Moon Mouth On the Sofa; Children Playing on the Beach +; Child in a JOHN STEUART CURRY: INVENTING THE MIDDLE Connecticut Straw Hat; Little Girl in a Blue Armchair; circulated to WEST, 11 Oct. 1998-3 Jan. 1999 Museum of Fine Arts, Boston, 14 Feb.-9 May 1999 John Steuart Curry, Circus Elephants f Hartford, Wadsworth Atheneum Museum of Art NEW WORLDS FROM OLD: 19TH CENTURY AUS- Iowa New Jersey TRALIAN & AMERICAN LANDSCAPES, Des Moines Art Center Montclair Art Museum 12 Sept. 1998-4 Jan. 1999 SHIFTING VISIONS: O'KEEFFE, GUSTON, RICHTER, PARIS 1900: "THE AMERICAN SCHOOL " AT THE UNI- Thomas Cole, View of the Mountain Pass Called the 10 Oct. 1998-24 Jan. 1999 VERSAL EXPOSITION, 18 Sept. 1999-16 Jan. 2000 Notch of the White Mountains (Crawford Notch); John Georgia O'Keeffe, Sky Above White Clouds I Gari Melchers, Sisters f; Willard Leroy Metcalf, Mid- Twachtman, Winter Harmony; circulated to Corcoran summer Twilight f Louisiana Gallery of Art, Washington, 26 Jan.-18 Apr. 1999 Newark Museum Museum of Art New Haven, Yale Center for British Art OFF LIMITS: AND THE AVANT- DEGAS AND NEW ORLEANS: A FRENCH IMPRES- , 22 Sept.-28 Nov. 1999 GARDE, 1957-1963, 18 Feb.-l6 May 1999 SIONIST IN AMERICA, 1 May-29 Aug. 1999 James Tissot, Hide and Seek Roy Lichtenstein, Look Mickey Edgar Degas, Rene de Gas; circulated to Ordrup- District of Columbia gaardsamlingen, Copenhagen, 16 Sept.- New Mexico Folger Shakespeare Library 28 Nov. 1999 Albuquerque Museum "DESIGNS FROM FANCY": GEORGE ROMNEY'S Maine STILL LIFE, 19 Sept. 1999-2 Jan. 2000 SHAKESPEAREAN DRAWINGS, 10 Nov. 1998- Mark Rothko, Untitled (Still life in front of window) f 20 Mar. 1999 IMPRESSIONS OF THE RIVIERA: MONET, RENOIR, New York George Romney, Sir William Hamilton f MATISSE, AND THEIR CONTEMPORARIES, Huntington, Heckscher Museum of Art Hirshhorn Museum and Sculpture Garden 25 June-18 Oct. 1998 SHAPING A GENERATION: THE ART AND ARTISTS OF CHUCK CLOSE RETROSPECTIVE, 15 Oct. 1998- Henri Edmond Cross, Coast near Antibes f BETTY PARSONS, 6 Feb.-18 Apr. 1999 10 Jan. 1999 Mark Rothko, Number 7 f Chuck Close, Fanny/Fingerpainting; circulated to Massachusetts Art Museum, 11 Feb-9 May 1999, and Boston, Museum of Fine Arts Ithaca, Herbert F. Johnson Museum of Art, , London, 22 July-19 Sept. 1999 MONET IN THE 20TH CENTURY, 20 Sept.- Cornell University SUSAN ROTHENBERG: PRINTS AND DRAWINGS, National Museum of American Art 27 Dec. 1998 22 Aug.-25 Oct. 1998 IMAGE AND MEMORY: PICTURING OLD NEW Claude Monet, , London, at Dusk; Susan Rothenberg, Red Dance; circulated to Con- ENGLAND, 2 Apr.-23 Aug. 1999 circulated to Royal Academy of Arts, London, temporary Museum, Honolulu, 13 Jan.- , Mount Katahdin, Maine; John 23 Jan.-18 Apr. 1999 7 Mar. 1999 Singer Sargent, Mrs. William Crowninshield Endicott FRENCH PRINTS FROM THE AGE OF THE MUSKE- New York, Adelson Galleries, Inc. National Portrait Gallery TEERS, 21 Oct. 1998-10 Jan. 1999 CHILDE HASSAM, 1 Sept.-l Nov. 1999 GEORGE AND MARTHA WASHINGTON: PORTRAITS 23 prints; circulated to National Gallery of Canada, Childe Hassam, Poppies, Isles of Shoals FROM THE PRESIDENTIAL YEARS, 19 Feb.- Ottawa, 5 Feb.-2 May 1999 28 Apr. 1999 New York, Bertha and Karl Leubsdorf Art Gallery MARTIN JOHNSON HEADE, 29 Sept. 1999- of Hunter College Edward Savage, Washington Family 17 Jan.2000 , MASTER DESIGNER, Phillips Collection Martin Johnson Heade, Cattleya Orchid and Three 14 Sept.-24 Nov. 1999 O'KEEFFE AND THINGS, 24 Apr.-25 July 1999 Brazilian Hummingbirds; Giant Magnolias on a Blue Giulio Romano, St. Michael; River God Georgia O'Keeffe, Shell; Jack-in-the-Pulpit (No. Ill; Velvet Cloth No. IV; No. V; No. VI); Special (No. 1; No. 2; No. 4;

78 New York, Cooper-Hewitt National Design AMERICAN CENTURY: ART AND CULTURE, Wisconsin Museum 1900-2000, 22 Apr.-22 Aug. 1999 FOUNTAINS: SPLASH AND SPECTACLE, WATER AND Walker Evans, Subway Portrait; Robert Frank, Cen- UNDER CONSTRUCTION, 14 May-8 Aug. 1999 DESIGN FROM THE RENAISSANCE TO THE PRESENT, tral Park South; , Pagan Void; Yellow Alfred Stieglitz, From the Shelton; From the Shelton; 9 June-11 Oct. 1998 Painting; Edward Steichen, Le Tournesol From My Window at An American Place, North; From Albrecht Altdorfer, Rest on the Flight into Egypt at a Southampton, My Window at An American Place, North Fountain-, Sebald Beham, 4 versions of Fountain of SEA CHANGE, 13 Sept.-15 Nov. 1998 Youth; Edme Bouchardon, Rocaille Fountain with Mark Rothko, Aquatic Drama f; Untitled (recto) Venus, Amorini, and Swans; Carlo (author), Temporary Loans to Museum Utilissimo Trattato dell'Acque Correnti; Isaac de North Carolina Collections Moucheron, Italianate Garden with a Parrot, a Poodle, Asheville, Biltmore House and a Man WHISTLER AND VANDERBILT: AN ARTIST AND FRANCE New York, Frick Collection HIS PATRON, 5 Feb.-16 May 1999 MANET: THE DEAD TOREADOR, 25 May- James McNeill Whistler, Gold and Brown: Self- Montauban, Musee Ingres 25 Aug. 1999 Portrait f; George W. Vanderbilt f 27 January 1999-2 January 2000 J.-A.-D. Ingres, Pope Pius VII in the Sistine Chapel Edouard Manet, Dead Toreador Oklahoma Oklahoma City Art Museum MEDIEVAL HOUSEBOOK: A VIEW OF FIFTEENTH- IRELAND CENTURY LIFE, 18 May-25 July 1999 AGE OF OPULENCE: ARTS OF THE BAROQUE, Master E.S., Martyrdom of St. Sebastian; Adoration of 10 Dec. 1998-14 Mar. 1999 Dublin, National Gallery of Ireland the Magi; Master of the Battle of Fornovo, Battle of Jan van Huysum, Flowers in an Urn 11 June-31 July 1999 Fornovo; Master of the Housebook, Two Peasants Paul Gauguin, Parau na te Varua ino (Words of the Pennsylvania Fighting; Israhel van Meckenem, Falconer and Noble Devil) * Collegeville, Philip and Muriel German Museum Lady; Israhel van Meckenem after Master of the of Art, Ursinus College Housebook, Foolish Old Man and the Young Girl; Coat NETHERLANDS IN HER VOICE: SELF-PORTRAITS BY WOMEN, of Arms with Tumbling Boy 's Heerenberg, Stichting Huis Bergh 11 Dec. 1998-28 Mar. 1999 New York, Grolier Club 16 October 1998-9 June 1999 Gwen John, Self-Portrait; Kathe Kollwitz, Self-Por- A CENTURY FOR THE CENTURY: FINE PRINTED Follower of Antonis Mor, Portrait of a Young Man trait at the Table; Self-Portrait; Self-Portrait BOOKS 1900-1999, 14 Sept.-13 Nov. 1999 Philadelphia Museum of Art Max Beckmann, Apocalypse UNITED STATES DELACROIX, LES DERNIERES ANNIES, New York, Metropolitan Museum of Art 15 Sept. 1998-3 Jan. 1999 New York, Metropolitan Museum of Art FROM TO BRUEGEL: EARLY NETHERLAN- Eugene Delacroix, Arabs Skirmishing in the Mountains 12 October 1994-12 October 1999 DISH PAINTING IN THE METROPOLITAN MUSEUM Francesco di Giorgio Martini, God the Father Sur- OF ART, 14 Sept. 1998-22 Jan. 1999 MAD FOR MODERNISM: EARL HORTER AND HIS rounded by Angels and Cherubim Gerard David, Rest on the Flight into Egypt COLLECTION, 7 Mar.-16 May 1999 , Fantomas HEROIC ARMOR OF THE ITALIAN RENAISSANCE: FILIPPO NEGROLI AND HIS CONTEMPORARIES, Texas 8 Oct. 1998-17 Jan. 1999 Houston, Museum of Fine Arts Italian 15th Century, Man in a Fantastic Helmet; BRAS SAL THE EYE OF PARIS, 6 Dec. 1998- Probably Milanese 16th Century, "The Morosini Hel- 28 Feb. 1999 met"; Giovanni Paolo Negroli, Helmet in the Form of a Brassai, Little White Dog, ; Magic City Dance Dolphin Mask; Workshop of Andrea del Verrocchio, Hall, Cognacq-Jay Street, Paris; The Break, the Opera, Paris; Henry Miller in My Doorway, Hotel des Terrasses, Paris; ; The Imp, Belleville, Paris; Cast of ANSELM KIEFER: WORKS ON PAPER 1969-1987, Picasso's Right Hand; Alberto Giacometti; Streetwalker 15 Dec. 1998-21 Mar. 1999 near the Place d'ltalie, Paris; circulated to J. Paul Albrecht Diirer, Triumphal Arch of Maximilian Getty Museum, Los Angeles, 13 Apr.-4 July 1999 TREASURY OF SAINT , Virginia 15 Mar.-27 June 1999 Master of St. Francis, St. James Minor; St. John the Lynchburg, Daura Gallery, Lynchburg College Evangelist; Master of the Franciscan Crucifixes, POWERS OF PROTEST & PERSUASION: THE ROLE OF Mourning Madonna; St. John the Evangelist THE ARTIST IN WAR, 21 Oct. 1998-31 Jan. 1999 Max Beckmann, Dream of War; Fritz Eichenberg, New York, Museum of Modern Art Follies of War; after , Home from the , 1 Nov. 1998-2 Feb. 1999 War; Songs of War; News from the War; Our Women and Jackson Pollock, Number 1, 1950 (Lavender Mist); the War circulated to Tate Gallery, London, 11 Mar- 6 June 1999 Marsh Art Gallery, University of Richmond RELIGION AND POLITICS: THE RENAISSANCE PRINT New York, National Academy Museum IN SOCIAL CONTEXT, 18 Feb.-2 Apr. 1999 ARTISTS AND THE AVANT-GARDE THEATER IN Albrecht Altdorfer, Beautiful Virgin of Regensburg on PARIS, 1 Oct. 1998-10 Jan. 1999 an Altar; Hans Baldung Grien, Bewitched Groom; 65 prints, 2 drawings, and 2 programs Albrecht Diirer, Prodigal Son; Knight, Death, and New York, Whitney Museum of American Art Devil; St. Jerome in His Study; St. Eustace; Four Horse- MARK ROTHKO, 17 Sept.-29 Nov. 1998 men; German 15th Century, Christ Child in the Sacred Mark Rothko, Untitled (Seagram Mural) f; Hierarchi- Heart; Workshop of Andrea Mantegna or Attributed cal Birds f; Street Scene XX f; Interior f; 5 untitled to Zoan Andrea, Descent into Limbo; Israhel van works (all f); Number 5 f; Number 8 f; Number 8 f; Meckenem, Angry Wife; Couple Seated on a Bed; Untitled (Seagram Mural) f; circulated to Musee Parmigianino, The Entombment d'Art Moderne de la Ville de Paris, 14 Jan- Williamsburg, Folk Art 25 Apr. 1999 Center (New York only): Mark Rothko, Rural Scene +; EDWARD HICKS, 5 Feb.-5 Sept. 1999 Untitled (nude) +; Subway f; and 6 untitled works Edward Hicks, Cornell Farm f; Grave of William (one f) Penn +; Peaceable Kingdom f (Paris only): Mark Rothko, Phalanx of the Mind f; Number 7 -f-; Untitled f; Number 15 f; Untitled (black and gray) f; Untitled (black and gray) f; Red, Black, White on Yellow

79

APPENDICES

Changes of Attribution

The following changes of attribution made and approved by the Gallery's are the result of scholarly research using Board of Trustees during the 1999 fiscal the latest art historical investigations year. Each list is arranged in alphabeti- and scientific examinations. It is the cal order according to former attribu- policy of the National Gallery of Art to tion. Changes of title and date are publish these changes regularly. The included if they were a part of the attri- following changes of attribution were bution change.

Decorative Arts Number, title, date Attribution Changes to

1942.9.303 English 16th Century Venetian or Parisian 14th Rock Crystal Ewer Century (crystal); London 17th and Cover Century (mounts); Western c. 1550 European 19th or 20th Century (spout) Ewer and Cover 14th century (crystal); c. 1600 (mounts); before 1905 (spout)

1942.9.300 Italian 16th Century Probably Viennese 19th Century Cylindrical Vessel Cylindrical Vessel engraved with floral 1850/1900 ornaments and urns third quarter 16th century

1942.9.301 Italian 16th Century Milanese 17th Century (vase); Rock Crystal Vase Western European 19th Century mounted in gold and (handles) Roy Lichtenstein's House I, model 1996 (fabricated enamels Vase with Two Handles 1998), painted aluminum, Gift of The Morris and mid-16th century c. 1600 (vase); 19th century (handles) Gwendolyn Cafritz Foundation, 1998.147.1, and 1942.9.299 Italian 16th Century Probably Milanese 16th Alexander Calder's Cheval Rouge, 1974, painted sheet metal, Courtesy Calder Foundation, New York, Vessel Engraved Century (foot); Possibly with Hunting Scenes Viennese 19th Century (body) are reflected in the fountain at the center of the third quarter 16th century National Gallery of Art Sculpture Garden. c. 1570 (foot); 1850/1900 (body)

81 1942.9.294 Italian 16th Century Attributed to Saracchi Altar Cross, the (Style of Saracchi Workshop (foot); Western base engraved with Workshop) European 19th Century (cross scene of Christ and its mounts) Carrying the Cross Altar Cross c. 1580/1590 c. 1590 (foot); mid- to late 19th century (cross and its mounts)

1942.9.298 Milanese 16th Century Probably Milanese 17th Vessel in the Form Century (body); Possibly of a Dragon Parisian 19th Century (foot, 16th century head, mounts) early 17th century (body); late 19th century (foot, head, mounts)

1942.9.302 Ferdinand Eusebius Workshop of Alfred Andre Covered Cup Miseroni 1875/1900 1661/1684

1942.9.297 South German 16th Freiburg-im-Breisgau 17th Covered Cup with Century, Freiburg- Century (cup, cover, probably Serpent Handle im-Breisgau foot, finial with serpent); second half 16th Probably Italian 16th Century century (stem); Western European 19th Century (mounts) c. 1620/1630 (cup, cover, probably foot, finial with serpent); late 16th century (stem); late 19th century (mounts)

1942.9.296 South German 16th Freiburg-im-Breisgau 16th century Covered Cup with Century, Freiburg- (crystal); Augsburg 16th century shield of arms of im-Breisgau, and (mounts) Schonburg-Waldenburg Augsburg Covered Cup with Shield of Arms of the 1566 Countess of Gleichen c. 1566 (crystal); 1566 (mounts)

1942.9.295 South German 17th Spanish 16th Century Reliquary Cross Century 1550/1575, with late 19th 17th century century alterations

Drawings

1967.20.11 American 18th Century John Spangenberg Birth and Baptismal Certificate of Anne Andres

Paintings

1964.19.4 Dutch 18th Century after Salvator Rosa The Harbor Marina delle Torri 18th century 17th century

1952.5.45 Studio of Simon French 15th Century A Miracle of Saint Marmion Benedict

1939.1.344.a,b,c Master of the Kress Giovanni Larciani (Master of Scenes from a Legend Landscapes the Kress Landscapes)

Sculpture 1957.14.9 Vecchietta Follower of Donatello, Winged Figure Florentine or Sienese 15th Century Holding a Torch Fortuna 1470s c. 1450/1475

82 Publications and Awards Other Publications , coauthor. "Analysis of Fresh Triterpenoid Resins and Aged Triterpenoid Varnishes by HPLC- Edo: Art in Japan 1615-1868, by Christine Guth APCI-MS(ZMS)." Journal of Chromatography 809 (teaching program, 48 pages, one map, 33 illus.). Exhibition Catalogues (1998), 21-37. The Golden Age of Chinese Archaeology: Celebrated Dis- coauthor. "Chemical Characterization of American Impressionism and Realism: The Margaret and coveries from The People's Republic of China, by Brian Metal/Coating Interfaces from Model Samples for Raymond Horowitz Collection, by Nicolai Cikovsky Jr., Hogarth (teaching program, 48 pages, 4 maps, Outdoor Bronzes by Reflection-Absorption Infrared with Nancy Anderson, Deborah Chotner, Franklin 39 illus.). Spectroscopy (RAIR) and Attenuated Total Reflec- Kelly, and Lee A. Vedder (196 pages, 142 illus., Time's River: The Voyage of Life in Art and Poetry, tion Spectroscopy (ATR)." Metal 98. Proceedings of the 57 color). poetry and art selected by Kate Farrell (124 pages, International Conference on Metals Conservation [1998], The Drawings of Annibale Carracci, by Daniele Benati, 90 color illus.; copublished with Bulfinch Press / 320-328. London, 1999. Diane De Grazia, Gail Feigenbaum, Kate Ganz, Little, Brown and Company, Boston). , coauthor. "Mass Spectrometry as a Tool to Margaret Morgan Grasselli, Catherine Loisel Art Since 1950, by Carla Brenner (teaching program, Study Aging Processes of Diterpenoid Resins in Legrand, and Carel van Tuyll van Serooskerken 96 pages, 84 illus.). Works of Art: GC/ and LC/MS Studies." Advances in (304 pages, 134 illus., 110 color; hardcover distrib- Mass Spectrometry 14 (1997), 563-573. uted by Lund Humphries). Awards Denker, Eric. Grace Albee: American Printmaker, Edo: Art in Japan 1615-1868, by Robert T. Singer 1890-1985. Exh. brochure, The National Museum of Alexander Calder: 1898-1976 with John T. , Hollis Goodall, Victor Har- Women in the Arts. Washington, D.C., 1999. ris, Matthew McKelway, Herman Ooms, Nicole Association of American University Presses design . Sketch Everything and Keep Your Curiosity Fresh: Coolidge Rousmaniere, Henry D. Smith II, Sharon award for 1998 The Drawings of John Singer Sargent. Exh. brochure, S. Takeda, and Melinda Takeuchi (480 pages, 325 Edo: Art in Japan 1615-1868 Corcoran Gallery of Art. Washington, D.C., 1999. illus., 250 color; hardcover distributed by Yale Uni- Association of American University Presses design versity Press, New Haven and London). award for 1998 Doumato, Lamia. "After the Glitz: Versace." Art Documentation 18 (Spring 1999), 55-56. From Botany to Bouquets: Flowers in Northern Art, American Association of Museums design award for by Arthur K. Wheelock Jr. (88 pages, 70 illus., 1999 . "The Art of Bishop Dioscurus Theodorus: 40 color). Mark Rothko Interpreting Syriac Miniatures in the Crusader Era." Arte Cristiana 793 (August 1999), 243-258. The Golden Age of Chinese Archaeology: Celebrated Dis- Buchkunst world book design for 1998 coveries from The People's Republic of China, edited by Association of American University Presses design . Review of Art and the Crusade in the Age of Xiaoneng Yang with Richard M. Barnhart, Albert E. award for 1998 Saint Louis by Daniel H. Weiss. In Choice 36 (June Dien, Lothar von Falkenhausen, Louisa G. American Association of Museums design award for 1999), 44. 1999 -Huber, Donald Harper, David N. Keight- . Reviews of The Faberge Case: From the Private First prize in Special Trade/Fine Art category, Book- ley, Ladislav Kesner, Michael Knight, Dieter Kuhn, Collection of John Traina and Daniel Brush: Gold With- binders Guild of New York Colin Mackenzie, Elinor Pearlstein, Edward out Boundaries by Ralph Esmerian et al. In Choice 36 Shaughnessy, Zhixin Sun, Robert L. Thorp, Alain Mark Rothko: The Works on Canvas (March 1999), 7, 36. Thote, Roderick Whitfield, Su Bai, Xia Mingcai, Xu George Wittenborn Prize for art historical . Review of Encyclopedia of Comparative Iconogra- Pingfang, Yu Weichao, Zhang Zhang Zhongpei, and publishing phy. In Art Libraries Journal 24 (1999), 44-46. Zou Heng (584 pages, 420 illus., 372 color; hard- Mark Rothko Web site cover distributed by Press, New . Review of International Directory of the Arts. In Top of Netscape's "Best New Arts & Leisure" sites Haven and London). ARBA (1999), 340. list From Schongauer to : Master Drawings from Downs, Linda. "Assessing the Long-Range Impact Sculpture of Angkor and Ancient Cambodia: Millennium Basel and Berlin, by Christian Miiller and Holm Sev- of an Art Museum Program: What Are the Students of Glory ers, with Hans Mielke, Fedja Anzelewsky, Dieter Learning?" The Art Museum in Educational Process. Alfred Barr Award from the College Art Association Koepplin, Renate Kroll, and Stefan Moret (448 Russian Museum Education Department. St. Peters- pages, 250 illus., 200 color; German edition and burg, Russia, 1999. Staff Publications hardcover distributed by Hatje Cantz Publishers, . "The Cultural Revolution in 's Murals: Ostfildern). Anderson, Nancy. "The Kiss of Enterprise': The Lessons Learned at the Prepatoria and Applied in Tilman Riemenschneider: Master Sculptor of the Late Western Landscape as Symbol and Resource." In Detroit." Memorias del Congreso Internacional de Middle Ages, by Julien Chapuis, with Michael Reading American Art, ed. Marianne Doezema and Muralismo, 207-229. Mexico City, 1998. Elizabeth Milroy. New Haven, 1999. Baxandall, Till-Holger Borchert, Timothy B. Hus- . "Viva Zapata!" ArtNews (June 1999). band, Stephan Kemperdick, Hartmut Krohm, Beck, Melissa. "The Evolution of a Baroque editor. Diego Rivera: A Retrospective. The Detroit Michele Marincola, William D. Wixom (352 pages, Chapel: Pietro da Cortona's Divine Wisdom, Urban Institute of Arts. 1986; reprint, New York, 1998. 220 illus., 150 color; hardcover distributed by Yale VIII, and Bernini's Adoration of the Sacrament." University Press, New Haven and London). 150, no. 449 (July 1999), 35-45. , and Carla Brenner. "Views of Ancient Egypt." SchoolArts (October 1998), 27-30. Revised edition: Alfred Stieglitz: Photographs and Brenner, Carla. "Henri Matisse: Color and Light." Writings, by Sarah Greenough and Juan Hamilton SchoolArts (May/June 1999), 33-36. Gifford, E. Melanie. "Landscape Painting Style (248 pages, 73 tritones, letterpress; copublished and Technique: Fidelity to the Sixteenth-Century Cikovsky, Nicolai, Jr. "Democratic Illusionism." with Bulfinch Press / Little, Brown and Company, Tradition in Early Seventeenth-Century Landscape In America. Die neue Welt in Bildern des 19. Jahrhun- Boston). Production." In Colloque XII pour Vetude du dessin derts. Exh. cat., Osterreichische Galerie Belvedere. sous-jacent et de la technologie dans la peinture. Lou- Vienna, 1999. Catalogues of the Collection vain-la-Neuve, 1999. . "'s (so-called) Morning Bell." . "Van Eyck's Washington Annunciation: Techni- The Mark J. Millard Architectural Collection. Volume 3. American Art Journal 29 (1998), 5-17. cal Evidence for Sonographic Development." Art Northern European Books: Sixteenth to Early Nineteenth Conisbee, Philip, coeditor and coauthor. Portraits Bulletin 81, no. 2 (March 1999), 108-116. Centuries, by Harry F. Mallgrave (416 pages, 245 by Ingres: Image of an Epoch. Exh. cat., Metropolitan illus.; copublished by the National Gallery of Art, Grasselli, Margaret Morgan, coeditor and co- Museum of Art. New York, 1999. Washington, and George Braziller, Inc.) author. Mastery and Elegance: Two Centuries of French de la Rie, E. Rene. Conservation Science Drawings from the Collection of Jeffrey E. Horvitz. Exh. Studies in the History of Art Unvarnished. Stichting Bijzondere Leerstoel voor de cat., Harvard University Art Museums. Cambridge, Chemie van Conservering en Restauratie. Amster- Mass., 1998. Distributed by Yale University Press dam, 1999. . "Problems of Connoisseurship in the Draw- The Art of Ancient Spectacle, edited by Bettina . "Research into Protective Coating Systems for ings of the School: New Attributions to Bergmann and Christine Kondoleon (vol. 56; 376 Outdoor Bronze Sculpture and Ornamentation." Pater, Lancret, and Portail." In Watteau and His pages, 239 illus., 15 color). Metal 95. Proceedings of the International Conference on World: French Drawing from 1700 to 1750. Exh. cat., Metals Conservation [1995], 242-244. London, 1997. Frick Collection. New York, 1999.

8 3 Hans Suss von Kulmbach, A Standing Apostle Hold- ing a Book, c. 1510 or before, pen and black ink, lightly washed pink, 17.4 x 11.1 cm, Gift of Sharon Greer Phillips in memory of her husband Neil Franklyn Phillips, 1998.94.1

Hand, John Oliver. "New York: Van Eyck to Hinish, Heidi. "I. M. Pei's East Building: Solving Kelly, Franklin. Albany Institute of History and Art: Bruegel." Exh. review in Burlington Magazine 140 Problems of Form and Function." SchoolArts (April 200 Years of Collecting. Entries on John Vanderlyn, (December 1998), 854-857. 1999), 43—46. Thomas Doughty, Thomas Cole, Asher B. Durand, , and Jasper Cropsey. New Henderson, Anne. "The Imaginary World of Henri , and Vicki Toye. "Children's Films at the York, 1998. Rousseau." SchoolArts (March 1999). National Gallery of Art." Washington Parent (May 1999), 34.

84 . "American Paintings, 1850-1930, in the Berlin, Ruth R. "The First Family of American Art: Brauer Museum of Art, Valparaiso University." James Peale's Fruit Still Life with Chinese Export Antiques (November 1998). Basket." SchoolArts (December 1998), 25-28. . "Asher B. Durand" and "Frederic Edwin Rachwald, Anna M. "Impressions on Hungarian, Church." In American National Biography. New York, Polish, and Czech Republic Art Books at the Frank- 1999. furt Fair." In Bulletin of the Society of Historians of East European and Russian Art and Architecture 3, no. 3 . "Nineteenth-Century Collectors of American (Fall 1998). Art." In America. Die neue Welt in Bildern des 19. Jahrhunderts. Exh. cat., Osterreichische Galerie Russell, Lynn D. "Johannes Vermeer: Legacy of Belvedere. Vienna, 1999. Light." SchoolArts (November, 1998). . "Twilight in the Wilderness: Frederic Edwin Scott, Wilford W. "Tree Form, ." Church und die nationale amerikanische Land- Kresge Art Museum Bulletin 8 (1999), 36-41. schaft." In Belvedere Zeitschrift fur bildende Kunst. Sell, Stacey, coauthor. Rembrandt: Beyond the Brush. Vienna, 1999. Montgomery, Ala., 1999. Lewis, Douglas. "A Masterwork and Its Maquette: Springer, Julie. "Claes Oldenburg: Making the 's Reclining Figure of 1946-1947." Indi- Ordinary Extraordinary." SchoolArts (January 1999), ana University Art Museum "Insider" (Spring 1999), 31-34. 1-5. Wheelock, Arthur K., Jr. "A Moral Compass: Pri- . "Natchez." In An Encyclopedia of American Art vate and Public Domains in Dutch Art." In A Moral before 1914, ed. Jane Turner. New York, 1999. Compass: Seventeenth and Eighteenth-Century Painting , and Melissa Beck. "Alessandro Algardi: the in the Netherlands. Exh. cat., Grand Rapids Art Other Face of the Roman Baroque." The Studio 2, Museum. Grand Rapids, 1999. no. 1 (Spring 1999), 3-4. . Review of Masters of Light: Dutch Painters in Lomax, Suzanne Quillen, coauthor. "A Technical Utrecht during the Golden Age by Joaneath Spicer Investigation of 's Paintings et al. In Apollo 12 (1998), 51-53. from the 1960s and 1970s." Preprints of the 12th Tri- . Review of Pieter de Hooch, 1629-1684 by Peter ennial Meeting of the ICOM Conservation Committee, Sutton. In Burlington Magazine 96 (1999), 123-124. 381-385. London, 1999. Witmer, Susan. "Go See Van Gogh!" Washington E. Rene de la Rie, et al. "Application of Liq- Parent (December 1998), 20-21. uid Chromatography/Mass Spectrometry (LC/MS) to the Analysis of Artists' Materials." Eastern Analyt- coauthor. "Making Connections: Getting ical Symposium, abstract 241. Somerset, N.J., 1997. Teens to Talk About Art." Art Education (September 1999), 33-38. Luchs, Alison. "The Stones of Prague: Sculpture in the Lapidarium of the National Museum." Apollo 149 (March 1999), 25-37. Millon, Henry A. "Art and Architectural History in the Twentieth Century." In Useful Knowledge: The American Philosophical Society Millennium Program, ed. Alexander G. Beam. Philadelphia, 1999. coauthor. FHippo Juvarra: Drawings fronrthe Roman Period, 1704-1714. Vol. 11. Rome, 1999. , editor. The Triumph of the Baroque: Architecture in Europe 1600-1750. Exh. cat., Palazzina di Caccia di Stupinigi. New York, 1999. Moore, Barbara. "Choice and Authenticity." In Presence of Mind: Museums and the of Learning, ed. Bonnie Pitman. American Association of Museums. Washington, D C., 1999. . "The Shaw Memorial by Augustus Saint- Gaudens." SchoolArts (February 1999), 33-36. O'Malley, Therese. "The Lawn in Early American Landscape and Gardens." In The American Lawn: Surface of Everyday Life. Exh. cat., Canadian Center for Architecture. Montreal, 1998. . "Mark Catesby and the Culture of Gardens." In Mark Catesby and the Natural History of Carolina, Florida, and the Bahama Islands, ed. Amy R. W. Mey- ers and Margaret Beck Pritchard. Institute of Early American Culture, University of North Carolina. Chapel Hill, 1999. . "Your Garden Must Be a Museum to You: Early American Botanic Gardens." Huntington Library Quarterly 59, nos. 2/3 (1998). , coeditor and coauthor. John Evelyn's "Elysium Britannicum" and European Gardening. Dumbarton Oaks Colloquium on the History of Landscape Architecture. Washington, D.C., 1998. Noreen, Kristin. "Ecclesiae militantis triumphi: Jesuit Icongraphy and the Counter-Reformation." Sixteenth Century Journal 29 (1998).

85 j'T^X

86 TAFF (as of February 2000)

OFFICE OF THE Project Manager Randy Payne DIRECTOR Roily T. Strauss Thomas Piddington Director Assistant Curator Head of Lighting Shop Earl A. Powell III Griffith Jeffrey Bramhall Deputy to the Director Exhibition Assistant Electricians Carol W. Kelley Martina Bagnoli Robert Executive Assistant Martin Rudder Angela M. LoRe DESIGN AND Alexander Tonic Staff Assistants INSTALLATION Head of Paint Shop Debra S. Tatman Chief of Design Frank Figgins Dianne D. Stevens Mark Leithauser Painters/Finishers Internal Auditor Head of Production Robert Barnett Larry L. Lewis Gordon Anson Dennis Bult Auditor Production Coordinators Joseph Richardson William Bowser Orin Wolf Architectural Services Anne Kelley Senior Architect John Olson EXHIBITIONS James M. Grupe Architects Chief of Exhibitions Assistant Senior Architect Linda Heinrich D. Dodge Thompson Carl M. Campioli Kwederis Exhibition Officers Interior Design Specialist Maquette Production Jennifer Fletcher Cipriano Susan A. Ritterpusch Jane Rodgers Naomi R. Remes Skylight Project Manager Office Manager Ann Bigley Robertson Richard L. Paschal Gina O'Connell Office Manager & Exhibition Project Architects Budget Analyst Coordinator Bruce D. Condit Julia Cates Jonathan F. Walz William H. Cross Jr. Photographer Assistants for Exhibition Eric Mucklow Robert Shelley Administration Christopher Ruffing Head of Silkscreen Jennifer O. Bumba-Kongo Staff Assistant Barbara Keyes Abbie N. Sprague Michele Dubois Secretary to the Chief of Silkscreen Production Exhibitions Lisa Farrell April Canfield Glenn Perry Jeffrey Wilson Young visitors to the National Gallery of Art Exhibition Programs Stefan Wood Sculpture Garden enjoy Claes Oldenburg's and Department Head Head of Exhibits Shop Coosje van Bruggen's Typewriter Eraser, Scale X, Susan M. Arensberg Randy Payne model 1998 (fabricated 1999), stainless steel and Associate Curator Carpenters cement painted with acrylic urethane, Gift of Isabelle Dervaux Richard Bruce The Morris and Gwendolyn Cafritz Foundation, Video & Film Productions Lester Dumont 1998.150.1, even if most of them have no Carroll Moore Paul Heath recollection of the historical object it represents. Miller Mack

87 OFFICE OF THE Modern Prints and Robert Cwiok Coordinating Curator of Art Managing Editor, CASVA DEPUTY DIRECTOR Drawings Ellen Evangeliste Information Publications Deputy Director and Chief Curator Andrew Krieger Christopher With Carol Eron Curator Ruth E. Fine Johnnie Mizell Supervisory Art Information Editor, Systematic Catalogue Alan Shestack Assistant Curators Pierre Richard Specialist Katherine M. Whann Administrator for Policy and Carlotta J. Owens Gary Webber Carol Boyes Web Site Designer Programs Charles M. Ritchie Art Services Technicians Senior Art Information Guillermo Saenz Elizabeth Pochter Staff Assistant Goven Martinez Specialist Research Assistant, Rothko Executive Secretary Ava Douglas Jackson John Cogswell catalogue raisonne Lydia Beruff Daniel Randall Art Information Specialist Laili Nasr SCULPTURE AND DEC- Margaret Baucom Production Editor Staff Assistant Loans and the National Tamara Wilson ORATIVE ARTS Program Assistant Ulrike Mills Lending Service Curator of Early European Carol F. Bridges Production Assistant Department Head Sculpture Manager, Extension Jennifer Byrne EUROPEAN PAINTINGS Stephanie T. Belt Programs Circulation Budget and Project Senior Curator and Head of Alison Luchs Loan Officer Susan Sedlock Coordinator French Paintings Curator of Sculpture and Mary Lee Corlett Supervisory Program Karen Kretzer Philip Conisbee Decorative Arts Staff Assistant Technician Project Assistant Assistant Curators, French Douglas Lewis Henry Darst Young Mariah Shay Paintings Staff Assistant Affiliate Loan Coordinator Florence E. Coman Katherine Roeder Imaging and Visual Services EDUCATION Frances Duhart Kimberly A. Department Head Head of Education Chief Scheduling Technician Staff Assistant MODERN AND Ira Bartfield Linda Downs Martha H. Aspron Ana Maria Zavala CONTEMPORARY ART Supervisory Photographer Staff Assistant Program Shipping Curator Dean Beasom Renaissance Paintings Pamela Chewning Technicians Jeffrey Weiss Photographers Curator, Italian Special Assistant Michael G. Bryant Assistant Curator Lorene Emerson David Alan Brown Marta Horgan Dion Redman Molly Donovan Ricardo Blanc Curator, Northern Exhibition Specialists Adult Programs Teacher and School Archives Photographer John Oliver Hand Sally Mansfield Department Head David Applegate Assistant Curator, Italian Programs Jessica Stewart Lynn Russell Laboratory Technicians Gretchen Hirschauer Department Head Staff Assistants Coordinator of Tours and Doris Alston Research Assistant Anne Henderson Lisa Coldiron Lectures James Locke Eleonora Luciano Coordinator of Teacher Laura Rivers Eric Denker Supervisor of Visual Services Staff Assistant Programs Staff Lecturers Barbara Bernard Elon Danziger Julie A. Springer PHOTOGRAPHS Frances Feldman Coordinator of School Museum Specialists Northern Baroque Paintings Curator Philip Leonard Docents Barbara Goldstein Curator Sarah Greenough J. Russell Sale Elisa Patterson Sara Sanders-Buell Arthur K. Wheelock Jr. Assistant Curator Sally Shelburne Coordinator of Multiple-Visit Nancy Stanfield Julia Thompson Coordinator of Adult Program Supervisor of Digital Services AMERICAN AND Exhibitions Assistant Program Docents Susan Witman Robert Grove BRITISH PAINTINGS Charles Brock Wilford W. Scott Family Program Coordinator Digital Imaging Specialists Acting Coordinator of Senior Curator Research Assistant, Stieglitz Heidi Hinish Deborah Adenan Nicolai Cikovsky Jr. Systematic Catalogue Academic Programs Program Assistant, Teacher Christina Moore Pauline Maguire Curator and Head of Janet Blyberg Programs Allison Needle American Paintings Staff Assistant Program Administrator, L. Brooke Williams Secretary Franklin Kelly April Watson Academic Programs Program Assistant, School Geneva Rosenboro Associate Curator Rachel Schulze Programs Program Assistant, Academic Nancy K. Anderson CURATORIAL RECORDS Jennifer Cross LIBRARY Programs Assistant Curator AND FILES Staff Assistant, Multiple-Visit Executive Librarian Lara Murray Deborah Chotner Department Head Program Neal T. Turtell Staff Assistant Staff Assistant Nancy H. Yeide Paige Simpson Administrative Librarian Maury Pully Heidi Applegate Assistant Roger C. Lawson Docent Liaison/Staff Assistant Anne L. Halpern FILM PROGRAMS Automation Coordinator Arlette Raspberry PRINTS AND DRAW- Curator Karen P. Cassedy INGS REGISTRATION AND Education Publications Margaret Parsons Staff Assistant Andrew W. Mellon Senior LOANS Department Head Assistant Curator Kate M. Allen Curator Office of the Registrar Barbara Moore Victoria Toye Office Assistant Andrew Robison Chief Registrar Production Manager Crystal Kelly Office Manager Sally Freitag Donna Mann EDITORS OFFICE Technical Services Susanne L. Cook Registrar for Exhibitions Writer/Editor Production Manager Librarian Staff Assistant Michelle Fondas Carla Brenner Chris Vogel Anna M. Rachwald Niccole Edwards Collection Manager Program Assistant/Micro Senior Editor/Manager of Acquisitions Processing Lauren Mellon Gallery Coordinator Systematic Catalogue Old Master Prints Assistant Associate Registrar for Loans Megan Howell Mary Yakush Curator Mary A. Masters Judith Cline Web Site Manager and Art Peter Parshall Education Resources Acquisitions Technicians Assistant Registrar for Director Associate Curator Department Head Susan Clay Exhibitions Phyllis Hecht Virginia Clayton Ruth R. Perlin David Diaz Hunter Hollins Managing Editor Assistant Curator Supervisory Program Jeffrey Leone Assistant Registrar Tam Curry Bryfogle Gregory Jecmen Specialist Senior Cataloguer Melissa Stegeman Editors Leo J. Kasun Trudi W. Olivetti Old Master Drawings Staff Assistant Susan Higman Editorial Coordinator, Cataloguers Curator Michelle Matuszak Julie Warnement Videodisc Projects Jane D. Margaret Morgan Grasselli Supervisory Museum Designers Avery Beeson J. Bryan Lane Associate Curator Specialist Margaret Bauer Assistant Coordinator, Cathy F. Quinn Judith Brodie Daniel Shay Wendy Schleicher Smith Videodisc Projects Marsha D. Spieth Assistant Curator Art Services Specialists Stephanie Burnett Paula L. Zech Stacey Sell James Clark

88 Bindery Assistant Paper Conservation Senior Research Associate Mason Leader Supervisory Engineering Jane E. Higgins Conservator and Sabine Eiche Joseph Sandlietner Technicians Department Head Research Associates Masons Darnell Bell Reader Services Shelley Fletcher Alexis Castor Michael John Bixler Librarian Senior Conservator Barbara Christen Joseph Thomas Philip Cifizzari Lamia Doumato Judith Walsh Giuseppe Dardanello Clare Wiedmaier Timothy Iqbal Reference Librarian Assistant Conservator Kirstin Noreen Mason Worker Zery Mingo Frances P. Lederer Yoonjoo Strumfels Staff Assistant Christopher Baumann Anthony Thomas Reference Assistant Photograph Conservator Helen Tangires Roofer/Glazier Engineering Technicians George (Ted) T. Dalziel Jr. Constance McCabe Program Assistants James Powell Jr. Joseph Burgess Interlibrary Loan Assistant Conservation Technician Nicole Anselona Eugene Givens Thomas F.J. McGill Jr. Building Services Lehua Fisher Elizabeth Kielpinski Ed Hanna Vertical Files Librarian Manager Permanent Collection Kathleen Lane William Sutton Roberta Geier Dan Hamm Matting/Framing Millay Shawn Sizemore Serials Assistants Staff Assistant Elaine Vamos Jill Pederson Operating Engineers Bruce B. Hebblethwaite Linda Hilliard Kimberly Rodeffer James Hamilton Inge F. Newstead Object Conservation General Foreman Wayne Valentine Circulation Assistants Conservator and Charles Boone OFFICE OF THE James Wilson Stephen Mize Department Head Supervisors Maintenance Engineers Circulation Technicians Shelley Sturman ADMINISTRATOR Willie Cook Noel Ashton Nikolaos Apostolides Senior Conservator Administrator Frank Ford Nathaniel Bethune Jeannette Canty Judy L. Ozone Darrell R. Willson Angela Lee Roger Dunning Conservator Deputy Administrator Darrell Waytes Photographic Archives Larry Smith Daphne Barbour Charles H. Schneider Leaders Curator Operations Unit Conservation Technician Assistant to the Administrator Paul Cotton Ruth R. Philbrick Larry Brown Sheila Payaqui Andrew McCoy Geraldine Crawford Archivist: Architecture Frank Lim Assistant to the Administrator James Hardy Andrea R. Gibbs Textile Conservation John Ott for Business Activities Eva Harrison Cataloguer of English and Conservator and Eugene Guthrie Stephanie Topolgus Housekeepers American Art Department Head Utility Systems Repair Assistant to the Administrator Andre Adams Richard W. Julia Operators for Planning & Capital Projects Maurice Anderson Archivist: Italian Art Susan Wertheim Donald Young Scientific Research Kenneth Betts Melissa Beck Staff Assistant Walter Coehins Department Head George Bridges Archivist: 20th-century Art Anne Campion James Miller E. Rene de la Rie Catharine Brown Meg Melvin Harvey Moore Senior Conservation Scientist Brown Cataloguer of Decorative Arts Clifton Mutts Barbara H. Berrie FACILITIES Rowna Camper Wendy Cole Jesus Pena Research Conservator for MANAGEMENT Gerald Carthorne Staff Assistant Levern Jacobs Painting Technology Chief of Facilities James Clark Debra K. Massey James Stevens Kurt Sisson Barbara Coleman E. Melanie Gifford Mark Teed Special Project Coordinator Allen Cunningham Slide Library Organic Chemist Alexander Tonic Chief Slide Librarian Suzanne Q. Lomax Allan Riggles Lewis Dobbs Gregory P. J. Most Bernessa Drain Electric Shop Conservation Scientists Work Control Center Associate Slide Librarians Lisha D. Glinsman Geraldine Drayton Supervisor Supervisor Patricia C. Ballard Michael R. Palmer Oliver Stephen Bradish Michael Brown Nicolas A. Martin Christopher Maines Issac Graham Leader Work Control Coordinators Thomas O'Callaghan Jr. Research Assistant Josephine Halloman Daniel Smith Gwendolyn Harriston Tara Shedlosky Carolyn Harvey Electricians Rachele Jackson CONSERVATION Brock Hawkins David Cole Loans and Exhibitions Judith Williams Chief of Conservation Alice Holloman Fred Dodge Conservation Building Maintenance Ross Merrill Anthony Inabinet Melvin Klugh Department Head/Deputy Manager Conservation Administrator Michon Jenkins Carlton Williams Chief of Conservation Craig MacFarlane Michael Skalka Lawrence Jackson Willie Parker Mervin Richard Conservation Programs Carpenter Shop Dorothy Johnson Electrician Helper Coordinator of Assistant Supervisor Teresa Johnson Leslie Raspberry Matting/Framing Suzanne Sarraf Adams Theodora McCard Hugh Phibbs Plumbing Shop Staff Assistants Wood Crafter Leaders Cassandra Pixley Senior Associate Conservator Pipefitters Theresa Beall Dorson Abney Leora Richardson Michael Pierce Robert Lowry Christina Rich George McDonald Henry Rivers Matter/Framer Leonard White Research Assistant Wood Crafters Betty Rufus Jenny Ritchie Annie Leist Francis Jr. Sheila Sanders PROTECTION SERVICES Frame Conservators Anthony Givens Evelyn Scott Chief Painting Conservation Stephan Wilcox Reginald Kellibrew Lorraine Staggs James J. Lucey Conservator and Richard Ford Willard Menson Angeline Sutton Secretary Department Head Conservation Technician Robert Motley Elsie Thompson Geri Green Sarah Fisher Bethann Barressi John Rogers Diana Consultative Conservator James Wells Administration/Special David Bull Paint Shop CENTER FOR Zilphia Wright Operations Senior Conservators Supervisor ADVANCED STUDY Deputy Chief Michael Swicklik Rhonda McCord Building Operations George S. Martin Jay Krueger IN THE VISUAL Painters Manager Investigator Conservators ARTS Joseph Copeland Lawrence Varner Enis Pinar Ann Hoenigswald Dean Lester Smith Planner Estimator Training Specialist Elizabeth Walmsley Henry A. Millon Plasterer Michael Warrick Edward Watson Carol Christensen Associate Dean Larry Welch Energy Conservation Personnel Security Specialist Conservation Technician Therese O'Malley Supervisor Mason Shop Pamela Davis Lucy Bisognano Associate Dean Dennis Donaldson Supervisor Faya Causey Security Assistant Roland Martin Annette Brown James Deas

89 Staff Assistant Roger Kraft Albert Carr Jr. Edward Roberts Administrative Officer Margaret Myers Joe Lewis Jesus Castro-Alvartez Andrew Robinson Sharlene Mobley Office Automation Assistant Jeroboam Powell Edward Michael Robinson Fiscal Clerk Zoya Mussienko Kathy Sutton David Clark Patrick Rogers Christy Allen Supply Clerks Anthony Thompson Thomasine Cloude Loretta Roy Procurement Technician Michelle Cameron Sheila Wright Walter Colbert Mischele Samuel Patricia Barber Chris Privott Gallery Protection Officers II Robert Conyers Ronald Sewell Program Specialist Daniel Bailey Leslie Copeland John Sherrill RESOURCE Catherine Ferryman Leonard Bashful Michael Copeland Sr. Willie Sims ACQUISITION Compensation Specialist Ludwig Bednar Jr. Wade Davis Ronnie Sloan Jr. Division Chief Anna Howard Vander Blount Dennis Diggs Franklin Smalls Elaine Larison Samuel Brown Raymond Dryburgh William Smallwood Supervisory Contract Safety and Health Tyrone Brown Thomas DuBois Leroy Smith Specialists Occupational Health Wayne Buckner Alexander DuBoise Jr. Socher Sr. Terry Vann Ellis Specialist Alvin Burts Carlos DuBose Alexander Stephens Carolyn Perry Joseph Harchick Joseph Callahan Altwan Edwards Gregory Stevenson Contract Specialists Technical Services Ellis Caudle Ernest Edwards Earl Stewart Claudine Harper Supervisor Luther Clark Jr. Roby Ellis Reathel Stewart Jeannette Rogue Angelo Catucci Venus Cristwell Joseph Ford Michael Stoner Purchasing Agent Electronic Mechanics John Davis Ardella Tamara Sutton Barbara Stevens Patrick Parrett Jerry Doss Carlton Gaines Edward Thomas Procurement Technician Nathaniel Stroman Ronald Estes Johnnie Gallop William Thorne Grayling Reaves Locksmiths Benjamin Flores Gene Garrett Reginald Thornton Travel & Transportation Robert Brown Paul Ford Antone Gatewood Raymond Tyndle Program Assistant/Travel Ty Cullins Edward Foster Dionne Gilbert William Walker Coordinator William Shaw Robert Gayleard Dewayne Gipson John Washington George Hamilton Cynthia Greene David Watchorn Barbara Caldwell Visitor Services Peter Henderson Paul Gresham Gregory Watson Driver Manager Donna Hinton Carolyn Groce Michael Webster Bruce Carter Sandra Creighton Edgar Hopson James Hairston Verda Whitlow Support Services Staff Assistants Joseph Hudson Lome Harleston Celia Whitney Deputy Chief of Operations Paula Phipps Frank Johnson Burley Harris Ronald Wilkins Edward Harrison Emily Hawkins Franklin Lewis Alvin Hawkins Barry Williams Gary Lindsey Barbara Height Lynn Williams Records Management Operations Marvin Mallard Thomas Henderson Philip Williamson Information Management Deputy Chief Eunice McQueen Elvis Hernandez Andre Wilson Specialist David Schott Frank Meyer Dennis Hill Anne Wyder Victoria Emerson Captains of the Guard Joseph Midgette Jimmie Hines James Yancey Larry Kaylor Mail &• File Charles Alice Holloman Gallery Security Officers Quentin Arnold Lead Mail Clerk Justina Page Priscilla Hopkins Jency Arrington Assistant Operations Officer Felton Byrd Ronald Randall Tyrone Howard LaRita Best Richard Allen Mail Clerks Jerry Reaves Ina Hunter Wayne Bryant Security Drivers James Arnold William Richardson Charles Jackson James Carlton Joshua Mewborn Clifton Fleet Dana Roberson John Jackson Frank Victor McCrea Jose Vallecillo Neil Floyd Console Operator Supervisors Dexter Roberson Victor Jamison Calvin Simmons Alan Jenkins Alonzo Fountain Frank Ebb Printing & Duplicating Jermaine Ginyard Walter Queen John Smith Jesus Jimenez Offset Press Operators Console Operators Timothy Smith Edward Johnson Mark Habermehl Patrick Beverly Patrick Heron Philip Arnett Michael Strong Frank Johnson Frank Schiavone Altina Sumter Wayman Johnson Fred Winston Franklin Equipment/Copier Operator Gregory Howard Derrick Hairston Larry Turner Yamashita Johnson James Morris Eugenio Velazquez Eric Johnson Tawania McKinzy Felisha Jones Ivy Johnson Supply & Property Ernest Gerald Walker Kenneth Jones Linda West Veronica Jones Lamount Lee Inventory Management James Townsend Stinson Kelly Officer La Verne Whitted David Weston Felix Luccioni Ralph Wright David Lee Leroy Miller Ted Harper Lieutenants Billy Joe Norman Supply Technicians Hajji Al-Hadith Willie Wright Charles Leggett Gallery Protection Officers John Legrand James Roberts Dora Baksdale eleven Brown Paul Fortune Armando Hartley Rukan Ahmed Robert Lewis Maxine Simmons James Allison Jr. Tyrone Lewis Clinton Smith Anthony Sean Hilliard Dona Linder Nathan Howell Ricky Manual Ashley Arnold Fransonia Littles Charles Strickland Frederick Babb David Logan Jermaine Thomas Larry Miles Lawrence Marshall Ulrick Vilmenay Daniel Miller Latina Bailey Rodney Mathew Althea Tolson Isaac Mathis Orlando Walker John Palmer Cedric Baker Warehouse & Distribution Gwendolyn Bell Darryl McCathon Vincent Parker Derek Wilson Supervisory Distribution Henry McKinnon Wayne Wilson Karen Perry Ronald Jr. Facilities Specialist Leroy Moreno Anthony Wright Marlene Tucker Kenneth Bristow Paul Rodriguez Sergeants Steve Brock Dexter Moten Warehouse Leader Benjamin Bronson James Murphy Willie Barnes ADMINISTRATIVE Samuel Baugh Bernard demons Ronald Brown Willie Norman SERVICES Materials Handlers Timothy Fortt Benjamin Burgess Joyce Palmer Division Chief Darnell Brandon Felesia Burgess Emanuel Goddard Joe Peterson Cathy Yates Brian Johnson Harry Groce Otis Butler Sandra Powell Staff Assistant Dwyne Proctor Richard Byrd Willie Pugh Maurice Johnson Stephanie V. Lott Receiving Clerk David Caldwell Gary Reed William Johnson Computer Specialist Alfred Cohen Brannock Reilly Quellan Josey George Caldwell Scott Stephens Alonzo Kennedy Joe Caldwell Robert Rice Jr.

90 Audiovisual Services Operating Accountants Store & Warehouse Angela Johnson Development Officer, Department Head Ruth E. Lewis Operations Terrence Smith Foundation Relations Thomas Valentine Linda K. Smith Visual Presentation Truck Driver Melissa L.B. McCracken Program Assistant Accountant Manager James B. Everett Development Officer, Dorian Breau Adele Stevens Therese M. Stripling Lead Mail Clerk Collectors Committee Radio Production Specialist Accounting Technicians Technicians E. Jean Mitchell Salina R. Muellich John Conway Julie Fetter Shelton Mail Order Clerk Development Officer, Annual Motion Picture Projectionists Cynthia W. Czubat Mary Tewalt Miriam Davis Giving Jeannie Bernhards Dyann Nelson-Reese Shipping Clerk Margaret A. Porta West Building Shop Paavo Hantsoo Stephanie L. Thorpe Todd Osborn Annual Giving Associate Store Manager Maintenance Technician Valerie M. Wright Accounts Receivable Clerk Jinene DeRibas Nancy G. Vibert Lester Barry Michael Chapman Carol L. Messineo Annual Giving Assistant Assistant Store Managers Elizabeth H. Spratt Telecommunications Payroll Louise Coward Associate Development Supervisory Telephone Supervisory Pay Technician C. Kelly Mayle OFFICE OF Officer, Research Operator Emma G. Moses Book Information Specialists SECRETARY- Rita P. Monner Minnie Barbour Civilian Pay Technicians Mary J. Powell GENERAL COUNSEL Development Associate, Telephone Operators Sharon Black Chris Siron Secretary and General Research Barbara McNair Eric Humphrey Category Specialist Counsel Kara Barnes Juanita Walker Mary Heiss Philip C. Jessup Jr. Data Processing Development Associate Lead Cashier Deputy Secretary/Deputy Chief Information Systems Tania S. Lee PERSONNEL Nancy Kotz General Counsel Officer Network Specialist Personnel Officer Cashiers Elizabeth A. Croog Richard C. Snyder John D. Carstens Michael Bloom Sara Basavaraju Associate General Counsels Supervisory Computer Executive Assistant Deputy Personnel Officer Matthew Cockrell Nancy Robinson Breuer Specialists Kara Ramirez Mullins Meredith Weiser Patrick Conneely Marilyn Tebor Shaw Dolorace D. Bowman Staff Assistant Systems Specialists Denise Enriquez Legal Assistant Henry B. Clark Pamela Turner Michele Caputo Miriam Goldstein Sarah E. Fontana Susan E. Farr Darryl Cherry Shauntaye Hardy Assistant Secretary Computer Specialists CORPORATE Personnel Specialist Theresa Keys Kathryn K. Bartfield Rick Foster RELATIONS Terrence Snyder Joren Lindholm Staff Assistant Susan Y. Hsia Chief Corporate Relations Staffing Specialists Edra London Carol A. Christ Jack M. Tucker Officer Rick Decuir Mackenzie Massman Secretary Computer Operators Sandra Masur Catherine Oh Bonnie McBride Montrue V. Conner Karen J. Martin Deputy Corporate Relations Linda Pettiford Kim Peacock John H. McNeil Gallery Archives Officer Employee Development Linda Peterson Roddie Worthington Chief of Gallery Archives Davina Sandground Specialist Shaneice Wright Program Assistant Maygene F. Daniels Corporate Relations Associate Judith Frank Merchandise Stock Clerks Robert Lamb Deputy Chief of Archives Anne H. Lottman Employee Relations Advisors Steven Corbin Anne G. Ritchie Executive Assistant Luis Baquedano Angela Johnson GALLERY SHOPS Archivist Catherine C. Labib M. Isabelle Jain Lisa Torre Division Chief Michele Lee Research and Multimedia Staff Assistant Aaron Seabock Ysabel L. Lightner Archives Technicians Specialist Tammy Bennett Concourse Book Store Deputy Division Head/ Tara Ballentine Jeanette Crangle Beers Receptionist Store Manager Merchandise Manager Caitlin Jenkins Sponsorship Manager Janie Cole Stephen McKevitt Karen Boyd Susan McCullough Assistant Store Managers OFFICE OF Office Administration Craig Himmons OFFICE OF THE PRESS AND PUBLIC Office Manager Kelly Song EXTERNAL AND TREASURER INFORMATION Laura A. Fitzgerald Books Information Specialists INTERNATIONAL Treasurer Press and Public Information Staff Assistants Christopher Hunter James E. Duff AFFAIRS Officer Vasily Lazarenko William Mullenex External and International Executive Assistant Deborah Ziska Jesscia B. Slowick Category Specialist Alfreda M. Spraggins Affairs Officer Deputy Press Officer Charlene Conlon Joseph J. Krakora Assistant Treasurer/ Merchandising Nancy H. Starr Lead Cashier Deputy to the Executive Investment Management Visual Information Specialist Program Assistant Elizabeth Meyer Officer Michael W. Levine Noriko K. Bove Vanessa York Cashiers Ellen Bryant Supervisory Operating Product Development Receptionist Mary Bainbridge Associate Accountant Specialist/Buyer Mary McCormack Denis Donovan Judy Szypra Kelly Liller Judy C. Luther Administrative Assistant Nicole Glaude Special Assistant Budget Officer Saundra Williams Book Buyers Sylvia A. Jenkins William H. Roache Francine Linde Staff Assistant Dennis E. Callaghan Jane Lucase Budget Analyst Shannon Roberts Donald L. Henderson Jeanette Ramsaroop Jean Krevinas DEVELOPMENT Buyers Chandra Rolle Assistant to the Treasurer Chief Development Officer Janet B. Kerger C. Ann Roser SPECIAL EVENTS for Risk Management and Ruth Anderson Coggeshall Mary K. Sard Mildred Shivers Assistant to the Director for Special Projects Senior Development Reorder Buyer Rosemary Wilkerkson Special Events Nancy Hoffmann Associate Nancy A. Sanders Merchandise Stock Clerks Genevra O. Higginson Financial Program Specialist Cathryn Dickert Scoville Staff Assistant Terry W. Gibson Assistants Senior Associate for Rosa E. Jackson Shannon M. Rutherford Catharine A. Barnett Linda A. Hunt Development Operations Secretary Corey Blondeau Retail Systems Warehouse &Mail Order Oper- Patricia A. Donovan Sherry Shaw-Johnson Bethann Systems Manager ations Associate for Major Gifts and Stephanie E. Cope General Accounting G. Lee Cathey Operations Supervisor Planned Giving Mattie McLaughlin Comptroller Systems Analyst/Programmer Stephen Richardson F. A. Bonnie Hourigan Anne L. Mattingly Dale C. Rinker Alexander Bloshteyn Lead Materials Handler Development Officer, Suzanne R. Pilet Systems Accountant Technology Specialist Marvin M. Walton Stewardship Angela M. Russell Carol Ann Proietti Martin Rudder Materials Handlers Elizabeth A. Hutcheson Carissa E. South Financial Program Specialist Raymond M. Earp Brenda M. Stevenson

91 SPECIAL PROJECTS Jerzy Mizioek GRADUATE LECTURING Dina D'Arcangelo Ilze King Special Projects Officer Association of Research FELLOWS Kitty Davis Phyllis Knight Pamela Jenkinson Institutes in Art History Esperanga Camara Beatriz Villegas de Domingo Gunter Koenig Special Projects Associates Fellow Mark Levitch Anne-Cecile DeBaux Patricia Kraemer Carol Koelemay Heliana Angotti Salgueiro Charles Griffith Mann Dominique de Keghel Carol Kuehl Linda Walters Inter-American Development Scott Schweigert Gerard de la Cruz Barbara Kurtz Bank and The Andrew W. Joan Dickey Marie Kux HORTICULTURE Mellon Foundation Visiting CHARLES E. CULPEPER Anna Dixon Katherine LaBuda Chief of Horticulture Senior Research Fellow INTERNS FOR Margaret Doole Astrid Lamparter-Nowak Donald Hand Felipe Cardenas-Arroyo DIVERSITY IN THE Nathalie d'Ursel Rita Landers Jean Langley Assistant Chief Horticulturist The Andrew W. Mellon MUSEUM PROFESSION Helga Ehudin Alice Ellington Anne Lanman Dianne Cina Foundation Visiting Senior Rocio Aranda-Alvarado Hope Emerling Jo Ann Larsen Horticulturists Research Fellow Tuliza Yan Zheng Mary Ellen Fahy Gigi Lazarus Marge Church Kristina Perea David Gentilcore Samuel H. Kress/Ailsa Gabriella Rodriguez Elizabeth Farrell Anne-Marie Lee Hillary Lee Juli Goodman Mellon Bruce Paired Fellows Shawn Vantree Leslie Farrell James Kaufmann for Research in Conservation Sharon Feldman Rosalie Lesser Cynthia Lawless and Art History/Archaeology Victoria Feldman Peter Levitt INTERNS IN THE Gardener Leaders Gene A. Ware Paula Ferdinand Paula G. Litvak MUSEUM PROFESSION Greatheart James E. Brady Sima Ficks Janet Lloyd Esperanqa Camara James Stewart Deborah File Doris Loftness Marilyn McCully Frances Gage Gardeners Harriet Finkelstein Jean Loper Ann Hoenigswald Carlos Gomez Ronald McGill Sandra Rody Lopez David E. Finley Predoctoral Christena Hambrick Ronald Terrell Virginia Flavin Anne Lowenstein Fellows Lynn Matheny Michael Peters Mimi Hellman Cassandra Fletcher Camilla Lundell Richard Neer* Thomascine Ford Ana Maria Macchetto LAMPADIA MUSIC Kristel Smentek Joyce Frazier Barbra Mann FOUNDATION FELLOWS Assistant to the Director for Paul Mellon Predoctoral Phyllis Freirich Patricia Martin Paulo de Freitas Costa Music Fellows Joyce Gamse Maryln Mathis Maria Jose Herrera George Manos Sarah Linford Mary Gibb Andrew McCready Jorgelina Orfila Music Program Specialists Leila Whittemore Thomas Gilday Rebekah McKenna Ricardo Resende Juliana Munsing Mary Davis Predoctoral Marcia Gilman Ursula McKinney Renata Sant'Anna Stephen Ackert Fellows Betty Ann Gilmore Mary Ellen McMillen Paula Valenzuela Music Librarians Kathryn Turn a Pauline Gilstrap Deborah McNally George Gillespie Rebecca Zorach* Dawn Glass Virginia McQuoid Booze Wyeth Predoctoral Fellows VOLUNTEERS Kay Glenday Kyla Medigovich Concert Aides Rachael Z. DeLue VOLUNTEER DOCENTS Marilynn Goldsmith Alberto Melo Eugenia Langley Jacqueline Francis* Ann Allen Jonathan Gray Betty W. Mezines Cathy Kazmierczak Ittleson Predoctoral Fellow Lee Allen Kathy Green Caroline Miller Angela Rooney Melissa McCormick Satomi Aoki Beth Griffith Elaine Miller Vrejoohie Armenian Andrew W. Mellon Rachel Apple Deborah Griffith Lorraine Mills Predoctoral Fellows Diane Arkin Nancy Hafer Michelle Minyard Florence Hall Marjorie Mitzner FELLOWSHIPS Andrew Leung Donna Aubinoe Lauren S. Nemroff* Hannah Aurbach Pamilla Gulley Hardin Ana Luisa Moerzinger MEMBERS, CENTER Robert H. and Clarice Smith Barbara Baker Inna Hardman Eleanor Monahan FOR ADVANCED STUDY Predoctoral Fellow Rosalie Baker Melissa Harris Irene Morgan IN THE VISUAL ARTS Aneta Georgievska-Shine Jane Nadine Harth Joan Morton Academic Year 1998-1999 Chester Dale Predoctoral Heinz Bauer Florence Heller Joan Banks Mulcahy Kuniko Hieda Peter Neuhaus Samuel H. Kress Professor Fellows Sue Beddow Shannon Hobbs Judith Ilene H. Forsyth George Baker B.J. Beers Jane Hochberg Elizabeth Niederman Andrew W. Mellon Professor Andrew Shanken Elvera Berson Nira Hodos Akemi Nishida Malcolm Bell III Marlene Bolze Jennifer Hollings Laureen Higgins Nicholson Andrew W. Mellon Lecturer CONSERVATION FEL- Lena Boman-Schuwer Sharon Holtzman Saka Noma in the Fine Arts LOWS Maureen Fallon Bridgeland Adriana Hopper Olga Nosova Carlo Bertelli Leisher Fellow in Painting Gail Briggs Marta Madrid de Horgan Nur Nossuli Ailsa Mellon Bruce Senior Conservation Florence Brodkey Sandy Horowitz Lucy O'Brien Fellows Allison Langley Ana Maria Brown Marilyn Horwood Mary Catharine O'Connell Whitney Davis Culpeper Fellow in Painting Debra Brown Carol Pope Howerton Oka Javier Urcid Serrano Conservation Susan Brown Merry T. Hunt Mary Lee O'Neill Paul Mellon Senior Fellow Rikke Foulke Susan Bruce Mary Hurd Victor Oppenheimer Anthony Cutler Mellon Fellow in Object Carol Burton Anne Irving Gail Ostergaard Samuel H. Kress Senior Conservation James Patricia Jacobs Louise Owen Fellows Katherine May Mary Ann Cameron Francesca Janni Patty Owens Sylvain Bellenger Predoctoral Fellow in Nancy Cammack Marilyn Jenkinson Anne Padelford Andrew Morrogh Scientific Research Karen Marilyn Johnson Sharon Palumbo Frese Senior Research Fellow Ken Sutherland Sheila Campbell Leigh Jones Martha Parker Hanns Hubach Culpeper Fellow in Scientific Valerie Carleton Joan Jordano Hedwig Pasolini Ailsa Mellon Bruce Visiting Research Marie-Odile Caron Cheryl Jukes Connie Patrick Senior Fellows Anne-Laurence Dupont Jane Casazza Cindy Juvan Joy Peabody-Ogden Albinia De La Mare Clare Cary Candace Kaller Cynthea Perry Sharon Hirsh Sara Cherner Rebecca Wall Karo Maxie Phillips David R. Marshall Mary Anne Clancy Evelyn Katz Karen Piper Lauren M. O'Connell William Cline Carolyn Kelloff Judith Pomeranz Paul Mellon Visiting Senior Mary Ann Coffland Marney Kennedy Nancy Porter Fellows Leslie Cohen David Cooper Claudia Kiguel Annette Pozzo Louis Cellauro *in residence 14 September Jeannette Cox Carol Hallene King Anastasia Pratt Julian Gardner 1998-31 August 1999

92 Teresa Preville Joan Zeizel Leonard Holder Esther Slaff Miki Satake Christine Prichard Kathryn Zoeller Dru Hopper Linda Stamp Sonja Schulken Alia Pruitt Gianna Zucchi Claire Horowitz Joan Steigelman Carole Sergio Donald Pruitt Eileen Hurley Debra Strickland Nora Sherry Ludmila Pruner ART INFORMATION Florence Imburg Janet Sugg Ann Steele Maria Amelia Ramaciotti VOLUNTEERS Carmen Iribarren Bonnie Sweet Penny Valavanis Pickett Davis Randolph Claire Ackerman Jane Irvin Wei Tang Lory Walker Karen Redfern Elsie Aranda David Iverson Joan Timberlake Vernell Walker Lucia Jean Reynolds Mary Anne Arbo Bernice Jacobsen Alicia Tisnado Mary Ann Way Peggy Rice Eleanor Augustine Barbara Jensen Grace Tull Mary Westfall Nancy Richardson Rosalie Baker Lyn Jonnes Ward Van Wormer Eleanor Williams Rutgera de Rivera Edith Ball Cindy Juvan Barbara Vondy Michael Winer Isabel Rodriguez Valerie Ballard Nancy Kane Fran Walls Michael Yanock Estelle Rogers Eleanor Bateman Jill Kasle Moon-Shia Wang Jo Roland Georgienne Bednar Nancy Kotz Robert VOLUNTEER INTERNS Eileen Romano Barbara Behr Elaine Krassner Cecile West Exhibition Programs Deborah Rued Diane Bergan Sally Ann Kreisberg Eleanor Williams Erin Goodwillie Lois Sacks Catherine Beyer Susan Krutt Michael Winer Kelly Swain Susan Rudy Marian Binder Adel Labib Eileen Winkelman Yu-Wen Wu Sheila Ruffine Stephen Lake Fran Winston Barbara Bluestone Design and Installation Shanklin Shirley La vine Maria Wood Janet Boccia Jennie Choi Suzanne Schiffman Mary Lawler Gerry Wyche B.J. Boudreau Ainslie Pearsall Tazuko Schmitz Marion Lebanik Tony Yared Joyce Bourke Gena Peditto Susan Scola Greta Brown Ilse Lewy Rubye Youngblood Nancy Searles Amy Bruins Susan Lightsey Dena Zenti French Paintings Mary Leigh Shepard Sadelle Brussell-Birnbaum Lyle Lipschultz Anne Leonard Judith Shulman Laina Bush Karen Livornese VISITOR SURVEY Italian Renaissance Paintings Ruth Sickel Mario Cader-Frech Ksenia Lobanova VOLUNTEERS Margaret Morse Danielle Siew A.J. Campbell Amie Long Gilbert Joseph Alexander Elizabeth Tobey Milton Silveira Marian Carroll Marty Longan Eleanor Augustine Emanuele Vinci Joan Silverman Patricia Casson Joyce MacCorquodale Judith Barnds Northern Baroque Paintings Iris Silverman Nancy Center Rosetta Maguigad Susan E. Bedford Kristen Shawn Beatriz Slotkoff Eileen Mandle Chuck Chandler Barbara H. Bluestone Stephanie Sonntag Trudi Small Joan Chapin Don Markle Barbara Brisso Magali van Deth Lisa Smith Evelyn Childs Geri Markle Greta Brown Sally Smyser Kimball Clark Harriett Mathews Sadelle Brussell-Birnbaum American and British Paintings Patricia Sondergaard Simone Clarke Virginia McCormick Paula Callahan Lee Bickerstaff Langley Spurlock Lynn Cleary Rebekah McKenna Edith Carper Adam Greenhalgh James Stein Pat Clopper Virginia McQuoid Janet Castro Shannon Herndon Celia Steingold Jean Cohen Barbara Mered Rhonda Alexa Chocha Old Master Prints and Drawings Patricia Sulzman Marlene Conner Lynne Middleton Simone Clarke Iris Both Mary Ann Sures Maureen Cook Bonnie Moisan Jo Anne De Siato Modern Prints and Drawings Amy Swift Janet Cooper Dale Moran Robert Dorsey Amy Gotzler Hiroko Tada Marcia Corey Barbara B. Morris My Le Ducharme Renee Maurer Hiroko Takagi Sherry Cross Yolanda Morris Rose Evans Elizabeth Zopf Kimiko Takeda Elizabeth des Cognets Nika Moscalionov Judy Feldman Estuko Takeichi Joanne De Siato Susan Murphree Maureen Ferguson Sculpture and Decorative Arts Lillian Taylor Teri Des Rosiers Ruth Myer Katherine Ferrey Daniel Haxall Michael Taylor Verda Deutscher Gabriele Nanda Cristina Frivida Cory Korkow Karen A. Telis Jan Donaldson Terry Pam Fry Photographs Templeton Kimberly Doyle Marian Jean Nida Joyce Gentile Laura Groves Ruth Thomas My Le Ducharme Ronald Niemann Naomi Hacker Anne Mitzen Susan Toerge Donna Edmondson Darvine Noel Harvey Curatorial Records and Files Laurie Trusty Estelle Eisendrath Suzanne Odom Mary Hanrahan Meredith Malone Susan Van Nice Judith Feldman Ursula Pariser Stefanie Hauser Nicole Parisi Ginger Vanderver Maureen Ferguson Roberta Peel Jane Heckman Sara Rycroft Greg Van Tatenhove Jack Ferry June Ramey Claire Horowitz Sasha Thompson Rosario Velasquez Barbara Fisher Karin Regan Susan O. Kipp Suzanne Vegh Marjorie Fisher Annette Rich Marie-Madeleine Kruytbosch Registrar Joy Vige Sue Fretts Bette Richardson Jennifer Lapada Timothy Pavlis Stella Walters Marguerite Fry Arlene Ring Virginia Layman Adult Education Programs Josephine Wang Pamela Fry Sara Roberts Joyce MacCorquodale Rachel Butt Momoko Watanabe Agnes Gavin Alix Robinson Alice de Metz Lillian Nave Goudas Maria Elena Weissman Nancy Gelman Wynefred Rogerson Jennie Meyer Kerin Murtagh Anne West Joyce Gentile Eugene Rosenfeld Bonnie Moisan Education Resources Michael Weyl Jean Gerhardt Shirley Rosenfeld Megan Moore Ellery Foutch William F. Whalen Carla Gois Margit Ruben Vlada Musayelova Carla White Annette Goldschmidt Suzannah Rubens Mitsuko Otani Teacher and School Programs Sue White Helena Gunnarsson Howard Sanders Katie Rangos Martha McLaughlin Sue Wickwire Marylee Hair Jill Schatken Karin Regan Paige Simpson Brooke Wilding Audri Schiller Harvey Hale Donna Richards Film Programs Thomas Winans Roberta Schneidman Mary Hanrahan Alix Robinson Stel Sandris Maria Ilona Wood Tawney Harding Sonja Schulken Barbara Robinson Editors Office Laura G. Wyman Betty Hatch Marilyn Schwaner Marian Rondon Jack Shepherd Fred Alice Haywood Carl Shugaar Ginny Roth Dora Jean Young Jo Ann Hearld Margaret Sickels Teresa Russo Imaging and Visual Services Lois Young Jean Holder Nancy Silverman Howard Sanders Megan Peterson

93 Slide Library Center for Advanced Study in the Personnel Press and Public Information Special Events Laura Cummings Visual Arts Valerie Borden Sara Armendariz Jennifer Hamilton John Hagood Doreen Montag Magali Barbaran Gallery Shops Horticulture Katherine Poss Jennifer Rutman Megan Fisk Russell Jacobs Sophie Boyd Whyte Photographic Archives Lucia Santistevan-Alvarez Shan Harel Gallery Archives Music Carrie Scharf Maria Teresa Gudin Valdez Tracy Hook Flora Vilches Tara Ballentine Alex Lefferts Elizabeth Ann Haeberle Conservation Lilian Rozaklis Ariana Markoe Katherine Cuffari Administrator India Whedbee Devon Saunders Maria Curtis Alexandra Balfour Corporate Relations Elizabeth Winborne Anne-Lawrence Dupont Jennifer Novak

94 IF T S 1 October 1998-30 September 1999

The National Gallery of Art Anonymous Virginia and Ira Jackson is pleased to recognize the Mrs. Christian H. Aall Ruth Cole Kainen generous individuals, Helen and Paul Anbinder The Andre & Elizabeth foundations, and corpora- Liane W. Atlas Kertesz Foundation tions listed on the follow- Lisa and Leonard Baskin Werner H. Kramarsky ing pages for their gifts Katrin Bellinger Lannan Foundatiion Francine Schear Linde during the fiscal year. Beth Callahan Jean-Christophe Castelli Susan Lorence Their donations, combined Edward Hyde Cox Susan P. MacGill with critical support from Roy and Sherry DeCarava Margaret P. Mallory the federal government, Foundation Dr. Toni G. Marcy help the Gallery realize its Eric Denker Stephen Mazoh mission of national and Barney A. Ebsworth Karen McCready and international service. The Brenda and Robert Edelson Jean-Yves Noblet Gallery thanks them for Mercedes H. Eichholz Paul Mellon joining in its commitment Epstein Family Collection Mr. and Mrs. Raymond W. to make the museum a Ruth Fine Merritt source of delight, inspira- Mr. and Mrs. Donald G. Harvey S. Shipley Miller and tion, and learning for mil- Fisher J. Randall Plummer lions of people every year. Aaron I. Fleischman Michael Miller and Lucy Marc Freidus Vivante Gifts of Art Jo Ann and Julian Ganz Jr. Kent and Marcia Minichiello Antonia Geber John Morton Morris The Gallery extends Claire Catherine Geber Nemesis Fine Arts Ltd. warmest thanks to those Monica Anne Geber John and Mary Pappajohn who gave works of art Dr. Christopher A. Graf Robin Pell from 1 October 1998 Graphicstudio / The Univer- Sharon Greer Phillips through 30 September sity of South Florida Mr. and Mrs. Gerhard E. 1999. These thoughtful Stephen Hahn Pinkus gifts enhance the collec- Mr. and Mrs. Robert Harris Anthony T. Podesta A close-up detail of Tony Smith's Moondog, model Ken and Kiyo Hitch Mrs. John Alexander Pope 1964 (fabricated 1998/1999), painted aluminum, tions and carry on the Mr. and Mrs. Raymond J. Barbara Bladen Porter Gift of The Morris and Gwendolyn Cafritz tradition of generosity General Dillman A. Rash Foundation, 1997.137.1, frames the dome of the begun by the founding Horowitz Hanns Hubach Nan Rosenthal National Museum of Natural History, while the benefactors more than fifty Washington Monument undergoes repairs beneath Mrs. John Jay Ide David E. Rust years ago. the sheath designed by to conceal Charles Isaacs and Carol Lili-Charlotte Sarnoff the scaffolding. Nigra Robert H. and Clarice Smith

95 Estate of Robert Smithson New Century Fund Eugene L. and Marie-Louise William H. G. and Annelise Ann Solomon and New Century Gift Garbaty FitzGerald Stephen Strickland The J. Paul Getty Trust Cynthia Friedman Dr. and Mrs. Richard Susel Committee Evelyn and Walter Haas Jr. Fund Morton and Norma Lee Funger Andrew Szegedy-Maszak and The New Century Fund cam- Mr. and Mrs. Frederic C. GTE Foundation Elizabeth Bobrick Hamilton Susan and Michael Gelman paign ended in December 1998 Lisa Travers / William O'Reilly Charles U. Harris and Janet Harris Bernard and Sarah Gewirz with more than $123 million in Jack and Margrit Vanderryn William Randolph Hearst Mary and Kingdon Gould Jr. gifts for art acquisition, retrain- Ann R. Vershbow Foundation Mrs. Katharine Graham ing, the Center for Advanced Dorothy and Herbert Vogel Estate of Lore Philip L. Graham Fund Study in the Visual Arts, library Estate of Steve Wheeler Teresa & H. John Heinz III C. Boyden Gray The Ian Woodner Family Collec- endowment, scientific research, Foundation Irene and Edward H. Kaplan tion, Inc. unrestricted endowment, and William & Flora Hewlett Dr. Cyrus Katzen Foundation Adeline and Sidney R. Yates special projects. The Gallery Foundation Ina and Jack Kay Richard York Gallery gratefully acknowledges all The Irwin Family Kimsey Foundation Elisabeth R. Zogbaum those who contributed to this Elaine and Richard Kaufman Robert P. and Arlene R. Kogod Rufus F. Zogbaum campaign, as the impact of their Linda H. and George M. Kaufman Lodestar Fund of The Community generous gifts will be felt for Anna-Maria and Stephen Kellen Foundation for the National Library Gifts years to come. Foundation Capital Region Malcolm Bell The New Century Gift Joseph E. and Mary E. Keller Virginia Cretella Leonard Bocour Committee was formed during Foundation Robyn and Edward Mathias Brenda, Lady Cook the New Century Fund cam- Samuel H. Kress Foundation Julienne Michel Foundation Patricia England paign and continues to grow Evelyn and Leonard A. Lauder G. William and Ariadna Miller Ruth Fine as friends from the Washington, Mrs. Harry A. Lenart Miller & Long Co, Inc. Julian Ganz Jr. D.C., community join in this Janice H. Levin Evelyn Stefansson Nef Joan and David Maxwell Frank H. and Geryl Pearl Sheldon Grossman important effort to raise The Andrew W. Mellon Louise and Allan Potter Judy Jashinsky $10 million for art acquisition. Steven Mansbach Foundation Mr. and Mrs. Robert M. Paul Mellon Rosenthal Estate of Paul Mellon New Century Fund Joyce Frank Menschel Gifts of $100,000 or more Mrs. Louise Mellon Sharon and John D. Mark Samuels Lasner Joyce and Robert Menschel Rockefeller IV Estate of Frances Smyth-Ravenel Anonymous Mrs. Mark Millard Mr. and Mrs. B. Francis Saul II and Gaillard Ravenel The Ahmanson Foundation Harvey S. Shipley Miller / The Leonard and Elaine Silverstein Herbert and Dorothy Vogel Nancy Lee and Perry Bass Judith Rothschild Foundation Jay and Toshiko Tompkins A1 Willis Heidi and Max N. Berry Samuel I. Newhouse Foundation Walker & Dunlop / Green Park Estate of Hildegard Rolland Diane Allen Nixon Financial Blackett Mr. and Mrs. Lucio A. Noto Andrea and Stephen Weiswasser Mr. and Mrs. W. L. Estate of William B. O'Neal Mr. and Mrs. Kenneth R. Brown Jr. PaineWebber Group Inc. Woodcock The Brown Foundation, Inc., of Mrs. Jefferson Patterson Houston C. Wesley and Jacqueline Peebles Deborah B. Burklund Frederick Henry Prince Charitable The Morris and Gwendolyn Trusts Cafritz Foundation Amon G. Carter Foundation Robert H. and Clarice Smith Edwin L. Cox The Times Mirror Foundation Charles E. Culpeper Foundation Ladislaus and Beatrix von The Arthur Vining Davis Hoffmann Foundations Mrs. Robert M. Weidenhammer Lois and Georges de Menil John and Nancy Whitehead Barbaralee Diamonstein and Carl Spielvogel New Century Gift Committee Robert W. and Louisa C. Gifts of $100,000 or more Duemling Anonymous Helen Porter and James T. Dyke Carolyn Small Alper Mr. and Mrs. Barney A. Ebsworth Sondra D. and Howard M. Bender The Charles Engelhard Grace and Morton Bender Foundation Fleur and Charles Bresler Mr. and Mrs. Robert F. Erburu Mr. and Mrs. William N. Cafritz The William Stamps Farish Fund Oiiver and Kathleen Carr Mr. and Mrs. Donald G. Fisher A. James and Alice B. Clark Mr. Aaron I. Fleischman and Melvin S. and Ryna G. Cohen Mr. Lin Lougheed Naomi and Nehemiah Cohen Juliet and Lee Folger / The Folger Foundation Fund Mr. and Mrs. Leo A. III Mr. and Mrs. John C. Fontaine Mr. and Mrs. Donald de Laski Arnold D. Frese Foundation The Max and Victoria Dreyfus Jo Ann and Julian Ganz Jr. Foundation

96 Corporate Sponsors Millennium Funds Mr. and Mrs. Werner H. Deferred Gifts Kramarsky The National Gallery of Art is The following unrestricted The Jonathan Ledecky The Gallery is deeply indebted extremely grateful to the cor- and/or specifically designated Foundation, Inc. to the following individuals for porations whose generous sup- gifts enable projects and pro- Mars Foundation their decision to remember the port allows us to mount special grams that are central to the The Melton Arts Foundation Gallery in their estate plans, exhibitions of the highest qual- Gallery's mission, including Evelyn Stefansson Nef for example with a bequest. ity. Corporate contributions for special exhibitions, art acquisi- Oak Spring Garden Foundation These exemplary gifts uphold special exhibitions support an tion, conservation, education Open Society Institute a tremendous legacy of philan- array of related programs that and outreach, scholarly and sci- Ivan and Winifred Phillips thropy to the benefit of future enhance visitors' experiences, entific research, and publica- Prince Charitable Trusts generations. reach millions more online, tions. The Gallery deeply The Rhode Island Foundation Terra Foundation for the Arts Legacy Circle and fund award-winning edu- appreciates these gifts. The Washington Post Company cational outreach programs for Hildegard Rolland Blackett $1,000,000 or more Wyeth Endowment for American Deborah B. Burklund teachers and students through- Art Elizabeth M. Cooke out the country. A total of Anonymous Richard King Mellon Foundation Ernest L. Folk $8,470,000 was generously $l,000-$9,999 Roger and Vicki Sant Fund of the Eugene L. and Marie-Louise given by the following corpora- G £r F Armour Foundation Community Foundation for the Garbaty tions for exhibitions and pro- Milton & Sally Avery Arts National Capital Region Lore Heinemann grams that occurred in fiscal Foundation Dora D. Ide $100,000-$999,999 year 1999: The Barra Foundation, Inc. Thomas G. Klarner Murray H. Bring Aetna Inc. Anonymous Paul Mellon Cynthia A. Brumback Airbus Industrie E. Rhodes and Leona Carpenter Eva B. Polach Mr. and Mrs. William N. Cafritz Andersen Consulting Foundation Frances P. Smyth-Ravenel Catto Charitable Foundation The Carlyle Group EduCap, Inc. Andre-Francois Villeneuve Dedalus Foundation, Inc. Citigroup, Inc. Mr. and Mrs. Donald G. Fisher Mrs. Robert M. Weidenhammer The Gladys Krieble Delmas Eastman Kodak Company GTE Foundation Foundation EduCap Inc. Guest Services, Inc. Mr. and Mrs. Jonathan S. Ford Motor Company Mr. and Mrs. Jacob Kainen England Mobil Stephen and Anna-Maria Kellen Fannie Mae NTT Joseph E. and Mary E. Keller Fraenkel Gallery, Inc. PaineWebber Incorporated Foundation Bert Freidus Republic National Bank of New Samuel H. Kress Foundation Jo Ann and Julian Ganz Jr. York The Henry Luce Foundation Ann and Gordon Getty Shell Oil Company Foundation Robyn and Edward Mathias The Georgia O'Keeffe Foundation Foundation During fiscal year 1999 the fol- The Starr Foundation Manfred Heiting lowing corporations also gener- Charles T. Isaacs ously pledged and contributed $49,999-899,999 Linda H. Kaufman $1,395,000 to support future The Morris and Gwendolyn Philip and Linda LeSourd Lader programs, publications, and Cafritz Foundation Foundation exhibitions: Chevy Chase Bank The Nola Foundation Helen Porter and James T. Dyke Richard and Judith Smooke GTE Corporation Mr. and Mrs. Barney A. Ebsworth Samuel A. Stern UBS AG Juliet and Lee Folger / The Folger Society of Georgia Archivists United Technologies Corporation Fund University of Oregon Foundation GE Fund Howard P. Willens Geraldine R. Dodge Foundation Women's Forum of Washington, Mr. and Mrs. Raymond Horowitz DC. Park Foundation, Inc. Eleanora M. Worth Michael L. Rosenberg $ 10,000-$49,999 Buhl Foundation, Inc. Clark-Winchcole Foundation The Commemorative Association for the Japan World Exposition The J. Paul Getty Trust The Howard Gilman Foundation Gurney Foundation, Inc. Margaret Mellon Hitchcock Foundation Mrs. Dora D. Ide George F. Jewett Mr. J. W. Kaempfer Jr. and Ms. Georgiana Warner The Dr. Cyrus ICatzen Foundation

97 Collectors Committee Ms. J. Lisa Jorgenson and Mr. The Circle of the Gilbert and Jaylee Mead (membership as of David D. Doniger National Gallery of Art The Honorable G. William Miller Ms. Alexandra Kahn and Mr. and Mrs. Miller 30 September 1999) (membership as of John D. Graubert Mr. and Mrs. Herbert S. Miller 30 September 1999) The Gallery gratefully acknowl- Mr. and Mrs. George M. Mark Miller edges the members of the Col- Kaufman The Gallery extends thanks to Ina and Fenner Milton lectors Committee for their Mr. and Mrs. Stephen M. Kellen all members of The Circle for Patrick and Mary Norris Munroe annual gifts of $10,000, Mrs. Janet Wright ICetcham their generous annual gifts. The Honorable William A. Nitze II Mr. and Mrs. Peter Kimmelman $20,000, or more. Their role is Their support at the level of and Mrs. Nitze Mr. James V. Kimsey vital in helping the Gallery to $1,000, $2,500, $5,000, or Diane Allen Nixon Robert P. and Arlene R. Kogod Mr. and Mrs. David Orr acquire modern and contempo- $10,000 or more provides a Mr. and Mrs. Ronald A. Krueck Mr. and Mrs. Abe Pollin rary art. flexible and significant source Emily Fisher Landau Ms. Joan C. Ray of unrestricted funds for a host The Honorable Marc Leland and Rick Rickertsen Co-chairs of activities throughout the Mrs. Leland Mrs. Grace E. Ritzenberg Doris Fisher Gallery. Barney A. Ebsworth Mr. and Mrs. Melvin Lenkin The Honorable John D. The Honorable Frederic V. Malek Rockefeller IV and Members and Mrs. Malek Patron Mrs. Rockefeller Anonymous Mr. and Mrs. Frederick R. Mayer ($10,000 or more) Mr. and Mrs. David M. Mr. and Mrs. Robert E. Abrams Mr. and Mrs. Roblee McCarthy Jr. Anonymous Rubenstein Mr. and Mrs. Anthony M. Ames Mr. and Mrs. Henry S. McNeil Jr. Mr. and Mrs. James B. Adler Ms. Sana H. Sabbagh Mr. and Mrs. Steven Ames Dr. Laurie F. Michaels and Mr. Bloomberg News John and Joy Safer Mrs. Anne H. Bass David Bonderman Mr. and Mrs. W. L. Lyons Mrs. Martha S. Sagon Mr. and Mrs. Robert M. Bass Mr. and Mrs. Edwin Van R. Brown Jr. Mr. and Mrs. Roger W. Sant Mr. and Mrs. Milbury The Honorable William T. Rear Admiral Tazewell Mr. and Mrs. John H. Bryan Mr. Raymond D. Nasher Coleman Jr. and Mrs. Coleman Shepard Jr. and Mrs. Shepard Ms. Melva Bucksbaum Mrs. Nancy B. Negley The Community Foundation for Mr. and Mrs. Gerald Sigal Mr. and Mrs. David M. Campbell Mr. and Mrs. Lucio A. Noto the National Capital Region Leonard and Elaine Silverstein Mr. and Mrs. Paul R. Cassiday Camille Oliver-Hoffmann The Marshall B. Coyne Fund of Mr. and Mrs. Albert H. Small Mr. and Mrs. Joseph M. Cohen Mr. and Mrs. John G. Pappajohn the Community Foundation for Mr. and Mrs. James S. Smith Mr. Edwin L. Cox Mr. and Mrs. Gerald W. Petitt the National Capital Region Robert H. and Clarice Smith Mr. David L. and The Honorable Leon B. Polsky Mr. and Mrs. Leo A. Daly III Mrs. Lillian Solomon Mr. John D. Weeden and Mrs. Polsky Mr. Mark D. Ein Mr. and Mrs. Andrew Stephen Ms. Beth Rudin De Woody and Mr. and Mrs. Frederick H. Prince Mr. and Mrs. Robert F. Erburu Eugene and Clare Thaw Mr. Paolo M. Pellegrini Mr. and Mrs. Stewart A. Resnick Fannie Mae Samuel D. Turner Mr. and Mrs. John R. Donnell The Honorable William D. Mr. and Mrs. Lee M. Folger Nancy Voorhees The Honorable Robert W. Duem- Rollnick and The Honorable Jo Ann and Julian Ganz Jr. Mr. and Mrs. Mallory Walker ling and Mrs. Duemling Nancy Mr. and Mrs. John T. Gibson Mr. and Mrs. William L. Walton Mr. and Mrs. Barney A. Ebsworth Mrs. Madeleine H. Russell Miles Gilburne and Nina Zolt Mr. and Mrs. David Warnock Mr. and Mrs. James A. Elkins Jr. Mr. and Mrs. Herman Sarkowsky Mr. and Mrs. Terence C. Golden Mr. and Mrs. Stanford S. Mrs. Thomas M. Evans Mrs. Louisa Stude Sarofim Harold and Sylvia Greenberg Warshawsky Mr. and Mrs. Donald G. Fisher Mr. and Mrs. Andrew M. Saul Monica and Hermen Greenberg The Washington Post Company Mr. Aaron I. Fleischman and Mr. and Mrs. Paul C. Schorr III Sheila Proby and Patrick W. Gross The Honorable James D. Mr. Lin Lougheed Mrs. Rudolph B. Schulhof The John and June Hechinger Wolfensohn and Mrs. Cynthia Friedman Mr. and Mrs. Charles R. Schwab Advised Fund of the Commu- Mrs. Wolfensohn Mr. and Mrs. Milo S. Gates Mr. and Mrs. Robert F. Shapiro nity Foundation for the Mrs. Sidney S. Zlotnick Mr. David Geffen Mr. and Mrs. Stephen A. Simon National Capital Region Mr. and Mrs. Gordon P. Getty Mr. William Kelly Simpson Sustaining Mr. and Mrs. J. Roderick Heller III Mr. and Mrs. Jay M. Glazer Mr. and Mrs. Jerry Spiegel ($5,000 to $10,000) Host Marriott Corporation Ms. Maureen V. Gorman Mr. H. Peter Stern and Dr. Clark F. Hoyt and Linda Kauss Anonymous Mrs. Katharine Graham Margaret Johns Mr. and Mrs. Edward C. Mr. and Mrs. William S. Abell Mr. and Mrs. Holcombe T. Mr. and Mrs. Richard C. Stoker Johnson III In Memory of Robert Amory Jr. Green Jr. Mrs. Shirley Ross Sullivan and The Jurie Foundation / Jeong and Terri and Tom Barry Mr. and Mrs. Bernard A. Mr. Charles Sullivan Cindy Kim Patricia Bauman and The Honor- Greenberg Mrs. Richard L. Swig Mr. and Mrs. Mark John Kington able John Landrum Bryant Mr. and Mrs. Gerald Greenwald Mr. and Mrs. Thurston Lee G. Kirstein Parnassus Foundation, courtesy Mr. and Mrs. Gerald Grinstein Twigg-Smith Norma G. Kline of Jane and Bernstein Mr. and Mrs. Peter E. Haas Sr. Mr. and Mrs. William Wilson III Mr. and Mrs. Chiswell D. Mr. and Mrs. Robert O. Blake Mrs. W. Hall Mrs. William Wood Prince Langhorne Jr. Susan and Allen Bloom Mr. and Mrs. Frederic C. Mr. and Mrs. Robert Woods Jr. The Honorable Daniel J. Boorstin Hamilton Jo Carole and Ronald S. Lauder Mr. and Mrs. C. Bagley Wright Jr. and Mrs. Boorstin Mr. and Mrs. Richard C. Hedreen Judith and Alexander Laughlin Dr. and Mrs. LaSalle D. Leffall Jr. Jean Ramsay Bower Ms. Susan Morse Hilles David and Janet Brashear Mrs. Charles W. Ireland Mr. Edward J. Lenkin David and Janet Bruce Mr. and Mrs. R. L. Ireland III William J. Levy Foundation Mr. and Mrs. Kwok-Leung Li Ella Burling The Honorable John N. Irwin II Jacqueline Badger Mars Mr. and Mrs. Richard I. Burnham and Mrs. Irwin Mr. and Mrs. Louis W. Cabot Mrs. William C. Janss Mr. Frederick P. Mascioli Mr. Calvin Cafritz Mr. and Mrs. George F. Jewett Jr. Joan and David Maxwell Nan Tucker McEvoy

98 Richard D. Cameron and Mr. and Mrs. Tom F. Marsh Mr. and Mrs. Francisco Amaro Dr. and Mrs. James J. Deborah A. Hamilton Mrs. Thomas E. Marston Mr. and Mrs. George C. Andreas Ferguson Jr. Mrs. Daniel S. Campbell Mrs. Jack C. Massey Mr. Andrew Athy Jr. Walter Fitch III Mr. and Mrs. David C. Cole Mr. and Mrs. Frederick R. Mayer Miss Gillian Attfield William H. G. and Annelise Mr. Lloyd E. Cotsen Daniel and Karen Mayers Dr. George and Olga Baer FitzGerald Captain and Mrs. Jay Coupe Jr. Mrs. James R. McAlee Dr. Katherine Baer and Mr. and Mrs. Robert T. Foley Mr. and Mrs. Thomas W. Mrs. Paul Mellon Dr. Juan Esteban Pereira Mrs. Nancy M. Folger and di Zerega Mr. and Mrs. Robert B. Menschel Dr. Lenox Baker Jr. and Dr. Sidney Werkman Jean and Leslie Douglas Hanne and Richard Merriman Dr. Frances Baker Mr. and Mrs. P. Wesley Foster Jr. / Mrs. Paul H. Elicker Mr. and Mrs. Robert E. Marguerite H. Benson Long & Foster Real Estate, Inc. Mrs. Norman Farquhar Meyerhoff Eve Benton and Malcolm Bund Mr. and Mrs. Eric P. Fraunfelter Mr. and Mrs. Donald M. Julienne M. Michel Mr. and Mrs. Arthur A. Birney Mr. David M. Feuerstein Mr. and Mrs. Nicholas Millhouse Timothy A. Boggs and Nancy K. Glassman Ronald Lee Fleming Evelyn Stefansson Net James H. Schwartz John and Henrietta Goelet John C. and Elizabeth E. Mr. Michael D. O'Dell and Jack and Marcia Boles Mr. and Mrs. Joseph I. Goldstein Fontaine Dr. Judith E. Grass Count and Countess Peder Bonde Pamela and Thomas Green Camilla Chandler Frost Commander Lester Edwin Ogilvy Mr. John Gordon Boyd Gerald and Carolyn Grinstein The Honorable Michael Galvin and Mrs. Ogilvy Mr. and Mrs. George M. Brady Jr. Mr. and Mrs. Charles and Mrs. Galvin C. Wesley and Jacqueline Peebles Robert and Vivian Braunohler Guggenheim Donna and Jon Gerstenfeld H. O. Peet Foundation Dr. and Mrs. Abner Brenner The Honorable Najeeb Halaby Mr. and Mrs. Carl S. Gewirz Jane B. Mrs. Thomas H. Broadus Jr. and Mrs. Halaby The Honorable Joseph B. Mrs. John A. Pope Marc H. and Vivian S. Brodsky Mrs. Elisha Hanson Gildenhorn and Lieutenant Colonel and Mrs. Raymond C. and Jeannette T. Nancy W. Harding Mrs. Gildenhorn Norman S. Portenoy Brophy Mr. and Mrs. Brad Harries Dr. and Mrs. John R. Jr. Dr. Meyer P. Potamkin and Robert and Jane Burke Anthony and Hope Harrington Elizabeth Marsteller Gordon Dr. Vivian O. Potamkin Mr. and Mrs. Louis M. Byron Mr. Horace Havemeyer Jr. Mrs. Burton Gray Mrs. Lewis T. Preston Mr. and Mrs. Carter Cafritz John and Eleanor Hedden Corbin Gwaltney and Gail Lewin Mrs. Charles P. Price Mr. and Mrs. Daniel J. Mr. and Mrs. Charles T. Marie and Hugh Halff Jr. The Honorable Gerald Rafshoon Callahan III Hellmuth Sr. Mr. and Mrs. Newman T. and Mrs. Rafshoon David Carliner Mr. and Mrs. Robert N. Herman Halvorson Jr. Joseph E. Robert and Jill Robert Mr. and Mrs. Keith Armistead Catherine W. Herman Jeanne and Herbert Hansell Mr. David Rockefeller Carr Mary L. Hildreth Mrs. B. Lauriston Hardin Jr. Susan and Elihu Rose Foundation Giuseppe and Mercedes Cecchi The Honorable Roderick Hills and The Very Rev. Charles Harris and Mr. David E. Rust The Honorable John E. Chapoton The Honorable Carla A. Hills Mrs. Harris Mark Samuels Lasner and Mrs. Chapoton Mr. Jim Hoagland and Mrs. James Hayes Mrs. Stanley J. Sarnoff The Honorable Robert H. Charles Mrs. Jane Stanton Hitchcock Gale Hayman-Haseltine and Mr. and Mrs. B. Francis Saul II and Mrs. Charles Wallace and William Haseltine The Honorable James Scheuer Mrs. Harold W. Cheel Mr. and Mrs. Joseph F. Mr. and Mrs. Randolph Hearst and Mrs. Scheuer Mr. and Mrs. Catesby W. Clay Horning Jr. Mr. and Mrs. Joseph W. Theodore and Kate Sedgwick Ms. Lovida Hardin Coleman Jr. Richard Hubbard Howland Henderson III Mrs. Muller Sheppard Brigadier General and Mrs. James Mr. and Mrs. R. Bruce Hughes Mr. and Mrs. Raymond J. Mr. and Mrs. Lawrence M. Small L. Collins Jr. Fern K. Hurst Horowitz Ms. Michelle Smith Mr. and Mrs. Clement E. Conger Dr. and Mrs. Robert Jacobs Timothy and Debra Howard Mrs. John R. Stevenson Mr. and Mrs. Michael M. Gayle and Ken Jensen Margaret Stuart Hunter Dr. and Mrs. Lubert Stryer Connors The Honorable R. Tenney Arthur and Anne Hale Johnson Mr. and Mrs. W. Reid Thompson Mrs. Peter Trowbridge Cook Johnson and Mrs. Johnson Ruth and Jacob Kainen Jay and Toshiko Tompkins Mr. and Mrs. J. Wendell Grain Mr. and Mrs. Peter H. Jost Mr. and Mrs. Edward H. Kaplan The Honorable Russell E. Train Mrs. Brittain B. Cudlip Peter W. Josten Richard and Elaine Kaufman and Mrs. Train Mr. Charles T. Cudlip Mr. and Mrs. Jack Kay James V. Kimsey The Honorable Alexander B. Mrs. Catherine G. Curran Mr. and Mrs. David T. Kenney Lieutenant Colonel William K. Trowbridge and Mrs. Richard Malcolm Cutts Bill and Elena Kimberly Konze and Mrs. Konze Mrs. Trowbridge Ruth and Bruce Dayton Mr. and Mrs. Robert L. Kirk Alice Lawrence Foundation Mrs. Henry B. Weaver Mr. and Mrs. Donald de Laski Mr. Thomas G. Klarner Sperry and Anna Lea Mrs. Robert M. Weidenhammer Mr. and Mrs. Marvin Dekelboum Mr. and Mrs. Anthony A. Mr. and Mrs. Gerson Leiber Mrs. Thomas Lyle Williams The Honorable C. Douglas Dillon Lapham Mrs. Janice H. Levin Dr. and Mrs. Edward T. Wilson and Mrs. Dillon Albert G. Lauber Jr. and R. Robert and Ada H. Linowes Mr. and Mrs. Kenneth R. Dr. and Mrs. William Dornette Craig W. Hoffman Fund of The Community Foun- Woodcock Helen R. and Raymond DuBois Gigi and Arthur Lazarus Jr. dation for the National Capital Mr. and Mrs. Alan Wurtzel James T. and Helen P. Dyke Joseph and Candice Ledbetter Region Merrill and Cindy Yavinsky Mr. and Mrs. William C. Eacho III Debra Lehman-Smith and The Honorable John D. Dr. and Mrs. James F. Young Lindsay and Terry Eakin David T. Smith Macomber and Lois and Richard England Mrs. Egbert Leigh Supporting Mrs. Macomber Mr. and Mrs. Jonathan S. Gift of the Lemon Foundation ($2,500-$5,000) Lynn C. Magruder England Susan B. Levine and James W. Mr. John F. Manley Anonymous The Honorable Melvyn J. Estrin Lauer Mr. and Mrs. David J. Markey Mr. and Mrs. Dana T. Ackerly II Mr. and Mrs. Gregory W. Mr. and Mrs. Finlay Lewis The Marks Foundation, Inc. Jan and Fazakerley Mr. and Mrs. Jerome B. Libin Mr. and Mrs. Forrest E. Mars Jr. Mr. and Mrs. M. Bernard Aidinoff Mr. and Mrs. Martin Feinstein Mr. and Mrs. Meredith J. Long Virginia C. Mars Carolyn Small Alper Mr. and Mrs. Gordon S. Macklin Dr. and Mrs. Bruce IC. MacLaury Mr. and Mrs. Christopher Mrs. Hilda Ochoa-Brillembourg Suzanne F. Cohen Suzann Wilson Matthews Addison and Mr. Arturo Brillembourg Mr. and Mrs. Oliver C. Colburn Mr. and Mrs. Timothy B. Matz Daniel Alpert and Ann Franke Dr. and Mrs. Sterling Brinkley Mr. and Mrs. Jeremiah C. Collins Cynthia and David McGrath Louise Alport Carolyn and Kenneth D. Brody Mr. and Mrs. Terence W. Collins Mr. and Mrs. Donald H. Mrs. Susan Mary Alsop William R. and Wendyce H. David and Patricia Cooper McLucas Jr. Mr. and Mrs. Stephen B. Altman Brody Fund of the Baltimore Lieutenant Colonel. (Ret.) and Laurel and Robert Ruth and Sam Alward Community Foundation Mrs. Richmond J. Cooper Mendelsohn, M.D. Louise S. Ansberry Mr. and Mrs. Jere Broh-ICahn Mr. Ted Cooper James K. and Jane S. Mitchell Ann G. Archer and Anderson Mr. and Mrs. Herbert J. Broner Mrs. Jack Coopersmith Daniel and Joan Mulcahy Cobb Mr. and Mrs. Richard Gerard Mrs. Ann D. Cornell Mr. and Mrs. Philippe Newton Ms. Judith Areen and Mr. Brown Mr. and Mrs. Timothy C. The Honorable Paul H. Nitze and Richard Cooper Mr. Mark Bruininga Coughlin Ms. Elisabeth S. Porter Alexandra Armstrong and Jerry J. The Honorable Philip W. Buchen Mr. and Mrs. Donald M. Cox Deedy and Chris Ogden McCoy and Mrs. Buchen Mr. and Mrs. Robert H. Craft Jr. Mr. and Mrs. Nathan W. Pearson Gale H. Arnold Frances A. Bufalo Mr. and Mrs. Jerome Cramer Mr. and Mrs. John Ely Pflieger Linda L. Arret Mr. and Mrs. B. Bernei Margery Hale Crane Mr. and Mrs. Benjamin T. Pierce Allie and Ellen Ash Burgunder Jr. Mr. and Mrs. James E. Creedon Mr. and Mrs. Charles Lane Poor Ann M. Askew Frances and Leonard Burka Mrs. Dillon-Smyth Crocker Mr. and Mrs. Stephen W. Porter Mrs. Martin Atlas Walter and Nancy Burmeister Ms. Deborah F. Crosby Mr. and Mrs. Whayne S. Quin Mr. and Mrs. David T. Austern Mrs. Arthur F. Burns Eldon Crowell, Esq. Mr. Robert C. Rea Patricia A. Avery Mrs. Jefferson D. Burrus Jr. Cheryl and George Crowley Marie W. Ridder Mr. and Mrs. William M. Backer Miss Elizabeth A. Burton Mr. and Mrs. Edward M. Mr. and Mrs. Thomas D. Mr. and Mrs. Geoffrey B. Baker Patricia Dwinnell Butler Cummings Rutherfoord Jr. Baker & Botts, L.L.P. Susan L. and Dixon M. Butler Polly Kraft and Lloyd Cutler Mr. and Mrs. Derald H. Mrs. Harding F. Bancroft Mr. and Mrs. W. Russell G. Da Capo Fund Ruttenberg Gwen Baptist Byers Jr. Comtesse Alain d'Eudeville James J. Sandman and Mr. Jeremy Barbera The Honorable John Thiers Ethel E. Danzansky Elizabeth D. Mullin Mr. and Mrs. Albert H. Barclay Jr. Calkins Mr. and Mrs. Stuart C. Davidson Ms. Jean Schepers Ms. Judith and John and Frances Call Mr. and Mrs. Edward L. Davis Jr. Richard and Geane Schubert Mr. Michael Fain The Frank C. and Marion C. Mr. and Mrs. Porter Paul and Deane Shatz Mr. Dwight H. Barnes Callahan Foundation Mr. and Mrs. C. M. Dick Jr. Mr. and Mrs. Charles C. Mr. Jean R. Bartoli and Mrs. Charles A. Camalier Jr. and Sally Dick Shelleman Jr. Ms. Gracia M. Berg Mr. and Mrs. Juan M. Cameron Phyllis G. Diebenkorn Joan and Ev Shorey Mrs. Fred H. Barton Brigadier General and Mr. and Mrs. William M. Dietel Raja W. Sidawi Drs. Jordan and Rhoda Baruch Mrs. Thomas J. Camp Jr. Mr. and Mrs. Michael D. Dr. Gerald D. Slawecki and Lucius and Betty Battle Mr. Campbell Dingman Ms. Constance H. Slawecki Mr. and Mrs. Nevins D. Baxter Dorothy and Jerry Canter Mr. and Mrs. F. Eugene Dixon Jr. Mr. and Mrs. David B. Smith Mr. and Mrs. Thomas H. Beddall Mrs. Woolsey Carmalt Mr. and Mrs. Clarence Dodge Jr. Mrs. Frederick M. Stafford Mr. and Mrs. James R. Beers Mr. and Mrs. Neil Carothers III Mrs. Gaylord Donnelley Dr. and Mrs. Barry S. Strauch Burkey and Donna Belser John and Ruth Carr The Honorable Thomas Downey Ms. Polly Surrey Mr. and Mrs. Robert S. Bennett Mrs. Martha A. Carr and Mrs. D. M. Downey Mr. and Mrs. Hollis C. Taggart Mrs. William Tapley Bennett Jr. Mrs. Warwick Montgomery Ms. Linda Bank Downs John Edward Toole Mr. and Mrs. Irving D. Berger Carter Mr. and Mrs. John Driggs Dr. William E. Trueheart and Mr. and Mrs. Paul S. Berger Mr. and Mrs. Stephen M. Case Nancy and Douglas Drysdale Ms. Carol A. Word Mrs. Edwin A. Bergman Carroll J. Cavanagh and Raymond and Melina Dunn The Truland Foundation Mrs. I. Wolford Berman Candida N. Smith Mr. and Mrs. Weaver Dunnan Mr. and Mrs. George Valanos Mr. and Mrs. Stuart A. Bernstein Ms. Mary Challinor and Mr. and Mrs. Robert E. Eberly Antoine and Emily van Agtmael Mr. Robert Hunt Berry Mr. Henry Richardson Nik B. Edes Mr. and Mrs. Robert A. Mr. and Mrs. C. Graham Mr. and Mrs. David Challinor Mr. and Mrs. Arthur B. Vanderhye Berwind Jr. Mr. and Mrs. S. Allen Edgeworth Jr. Martha G. Wehrle Mr. and Mrs. Albert J. Chambers Jr. Mr. and Mrs. Dean S. Ted and Peggy Weidlein Beveridge III Joy Chambers Edmonds III Mr. Marvin F. Weissberg Richard H. Bickerstaff Sr. and Mr. and Mrs. Aldus H. Chapin Jean F. Efron Mr. and Mrs. Edward K. Wheeler Margaret F. Bickerstaff Mrs. Ellen M. Charles Ms. Cathy Ehrman Mrs. Ruth P. White Mrs. Everett B. Birch Mrs. Dorothy M. Cherry Lawrence R. and Vicky C. Eicher The Honorable Charles S. Mr. and Mrs. Brent W. Bitz Mrs. Blair Childs Diane and Ronald Eichner Whitehouse and Mr. and Mrs. James I. Black III Mr. and Mrs. Peter R. Chylko Mr. and Mrs. Julian Eisenstein Mrs. Whitehouse John and Jennifer Blackburn Mrs. Kate D. Clark and The Hon- Mr. and Mrs. Anthony Elson Mr. and Mrs. Robin Williams Leldon Blackmon orable Joseph D. Tydings Ms. Catherine B. Elwell Mrs. Frances C. Winston The Honorable William Blair Jr. Mr. and Mrs. Thomas Crawford Mr. and Mrs. Edward Louis Mr. and Mrs. Robert IC. Zeller and Mrs. Blair Clarke Emes Jr. David A. Blanton III The Honorable Raymond C. Mr. and Mrs. Harold E. Engle Contributing Mr. and Mrs. Roger W. Block Clevenger III and Lionel C. Epstein and ($l,000-$2,500) Bennett Boskey Mrs. Clevenger Elizabeth P. Streicher Anonymous (6) Edward C. Bou, Esq. Dr. William T. Coggeshall and Ms. Dr. and Mrs. Stephen E. Epstein Rebecca Abrams and Mr. and Mrs. Alan Bratman Ruth Anderson Coggeshall Mr. and Mrs. James W. Evans Nathan Benn John and Joan Bray Mr. and Mrs. Edward L. Cohen Mr. and Mrs. Rowland Evans Jr. Hugh Trumbull Adams Mrs. Isabella G. Breckinridge Joanne S. Cohen Frank and Mary Fahrenkopf Ms. Edith H. Brewster Mr. and Mrs. Norman Cohen Mr. and Mrs. Bernard Fein

100 Dr. and Mrs. Robert S. Feinberg Mr. and Mrs. George I<. Graeber The Honorable Hadlai A. Hull and Mr. and Mrs. Jack Levengard Mr. and Mrs. Myer Feldman Kathleen and Austin Mrs. Hull Dr. and Mrs. Alec C. Levin Thomas D. and Kathleen L. Mr. and Mrs. Temple Grassi R. Bruce Hunter Mr. and Mrs. Daniel Levinas Fingleton Mr. and Mrs. John Gray Barbara and Allan Hurwitz Dr. and Mrs. Jerome H. Levy Linda and Gregory Fischbach Mr. and Mrs. Richard Gray Mrs. Walter Deane Innis Mr. Leon Levy and Laura and Chester Fisher George and Christina Griffin Mr. John Peters Irelan Ms. Shelby White Mr. and Mrs. John H. Fitzpatrick Mrs. Nina B. Griswold Mr. and Mrs. Benjamin R. Jacobs Mrs. Harold A. Lewis Mr. and Mrs. William J. Mr. and Mrs. John W. Guinee Shirley S. and Marshall Jacobs Elizabeth Sidamon-Eristoff and Flather III Dr. and Mrs. Randolph H. Mr. and Mrs. William S. Janes Hunter Lewis Mr. and Mrs. Arthur Fleischer Jr. Guthrie Jr. Mary D. Janney Marjorie G. Lewisohn, M.D. Mrs. Lawrence A. Fleischman The Honorable Gilbert Hahn Jr. Dr. and Mrs. Allan D. Jensen Donald V. Lincoln Mr. and Mrs. Henry S. Fonvielle and Mrs. Hahn Julie Jensen Dr. and Mrs. Keith M. Lindgren Mr. and Mrs. John Gilmore Ford Dr. Thomas Hakes and Mrs. Ellen Elizabeth Jeppson and Ms. Janet Lloyd Richard E. Ford Hallock Hakes George Peterson Mrs. Edith S. S. Loebs Mr. and Mrs. John O. Forrer The Honorable William R. Haley Mr. and Mrs. Freeborn G. Mrs. Charles T. G. Looney Betsy and Peter Forster and Mrs. Haley Jewett Jr. Mr. and Mrs. Kenneth S. Lynn Mr. and Mrs. Adrian B. Forsyth Mr. and Mrs. Ridgway M. Hall Jr. Bruce D. and Judith E. Johnson Mr. and Mrs. James E. Lyons Carolyn and Ed Fowler Elizabeth B. Hamilton Mr. James A. Johnson Jr. Sandylee and Michael Maccoby Mr. and Mrs. F. David Fowler Dr. Sidney and Mrs. Jane Harman Mr. and Mrs. Lawrence Oakley Dr. and Mrs. Thomas F. Mr. and Mrs. Frank V. Fowlkes Gail and John Harmon Johnson Magovern Mrs. Daniel J. Fraad Jr. Virginia Watts Harrison Miss Willow Johnson Michael R. T. Mahoney and Mr. and Mrs. Fred Frailey Mr. and Mrs. Douglas Hart Ms. Barbara J. Jones Raymond Bahor Dr. and Mrs. Peter A. Freeman John and Meg Hauge Louis M. & Sally B. Kaplan Mrs. William S. Mailliard Charlton Gillet Friedberg Mr. E. Matthew Hause Foundation Wendy and Christopher Makins Mr. and Mrs. Alvin Friedman Mrs. Robert A. Hauslohner Peter and Carol Kaplan Mrs. Edwin A. Malloy Stephen and Barbara Friedman Mones and Eunice Hawley Mr. and Mrs. Steven Kaplan Mr. and Mrs. Phillip L. Mann Mr. and Mrs. Lance J. Friedsam Mr. and Mrs. John T. Hazel Jr. Mr. and Mrs. Robert M. Katz Mr. and Mrs. John R. Mannix Alfred and Pie Friendly Robert and Margaret Hazen Dr. and Mrs. Richard R. Kelley J. Eugene and Anne Marie James T. III and Heathcote Art Foundation James G. Kenan III Marans Catherine T. Porter Lenore Hecht Foundation, Inc. Kay Kendall Michael and Lydia Marshall Mr. and Mrs. Vincent J. Fuller The Honorable Richard M. Helms Joelle and Paul Killian Mr. and Mrs. James B. Martin Mr. and Mrs. Arthur W. Gardner and Mrs. Helms Mr. and Mrs. Robin R. King Mrs. William McChesney Mr. and Mrs. William W. Garner Helen Lee Henderson Katherine Kinsella / ICinsella Martin Jr. Suzanne Garvey and Paul Phelps Melvin Henderson-Rubio Communications Arthur K. and Jane Mason Professor Joseph L. Gastwirth Mr. and Mrs. William G. Herbster Mr. and Mrs. Norman V. Kinsey Miss Priscilla Mason Mrs. Gerald E. Gaull Mrs. Anita G. Herrick Lawrence Kirstein Mrs. Michael Massie Mr. John A. Geissman Mr. and Mrs. George G. Herrick Mrs. Elizabeth L. Klee Dr. Thomas A. Mathews Robert J. and Jane F. Geniesse Mr. John Herring and Margaret K. Klein Beatrice Cummings Mayer Mr. and Mrs. Ernest A. Gerardi Jr. Mr. Paul Herring H. Kloman Dr. Susan McCabe and Mr. and Mrs. Edward H. Gerry Loren and Birgit Hershey Mr. and Mrs. Robert H. Knox Jr. Mr. John McCabe Stuart M. Gerson and The Honorable Christian Herter Mr. and Mrs. James L. Koltes Violet McCandlish Pamela E. Somers Jr. and Mrs. Herter Dr. and Mrs. Marvin C. Mr. and Mrs. Donald R. Mr. and Mrs. Michael K. Gewirz Mr. and Mrs. Henry L. Heymann Korengold McClelland Mr. and Mrs. Steven B. Gewirz Berry-Hill Galleries Stephen P. Koster Mr. and Mrs. William Mr. and Mrs. William T. Gibb Florence M. Hillman and Nick and Mary Lynn Kotz McCollam Jr. Mr. and Mrs. Lawrence B. Gibbs Owen T. Snyder Mr. and Mrs. Robert Krasne Mr. Matthew B. McCormick Drs. Judith and James Gieske Richard and Pamela Hinds Mrs. David Lloyd Kreeger Dr. Jill E. McGovern Dr. and Mrs. Prosser Gifford J. Catherine Hirsch and Mr. and Mrs. Peter L. Kreeger Dorn and Lee Kimche McGrath Louis S. Gimbel III / S.S. James K. White Mr. Kenneth D. Krier Darina and Allan McICelvie Steiner, Inc. Mr. and Mrs. Frank W. Hoch Ms. Lillian ICronstadt Mr. and Mrs. James A. McICenna Mrs. Christina Ginsburg Drs. Wayne and Mary Hockmeyer Mr. and Mrs. John M. Kurtz Arnold and Oriana McKinnon Mr. and Mrs. Louis Glickfield Grace M. Suzanne D. Kuser The Honorable Thomas Virginia D. Glover Mrs. Vernon W. Holleman Jr. Mr. and Mrs. Cameron La Clair McLarty III and Mrs. McLarty Mr. and Mrs. Richard D. Mr. and Mrs. Stephen A. Hopkins Mr. and Mrs. Francois Marie Jean The Honorable Ann D. Mr. and Mrs. Henry H. Goldberg Mr. and Mrs. S. Roger Horchow Lampietti McLaughlin Mr. Kenneth A. Golding and Mr. Charles M. Horn and Mr. and Mrs. W. Loeber Landau Mr. and Mrs. Harry C. Ms. Patricia Garcia-Golding Ms. Jane C. Luxton Mr. and Mrs. Edward W. Lane Jr. McPherson Jr. Susan Sachs Goldman Norbert Hornstein and William and Marilyn Lane Mr. and Mrs. Kenneth L. Mr. and Mrs. Robert E. Goldsten Amy Weinberg Janet E. Lanman McVearry Mary Anne Goley Dr. Sari Hornstein and Mr. and Mrs. Paul F. Larner Mrs. Robert B. Menapace Michael Goltzman / The Coca- Dr. David Lightfoot Joanne Seale Lawson and Yunghi Mr. Michael A. Mennello and Cola Company Janet Howard / The Coca-Cola Choi Epstein The Honorable Marilyn L. Mr. David R. Goodhand and Company Don and Jane Stern Lebell Mennello Mr. Vincent J. Griski James R. Howe and Rosemarie Fred M. Lege III / Geneva C. Lege Mrs. Charles Meyer Mr. and Mrs. Harold Gordon Russi Howe Harriet and Jeffrey Legum Mr. and Mrs. Cord Meyer Tom and Ilene Gordon Mr. and Mrs. William Dean Terry and Margaret Lenzner Mr. and Mrs. W. D. Minami Ms. Jamie S. Gorelick and Howells Mr. and Mrs. Herbert J. Lerner Mr. and Mrs. Robert K. Molloy Dr. Richard E. Waldhorn Mr. and Mrs. Robert W. Hubner Mark D. and Judy Lenkin Lerner Frederick W. Moncrief and Mr. and Mrs. Dennis Gorman Mr. and Mrs. Charles R. Hughes Mr. and Mrs. Charles Lettow Linda K. Moncrief

101 Allen M. Mondzac, M.D. Sylvia and Coleman Raphael David Silver and Jacqueline Weiss and Mr. Robert Montgomerie- The Honorable Donald Rappaport Ann R. Schwartz Arthur Cirulnick Charrington and Mrs. Rappaport Mr. and Mrs. Ralph P. Silverman Mrs. Rebecca Weistock Mrs. Edward P. Moore Earl and Carol Bird Ravenal Caroline T. Simmons Harrison and Sue Wellford Mr. and Mrs. Robert L. Moore II William and Mary Rawson Dr. and Mrs. Richard A. Simms Sidelle and Franc Wertheimer Mr. and Mrs. Robert L. Moore Jr. Miss Berenice Anne Reed Dr. and Mrs. H. A. Sinclaire Carol Ann Werther Mr. and Mrs. Adrian L. Henry S. and Anne S. Reich Fam- Mr. and Mrs. Jonathan W. Sloat Mr. and Mrs. J. Robinson West Moorhead Jr. ily Foundation, Inc. Robert B. Smart George and Frances Wheeler Lucy G. Moorhead Stanley R. Resor and Louise Mr. and Mrs. Robert B. Smith Jr. Tom and Carol Wheeler Mr. and Mrs. Robert W. Morey Walker Resor Mr. and Mrs. Jerome Snider Chris and Sue White Mr. and Mrs. Paul S. Morgan Ms. Lucy S. Rhame Richard and Catharine Snowdon Ms. Mary White Don and Rene Morgan Ms. Cecil Richards and Mr. and Mrs. Leonard A. Jaan W. Whitehead Dr. and Mrs. David A. Morowitz Mr. Kirk Adams Solomon Mr. and Mrs. George F. Will Carol and Alfred Moses Mr. and Mrs. Donald H. Mr. and Mrs. Howard B. Sosin Mrs. Richard P. Williams Dr. and Mrs. C. D. Mote Richardson Mrs. Samuel Spencer Professor Shelley and Thomas Mulitz John B. and Irmy Richardson Marilyn & Saul Spilke Foundation Edward Foss Wilson Charitable Mr. and Mrs. James J. Murphy Mr. and Mrs. John D. Richardson Natalie and Jerome Spingarn Trust Ms. Catherine Murray Ms. Dee Dee Ricks Victoria Stack Mr. Robert W. Wilson Ms. Joan D. Murray Ms. Gary Ridder and Mr. and Mrs. David E. Stahl Curtin Winsor III Mr. and Mrs. Alfred G. Neely Mr. David Alberswerth Mrs. Benjamin F. Stapleton Mr. and Mrs. David Legendre Mr. and Mrs. Michael Nemeroff Mrs. Carlyn Ring Christine J. and Robert L. Steiner Winstead Mrs. Edith McBean Newberry Carey C. Roberts and Drs. Edward and Joan Stemmler Mr. and Mrs. Hugh E. Witt Louisa and Bill Newlin Leo Robert Berberich Mary Kay and Jeff Stephens Sam and Sally Witt Mrs. Dane A. Nichols Diane Bayles Roberts and Douglas Mr. and Mrs. Guy T. Steuart II Mr. and Mrs. Alan F. Wohlstetter Mr. and Mrs. Henry E. Nichols A. Roberts Mr. and Mrs. George C. Mr. and Mrs. Frederick P. Judge Arthur Nims and Mr. and Mrs. Eugene B. Stevens Jr. Wrieden Mrs. Nims Roberts Jr. Mr. and Mrs. Robert D. Stillman Mr. and Mrs. Richard L. Wright John and Lisa Nolan Bridgette A. Robinson Mr. and Mrs. Lewis H. Strauss Captain and Mrs. Curtis T. Mr. Gerson Nordlinger Jr. Jane Washburn Robinson Dr. Daniel B. Stryer and Youngblood John and Leslie Oberdorfer Mr. and Mrs. Thomas P. Roddy Dr. Stacy B. Stryer Mr. and Mrs. David W. Zalaznick Roger Houston Ogden Mr. and Mrs. Philip B. Rogers Jane E. Suydam Mr. Robert D. Zimet Allen D. Ohrstrom Mr. and Mrs. Frederick S. Mr. and Mrs. Edward F. The Honorable and Mrs. Warren Dr. and Mrs. Jeremy D. Orchin Rolandi III Swenson Jr. Zimmermann Dr. and Mrs. Frederick I. Ms. Carlotta Rolde Mary H. D. Swift Mr. and Mrs. Michael N. Zirkle Ordway III Helen G. Ross Ms. Nella F. Taylor Gianna and Zucchi Mr. and Mrs. Roderic Ordway Sheldon and Ruth Ruben Ralph Taylor and Mr. and Mrs. Donald R. Osborn Mrs. Ellen MacVeagh Rublee Joanna Moorhead Every effort has been made to create a Dr. Betty Ann Ottinger Mr. and Mrs. Frederick Rudolph Topsy Taylor complete and accurate list of contribu- Mr. and Mrs. Mandell J. Paul S. and Allene L. Russell Mrs. Waverly Taylor tors. Unfortunately, owing to limited Ourisman Mr. and Mrs. Michael G. Ryan Mrs. Benjamin W. Thoron space, gifts under $1,000 are not listed. Louise Daniel Owen Semilia and Jerry Sack The Titles Foundation Please call the development office at Vin and George Packard Mrs. Victor Sadd Mr. and Mrs. Alexander C. (202) 842-6372 should you have fur- Mr. and Mrs. Thomas A. Parrott Sandy and Julian Safran Tomlinson ther questions. Mrs. Jefferson Patterson Mrs. Walter Salant Mr. and Mrs. Kenneth Y. Judge and Mrs. Michael T. Paul J. Andrew and Pamela B. Scallan Tomlinson Mr. and Mrs. Malcolm E. Peabody Mr. and Mrs. John H. Schafer Mr. and Mrs. Lewis R. Townsend Haven and Simmy Pell Dr. and Mrs. Stephen K. Mrs. Cuthbert Train Pamela and Robert Pelletreau Scher, Ph.D. Mr. James A. van Sweden Charles H. and Loraine G. Percy Mr. and Mrs. Douglas Schiffman Mrs. Herbert A. Vance Mr. and Mrs. Gerald P. Peters III Dr. Robert Milton Schmidt Mr. and Mrs. Herbert A. Vance Jr. Mr. and Mrs. Devereaux J. Phelps Robert Crandall Schwartz and Mr. William C. Vance Mrs. Barbara Piasecka Johnson Page Evans Schwartz Mrs. Wynant D. Vanderpool Jr. and Ms. Beata Piasecka Mr. Frederick W. Scott Jr. Philip and Melanne Verveer Mr. and Mrs. Allan R. Plumley Jr. Mr. and Mrs. Anthony E. Scoville Mr. and Mrs. C. Woods Vest Jr. Daniel Bruce Poneman and Susan Mr. and Mrs. Charles Scribner III Dr. Jeremy P. Waletzky Anne Poneman Joan H. Searby William and Irene Wallert Mr. and Mrs. William Glover Marianne and Joe Segura Robert D. Wallick and Porter Jr. Ms. Judith Seligson and Ann D. Wallick The Honorable Trevor Potter and Mr. Allan Greenberg Mr. Gerald F. Warburg and Mr. Dana S. Westring The Nina and Ivan Selin Family Ms. Joy Jacobson Carol C. Price Foundation, Inc. Ms. Virginia S. Warner Judy Lynn Prince Mrs. James E. Shallcross Mr. and Mrs. William Warner Dr. and Mrs. Jerold J. Principato Wendy L. Shapiro and Mr. Melvin R. Weaver Mr. and Mrs. William A. Pusey Charles D. Ferris Suzan Reed Weaver Mr. and Mrs. Eben W. Pyne Mr. and Mrs. Willis H. Shapley Ms. Joyce I. Weinberg Mr. Thomas C. Quick Stephen and Barbara Sherwin The Honorable Caspar W. Dr. and Mrs. Charles E. Rackley Mr. and Mrs. Rob Shiels Weinberger and Major General and Mrs. James G. Mr. and Mrs. Robert H. Shorb Mrs. Weinberger Randolph Mr. and Mrs. Eric W. Weinmann

102 Benefactors of the William Robertson Coe John C. and Jaan Whitehead National Gallery of Art Horace Havemeyer Joe L. and Barbara B. Allbritton Be mice Chrysler Garbisch Robert M. and Anne T. Bass The Gallery's founding bene- Edgar William Garbisch Hallmark Educational factors formed the basis for the Syma Aaron Busiel Foundations museum's permanent collec- Eugene and Agnes Meyer The Barra Foundation tion with their unprecedented Edith Stuyvesant Gerry Ruth K. Henschel gifts of art nearly sixty years Lillian S. Timken Mark J. Millard ago. Today benefactors are Ferdinand Lammot Belin University of South Florida Adele R. Levy those who make cumulative Foundation Alvan T. Fuller Jill and Arthur M. Sackler gifts of art and cash or securi- Horace Havemeyer Jr. John Marin Jr. ties at the level of $2,500,000 Harry Waldron Havemeyer Robert and Jane Meyerhoff or more. The Gallery is proud Josephine Bay and C. Michael The Armand Hammer and grateful to include their Paul Foundation names below. Arthur Sachs Edith G. Rosenwald FOUNDING BENEFACTORS W. Averell Harriman, in memory Family Petschek (Aussig) Andrew William Mellon of Marie N. Harriman T. Jefferson Coolidge Jr. Samuel Henry Kress Robert H. and Clarice Smith Mary Joseph E. Widener in memory of Oscar L. Milmore, in memory of Charles E. Culpeper Peter A.B. Widener Pepita Milmore Foundation, Inc. Chester Dale Angelika Wertheim Frink Knight Foundation Lessing J. Rosenwald Burton G. and Emily Hall William Stamps Parish Fund Paul Mellon Tremaine Sydney and Frances Lewis Ailsa Mellon Bruce Herbert N. and Nannette F. The J. Paul Getty Trust Rush Harrison Kress Rothschild Southwestern Bell Corporation David K. E. Bruce Guest Services, Inc. FOUNDING BENEFACTORS- PRINTS AND DRAWINGS Cornelius Van Schaak Roosevelt Reader's Digest Association Lessing J. Rosenwald Enid Annenberg Haupt Annalee Newman W.G. Russell Allen David Edward and Margaret Mrs. John D. Rockefeller 3rd Joseph E. Widener Eustis Finley Rita Schreiber Mrs. Walter B. James Morris and Gwendolyn Cafritz Robert Frank R. Horace Gallatin Katharine Graham Betsey Gushing Whitney Samuel H. Kress Foundation The Andrew W. Mellon Founda- Leo Castelli Ruth K. Henschel tion Pamela C. Harriman The Woodward Foundation The Woodward Foundation Arnold and Mildred Glimcher Robert H. and Clarice Smith Robert H. and Virginia Pratt Richard A. and Lee G. Kirstein Georgia O'Keeffe Thayer The Woodner Family The Mark Rothko Foundation Georgia O'Keeffe Dorothy and Herbert Vogel Dorothy J. and Benjamin B. John and Louise Booth The Avery Family Smith Gemini G.E.L. Victoria Nebeker Coberly Julia B. Engel Grace Vogel Aldworth Jo Ann and Julian Ganz Jr. Paul and Bunny Mellon John Hay Whitney Catherine Gamble Curran John C. Marin Jr. The Kresge Foundation Mr. and Mrs. Richard Mellon The Armand Hammer Founda- The A. W. Mellon Educational Scaife tion and Charitable Trust Sarah Scaife Foundation Edith G. Rosenwald Ernst Perry R. and Nancy Lee Bass Gemini G.E.L. Doris Dick Havemeyer Eugene L. and Marie-Louise Ruth and Jacob Kainen Walter H. and Leonore Garbaty Graphicstudio/University of Annenberg William B. O'Neal South Florida David Rockefeller Stephen Halm The Woodner Family Samuel H. Kress Foundation Frank and Geryl Pearl Southwestern Bell Corporation John Davis and Olivia Roy and Dorothy Lichtenstein William B. O'Neal Hatch Edwin L. Cox The Mark Rothko Foundation Klaus and Dolly Perls BENEFACTORS (1941-1999) Stavros S. Niarchos In memory of Richard H. Frieda Schiff Warburg Dorothy J. and Benjamin B. Rolland and Hildegard Rolland Adaline Havemeyer Smith Blackett Frelinghuysen Mrs. Max Beckmann Lore Heinemann in memory of Duncan Phillips Julia B. Engel her husband, Rudolf J. Kate Seney Simpson Arnold D. Frese Foundation Heinemann Harris Whittmore Mrs. Charles W. Engelhard The Morris and Gwendolyn Barbara Hutton Richard King Mellon Foundation Cafritz Foundation Ralph and Mary Booth Family of Constance B. Mellon Mr. and Mrs. Barney A. William Nelson Cromwell In memory of Mrs. George R. Ebsworth Benjamin E. and Regine S. Levy Brown Adolph Caspar Miller Sam A. and Margaret Lewisohn The Ahmanson Foundation Therese K. and Herbert N. Straus Amon G. Carter Foundation GIFTS AND BEQUESTS

The National Gallery of Art was estab- phone 202 842-6363). Offers of gifts of lished by a remarkable act of private books of art historical importance philanthropy, met in a unique and his- should be discussed in advance with the toric partnership by the federal govern- Executive Librarian (telephone 202 ment. Beyond its operational budget, 842-6505). the Gallery still relies on the support of Deferred giving, by which an individ- private citizens, foundations, and corpo- ual makes a commitment to benefit the rations to fund art acquisition, as well Gallery at a later date, can enable many as many other important projects and to make substantially larger gifts than programs. by outright gifts and can maximize tax The support of private individuals, benefits and cost effectiveness of mak- through annual giving to The Circle and ing a gift. Donors of deferred gifts may the Collectors Committee, deferred giv- indicate that the National Gallery of Art ing, and major and specially designated is to receive a certain sum of money, gifts, is critically important to the imme- property, works of art, or a percentage diate everyday activity of the Gallery, as of an estate. We encourage those con- well as its ability to sustain its standards sidering such a gift to discuss confiden- of excellence in the long term. tially how it is to be used, when arrang- Every in the collection of ing the gift. the National Gallery has either been the All gifts and bequests are deductible, gift of a private individual or purchased within the limits prescribed by law, for through generously given private funds. applicable federal tax purposes. For Gifts of works of art to the Gaflery's col- more information regarding gifts of lection are subject to approval by the funds and property, both real and per- Board of Trustees. Offers of such gifts sonal, please contact Ruth Anderson should be discussed in advance with the Coggeshall, Chief Development Officer, Secretary and General Counsel (tele- at (202) 842-6372.

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