N A N A L

E ENT

S NATIONAL ENDOWMENT FOR~THE ARTS

1992, ANNUAL REPORT NATIONAL ENDOWMENT FOR!y’THE ARTS

The Federal agency that supports the Dear Mr. President: visual, literary and pe~orming arts to I have the honor to submit to you the Annual Report benefit all A mericans of the National Endowment for the Arts for the fiscal year ended September 30, 1992.

Respectfully, Arts in Education Challenge &Advancement Dance Aria M. Steele Design Arts Acting Senior Deputy Chairman Expansion Arts Folk Arts International Literature The President Local Arts Agencies The White House Media Arts Washington, D.C. Museum Music April 1993 Opera-Musical Theater Presenting & Commissioning State & Regional Theater Visual Arts

The Nancy Hanks Center 1100 Pennsylvania Ave. NW Washington. DC 20506 202/682-5400

6 The Arts Endowment in Brief The National Council on the Arts

PROGRAMS

14 Dance 32 Design Arts 44 Expansion Arts 68 Folk Arts 82 Literature 96 Media Arts II2. Museum I46 Music I94 Opera-Musical Theater ZlO Presenting & Commissioning Theater zSZ Visual Arts

~en~ PUBLIC PARTNERSHIP z96 Arts in Education 308 Local Arts Agencies State & Regional 3z4 Underserved Communities Set-Aside

POLICY, PLANNING, RESEARCH & BUDGET

338 International 346 Arts Administration Fallows 348 Research 35o Special Constituencies

OVERVIEW PANELS AND FINANCIAL SUMMARIES

354 1992 Overview Panels 360 Financial Summary 36I Histos~f Authorizations and 366~redi~ At the "Parabolic Bench" outside a South Bronx school, a child discovers aspects of sound -- for instance, that it can be stopped with the wave of a hand. Sonic architects Bill & Mary Buchen designed this "Sound Playground" with help from the Design Arts Program in the form of one of the 4,141 grants that the Arts Endowment awarded in FY 1992.

6 National Endowment for the Arts The Arts Endowment In" B" rle f

STABHSHED BY CONGRESS IN 1965, THE grams’ guidelines for the following year. During application National Endowment for the Arts is the fed­ review, the panel discusses applications and support materials eral agency that supports the visual, literary in light of the review criteria in the existing guidelines, and and performing arts to benefit all Americans. makes recommendations for funding. Its mission is to serve the American people -­ The panels’ recommendations are forwarded to the Eby fostering artistic excellence and helping to National Council on the Arts for its review in open meeting develop the nation’s finest creative talent; by preserving and at which individual grant applications and supporting mate­ transmitting our diverse cultural rials may be discussed. The heritage; by making the arts more National Council makes its recom­ accessible to all Americans, young, mendations to the Chairman of old, or disabled, living in rural the Arts Endowment on applica­ towns or major cities; by promot­ tions recommended for funding, ing the vitality of arts institutions; and makes decisions on those to be and by helping to make the arts in­ rejected. trinsic to education. The Chairman of the Endow­ The Arts Endowment serves as ment then decides whether or not a catalyst to increase opportunities to fund applications recommended for artists and resources for arts or­ by the Council ganizations. It also spurs involve­ ment in the arts by citizens, public The Chairman and private organizations, and the APPOINTED BY THE PRESIDENT states and local communities. of the United States with the ad­ How the Agency Functions vice and consent of the Senate, the Chairman of the Endowment is THE ENDOWMENT SERVES THE chief executive officer of the American public by providing fi­ agency and Chairman of the nancial assistance to artists and National Council on the Arts. nonprofit arts organizations. The ..... agency also awards grants to other ~ "~ National Council on the Arts public arts agencies at the state, Students of a dancer-in-residence perform in TWENTY-SIX DISTINGUISHED local and regional levels. The Toledo thanks in pert to an Endowment grant to the citizens, appointed by the President Endowment receives applications Ohio Irts Council. NaUon~de the Endowment hel~sand confirmed by the Senate, plus for more than four times as many fund 13,000 a~sts-in-residence who serve 4 mil- the Chairman of the Endowment, grants as it can support. After lion citizens of all ages. constitute the National Council on being processed by the appropriate program staff, applica­ the Arts. These citizens have broad experience in the various tions go through a three-step process: arts disciplines and in the major aspects of artistic enterprise First, they are reviewed by an advisory panel, which is a such as creation, performance, presentation, administration continually rotating committee composed of experts from and patronage. Representing the variety of artistic disciplines the field and a knowledgeable layperson. The panel reviews and genres in America, collectively the Council transcends sin­ applications in closed session, and then, in open session, pro­ gle artistic interests as well as narrow geographic, ethnic and vides guidance on general policy, procedures, and the pro- philosophic bounds.

I992 Annual Report 7 The Arts Endowment in Brief

Methods of Funding In addition to making funding recommendations, the Council advises the Chairman on policies, programs and GRANT MONEY AUTHORIZED BY CONGRESS COMES TO procedures. Council members serve six-year terms, staggered the Endowment as Program Funds, Treasury Funds and so that roughly one-third of the Council membership rotates Challenge grant funds. Most direct grants to organizations evety two years. and individuals come from Program Funds. Program grants to arts organizations must be matched at least dollar-for-dol­ The Advisory Panels lar with funds received from other sources. Grants to indi­ PANELS OF CITIZENS ADVISE THE ENDOWMENT’S INDI- viduals do not require matching funds. vidual programs, review applications, identit~ issues of artis­ Treasury Fund grants, designed to help applicants in­ tic concern to the field and the American public, and inform crease or sustain non-Federal contributions, generally must the policies and programs through which the Endowment be matched with at least three non-Federal dollars for each pursues its mission. Federal dollar. Arts and community leaders from around the nation Grants from the Challenge Program, which must be matched on at least a three-to­ one basis, stimulate support for significant projects with long-term impact. Ranging up to $1 million, Challenge grants fund projects that pro­ mote expanded artistry, en­ hanced access and art appreci­ ation, and strengthened arts support systems. Impact of Endowment Grants EVERY GRANT DIRECTLY benefits the grantee and thus the grantee’s home commu­ nity and state. On the aver­ age, more than a quarter of the Endowment’s funding Maestra JoAnn Falletta conducts the Bay Area Women’s Philharmonic, which received supports projects whose im­ one of the Music Program’s more than 300 grants to ensembles ranging from jazz combos pact extends beyond the to symphony orchestras. home state of the recipient. Typically, about 8 percent of serve on the advisory peer panels. The panelists represent the Endowment’s grant dollars support projects whose many aesthetic and cultural viewpoints, providing a cross- benefits extend to the region of the grantee. With even section of American experience and artistic opinion. Panels broader effect, more than 20 percent of Endowment grant typically include artists, arts administrators, board mem­ funds supported projects of national impact. Many of bers, critics, arts educators and knowledgeable laymen. these served audiences nationwide through radio or TV Nominations for panelists can come from any source in­ broadcasting, publications or recordings. Others reached cluding the public at large; from artists, organizations, and wide audiences through touring -- of a dance company leaders in the arts field; from members of Congress; and from or a sculpture exhibition, for example. Still other grants Endowment staffand Council members. Appointments to had a national impact on their arts field by providing panels are made by the Endowment chairman. Membership management or technical assistance, professional training, on the panels rotates regularly, as no member may serve more career development, research or information. Because of their importance, grants having national im­ than three years consecutively. Panelists may not serve on a pact are flagged throughout this report with this symbol: panel for program categories in which they have a pending application. [~]

8 National Endowment for the Arts Annual Report THIS REPORT COVERS THE FISCAL YEAR THAT ENDED September 30, 1992. During that period the Art Endow­ ment awarded 4,141 grants, entered into 78 cooperative agreements, and participated in six interagency agreements. As the Financial Summary shows, the agency obligated $141,040,581 in Program, Treasury and miscellaneous funds, and an additional $13,522,556 in Challenge funds for a total of $154,563,137 to gupport artists, cultural organiza­ tions and state and local arts agencies in FY ’92. The Programs section of this report covers grants awarded within specific arts disciplines and for particular arts activities, such as the Dance Program and Presenting & Commissioning Program. The Public Partnership section covers grants awarded primarily to other public agencies, especially regional, state and local arts agencies. The Policy, Planning, Research & Budget section covers a variety of special offices, including those that supported arts adminis­ tration fellowships, research, special constituencies and international activities. 0 Within the first three parts of this report, each chapter 0 opens with introductory information on the pertinent office or Program. Then, typically, the chapter lists all that Four Philadanco dancers count themselves among the Program’s grants, grouped by category. The grants are thousands of performers who enliven the stages of described individually as are the funding categories. America with the help of the Endowment’s grants to nearly Most grants are awarded from Program Funds. In cases 600 dance, theater and opera companies. that include money from Treasury Funds, which generally must be matched 3 to 1 with nonfederal funds, the figure ments regarding the appearance of conflicts of interest. marked "TF" notes the amount. The number in brackets Occasionally, when circumstances dictated the use of a special following each description, e.g. [92-5443-0131], is the grant panel to review a small number of applications, this panel’s identification number. A fraction of the agency’s awards are members are listed immediately after the grant description. made in the form of cooperative agreements to support pro­ Applications in the Challenge and Advancement Programs jects in which the Endowment has special oversight or in­ generally are reviewed first by panels from the appropriate volvement, such as the Mayors’ Institute on City Design. Programs. Recommended applications are then forwarded to Cooperative agreements are numbered in a separate series, Challenge and Advancement panels composed of representa­ with the prefix "DCA." tives from Program panels. In the Challenge and Advance­ The Endowment Chairman has statutory authority to ment chapters, these combined panels appear first, since they award grants of up to $30,000 in emergency situations or make the final recommendations to the National Council. cases of unusual opportunity (generally following a panel’s The lists of individual Program panels follow. recommendation). After the award of these grants, designated In addition to the panels that review applications, most as Extraordinary Action grants, the Council reviews them. Programs have Overview panels, which consider field-wide Rosters of the panels that reviewed the applications follow programs and policy issues and recommend changes in pro­ the grant lists in each chapter. A panel’s name is usually the gram guidelines. Since these panels generally do not review same as the grant category. However, some panels review applications, they are listed separately, after the Policy, more than one category of applications. In cases where the Planning, Research and Budget chapter. review panel’s name differs from that of the category, the Financial Summaries conclude the book. The first part of panel name is given after the grant description. Panels desig­ this section reviews funds obligated in FY ’92. The section nated I and II, A and B, etc. occur where pools of panelists also presents a history of authorizations and appropriations and applications were split to meet Congressional require­ for the agency since 1966.

I992 Annual Report 9

National Council on the Arts

John E. Frohnmayer, Chairman (untilApril30, 1992) Anne-lmelda Radice, Acting Chairman Oqom May I, 1992)

Terms expired Terms expired Terms expire Terms expire in 1990" in 1992" in 1994 in 1996

Joseph Epstein David Baker Philip Brunelle William Bailey Writer/Teacher/Editor Composer/Teacher Artistic Director/Musician Painter/Teacher

Helen Frankenthaler Sally Brayley Bliss Phyllis Curtin Donald Hall Visual Artist Dancer/Artistic Director/ Opera Singer/Educator Poet (Served until September 17, Teacher (Resigned October 19, 1991) 1992) Hugh Hardy Nina Brock Roy M. Goodman Architect M. Ray Kingston Arts Patron/Trustee Arts Patron/Trustee Architect Marta Istomin (Served until July 2, 1992) Robert Garfias Mel Harris Artistic Director/Musician Scholar/Ethnomusicologist Television Executive Talbot MacCarthy (Resigned November 18, Louise McClure Arts Patron/Trustee Bob Johnson 1991) Arts Patron/Trustee (Served until November 14, Arts Patron/Trustee 1991) Peter deCourcy Hero Roberta Peters Ardis Kroinik Foundation President Opera Singer/Trustee Lloyd Richards Opera Company Director Theater Director/Producer Wendy Luers William E. Strickland Jr. (Served until March 19, Harvey Lichtenstein Arts Patron/Trustee Arts Administrator/ 1992) Arts Presenter Ceramist Roger Mandle James Wood Museum Executive Museum Director Arthur Mitchell George White Dance Company Theater Director/Producer Director/Choreographer Jocelyn Levi Straus Arts Patron/Trustee

Catherine Yi-yu Cho Woo Scholar/Visual Artist Members serve until Senate confirmation of their successors.

I99z Annual Report II

NATIONAL ENDOWMENT for the ARTS

Programs Dance

282 grants; 1 cooperative agreement Total Funds: $8,544,011 Program Funds: $7,556,611 Treasury Funds: $ 987,400* *Includes $350,000 not obligated in FY "92.

The Dance Program supports the highest quali~y and creativi{y District of Columbia, Puerto Rico, and the Virgin Islands. in dance and helps make a broad range of exemplary dance These grants provided support for a variety of activities in­ available to audiences nationwide through grants to professional cluding the creation of new work, education, touring, and companies and to choreographers, as well as to individuals and home season productions. Artists Eiko and Koma of New organizations that present or serve dance. York received funds m create a new work involving new music accompaniment by Native Americans and for touring RODIGIOUS CREATIVITY AND BOLD EXPLORA­ activity, including performances in California, Minnesota tion mark the history of dance in America. and Colorado. The African American company Muntu p American dance has won international acclaim for received support to produce a work in its home city of its innovation across an unmatched range of classi­ Chicago and to tour sites in the south, including historically cal and contemporary forms, and for the profusion and vital­ black colleges. ODC/San Francisco was awarded support to ity of its traditions. New forms and fusions have arisen out create a new work in collaboration with the musician Bobby of the cross-fertilization of concert, folkloric, theatrical and McFerrin, and for a collaborative presentation with the vernacular dance. In FY 1992 the Dance Program continued Minnesota Orchestra. to invest in the creativity of the dance field through grants to The Grants to Dance Presenters category assured quality choreographers and dance companies. programming and residency activities for artists and com­ The individual choreographer is central to the develop­ panies throughout the United States. Some 63 presenting ment of dance. This year the Program provided support to organizations across the country received funds to support 47 professional choreographers whose work has attained dance presentation, associated outreach and education, and national excellence in a variety of idioms including African the commissioning of new work in the 1992-93 season. American, Asian American, ballet, classical Asian Indian, An array of 33 dance service projects received grants in dogging, ice dancing, jazz, modern, post-modern, Spanish, the General Services to the Field category. Recipients in­ social, tap, and others. These grants enabled artists to pay cluded national, regional, and local service organizations, dancers, rent space for rehearsals and performance, rework performance spaces, and other arts organizations. Funds materials, and prepare new choreography. assisted documentation and research services; the provision Among the recipients, Jimmy Gamonet de los Heros, of performance and rehearsal spaces; technical, financial and resident choreographer with the Miami City Ballet, planned management services; education projects; communication to use his three-year fellowship to deepen his knowledge of within the dance field; and promotion of public appreciation musical styles and to commission scores from composers. of dance. Sukanya Rahman Wicks of Orr’s Island, ME, who received a Underscoring the importance of dance in early childhood two-year fellowship in recognition of her mastery of classical development, the Original Ballets Foundation was awarded Asian Indian dance forms, planned to complete a book funds to support the activities of the New Ballet School, pro­ about her dancing family as a first step towards a solo viding New York City public school children with free ballet narrative program. Dorothy Jungels, a two-year grantee in training and related educational services. These children, Providence, RI, planned to continue collaborating with her most of them economically disadvantaged, would otherwise company, a composer, and a physics teacher to further de­ not have access to professional dance training. The school, velop "The Science Project." This program uses dance to a national model, auditions 15,000 students and enrolls teach physics in public schools and combines physics with 500 annually. dance in performances. Dance/Film/Video grants promoted the use of film and The year’s Dance Company Grants ensured seasonal sup­ video to creatively preserve, enhance, and expand the art of port to 120 outstanding dance companies in 22 states, the dance. Several projects highlighted dance pioneers and mas­

14 National Endowment for the Arts Marceline Freeman solos in Angelitos Hegros for Cleo Parker Robinson’s New Dance Theatre. The company, based in Denver, is one of 120 nationwide that received project support through the Dance Company Grants category.

x99z Annual Report Dance

In a repertory that includes Thirst (above), Eiko & Koma mix traditional and modern Japanese forms with German Expressionism to create dance pieces that blend sets, costumes, music and movement. ters. Dance Pioneers in Santa Cruz, CA, for example, was The Program continued to invest in ongoing model pro­ awarded funds to document the life and work of Donald jects of national and international impact. The Dance McKayle, a performer and choreographer who has helped Theatre Workshop’s National Performance Network helped redefine the role of black artists on the American stage. 22 dance artists and companies conduct one- and two-week The Special Projects category supported model projects residencies through 51 performing arts organizations and that advance the dance art form. The Dance Heritage community centers in 26 cities--more than anticipated. Initiative, a special pilot to support exemplary projects that "Alive TV," an eight-week public television series produced document and preserve America’s dance heritage, awarded a by KTCA in St. Paul, produces and acquires dance programs grant to the Earth Circle Association in Mt. Shasta, CA. that reach thousands of viewers nationwide. It also offers col­ One of the first grants, awarded through this initiative, this laborative opportunities for dance and media artists to en­ project was designed to support the restoration and docu­ liven dance through the medium of television. mentation of the teaching of five Native American tradi­ Dance On Tour is a collaboration with the Presenting tional dances from the tribes along the Klamath River in and Commissioning Program and the State and Regional Northern California: the Brush Dance, Flower Dance, Jump Program in partnership with regional arts organizations and Dance, Protection Dance, and White Deerskin Dance. Over state arts agencies to enhance dance touring and presentation a two-year period, teachers and students will learn dances, nationwide. This year the Dance Program’ s Dance On Tour songs and chants, and how to reconstruct regalia. Video­ grant to the Mid-America Arts Alliance included a special tapes of the teaching will then be made available to scholars initiative to offer the Alvin Ailey American Dance Theatre to and students. two target communities in Arkansas and Oklahoma.

16 National Endowment for the Arts Dance

Erkert, Jan K. McMahon, Jeffrey D. Grants Chicago, IL $20,000 New York, NY $20,000

Indicates grants having national impact. Fain, Liss Meier, Yvonne D. San Francisco, CA $20,000 New York, NY $20,000

CHOREOGRAPHER’S Foley, Kate M. Monson, Jennifer FELLOWSHIPS San Francisco, CA $7,000 Brooklyn, NY $7,000 Motley, Pauline E. To provide funds for any project or Gamonet de los Heros, Jimmy activity that will further a professional Miami Beach, FL $45,000 Lyons, CO $20,000 choreographer’s artistic development. Holland, Fred A. Neville, Phoebe $20,000 47 grants New York, NY $20,000 New York, NY Program Funds: $885,000 Hulton, Betsy D. Reitz, Dana F. $20,000 Alessi, Alito New York, NY $20,000 New York, NY Eugene, OR $20,000 Iobst, Anne E. & Sexton, Lucy Rosen, Amy Sue Ambegaokar, Anjani J. New York, NY $20,000 New York, NY $7,000 Walnut, CA $20,000 Jasperse, John R. Rousseve, David J. Bezubka, Sonya New York, NY $7,o0o New York, NY $20,000 Santa Fe, NM $7,000 Josa.Jones, Paula Rudne~Sara Birch, Nathan A. Carlisle, MA $20,000 New York, NY $7,000 Baltimore, MD $7,000 Jungels, Dorothy A. Segovia, Rosita Blossom, Beverly S. Providence, RI $20,000 Miami, FL $20,000 Brooklyn, NY $20,000 Kramer, Dawn J. Sendgraff, Terry A. Cai, Lily Roslindale, MA $20,000 Oakland, CA $20,000 San Francisco, CA $20,000 Kumar, Mythili R. Simons, Ton E. Carlson, Ann M. Cupertino, CA $20,000 New York, iVY $20,000 New York, NY $20,000 Lamhut, Phyllis Skag~s, Sarah J. Chadip, Remy New York, NY $20,000 New York, NY $7,000 San Francisco, CA $20,000 Leahy, Sharon Slater, Deborah J. Conversano, Frank E. Spring Valley, OH $20,000 San Francisco, CA $20,000 Syosset, NY $7,000 Lemon, Ralph S. Streb, Elizabeth Dorfman, David New York, NY $45,OOO New York, NY $20,000 New York, NY $20,000 Mahler, Donald Swenson, Christian EIIdns, Douglas B. New York, NY $20,000 Seattle, WA $20,000 New York, NY $20,000

z99z Annual Report 17 Dance

l/arone, Douglas J. Atlanta Ballet, Inc. Bella Lewitzky Dance Foundation New York, NY $45,000 Atlanta, GA $14,300 Los Angeles, CA $72,000 To support dancers’ salaries during the To support artistic and administrative Wicks, Sukanya Bahman 1992-93 season. [92-3321-0123] salaries in the 1992-93 season. Panel Orr’s Island, ME $20,000 B. [92-3321-0192] Bailes Flamencos Wyrrick, Sharon A. San Francisco, CA $9,400 Baston Ballet, Inc, Woodville, VA $20,000 To support performances of Rosa Boston, MA $43,600 Montoya Bailes Flamencos during the TF $100,000 Young, Bill 1992-93 season. [92-3321-0169] To support presentation of the com­ New York, iVY $7,000 pany’s repertory during the 1992-93 Ballet Chicago Company season. [92-3321-0119] DANCE COMPANY GRANTS Chicago, IL $9,400 To support dancers’ salaries during the Capoeira Foundation, Inc. To assist professional dance companies 1992-93 season. [92-3321-0121] New York, NY $17,300 of the highest quality realize projects To support the creation of a new work that best serve their artistic and man­ Ballet Foundation of Milwaukee, Inc. and the 1992-93 New York season of agerial needs both at home and on tour.. (Milwaukee Ballet Company, Inc.) DanceBrazil. Panel B. [92-3321-0143] Milwaukee, WI $9,400 120 grants To support dancers’ salaries during the Caribbean Dance Company, Inc. Program Funds: $4,630,420 1992-93 season. [92-3321-0203] St. Croix, VI $9,400 Treasury Funds: $ 987,400 To support rehearsal costs during the Unless Panel B is indicated, grants were Ballet Hispanico of New York 1992-93 season. [92-3321-0215] reviewed by Panel A. New York, NY $29,200 To support the creation of new work Center Dancers (Center Dance Collective) African-American Dance Ensemble, Inc. and the 1992-93 New York season Trenton, NJ $9,400 Durham, NC $9,400 of Ballet Hispanco. Panel B. To support the re-creation of To support the apprentice program, [92-3321-0166] Denishawn work in the 1992-93 and development and presentation of season. [92-3321-0139] new work in the 1992-93 season. Ballet Metropolitan, Inc. [92-3321-0110] Columbus, OH $17,300 Cincinnati Ballet Company, Inc. To support dancers’ salaries and Cincinnati, OH $14,300 Aims of Modzawe, Inc. (Dinizulu African creation of a new work during the To support dancers’ salaries during the Dancers, Drummers & Singers) 1992-93 season. [92-3321-0158] 1992-93 season. [92-3321-0212] Jamaica, NY $10,400 To support domestic touring in the ~" Ballet Theatre Foundation, Inc. Cleveland Ballet 1992-93 season. [92-3321-0108] New York, NY $110,700 Cleveland, OH $19,300 TF $137,400 To support dancers’ salaries during ~r AMAN Folk Ensemble, Inc. To support the domestic touring of the 1992-93 season rehearsals and educa­ Los Angeles, CA $65,000 American Ballet Theatre during the tional programs. [92-3321-0207] To support rehearsal, touring, and resi­ 1992-93 season. [92-3321-0105] dency activity during the 1992-93 sea­ ~" Cunningham Dance Foundation son. [92-3321-0200] Ballet West New York, NY $272,400 Salt Lake City, UT $69,000 TF $100,000 ~ Catalyst Alliance, Inc. To support costs associated with home To support the New York season, New York, NY $9,400 " season activity. [92-3321-0220] domestic touring, and archival work To support domestic touring and during the 1992-93 season. rehearsal periods by the Nina Wiener [92-3321-0162] Dance Company during the 1992-93 season. [92-3321-0144]

I8 National Endowment for the Arts Dance

Dallas Black Dance Theatre, Inc. Dance Through l~me Ethnic Dance Theatre, Inc. Dallas, TX $9,400 San Francisco, CA $9,400 Minneapolis, MN $9,4OO To support domestic touring activity To support artistic salaries associated To support the home season of during the 1992-93 season. with the creation of new work during Ethnic Dance Theatre in 1993. [92-3321-0201] the 1992-93 season. [92-3321-0138] [92-3321-0100]

Dan Wagoner Dance Foundation, Inc. ~- Dayton Contemporary Dance Guild, Inc. Eugene Ballet New York, NY $24,300 Dayton, OH $24,300 Eugene, OR $9,400 To support a rehearsal period and cre­ To support artistic salaries and domes­ To support dancers’ salaries, regional ation of new work during the 1992-93 tic touring during the 1992-93 season. touring, and the creation of new work season. [92-3321-0134] [92-3321-01] by Artistic Director Toni Pimble. [92-3321-0130] ~ Dance Continuum, Inc. Dean Dance & Music Foundation, Inc. (Susan Marshall & Company) New York, An! $69,000 Floricanto Dance Theatre New York, NY $19,300 To support the creation of a new Whittier, CA $9,400 To support costs associated with tour­ music/dance work by Laura Dean, and To support artistic salaries during the ing activity during the 1992-93 season. domestic touring during the 1992-93 1992-93 season. [92-3321-0219] Panel B. [92-3321-0148] season. [92-3321-0182] Forces of Nature, Inc. Dance Exchange Della Davidson Dance Company New York, NY $9,400 Washington, DC $12,300 (S.F. Moving CoJModem Dance) To support the creation of new work To support the development of new San Francisco, CA $9,400 and outreach activity during the work and the revival of old work by Liz To support the creation of new work 1992-93 season. [92-3321-0170] Lerman during the 1992-93 season. by Artistic Director Della Davidson [92-3321-0107] during the 1992-93 season. Fort Worth Ballet Association [92-3321-0164] Fort Worth,- TX $9,400 Dance Solos, Inc. To support production activity during New York, NY $10,400 ~, Discalced, Inc. the 1992-93 season. [92-3321-0184] To support the work of Artistic New York, iVY $39,200 Director Annabelle Gamson in restor­ To support domestic touring, residency ~ Foundation for Dance Promotions, Inc. ing major modern dances of the 1930’s activities, and administrative salaries New York, NY $39,200 and 1940’s. [92-3321-0133] for the Mark Morris Dance Group. To support the New York season, do­ [92-3321-0104] mestic touring, and rehearsal of Bill T. ~- Dance Theatre Foundation, Inc. Jones/Arnie Zane Dance Co. during New York, NY $279,900 E. Monte Motion, Inc. the 1992-93 season. [92-3321-0172] To support the New York season, cre­ New York, NY $9,400 ation of new work, and domestic tour­ To support the creation of new work ~. Foundation for Independent Artists, Inc. ing during the 1992-93 season for the and the presentation of the New York New York, iVY $32,200 Alvin Ailey American Dance Theater. season in 1992-93. [92-3321-0109] To support touring activities and [92-3321-0122] the creation of new work by Eiko & Eccentric Motions, Inc. Korea during the 1992-93 season. ~r Dance Theatre of Harlem, Inc. New York, NY $12,300 [92-3321-0140] New York, NY $261,000 To support artistic salaries for re­ To support the New York season, hearsal, creation of new work by Pooh Foundation for Independent Artists, Inc. creation of new work, and domestic Kaye, and touring activity during the New York, NY $9,400 touring during the 1992-93 season. 1992-93 season. [92-3321-0197] To support creation of new work by [92-3321-0210] Jane Comfort during the 1992-93 season. [92-3321-0141]

I99zAnnual Report 19 Dance

~, Foundation for Independent ArlJsts, Inc. the 1992-93 New York season. Maria Benitez Spanish Dance New York, NY $12,300 [92-3321-0188] Company during the 1992-93 season. To support domestic touring and the [92-3321-0168] managing director’s salary for Urban Hartford Ballet, Inc. Bush Women’s 1992-93 season. Hartford, CT $14,300 Jazz Tap Ensemble, Inc. [92-3321-0142] To support rehearsal activity during the Los Angeles, CA $44,300 1992-93 season. [92-3321-0205] To support self-produced performances ~r Foundation for Modem Dance during the 1992-93 season. New York, NY $41,200 High 11de Dance, Inc. [92-3321-0120] To support the company’s domestic New York, iVY $9,400 touring, New York season, and a new To support the 1992-93 New York Joe Goode Performance Group work by Erick Hawkins during the season and administrative activity for San Francisco, CA $11,800 1992-93 season. [92-3321-0204] Risa Jaroslow & Dancers. To support salaries during the [92-3321-0186] 1992-93 season. [92-3321-0176] ~r Foundation for the Joffrey Ballet, Inc. New York, iVY $248,100 ~ House Foundation for the Arts Jose Umon Dance Foundation To support the presentation of reper­ New York, NY $88,900 New York, NY $49,100 tory during the 1992-93 season. To support salaries for administration To support rehearsal and production [92-3321-0216] and touring, and for the creation and costs during the 1992-93 season. documentation of new work by [92-3321-0180] Friends of Olympia Station, Inc. Meredith Monk. [92-3321-0156] Santa Cru~ CA $9,400 Joseph Holmes Dance Theatre To support salaries and production Houston Ballet Foundation Chicago, IL $11,300 expenses during the 1992-93 season Houston, TX $43,900 To support artistic and production ofTandy Beal & Company. TF $50,000 salaries during the 1992 season. [92-3321-0151] To support rehearsal activity during the [92-3321-0102] 1992-93 season. [92-3321-0191] Garth Fagan’s Bucket Dance Theatre, Inc. Kankouren West African Dance Company Rochester, NY $64,100 Hubbard Street Dance Company Washington, DC $9,400 To support dancers’ salaries during the Chicago, 1L $15,300 To support festival production ex­ 1992-93 season. [92-3321-0209] To support rehearsal activity during the penses in the 1992-93 season. 1992-93 season. [92-3321-0190] [92-3321-0115] ~r Gotham Dance, Inc. New York, NY $19,300 Ice Theatre of New York, Inc. Kansas City Ballet Association, Inc. To support domestic touring, ad­ New York, NY $9,400 Kansas City, MO $37,200 ministrative salaries, and a new work To support the creation of new work To support dancers’ and administrative by Artistic Director Bebe Miller during by guest modern choreographers salaries during the 1992-93 season. the 1992-93 season. Panel B. during the 1992-93 season. [92-3321-0211 ] [92-3321-0167] [92-3321-0137] LINES, a Dance Company ~r Guateque Folkloric Taller of Indianapolis Ballet Theatre, Inc. San Francisco, CA $9,400 Puerto Rico, Inc. Indianapolis, IN $9,400 To support the creation and rehearsal Corozal, PR $9,400 To support the rehearsal and perfor­ of new work by Alonzo King in the To support touring activities during mance activity of chamber ensembles 1992-93 season. [92-3321-0114] the 1992-93 season. [92-3321-0193] in the 1992-93 season. [92-3321-0127] ~r Lubovitch Dance Foundation, Inc. H.T. Dance Company, Inc. New York, iVY $65,000 (then and Dancers) ~- Institute for Spanish Arts To support touring activity and the cre­ New York, NY $9,400 New York, NY $43,200 ation of new work by Artistic Director To support rehearsal activity and To support domestic touring of the Lar Lubovitch. [92-3321-0217]

National Endowment for the Arts Dance

~ Lucinda Childs Dance Foundation, Inc. Moving Ear~h, Inc. sentation of choreography for the New New York, IVY $60,200 (Kei Takei’s Moving Earth) York Baroque Dance Company during To support domestic touring and New York, NY $19,300 the 1992-93 season. [92-3321-0202] the 1992-93 New York season. To support costs associated with the [92-3321-0194] 1992-93 home season and company ~" New York City Ballet, Inc. salaries. [92-3321-0208] New York, NY $122,400 Lula Washington Contemporary TF* $250,000 Dance Foundation ~ Muntu Dance Theatre To support touring and rehearsal Inglewood, CA $9,400 Chicago, IL $9,400 activity during the 1992-93 season. To support touring and to upgrade To support touring activity during the [92-3321-0117] booking/promotional materials in the 1992-93 season. [92-3321-0125] *Funds were committed but not obligated 1992-93 season. [92-3321-0165] in FY ’92. Nevada Dance Theatre Malashock Dance & Company Las Vegas, NV $9,400 ~r New York Foundation for the/Iris, Inc. San Diego, CA $9,400 To support the ballet master/mistress’ New York, NY $9,400 To support touring and development salary during the 1992-93 season. To support the touring activity of Ellen of promotional materials during the [92-3321-0160] Kogan Solo Dance during the 1992-93 1992-93 season. [92-3321-0136] season. [92-3321-0128] New Dance Ensemble Margaret Jenkins Dance Studio, Inc. Minneapolis, MN $10,600 ~. Nikolais/Louis Foundation for Dance, Inc. San Francisco, CA $42,200 To support artistic salaries and pro­ New York, iVY $88,900 To support artistic and administrative duction costs for the Performance To support the reconstruction and salaries in the 1992-93 season. Laboratory during the 1992-93 season. creation of works by artistic directors [92-3321-0124] [92-3321-0195] Alwin Nikolais and Murray Louis, the 1992-93 New York season, and do­ Martha Graham CoMer of New Dance Theatre, Inc. mestic touring. [92-3321-0149] Contemporary Dance (Cleo Parker Robinson Dance Theatre) New York, NY $233,100 Denver, CO $14,800 ~" North Carolina Dance Theatre To support rehearsal activity and the To support artistic and administrative Charlotte, NC $44,200 1992-93 New York season. salaries during the 1992-93 season. To support touring and rehearsal activ­ [92-3321-0174] [92-3321-0106] ity and the 1992-93 home season. [92-3321-0179] Miami City Ballet, Inc. New Jersey Ballet Company, Inc. Miami Beach, FL $58,920 West Orange, NJ $9,400 Oakland Ballet Company & Guild To support educational programs in To support outreach and audience de­ Oakland, CA $32,200 the 1992-93 season. [92-3321-0157] velopment activity during the 1992-93 To support reconstruction and produc­ season. [92-3321-0181] tion costs in the 1992-93 season. ~r Mixed Bag Productions (Contraband) Panel B. [92-3321-0214] San Francisco, CA $10,400 New Life Dance, Inc. To support touring expenses and artis­ New York, NY $9,400 ~. Oberlin Dance Collective tic salaries in the 1992-93 season. To support touring activities and new San Francisco, CA $19,300 [92-3321-0131] work by Artistic Director Sara Pearson To support the creation of new work, during the 1992-93 season. touring, and commissioning during the Mordine & Company [92-3321-0175] 1992-93 ODC/San Francisco season. Chicago, 1L $9,700 [92-3321-0159] To support artistic and administrative New York Baroque Dance Company salaries in the 1992-93 season. New York, iVY $9,400 [92-3321-0185] To support administrative salaries and the development, acquisition, and pre­

z99z Annual Report Dance

Ohio Chamber Ballet of previously choreographed work by Roxanne Dance Foundation, inc. Akron, OH $55,100 artistic director David Gordon. New York, NY $9,400 To support the creation of new work in [92-3321-0129] To support the Wendy Perron Dance the 1992-93 season and a week-long Company’s 1992-93 season. season at the Joyce Theater. Pilobolus Dance Theatre [92-3321-0155] [92-3321-0178] Washington Depot, CT $19,300 To support the creation of new work in ~, Son Francisco Ballet Association ~ Original Ballets Foundation the 1992-93 season. [92-3321-0135] San Francisco, CA $94,100 (Feld Ballets/NY) TF $150,000 New York, NY $79,000 ~r Pittsburgh Ballet Theatre, Inc. To support rehearsal activity and the To support national touring and Pittsburgh, PA $72,000 production of repertory at home and booking during the 1992-93 season. To support the creation of new work, on tour during the 1992-93 season. [92-3321-0103] domestic touring, production and [92-3321-0118] rehearsal costs, and dancers’ salaries Pacific Northwest Ballet Association during the 1992-93 season. School of Hard Knocks, inc. Seattle, WA $105,300 [92-3321-0152] New York, NY $9,400 TF $100,000 To support dancers’ salaries and the To support repertory expansion, Pittsburgh Dance Alloy creation of new work by Artistic rehearsal, and production expenses Pittsburgh, PA $9,400 Director Yoshiko Chuma during the during the 1992-93 season. Panel B. To support dancers’ and administrative 1992-93 season. [92-3321-0147] [92-3321-0101] salaries during the 1992-93 season. [92-3321-0161] Sharir Dance Company ~ Paul Taylor Dance Foundation, Inc. Austin, TX $9,400 New York, NY $197,900 ~, Repertory Dance Theatre To support the 10th anniversary season TF* $100,000 Salt Lake City, UT $29,200 and administrative salaries during To support domestic touring, the To support the creation of new work, 1992-93. [92-3321-0154] 1992-93 New York season, the cre­ dance reconstruction, and touring. ation of new work and the revival of [92-3321-0153] ~- Solomons Company/Dance, Inc. previously choreographed works. New York, NY $13,300 [92-3321-0177] Richmond Ballet, Inc. To support the New York season *Funds were committed but not obligated Richmond, VA $9,400 and domestic touring in 1992-93. in FY "92. To support dancers’ salaries during the [92-3321-0198] 1992-93 season. [92-3321-0171] Pennsylvania Ballet Association ~ Spanish Dance Arts Company, Inc. Philadelphia, PA $39,200 Rio Grande Union, Inc. (Cariota Santana Spanish Dance To support dancers’ Salaries during the New York, An! $11,300 Company) 1992-93 season. [92-3321-0116]~ To support the creation of new work New York, NY $9,400 by Artistic Director Douglas Dunn and To support the New York season Philadelphia Dance Company the salary of the company manager and domestic touring in 1992-93. (Philadanco) during the 1992-93 season. Panel B. [92-3321-0113] Philadelphia, PA $24,300 [92-3321-0206] To support costs associated with home Spanish Dance Theatre, Inc. (Ramon del season activity and creation of a new Ririe-Woodbury Dance Foundation los Reyes Spanish Dance Theatre) work. [92-3321-0146] Salt Lake City, UT $9,400 Boston, MA $9,400 To support the creation of new work To support the creation of new work ~ Pick Up Performance Company, Inc. during the 1992-93 season. during the 1992-93 season. New York, NY $69,000 [92-3321-0199] [92-3321-0218] To support domestic touring, the cre­ ation of new work, and the re-creation

22, National Endowment for the Arts Dance

Stephanie Skura & Company, Inc. Zaccho, Inc. gr Dance Pioneers Brooklyn, NY $9,400 San Francisco, CA $9,400 Honolulu, HI $20,000 To support the creation of new work in To support artistic salaries and artistic To support a documentary on the life the 1992-93 season. [92-3321-0173] fees during the 1992-93 season. and work of Donald McKayle, a per­ [92-3321-0213] former and choreographer who helped ~ Stephen Petronio Dance Company, inc. redefine the role of African American New York, NY $16,300 Zenon Dance Company and School, Inc. artists on the American stage. To support directors’ salaries, domestic Minneapolis, MN $9,400 [92-3331-0055] touring, and the creation of new work To support the 1992-93 season at the during the 1992-93 season. McKnight Theatre in Saint Paul. Fiji Theater Company, Inc. [92-3321-0112] [92-3321-0111] New York, NY $10,000 To support pre-production expenses Terra Moto, Inc. Zero Moving Dance Company for a video work by director/choreogra­ New York, iVY $9,400 Philadelphia, PA $9,400 pher Ping Chong. [92-3331-0049] To support the creation of new work To support artistic salaries during the by Artistic Director Victoria Marks and 1992-93 season. [92-3321-0196] Gladstein, Deborah the company manager’s salary during New York, IVY $10,000 the 1992-93 season. [92-3321:0183] Z~vili Kolo Ensemble To support a dance/video collaboration Granville, OH $9,400 with choreographer Deborah Gladstein Transmedia Kinetrics Coalition, Inc. To support new work during the and video artist/composer Sam Kanter. New York, IVY $9,400 1992-93 season. [92-3321-0126] [92-3331-0051] To support the creation of new work by Artistic Director Kenneth King Haleakala, Inc. (The ICRchen) during the 1992-93 season. DANCE/FILM/VIDEO New York, NY $10,000 [92-3321-0145] To support documentation of Steve To support film or video projects of Paxton’s improvisational solo, GoMberg ~r Trisha Brown Company, Inc. the highest quality which creatively ex­ Variations. [92-3331-0052] New York, NY $156,600 tend, enhance, and/or preserve the art To support the creation of new work, of dance. ~, Lelia Goldoni domestic touring, and the 1992-93 Los Angeles, CA $21,500 season. [92-3321-0189] 11 grants To support a documentary on the Program Funds: $170,000 life and work of choreographer and Washington Ballet dance pioneer Lester Horton. Washington, DC $34,200 Arts Resources in Collaboration, Inc. [92-3331-0058] To support the creation of new work (ARC Videodance) and community outreach programs New York, NY $20,000 ~, New York Public Ubrary Astor, Lenox during the 1992-93 season. To support production costs for the and ~lden Foundation [92-3321-0163] television series, "Eye on Dance." New York, NY $40,000 [92-3331-0057] To support public viewing services, ac­ Word Conjurors quisitions of films and videotapes, and The Association of Babcock, lynn K. preservation of films and videotapes for African American Storytelling Worcester, MA $11,000 the Dance Collection. [92-3331-0056] Oakland, CA $9,400 To support production and equipment To support the salary of the Fua Dia costs for a documentary on the chant/ Overfoot, inc. Congo Artistic Director Malonga dance of Palau. [92-3331-0054] New York, NY $7,500 Casquelourd in the 1992-93 season. To support a dance collaboration with [92-3321-0187] choreographer Jody Oberfelder-Riehm and filmmaker Ben Speth. [92-3331-0048]

x99z Annual Report Dance

Silvers, Sally Boston Dance Umbrella Cleveland Modern Dance Association New York, NY $10,000 Cambridge, MA $30,600 Cleveland, OH $6,600 To support a dance/fitm collaboration To support the commissioning and To support DanceCleveland’s 1992-93 with choreographer Sally Silvers and presentation of dance during the series of matinee and evening perfor­ filmmaker Henry Hills. 1992-93 season. [92-3341-0224] mances. [92-3341-0231] [92-3331-0053] Breoldyn Academy of Music, inc. College Commune/Sar~ces, Inc. Trisha Brown Company, Inc. Brooklyn, IVY $21,800 Brooklyn, iVY $6,500 New York, NY $10,000 To support artists’ fees and travel costs To present dance companies at the To support pre-production expenses associated with dance presentation Brooklyn Center for the Performing for a collaborative television project during the 1992-93 season. Arts. [92-3341-0245] with choreographer Trisha Brown [92-3341-0238] and video artist Robert Wilson. Colorado Dance Fe~val, Inc. [92-3331-0050] Catamount Film and Arts Co. Boulder, CO $26,200 St. Johnsbury, VT $4,700 To present performances on the To support artists’ fees, production theme of "The Americas" during the GRANTS TO DANCE PRESENTERS costs, and marketing expenses associ­ Colorado Dance Festival’s tenth ated with dance presentation during anniversary. [92-3341-0253] To encourage and enable experienced the 1992-93 season. [92-3341-0233] sponsors to present professional dance Columbia College events of the highest artistic quality. Center for Contemporary Arts Chicago, 1L $4,700 of Santa Fe, Inc. To support the presentation of dance 63 grants Santa Fe, NM $5,700 and the commissioning of work by Joe Program Funds: $900,000 To present the work of choreographers Goode, Margaret Jenkins, Bob Eisen, during the 1992-93 season. and Ralph Lemon. [92-3341-0237] American Dance Festival, Inc. [92-3341-0271] Durham, NC $68,300 Contemporary Dance Theater, Inc. To support the presentation of dance Central Park Conservancy, Inc. Cincinnati, OH $5,700 during the 1992 six-week festival, in­ New York, NY $4,700 To support the "Guest Artist Series." cluding such artists as Pilobus Dance To support Central Park’s free Friday [92-3341-0248] Theatre and the Trisha Brown Dance night dance series during the summer Company. [92-3341-0227] of 1992. [92-3341-0251] Creative lime, Inc. New York, NY $5,400 Anchorage Concert Association, Inc. City Colebration, Inc. To support artists’ fees and other costs Anchorage, AK $10,600 San Francisco, CA $9,500 related to dance presentation during To support the presentation of dance To support the 1992 San Francisco the 1992-93 season. [92-3341-0221] companies during the 1992-93 season. Ethnic Dance Festival and Satellite [92-3341-0247] Concerts in Bay Area communities. D.C. Wheel Productions, Inc. [92-3341-0255] Washington, DC $13,100 Borough of Manhattan Community To support the presentation of dance at College Performing Arts Center, inc. City of San Antonio, Texas Dance Place in the 1992-93 season. New York, NY $4,700 (Carver Community Cultural Center) [92-3341-0268] To support artists’ fees, travel and re­ San Antonio, TX $10,500 lated production costs for the "Asian To support the residencies of American Dance Concert Society American Performance Initiative" dance companies during the 1992-93 (Dance Saint Louis) dance series. [92-3341-0279] season. [92-3341-0232] St. Louis, MO $10,500 To support the series of dance presen­ tations at the Fox Theatre and the Edison Theatre during the 1992-93 season. [92-3341-0262]

z4 National Endowment for theArts Dance

Dance Theater Workshop, Inc. Downtown Dance Company John F. Kennedy Center for the New York, iVY $58,700 Towson, MD $4,700 Performing Arts To support the presentation of dance To support the "Dance on the Edge" Washington, DC $35,000 during the 1992-93 season. series of dance performances during the To support the presentation of [92-3341-0263] 1992-93 season. [92-3341-0260] American ballet and modern dance during the 1992-93 season. Dance Umbrella Horida Dance Association, Inc. [92-3341-0275] Austin, 774 $4,700 Miami, FL $4,700 To support dance residencies and per­ To support the 1992 Florida Dance Joyce Theater Foundation, Inc. formances during the 1992-93 season. Festival in the presentation of dance New York, NY $26,200 [92-3341-0257] performances and residencies. To support engagements of one week [92-3341-0261] or more of various dance companies DanceAspen, Inc. and the presentation of the "Altogether Aspen, CO $14,100 Flynn Theatre for the Different" series of emerging contem­ To support a summer festival of half- Performing Arts, Ltd. porary companies during the 1992-93 week and week-long residencies of Burlington, VT $13,100 season. [92-3341-0240] dance companies. [92-3341-0235] To support dance presentations and residency activities during the 1992-93 Uncoln Center for the Dancers’ Collective of Atlanta, Inc. season. [92-3341-0239] Performing Arts, inc. Atlanta, GA $4,700 New York, NY $17,500 To support the presentation of dance Gloriana Opera Company To support the "Lincoln Center Out­ in the 1992-93 season. Mendocino, CA $6,000 of-Doors" and the "Serious Fun!" series [92-3341-0241] To support evening performances and during the 1992-93 season. school lecture/demonstrations of vari­ [92-3341-0267] Dancing in the Streets, Inc. ous dance companies during the New York, NY $9,400 1992-93 season. [92-3341-0259] Miami.Dade Community College To support the commissioning and Miam£ FL $4,700 presentation of site-specific dance in Haleakala, Inc. [l’he IOtchen) To support residency and performance the 1992-93 season. [92-3341-0256] New York, NY $15,700 activity by dance companies in the To support the cost of artists’ fees, 1992-93 season. [92-3341-0230] Danspace Prej~, Inc. production, and promotional expenses New York, NY $7,600 associated with dance presentation Minnesota Dance Alliance To support dance presentations during during the 1992-93 season. Minneapolis, MN $5,700 the 1992-93 season. [92-3341-0234] [92-3341-0264] To support the presentation of dance in the "Extended Play" series during District Curators, Inc. Helena Presents the 1992 season. [92-3341-0272] Washington, DC $4,700 Helena, MT $14,100 To support the presentation of dance To support the presentation of National Black Arts Festival, Inc. performances during the 1992-93 contemporary American dance. Atlanta, GA $4,700 season. [92-3341-0266] [92-3341-0277] To support the presentation of dance during the 1992 festival. DiverseWorks, Inc. Jacob’s Pillow Dance Festival, Inc. [92-3341-0243] Houston, TX $4,700 Lee, MA $73,300 To support the presentation of a To support the presentation of a wide New Orleans Ballet, inc. variety of dance companies during the range of dance companies during the New Orleans, LA $4,700 1992-93 season. [92-3341-0254] 1992-93 festival. [92-3341-0280] To support the presentation of several ballet companies and Garth Fagan’s Bucket Dance Theatre during the 1992-93 season. [92-3341-0229]

1992 Annual Report Dance

Ohio State University Son Antonio Performing Arts Association University of California-Los Angeles Research Foundation San Antonio, TX $7,600 Los Angeles, CA $7,400 Columbus, OH $17,500 To support artists’ fees for American To support the commissioning and To support the commissioning and dance companies during the 1992-93 presentation of dance during the presentation of dance during the season. [92-3341-0282] 1992-93 season. [92-3341-0226] 1992-93 season. [92-3341-0281] Son Francisco Performances, Inc. IJniversity of Iowa On the Boards San Francisco, CA $4,700 Iowa City, IA $17,500 Seattle, WA $19A00 To support the presentation of dance To support Commissioning and resi­ To support dance events in the "New in major San Francisco theaters during dency activity during the 1992-93 Performance Series," the Northwest the 1992-93 season. [92-3341-0249] season. [92-3341-0222] New Works Festival, and the Special Events and Education Program. Society for the Performing Arts University of Minnesota-Twin Cities [92-3341-0252] Houston, TX $10,500 Minneapolis, MN $10,500 To support artists’ fees and production To support the commissioning and Painted Bride Art Center, Inc. costs associated with dance presenta­ presentation of dance during the Philadelphia, PA $7,400 tion during the 1992-93 season. 1992-93 season. [92-3341-0236] To support the presentation of dance [92-3341-0274] during the 1992-93 season, including University of Nebraska-Lincoln the "DanceAfrica" series. Spaleto Festival U.S.A. Lincoln, NE $4,700 [92-3341-0244] Charleston, SC $9,500 To support the presentation of dance To support the presentation of dance in main-stage and black-box venues Performance Space 122, Inc. during the 1992-93 festival. during the 1992-93 season. New York, NY $26,300 [92-3341-0269] [92-3341-0276] To support artists’ fees, administrative costs, and costs for the "New Stuff’ Sushi, Inc. University of Washington series during the 1992-93 season. San Diego, CA $8,500 Seattle, WA $6,600 [92-3341-0278] To support the "New Dance Series" To support artists’ fees associated with and "Black Choreographers Moving dance presentation during the 1992-93 Performance Support Services, Inc. Toward the 21st Century" during the season. [92-3341-0258] Seattle, WA $4,700 1992-93 season. [92-3341-0270] To support the Allegro! Dance Festival Walker Art Center, Inc. during the 1992-93 season. Theater Artaud Minneapolis, MN $39,300 [92-3341-0273] San Francisco, CA $9,300 To support artists’ fees for the com­ To support a variety of dance presenta­ missioning and presentation of dance Pittsburgh Dance Council, Inc. tions during the 1992-93 season. during the 1992-93 season. Pittsburgh, PA $20,100 [92-3341-0250] [92-3341-0228] To support the presentation and resi­ dencies of dance companies during the Thelma Hill Performing Arts Center, Inc. Washington Performing Arts Society 1992-93 season. [92-3341-0265] Brooklyn, NY $4,700 Washington, DC $27,300 To support the presentation of 93 To support artists’ fees and presenta­ Portland State University ELEO DANCE. [92-3341-0283] tion costs for dance performances and Portland, OR $13,000 outreach activity during the 1992-93 To support dance performance and University of California.Berkeley season. [92-3341-0246] residency activity during the 1992-93 Berkeley, CA $30,600 season. [92-3341-0223] To support the presentation of a vari­ ety of dance performances during the 1992-93 season. [92-3341-0225]

"~6 National Endowment for the Arts Dance

World Music Institute, Inc. ~. Colorado Dance Festival, Inc. Information Services Program, and New York, NY $4,700 Boulder, CO $5,000 the biannual National Roundtable. To support the presentation of tradi­ To support the activities of the [92-3365-0071] tional dance from various world cul­ International Tap Association. tures during the 1992-93 seasofi. [92-3365-0094] DanceWorks, inc. [92-3341-0242] New York, NY $20,000 Dance Bay Area To support Pentacle’s full range of GENERAL SERVICES TO THE FIELD San Francisco, CA $10,000 management services offered to dance To support administration and imple­ artists and the administration of a To assist individuals or organizations mentation of a wide variety of services subsidized performance/rehearsal who provide services to dance compa­ for the Bay Area dance community. facility for the dance community. nies, dancers, and choreographers on a [92-3365-0076] [92-3365-0098] national or regional level. ¢r Dance Notation Bureau, Inc. Dancers’ Collective of Atlanta, Inc. 32 grants; 1 cooperative agreement Glen Head, NY $13,000 Atlanta, GA $5,000 Program Funds: $458,191 To support the documentation of To support the Choreography choreography using Labanotation Symposium and the Atlanta Dance on ~ Affiliate Artists, Inc. and the continued building of a com­ the Loose festival, including video doc­ New York, NY $9,000 prehensive archive. umentation. [92-3365-0081] To support dance residencies for [92-3365-0080] Affiliate Artists dance artists during Dia Center for the Arts, Inc. 1992. [92-3365-0092] Dance Resource Center of New York, iVY $5,000 Greater Los Angeles To support free and low-cost dance re­ American Tap Dance Orchestra, Inc. Los Angeles, CA $5,000 hearsal and performance space and New York, NY $5,000 To support the development of video documentation of dance perfor­ To support rehearsal and performance services for the dance community, mances at Dia. [92-3365-0097] space subsidy and evening dance events including a newsletter, community for tap dance artists. [92-3365-0082] meetings, a dance fair, technical assis­ Co~m lh~ Co., Inc. tance, and an archival library. New York, NY $5,000 Boston Dance Umbrella [92-3365-0099] To support a variety of services to Cambridge, MA $10,000 dance companies and artists, including To support consultations, publications, ~r Dance Theater Workshop, Inc. management support, residencies, and a workshop series, a residency project, New York, NY $30,000 a clinic for arts management. and general services to the Boston To support the Membership Services [92-3365-0075] dance community. [92-3365-0073] Program of low-cost resources for choreographers and dancers. Ellen Webb Dance FoundaUon Carlisle Project [92-3365-0090] Oakland, CA $5,000 Carlisle, PA $5,000 To support the Talking Dance Project To support annual workshops and Dance Umbrella symposia program. [92-3365-0087] choreography residencies at Carlisle. Austin, TX $5,000 [92-3365-0067] To support the addition of a staff Florida Dance Association, Inc. person and to enhance membership Miami, FL $10,000 Circuit Network services through a variety of projects. To support information services, par­ San Francisco, CA $5,000 [92-3365-0068] tial costs associated with the Florida To support the Circuit Satellite Dance Festival, and a variety of services Project, which will provide training in ~r Dance/USA to artists, companies, and presenters. Circuit’s model of management for Washington, DC $25,000 [92-3365-0085] touring artists in several satellite loca­ To support the Publications Program, tions. [92-3365-0078] including a dance journal, the

x99z Annual Report z7 Dance

Friedman, Jeffrey P. documentation of dance works and Theatre Development Fund, Inc. San Francisco, CA $5,000 artists for the Dance Collection. New York, NY $20,000 To support the Legacy oral history doc­ [92-3365-0093] To support marketing programs, ticket umentation project. [92-3365-0089] subsidies and sales, and the performing On the Boards arts information phone line. H.T. Dance Company, Inc. Seattle, WA $5,000 [92-3365-0088] |Chen and Dancers) To support the Artist Access Program New York, NY $5,000 of production and performance services Yellow Springs Institute for To support subsidized space rental and the "12 Minutes Max" perfor­ Contemporary Studies and the Arts to dance artists and companies for mance series. [92-3365-0070] Chester Springs, PA $2,000 rehearsal and performance. To support the fifth annual meeting of [92-3365-0069] Original Ballets Foundation, Inc. the Chester Group. [92-3365-0083] New York, IvY $I0,000 ~" Jack Faucett Associates To support the activities of the New SPECIAL PROJECTS Bethesda, MD $128,191" Ballet School, providing New York To support consultant services related City public school children with free To support exemplary ideas that will to artistic and administrative evalua­ ballet training and related educational advance the dance art form, are of na­ tions (site visits) of professional dance services. [92-3365-0091] tional significance, and/or can be used companies, choreographers, service or­ as models by the whole dance field. ganizations, presenters, and other ap­ Performance Space 122, Inc. Included is one grant under Dance on plicants. [DCA 92-10] New York, NY $13,000 Tour. Other Dance on Tour grants *Includes $26,600 donated by Dayton- To support artist consultancies, space can be found in the Presenting and Hudson Foundation. rental subsidy, and photo documenta­ Commissioning and State and tion of dance presentations at P.S. 122. Regional Programs. Joyce Theater Foundation, inc. [92-3365-0095] New York, NY $30,000 9 grants To support rent subsidy to dance com­ Performance Zone, inc. Program Funds: $513,000 panies during the 1992 spring rental New York, NY $5,000 season. [92-3365-0072] To support Fieldwork sessions, Council for Positive Images, Inc. Fieldays performances, Fieldforums Washington, DC $30,000 Minnesota Dance Alliance meetings, rehearsal space subsidy, and To support the first phase of a docu­ Minneapolis, MN $13,000 fiscal conduit services. [92-3365-0086] mentary on the life and work of dance To support a newsletter, the Dance artist Katherine Dunham. Dance on Production Clearinghouse, and a San Francisco Performing Ar~s Tour/Regional Component Panel variety of membership services for Ubrary and Museum (1992). [92-3370-0287] the region’s dance community. San Francisco, CA $5,000 [92-3365-0074] To support personnel costs for obtain­ ~r Dance Theater Workshop, Inc. ing, transferring, and cataloguing dance New York, IVY $100,000 New York Dance Center, Inc. materials for a new video facility at the To support the 1992-93 season of the New York, NY $5,000 library. [92-3365-0079] dance component of the National To support the Harkness Space Performance Network, linking inde­ Program, a subsidized studio rental Theater Artaud pendent performing artists and small program for choregraphers and dance San Francisco, CA $8,000 companies with a consortium of 45 companies. [92-3365-0096] To support the Technical Assistance presenters in 25 cities across the nation. Rental Program, residencies with dance [92-3370-0285] ~ New York Public Librarj Astor, artists and companies, and the Lenox and ~lden Foundation Summertime Dance Project of perfor­ Dance Theatre Workshop, Inc. New York, NY $27,000 mance opportunities. [92-3365-0084] New York, NY $16,000" To support the Library Technical Special Projects Panel. [92-3052-0046] Assistant III staffposition and video *See International chapter.

National Endowment for the Arts Dance

~r Earth Circle Association Mid-America Arts Alliance Luise Scripps (layperson) Mr. Shasta, CA $40,000 Kansas City, MO $117,000" Writer; Lecturer; Consultant To support restoration and documen­ For artists’ fee support to presenters New York, NY tation of the teaching of Native throughout Arkansas, Kansas, American traditional dances from the Missouri, Nebraska, Oklahoma, and Yacov Sharir tribes along the Klamath River in Texas for dance companies presented Artistic Director northern California. Dance Heritage during the 1992-93 season and for Sharir Dance Company Initiative Panel. [92-3370-0064] related administrative expenses. Austin, TX [92-5442-0165] ~ George Balanchine Foundation, Inc. *This grant was co-funded with $77,960 Fred Strickler New York, NY $50,000 from the State and Regional Program for Professor of Dance, University of To support completion of the a totalgrant of $194,960. California; Artistic Director "Balanchine Essays: Analysis and Fred Strickler and Friends Aspects of the Balanchine Technique," Riverside, CA a video library of the teaching tech­ niques of George Balanchine. PANELS James Truitte Dance Heritage Initiative Panel. Professor [92-3370-0063] CHOREOGRAPHERS’ FELLOWSHIPS College Conservatory of Music Cincinnati, OH Jacob’s Pillow Dance Festival, Inc. Suzanne Carbonneau Lee, MA $15,000" Dance Critic; Historian DANCE COMPANY G~ANEL A [92-3052-0045] Chevy Chase, MD *See International chapter. Douglas Dunn Douglas Dunn (chair) Artistic Director ~r Sommer, Sally Artistic Director Rio Grande Union, Inc. New York, NY $50,000 Rio Grande Union, Inc. New York, IVY To support documentation and cre­ New York, NY ation of a database on social or vernac­ Pamela Martin Green ular dance in New York City dubs. Rita Felciano Director of Touring and Presenting Dance Heritage Initiatives Panel. Dance Critic; Writer North Carolina Arts Council [92-3370-0061] San Francisco, CA Raleigh, NC

~ Twin Cities Public Television, Inc. Ishmael Houston-Jones Ronn Guidi St. Paul, MN $95,000 Choreographer Artistic Director To support the production, acquisi­ New York, NY Oakland Ballet tion, packaging, and promotion of the Oakland, CA dance component for the 1992 season Mark Murphy of"Alive from Off Center," to be pro­ Program Director Jean Battey Lewis duced by KTCA-TV. Special Projects On the Boards Dance Critic Panel. [92-3370-0065] Seattle, WA Chevy Chase, MD

DANCE ON TOUR/ Toni Pimble Susan Marshall REGIONAL COMPONENT Artistic Director Artistic Director Eugene Ballet Susan Marshall and Dancers (Panelists listed for the Dance on Tour Eugene, OR New York, IVY Panel (1991) under the Presenting and Commissioning Program also reviewed ~aflota Santana Cynthia Mayeda (layperson, chair) this grant.) Artistic Director Chair Spanish Dance Arts Company Dayton Hudson Foundation New York, NY Minneapolis, MN

z99zAnnual Report 2,9 Dance

Donald McKayle Laura Dean Vicky Wulff Choreographer; Professor of Dance Choreographer; Composer; Dance Specialist University of California, Irvine Artistic Director Library of Congress Irvine, CA Dean Dance & Music Foundation Washington, DC New York, NY Bebe Miller DANCE/FILM/VIDEO Artistic Director Jean Battey Lewis Bebe Miller and Company Dance Critic Blondell Cummings New York, NY Chevy Chase, MD Choreographer; Artistic Director Cycle Art Foundation Darlene Neel Cynthia Mayeda (layperson, chair) New York, NY General Manager Chair Lewitzky Dance Company Dayton Hudson Foundation John Giancola (layperson) Los Angeles, CA Minneapolis, MN Associate Professor of Communications University of Tampa ¯ na Ramirez Donald McKayle Tampa, FL Founder/Artistic Director Choreographer; Professor of Dance Ballet Hispanico of New York University of California, Irvine Michael Kidd New York, NY Irvine, CA Choreographer; Director Los Angeles, CA Francia Russell Michael Uthoff Associate Artistic Director Artistic Director Daniel Nagrin Pacific Northwest Ballet Hartford Ballet Senior Lecturer in Dance Seattle, WA Har~ord, CT Arizona State University Tempe, AZ Margaret King Stanley DANCE HERITAGE INITIATIVE Founder/Executive Director Janice Ross (chair) San Antonio Performing Arts John Giancola (layperson) Dance Critic; Lecturer in Dance Association Associate Professor of Communications Stanford University San Antonio, TX University of Tampa Palo Alto, CA Tampa, FL Jelon Vieira Raoul Trujillo Artistic Director Rhoda Grauer Dancer; Choreographer DanceBrazil Director of Arts and Toronto, Canada New York, NY Humanities Programming WNET Edin Velez DANCE COMPANY GRANTS--PANEL B New York, NY Video Artist New York, NY Jeremy Alliger Michael Kidd (chair) Executive Director Choreographer; Director Vicky Wulff Boston Dance Umbrella Los Angeles, CA Dance Specialist Boston, MA Libraty of Congress Judith Mitoma Washington, DC Art Becofsky Chairperson, World Arts and Executive Director Culture Program Cunningham Dance Foundation University of California-Los Angeles New York, NY New York, NY

30 National Endowment for the Arts Dance

GENERAL SERVICES TO THE FIELD Marl Tones de Hutchinson (layperson) Sule Greg Wilson (layperson) Coordinator of Permanent Arts Funds Archivist; Lecturer/Writer on African Philip Bither Puerto Rico Community Foundation & Afro-American History Director of Programming Santurce, PR Smithsonian Institution Flynn Theater Takoma Park, MD Burlington, VT GRANTS TO DANCE PRESENTERS SPECIAL PROJECTS Amy Chin Maria Benitez Executive Director Artistic Direcmr Maria Benitez New York Chinese Maria Benitez Spanish Dance Company Artistic Director Cultural Center, Inc. Santa Fe, NM Maria Benitez Spanish Dance Company New York, NY Santa Fe, NM Oceola Bragg Roger Copeland Founder/Director Suzanne Carbonneau Dance Historian; Professor of 14th Street DanceCenter Dance Critic; Historian Theater and Dance New York, NY Chevy Chase, MD Oberlin College Oberlin, OH ~mothy Buckley Allan Gray (layperson) Dancer; Choreographer Vice President Alyce Dissette Chicago, IL Black Economic Union Executive Producer Kansas City, MO "Alive From Off-Center" Jackie Calderone St. Paul, MN Consultant; Curator John McFall Third Street Performance Space Artistic Director Alonzo King Columbus, OH Ballet Metropolitan Artistic Director Columbus, OH LINES, a Dance Company Gary Dunning (chair) San Francisco, CA Executive Director Dianne Mclntyre Houston Ballet Choreographer; Founder Dianne Mclntyre (chair) Houston, TX Sounds In Motion Dance Company Choreographer; Founder New York, NY Sounds In Motion Dance Company Ellis Finger New York, NY Director, Williams Center for the Arts Donald McKayle (chair) Lafayette College Choreographer; Professor of Dance Michael Stifling Easton, PA University of California, Irvine Performing Arts Program Coordinator Irvine, CA Oregon Arts Commission Patricia Graney Portland, OR Choreographer Michael Uthoff Seattle, WA Artistic Director Fred Strickler Hartford Ballet Professor of Dance, University of Mel Tomlinson Hartford, CT California; Artistic Director Principal Guest Artist; Director, Fred Strickler and Friends Boston Ballet’s City Dance Riverside, CA Boston Ballet Boston, MA

~992 Annual Report D esign Arts

117 grants; 12 cooperative agreements; 2 interagency agreements Program Funds: $3,549,235

The Design Arts .Program supports excellence in the disciplines of America. "Your Town -- Designing Its Future," a training architecture, landscape architecture, urban and regional plan­ seminar for non-designers making design and planning deci­ ning, historic preservation, interior design, and graphic, indus­ sions for rural communities, imparts to participants the fun­ trial, and product design. Working through a combination of damentals of design quality and how to achieve it. grants and leadership activities, it strives to make the American A new initiative in design education launched this year public more aware of the benefits of good design by promoting will continue for several years. Learning Through Design was informed design discussion and criticism. The program also conceived because the potential of&sign to motivate and em­ links the public with valuable design resources and encourages power students -- to hone their creative problem-solving and design approaches that stimulate creativity while celebrating de­ critical thinking skills is often overlooked. This initiative sign heritage. Generally, the grants program supports the work aims to increase the awareness of design as a catalyst for learn­ of professional designers seeking to expand or improve design ing among education leaders and innovators and to stimulate practice, while leadership activities emphasize public education wider integration of design throughout K-12 curricula. Prime and the delivery of competent design practice to the public. examples of learning through design in public elementary and secondary schools (in whatever subject areas and grade levels NVESTMENT IN THE LONG-TERM HEALTH OF they occur) will serve as a foundation document for a meeting American design was the focus of Design Arts initiative of educators who will be asked to develop strategies for the I activity in FY 1992. To help Americans become more greater integration of design throughout the curriculum. A aware of the importance of the design process and its re- publication summarizing the findings and recommendations sots, the program continued to emphasize quality design in for a long-term reform agenda will be prepared in 1993 and the public realm. Long-term invest .... distributed to a variety of educators, ments in the education of decision- government officials, corporate makers who influence the public leaders, and other interested citizens spaces in which we all live is a pro­ across the country. Future invest­ gram priority. The Mayors’ Institute ment in design education will be on City Design, which offers a short charted during this first phase of course on urban design principles for activity. elected officials, continues to be held Program dollars were also in­ yearly. Two national institutes are vested in improving Federal design cosponsored in Charlottesville with in FY 1992, since the Federal gov­ the University of Virginia, while . ­ ernment is the nation’s single largest regional institutes occur at the builder, printer, and user of designed Massachusetts Institute of Technology (for northeastern products and design services. Each year, the government cities), Tulane University (for the South), the University of spends more than $40 billion on design and construction ac­ Minnesota (Midwest), and University of California, Berkeley tivities ranging from erecting bridges, highways, housing, (the West). and office buildings to producing stamps, publications and Likewise, the Program continues to invest in the Design exhibitions. The Design Arts Program helps Federal agencies for Housing Forum, a project initiated in 1990 which reveals meet this public responsibility through its Federal Design the benefits of good design to developers, bankers, housing of­ Improvement Program (FDIP) which was initiated by ficials, and others involved in the affordable housing industry. President Nixon in 1972 and has been supported by every ad­ Four regional workshops a year bring representatives of the ministration since. Among FDIP activities this year were housing community from sixteen different cities to learn Round III of the Presidential Design Awards Program which about quality design and how to achieve it within the context recognizes design excellence in projects created or sponsored of long-range community planning. Another Design Arts ini­ by Federal agencies. "From Mars to Main Street: America tiative that invests in the public realm focuses on rural Designs, 1965-1990," an exhibition intended to help the pub-

National Endowment for the Arts lic see, evaluate, and more actively shape federal design, opened this year at the National Building Museum in Washington and will continue there through 1993. In-depth presentations of a variety of Federal design projects reveal the underlying problem-solving process through a variety of two- and three-dimensional visuals, videos, historical artifacts, and contemporary objects. In addition to grant dollars invested in industrial design, the Program supports the Design Management Institute (DMI) as it develops case studies of corporate design management for integration into business school curricula following the case method developed by the Harvard Business School. DMI en­ gages professors to undertake field-based research, draft cases and test them in classrooms, and prepare teaching notes for a core collection of case studies for distribution to business and engineering schools. Examples of case study topics or. companies selected thus far include Bahco Tools, Braun, Canon, Digital, Sony, GE Plastics, Steelcase, Miata, Polaroid, and Techscan. Design Arts also supports~ Carnegie-Mellon University’s Department of Design in the development of a series of video tapes and instruction workbooks to help business managers un­ derstand product design, its role in competitiveness, and strate­ gies for implementing sound design management practices. Aside from grant moneys devoted to professional develop­ ment, the Program also invests in the field by providing infor­ mation on design projects, activities, professionals, and organi­ zations throughout America accumulated through program initiatives, grants, panelists, staff, and other design organiza­ tions. Through its computerized information service and pub­ lications, Design Access establishes links among discipline-spe­ cific design services and directs users to existing resources. The exchange of design information and expertise will be increased by improving communications among Federal, state and local agencies, and associations and institutions concerned with de­ sign issues. Information about these professional design organi­ zations’ activities is made available along with information about Endowment leadership activities via this new outreach program, which maintains a library of current design literature that is available to the public.

A Heritage ConservaUon grant to the New-York Historical Society helps preserve the papers of architect Cass Gilbert, including these drawings of two Manhattan landmarks, the Custom House (facing page) and Woolworth Tower.

I99:z Annual Report Design Arts

Architectural League of New York ~r Cooper Union for the Grants New York, NY $30,000 Advancement of Science and Art To support a research project, exhibi­ New York, NY $50,000 ~ Denotesgrants having national impact. tion, and catalogue on the design of a To support research and development new urban park system incorporating of a national graphic design archive efforts to recapture the Brooklyn- in collaboration with Rochester PROJECT GRANTS FOR Queens aquifer for use as drinking Institute of Technology and the ORGANIZATIONS water. Panel I. [92-4251-0017] University of Illinois at Chicago. Panel II. [92-4251-0065] Grants support projects that advance Art Institute of Chicago the state of the art through design prac­ Chicago, 1L $45,000 Cooper Union for the tice, theory, research, communication, To support an exhibition of Soviet Advancement of Science and Art and education about design in all disci­ architecture by Moscow architects. New York, NY $34,900 plines, induding architecture, land­ Panel I. [92-4251-0025] To support the exhibition "Low and scape architecture, urban design and High: Design in Everyday Life," and its planning, historic preservation, interior Boston Parks & Recreation Department accompanying publication. Panel I. design, graphic design, and industrial Boston, MA $20,000 [92-4251-0030] and product design. To support production of a guide to Boston’s Emerald Necklace park sys­ Design Alabama, Inc. 43 grants tem. Panel I. [92-4251-0028] Montgomery, AL $10,000 Program Funds: $1,387,900 To support the Alabama Community Center for Critical Architecture Design Program which provides rural Allied Arts Foundation San Francisco, CA $25,000 and small communities with design Seattle, WA $50,000 To support an international competi­ and urban planning assistance. Panel I. To support renovation of the O.K. tion for an exhibition and publication [92-4251-0022] Hotel ARTSPACE, a live/work space examining development options for the for artists in Seattle. Panel II. Embarcadero waterfront area in San Design Nabama, Inc. [92-4251-0077] Francisco. Panel II. [92-4251-0061] Montgomery, AL $50,000 To support activities ofa statewide American Architectural Foundation, Inc. Chicago Park District design arts program, including pro­ Washington, DC $48,265 Chicago, 1L $40,000 duction of newsletters, journals, a To support a community planning and To support completion of the Lincoln video, and workshops. Panel II. design process for the design of afford­ Park Management and Restoration [92-4251-0082] able housing in Helena, Arkansas. Plan. Panel II. [92-4251-0062] Panel II. [92-4251-0064] ~ Disability Rights Education ~r City of Boston, and Defense Fund, Inc. ~r Arango Design Foundation Public Facilities Department Berkeley, CA $40,000 Miami, FL $25,000 Boston, MA $43,500 To support production of a documen­ To support an exhibition and accom­ To support a competition and pub­ tary film focusing on making small panying catalogue featuring ordinary lication for the design of housing business establishments more accessible and extraordinary examples of indus­ for people with AIDS. Panel II. to people with disabilities. Panel I. trial design. Panel II. [92-4251-0074] [92-4251-0080] [92-4251-0032]

Architectural League of New York City of Chicago, Illinois East Side Arts Council New York, NY $40,000 Chicago, IL $50,000 St. Paul, MN $8,000 To support development of an exhibi­ To support workshops and production To support a community design pro­ tion on the work of Italian architect of a manual for the conversion of com­ ject for a public poetry park in an eco­ Renzo Piano. Panel I. [92-4251-0015] mercial storefronts to housing. Panel II. ¯ nomically distressed urban neighbor­ [92-4251-0085] hood. Panel I. [92-4251-0036]

34 National Endowment for theArts Design Arts

Exit Art, Inc. Municipal Art Society tion project being conducted in the New York, NY $33,000 New York, NY $17,000 Portland, Oregon metropolitan area. To support the second stage of an To support a publication documenting Panel I. [92-4251-0038] exhibition series, "The Design Show," the Municipal Art Society’s past cen­ presenting innovative graphic design tury of civic activism and urban design. ~ Pacific Center for the Book Arts of posters and catalogues produced by Panel I. [92-4251-0026] Oakland, CA $14,700 art galleries and museums. Panel I. To support publication of Design Book [92-4251-0019] Municipal Art Society Review, an innovative magazine of New York, NY $25,000 ideas for the fields of architecture, Harvard College, President & Fellows of To support the multidisciplinary exhi­ design, and urban planning. Panel I. Cambridge, MA $40,000 bition, "Pilgrim’s Progress: The New [92-4251-0021] To support development of a master Immigrants Build a New New York plan for the preservation of the Arnold City." Panel I. [92-4251-0037] Pauline Oliveros Foundation, Inc. Arboretum. Panel I. [92-4251-0016] Kingston, NY $50,000 Municipal Art Society of Baifimore To support design fees for the set of ~ Howard University Baltimore, MD $40,000 the musical Nzinga, the Queen-King. Washington, DC $45,000 To support the third phase of a multi­ Panel II. [92-4251-0075] To support a national forum for disciplinary public works design project African American and other minority through an exhibition, catalogue, and ¢r Pratt Institute architects. Panel II. [92-4251-0084] implementation of design schemes Brooklyn, NY $23,500 for bridges along the Jones Fails To support Access to Daily Living: The Kansas Arls Commission Expressway in Baltimore. Panel II. Universal Design Conference, a multi­ Topeka, KS $35,000 [92-4251-0073] disciplinary conference on universal To support elements of the design. Panel I. [92-4251-0029] Commission’s Design Arts Program Neighborhood InCdtute to include technical assistance mono­ Chicago, IL $50,000 ¢r Restore graphs, newsletter, grants for planning, To support development of a design New York, NY $40,000 and design consultancies. Panel I. resource center for Chicago’s South To support development of a national [92-4251-0035] Shore community. Panel II. workshop series and a technical field [92-4251-0063] guide examining health and envi­ Lumen, Inc. ronmental hazards encountered in New York, NY $8,500 New England Conservatory of Music architectural restoration. Panel I. To support research and development Boston, MA $40,000 [92-4251-0020] of a special issue of the architectural To support design fees and other publication, Sites. Panel I. related costs for restoration of Jordan Rhode Island School of Design [92-4251-0027] Hall in Boston. Panel II. Providence, RI $4,217 [92-4251-0086] To amend a grant to support a docu­ ~. Minnesota Center for Book Arts mentary film on Samuel Yellin, one of Minneapolis, MN $18,700 New York Botanical Garden America’s most gifted metalworkers. To support "Off the Shelf and Online: Bronx, NY $42,500 Panel I. [90-4251-0068] Computers Move the Book Arts into To support the development of a mas­ Twenty-First Century Design," the ter plan for restoration of the New S~reh’ont for Art and Architecture, Inc. first national exhibition examining the York Botanical Garden in the Bronx. New York, iVY $10,000 influence of computers in the realm Panel I. [92-4251-0024] To support a new quarterly publica­ of graphic and book arts. Panel I. tion, Reports, documenting the state of [92-4251-0033] One Thousand Friends of Oregon experimental works by architects and Portland, OR $35,000 artists working in and outside of the To support a national conference on United States. Panel I. [92-4251-0023] land use and transportation planning based upon the results ofa demonstra­

z992Annual Report 35 Design Arts

Storefrent for Art and Architecture, Inc. Woridesign Foundation, inc. combines the design, business, and New York, NY $15,700 Great Falls, VA $30,000 engineering disciplines. Panel II. To support an exhibition and accom­ To support a design-producing session [92-4258-0094] panying catalogue, "Formworks and focusing on the environment which Blackouts," featuring the work of Mark will bring together industrial design Fabric Workshop, Inc. West, which utilizes elements of art, students, faculty, and practitioners Philadelphia, PA $25,000 architecture, and building technology. from around the wodd. Panel II. To support a design apprentice training Panel II. [92-4251-0078] [92-4251-0081] program. Panel II. [92-4258-0072]

Storefront for Art and Architecture, Inc. Foundation for Architecture New York, NY $14,500 PROJECT GRANTS FOR Philadelphia, PA $25,000 To support an exhibition and cata­ DESIGN EDUCATION To support an architecture-in-educa­ logue, "Berlin-Los Angeles," featuring tion program for K-12 students in the the work of architect Dagmar Richter. Grants support a wide range of design Philadelphia school district and in Panel II. [92-4251-0079] education activities including the pro­ parochial and independent schools duction of educational materials, the throughout the Delaware Valley. University of the Arts development of curricula integrating Panel II. [92-4258-0089] Philadelphia, PA $28,000 design with other subjects, teacher To support an exhibition, symposium, training programs, the testing of new Maine Arts Commission and catalogue for "Czech Cubism: techniques and evaluation methods, Augusta, ME $25,000 Architecture and Design." Panel II. and specific conferences, symposia, or To support development of a design [92-4251-0083] workshops relating to design education. education program for students in grades K-12. Panel II. [92-4258-0092] University of California-Berkeley 15 grants Berkeley, CA $40,000 Program Funds: $322,496 National Building Museum To support production of a video These grants were reviewed by Washington, DC $18,000 documentary, "An Architecture of Project Grants for Organizations To support the second phase of the Earth and Fire," demonstrating the Panels I & II. museum’s three-phase plan to intro­ potential of adobe architecture in ad­ duce the field of design to high school dressing housing problems in the American Planning Association students. Panel I. [92-4258-0039] First and Third Worlds. Panel I. Hawaii Chapter [92-4251-0018] Honolulu, HI $25,000 ~ National Trust for Historic To support development of curriculum Preservation in the United States University of Southern California materials for a design education pro­ Washington, DC $25,000 Los Angeles, CA $38,748 gram. Panel II. [92-4258-0088] To support development of a historic To support an investigation into and preservation curriculum. Panel II. publication about the role of design in Central Park Conservancy, Inc. [92-4258-0091] development disputes. Panel I. New York, NY $9,596 [92-4251-0031] To support a design education project North Carolina Arts Council to introduce junior high school stu­ Raleigh, NC $25,000 ~ Virginia Commonwealth University, dents to basic design principles. To support a design education Richmond, VA $39,170 Panel I. [92-4258-0043] project that integrates design into the To support "Tomas Gonda: A Life in language arts, mathematics, science, Design," an exhibition and accompa­ ~, Corporate Design Foundation, Inc. and social studies curricula in North nying catalogue chronicling the life Boston, MA $25,000 Carolina middle schools. Panel II. and work of this internationally To support research, a symposium, and [92-4258-0095] acclaimed graphic designer. Panel I. documentation demonstrating a collab­ [92-4251-0034] orative teaching methodology which

36 National Endowment for the Arts Design Arts

Sawtooth Center for Visual Art PROJECT GRANTS FOR conservation professionals for the Winston-Salem, NC $24,000 HERITAGE CONSERVATION Adirondack-Lake Champlain Design To support a conference on multicul­ and Technical Assistance Outreach rural influences for professional artists Grants support organizations engaged Program. Panel I. [92-4231-0002] and designers on surface design. in preserving the physical products of Panel I. [92-4258-0041] design or documenting the history of Essex Community Heritage design. Organization, Inc. University of Idaho Essex, NY $24,936 Moscow, ID $25,000 15 grants To support an architectural conserva­ To support research for the develop­ Program Funds: $329,284 tion apprenticeship program in the ment of an experimental interdiscipli­ Grants were reviewed by Project Adirondack-Lake Champlain region, nary course combining art, ecology, Grants for Organizations Panels I an area lacking preservation craftsmen, landscape architecture, and architec­ & II. yet in great need of these capabilities. ture. Panel II. [92-4258-0093] Panel I. [92-4231-0004] American Architectural Foundation, Inc. ¢r Univers~ of Virginia (Octagon Museum) Fund for Architecture and the Charlottesville, VA $20,000 Washington, DC $23,353 Environment, Inc. To support a national conference of the To support research for an exhibition New York, NY $25,000 Council of Educators in Landscape and publication documenting To support research for a monograph Architecture. Panel II. [92-4258-0090] Biltmore, a 125,000-acre landmark in and exhibition on 20th-centuty bridge Asheville, North Carolina, the result of designer Othmar Amman. Panel I. ~, Urban Land Institute the last major collaboration of land­ [92-4231-0011 ] Washington, DC $13,700 scape architect Frederick Law Olmsted To support design awareness and architect Richard Morris Hunt. Museum of Modern Art workshops in San Francisco and Panel I. [92-4231-0005] New York, NY $20,000 Washington, D.C. for real estate devel­ To support the museum’s efforts opers that will provide them with an Berkshire Natural Resources Council to complete the cataloguing of its understanding of basic design issues. Pittsfield, MA $22,000 industrial design collection. Panel I. Panel I. [92-4258-0040] To support development of landscape [92-4231-0009] preservation plans for Berkshire Worcester Heritage Preservation Society County’s historic and cultural proper­ National Trust for Historic Worcester, MA $12,200 ties. Panel I. [92-4231-0006] Preservation in the United States To support a design education pro­ Washington, DC $24,000 gram in Worcester elementary schools City of Portland, Maine To support research and documenta­ in which teachers will collaborate with Portland, ME $20,080 tion of Lyndhurst’s historic 65-acre architects to create an interdisciplinary To support development of a restora­ grounds and gardens in the Hudson curriculum focused on local design and tion plan for the Evergreen historic Valley. Panel I. [92-4231-0007] architecture. Panel I. [92-4258-0042] cemetery; a master plan for adjacent cemetery property; a monograph on New-York Historical Society Young Aspirations Young Artists, Inc. preserving historic cemeteries; and a New York, NY $25,000 New Orleans, LA $25,000 series of public forums. Panel II. To support conservation and catalogu­ To support development of a fabric [92-4231-0066] ing of the Cass Gilbert collection of print workshop. Panel II. architectural drawings to increase its [92-4258-0087] Essex Community Heritage accessibility to the public. Panel I. Organization, Inc. [92-4231-0001] Essex, NY $24,765 To support the addition of a design outreach coordinator, and continued consultancies by architectural and

z99zAnnual Report 37 Design Arts

~ Rochester Institute of Technology PLANNING GRANTS FOR RURAL PROJECT GRANTS FOR Rochester, IVY $18,750 AND SMALL COMMUNmES INDIVIDUALS To support continued development of Rochester Institute of Technology’s Grants support efforts to solve plan­ Grants support projects that advance electronic desktop archive of the his­ ning and urban/rural design issues, par­ the state of the art through design prac­ tory of graphic design. Panel I. ticularly growth management and its tice, theory, research, communication, [92-4231-0008] effect on these communities, by pro­ and education about design in all the viding funds to organizations for design disciplines, including architecture, Society for the Preservation of assistance and demonstration projects. landscape architecture, urban design New England Antiquities, Inc. and planning, historic preservation, in­ Boston, MA $25,000 5 grants terior design, graphic design, and in­ To support development of a master Program Funds: $49,555 dustrial and product design. plan for Cogswell’s Grant, a New Grants were reviewed by Project England rural landmark donated to the Grants for Organizations Panel I & II. 30 grants Society by American folk art collectors Program Funds: $420,000 Bertram and Nina Fletcher Little. Carlisle Regional Panel I. [92-4231-0012] Per[orming Arts Center, Inc. Balmod, Diana Carlisle, PA $10,000 New Haven, CT $10,000 ~ Society of Environmental Graphic To support development of design To support research and production of Designers Education Foundation, Inc. drawings for the conversion of an art a book on gardens created by homeless Cambridge, MA $20,000 deco theater into a performing arts people in New York City. Panel II. To support the implementation center. Panel I. [92-4242-0014] [92-4216-0104] phase of a national archive for environ­ mental graphic design. Panel I. Carnegie Hall Bruce, Gordon P. [92-4231-0013] Lewisburg, WV $10,000 New Milford, CT $15,000 To support restoration of Carnegie To support research, interviews, and St. Ann Center for Hall in Lewisburg, West Virginia. organization of materials for a book Restoration and the Arts, Inc. Panel II. [92-4242-0071] on industrial designer Eliot Noyes. Brooklyn, NY $24,000 Panel I. [92-4216-0059] To support apprenticeships in sand­ C~ of Peekskill Department of stone preservation at the American Planning and Development B,,chen, Bill & Mary Heritage Center for Conservation and Peekskill, NY $9,555 New York, IVY $10,000 Training. Panel I. [92-4231-0003] To support design of affordable studio To support research and development space and housing for artists. Panel II. of a pilot plan for acoustic designs for Texas Historical Commission [92-4242-0069] city parks and urban plazas. Panel II. Austin, TX $10,400 [92-4216-0112] To support development of a computer Historic South Dakota Foundation, Inc. database to document the history of Rapid City, SD $10,000 Campoli, Julie A. commercial architecture in Texas. To support a design workshop series Burlington, VT $8,200 Panel II. [92-4231-0067] for rural communities, "Caring for To support research for a report and Your Historic Building." Panel II. slide show on traditional Vermont University of Southern California [92-4242-0068] village forms and neighborhoods. Los Angeles, CA $22,000 Panel II. [92-4216-0100] To support research and a materials Lucas Arts and Humanities Council, Inc. testing program for conservation of Lucas, KS $10,000 Cooper, William D. Frank Lloyd Wright’s textile block To support design of an arts center in Pittsburgh, PA $13,900 system. Panel I. [92-4231-0010] Lucas, Kansas. Panel II. [92-4242-0070] To support the first phase of a panoramic view of Pittsburgh neigh­ borhoods drawn by various citizen groups. Panel I. [92-4216-0046]

38 National Endowment for the Arts Design Arts

English, Elizabeth C. and San Miguel de Allende, two Mangurian, Robert E. Philadelphia, PA $15,000 colonial cities in Mexico. Panel II. Venice, CA $15,000 To support publication of a guide to [92-4216-0098] To support an architectural history Moscow’s significant 20th-century of Hadrian’s Villa in Rome, Italy. architecture with emphasis on the ~r Hiss, Tony Panel II. [92-4216-0106] avant-garde architects of the 1920s and New York, NY $15,000 1930s. Panel I. [92-4216-0057] To support research for a book, A Parsons, S~ncer W. New Vision for Transportation: Linking Houston, TX $14,100 Felsten, Janet Together the Next America. Panel I. To support research for a publication Baltimore, MD $15,000 [92-4216-0058] on Charles-Edouard Jenneret’s exhibi­ To support development of an educa­ tion pavilion in Zurich, Switzerland. tional pilot program for children focus­ ~r Hood, Walter J. Panel I. [92-4216-0047] ing on the built environment. Panel I. Berkeley, CA $10,000 [92-4216-0051] To support research on the transfer of ~r Passonneau, Joseph R. African American garden traditions Washington, DC $15,000 Frankel, Felice C. from the rural South to the urban To support the production of illustra­ Longmeadow, MA $15,000 West. Panel II. [92-4216-0101] tions to accompany the book, Civic To support photographic research for a Design and Urban Transportation. book on the investigation of designed Ingraham, Catherine T. Panel I. [92-4216-0056] landscapes and their place in time. Chicago, 1L $12,000 Panel II. [92-4216-0110] To support the research for completion Prince, Keiko of a book, The Burdens of Linearity: Cambridge, MA $15,000 Friedman, Mildred S. Architectural Constructions. Panel I. To support research for a publication New York, NY $15,000 [92-4216-0048] on three site-specific environmental de­ To support research and documenta­ sign projects. Panel I. [92-4216-0049] tion for a retrospective exhibition of galisld, John E. the work of costume designer Issey Los Angeles, CA $15,000 ~- Rabinovitch, David Miyake. Panel I. [92-4216-0053] To support research and drawings for Mill Valley, CA $15,000 an urban design manual on Los To support research and development Gartner, William B. Angeles. Panel II. [92-4216-0108] of a three-part television documentary Kirkland, WA $15,000 series tracing the history of American To support research on the work of Krivanek, B. J. design and the impact it has had on Charles and Ray Eames for a book and Los Angeles, CA $15,000 everyday life. Panel I. [92-4216-0050] exhibit focusing on the process em­ To support design of architectural in­ ployed by them in the design of furni­ scriptions that integrate text into the Shanor, Rebecca R. ture, graphics, products, and architec­ architectural systems, structures, and New York, NY $15,000 ture. Panel II. [92-4216-0105] surfaces of the Union Rescue Mission To support a book examining in downtown Los Angeles. Panel II. construction methods, entitled Gordon, Gap/ [92-4216-0107] Building New York City. Panel I. New York, NY $12,000 [92-4216-0052] To support the writing of a book on Maldre, Mati architectural lighting design. Panel II. Chicago, IL $15,000 ~" Sherman, Suzette [92-4216-0111] To support research and travel for doc­ Cold Spring, NY $15,000 umentation and photography of the To support research on printing inks Hamer, Brian J. work of architect Walter Budey and their impact on the environment. Arlington, VA $14,800 Griffin. Panel II. [92-4216-0103] Panel II. [92-4216-0097] To support the preparation of an archi­ tectural monograph documenting the urban design structure of Patzcuaro

z99z Annual Report Design Arts

Taylor, Frederick E. Andreas, Frederick M. restoration in the United States. Washington, DC $15,000 Somerville, MA $10,000 Panel II. [92-4219-0113] To support documentation and analy­ To support the completion of com­ sis of antebellum structures in Flat puter-generated drawings, written ~" Jewell, Unda L Rock, North Carolina. Panel I. analysis, photographs, and working Berkeley, CA $20,000 [92-4216-0055] models exploring collapsibility of To support research for a book on out­ Octadome spaceframe structures. door theaters. Panel II. [92-4219-0114] Van Buren, Susan H. Panel I. [92-4259-0044] Baltimore, MD $15,000 ~ Robinson, P. Michael To support the planning and coor­ 8oyl, Brian L M. Delano, MN $20,000 dination of public discussions on the Los Angeles, CA $10,000 To support research for a book on need for comprehensive land planning To support research of various com­ the federal government’s role in hous­ in the state of Maryland. Panel I. puter systems to develop a working ing during Wodd War I. Panel II. [92-4216-0054] prototype of an affordable image-pro­ [92-4219-0115] cessing system for animators and video Vervinck, JoAnne E. artists. Panel I. [92-4259-0045] ~" $prague, Joan Forester Oklahoma City, OK $15,000 Boston, MA $20,000 To support research and documenta­ Koncelik, Joseph A. To support research for a book, tion of the design of landscapes created Powell, OH $10,000 Consequences of Design Variations in at Sacred Heart Mission, an Indian To support the design and prototype Housing for Single Mothers and Territory site located in Oklahoma. of a chair for the elderly. Panel II. Children: A National Survey. Panel I. Panel II. [92-4216-0102] [92-4259-0118] [92-4219-0060]

¢r Wines, James N. Streb, mizabeth New York, NY $15,000 New York, NY $10,000 DESIGN INmATIVES To support research for a book on con­ To support design research for a the­ temporary environmental initiatives atrical set piece used in a dance perfor­ The Program conducts leadership activi­ and their relationship to architecture. mance. Panel II. [92-4259-0116] ties in areas of special concern: Federal Panel II. [92-4216-0099] Realm, Public Realm, Corporate Realm, Van Valkenburgh, Michael R. and Access/Professional Development. ~ Wulkowicz, Robert M. Cambridge, MA $10,000 Chicago, IL $15,000 To support research on public foun­ 12 cooperative agreements; To support design research on new tains in arid regions of the United 2 interagency agreements storage and irrigation techniques to States. Panel II. [92-4259-0117] Program Funds: $910,000 supply water to urban areas. Panel II. [92-4216-0109] ~r Carnegie Mellon University USA FELLOWSHIPS Pittsburgh, PA $6,100 To amend a cooperative agreement to INDIVIDUAL GRANTS FOR Grants are awarded to designers and support the production of a series of DESIGN INNOVATION other individuals working in design-re­ videotape-workbook units on the im­ lated professions for independent study portance and benefits of product design Grants support projects that identify, and travel within the United States. and design management to business ex­ resolve, or define current design prob­ ecutives. [DCA 91-33] lems by exploring alternative solutions 4 grants and challenging the status quo. Program Funds: $80,000 ~r Community Ventures Reviewed by Project Grants for Washington, DC $20,000 Individuals Panels I & II. ~ HighsmRh, Carol M. To amend a cooperative agreement Takoma Park, MD $20,000 to implement Round III of the 5 grants To support travel and photography Presidential Design Awards, a program Program Funds: $50,000 for a book on historic preservation and that recognizes exemplary achievements

4° National Endowment for the Arts Design Arts

in Federal design projects, programs, needs of rural communities that are still ¢z USDA Soil Conservation Service and policies. Project Grants for in economic decline and those facing Washington, DC $50,000 Individuals Panel I. [DCA 91-21] the pressures of growth. [DCA 90-55] To support an interagency agreement for the placement of landscape archi­ ~ FCC: Department of State Tulane University tects in resource conservation and de­ (Federal Construction Council) New Orleans, LA $50,000 velopment districts in three different Washington, D. C. $20,000 To support a cooperative agreement for regions of the United States. Overview To support an interagency agreement a regional program of the Mayors’ Panel (1991). to provide partial support for the Institute on City Design. Overview FY 1992 activities of the Federal Panel (1991). [DCA 92-17] Construction Council (FCC), an orga­ nization dedicated to improving federal ~r Texas A & M Research Foundation PANELS design, of which the Arts Endowment College Station, TX $10,000 is a member. Overview Panel (1991). To amend a cooperative agreement to OVERVIEW (1991) conduct research and produce com­ Massachusetts Institute of Technology puter visualized demonstrations and Michael Buckley (layperson) Boston, MA $50,000 ~imulations through the University’s President To support a cooperative agreement Visualization Laboratory. Halcyon, Ltd. for a regional program of the Mayor’s [DCA 90-60] New Haven, CT Institute on City Design. Overview Panel (1991). [DCA 92-12] University of California - Berkeley Ralph Caplan Berkeley, CA $10,000 Writer; Design Critic ~r National Building Museum To amend a cooperative agreement to New York, NY Washington, DC $110,000 support the third western Mayors’ To amend a cooperative agreement for Institute on City Design. [DCA 91-19] Dorothy Ilgen a comprehensive museum exhibition to Executive Director draw public attention to the federal University of California - Berkeley Kansas Arts Commission government’s role as the country’s Berkeley, CA $40,000 Topeka, KS single largest design client. Project To support a cooperative agreement Grants to Organizations Panel II. for a regional program of the Mayors’ David Lee [DCA 90-47] Institute on City Design. Project Architect; Vice President Grants for Individuals Panel II. Stull and Lee, Inc. ~r National Building Museum [DCA 92-30] Boston, MA Washington, DC $253,900 To amend a cooperative agreement to University of Minnesota Peter Lowe support the planning and development Minneapolis, MN $50,000 Industrial Designer; President of a computerized information service To support a cooperative agreement for INTERFORM program that will provide the public a regional program of the Mayors’ Menlo Park, CA with comprehensive information on Institute on City Design. Overview design activities throughout the United and Design Advancement Panels Mary Means States. Project Grants for Individuals (1991). [DCA 92-06] Historic Preservationist/Planner Panel II. [DCA 91-25] Mary Means and Associates ~r University of Virginia Alexandria, VA ~r National Trust for Charlottesville, VA $200,000 Historic Preservation (Your Town) To support a cooperative agreement for Louis Nelson (chair) Washington, DC $40,000 the Mayors’ Institute on City Design. Industrial Designer; Principal To amend a cooperative agreement Overview and Design Advancement Louis Nelson Associates, Inc. titled "Your Town: Designing its panels (1991). [DCA 92-07] New York, IVY Future," a project that addresses the

z99zAnnual Report 41 Design Arts

Patricia O’Donnell Philip Castillo Susan Child Landscape Architect; Principal Senior Vice-President Landscape Architect; LANDSCAPES Murphy/Jahn Architects President and Senior Principal Wesqaort, CT Chicago, IL Child Associates Cambridge, MA Mark Ryser Deborah Dalton (chair) Executive Director Associate Professor, Linda EIIsworlh Foundation for San Francisco’s Department of Landscape Architecture; Historic Preservationist; Architectural Heritage Associate Dean, Executive Director San Francisco, CA School of Design Conservation Center for Art and North Carolina State University Historic Artifacts Anne Spim Raleigh, NC Philadelphia, PA Chairman and Professor, Department of Landscape Architecture Mare Harrison Linda Greene (layperson) University of Pennsylvania, Graduate Industrial Designer; Principal Vice President School of Fine Arts Marc Harrison Associates Neighborhood Institute Philadelphia, PA Providence, RI Chicago, IL

Donald Stastny Joanne Kaplan (layperson) Laurie Maurer Architect and Urban Designer; Director of Marketing and Architect; Principal Senior Principal Public Relations Maurer & Maurer Architects Stastny Architects The Oliver Carr Company Brooklyn, NY Portland, OR Washington, DC Boone Powell Lorraine Wild Beth Meyer Architect; Chairman of the Board Director, Visual Communication Assistant Professor of Ford, Powell & Carson Program Landscape Architecture San Antonio, TX California Institute of Arts Harvard University Graduate Valencia, CA School of Design Suzette Surkamer Cambridge, MA Deputy Director PROJECT GRANTS FOR South Carolina Arts Commission INDIVIDUALS I Paolo Polledri Columbia, SC Curator of Architecture and Design Leslie Armstrong San Francisco Museum of Modern Art Lucille Tenazas Architect; Principal San Francisco, CA Graphic Designer; Principal Armstrong Cumming Tenazas Design New York, NY Joy Thompson San Francisco, CA Executive Director Henry Beer Wyoming Council on the Arts Roger Trancik (chair) Graphic Designer; Principal Cheyenne, WY Professor of Landscape Architecture Communication Arts Inc. and City and Regional Planning Boulder, CO PROJECT GRANTS FOR Cornell University INDIVIDUALS II Ithaca, NY Walter Blackburn Architect; Principal Gregory Baldwin Gianfranco Zaccai Blackburn Associates Architects Architect; Design Partner Industrial Designer; Director of Design Indianapolis, IN Zimmer Gunsul Frasca Partnership Design Continuum, Inc. Portland, OR Boston, MA

42 National Endowment for the Arts Design Arts

PROJECT GRANTS FOR Andrew Seidel Richard Leitch (layperson) ORGANIZATIONS I Professor, Architecture & Vice President of Sales and Marketing Urban Planning George W. King Co. John Danzer (layperson) Texas A & M University Baltimore, MD President College Station, TX Munder-Skiles, Inc. Anders Nereim New York, NY Brian S~ewart Associate Professor of Interior Design Industrial Designer; Vice President School of The Art Institute of Chicago Mark Lapping (chair) ID Two Chicago, IL Professor and Dean of Faculty of San Francisco, CA Planning and Public Policy Patricia O’Brien (chair) Rutgers University Lucille Tenazas Landscape Architect; Principal New Brunswick, NJ Graphic Designer; Principal Meacham O’Brien Tenazas Design San Francisco, CA Hdel Lopez San Francisco, CA President Lawrence Oaks Broadacre Consulting Company Roger Trancik Executive Director Chicago, IL Professor of Landscape Architecture Alabama Historical Commission and City and Regional Planning Montgomery, AL Jane Preston Cornell University Assistant Deputy Director for Ithaca, IVY James Olson Partnership Architect; Principal Illinois Arts Council Suzanne Turner Olson/Sundberg Architects Chicago, 1L Landscape Architect; Seattle, WA Associate Professor, Michael Pyatok Louisiana State University in Richard Penney Architect; Principal Baton Rouge Industrial Designer; Founding Director Pyatok Associates Baton Rouge, LA The Richard Penney Group, Inc. Oakland, CA New York, NY PROJECT GRANTS FOR Samina Quraeshi ORGANIZATIONS II Susan Rutka Graphic Designer; Principal Senior Planner Shepard/Quraeshi Associates Ann Dudrow Belt Collins and Associates Chesmut Hill, MA Graphic Designer; Associate Principal Honolulu, HI RTKL Associates Genevieve Ray Baltimore, MD WaRer Smalling Historic Preservationist; Principal Freelance Photographer Urban Conservation and Design Richard Faticy Washington, DC Cleveland Heights, OH Executive Vice President Winsor/Faricy Architects, Inc. Noel Vernon Leland Roth St. Paul MN Chairman, Department of Associate Professor of Art History Landscape Architecture University of Oregon Dennis Jones Ball State University Eugene, OR Associate Professor of Architecture Muncie, IN Virginia Polytechnic Institute and Virginia State University Blacksburg, VA

~99zAnnual Report 43 Expansion Arts

354 grants; 3 cooperative agreements Program Funds: $6,052,300

The Expansion Arts Program supports arts of a high standard major in music at distinguished colleges and conservatories. for and among the ethnic groups that make up the mosaic of Similarly, the Christina Community Center in Wilmington, American culture. The Program does this primarily by aiding DE operates a successful program to improve the self-esteem community-based organizations that encourage professional of poor, single mothers and teenage parents through instruc­ artists in those communities to make, present and teach art. tion in the arts. These artists, as varied as America itself, represent an array of In an effort to help organizations to better manage their traditionalists and modernists. This not only enhances the qual- growth, the Program operates the Organizational Devel­ i~y of life in communities that are often economically depressed, opment Pilot (ODP). Now in its third and final year, this it also presents the work to growing mainstream audiences. category helped a number of arts presenting organizations hire and maintain core artistic and administrative personnel HE EXPANSION ARTS PROGRAM IS ONE OF THE in a time when such staffs are difficult to retain. With an Arts Endowment’s most potent means of invest­ ODP grant, the Carter G. Woodson Foundation in Newark, T ing in rural and inner-city communities alike. NJ, which presents artists of color throughout the region, The Program funds arts organizations that stabi­ was able to hire a marketing director and box office manager lize neighborhoods and stimulate economic development. In and to completely modernize box office operations. Not only San Antonio, for example, the Guadalupe Cultural Center did the foundation increase their artists’ bookings, but the anchors the cultural life of one of the city’s largest and poor­ grant generated considerable revenue for the organization est barrios. Since the renovation of the Center in 1984, ac­ through funds generated by memberships, subscriptions and tivity in the arts complex has attracted several businesses to contract fees. the area. This in turn led to a $3 million redevelopment pro­ The Services category responds to organizations of re­ ject that currently includes a market, plaza area, literacy cen­ gional or national significance that offer support to expan­ ter, private pharmacy and several medical offices. sion arts organizations and to artists. In FY ’92, a $22,000 Bushfire Theatre, located in a depressed area of Philadel­ grant to ATLATL in Phoenix, AZ supported a conference phia, had such success with the renovation of an old movie that featured artists’ showcases and workshops on marketing, theater that the city gave it an entire block of deserted build­ exhibiting and other activities. Over I00 Native American ings to develop. Bushfire now owns the whole block which, artists attended. ATLATL offers a program of technical assis­ in addition to a proscenium theater, houses two 75-seat per­ tance for Native American artists, publishes a newsletter, forming arts spaces, meeting rooms (which are rented out at Native-American Update, and coordinates a cultural exhibi­ nominal rates to community groups), a row house that pro­ tion service. vides short-term housing for guest artists, and an arts "mart." The Rural Arts Initiative also helps small arts organiza­ Not only do some Expansion Arts grantees help stabilize tions become more stable through a regranting partnership communities, but they also preserve traditions and introduce with State Arts Agencies. The Maine Arts Commission re­ the artistic heritage of many cultures to new and varied ceived a matching grant of $40,000, and plans to regrant audiences. Houston’s Asian-American Festival, for example, twice that amount to organizations in the state that had features the traditional dance and music of a dozen Asian achieved considerable programming success and were seek­ cultures. ing to advance administratively. While the creation and presentation of new work is an in­ Thus the Expansion Arts Program employs a variety of valuable cultural stimulus in insulated or isolated communi­ strategies in its efforts to promote greater access to the full ties, Expansion Arts grantees also assist individuals who are palette of artistic expression in America. Its grantee roster re­ at-risk because of economic and educational conditions. A flects the population of our nation, allowing all people to noteworthy grantee is the St. Francis Music Center in rural converse through the arts, to evolve through the arts, to learn Minnesota, which offers intensive music instruction to youth through the arts and to develop their communities through in a depressed area of the state. Many students go on to the arts.

44 National Endowment for the Arts Anna Sun and Joshua Francisco perform Timeless Rituals to Ancient Icons for Kulintang Ar~s which presents contempora~ Filipino dance.

1992 Annual Report 45 Expansion Arts

the touring programs Teatro Para Los led by a dramaturge, and documentary Grants Ninos and Teatro Para Los Jovenes. recordings for the playwrights’ use. [92-5321-0166] [92-5321-0175] ~r Indicates grants having national impact. Billie Holiday Theatre, Inc. Brava! for Women in the Arts EXPANSION ARTS ORGANIZATIONS Brooklyn, IVY $42,460 San Francisco, CA $5,000 To support the 1992-93 season of To support the works of Cherrie To assist professionally directed arts or­ major productions of works by African Moraga and administrative and artistic ganizations of high artistic quality that American playwrights. [92-5321-0168] costs of the 1992-93 season of produc­ are deeply rooted in and reflective of tions. [92-5321-0174] culturally diverse, inner-city, rural, or Black Belt Arts & Cultural Center tribal communities. These organiza­ Selma, AL $12,000 Bushfire Theatre of Per[onning Arts tions provide programs in the perform­ To support administrative costs for Philadelphia, PA $12,000 ing arts, visual arts, media, design, the 1992-93 schedule of activities, To support the 1992-93 season of _literary arts, and multidisciplinary which includes touring and profes­ mainstage productions, workshop arts activities. sional development for local artists. plays, and the reading series. [92-5321-0164] [92-5321-0177] PERFORMING ARTS - THEATER Black Ensemble Theater Corporation Center on Deafness 73 grants Chicago, IL $9,500 Northbrook, 1L $5,000 Program Funds: $1,192,642 To support the salary of the marketing To support performances and touring director and administrative costs. for the 1992-93 season that will AMAS Repertory Theatre, Inc. [92-5321-0170] make theater more accessible to deaf New York, NY $37,000 and hard-of-hearing audiences. To support the Eubie Blake Youth Black Spectrum Theatre Company, Inc. [92-5321-0269] Theatre which offers extensive profes­ Jamaica, IVY $25,000 sional training in acting, voice, and To support the mainstage productions, Cresson Lake Playhouse dance; and workshops for adults. touring performances, and theater arts Ebensburg, PA $12,000 [92-5321-0163] training program for youth and adults. To support artistic costs for the 1992­ [92-5321-0172] 93 theater season. [92-5321-0279] Adelante Corporation San Francisco, CA $I0,000 Black Theatre Troupe, Inc. Crossroads, Inc. To support the 1992-93 season and Phoenix, AZ $5,000 New Brunswick, NJ $36,000 related artistic and administrative costs To support ongoing performing arts To support artistic and administrative for Teatro Nuestro. [92-5321-0169] programs such as workshops, training, costs, marketing, audience develop­ and a play series. [92-5321-0173] ment, and production expenses. African Cultural Center of Buffalo, Inc. [92-5321-0284] Buffalo, NY $10,000 Blues City Cultural Center To support the continuation of the Memphis, TN $6,000 Den Quijote Experimental Paul Robeson Theatre’s workshops To support salaries and fees for Children’s Theatre, Inc. for children and young adults. administrative and artistic staff. New York, NY $5,000 [92-5321-0165] [92-5321-0167] To support the Touring Mini- Performances program during the Bilingual Foundation of the Arts-- Borderlands Theater/ 1992-93 season. [92-5321-0327] Fundacion Bilingue De Las Aries, Inc. Teatro Fronterizo, Inc. Los Angeles, CA $30,000 Tucson, AZ $5,000 ETA Creative Arts Foundation To support a series of mainstage pro­ To support activities for local emerging Chicago, IL $27,000 ductions, including ongoing translation playwrights including workshops, pub­ To support the professional training and programs, as well as Teatro Leido, and licly staged readings with discussions performance program. [92-5321-0314]

46 National Endowment for the Arts Expansion Arts

East-West Players, Inc. Feet First Dancers, Inc. La Compania de Teatre de Los Angeles, CA $35,000 Redway, CA $5,000 Albuquerque, Inc. To support the professional training To support the 1992-93 touring activ­ Albuquerque, NM $15,O00 program which provides classes in act­ ities of the Human Nature Company. To support administrative and produc­ ing, movement, voice, and production. [92-5321-0304] tion costs for the presentation of plays [92-5321-0278] during La Compania’s 15th season, as Frank Silvera Writers’ well as a script development program. EcoTheater, Inc. Workshop Foundation, Inc. [92-5321-0306] Lewisburg, WV $8,000 New York, NY $5,000 To support a playwright workshop To support administrative and artistic Latin American Theatre Ensemble, Inc. training program and the documenta­ costs associated with the activities of the New York, NY $5,000 tion, cataloguing, and presentation of Writers’ Workshop. [92-5321-0302] To support administrative and artist indigenous theatrical works based on fees during the 1992-93 season of full the rural traditions of the region. G.A.L.A., Inc. (GALA Hispanic Theatre) productions, workshops and readings. [92-5321-0270] Washington, DC $23,000 [92-5321-0287] To support production costs of a sea­ ¢r [] Teatro Campesino son of bilingual plays, a poetry-on-stage tatino Chicago Theater Company, Inc. San Juan Bautista, CA $37,000 program, a bilingual children’s show, Chicago, IL $6,000 To support the development and pre­ and performances by guest artists. To support costs for a marketing cam­ sentation of a traditional Hispanic folk­ [92-5321-0276] paign during the 1992-93 season. loric play as well as for audience devel­ [92-5321-0272] opment. [92-5321-0313] Interstate Firehouse Cultural Center Portland, OR $10,000 Hme Kiln Arts, Inc. [] Teatro de la Esperanza To support activities of the 1992-93 Lexington, VA $12,000 San Francisco, CA $25,000 season. [92-5321-0300] To support the touring program by the To support administrative and artistic professional theater ensemble, which salaries and fees for the 1992-93 sea­ Jomandi Productions, Inc. presents works reflective of its predom­ son. [92-5321-0310] Atlanta, GA $42,000 inandy southern mountain rural popu­ To support the audience development lation. [92-5321-0298] Eulipions, inc. program, the Community Without Denver, CO $12,000 Walls program, and the touring pro­ Los Angeles Poverll¢ Delmrlmeat To support the professional company’s gram. [92-5321-0289] Los Angeles, CA $7,500 1992-93 season of productions. To support administrative and artistic [92-5321-0320] Just Us Theater Ce. salaries for the 1992-93 season. Atlanta, GA $16,500 [92-5321-0285] Everyday Theater To support a series of plays by contem­ Washington, DC $10,000 porary and classic African American M. Ensemble Company, Inc. To support the 1992-93 season of con­ writers. [92-5321-0282] MiamL FL $5,000 temporary poetry and media produc­ To support the 1992-93 season of new tions. [92-5321-0296] La Compania de Teatro de and traditional African American musi­ Albuquerque, Inc. cal and dramatic productions, as well as Fainnount Theatre of the Deaf Albuquerque, NM $1 O,000 training for inner-city youth. Cleveland, OH $15,000 To support administrative and produc­ [92-5321-0293] To support the education/outreach and tion costs for the presentation of plays touring activities presented throughout during the 1991-92 season. 1991 Mad River Theater Works the Great Lakes region. [92-5321-0312] PerformingArts-Theater Panel See West Liberty, OH $20,000 1991 Annual Report. [92-5321-0017] To support administrative and artistic costs for the research, development, re­ hearsal, and production of new works. [92-5321-0295]

1992 Annual Report 47 Expansion Arts

Millan Theatre Company (Detroit experience in the theatrical arts. Pregones Touring Repertory Theater) [92-5321-0277] Puerto Rican Theater Collection, Inc. Detroit, MI $20,000 Bronx, NY $8,000 To support the 1992-93 season of New York Street Theatre Caravan, Inc. To support administrative salaries for major productions based on issues rele­ Jamaica, NY $5,000 the artistic director, associate director, vant to Detroit’s inner-city commu­ To support production costs for an and fiscal manager. [92-5321-0316] nity. [92-5321-0273] original play. [92-5321-0299] Puerto Rican Traveling Miracle Theatre Company North Carolina Black Theatre Company, Inc. Portland, OR $5,000 Repertory Company, Inc. New York, NY $45,000 To support administrative and Winston-Salem, NC $24,000 To support the theater’s training unit, artistic costs for the 1993 season. To support salaries and related costs for which provides professional classes in [92-5321-0328] the administrative development of the acting, dance and movement, music, North Carolina Black Repertory speech, and audition techniques to Mixed Blood Theatre Company Company. [92-5321-0281] minority youth. [92-5321-0311] Minneapolis, MN $23,000 To support a series of mainstage pro­ Northwest Asian American Theatre Rhode Island Black Heritage Society ductions with multiracial casts, a tour Seattle, WA $12,500 (Rites & Reason Theater) of educational productions, a showcase To support the 1992-93 season of Providence, RI $29,000 production, and a theater training activities. [92-5321-0307] To support the 1992-93 theater sea­ program. [92-5321-0325] son, including research-to-development Oakland Ensemble Theatre and research-to-performance projects, Mountain Women’s Exchange, Inc. Oakland, CA $20,000 readings, and a full production of Brer Jellico, TN $5,000 To support the salary of a part-time Rabbit Whole. [92-5321-0305] To support administrative and artistic community outreach coordinator and costs for the 1992-93 program of a comprehensive promotion and audi­ Road Company workshops and theatrical performances ence development program. Johnson City, TN $24,000 for the Jellico Children’s Theater. [92-5321-0315] To support the 1992-93 home season [92-5321-0171] and new show development, administra­ Old Creamery Theatre Company, Inc. tive, and artistic costs. [92-5321-0323] ~ National Black Touring Circuit, Inc. Garrison, IA $17,000 New York, NY $15,000 To support 1992-93 season work­ Sealaska Heritage Foundation To support the 1992-93 touring shops, the mounting of a production, Juneau, AK $18,932 season. [92-5321-0274] BeautifulMourning, as well as for ad­ To support the 1992-93 season of the ministrative costs. [92-5321-0294] Naa Kahidi Theater. [92-5321-0317] New Federal Theatre, Inc. New York, NY $35,000 ~- Pan Asian Repertory Theatre, Inc. Sierra Repertory Theatre, Inc. To support a professional training New York, IVY $37,000 Sonora, CA $5,000 workshop program designed to move To support the touring of full-length To support artistic salaries. minority and women artists into the productions, Asian American play de­ [92-5321-0319] professional theater, as well as for the velopment, career development work­ culminating productions. shops, special school matinees, a Spanish Theatre Repertory Co., Ltd. [92-5321-0271] Community Outreach Program, and New York, NY $41,000 organizational support. [92-5321-0297] To support an audience development New Freedom Theatre, Inc. campaign for the company’s perfor­ Philadelphia, PA $30,000 Perseverance Theatre, Inc. mances and the salary of a producer’s To support a program providing gifted Douglas, AK $30,000 assistant. [92-5321-0291] inner-city students interested in theater To support mainstage production costs careers with training and practical work and a professional training program in the theater arts. [92-5321-0326]

48 National Endowment for the Arts Expansion Arts

StagebHdge Theatre Gael, Ltd. African-American Dance Ensemble, Inc. Oakland, CA $5,000 Atlanta, GA $5,000 Durham, NC $18,000 To support the partial salary for the To support artistic and administrative To support the development of home- outreach coordinator and related costs. costs for the 1992-93 theater season. based activities, including dance classes, [92-5321-0301] [92-5321-0290] an intensive training workshop for a second performing ensemble unit, St. Louis Black Repertory Company, Inc. Theatre North the development of new works, and a St. Louis, MO $23,000 Tulsa, OK $7,500 fall and spring concert series. To support the 1992-93 season of To support the 1992-93 season of [92-5322-0206] mainstage productions and touring productions. [92-5321-0288] productions by the resident company. Aims of Modzawe, Inc. [92-5321-0324] Theatre of Yugen, Inc. Jamaica, NY $15,000 San Francisco, CA $8,000 To support the Cultural Arts Program, Su Teatro, Inc. To support the 1992-93 production which offers professional training Denver, CO $6,000 season. [92-5321-0303] in African dance and music. To support the 1992-93 season of [92-5322-0209] mainstage productions, as well as spe­ Tides Foundation cial productions. [92-5321-0292] San Francisco, CA $5,000 American Chinese Council of Minnesota To support the 1992-93 season of pro­ (Chinese American Association of ~r Teatro Avante, Inc. ductions, including administrative and Minnesota) Miami, FL $19,000 artistic costs, for TnT/Theater for Minneapolis, MN $5,000 To support the 1992-93 season of Everyone. [92-5321-0318] To support a dance training program bilingual plays and the Annual which provides instruction in Chinese International Hispanic Theatre Vigilante Players, Inc. folk and classical dance as well as per­ Festival. [92-5321-0286] Bozeman, MT $9,750 formance opportunities for developing To support partial salary for the execu­ artists. [92-5322-0192] Teatro Hispano de Dallas tive director and touring costs for the Dallas, TX $5,000 1992-93 season. [92-5321-0308] Andrew Cacho African Drummers and To support costs associated with the Dancers Economic Development, Inc. seventh annual "El Dia de los Yeh Yu Chinese 0pare Association, Inc. Washington, DC $9,000 Muertos/The Day of the Dead" New York, NY $7,000 To support classes, workshops, and celebration. [92-5321-0322] To support activities for the 1992-93 performances offering professional season which will include workshops as training in African and Caribbean tra­ Theater Workshop of Louisville, Inc. well as performances of traditional ditional dance forms. [92-5322-0185] Louisville, KY $15,000 Peking operas. [92-5321-0283] To support the 1992-93 season of Andrew Cacho African Drummers and productions and outreach programs, PERFORMING ARTS- DANCE Dancers Economic Development, Inc. seminars, youth training, school perfor­ Washington, DC $12,500 mances, and the development of cur­ 52 grants To support artistic and administrative riculum guides for schools and youth Program Funds: $619,450 expenses for the New York-based organizations. [92-5321-0280] Olatunji Center for African Culture’s Abhinaya Dance Company 1992-93 touring season. Theatre By The Blind Corp. of San Jose, Inc. [92-5322-0201] New York, NY $10,000 San Jose, CA $6,500 To support the company’s 1992-93 To support salary assistance for the Asian American Dance Performances season, including fully staged produc­ position of business manager. San Francisco, CA $10,500 tions, training programs in voice and [92-5322-0226] To support salary assistance for the movement for blind actors, and staged position of artistic director. readings of new plays. [92-5321-0275] [92-5322-0214]

z99zAnnual Report 49 Expansion Arts

Bailes Flamencos ~ Dance Giant Steps, Inc. Floricanto Dance Theatre San Francisco, CA $5,000 Brooklyn, NY $7,500 Whittier, CA $7,500 To support salaries and artistic fees for To support the continued publication To support salary assistance for the the development and production of of Attitude: The Dancer’s Magazine,, position of administrative director. works for the Rosa Montoya and Bailes professional training seminars in [92-5322-0229] Flamencos gala 20th Anniversary home Congolese dance; and "The Healing season at the Herbst Theatre in San Drum," an ongoing dialogue series. Foundation for Independent Artists Francisco. [92-5322-0230] [92-5322-0195] (Urban Bush Women) New York, NY $8,000 Ballet Hispanico of New York Dance Theatre Foundation, Inc. To support artists’ fees, travel, and per New York, NY $48,000 New York, NY $30,000 diem expenses related to a residency at To support artistic and promotional To support the Artist-in-Residence Virginia Commonwealth University expenses for the company’s professional program, which provides in-depth and the underwriting of performances training program. [92-5322-0217] professional training in a variety of at Pregones Theater. [92-5322-0194] classical and traditional dance forms for Bronx Dance Theatre, Inc. aspiring dance students at the Alvin Friends of Ballet de San Juan, Inc. Bronx, NY $6,000 Ailey American Dance Center. San Juan, PR $7,000 To support artistic fees and related [92-5322-0182] To support rehearsal and performance costs for a dance training program fees for the professional dancers as part which provides workshops for area Dance Theatre of Harlem, inc. of the 1992-93 repertory concert sea­ youth. [92-5322-0228] New York, NY $50,000 son. [92-5322-0224] To support administrative operations Buffalo Inner City Ballet Co., Inc. and professional training programs for Guateque Folkloric Taller of Buffalo, NY $5,000 the Dance Theatre of Harlem School. Puerto Rico, Inc. To support the development of new [92-5322-0186] Corozal, PR $5,000 work by Artistic Director Marvin To support a pre-professional training Askew and resident choreographer Dayton Contemporary Dance Guild, inc. program in folkloric dance and music. Janet Reed. [92-5322-0202] Dayton, OH $27,500 [92-5322-0208] To support the residency of an invited Capoeira Foundation, Inc. artist, Bebe Miller, which will culmi­ H.T. Dance Company, inc. New York, NY $5,000 nate in the commissioning of a new New York, NY $21,000 To support the development of man­ work to be performed during the To support the underwriting of a per­ agement initiatives that will strengthen 1992-93 concert repertory season. formance series for disadvantaged the foundation’s administrative and [92-5322-0213] youth and a pre-professional dance overall organizational stability. training program at the Arts Gate [92-5322~0197] Dimensions Dance Theater, Inc. Center. [92-5322-0223] Oakland, CA $19,000 Caribbean Dance Company, Inc. To support artistic and administrative Harambee Dance Ensemble St. Croix, VI $11,000 expenses in connection with the 1993 Oakland, CA $5,000 To support artistic and administrative production of their annual King To support salary assistance for the fees in preparation for the 1992-93 Holiday concert. [92-5322-0219] position of general manager. home season. [92-5322-0198] [92-5322-0222] Everybody’s Creative Arts Center, Inc. Compania Folklorica Puertorriquena, Inc. Oakland, CA $6,000 Institute of Puerto Rican Culture San Juan, PR $7,000 To support a residency program for (Ballet Concierto) To support the 1992-93 repertory choreographers that includes stipends, San Juan, PR $14,000 season. [92-5322-0188] teaching positions at the center, and stu­ To support rehearsal and performance dio space for rehearsals. [92-5322-0225] fees for the professional dancers as part of the 1992-93 repertory concert sea­ son. [92-5322-0231]

50 National Endowment for the Arts Expansion Arts

operations in the production of Impersonating Bernie, a modern ballet based on the book Songs of Bernie Bjorn by local author Diane Elliot. [92-5322-0181]

Muntu Dance Theatre Chicago, 11. $9,300 To support artistic production costs, guest artists’ fees, and the residency program for the 1992-93 repertory concert season. [92-5322-0203]

Najwa Dance Corps Milwaukee’s Ko-Thi dance company performs Song of $undiata, a modem Chicago, 1L $5,000 version of the epic of the king of Mall who founded the West African empire To ~upport the administrative and that covered a region as large as Europe, when Europe lay in the Dark Ages. artistic expenses for the 1992-93 per­ formance season. [92-5322-0187] Japan America Society of Oregon Ko-Thi, Inc. (Fujinami Kai) Milwaukee, WI $9,000 New Dance Theatre, Inc. Portland, OR $5,000 To support the expansion of the com­ (Cleo Parker Robinson Dance Theater) To support the professional and artistic pany’s artistic and administrative oper­ Denver, CO $38,000 development of classical and modern ations. [92-5322-0220] To support salary assistance for the Odori. [92-5322-0210] professional dance ensemble and a Koncepts Cultural Gallery training program for pre-professional Joan Miller and the Oakland, CA $5,000 students. [92-5322-0189] Chamber Arts/Dance Players, Inc. To support rehearsal and performance New York, NY $5,000 fees for professional dancers and musi­ New York Chinese Cultural Center, Inc. To support the production of Victory cians as part ofDiamano Coura’s New York, NY $5,000 Over Violence, a series of new works to 1992-93 repertory concert series. To support artistic fees and production be premiered in the company’s [92-5322-0205] costs for the 1992-93 performing and 1992-93 season. [92-5322-0221] commissioning activities of the Chinese Lola Montes Foundation for Folk Dance Company. [92-5322-0227] Joseph Holmes Dance Theatre Dances of Spain and the Americas Chicago, IL $10,000 Los Angeles, CA $5,850 Northwest Indian College To support the Chance-to-Dance To support "California Heritage," a (Setting Sun Dance Troupe) Program which actively recruits high concert repertory series specifically Bellingham, WA $ 5,000 school students interested in pre­ targeted for disabled persons, senior To support a training program that professional training in dance. citizens, and young audiences. seeks to revive the traditional dance [92-5322-0183] [92-5322-0180] forms indigenous to the Lummi Tribe. [92-5322-0196] June Watanabe Dance Company Los Lupenos de San Jose, inc. San Rafael, CA $5,000 San Jose, CA $5,000 Philadelphia Dance Company To support the 1992-93 repertory To support the company’s 1992-93 Philadelphia, PA $46,000 concert series, which will feature new season. [92-5322-0212] To support the professional training works by Remy Charlip, Viola Farber, and instruction program. and Daniel Nagrln. [92-5322-0178] Montana Ballet Company, Inc. [92-5322-0199] Bozeman, MT $6,800 To support artistic and administrative

z99z Annual Report Expansion Arts

Pueblo of Pojoaque, New Mexico classes, tutorials, and performance op­ Performing Choir. [92-5322-0254] Santa Fe, NM $8,000 portunities. [92-5322-0184] To support a training program to pre­ Bronx Council on the Ads, Inc. serve traditional dance forms, songs, Voloshky Ukrainian Dance Ensemble Bronx, NY $8,000 and costuming. [92-5322-0190] Philadelphia, PA $6,000 To support salary assistance for the To support a series of master classes positions of administrative assistant Rod Rodgers Dance Company, Inc. and workshops culminating in the and bookkeeper, as well as the develop­ New York, NY $18,500 creation and production of new works. ment of a community membership To support the creation of new works, [92-5322-0204] program for Los Pleneros de la 21. salary assistance, and the continuance of [92-5322-0255] the company’s Community Concert/ Zaccho, Inc. Carter Family Memorial Outreach programs. [92-5322-0211] San Francisco, CA $6,000 To support fees for advanced training Music CoMer, Inc. Samahan Philippine Dance Company, inc. and rehearsal in the production of a Hiltons, VA $12,750 E! Cajon, CA $7,000 new work of aerial choreography To support the presentation of the To support the creation of new works entided Navigation Project. 1992-93 performance season, which to be premiered in the company’s [92-5322-0330] features traditional acoustical mountain 1992-93 repertory concert season. music. [92-5322-0261] [92-5322-0193] PERFORMING ARTS - MUSIC Centro de Estudios Avanzados de Puerto Simba Talent Development Center, Inc. 36 grants Rico, Inc. (La Rondalla de Ninos de Las Vegas, NV $5,000 Program Funds: $409,930 Humacao) San Juan, PR $5,000 To support salary assistance for the ­ administrative and instructional staff Alabama State Council on the Arts To support the 1992-93 touring rreper for the center’s training program. Montgomery, AL $5,000 tory concert season. [92-5322-0265] [92-5322-0207] To support the Wiregrass Sacred Harp Singers with expenses related to in­ Charlie Parker Memorial Foundation Spanish Dance Arts Company, Inc. structional workshops, including travel, Kansas City, MO $12,000 New York, NY $5,000 materials, supplies, and rental facilities. To support the artistic and administra­ To support the continuance of a pro­ [92-5322-0266] tive expenses of a professional training fessional development program for progam in instrumental and vocal company members. [92-5322-0191] All Akbar College of Music music. [92-5322-0249] San Rafael, CA $12,000 Theatre Flamenco of San Francisco, Inc. To support salary assistance for faculty. Charlin Jazz Socie~, Inc. San Francisco, CA $6,000 [92-5322-0259] Washington, DC $7,500 To support salary assistance for the po­ To support the artistic and administra­ sitions of artistic director and adminis­ Asociacion de Musicos tive expenses in presenting the 1992-93 trative manager. [92-5322-0218] Latino Americanos, Inc. concert series. [92-5322-0245] Philadelphia, PA $11,000 Thelma Hill Performing Arts Center, Inc. To support administrative and artistic Chicago Children’s Choir Brooklyn, NY $17,000 operations, which include the 1992-93 Chicago, IL $24,000 To support artists’ fees and production concert repertory season and the educa­ To support the choir’s 1992-93 profes­ costs in presenting the 1992-93 tional training program. sional training, performance, and out­ "Women In Dance" series. [92-5322-0251] reach programs. [92-5322-0238] [92-5322-0200] Boys Choir of Harlem, Inc. Chinese Music Ensemble T0kunaga Dance Ko., Inc. New York, iVY $50,000 of New York, Inc. New York, NY $5,000 To support professional music training New York, iVY $9,500 To support ongoing training programs programs, rehearsals, and performances To support the 1992-93 resident and in professional development, including of the Girls Choir and the Boys

59, National Endowment for the Arts Expansion Arts

on-tour performance series and a music Japanese America Symphony Association Music From China, Inc. instruments training program. of Los Angeles (Japanese Philharmonic New York, NY $8,000 [92-5322-0386] Society of Los Angeles) To support the administrative and Los Angeles, CA $5,000 artistic costs related to the 1993 con­ Chinese Music Society To support administrative expenses in cert repertory season, artistic fees for Woodridge, IL $12,000 the planning and implementation of the creation of new works, and the To support salary assistance for the an audience development/marketing publication of a quarterly bilingual position of marketing manager and program. [92-5322-0250] newsletter. [92-5322-0242] the 1992-93 concert season. [92-5322-0241] Jazzmobile, inc. Musica de Camara, Inc. New York, NY $50,000 New York, NY $5,000 Circum-Ar~s Foundation, Inc. To support the Saturday Jazz To support "The Old Wodd Meets the (Rejoicensemble) Workshop Program, a professional New," a series of performances, lecture/ New York, NY $5,000 music training program for youths. demonstrations, and master classes To support the artistic and administra­ [92-5322-0248] designed specifically for the inner-city, tive costs in the production and presen­ Latin American community. tation of the "Sacred Jazz II" series in Kariyushi Kai [92-5322-0258] the 1992-93 season. [92-5322-0246] San Jose, CA $5,000 To support artistic and administrative Oakland Youth Chorus Institute of Puerto Rican Culture fees and expenses for the production of Oakland, CA $10,000 Santurce, PR $7,500 several performances in the 1992 con­ To support the production and promo­ To support salary assistance for faculty cert season. [92-5322-0233] tional costs of the chorus’ 1992-93 participating in the professional musi­ repertory concert subscription series. cal training and education program for Ura Singers [92-5322-0262] the Coro de Ninos de San Juan, Inc. Chicago, IL $8,000 (San Juan Children’s Choir). To support salary assistance for admin­ Opera Factory [92-5322-0239] istrative and artistic staff, as well as Chicago, IL $5,000 a marketing program. [92-5322-0236] To support artistic and administrative Creative Arts Collective, Inc. costs related to the 1993 repertory con­ Detroit, MI $5,000 Manna House Workshops, Inc. cert season and the development of a To support the 1992-93 series of local New York, NY $5,000 marketing program. [92-5322-0243] and national performances by the To support administrative and artistic Spencer Barefield Quartet and the costs of the organization’s professional People’s Music School, Inc. Chamber Jazz Ensemble. training program, which culminates Chicago, IL $8,000 [92-5322-0268] in a student repertory concert. To support the artistic and administra­ [92-5322-0244] tive costs of a professional training pro­ Friends of the D.C. Youth gram. [92-5322-0256] Orchestra Program Merit Music Program, Inc. Washington, DC $25,000 Chicago, IL $9,000 Puerto Rican Workshop, Inc. (El Grape To support salary assistance of faculty To support the tuition-free conserva­ Morivivi/East Harlem Music School) and administration for the professional tory program which provides profes­ New York, NY $26,000 career development and performance sional instructional training to gifted To support the artistic and administra­ training programs. [92-5322-0240] youths. [92-5322-0234] tive operations of the professional training program and performance instituto Pro Musica de California Mill Creek Jazz and Cultural Society, Inc. series by the Johnny Colon Orchestra. San Francisco, CA $4,680 Philadelphia, PA $5,000 [92-5322-0252] To support the production and presen­ To support rehearsal fees for the Mill tation of the 1993 "Dia de los Reyes" Creek Jazz Orchestra and production concert series. [92-5322-0263] of the 1992-93 "Back to the Roots" concert series. [92-5322-0253]

1992 Annual Report 53 Expansion Arts

Renaissance Chinese Opera Society Afrikan Poetry Theatre, Inc. ~r Appalshop, Inc. New York, NY $7,500 Jamaica, NY $7,000 Whitesbur$ KY $50,000 To support artistic and administrative To support activities for the 1992-93 To support the development and pre­ costs related to the society’s 1992-93 season. [92-5323-0091] sentation of indigenous and traditional repertory concert season and profes­ Appalachian culture through sional training workshops. Afro-American Cultural Center, Inc. Appalshop Center programs, as well as [92-5322-0237] Charlotte, NC $7,700 administrative costs associated with To support costs associated with the promotion and audience development. Richmond Jazz $ocie~, Inc. center’s multidisciplinary arts program­ [92-5323-0108] Richmond, VA $5,000 ming. [92-5323-0105] To support artistic and administrative Arab Community Center for costs for lectures/demonstrations, educa­ Afro-American Cultural Society of the Economic and Social Services tional outreach programs, the RJS News­ Golden Triangle, Inc. Dearborn, MI $5,000 letter, and a concert. [92-5322-0247] Starksville, MS $5,000 To support artistic fees and associated To support a variety of visual arts and costs for a multidisciplinary project in­ Sen Jose Taiko Group, inc. music presentations, and related costs. cluding performances of traditional San Jose, CA $10,000 [92-5323-0092] Arab music and dance, poetry forums, To support salary assistance for the and visual arts exhibits. [92-5323-0126] positions of General Manager and Afro-American Historical and Assistant General Manager, and related Cultural Museum, Inc. Artists Collective, Inc. costs. [92-5322-0235] Philadelphia, PA $22,500 Hartford, CT $35,000 To support the "Jazz Live Series," fea­ To support professionally led training Society of the Third Street turing nationally-known jazz artists, classes in dance, music, theater, and Music School Settlement, Inc. "Youth to Youth" concerts, the "Larry visual arts. [92-5323-0111] New York, NY $10,000 Neal Cultural Series," and visual arts To support the Performing Arts exhibitions. [92-5323-0106] Artists of Indian America, Inc. Comprehensive Training program de­ Albuquerque, NM $15,000 signed for pre-professional students in­ Alternative Center for To support a professionally directed terested in careers and advanced studies luternatJonal Arts, Inc. multidisciplinary arts program and in the performing arts. [92-5322-0260] New York, NY $30,000 workshops in dance, music, and drama. To support year-round visual and mu­ [92-5323-0083] Southeast Symphony Association, Inc. sical programs which present emerging Los Angeles, CA $5,000 and mid-career minority artists. Asian American Arts Centre, Inc. To support the 1992-93 concert reper­ [92-5323-0123] New York, NY $35,000 tory season and a professional music To support artistic and administrative training program for young aspiring Amauan Workshop costs for the center’s multidisciplinary musicians. [92-5322-0257] New York, NY $5,000 programming. [92-5323-0119] To support artistic and administrative SL Francis Music Center costs for the 1992-93 season of activi­ Asian Heritage Council Little Falls, MN $7,500 ties that serve the Filipino American San Jose, CA $6,500 To support the artistic and administra­ community. [92-5323-0146] To support promotional expenses and tive costs for the 1992-93 season of artistic fees for the presentation of con­ activities. [92-5322-0264] An Claidheamh Seluis Inc. temporary and traditional music and New York, NY $25,000 dance ensembles at the Eighth Annual MULTIDISCIPUNARY To support productions of Irish and Asian Pacific Performing Arts Festival. Irish American plays; issues of An Gae£ [92-5323-0090] 87 grants; 2 cooperative agreements a traditional Irish music festival, and a Program Funds: $1,757,858 music and dance performance work­ Association of Community-Based shop program. [92-5323-0148] Artists of Westchester, Inc. Mount Vernon, NY $8,000

54 National Endowment for the Arts Expansion Arts

To support an exhibition program and To support a multidisciplinary program American artists from throughout the a series of dance, music, theater, and in the areas of visual arts, media, the­ greater Bay Area. [92-5323-0140] literature presentations, including artis­ ater, and literary arts. [92-5323-0159] tic fees and salary support for key staff. Christina Community Center of [92-5323-0124] Center for Education and Old Swedes, Inc. (CCAC) Communication, Inc. Wilmington, DE $20,000 Bedford Stuyvesant Boston, MA $5,000 To support advanced and pre-profes­ Restoration Corporation To support segments of the "Plowing sional training for aspiring students in Brooklyn, NY $36,000 the Sea: Dialectics of Discovery" series, the visual and performing arts as well as To support artistic and administrative which will include film and video an ongoing program of performances, costs for visual arts exhibits and work­ screenings, multimedia performing arts exhibitions and workshops featuring shops for minority professional artists, presentations, readings, and lectures. nationally and internationally known the Poets and Writers Showcase, an [92-5323-0157] artists. [92-5323-0098] artists-in-residence program, and the Restoration Steel Band Orchestra. Centro Cultural de la Raza, Inc. City of San Antonio, Texas [92-5323-0100] San Diego, CA $30,000 (Carver Communit,j Cultural Center) To support the 1992-93 season, in­ San Antonio, TX $27,000 Boulevard Arts Center cluding salary costs, artistic fees, and To support salaries associated with Chicago, IL $13,000 related expenses. [92-5323-0128] audience development and the per­ To support a multidisciplinary series formance and exhibition series. of master workshops, exhibitions, Chinese American Arts Council, Inc. [92-5323-0102] training, classes, and performances. New York, NY $15,000 [92-5323-0139] To support the presentation of a vari­ Committee for AfTican-American ety of Asian American cultural events History Month Observances Boys Harbor, Inc. and for exhibitions and services for Georgetown, SC $10,000 New York, NY $5,000 emerging artists of the community. To support the salary of a full-time To support the pre-professional train­ [92-5323-0081] executive director and costs associated ing programs, including instruction in with the planning, development, and theater and music, at the Harbor Chinese Cultural Foundation of San implementation of a cultural events Performing Arts Center. Francisco (Chinese Cultural Productions) program for the communities of [92-5323-0114] San Francisco, CA $5,000 Georgetown County. [92-5323-0110] To support a series of performances of Carter G. Woodson Foundation, Inc. the Third Annual San Francisco Dixwell Children’s Creative Newark, NJ $28,000 Repertory Concert. [92-5323-0160] Ark Center, Inc. To support partial salaries of the ad­ New Haven, CT $22,000 ministrative director and program staff, Chinese Culture Institute, Inc. To support an ongoing program that program development, and promo­ Boston, MA $10,000 identifies and provides training for tal­ tional activities. [92-5323-0107] To support the visual arts exhibition ented minority youth in music, dance, program and music and dance perfor­ theater, and art. [92-5323-0121] Casa de Unidad Unib/House mances featuring established and Detroit, MI $8,000 emerging artists of the community. ~ Dunham Fund for Research and To support a series of visual arts [92-5323-0097] Development of Cultural Arts exhibitions, performing arts presenta­ St. Louis, MO $40,000 tions, poetry readings, and professional Chinese for Affirmative Action To support the activities and opera­ workshops in music and poetry. (Kearny St. Workshop) tions of the Dunham Fund, including [92-5323-0079] San Francisco, CA $9,000 the International Dunham Technique To support a series of concerts, perfor­ Seminar Program for dancers, choreog­ Center for African and mances, lectures, classes, exhibitions, raphers, and scholars; the Dynamic African American Art and Culture and publications, featuring Asian Museum; and the Children’s San Francisco, CA $5,000 Workshop. [92-5323-0120]

1992 Annual Report 55 Expansion Arts

East Bay Center for the Per[orming Arts administrative and artistic salaries. forming arts ensembles and arts events Richmond, CA $20,000 [92-5323-0144] which feature various Asian ethnic arts To support administrative costs and resources. [92-5323-0076] master artists’ fees for the "Young Artists Guadalupe Cultural Arts Center Repertory Series." [92-5323-0116] San Antonio, TX $40,000 Hull House Association (Beacon Street To support administrative salaries, Gallery and Performance Company) [] Centro de Arte artistic fees, and related costs for the Chicago, IL $5,000 Washington, DC $7,500 1992-93 season of activities which To support artists’ fees and associated To support artists’ fees and associated will include performances, workshops, costs for an exhibition series at Uptown costs for music and dance presenta­ promotion, and marketing. Hull House. [92-5323-0112] tions. [92-5323-0082] [92-5323-0104] Idris Ackamoor and Cultural Odyssey Ethnic Folk Arts Center, Inc. Guilford Native American (Cultural Odyssey) New York, NY $30,000 Association, Inc. San Francisco, CA $12,500 To support the 17th annual Queens Greensboro, NC $8,500 To support the salary of the full-time Ethnic Music and Dance Festival and a To support the gallery director’s salary general manager. [92-5323-0085] series of ethnic music concerts featur­ and program expenses for multidiscipli­ ing local performers. [92-5323-0103] nary Native American arts programs in Inner Ci~ Cultural Center dance and visual arts. [92-5323-0153] Los Angeles, CA $50,000 Festival Chicano, Inc. To support the strengthening and Houston, TX $5,000 Harlem School of the Arts, Inc. maintenance of existing programs in To support the 13th Annual Festival New York, NY $50,000 the areas of theater, music, dance, and Chicano, as well as the annual Festival To support advanced and master visual arts. [92-5323-0151] Primavera, including artists’ fees, pro­ classes in the performing and visual arts duction expenses, and general opera­ that are directed toward professional Inquilinos Baricuas en Accion tion. [92-5323-0127] career development for gifted students Boston, MA $12,600 from throughout the New York City To support the salary of a program co­ ~r Friends of the Davis Center, Inc. area. [92-5323-0115] ordinator and the Arte y Cultura pro­ New York, NY $10,000 gram for emerging Hispanic perfor­ To support Partnership Program ser­ Henry Street Settlement mance ensembles. [92-5323-0141] vices to minority artists and organiza­ New York, iVY $40,000 tions, audience development efforts, To support a diverse program of classes International Ads Relations, Inc. and overall general operating support and workshops in dance, music, visual New York, iVY $45,000 for presentation of the New Faces arts, and drama for the Louis Abrons To support workshops, performances, Series, International Series, and Jazz Arts Center. [92-5323-0088] and administrative costs and develop Series. [92-5323-0099] and present the work of Hispanic Hostos Community College American theater artists and visual Friends of the Mission Cultural Center Advisory Council, Inc. artists of various cultural heritages. San Francisco, CA $20,000 Bronx, NY $15,000 [92-5323-0084] To support administrative costs, the To support artistic fees and production Mission Gralqca Printmaking costs for the Culture and Arts Program Jamaica Center for the Internship program, workshops, and during the 1992-93 season. Performing and Visual Arts, Inc. training. [92-5323-0137] [92-5323-0150] Jamaica, NY $35,000 To support exhibitions, performing arts, Great Leap, Inc. Houston Asian American and education programs, as well as Los Angeles, CA $22,000 Festival Association operating costs. [92-5323-0095] To support the creation, production, Houston, TX $10,000 and presentation of original multi­ To support Asian Arts-Houston, the media works along with support for coordinating service for several per­

56 National Endowment for the Arts Expansion Arts

Japanese American Cultural and Kalakendra Limited ecutive director, artists’ fees, and re­ Community Center Portland, OR $5,000 lated costs for the 1992-93 perfor­ Los Angeles, CA $35,000 To support a performing arts program mance season. [92-5323-0133] To support artists’ fees, presentation, featuring arts events of the Indian installation and advertising expenses for subcontinent. [92-5323-0077] La Raza Bookstore the "Celebrate California" series, as Sacramento, CA $18,500 well as a series of events which will Kalihi-Palama Culture & Arts Society, Inc. To support multidisciplinary arts pro­ feature traditional Japanese art forms. Honolulu, HI $10,000 gramming during the 1992-93 season. [92-5323-0138] To support a professional visual and [92-5323-0149] performance arts training program and Japantown Art & Media Workshop a performance of traditional ethnic Langston Hughes CoMer for the Arts San Francisco, CA $32,000 dances by workshop students. Providence, R! $10,000 To support administrative and artistic [92-5323-0075] To support a series of professional per­ costs for ongoing programs, as well as formances focusing on the diverse cul­ for JAM’s intern program for emerging Kings Majestic Corporation tural and artistic contributions of Asian artists. [92-5323-0145] Brooklyn, NY $10,000 African Americans. [92-5323-0078] To support professional performing Jubilee Community Arts, Inc. arts events for the 1993 season and an Manchester Craftsmen’s Guild Knoxville, TN $25,000 audience development initiative Pittsburgh, PA $50,000 To support costs associated with pro­ targeting Asian and Latino markets. To support arts education and present­ grams designed to preserve and advance [92-5323-0086] ing programs in ceramic art, photogra­ the art forms of the Southern Appa­ phy, and music. [92-5323-0093] lachians, including a performance Koncepts Cultural Gallery series, poets and writers readings, and Oakland, CA $8,500 Mind-Builders Creative Arts Co. the publication of a newsletter. To support administrative, artistic, and Bronx, NY $15,000 [92-5323-0074] other related costs for implementation To support professional training work­ of an outreach campaign, a concert shops for gifted students at intermedi­ Julia Morgan Center for the Arts, Inc. series, and the publication of an arts ate and advanced levels in ballet, mod­ Berkeley, CA $5,000 magazine. [92-5323-0143] ern/jazz tap, African dance, and music; To support artistic fees for professional the Positive Youth Troupe; and related performing arts events. [92-5323-0131] ~, Kulintang Arts, Inc. administrative costs. [92-5323-0134] Oakland, CA $8,000 Junebug Productions To support the partial salary of the Mississippi: Cultural Crossroads, Inc. New Orleans, LA $7,000 artistic director, and artists’ fees for Port Gibson, MS $10,000 To support the New Orleans the 1992-93 performance season. To support administrative, artistic, and Community Arts Program which in­ [92-5323-0129] related costs for an artist-in-residence volves productions by Junebug Theater program featuring theater and visual Project and the Story Network. La Casa De La Raza artists, and a quilting program. [92-5323-0089] Santa Barbara, CA $7,500 [92-5323-0125] To support artistic and production Junior Black Academy of costs for a comprehensive program that Near Nodhwest Arts Council Arts & Letters, Inc. includes visual art exhibits, folkloric Chicago, IL $5,000 Dallas, TX $25,000 dance, theatrical performance, and To support the salary of the program To support artistic and administrative poetry readings by Chicano/Latino director and artists’ fees for visual salaries and fees and other operating artists. [92-5323-0142] artists, musicians, poets, and perform­ costs for the 1992-93 season. ing artists. [92-5323-0118] [92-5323-0080] La Pena Cultural Center, Inc. Berkeley, CA $20,000 To support the partial salary of the ex­

~99z Annual Report 57 Expansion Arts

New York Foundation for the Arts Plaza de la Raza, Inc. Village of Arts and Humanities, Inc. New York, NY $7,500 Los Angeles, CA $26,000 Philadelphia, PA $7,500 To support the salary of a full-time To support artistic fees and related To support artistic, administrative, administrative director and artists’ fees administrative expenses for music and and operating costs for a performing and production costs for a program of dance presentations. [92-5323-0147] arts program and Chinese contem­ exhibitions and workshops presented porary and folk art exhibitions. by Pepatian, an organization of Latino Rose Center and Council for the Arts, Inc. [92-5323-0158] artists and arts professionals. Morristown, TN $10,000 [92-5323-0136] To support artists’ fees and publicity Visual Arts Research and Resource expenses for performance and visual Center Relating to the Caribbean, Inc. New York Foundation for the Arts arts activities. [92-5323-0087] New York, NY $50,000 New York, NY $12,700 To support a visual arts exhibition pro­ To support Charas, a cross-cultural, Senior Arts Project gram and a variety of performing multidisciplinary organization, for its Albuquerque, NM $5,000 events. [92-5323-0094] 1992 season of visual arts, media and To support a workshop and perfor­ theater workshops; photography mance series which utilizes professional Waianae Coast Culture & documentation; and film, dance and senior artists in a comprehensive arts Arts Society, Inc. bilingual theater presentations. program. [92-5323-0117] Waianae, HI $25,000 [92-5323-0152] To support ongoing professional work­ Taller Puertorriqueno, Inc. shops in traditional crafts, dance, and Newark Community School of the Arts Philadelphia, PA $20,000 music that perpetuate the many ethnic Newark, NJ $30,000 To support the visiting artists program cultures of the Hawaiian Islands, as To support the Gifted and Talented which presents emerging and estab­ well as the presentation of various art Program, which provides specialized lished professional artists in the visual, forms. [92-5323-0154] training and support to students and performing, and literary arts. professionals. [92-5323-0109] [92-5323-0096] Xicanindio Artes, Inc. Mesa, AZ $18,500 Nuyorican Poets Cafe, Inc. Thalia Spanish Theatre, Inc. To support administrative salaries and New York, NY $7,500 Sunnyside, NY $12,000 the programming of theater and visual To support an ongoing poetry reading To support a series of theatrical pro­ arts presentations during the 1992-93 program that is augmented by musical ductions in Spanish, folldoric produc­ season. [92-5323-0132] and theatrical presentations. tions, and partial salary for the admin­ [92-5323-0113] istrative director. [92-5323-0155] Your Heritage House, Inc. Detroit, MI $17,000 011antay Center for the Arts, Inc. Toyo Kami, Inc. To support workshops and classes in Jackson Heights, IVY $17,000 Oakland, CA $5,000 dance, theater, music, and visual arts, To support a multidisciplinary pro­ To support administrative costs and as well as for an exhibition program. gram including visual arts exhibitions, artistic fees for a program showcasing [92-5323-0130] playwright workshops, literature pro­ Asian American and Pacific Island grams, theater productions, and publi­ artists at the Ohana Cultural Center. cations. [92-5323-0101] [92-5323-0122] ~ institute for NonProfit Paul Robeson Performing Urban Gateways Management and Training Arts Company, Inc. Chicago, IL $48,000 Bethesa~, MD $51,808 Syracuse, NY $5,000 To support a formal training program To support a cooperative agreement to To support costs for the 1992-93 for professional minority artists and assemble qualified experts to perform season of productions, touring, and related costs. [92-5323-0135] artistic and administrative evaluations a dance training program. of approximately 100 applicants for [92-5323-0156] FY ’93. Limited technical assistance may also be provided. [DCA 92-16]

58 National Endowment for the Arts Expansion Arts

~. Jack Faucett Associates gram that provides studio space and Coming Definition of American Art," Bethesda, MD $93,050 supplies to artists from culturally in the 1992-93 season. [92-5325-0037] To support a cooperative agreement to diverse backgrounds. [92-5325-0041] assemble qualified experts to perform Foundation for African American Art artistic and administrative evaluations Bronx Museum of the Arts Dallas, 7X $5,000 of approximately 275 applicants for Bronx, iVY $5,000 To support the 1992-93 exhibition FY ’93. Limited technical assistance To support the Satellite Gallery exhibi­ series and interpretive programs that may also be provided. [DCA 92-28] tion program designed to provide exhi­ explore the works of prominent 20th­ bition opportunities to a culturally di­ century African American artists. verse group of artists. [92-5325-0039] [92-5325-0044] VISUAL, MEDIA, DESIGN, AND LrrERARY ARTS (VMDL) Chicago Public Art Group Galeria Studio 24 (Galeria de la Raza) Chicago, IL $7,500 San Francisco, CA $40,000 To support the design and execution of To support artistic and administrative VISUAL ARTS a cement sculpture and the production expenses for an exhibition series featur­ 37 grants of site specific murals executed by ing Chicano and Latino artists. Program Funds: $602,500 emerging and established muralists in [92-5325-0049] conjunction with the area’s under- Aljira, Inc. served youth. [92-5325-0028] Gallery 53 Artworks, Inc. Newark, NJ $7,500 Cooperstown, NY $5,000 To support salary assistance for the Chinese Culture Founda~on To support the administrative and position of a full-time administrative of Son Francisco artistic operations in the presentation, assistant. [92-5325-0035] San Francisco, CA $23,000 marketing, and documentation of the To support an exhibition series featur­ center’s 1992-93 exhibition season. ~r American indian Contemporary Arts ing traditional and contemporary [92-5325-0029] San Francisco, CA $10,000 Chinese and Chinese American artists. To support the administrative and [92-5325-0032] Grass Roots Arts and Community Effort artistic operations of the 1992-93 exhi­ (Catamount Arts) bition season. [92-5325-0045] Community Renewal Team West Glover, VT $6,500 of Greater Hartford, Inc. To support the marketing, promotion, Amigos del Museo del Barrio Hartford, CT $17,000 and documentation of works created New York, NY $37,500 To support an exhibition series and re­ primarily by elderly and physically To support administrative and artistic lated interpretive programs at the challenged artists living in rural costs related to "Rethinking History Craftery Gallery, which features visual Vermont. [92-5325-0054] Through Contemporary Latino Art," artists reflective of Hartford’s culturally an exhibition and interpretive program diverse community. [92-5325-0025] Hammonds House Galleries, Inc. which examines Latin American his­ Atlanta, GA $5,000 tory. [92-5325-0053] En Foco, Inc. To support the 1992-93 exhibition Bronx, NY $10,000 season featuring prominent African Brandywine Graphic Workshop, Inc. To support the En Foco Touring American artists. [92-5325-0021] Philadelphia, PA $40,000 Gallery Program which presents six To support a two-part program which one-person and group photographic Kenkeleba House, Inc. includes exhibitions, lectures, and resi­ exhibitions throughout New York New York, NY $20,000 dencies by artists who practice the art City’s boroughs. [92-5325-0056] To support salary assistance for adminis­ of social narrative. [92-5325-0027] trative and artistic staff. [92-5325-0030] Fondo Del Sol Visual Arts Center Bronx Council on the Arts, Inc. Washington, DC $5,000 La Raza Graphics Center, Inc. Bronx, NY $12,000 To support the exhibition series San Francisco, CA $25,000 To support the "Scholarship Studio "America at the Quincentennial:.A To support the activities of the Arts," an exhibition and seminar pro­ Statement of Cultural Pluralism and the 1992-93 season. [92-5325-0040]

1992 Annual Report 59 Expansion Arts

Liga Estudiantes de Arte for the inner-city community. Self-Help Graphics and Arts, Inc. de Sen Juan, Inc. [92-5325-0051] Los Angeles, CA $20,000 San Juan, PR $30,000 To support the professional develop­ To support the administrative expenses Montana Art Gallery Directors Association ment of emerging printmakers, related of a training program, the student Great Falls, MT $5,000 traveling exhibitions, and the 1992-93 scholarship program, a student exhibi­ To support the presentation of quality exhibition season at the Otra Vez tion program, and the special 25th art exhibitions to a 25-member consor­ Gallery. [92-5325-0047] anniversary issue publication of Plastica tium of museums and galleries magazine. [92-5325-0026] throughout the state. [92-5325-0033] Social and Public Art Resource Center Venice, CA $25,000 Lower East Side Printshop, Inc. Montana indian Art and To support salaries related to training, New York, iVY $5,000 Culture AssociaUon, Inc. production, education, exhibition, and To support the Minority Artist Bozeman, MT $5,000 preservation of murals created by local Printmaking Workshop which provides To support administrative operations artists from diverse cultural back­ professional instruction, studio facili­ and touring expenses for an exhibition grounds. [92-5325-0022] ties, supplies, and materials to emerg­ series presenting emerging and estab­ ing and established artists of culturally lished contemporary Native American Southern Alleghenies Museum of Art diverse backgrounds. [92-5325-0024] artists living in Montana and the Loretto, PA $15,000 Northwest. [92-5325-0031] To support administrative and artistic Mexic-Arte costs incurred in organizing and mount­ Austin, TX $15,000 Movimiento Artistico del Rio Selado, Inc. ing exhibitions at the satellite facilities, To support administrative operations Phoenix, AZ $10,0 O0 as well as for exhibition-related educa­ and the exhibition season featuring To support the "Local Artist Series," tional programs. [92-5325-0020] artists of culturally diverse back­ which consists of exhibitions by local grounds. [92-5325-0042] emerging artists with accompanying ~r Studio Museum in Harlem, inc. brochures and workshops on pro­ New York, NY $45,000 Mexican Fine Arts Center fessional artistic development. To support administrative operations, Chicago, IL $15,000 [92-5325-0038] the Artist-in-Residence program, and a To support the 1992-93 exhibition professional training program in muse­ season featuring contemporary National Center of ology and museum administration. Mexican and Mexican American art. Afro-American Artists, Inc. [92-5325-0036] [92-5325-0048] Boston, MA $25,000 To support the 1992-93 exhibition Teatro del Sesenta, Inc. (Casa Candina) ~r Mexican Museum season and related activities featuring San Juan, PR $15,000 San Francisco, CA $27,500 the works of established African To support administrative costs related To support the 1992-93 exhibition American artists. [92-5325-0034] to the 1992-93 exhibition season, pro­ season of Mexican and Mexican gram documentation, and advance American fine arts. [92-5325-0055] National institute of Art and Disabilities professional training programs in Richmond, CA $5,000 ceramics. [92-5325-0023] Minneapolis American Indian Center To support salary assistance for the Minneapolis, MN $13,000 position of curator. [92-5325-0052] ~. United Indians of All Tribes Foundation To support the 1992-93 exhibition Seattle, WA $15,000 season featuring traditional and con­ Printmaking Woflishop, Inc. To support the 1992-93 exhibition temporary Native American artists. New York, NY $25,000 season at the Daybreak Star Arts [92-5325-0050] To support the Minority Fellowship Center, featuring prominent contem­ and Invited Minority Artist residency porary Native American artists. Molly Olga Neighborhood programs for emerging and mid-career [92-5325-0043] Ar~ Classes, Inc. printmaking artists of diverse cultural Buffalo, NY $6,000 backgrounds. [92-5325-0046] To support studio training programs

60 National Endowment for the Arts Expansion Arts

MEDIA ARTS Sojourner Productions, Inc. ~r Native American Center (Black Film Institute) for the Uving Arts, Inc. 8 grants Washington, DC $15,000 Niagara Falls, NY $26,000 Program Funds: $90,000 To support the 1992-93 film exhibition To support fees for contributing editors and lecture series on African American and photographers, expenses related to Camera News, inc. oriented cinema. [92-5325-0059] travel for research and promotion, and New York, NY $12,000 the increase of circulation through so­ To support the organization’s Southern California licitation and mailings for Turtle Advanced Film and Video Production Asian American Studies Central Quarterly magazine. [92-5325-0067] Workshop; "D’Ghetto Eyes," a series Los Angeles, CA $30,000 of films and videos directed by cultur­ To support the Asian Pacific Media COMBINATION ally diverse artists; and Romancing the Artists Development Program includ­ Moving Image, an introductory train­ ing services for Asian media artists 3 grants ing program. [92-5325-0062] and the publication of In Focus. Program Funds: $56,500 [92-5325-0058] Center for Community Studies, Inc. Centro Cultural Aztlan, Inc. New York, IVY $10,000 UTERARY ARTS San Antonio, TX $5,000 To support a series of interpretive pro­ To support the 1992-93 season of grams designed to explore the portray­ 5 grants visual and literary programming and als of Chinese Americans and Program Funds: $91,500 related administrative and artistic costs. Chinatowns on film. [92-5325-0057] [92-5325-0070] ~, Catalyst, Inc. Cine Accion, Inc. Atlanta, GA $6,000 Children’s Art Carnival San Francisco, CA $5,000 To support artistic fees for writers and New York, NY $40,000 To support the 1992-93 film exhibi­ poets contributing to Catalyst and the To support a series of training work­ tion season and salary assistance for expansion of a subscription program. shops for youths with recognizable tal­ the position of artistic director. [92-5325-0066] ent. [92-5325-0071] [92-5325-0073] riders Share the Arts, Inc. Hatch-Billops Collection, Inc. Community Film Workshop of Chicago Brooklyn, NY $5,000 New York, NY $11,500 Chicago, IL $5,000 To support salary assistance for the To support the "Artist and Influence" To support the position of program position of performance director. series which documents the artistic coordinator and the expansion of an [92-5325-0069] careers of prominent and culturally audience development program. diverse visual, performing, and literary [92-5325-0060] Frederick Douglass Creative Arts artists. [92-5325-0072] New York, NY $36,500 Film News Now Foundation, Inc. To support the Training Program, the SERVICES TO THE FIELD New York, NY $8,000 21st Annual Black Roots Festival, a To support the Media Action Project Staged Reading Series, and a theatrical Support is provided to organizations of and related administrative costs, as production. [92-5325-0068] regional or national scope whose pri­ well as a comprehensi:ce service pro­ mary function is to offer quality techni­ gram for women and a culturally di­ ~r Multicultural Arts, Inc. cal assistance and/or services to expan­ verse constituency of media artists. Los Angeles, CA $18,000 sion arts organizations. [92-5325-0063] To support The International Review of African American Art; a magazine which 21 grants Latino Collaborative, Inc. documents the work of African Program Funds: $323,420 New York, NY $5,000 American visual artists. [92-5325-0065] To support the 1992-93 film and video Grants were reviewed by either the exhibition season featuring the work of FY ’91 or FY ’92 Services to the Field Latino media artists. [92-5325-0061] panel, as indicated.

I99Z Annual Report 61 Expansion Arts

a ATLATL a Association of Hispanic Arts, Inc. rector and secretary/receptionist and Phoenix, AZ $22,000 New York, NY $50,000 for further research and development To support administrative costs, techni­ To support a technical assistance pro­ of a national data bank and related cal assistance and informational services, gram, artistic and administrative costs, networking system. FY ’92 panel. including printed resources, to Native a newsletter, and a service that collects [92-5365-0389] American artists, arts organizations, and and disseminates data regarding oppor­ tribes. FY ’92 panel. [92-5365-0338] tunities for Hispanic artists and arts or­ Harlem Cultural Council, Inc. ganizations throughout the nation. New York, NY $5,000 African American Arts Alliance of Chicago FY ’92 panel. [92-5365-0391] To support a newsletter that dissemi­ Chicago, 1L $5,570 nates information to artists and arts To support a marketing initiative Chinese American Educational and organizations concerning regional arts which will include an updated mem­ Cultural Center of Michigan events and arts resources. FY ’92 panel. bership directory, a quarterly newslet­ Ann Arbor, MI $30,000 [92-5365-0336] ter, print and media advertisements, To support a program that provides and a series of monthly showcase services for Chinese American arts or­ Hispanic Culture Foundation events. FY ’92 panel. [92-5365-0339] ganizations, including technical assis­ Albuquerque, NM $24,000 tance, promotion of exhibition and To support the basic technical assis­ African Continuum Theatre Coalition performance events, arts directories, a tance program which includes consulta­ Washington, DC $10,000 newsletter, and marketing services. tions, referrals and information services, To support the Management-Artistic FY ’92 panel. [92-5365-0388] El Puente newsletter, and a resource Assistance Project which offers special­ library. FY ’92 panel. [92-5365-0340] ized consultancies designed to upgrade Coalition of African-American both artistic and managerial operations Cultural Organizations ~ Hispanic Organization of Latin Actors of participating organizations. FY ’92 Philadelphia, PA $30,000 New York, NY $15,000 panel. [92-5365-0333] To support costs for a technical assis­ To support administrative costs, a tance and marketing program. FY ’92 monthly newsletter with national dis­ Alternate ROOTS, Inc. panel. [92-5365-0376] tribution, referral and information ser­ Atlanta, GA $23,000 vices for artists and arts organizations, To support the ongoing artistic and First Impressions Performances and workshops in career development. administrative technical assistance Los Angeles, CA $5,000 FY’91 panel. [92-5365-0012] workshops at the annual meeting and To support the technical assistance and publication of the Member’s Bulletin marketing program for African ~ Hispanic Organization of Latin Actors and the Newsletter. FY ’92 panel. American community-based institu­ New York, NY $12,500 [92-5365-0337] tions in the area of dance presentation. To support costs associated with pro­ FY ’92 panel. [92-5365-0390] viding referral and information services ~r Appalshop, Inc. for artists and arts organizations, a Whitesburg, KY $8,000 Friends of Support Services newsletter with national distribution, To support a forum for representative for the Arts, Inc. workshops, and related activities. community-based cultural centers from San Francisco, CA $10,000 FY’92 panel. [92-5365-0344] throughout the United States. FY ’91 To support the project salaries for the panel. [92-5365-0016] professional, artistic and technical staff Maine Arts Sponsors Association involved in the Support Service Augusta, ME $10,350 Asian American Arts Alliance, Inc. Project. FY ’92 panel. [92-5365-0343] To support the continuation of the New York, IVY $7,500 association’s technical assistance to arts To support partial administrative fees ~ Guadalupo Cultural Arts Center groups and artists in rural Maine. for the Alliance’s resource library, as (National Association of FY’92 panel. [92-5365-0332] well as to update the Alliance’s direc­ Latino Arts & Culture) tory of Asian American arts organiza­ San Antonio, 7X $7,000 tions in New York. FY ’92 panel. To support salaries of the executive di­ [92-5365-0341]

6z National Endowment for theArts Expansion Arts

Middle Passage Educational Foundation Initiative is a collaborative Christina Communi~ Center of and Cultural Resources, Inc. effort with local community founda­ Old Swedes, Inc. (CCAC) Amherst, MA $6,000 tions designed to secure private money Wilmington, DE $24,000 To support a pilot project designed to on a permanent basis for small and To support the Iyabo program which provide training and technical assis­ medium-sized arts groups, with an em­ provides quality arts programs for tance in computer networking, as well phasis on expansion arts organizations. young urban parents in Wilmington, as for referral services, newsletters and The four-year grants from the Delaware. [92-5370-0355] management services. FY ’91 panel. Expansion Arts Program are used to [92-5365-0010] subgrant to local arts groups, and the Community Music School community foundation’s match is de­ of Springfield, Inc. Montana Indian Art and posited in a permanent endowment. Springfield, MA $24,000 Culture Association, Inc. The Rural Arts Initiative awards To support the development of the Bozeman, MT $7,500 matching grants of up to $40,000 per Intensive African American Music To support a resource directory of year, available for up to three years to Studies Program for young people services and resources for Native Amer­ state arts agencies for regranting to rural between the ages of 12 and 18. ican artists living in Montana and the arts organizations within their states. [92-5370-0347] Northwestern United States, and for (For the list of grants, see Underserved related administrative costs. F¥ ’92 Communities Set-Aside chapter.) Community Television Network panel. [92-5365-0334] The Organizational Development Chicago, IL $25,000 Pilot for Presenters, a joint effort of the To support the Neighborhood Video Montana Institute of the Arts Foundation Expansion Arts and Presenting and Program which is designed to reach Bozeman, MT $17,500 Commissioning Programs, provides youth who have dropped out of public To support administrative costs of staff matching grants of up to $30,000 for schools and have little or no exposure who provide technical and administra­ up to three years to culturally diverse, to the arts. [92-5370-0362] tive services for emerging arts organiza­ multidisciplinary presenting organiza­ tions, including workshops in promo­ tions for institutional enhancement. Dance Theatre Foundation, Inc. tion, publicity, and marketing. FY ’91 New York, NY $25,000 panel. [92-5365-0008] ARTS EDUCATION INmATIVE To support Dance Sampler, a program designed to bring low-income, minor­ Montana Institute of the Ads Foundation 18 grants ity children, ages 10-13 to the Alvin Bozeman, MT $17,500 Program Funds: $419,000 Alley Dance Center for a unique intro­ To support administrative costs of duction to the world of dance. staffwho provide technical and admin­ 52nd Street Project, Inc. [92-5370-0350] istrative services for statewide emerging New York, NY $20,000 arts organizations. FY ’92 panel. To support the Playmaking Program East Bay Center for the Performing Arls [92-5365-0375] which is a series of playwriting classes Richmond, CA $25,000 for young people devised and taught by To support the K-8 level After School Daniel Judah Sklar. [92-5370-0359] Program, where inner city students can SPECIAL PROJECTS participate in primary and advanced in­ Carpetbag Theater, Inc. struction in music, dance, and drama. For special initiatives that will advance Knoxville, TN $15,000 [92-5370-0352] expansion art forms, are of national sig­ To stabilize and expand the work of nificance, and/or can be used as models the Institute of the Whole Child, EcoTheater, Inc. by the whole field. The Arts Education which employs culturally specific and Lewisburg, WV $22,000 Initiative provides funds for a two-year creative drama techniques with young To support the teaching, advising and project period to cultivate a general people. [92-5370-0365] evaluating of EcoTheater’s artistic knowledge, awareness, and appreciation youth theater. [92-5370-0348] of the arts, generally for children in grades K-12. The Community

x99z Annual Report Expansion Arts

Friends of the D.C. Youth specialize in the production of folk art arts field. FY ’92 Rural Arts Initiative/ Orchestra Program indigenous to Mexico. [92-5370-0356] Community Foundation Initiative Washington, DC $24,000 panel. [89-5370-0239] To support artistic and administrative Salt & Pepper Mime Company, Inc. salaries for the K-9 level after-school New York, NY $22,000 Community Foundation of Sonoma County program for mi.nority youth. To support the Artistic Renaissance Santa Rosa, CA $50,000 [92-5370-0357] project which is designed for youth in To amend the fourth and final year of grades four to seven in after-school and a grant to support subgranting to small Gualda, Inc. summer sessions, as well as for expand­ and minority arts organizations. Hartford, CT $25,000 ing the company’s residency program. [88-5370-0388] To support Talleres Kalichi, an inten­ [92-5370-0353] sive arts education effort targeted for Jacksonville Community Foundation inner-city Latino youth in Hartford, Toyo Kami, Inc. (Ohana Cultural Center) Jacksonville, FL $50,000 CT. [92-5370-0358] Oakland, CA $20,000 To amend the third year of a four-year To support artists’ salaries, materials, grant to support subgranting to small International Association of and documentation for a papermaking and medium-sized arts organizations Jazz Appreciation project at low-income and underserved and individual artists, including those Los Angeles, CA $20,000 Asian and Pacific Islander elementary in the expansion arts field. To support administrative costs as well schools. [92-5370-0384] [89-5370-0375] as musicians’ fees for the "Jazz Goes to School" series. [92-5370-0383] Village of Arts & Humanities, Inc. Vermont Community Foundation Philadelphia, PA $30,000 Middlebury, VT $75,000 Kulintang Arts, Inc. To support art projects and classes for To amend the fourth and final year of Oakland, CA $22,000 children in grades K-12 through after- a grant for support of subgranting to To support the Kulintang Heritage school, weekend, and summer pro­ small and minority arts organizations. Program with activities directed at chil­ grams, as well as for artist residencies. [88-5370-0380] dren in grades K-12 throughout the [92-5370-0364] Bay area. [92-5370-0361] ORGANIZATIONAL DEVELOPMENT PILOT COMMUNITY FOUNDATION INmATIVE Mexican Museum 4 grants; 1 cooperative agreement San Francisco, CA $26,000 4 grants Program Funds: $160,000 To support the after-school and sum­ Program Funds: $225,000 mer visual arts program for at-risk Afro.American Cultural Center, Inc. Latino adolescents residing in San Except as noted, these grants were Charlotte, NC $30,000 Francisco’s Mission District. reviewed by the 1991 Community To support the third and final year of [92-5370-0363] Foundation Initiative Panel A: Cynthia the Organizational Development Pilot. Hardy, Columbus, OH; Katharine [92-5370-0381 ] Oakland Youth Chorus Pearson, Knoxville, TN; Frances Oakland, CA $30,000 Poteet, Sandia Park, NM; Michael Carter G. Woodsen Foundation, inc. To support the after-school choral Stirling, Portland, OR; Betty Switzer, Newark, NJ $30,000 training program and salaries for the Austin, TX; Robert Wadsworth, To support the third and final year of program’s vocal instructors. Boston, MA. the Organizational Development Pilot. [92-5370-0351] [92-5370-0379] Community Foundation of Plaza de la Raza, Inc. Santa Clara County Guakia, Inc. Los Angeles, CA $20,000 San Jose, CA $50,000 Har~ord, CT $30,000 To support a series of classes in the To amend the fourth and final year of To support the third and final year of School of Performing and Visual Arts a grant for support ofsubgrants to the Organizational Development Pilot. to be taught by master artisans who small and medium-sized arts organiza­ [92-5370-0378] tions, including those of the expansion

64 National Endowment for the Arts Expansion Arts

Inner City Cultural Center Arts Stabilization Fund. Overview Los Angeles, CA $30,000 Panel. [92-5370-0162] Panels To support the third and final year of the Organizational Development Pilot. Visual Arts Research and Reseuree ARTS EDUCATION INmATIVE [92-5370-0380] Center Relating to the Caribbean, Inc. New York, NY $15,000" Fernandina Chan Term/, William [92-3052-0049] Dance Instructor New York, NY $40,000 *See International chapter. Boston English High School To amend a cooperative agreement to Boston, MA support the third and final year of tech­ Young Aspirations Young Artists, Inc. nical assistance, including counsel as New Orleans, LA $15,000* George Cisneres well as documentation and assessment, To support the development of a fabric Director of Public Information of four grantees participating in the print workshop, including the develop­ Texas Commission on the Arts Expansion Arts/Presenting and Com­ ment of a comprehensive business and Austin, TX missioning Programs’ Organizational marketing plan. [92-5370-0161] Development Pilot. [DCA 91-04] *Extraordinary Action Grant. Dennis Holub Executive Director South Dakota Arts Council SPECIAL PROJECTS Sioux Falls, SD

6 grants Marilyn Reinstein Ilayperson) Program Funds: $104,500 Chairman Scottsdale Arts in Education Council City of Chicago, Department of Scottsdale, AZ Cultural Affairs (Chicago-Mexico Artists-in.Residence) James Tucker Chicago, IL $30,000* Director, Arts and Humanities Section VMDL Panel. [92-3052-0029] Maryland State Department of *See International chapter. Education Baltimore, MD Del Norte Association for Cultural Awareness Lorraine Wilson (chair) Crescent City, CA $8,000* Professor of Music Education [92-3052-0048] Indiana University of Pennsylvania *See International chapter. Indiana, PA

Inner City Cultural Center MULTIDISCIPUNARY Los Angeles, CA $12,500 To support expenses incurred during .Apprentice artists learn to turn cast-off Patrizia Cioffi the renovation of the Ivar Theater. furniture into unique pieces at Young Executive Director VMDL Panel. [92-5370-0019] Aspirations Young Artists (YA/YA). The New School for the Arts Montclair, NJ National Arts Stabilization Fund, Inc. New York, iVY $24,000 Constance Y. Gray To support transportation and ex­ Grants & Technical Assistance Analyst penses for participants in a long range Oakland Cultural Arts Division planning process designed to address Oaklan~ CA organizational development issues of immediate concern to the National

~99z Annual Report Expansion Arts

Karen Hubbard Joanna Lee Michael Stifling Assistant Professor of Dance Affirmative Action Officer Performing Arts Program Coordinator University of North Carolina Trenton State College Oregon Arts Commission Charlotte, NC Trenton, NJ Portland, OR

Kristin Jackson Alice Lovelace Mad Torres de Hutchinson Choreographer; Professor of Dance Poet; Performance Artist Arts Consultant Queens College Atlanta, GA Hato Rey, PR New York, IVY Greicy Lovin (layperson) Lorraine P. Wilson Joyce L. Lew (layperson) Program Analyst Professor of Music Education Director of Allocations City of Miami Dept. of Indiana University of Pennsylvania United Way of Southern Michigan Community Development Indiana, PA Detroit, MI Miami, FL Bell Yung Joe Rodriguez (chair) PERFORMING ARTS - DANCE/MUSIC Associate Professor of Music Assistant Director of Community Arts University of Pittsburgh City of San Jose Sandra Burlon (chair) Pittsburgh, PA San Jose, CA Professor of Dance Williams College PERFORMING ARTS - THEATER Rosalba Rolon Williamstown, MA Artistic Director Tomas Benitez Pregones Theater Co. Juana Guzman Development Consultant Bronx, NY Development Coordinator Los Angeles, CA Department of Cultural Affairs Randy Ross City of Chicago Sandra Gay Management Analyst Chicago, IL Theatrical Director Aberdeen Area Indian Health Service, Actors Ink. Office of Epidemiology Sandy Summers Head (layperson) Indianapolis, IN Rapid Cli~y, SD Retail Merchandiser New York, NY Frederick Hudson George Sams President Grants Program Director Norman Kline Frederick Douglass Center St. Louis Regional Arts Commission Executive Director New York, NY St. Louis, MO Emelin Theater for the Performing Arts Jeanie J. Kim ORGANIZATIONAL DEVELOPMENT PILOT Mamaroneck, NY Assistant to the Director of Literary Programs Susie Farr Edsel Matthews Lannan Foundation Executive Director General Manager Los Angeles, CA Association of Performing Arts Koncepts Cultural Gallery Presenters Oakland, CA Greicy Lovin (layperson) Washington, DC Program Analyst Denise Nelson Nash City of Miami Dept. of Patflcia Johnson Executive Director Community Development Consultant Pasadena Arts Commission Miami, FL Community Arts and Pasadena, CA Development Group Chicago, IL

66 National Endowment for the Arts Expansion Arts

Carlton W. Molette Eduardo Diaz VISUAL, MEDIA, DESIGN, LITERARY ARTS Vice-President for Academic Affairs Executive Director AND COMBINATION (VMDL) Coppin State College San Antonio Department of Baltimore, MD Arts & Cultural Affairs Amy Chin San Antonio, TX Executive Director Donna Porterfield (chair) New York Chinese Managing Director Vivian Robinson Cultural Center, Inc. Roadside Theater Executive Director New York, NY Whitesburg, KY AUDELCO New York, IVY David Chung RURAL ARTS INmATIVF./COMMUNITY Visual Artist FOUNDATION INITIATIVE Alyce Sadongei (chair/layperson) Washington, DC Curriculum Manager Kathie deNobriga Smithsonian Institution W. Bing Davis (chair) Executive Director Washington, DC Artist (Ceramics) Alternate ROOTS Chairperson, Art Department Atlanta, GA Mayumi Tsutakawa Central State University Manager, Cultural Resources Division Wilbe~orce, OH Eduardo Garcia King County Arts Commission Consultant Seattle, WA Carlos Gutierrez-Solana Plainsboro, NJ Executive Director SERVICES TO THE RELD (1992) Artists Space Katharine Pearson New York, IVY Executive Director Sheila Austin-Smith East Tennessee Community Director of Grants Services Helen Lucero Foundation Metro-Dade Cultural Affairs Council Curator, Mexican Hispanic Knoxville, TN Miami, FL Crafts and Textiles Museum of International Folk Arts Frances Poteet David Earl Jackson Albuquerque, NM Consultant Director of Arts Access Sandia Park, NM Tennessee Arts Commission Magee Nelson Knoxville, TN Director Betty Switzer (chair) Hockaday Arts Center Field Representative Lamj Kubota (chair) Kalispell, MT Texas Commission on the Arts Management Consultant Austin, TX Gardena, CA Carla Roberts Executive Director Robert Wadsworth (layperson) V’~an Robinson ATLATL Program Director Executive Director Phoenix, AZ Boston Foundation AUDELCO Boston, MA New York, NY Adrienne Wgtherspoon (layperson) Executive Director, SERVICES TO THE FIELD (1991) Maria Dolores Sasso (layperson) Friends of the Library President North Carolina State University David Q. Cadigan M.S. International Corporation Raleigh, NC Community Arts Coordinator McLean, VA Maine Arts Commission Augusta, ME

I99z Annual Report 67 Folk Arts

169 grants; 2 cooperative agreements Program Funds: $3,181,800

The Folk Arts Program supports the traditional arts practiced by solve many problems of mutual concern, including access to groups of people who share an ethnic heritage, occupation, lan­ basketmaking materials. The dance presenter Jacob’s Pillow guage, religion, or geographic area. Its special responsibility is to in Massachusetts organized a residency by Cambodian encourage arts that have endured through several generations, American dancers and musicians from around the nation for that carry a sense of community aesthetic, and that embody a week of intense training, rehearsing, and performing. creative excellence. The Program assists and honors men and The State Apprenticeship category aims to bolster con­ women who demonstrate the highest traditional artistic knowl­ tinuity between generations -- the lifeline of the folk arts. edge and skills. It supports the cultural activities of traditional This year 28 grants were awarded by the Endowment to communities. It helps to make the sophistication, vivacity and state-based apprenticeship programs which in turn offer ap­ significance of our multicultural heritage available to wider prenticeship funding opportunities throughout their states. audiences. From Alaska to Mississippi and from Montana to Texas, hundreds of journeyman-level practitioners were given the HE FOLK ARTS ARE PROFOUND EXPRESSIONS chance to spend a period of time in dose, one-on-one study of the values, way of life, and heritage that each with a master of their traditional art form. T of us shares with others. Over time, common in­ Another major concern of the Program is to give all terests and aesthetic sensibilities that unite us give Americans access to the magnificently varied forms of tra­ rise to forms of art that speak to our mutuality and that ditional artistic expression found throughout the United often symbolize the group from which they emerge. Thus States. Discovering each other’s time-honored forms of art the major "institutions" that sustain the folk arts are social provides challenging and stimulating experiences that both ones: family, ethnicity, occupational group, local commu­ open new avenues of thought and creativity and invite us nity, and the like. Investing human and material resources to value our diversity. To invest in opportunities that ex­ in strengthening the folk arts means supporting those forms pand our capacity to understand one another is to invest in of artistic expression that spring from our own deepest val­ the social fabric and creative potential of our nation. ues; it also means investing in the most fundamental bonds The National Folk Festival in Johnstown, PA continued that give our society both strength and vitality. to attract audiences of over 100,000. More than 200,000 In FY ’92, this Program supported groups reflecting a people attended the Lowell (Massachusetts) Folk Festival, a wide cultural diversity and representing a rich variety of ef­ record number for any folk event. An innovative "tent tour" forts to identify, assist, and present their own traditional organized by the Centrum Foundation in Washington state artists and to affirm the ties between artist and community. presented local and national folk musicians -- Anglo, Grants in the Folk Arts Organizations category supported African American, Louisiana Creole, and Mexican American such things as local celebrations, exhibits, training programs, -- under a tent-sheltered mobile stage in rural sites where and artists’ conferences. such performances were otherwise unavailable. The The Old Lincoln County Cowboy Reunion in Glencoe, Tennessee Banjo Institute, sponsored by the Old Time NM brought southern New Mexicans together to celebrate Music and Dance Foundation, attracted accomplished banjo the traditional poetry, music, and crafts of their regional players from many parts of the country. ranching life. The exhibit "Basket-Trees/Basket Makers," The 1992 recipients of the National Heritage Fellowship displaying various styles of Native American basketry in award were a vivid embodiment of the diverse nature of Maine and discussing environmental threats to the natural American culture and the high level of accomplishment at­ raw materials used in basketmaking, toured sites in rural tained by traditional artists of many backgrounds. The rela­ Maine accessible to tribal people. A conference of Native tively modest investment in these fellowships has paid off American basketweavers, sponsored by the North Columbia many times over in the national attention and tribute given Schoolhouse in California’s Humboldt County, was the to these distinguished traditional masters, many ofwh0m largest gathering in memory of artists from many small tribes otherwise might have gone unrecognized and unrewarded of the region. Together they identified and took action to for their contributions to our nation’s cultural life.

68 National Endowment for the Arts 0 0

Justin Jones drums for Haa F.eti Kaa Dancers at Soalaska Heritage’s biennial "Celebration," which has received frequent Endowment support and played an important role in the revival of Southeast Alaskan traditions. When the festival began, a dozen dance companies performed; last year more than 40 attended.

I99:Z Annual Report 69 Folk Arts

Savoy, Marc ~ Alaska Public Radio Network Grants Eunice, LA $5,000 Anchorage, AK $10,000 To support a series of radio segments Indicates grants having national impact. Turner, Othar on the traditional arts of Native Senatobia, MS $5,000 Americans to be broadcast as part of NATIONAL HERITAGE the program National Native News. FELLOWSHIPS Viswanathan, Tanjore Grants II panel. [92-5533-0154] Middletown, CT $5,000 To recognize annually a few of the na­ Albany Institute of History and Ar~ tion’s exemplary master folk artists and Albany, NY $12,200 artisans whose significant contributions FOLK ARTS To support "The Connecting Bridge: to the health and happiness of the na­ ORGANIZATIONS A Folk Arts Conference." Grants I tion have gone largely unrecognized. panel. [92-5533-0087] Candidates are nominated from the To enable nonprofit organizations to field; they may not apply, and each fel­ support such folk art activities as local Allied Arts Fund of Greater Chattanooga lowship is a one-time-only grant award. festivals, concerts, exhibits, and touring Chattanooga, TN $18,900 performances. Grants are also awarded To support the local folk arts coordina­ 13 grants for the documentation of traditional tor program. Grants II panel. Program Funds: $65,000 arts through radio, film, and recording [92-5533-0206] and for general assistance. See also Aguabella, Francisco Underserved Communities Set-Aside Nlied Arts Fund of Greater Chattanooga Manhattan Beach, CA $5,000 chapter. Chattanooga, TN $14,000 To support, identify, and document Brawn~ Jerry 149 grants; 2 cooperative agreements African American traditional musicians Hamilton, AL $5,000 Program Funds: $2,979,300 in the greater Chattanooga area and produce a concert series featuring a Calhoun, Walker African Cultural Festivals Committee stylistic variety of African American Cherokee, NC $5,000 Washington, DC $18,100 music of the region. Grants II panel. To support local, community-based [92-5533-0207] Davenport, Clyde traditional African American perform­ Monticello, KY $5,000 ing groups at the African Cultural Amauan Workshop Festival and at a series of local venues. New York, NY $15,000 Beacon, Belle Grants I panel. [92-5533-0028] To support a concert and workshop se­ Grayling, AK $5,000 ries featuring Filipino American kulin­ Alabama Folklife Association, Inc. tang groups. Grants II panel. Ezell, Nora Birmingham, AL $29,900 [92-5533-0149] Eutaw, AL $5,000 To support the Alabama Folklife Festival. Grants I panel. Arab Community Center for Hawpetoss, Gerald F. [92-5533-0036] Economic and Social Services Milwaukee, WI $5,000 Dearborn, MI $15,600 Alabama Folklife Association, inc. To support a series of performances of Kuinova, Fatima Birmingham, AL $5,500 the Sirat Beni Hilalepic by master Middle Village, NY $5,000 To support the reprinting of The Egyptian storyteller Shaykh Biyali Abu Colored Sacred Harp. Grants I panel. Fahmi. Grants II panel. [92-5533-0187] Naka, John Yoshio [92-5533-0073] Whittier, CA $5,0O0 Arizona Historical Society Tucson, AZ $5,000 Ng, Sheun~Chi To support the annual Waila Festival. New York, NY $5,000 Grants I panel. [92-5533-0034]

70 National Endowment for theArts Folk Arts

Arts for Greater Rochester, Inc. Brooklyn Arts Council American Fiddle Tunes. Grants I Rochester, NY $19,500 Brooklyn, NY $15,000 panel. [92-5533-0076] To support the folk arts program at the To support a series of concerts and Arts for Greater Rochester. Grants I crafts presentations with the Brooklyn Children’s Museum of Utah panel. [92-5533-0091] Public Library system featuring tradi­ Salt Lake City, UT $4,300 tional musicians and crafts workers To support workshops, demonstra­ Asian/Pacific Foundation of Hawaii from local ethnic communities. Grants tions, and related costs for an interpre­ Honolulu, HI $35,000 II panel. [92-5533-0126] tive exhibit on cowboy culture and tra­ To support Nahenahe: The Sound of ditional arts. Grants II panel. Hawaiian Slack-Key, a video on the his­ California State University [92-5533-0168] tory and aesthetic traditions of slack- Fresno Foundation key guitar. Grants I panel. Fresno, CA $17,800 Chippewa Valley Museum, Inc. [92-5533-0041] To support a series of concerts illustrat­ Eau Claire, WI $29,200 ing the folk roots of Fresno. Grants I To support an exhibition based on the ~r Association for Cultural Equity, Inc. panel. [92-5533-0014] folk arts of the Lao-Hmong communi­ New York, NY $15,000 ties in the greater Eau Claire region. To amend a grant to support the devel­ Cambodian-American Heritage, Inc. 1991 Grants II panel. opment of historical footage shot by Temple Hills, MD $15,000 [92-5533-0192] Alan Lomax in 1964 of traditional To support a series of classes in artists appearing at the Newport Folk Cambodian court and folk dance and Chippewa Valley Museum, Inc. Festival. Grants I panel. the development of a music and dance Eau Claire, WI $I0,000 [91-5533-1161] repertoire in preparation for various To support performances and demon­ Cambodian holidays and celebrations. strations by regional American Indian Association of Indians in America, Inc. Grants II panel. [92-5533-0136] folk artists in conjunction with the ex­ New York Chapter hibit, "Paths of the People: The New York, NY $19,700 Canyon Foundation: Ojibwe in the Chippewa Valley," at the To support a program of traditional Advancing Electronic Music Chippewa Valley Museum. 1991 East Indian crafts demonstrations at Santa Fe, NM $27,800 Grants II panel. [92-5533-0001] Indian community celebrations. Grants To support a tour by Israel "Cachao" I panel. [92-5533-0019] Lopez, a seminal figure in the develop­ Ciri Foundation ment of Afro-Cuban popular music. Anchorage, AK $19,800 Association of Village Council Presidents Grants I panel. [92-5533-0033] To support a performance series of na­ Bethel, AK $8,800 tive Alaskan Eskimo, Indian, and Aleut To support the performance of the Center for Sonthem Folklore music, dance, and storytelling at the Bladder Dance by the Hooper Bay Memphis, TN $24,000 Anchorage Museum of History and Traditional Dancers. Grants II panel. To support a one-year folklorist intern Art. Grants II panel. [92-5533-0139] [92-5533-0174] position to work on the production, promotion, and presentation of By City Lore, Inc. Bethel Broadcasting, Inc. Southern Hands, Viva Memphis, and New York, NY $10,000 Bethel, AK $14,500 Mid-South Music and Heritage To support a series of performances of To support finishing costs for a video Festivals, as well as a Black History the traditional music that accompanies documentary of a 1989 Yup’ik dance Month exhibition at the Center. the Puerto Rican Fiestas de Cruz, a festival in Mountain Village, Alaska by Grants I panel. [92-5533-0052] commemoration of the earthquake of KYUK-TV. Grants I panel. May, 1787. Grants I panel. [92-5533-0072] Centram Foundation [92-5533-0020] Port Townsend, WA $19,300 To support a tent tour to rural areas of Washington and Oregon featuring tra­ ditional artists from the Festival of

I992 Annual Report 71 Folk Arts

City Lore, Inc. Columbus College Delaware Department of Natural New York, NY $18,000 Columbus, GA $21,600 Resources & Environmental Control To support the second year of an in­ To support the Indian Heritage Dover, DE $44,800 ternship at City Lore. Grants I panel. Festival. Grants I panel. To support the Delaware Folklife [92-5533-0067] [92-5533-0024] Program and related costs at the Department of Natural Resources. ~- Cil), Lore, Inc. Country Roads, Inc. Grants II panel. [92-5533-0171] New York, NY $9,500 Boston, MA $21,000 To support a series of radio modules, To support the folk arts coordinator ~ Duquesne Universi~ "American Talkers," focusing on tradi­ position and related program costs at Pittsburgh, PA $9,100 tional storytelling and verbal lore. Country Roads. Grants II panel. To support a series of one-hour radio Grants II panel. [92-5533-0145] [92-5533-0137] programs developed from the taping of concerts, workshops, and individual in­ City Lore, Inc. ~, Country Roads, Inc. terviews at the 1990 Tennessee Banjo New York, NY $35,000 Boston, MA $20,000 Institute. Grants II panel. To support the second phase of To support a folk arts component of a [92-5533-0181] "Somos Boricuas!" and a bilingual nationwide Armenian touring exhibi­ booklet on traditional bomba, plena, tion, including the identification, East Bay Center for the Performing Arts andfibaro music. Grants II panel. exhibition, and demonstration of Richmond, CA $10,800 [92-5533-0146] Armenian American traditional folk To support instructional workshops in artists. Grants II panel. Ghanaian music and dance and in City Lore, Inc. [92-5533-0160] Mien paau-zuun$ a rare form of New York, iVY $4,900 Laotian singing. Grants I panel. To support a major concert featuring Crandall Library [92-5533-0023] New York-based senior masters of Glens Falls, NY $16,200 Puerto Rican traditional music accom­ To support a children’s workshop East Bay Center for the Performing Arts panied by Los Pleneros de la 21. series, "Growing Up in the North Richmond, CA $9,400 Grants II panel. [92-5533-0147] Country." Grants I panel. To support an instructional workshop [92-5533-0035] series on the traditional dance move­ Cit), Lore, Inc. ment, and musical accompaniment of New York, iVY $6,500 David Adler CuRural Center capoeira and traditional fandango music To support the development of a cul­ Liber~yville, 1L $9,800 and dance of Veracruz, Mexico. Grants turally diverse folk arts-in-education To support a concert series highlight­ II panel. [92-5533-0204] program in public schools through ing the diverse ethnic and regional tra­ New York’s Arts Exposure Program. ditions in northern Illinois. Grants I Eastem Illinois University Grants II panel. [92-5533-0167] panel. [92-5533-0026] Charleston, IL $16,000 To support an exhibit and the presen­ City of Emmonak Davis & EIIdns College tation of traditional artists at a festival Emmonak, AK $7,000 Elkins, WV $24,500 of the arts. Grants I panel. To support the 1992 Yup’ik Dance To support a video on Helvetia, WV, [92-5533-0016] Festival in Emmonak. Grants II panel. an isolated Swiss American community [92-5533-0152] whose artistic activities still include ~, Educational Broadcasting Corporation traditional dancing, fiddling, carol New York, NY $28,000 City of Eunice singing, making Fasnacht masks, quilt­ To support American Voices, a televi­ Eunice, LA $13,100 ing, and more. Grants I panel. sion documentary featuring traditional To support artists’ presentations, inter­ [92-5533-0108] artists. Grants II panel. pretation, and technical production [92-5533-0150] costs of the 1992 Louisiana Folklife Festival in Eunlce. Grants II panel. [92-5533-0208]

7~, National Endowment for the Arts Folk Arts

the small, rural, ethnically-oriented town of Lindsborg in central Kansas. Grants I panel. [92-5533-0061]

Fund for Folk Culture Santa Fe, NM $22,300 To support a meeting to examine needs of the folk arts field and for travel costs to communicate those needs to poten­ tial funders in support of.the folk arts. Grants II panel. [92-5533-0185]

Georgia Sea Island Folklore Revival Project, Inc. Brunswick, GA $10,000 To support the 1992 Georgia Sea Island Festival. Grants I panel. 0 [92-5533-0040] 0 Greater Lowell Regatta Festival Jonathan Seetenrn demonstrates the traditional craft of Mien ChaHtable Foundation scroll painting at California’s Festival of the Lake. Lowell, MA $20,000 To support the Lowell Folk Festival. Elders Share the Arts, Inc. featuring Raymond Kane. 1991 Grants Grants I panel. [92-5533-0032] Brooklyn, NY $15,000 II panel. [92-5533-0007] To support a school project based on Greater Washington Ceili Club the African American, Latino, and first District Agricultural Association Corporation Caribbean storytelling traditions found [Festival of the Lake) Arlington, VA . $15,000 in Brooklyn. Grants II panel. Oakland, CA $27,900 To support the annual Glen Echo Irish [92-5533-0188] To support salary, travel, subsistence, Folk Festival. Grants I panel. and related costs for a folk arts specialist [92-5533-0017] Ethnic Folk Arts Center, Inc. to develop a statewide traditional folk New York, NY $20,000 arts program, Local Cultures, focusing Heard Museum To support a set of promotional videos on Southeast Asian Americans. 1991 Phoenix, AZ $28,000 and educational tapes of several groups Grants II panel. [92-5533-0012] To support two festivals, one high­ of significant traditional artists. Grants lighting Native American arts from I panel. [92-5533-0022] first District Agricultural Association California, and the other highlighting (Festival of the Lake) traditional arts of the Northwest Coast. Ethnic Folk Arts Center, Inc. Oakland, CA $13,900 Grants I panel. [92-5533-0071] New York, NY $26,500 To support the Local Cultures program To support a project of field research at the Festival of the Lake featuring tra­ Historic Chattaheochee Commission and audio/video documentation as ditional artists from various Southeast Eufaula, AL $40,000 preparation for future presentations of Asian communities in California. To support the identification and in­ Arab music and dance traditions. Grants I panel. [92-5533-0013] terpretation of folklife traditions of the Grants II panel. [92-5533-0159] lower Chattahoochee Valley in prepa­ Folklife Institute of Central Kansas ration for a major exhibition and other ~r Him Arts Foundation Lindsborg, KS $21,000 regional programming. Grants II panel. San Francisco, CA $20,000 To support a documentation and pre­ [92-5533-0132] To support completion costs for That sentation project centered on the un­ Slack Key Guitar, a documentary film usually rich woodworking tradition of

1992 Annual Report 73 Folk Arts

Houston Community Services Ethnic and Traditional Arts, which will Kansas State Historical Socie~ Houston, TX $14,000 create a computer data base to help fa­ Topeka, KS $26,800 To support the 1992 Conjunto Festival miliarize St. Louis communities with To support a traveling exhibition de Houston. Grants I panel. the rich heritage of traditional arts in of custom-made cowboy boots [92-5533-0080] their communities. Grants I panel. and accompanying interpretive [92-5533-0092] materials. Grants I panel. Houston Community Services [92-5533-0054] Houston, TX $10,000 Jacob’s Pillow Dance Festival, Inc. To support the 1993 Conjunto Festival Lee, MA $17,600 Kariyushi Kai de Houston. Grants II panel. To support a residency by master San Jose, CA $15,000 [92-5533-0203] Cambodian artists and dancers con­ To support master classes and a series cluding with a performance in one of of workshops by Okinawan musician Inquilinos Boricuas en Accion the Pillow’s theaters. Grants I panel. Harry Seisho Nakasone, a 1991 Boston, MA $15,000 [92-5533-0025] National Heritage fellow. Grants I To support a concert of traditional panel. [92-5533-0015] Puerto Rican trovadores, performances Jewish Communit~� Center of of Afro-Puerto Rican music and dance Staten Island, Inc. Khmer Studies Institute, Inc. by the Familia Ayala from Puerto Rico, Staten Island, NY $10,000 Newington, CT $5,100 and concerts and residencies by singer To support presentations of traditional To amend a grant to include comple­ Andres Jimenez. Grants II panel. performance and folk arts of the tion costs of a video on Khmer court [92-5533-0161] Sephardic diaspora at the fifth annual dance in the United States. Grants I L’Chaim Festival of Jewish Arts. panel. [91-5533-0183] Institute for Community Research, Inc. Grants I panel. [92-5533-0044] Hartford, CT $44,400 Kodiak Island Convention and To support the state folk arts coordina­ John C. Campbell Folk School Visitors Bureau tor position in Connecticut and related Brasstown, NC $12,200 Kodiak, AK $4,900 costs. Grants II panel. To support a concert series of tradi­ To support the Kodiak Heritage [92-5533-0169] tional artists of the region to be broad­ Festival including workshops and spe­ cast by local public radio stations. cial activities for children featured dur­ Institute of Alaska Native Arts, Inc. Grants II panel. [92-5533-0158] ing the week-long festivities. Grants I Fairbanks, AK $27,500 panel. [92-5533-0065] To support presentations, workshops Kahuna Na’au A’o ma Pu’uhonua o and residencies by local Alaskan native Honaunau NHP, Inc. Koncepts Culturai Gallery traditional artists as companion events Honaunau, Kona, HI $23,300 Oakland, CA $25,000 to the "Arts from the Arctic" exhibition. To support the second year of the To support the Oakland Blues-in-the- Grants II panel. [92-5533-0164] Gathering of Hawaii’s Traditional Schools project. Grants II panel. Masters at the City of Refuge National [92-5533-0155] Institute of Puerto Rican Culture Historical Park in Kona. Grants I San Juan, PR $19,800 panel. [92-5533-0039] La Compania de Teatro de To support a series of concerts of tradi­ Nbuquerque, Inc. tional Puerto Rican music as a part of Kalihi.Palama Immigrant Albuquerque, NM $4,700 the "Quinto Homenaje al GiJiro Service Center, Ltd. To support a series of presentations in Puertorriqueno." Grants I panel. Honolulu, HI $24,100 1991 of traditional Hispanic New [92-5533-0088] To support instructional workshops by Mexican music in senior citizen, nurs­ Lao master weavers and an embroiderer ing, and day care centers. 1991 Grants international Institute of for Lao needleworkers. Grants I panel. II panel. [92-5533-0004] Metropolitan St. Louis [92-5533-0018] St. Louis, MO $18,200 To support the Clearinghouse of

74 National Endowment for the Arts Folk Arts

La Compania de Teatro de Los Angeles Festival Great Lakes region. Grants II panel. AJbuquerque, Inc. Los Angeles, CA $7,500* [92-5533-0170] Albuquerque, NM $5,600 * See International chapter. To support a series of on-site concerts [92-3052-0050] Missouri Historical Society in 1992 of traditional New Mexican St. Louis, MO $21,800 Hispanic music by Los Reyes de Maine Arts, Inc. To support the Missouri Heritage Fair Albuquerque for senior citizens at Portland, ME $21,000 presenting the traditional arts of various meal sites, nursing homes, and To support a second year of folk arts Missouri and the Midwest. Grants I day care centers in New Mexico. programming to include artists’ fees, panel. [92-5533-0051] Grants II pand. [92-5533-0172] promotion, documentation, and ad­ ministrative costs in presenting local Missouri Historical Society La Pena Cultural Center, Inc. traditional artists at several regional St. Louis, MO $21,100 Berkeley, CA $5,000 sites and at the 1992 Maine Festival of To support fieldwork expenses, tradi­ To support a concert and workshop the Arts. Grants I panel. tional artists’ fees, and presentation series by traditional Afro-Cuban bata [92-5533-0086] costs of the Missouri Heritage Fair. drumming masters and accompanying Grants II panel. [92-5533-0186] dancers. Grants I panel. Mattatuck Historical Society [92-5533-0030] Waterbury, CT $10,700 Music From China, Inc. To support the hiring of a part-time New York, NY $18,600 La Raza Bookstore folklorist to do fieldwork on ethnic To support a program of Chinese Sacramento, CA $3,000 musicians in the Naugatuck Valley. Cantonese opera, including a series of To support interactive workshops with Grants I panel. [92-5533-0053] presentations, open rehearsals, lectures, regional Native American artists. and children’s workshops. Grants I Grants I panel. [92-5533-0029] Metro Columbus Urban League, Inc. panel. [92-5533-0063] Columbus, GA $20,000 Laotian Handcraft Project, Inc. To support artists’ fees, travel, and re­ Musical TradiUons, Inc. Berkeley, CA $12,500 lated costs for American folk artists to San Francisco, CA $31,000 To support the collection, publication, appear at the Festival of New World To support independent statewide folk and presentation of traditional stories Music in Columbus, GA. Grants II arts research, documentation, technical of communities in California with large panel. [92-5533-0163] assistance, and a presenting program in populations of Mien refugees. Project California. Grants II panel. will be carried out by Mien immigrant Metropolitan Ubra~ System [92-5533-0176] cultural workers. Grants II panel. Serving Oklahoma County [92-5533-0131] Oklahoma City, OK $11,800 ~" National Black Arts Festival, Inc. To support a one-day festival featuring Atlanta, GA $35,100 Long Island University presentations by older Oklahoma tradi­ To support presentations of traditional Brookville, NY $23,100 tion bearers during Seniors Day. African and African American artists at To support "Downtown Care" and Grants I panel. [92-5533-0077] the 1992 National Black Arts Festival "Afternoons at LIU," a series of in Adanta. Grants I panel. lunchtime and afternoon concerts fea­ Michigan State University [92-5533-0056] turing traditional artists at various loca­ East Lansing, MI $25,000 tions on the Brooklyn campus of Long To support the 1992 Festival of National Council for the Traditional Arts Island University. Grants I panel. Michigan Folklife. Grants I panel. Silver Sprin$ MD $35,600 [92-5533-0048] [92-5533-0081] To support a revival of the Saturday Night and Sunday Morning program Los Angeles Festival Film & Video Project Michigan State University of African American performance tradi­ Los Angeles, CA $20,000 East Lansing, MI $24,500 tions to tour through the midwestern To support rehearsals, lectures, and a To support an exhibition on marline­ and eastern states during Black History performance of Chinese Kunqu opera. spike maritime traditions (the artistic Month. 1991 Grants II panel. Grants I panel. [92-5533-0096] use of knots, bends, and splices) of the [92-5533-0005]

I99zAnnual Report 75 Folk Arts

~r National Council for the Traditional Arts tions and rural community organiza­ ing roster of the Pennsylvania Heritage Silver Spring, MD $30,000 tions. Grants I panel. [DCA 92-22] Affairs Commission and to initiate a To support the third year of the series of cassette recordings of selected National Folk Festival in Johnstown, New York Folklore Socie~, Inc. folk artists. Grants II panel. PA. Grants I panel. [92-5533-0046] Newfield, NY $6,900 [92-5533-0151] To support the New York Folklore National Council for the Traditional Arts Society’s Mentoring Project. Grants II Philadelphia Folklore Project Silver Spring, MD $38,000 panel. [92-5533-0214] Philadelphia, PA $30,000 To support a west coast tour of"Masters To support the folk arts coordinator of the Steel String Guitar." 1991 Grants Niagara University position and related costs at the II panel. [92-5533-0047] Niagara University, NY $27,400 Philadelphia Folklore Project. Grants II To support field research on Catholic panel. [92-5533-0134] National Council for the Traditional Arts folk art traditions among Puerto Ricans Silver Spring, MD $39,000 in western New York State. Grants II Pittsburgh Film Makers, Inc. To support a west coast tour of panel. [92-5533-0175] Pittsburgh, PA $7,700 "Singers" in the spring of 1994. Grants To support the completion of a film on II panel. [92-5533-0130] North Columbia Schoolhouse the life and art of Pittsburgh’s African Cultural Center American street singer Bill Dorsey. National Council for the Traditional Arts Nevada City, CA $24,900 Grants II panel. [92-5533-0135] Silver Spring, MD $38,000 To support the 1992 California Indian To support an eastern United States Basketweavers Gathering. Grants I Port Washington Public Library tour of"Masters of the Banjo," in the panel. [92-5533-0078] Port Washington, NY $10,400 fall of 1993. Grants I panel. To support an exhibition and related [92-5533-0047] Northem Cheyenne Culture Commission programming interpreting the mar­ Lame Deer, MT $19,000 itime arts of the North Shore of Long ~, National Council for the Traditional Arts To support the Northern Cheyenne Island. Grants I panel. Silver Spring, MD $108,000 women elders in examining and evaluat­ [92-5533-0042] To support a cooperative agreement for ing slides of traditional Cheyenne bead the organization and administration and quill designs for use in instructing Portland Performing/Iris Center, Inc. of the 1992 Assembly of National younger tribal bead and quill artists. Portland, ME $18,800 Heritage Fellows, including public Grants I panel. [92-5533-0089] To support a tour to several major appearances, a free public concert and cities in the northeast corridor of the production of a video tape. Grants I Northwest Folklife Festival Accordions that Shook the Wodd pro­ panel. [DCA 92-19] Seattle, WA $19,100 gram. Grants I panel. [92-5533-0083] To support the documentation of ~r National Council for the Traditional Arts Washington State old-time fiddlers. PorlJand Performing Arts Center, Inc. Silver Spring, MD $95,000 Grants I panel. [92-5533-0070] Portland, ME $14,200 To support a cooperative agreement for To support a celebration of Franco- travel costs to send carefully selected ~r Old ~me Music and American music, storytelling, and food experts in the traditional arts field to Dance Foundation, Inc. ways of Maine, Louisiana and Quebec. attend performances and projects Madison, TN $19,000 Grants II panel. [92-5533-0193] funded by the Folk Arts Program and To support the 1992 Tennessee Banjo to evaluate the fiscal and programmatic Institute. Grants II panel. Public Media Foundation, Inc. performance of such events; to provide [92-5533-0189] Boston, MA $25,000 technical assistance to potential appli­ To support a film documenting Puerto cants and grantees, including Native Pennsylvania Department of Rican santos (carved wooden figures of American tribes, local ethnic associa Community Affairs saints). 1991 Grants II panel. Harrisburg, PA $14,700 [92-5533-0002] To support the expansion of the tour­

76 National Endowment for the Arts Folk Arts

Pueblo of Pojoaque, New Mexico Santa Fe, NM $15,000 To support the documentation of proc­ esses of traditional Pueblo pottery mak­ ing. Grants I panel. [92-5533-0031]

Pueblo of Zuni Zuni, NM $42,000 To support a travding exhibition and catalogue of Zuni jewelry. Grants I panel. [92-5533-0045]

Pueblo of Zuni Zun£ NM $14,600 To support production costs for several hours of radio programming of tradi­ tional Zuni storytelling for broadcast on the Zuni Pueblo radio station. Grants II panel. [92-5533-0180]

Queens Council on the Arts, Inc. Jamaica, NY $15,000 To support the Nations in Neigh­ borhoods program, featuring tradi­ tional artists at the Queens Festival and consisting of a year-long series of work­ shops featuring local traditional artists in presentations at borough schools. Grants I panel. [92-5533-0068]

Radio Bilingue, Inc. Fresno, CA $11,000 To support instructional workshops in instrumental technique, vocal style, and ensemble performance demonstra­ tions of mariachi music and the pro­ duction of an educational booklet on the history and development of this tradition. Grants II panel. [92-5533-0153]

Recorded Antholo~ of American Music, Inc. New York, NY $21,300 To support a recording of the Under auspices of the Philadelphia Folklore Project, Bounma Wiregrass Sacred Harp Singers per­ Thamphya makes a markbeng, a decoration for the Lao New Year. forming the complete repertoire of songs included in the traditional song book The Co/ored Sacred Harp. Grants II panel. [92-5533-0183]

r992Annual Report 77 Folk Arts

$r Red Earth, Inc. South Dakota State Historical Society T~inowit Oklahoma Cio,, OK $14,700 Pierre, SD $34,200 Toppenish, WA $5,000 To support "Songs of Indian To support the folklife program for the To support a "heritage room" where Territory," a presentation of older tra­ state of South Dakota. Grants II panel. local traditional Native American crafts ditional Native American dances and [92-5533-0125] people can gather to demonstrate their songs at the Red Earth Native art at the Tiinowit 18th Annual American Cultural Festival. Grants I Southeast Asian International Pow Wow in central panel. [92-5533-0064] Mutual Assistance Association Washington. Grants I panel. Philadelphia, PA $22,000 [92-5533-0050] SOUta Fe Council for the/lrta, Inc. To support fieldwork and a booklet on Santa Fe, NM $17,400 the diverse New Year celebrations of Town of Cheektowaga, New York To support a project documenting tra­ Philadelphia’s Southeast Asian commu­ Cheektowaga, NY $4,700 ditional Hispanic New Mexican nities. Grants I panel. To support workshops and events re­ moradas, folk structures that house [92-5533-0049] lated to Polish Easter crafts, including Penitente rituals, and to develop recom­ traditional basketry, the making of mendations for their preservation. ~, Southern ~ Federation, inc. butter lambs, and egg decoration as a Grants I panel. [92-5533-0027] Atlanta, GA $25,000 spring component of the "Meet the To support workshops and artists’ Artist" series. Grants I panel. Schoharie County Arts Council showcases related to folk arts presenta­ [92-5533-0037] Cobleskill, NY $12,600 tions at the annual Association of To support a festival and accompanying Performing Arts Presenters Conference. Town of Cheektowaga, New York catalogue of Irish music, song, dance, 1991 Grants II pand. [92-5533-0003] Cheektowaga, NY $7,500 and art by traditional artists of the To support expansion of the folk arts Catskill region and of New York City. Texarkana Regional Arts & component of the summer Polish Grants I panel. [92-5533-0055] Humanities Council, Inc. American Festival to include work­ Texarkana, AR $6,500 shops in traditional crafts and music, Schoharie Museum of the Iroquois Indian To support the folk arts program in interpretative booklets, and a special Howes Cave, NY $9,000 Texarkana, Arkansas, for a second year. Meet the Artist event. Grants I panel. To support a workshop series featuring Grants I panel. [92-5533-0084] [92-5533-0038] local tribal artists. Grants II panel. [92-5533-0191] Texarkana Regional Arts & Tung Ching Chinese Humanities Council, Inc. Center for the Arts, Inc. Sealaska Heritage Foundation Texarkana, AR $5,300 Flushing, NY $21,600 Juneau, AK $24,400 To support a pilot arts-in-education To support actors’ and musicians’ fees To support community cultural re­ program for southwestern Arkansas and related costs in a production of treats in several Tlingit communities. featuring local folk artists and tradition Shanghai-style Shaoxing opera, includ­ Grants I panel. [92-5533-0058] bearers. Grants I panel. [92-5533-0085 ] ing lecture demonstrations. Grants II panel. [92-5533-0194] Sino-American Cultural Society, Inc. Texas Folklifo Resources Washington, DC $12,500 Austin, TX $30,000 United Jewish Y’s of Long Island, Inc. To support opera instruction by To support the third year of the Plainview, NY $25,600 renowned actress Qi Shufang and ac­ "Accordion Kings," a documentation To support artist and consultant complishedjinghu player Bao Moli as and presentation project focusing on fees and other related costs for a tradi­ well as artists’ fees and production costs four distinct accordion music traditions tional arts component of the 10th for local presentations of Peking opera. -- Cajun, conjunto, zydeco, and polka International Jewish Arts Festival Grants I panel. [92-5533-0079] -- that converge in Texas. Grants I on Long Island. Grants II panel. panel. [92-5533-0066] [92-5533-0140]

78 National Endowment for the Arts Folk Arts

Univers~ of Maine World Music Institute, Inc. STATE ARTS AGENCY Orono, ME $26,700 New York, NY $15,000 APPRENTICESHIP PROGRAMS To support the exhibition, "Remnants To support the West Indian music of Our Lives: Maine Women and festival, including concerts featuring Funds are available to state or private Traditional Textile Arts." Grants I music, dance, and ritual traditional to nonprofit agencies for the development panel. [92-5533-0060] Trinidad and Jamaica, and workshops of statewide apprenticeship programs. examining the history and significance See also Underserved Communities Universi~ of Maine of West Indian music. Grants I panel. Set-Aside chapter. Orono, ME $20,300 [92-5533-0095] To support the folklife program at the 7 grants Northeast Archives of Folklore and World Music Institute, Inc. Program Funds: $137,500 Oral History at the University of New York, NY $18,500 Maine at Orono. Grants II panel. To support several concerts and pre- Countq¢ Roads, Inc. [92-5533-0127] concert discussions at Brooklyn Col­ Boston, MA $20,000 lege. Grants II panel. [92-5533-0142] [92-5534-0198] Universi~ of South Carolina at Columbia Columbia, SC $27,000 World Music Institute, Inc. Davis & I~ldns College To support an exhibition and accom­ New York, NY $20,000 Elkins, WV $25,000 panying interpretive material on the To support family-oriented educational [92-5534-0101] impact of the founding of Jugtown outreach concerts on Sunday after­ Pottery in 1921 by Jacques and Juliana noons at Symphony Space. Grants ti Lewis and Clark College Busbee. Grants I panel. panel. [92-5533-0143] Portland, OR $20,000 [92-5533-0082] [92-5534-0110] World Music Institute, Inc. Wisconsin Folk Mu~um, Inc. New York, NY $27,000 Michigan State University Mount Horeb, WI $24,100 To support the NEW AMERICANS East Lansing, MI $19,000 To support an in-depth documentation concert series. Grants II panel. [92-5534-0201] of several American Indian artistic tra­ [92-5533-0144] ditions of the Upper Midwest for use Texarkana Regional Arts & in future public presentations. Grants World Music’, Inc. Humanities Council, Inc. II panel. [92-5533-0182] Cambridge, ’MA $12,500 Texarkana, AR $16,500 To support an African and African [92-5534-0109] Wolf Trap Foundation for the American traditional music concert se- Pedorming Arts ties. Grants II panel. [92-5533-0184] Texas Folldlfe Resources Vienna, VA $53,500 Austin, TX $27,000 To support the 1992 "Folk Masters" Wfil~r~ L~gae of Boron [92-5534-0107] program, a series of concerts by tradi­ Boston, MA $9,000 tional musicians to be held at The To amend a grant m include comple­ Vermont Folklife Center Barns at Wolf Trap. Grants I panel. tion costs for a fdm documenting the Middlebury, VT $10,000 [92-5533-0069] Afro-Puerto Rican oral poetry and [92-5534-0106] poetic declamation ofEfrain Ortiz. ~" World Music Institute, Inc. Grants I panel. [91-5533-0012] New York, iVY $15,000 To support the second year of the NEW Yueh Lung Shadow $hentr~ AMERICANS cassette series. Grants I Jackson Heights, NY $4,500 panel. [92-5533-0094] To support workshops and perfor­ mances with live music by fifth genera­ tion Fujian-style puppeteer Yang Feng. Grants I panel. [92-5533-0021]

~99z Annual Report 79 Folk Arts

J. Sanford Rikoon Dorothy Lee Panels Research Assistant Professor, Professor, Acting Director Department of Rural Sociology Archives of Oral Tradition, GRANTS I University of Missouri-Columbia Indiana University Columbia, MO Bloomington, IN Waller Chiesa Crafts Consultant John Roberts Beatrice Medicine Bayam6n, PR Professor, African-American Studies Anthropologist; Consultant, University of Pennsylvania Native American Culture Jon Ching (layperson) Philadelphia, PA Mobridge, SD Consultant to Asian community/small business owner Catherine Schwoeffennann Maria-Isabel Miranda Fresno, CA Curator; Folklife Program Coordinator Assistant Professor, Roberson Center for the Arts & Department of Chicano Studies Robert Cogswell Sciences California State University Folk Arts Coordinator Binghamton, NY Northridge, CA Tennessee Arts Commission Nashville, TN Jeff TRon J. Sanford Rikoon Ethnomusicologist; Research Assistant Professor, Burt Feintuch Director of Ph.D. Program in Music Department of Rural Sociology Director, Center for the Humanities; Brown University University of Missouri-Columbia Professor of English & Folklore Medford, MA Columbia, MO University of New Hampshire Durham, NH Isabel Wong John Roberts Office of International Professor, African-American Studies Judith Gray Programs and Studies University of Pennsylvania Ethnomusicologist; Archivist; Musician University of Illinois Philadelphia, PA American Folklife Center, Urbana, IL Library of Congress Hirami L Sakata Washington, DC GRANTS II 11991) Ethnomusicologist; Professor University of Washington James Grifflth Ico-chair) David Brose Seattle, WA Director, Southwest Folklore Center Folk Arts Coordinator University of Arizona John C. Campbell Folk School Lee Udall (layperson) Tucson, AZ Brasstown, NC Retired Administrator; Businesswoman Santa Fe, NM Barbara Hampton (co-chair) James Grifflth {co-chair) Associate Professor Director, Southwest Folklore Center Thomas Vennum, Jr, Hunter College University of Arizona Senior Ethnomusicologist, New York, NY Tucson, AZ Office of Folklife Programs Smithsonian Institution Beatrice Medicine (layperson) Barbara Hampton Washington, DC Anthropologist; Consultant, Associate Professor Native American Culture Hunter College Isabel Wong Mobridge, SD New York, NY Office of International Programs and Studies Barbara Rahm William Kornrich (co-chair) University of Illinois State Folk Arts Coordinator Director Urbana, IL California Arts Council Rose Center and Council for the Arts Sacramento, CA Morristown, TN

80 National Endowment for the Arts Folk Arts

Charles Zug Chairman of the Art Department Hunter College Chairman of Curriculum in Folklore Delta State University New York, NY University of North Carolina Cleveland, MS Chapel Hill, NC James McNutt J. Sanford Rikoon Director of Research and Collections GRANTS II 11992) Research Assistant Professor, Institute of Texas Culture Department of Rural Sociology San Antonio, TX Robart Cogswell University of Missouri-Columbia Folk Arts Coordinator Columbia, MO Beatrice Medicine (layperson) Tennessee Arts Commission Anthropologist; Consultant, Native Nashville, TN Sam-Ang Sam American Culture Traditional Cambodian Musician; Mobridge, SD Butt Feintuch Professor Professor of English & Folklore; University of Washington Ethel Raim Director, Center for the Humanities Seattle, WA Co-Director University of New Hampshire Ethnic Folk Arts Center Durham, NH Catherine Schwoeffermann New York, NY Curator; Folklife Program Coordinator James Gdffith (vice-chair) Roberson Center for the David Roche Director, Southwest Folklore Center Arts & Sciences Cultural Consultant University of Arizona Binghamton, NY Point Pa’chmond, CA Tucson, AZ H. E. Willett Sam.Ang Sam Barbara Hampton (chair) Director Traditional Cambodian Musician; Associate Professor Alabama Center for the Professor Hunter College Traditional Arts University of Washington New York, NY Montgomery, AL Seattle, WA

Dorothy Lee NATIONAL HERrrAGE FELLOWSHIPS Robart Teske Professor; Acting Director Director Archives of Oral Tradition, Olivia Cadaval Cedarburg Cultural Center Indiana University Staff Curator and Folklore Specialist Cedarbur$ WI Bloomington, IN Office of Folklife Programs Smithsonian Institution Jeff TRon Beatrice Medicine (layperson) Washington, DC Ethnomusicologist; Director of Ph.D. Anthropologist; Consultant, Program in Music Native American Culture Robert Cogswell Brown University Mobridge, SD Folk Arts Coordinator Medford, MA Tennessee Arts Commission MaHo Mon’~no Nashville, TN H. E. Willett (co-chair) Anthropologist; Folklorist Director Minneapolis, MN James Griffith (co-chair) Alabama Center for the Director, Southwest Folklore Center Traditional Arts Barbara 8ahm University of Arizona Montgomery, AL State Folk Arts Coordinator Tucson, AZ California Arts Council Isabel Wong Sacramento, CA Barbara Hampton Office of International Associate Professor Programs and Studies Thomas Ranldn University of Illinois Filmmaker; Champaign, IL

z99z Annual Report 8I Literature

234 grants Program Funds: $4,606,766* *Includes $985 in girl funds.

The Literature Program provides a link between writers and viduals were awarded grants totalling $159,500. These readers, encourages wider audiences for contemporary literature, grants enable the Endowment to support a wide variety of helps support nonprofit publishers and organizations that foster styles and genres reflecting the American experience. literature as a professional pursuit, and assists individual cre­ Arte Publico Press, the premier publisher of Hispanic ative writers of excellence or promise. Literature in North America, acquired rights to Victor Villasenor’s Rain of Gold, after a major commercial publisher ACH YEAR THE ARTS ENDOWMENT INVESTS wanted to limit content deemed too Spanish for American in the cultivation of America’s finest contemporary readers. In Arte Publico’s hands, the acclaimed saga of the E creative writing. About half of the Literature Villasenor family sold nearly 20,000 hardcover copies, was Program’s funds supports Fellowships for Creative picked up by the Literary Guild Book Club, had paperback Writers and Translation Projects. This Program has become rights awarded here and in several foreign countries, and gar­ the single largest source for writers’ grants in the nation. For nered numerous awards. Popular demand led Milkweed the writers, these fellowships allow them to set aside time for Editions to issue a second printing of Bapsi Sidhwa’s writing, research, or other activities that advance their careers. Cracking India after The New York Times Book Review In 1992, funds were available to award 90 grants of chose it as a Notable Book for the year; Milkweed discovered $20,000 each to writers of poetry and prose. Since 1966, the manuscript after trade publishers failed to recognize its the Program has awarded more than 1700 fellowships to potential. Milkweed’s ongoing success includes the recent American writers and has had a tremendous impact on release ofBapsi Sidhwa’s well-received The Crow Eaters and contemporary letters. As applications and accompanying her forthcoming American Brat. Time and time again small manuscripts are judged by a "blind" review process, writers presses exhibit a sensitivity to the American public that com­ reflecting all facets of our pluralistic society have received mercial publishers cannot address. fellowships, often in the early stages of their careers. Audience Development grants link writers and readers, In 1991 the Pulitzer Prize for Poetry, the Bobbitt Prize at either in reading series and residencies or through electronic the Library of Congress, and the National Book Awards in media such as audio and video tapes. Community-based both Poetry and Fiction went to writers who previously re­ literary centers such as The Loft, Inc. in Minnesota, Just ceived Endowment fellowships. Some 75 percent of National Buffalo in New York state, and Woodland Pattern in Wis­ Book Award nominees in 1991 and 1992 were former consin endeavor to develop audiences for contemporary Endowment fellows as well. writing in underserved areas. A total of $442,806 was Six grants of $10,000 and two of $20,000 were awarded awarded to 40 grantees. for translation projects from other languages into English. The Endowment rewards innovative outreach as demon­ In our increasingly diverse nation, translation project strated by the wide variety of grants in this category: Elders grants have become a timely cultural investment. Grants to Share the Arts brings quality literature to the elderly in translators advance specific projects, such as the award to Brooklyn, NY through readings and "hands on" workshops; Howard Goldblatt to support the translation from the Thurber House in Columbus, OH offers Saturday morning Chinese of Red Sorghum: A Family Saga, a novel by Mo writing classes for children as a viable alternative to cartoons; Yan (b. 1956), and that to Christopher Sawyer-Laucanno Hellgate Writers sponsors tours by Montana writers in rural to support the translation from the Spanish of Sobre los communities throughout the state. Each grant awarded con­ Angeles, a book of poems by Raphael Alberti (b. 1902). tributes to the category’s overall mission: to expose culturally Approximately one quarter of the Literature Program diverse audiences to living writers, invite community out­ budget supports Literary Publishing grants to nonprofit reach, offer opportunities for educational impact, and ex­ magazines, small presses and the distribution networks that plore new technologies for the preservation and dissemina­ link these publications to audiences across America. This tion of important literature. year 39 grants to literary magazines were awarded totalling Professional Development grants fund literary service orga­ $335,930. Thirty-one small presses were awarded grants to­ nizations for projects of national significance to the field. In talling $758,000. Five distributors and wholesalers that send FY 1992, 17 grants were awarded totalling $741,045. these publications to bookstores, schools, libraries and indi­

8~, National Endowment for theArts Colorful ,Ttreetfare Journal posters offer original poeby and graphics to ten million alders a day on buses in cities across America. The audience development project, conducted by Intersection of San Francisco, began eight years ago and has introduced many readers to contemporary poems.

x99z Annual Report Literature

Emanuel, Lynn C. Jarman, Mark F. Grants Pittsburgh, PA $20,000 Nashville, TN $20,000 Indicates grants having national impact. Engels, John D. Jordan, Barbara A. Burlington, VT $20,000 Rochester, NY $20,000 FELLOWSHIPS Espada, Martin N. Kelly, David M. Includes two subcategories: Boston, MA $20,000 Geneseo, NY $20,000 Fellowships for Creative Writers enable exceptionally talented pub­ Feng, Anita N. Kirkpatrick, Patricia S. lished writers of poetry, fiction and Champaign, IL $20,000 St. Paul, MN $20,000 creative nonfiction to set aside time for writing, research or travel in order Frost, Richard G. Looney, George O. to advance their careers. Fellowships Otego, NY $20,000 Bowling Green, OH $20,000 for Translators allow recipients to translate into English major literary Garuett, Ruth-Miriam Louis, Adrian C. works in other languages. New York, IVY $20,000 Pine Ridge, SD $20,000

FELLOWSHIPS FOR CREATIVE WRITERS Gery, John R. O. Moffeit, Tony A. New Orleans, LA $20,000 Pueblo, CO $20,000 91 grants Program Funds: $1,938,000 Getsi, Lucia C. Peterson, Allan Bloomington, IL $20,000 Gulf Breeze, FL $20,000 POETRY FELLOWSHIPS Greenberg, Alvin D. Pianz, Allen J. Alexander, E]izabeth St. Paul, MN $20,000 East Hampton, NY $20,000 Washington, DC $20,000 Gregerson, Unda K. Robbins, Anthony J. Alexie, Sherman J. Ann Arbor, MI $20,000 Monroe, LA $20,000 Wellpinit, WA $20,000 Gregopj, Robert D. Robbins, Richard L. Beasley, Bruce H. Miami Beach, FL $20,000 Mankato, MN $20,000 Charlottesville, VA $20,000 Hahn, Kimiko S. Salaam, Nubia Kai Behn, Robin K. New York, NY $20,000 Washington, DC $20,000 Tuscaloosa, AL $20,000 Harjo, Joy Sanford, Christy S. Berg, Nancy A. Albuquerque, NM $20,000 Gainesville, FL $20,000 Fairfield, IA $20,000 Harrison, Jeffrey W. Schmitz, Dennis M. Bernstein, Lisa D. Washington, DC $20,000 Sacramento, CA $20,000 San Francisco, CA $20,000 Howe, Marie Shapiro, Alan R. Clinton, Michelle T. Cambridge, MA $20,000 Chapel Hill, NC $20,000 Santa Monica, CA $20,000 Hudgins, Andrew Spires, Elizabeth K. Duemer, Joseph Cincinnati, OH $20,000 Baltimore, MD $20,000 Potsdam, NY $20,000 James, Stewart M. Waring, Belle S. Edson, Russell Houston, TX $20,000 Washington, DC $20,000 Stamford, CT $20,000 84 National Endowment for the Arts Literature

Winch, Terence P. Ely, James Scott Moore, Din~W. Silver Spring, MD $20,000 Rock Hill, SC $20,000 Altoon~ PA $20,000

Wright, Franz P. Farmer, Nancy F. Morse, David E. Everett, MA $20,000 Arcata, CA $20,000 Storrs, CT $20,000

PROSE FELLOWSHIPS Gilb, Dagoberto Mort, John B. EI Paso, TX $20,000 Kansas City, MO $20,000

$20,000 Graham, Philip Nameroff, Rochelle Urbana, IL $20,000 Berkeley, CA $20,000 Bell, Madison S. Baltimore, MD $20,000 Graver, Elizabeth Nixon, Cornelia Williamstown, MA $20,000 Bloomington, IN $20,000 Bradfield, Scott M. O’Grady, ~mothy E. Storrs, CT $20,000 Kamenetz, Rodger L. Baton Rouge, LA $20,000 London, England $20,000 Bradley, C. Jane Poery, Janet S. $20,000 Karbo, Karen L. Toledo, OH Wichita, KS $20,000 Portland, OR $20,000 Brody, Barbara J. Pinchbeck, Joyce A. $20,000 Cambria, CA Kincaid, Nanci P. New York, NY $20,000 Tuscaloosa, AL $20,000 Cady, Jack A. Rogers, Thomas N. R. Port Townsend, WA $20,000 Ko~eniewski, Tadeusz Iowa City, IA $20,000 New York, iVY $20,000 Cobb, William J. Sayers, Valerie L Houston, TX $20,000 Krewiec, Richard J. Brooklyn, NY $20,000 Wareham, MA $20,000 Davenport, Diana Thon, Melanie R. Willow Street, PA $20,000 Kurtz, Donald L. Cambridge, MA $20,000 Las Cruces, NM $20,000 Besaulniers, Janet M. Wagner, June G. Evanston, IL $20,000 MacMillan, lan T. New York, NY $20,000 Kailua, Oahu, HI $20,000 Diehl, Margaret K. Wood, Jane R. New York, NY $20,000 Manfredi, Renee Y. Houston, TX $20,000 McMurray, PA $20,000 Dodd, Susan M. Wright, Lawrence G. Bristol, RI $20,000 Mathews, Louis P. Austin, TX $20,000 Los Angeles, CA $20,000 Dranow, John T. ~r Poets & Writers, Inc. Plainfield, VT $20,000 McCracken, Elizabeth E. New York, NY $138,000 Philadelphia, PA $20,000 To support the reading and evaluation DuggJn, Richard C. of manuscripts for the Literary Omaha, NE $20,000 Meyers, Kent M. Fellowships category. 1992 Audience Speaqqsh, SD $20,000 Development panel. [92-5211-0242] I~senstadt, Jill A. Brooklyn, NY $20,000 Min, Katherine K. Campton, NM $20,000

I99z Annual Report Literature

FELLOWSHIPS FOR TRANSLATORS ~. Sawyer-Laucanno, Christopher D. duction costs for issues of Conjunctions. Somerville, MA $10,000 [92-5224-0150] 8 grants To support the translation from the Program Funds: $100,000 Spanish of Sobre Los Angeles (Concern­ ~. California State University ing the Angels), a book of poems by Fullerton Foundation, Inc. ~" Ancio, Sarah Rafael Alberti. [92-5212-0014] Fullerton, CA $8,650 ¯ New York, NY $10,000 To support contributors’ fees and pro­ To support the translation from the ~ Tyler, William J. duction and promotion costs for a spe­ Spanish ofDaimon, a novel by the Columbus, OH $20,000 cial issue of Sail - Studies in American Argentine writer Abel Posse. To support the translation from the Indian Literatures. [92-5224-0115] [92-5212-0013] Japanese of an anthology of representa­ tive fiction by the novelist Ishikawa * Calyx, Inc. ~r Bamofs~y, Susan Jun. [92-5212-0019] Corvallis, OR $10,000 Princeton, NJ $10,000 To support contributors’ fees and pro­ To support the translation from the duction, promotion, and circulation German of the novel, Der Rauber (The LITERARY PUBLISHING costs for issues of Calyx. [92-5224-0137] Robber), and several short stories se­ lected from the microscripts that were Includes three subcategories: Assistance ¢t Catalyst, Inc. transcribed and published in Aus dem m literary Magazines grants help non­ Atlanta, GA $5,000 Bleistifigebiet (From the Pencil Regions) profit literary magazines that regularly To support contributors’ fees and pro­ by Robert Walser. [92-5212-0018] publish poetry, fiction, literary essays and duction and circulation costs for issues translations. Small Press Assistance of Catalyst. [92-5224-0126] ~r Chambers, Anthony H. grants support small, independent presses Middletown, CT $10,000 that publish contemporary creative writ­ ~" Chelsea Associates, Inc. To support the translation from the ing. Distribution Projects grants fund New York, NY $4,580 Japanese of Shosho Shigemoto No Haha nonprofit organizations for the distribu­ To support contributors’ fees and pro­ (Captain Shigemoto’s Mother), a novel by tion of contemporary literature. duction costs for issues of Chelsea. Tanizaki Jun’ichiro. [92-5212-0015] [92-5224-0141] ASSISTANCE TO LITERARY MAGP2]NES ~r Cole, Peter ~ Columbia University, Trustees of San Francisco, CA $10,000 39 grants New York, NY $10,000 To support the translation from the Program Funds: $335,930 To support translators’ fees and pro­ Hebrew and compilation of a selection duction costs for issues of Translation of poems by Shmuel Hanagid. ~ American Poet~ Review Review magazine. [92-5224-0140] [92-5212-0017] Philadelphia, PA $10,000 To support contributors’ fees and ~ Columbia University, ~ Fedorchek, Robert M. prizes for the best group of poems to Main Division, Trustees of Fairfield, CT $10,000 appear in American Poetry Review. New York, NY $5,000 To support the translations of short [92-5224-0143] To support contributors’ fees and pro­ stories of the Spanish author Gustavo duction and circulation costs for issues Adolfo Becquer. [92-5212-0016] ~, Ads and Humanities of Columbia: A Magazine of Poetry and Council of Tulsa, Inc. Prose. [92-5224-0144] ~r Goldblatt, Howard C. Tulsa, OK $9,700 Boulder, CO $20,000 To support contributors’ fees and pro­ ~" Council of Literary To support the translation from duction and promotion costs for issues Magazines and Presses the Chinese of Red Sorghum: A Family of Nimrod magazine. [92-5224-0129] New York, NY $6,500 Saga, a novel by Mo Yan. To support pandists’ payments for [92-5212-0024] Bard College reading and evaluating literary maga­ Annandale, NY $10,000 zines, small press titles, and supporting To support contributors’ fees and pro­ materials as part of the application re­

86 National Endowment for the Arts Literature

view process for the Endowment’s contributors’ fees for issues of Antaeus. ~, Oakland Community College FY ’92 Literary Publishing category. [92-5224-0249] Farmington Hills, MI $8,000 Translation Projects panel. To support contributors’ fees and pro­ [92-5224-0020] ~r High Plains Literary Review, Inc. duction and promotion costs for issues Denver, CO $10,000 of Witness. [92-5224-0127] ~ Council of Literary To support contributors’ fees, pro­ Magazines and Presses duction costs, and a subscription cam­ ~" 0pojaz, Inc. New York, NY $6,500 paign for High Plains Literary Review. Philadelphia, PA $10,000 To support panelists’ payments for read­ [92-5224-0142] To support contributors’ fees, produc­ ing and evaluating literary magazines, tion and circulation costs for issues of small press tides, and supporting materi­ ~, Hudson Review, Inc. Boulevara~ [92-5224-0148] New York, NY $10,000 als as part of the application review ~- Partisan Review, Inc. process for the FY ’93 Literary Publish­ To support increased contributors’ fees and circulation costs for issues of Boston, MA $10,000 ing category. Professional Development To support production and promotion panel (1992). [92-5224-0250] Hudson Review. [92-5224-0117] costs and contributors’ fees for issues of ~r Indiana State University ~, Comell University Partisan Review. [92-5224-0128] Terre Haute, IN $10,000 Ithaca, NY $7,000 ¢r Ploughshares, Inc. To support contributors’ fees and pro­ To support contributors’ fees and pro­ duction costs for issues of Black Ameri­ Cambridge, MA $10,000 duction expenses for issues of Epoch To support contributors’ fees and pro­ magazine. [92-5224-0124] can Literature Forum. [92-5224-0123] duction and promotion costs for issues ~, DePaul University ~- Ransos S~ University Writers $ocinty of Ploughshares. [92-5224-0146] Manhattan, KS $2,100 Chicago, IL $10,000 ~, Poeby in Review Foundation, Inc. To support contributors’ fees and pro­ To support contributors’ fees for New York, IVY $10,000 duction and promotion costs for issues issues of Literary Magazine Review. [92-5224-0139] To support production and promotion of Poetry East. [92-5224-0151 ] costs and contributors’ fees for issues of Kenyon College ~, Eastem Washington University Parnassus: Poetry in Review. $8,500 Cheney, WA $6,000 Gambier, OH [92-5224-0119] To support contributors’ fees and pro­ To support contributors’ fees for issues of Kenyon Review and awards for liter­ ~, Review of Contemporary Fiction, Inc. duction and promotion costs for a Elmwood Park, IL $10,000 broadsheet award series for Willow ary excellence. [92-5224-0135] To support contributors’ fees and Springs. [92-5224-0116] ¢r New Mexico State University production costs for issues of The ~, Eshleman, Clayton Las Cruces, NM $6,500 Review of Contemporary Fiction. Ypsilanti, MI $10,000 To support contributors’ fees and [92-5224-0133] To support contributors’ fees and pro­ production and circulation costs for is­ ~" Rudman, Mark duction and promotion costs for issues sues of Puerto del Sol magazine. New York, NY $10,000 of Sulfurmagazine. [92-5224-0121] [92-5224-0147] To support production costs and ¢r Grapes, Jack ~r Northwestern University authors’ payments for issues of Pequoa~ Los Angeles, CA $10,000 Evanston, IL $10,000 [92-5224-0149] To support contributors’ fees, To support production and promotion ~" Silesky, Barry T. costs and contributors’ fees for issues of advertising, and direct mail costs for Chicago, IL $5,850 Onthebus. [92-5224-0130] Triquarterly. [92-5224-0134] To support contributors’ fees and ~" O. R. Press, Inc. ~ Halpera, Daniel production costs for issues of ACM Princeton, NJ $7,550 (Another Chicago Magazine). New York, NY $10,000 To support contributors’ fees and pro­ [92-5224-0136] To support production, promotion, duction and circulation costs for issues marketing, and distribution costs, and of Ontario Review. [92-5224-0132]

I99z Annual Report 87 Literature

~r Threepenny Review ~ Anyarl: Contemporary Ar[s Center ~" Centrum Foundation Berkeley, CA $10,000 Providence, RI $12,000 Port Townsend, WA $30,000 To support authors’ fees and a subscrip­ To support production and distribu­ To support production and promotion tion campaign for The Threepenny Re­ tion costs for books by Burning Deck costs, royalty payments, and distribu­ view during 1992-93. [92-5224-0138] Press. [92-5225-0153] tion costs for a prose collection and books of poetry published by Copper ~, Universi~j of Hawaii ¢r Arizona State UniversR,j Canyon Press. [92-5225-0170] Honolulu, HI $10,000 Tempe, AZ $30,000 To support contributors’ fees and pro­ To support production and promotion ~r Crawford, John F. duction, circulation, and promotion costs for titles by Bilingual Review Albuquerque, NM $12,000 costs for issues of Manoa: A Pacific Press. [92-5225-0154] To support production and promotion Journal of International Writing. costs and authors’ fees for books [92-5224-0125] ~ BOA Editions, Ltd. published by West End Press. Brockport, NY $25,000 [92-5225-0161] ~- University of Houston To support production and promotion ~" Curbstone Press Houston, TX $10,000 costs and authors’ payments. To support contributors’ fees, produc­ [92-5225-0171] Willimantic, CT $25,000 tion, promotion, and circulation costs To support authors’ payments and pro­ for issues of The Americas Review. ~. Cerneg~e Mellon University duction and promotion costs for [92-5224-0118] Pittsburgh, PA $15,000 books. [92-5225-0156] To support production and promotion ~r Dalkey Archive Press ~- Universi~] of Missouri, Curators of the costs and author payments for books Elmwood Park, IL Columbia, MO $10,000 by Carnegie Mellon University Press. $30,000 To support production and promotion To support increased contributors’ fees [92-5225-0152] and production costs for issues of The costs and author and translator pay­ Missouri Review. [92-5224-0131] ~r Carolina Wren Press, Inc. ments for books by Dalkey Archive Carrboro, NC $12,000 Press. [92-5225-0160] ~ Universi~] of Southern Mississippi To support production and promotion ~ Feminist Press at the Hattiesburg, MS $8,500 costs related to the competition for City University of New York To support contributors’ fees and pro­ multicultural writers. [92-5225-0176] New York, NY duction, promotion, and circulation $25,000 To support authors’ payments and pro­ costs for issues of Mississippi Review. ~r Coffee House Press duction, distribution, and related costs [92-5224-0145] Minneapolis, MN $30,000 To support production and promotion for books. [92-5225-0174] ~r Writers Review Inc. costs and royalty payments for books. ~r Fiction Collective Two, Inc. Boulder, CO $10,000 [92-5225-0163] Boulder, CO $30,000 To support contributors’ fees, pro­ To support production and distribu­ duction, and promotion costs for ~r Confluence Press, Inc. Lewiston, ID $30,000 tion costs and authors’ payments for issues of The American Book Review. books by Fiction Collective, Inc. [92-5224-0120] To support production and promotion costs and royalty payments for books. [92-5225-0172] SMALL PRESS ASSISTANCE [92-5225-0169] ~" Graywolf Press ~r Centomporary ~ St. Paul, MN $30,000 31 grants Educational Project, Inc. To support authors’ payments and Program Funds: $758,500 production and promotion costs for Los Angeles, CA $30,000 books. [92-5225-0162] ~, Alice James Books To support production, promotion, Bristol, RI $11,000 and distribution expenses for books ~, Latin American Literary Review Press To support production and promo­ published by Sun & Moon Press. Pittsburgh, PA $27,000 tion expenses for books and costs for [92-5225-0168] To support production and promotion the recording of books on tape. costs and authors’ payments for books. [92-5225-0177] [92-5225-0173]

88 National Endowment for the Arts Literature

~ Louisiana State University Press for titles by Arte Publico Press. ~- COMPAS, Inc. Baton Rouge, LA $30,000 [92-5225-0165] St. Paul, MN $45,000 To support nationwide distribution of To support production and distribu­ ~, University of Illinois, tion costs for books. [92-5225-0180] small press books by Bookslinger, Inc. Board of Trustees of the [92-5226-0185] ¢r McPherson, Bruce R. Urbana, IL $27,500 Kingston, NY $30,000 To support production, distribution, ~r Segue Foundation, Inc. To support production and promotion and promotion costs and authors’ pay­ New York, IVY $9,500 costs and authors’ fees for books pub­ ments for titles by University of Illinois To support distribution and promotion lished by McPherson & Company. Press. [92-5225-0181] costs of small press literature by the [92-5225-0164] Segue Distribution Project. ~t University of Iowa [92-5226-0186] ~ Milla, ood F.Aitions, Inc. Iowa City, IA $12,000 Minneapolis, MN $30,000 To support production and promotion ~ Serendipity Books Distribution To support authors’ payments and pro­ costs for tides receiving the Iowa and (Small Press Distribution, Inc.) duction, promotion, and distribution the John Simmons short fiction Berkeley, CA $45,000 expenses for books. [92-5225-0179] awards. [92-5225-0158] To support national distribution of ~, Universit,] of Pittsburgh Press small press books and literary maga­ ~- New Rivers Press, Inc. zines by Serendipity Books $30,000 Pittsburgh, PA $12,000 Minneapolis, MN Distribution. [92-5226-0184] To support authors’ payments and To support production and promotion production and promotion costs for costs for tides in the Pitt Poetry Series. ~, Western States A~ts Federation books. [92-5225-0167] [92-5225-0178] Santa Fe, NM $15,000 ~, Wainhouse, Austryn (Marlboro Press) To support costs associated with the ~, Pedman, Jim Western States Arts Federation Book $30,000 Marlboro, VT $30,000 Duluth, MN Awards. [92-5226-0183] To support production and related To support authors’ and translators’ costs for titles published by Holy Cow] fees and production, promotion, and AUDIENCE DEVELOPMENT Press. [92-5225-0175] distribution expenses for books. [92-5225-0157] ~ Spirit That Moves Us Press, Inc. Three subcategories are included: Jackson Heights, NY $10,000 ~- White Pine, Inc. Residencies for Writers and Reading To support production and marketing Fredonia, NY $30,000 Series grants support the development costs and contributors’ fees for tides To support authors’ payments and pro­ of audiences for published writers of during 1992-93. [92-5225-0248] duction, promotion, and distribution poetry, fiction and creative nonfiction; costs for books published by White performance poets; and translators. ~- Station Hill Press Pine Press. [92-5225-0155] Literary Centers that offer a variety of Barrytown, NY $30,000 activities receive grants for projects that To support authors’ payments and pro­ DISTRIBUTION PROJECTS benefit the literary community and its duction, promotion, and distribution 5 grants audience. Audience Development costs for books. [92-5225-0166] Program Funds: $159,500 Projects grants are awarded to organi­ zations for a variety of projects that de­ ~r Stray Une Press, Inc. ~ Independent Literary velop audiences for literature of the Brownsville, OR $23,000 Publishers Association highest quality, including: cooperative To support authors’ payments and pro­ Oak Park, IL $45,000 literary promotion projects, small press duction, promotion, and distribution To support promotion and distribution book fairs, syndicated review networks, costs for books. [92-5225-0159] costs for small press books and literary and media projects that promote litera­ ~, University of Houston magazines distributed by Independent ture or literary publishing. Houston, TX $30,000 Literary Publishers Association. To support authors’ fees, promotion, [92-5226-0182] production and distribution costs

I99z Annual Report 89 Literature

RESIDENCIES FOR WRITERS AND Northeast Missouri State University University of Tennessee READING SERIES Kirksville, MO $3,800 Knoxville, TN $8,000 15 grants To support writers’ residencies in the To support authors’ residencies target­ Program Funds: $109,331 Kirksville School District and at the ing diverse audiences, including high Arizona State University public library. [92-5243-0212] school students and senior citizens, in the Knoxville area. [92-5243-0214] Tempe, AZ $10,000 San Diego State University Foundation To support a series of public readings San Diego, CA $10,000 Western Washington University and speaking engagements in rural and To support a reading-residency pro­ urban areas featuring such writers as Bellingham, WA $9,900 gram featuring prominent writers at Judith Barrington, Lynn Collins To support "The Hubless Wheel," a the SDSU campus and other universi­ Emanuel, Martin Espada, and reading series featuring ethnically and ties, and for audiences from the San Marilynne Robinson. [92-5243-0204] culturally diverse writers, co-sponsored Diego area. [92-5243-0205] by Northwest Indian College. Bemidji State University [92-5243-0210] Southern Illinois Bemidji, MN $4,690 University at Edwardsville To support writers’ fees and related Wyoming Arts Council Edwardsville, IL costs for the Different Drummer $9,810 Cheyenne, WY $10,000 To support a reading series featuring Reading Series. [92-5243-0215] To support residencies designed for au­ African American writers before audi­ diences ranging from senior citizens to ences ranging from high school stu­ Elders Share the Arts, Inc. Native American and Hispanic popula­ dents to senior citizens in urban and tions. [92-5243-0213] Brooklyn, NY $8,000 rural communities of southern Illinois To support writers’ readings, discus­ and Missouri. [92-5243-0206] sions, and workshops for older adults ASSISTANCE TO LITERARY CEITrERS in senior centers. [92-5243-0216] Southwest Texas State University 15 grants San Marcos, TX Institute of American Indian Arts $4,341 Program Funds: $234,500 To support the residencies of Maxine Santa Fe, NM $5,800 Chernoff, Joseph Bruchac, and Beyond Baroque Foundation To support the residencies of fiction Evangelina Vigil-Pinon in public read­ writer Jessica Hagedorn (Filipino Venice, CA $15,000 ings and workshops on the university To support writers’ honoraria, admin­ American) and poet Joy Harjo (Native campus and at San Marcos community American) on the IAIA campus. istrative costs, publicity for a reading sites. [92-5243-0207] series, workshops, participation in city­ [92-5243-0203] wide literary festivals, a library and New Mexico State University (La United Black Artists, USA, Inc. bookstore, technical assistance and Sociedad para las Artes) Detroit, MI $5,000 writers’ information services. To support the residencies of Toi Las Cruces, NM [92-5244-0224] $4,000 Derricotte and local writers to com­ To support a reading series offering plete works-in-progress and conduct Big River llss~iution an ethnically diverse roster of emerg­ public readings and workshops. ing and established writers. St. Louis, MO $5,000 [92-5243-0209] [92- 5243-0211 ] To support services to the St. Louis lit­ erary community, including a reading University of Southwestern Louisiana Northeast Community College series, workshops, lectures, radio inter­ Lafayette, LA $7,800 views, and an audio library of writers’ No~olk, NE $8,190 To support the Black Writers Reading To support the Plains Writers Circuit interview and performance tapes. Series featuring prominent African [92-5244-0228] reading series, featuring such authors as American writers such as Ernest Bill Holm, Kathleen Spivack, Kent Gaines, Pinkie Gordon Lane, Ethelbert Hellgate Writers, Inc. Haruf, and Laura Tohe. Miller, Charles Rowell, and Timothy [92-5243-0202] Missoula, MT $10,000 Seibles. [92-5243-0208] To support the 1992-93 season of writing workshops, panel discussions,

90 National Endowment for the Arts Literature

residencies at area schools, the annual workshops, readings, lectures, panels, junior and senior high school students. Montana Book Fair, public readings, and conferences; a monthly newsletter; [92-5244-0220] and writers’ residencies. and a small press book outlet. AUDIENCE DEVELOPMENT PROJECTS [92-5244-0227] [92-5244-0225] 10 grants Just Buffalo Litera~j Canter, Inc. Thurber House, Inc. Program Funds: $98,975 Buffalo, NY $25,000 Columbus, OH $7,000 ~ American Audio Prose Ubrary, Inc. To support literary activities during To support writers’ fees and literary 1992-93, including workshops, classes, services for the 1992-93 season. Columbia, MO $15,000 lectures, residencies, educational pro­ [92-5244-0230] To support production, distribution, gramming, radio presentations, and marketing, and promotion of the 13th Woodland Pattern, Inc. projects co-sponsored with community series of recordings of interviews and Milwaukee, WI $10,000 and educational institutions. readings by American prose writers [92-5244-0218] To support readings and performances, during 1992-93. [92-5245-0236] the small press book center and newsl­ Loft, Inc. etter, writers’ discussion groups, and ~. Bunny and the Crocodile Press, Inc. Minneapolis, MN $25,000 distribution of small press publications (Forest Woods Media Productions) To support literary and educational during 1992-93. [92-5244-0231] Hedgesville, WV $2,000 activities during 1992-93, including To support "The Poet and the Poem," Writer’s Canter workshops, readings, a mentor resi­ produced and hosted by Grace $25,000 dency series, a creative nonfiction resi­ Bethesda, MD Cavalieri for WPFW-FM, a Pacifica To support literary services and activi­ dency, and programs related to chil­ station based in Washington, D.C. dren and children’s literature. ties during 1992-93, including work­ [92-5245-0232] shops, a small press and literary maga­ [92-5244-0229] zine book gallery, a reference library, Guadalu~ Cultural/~s Canter North Carolina Writers’ Network, Inc. programs for writers, and publication San Antonio, TX $9,000 Carrboro, NC $10,000 of a newsletter and literary magazine. To support the sixth annual San To support the Resource Center and [92-5244-0219] Antonio Inter-American Book Fair and statewide literary services and program­ Literary Festival in October 1992. Writers & Books, Inc. ming during 1992-93. [92-5244-0226] [92-5245-0237] Rochester, NY $25,000 Poetry Project at St. Mark’s Church To support a range of literary activities ~r In Our ~me Arts Media, Inc. New York, NY $25,000 during 1992-93, including readings, New York, NY $14,660 To support literary services and pro­ residencies, educational programs, and To support production and distribu­ gramming during 1992-93. services to writers. [92-5244-0217] tion of"A Moveable Feast," a radio se­ [92-5244-0221] ries featuring fiction writers and poets Young Men’s & Young Women’s in readings and discussions of their Poets House, Inc. Hebrew Association work. [92-5245-0234] New York, NY $10,000 New York, IVY $12,500 To support the 1992-93 season of ser­ To support writers’ fees for the 1992­ ~. laterse~don vices for writers and literary programs 93 reading and workshop series at the San Francisco, CA $15,000 for community audiences, including Poetry Center of the 92nd Street Y, To support Streeq~areJournal’s printing, readings (some bilingual), workshops, featuring established and emerging production, and installation of a six- lectures and panel discussions, retro­ writers. [92-5244-0223] poster poetry series on public buses throughout the U.S. during 1992-93. spectives, and collaborative activities. ~- Young Men’s Christian Association of [92-5244-0222] [92-5245-0241] Greater New York Small Press Traffic Litera~y Arts Canter New York, NY $25,000 One Reel San Francisco, CA $5,000 To support the 1992-93 season of Seattle, WA $15,000 To support writers’ honoraria, review­ writing workshops, public readings, a To support the literary component of ers’ fees, publicity, and administrative literary film and radio series, and the the Bumbershoot Festival in September costs related to the 1992-93 series of Young Writer’s Voice, a program for of 1993. [92-5245-0240]

x99z Annual Report 91 Literature

Poetry Launderette, Inc. ~- Academy of American Poets, Inc. development. 1992 Professional Brooklyn, NY $2,600 New York, NY $40,000 Development panel. [92-5265-0251] To support Poetlink’s An Afternoon To support awards and services to with Small Press Publishers and American writers during 1992-93, in­ Minnesota Center for Book Arts Programmers II in the fall of 1992. cluding a series of public programs, the Minneapolis, MN $11,000 [92-5245-0238] Walt Whitman Award, the Lamont To support professional services for Poetry Selection and the Landon writers and artists during 1991-92. Portland Poetry Festival, Inc. Translation Award. 1992 Professional 1991 Overview/Professional Devel­ Portland, OR $6,115 Development panel. [92-5265-0256] opment panel. [92-5265-0008] To support the 1993 season of activi­ ties devoted to "Poetry as Culture," in­ ~ Associated Writing Programs Minnesota Center for Book Arts cluding a monthly reading series, a Nooeolk, VA $34,800 Minneapolis, MN $11,245 teacher symposium and a regional po­ To support services to American writ­ To support professional and publica­ etry contest. [92-5245-0239] ers. 1991 Overview/Professional tion services for writers and creation of Development panel. [92-5265-0010] handmade literary products during South Carolina Arts Commission 1992-93. 1992 Professional Devel­ Columbia, SC $4,600 ~. Before Columbus Foundation opment panel. [92-5265-0252] To support the South Carolina Fiction Seattle, WA $28,000 Project’s 1992-93 awards for writers To support services to culturally diverse ~- PEN American Center and newspaper publication in the liter­ American writers. 1991 Overview/ New York, NY $85,000 ary supplement of The State. Professional Development panel. To support programs which provide [92-5245-0235] [92-5265-0003] services to American writers. 1991 Professional Development panel. ~r WHYY, Inc. ~- City University of New York, [92-5265-0001] Philadelphia, PA $15,000 Research Foundation of the To support literary interviews and New York, IVY $25,000 ~r Poetry Socie~ of America readings by novelists, playwrights, and To support the Latin American Writers New York, NY $22,000 poets on the radio program "Fresh Institute which provides services to To support professional services to Air," hosted by Terry Gross. Hispanic and Latin American writers. American poets during 1991-92. 1991 [92-5245-0233] 1991 Overview/Professional Professional Development panel. Development panel [92-5265-0007] [92-5265-0009] PROFESSIONAL DEVELOPMENT ~" Council of Literary ¢r Poetry Sociel~ of America To support a limited number of na­ Magazines and Presses New York, NY $20,000 tional organizations that provide pro­ New York, NY $85,000 To support workshops, a newsletter, fessional assistance to creative writers, To support the provision of services to and the National Poetry Exchange and for unique literary projects not eli­ literary magazines and small presses during 1992-1993. 1992 Professional gible for support in other categories. during 1991-92. 1991 Overview/ Development panel. [92-5265-0254] Professional Development panel. 17 grants [92-5265-0004] ~r Poets & Writers, Inc. Program Funds: $741,045 New York, NY $100,000 ¢r Council of Literary To support a broad range of services to Academy of American Poets, Inc. ~ Magazines and Presses writers. 1991 Professional Devel­ New York, NY $42,500 New York, NY $75,000 opment panel. [92-5265-0012] To support the provision of services to To support services to literary maga­ American writers during 1991-92. zines and small presses during 1992-93, ~, San Francisco State University 1991 Overview/Professional Devel­ including technical assistance seminars (The Poetry Center) opment panel. [92-5265-0006] and consultancies; a small press and San Francisco, CA $25,000 magazine directory, how-to publica­ To support the recording, distribution, tion, and newsletter; and research and and archiving of live literary perfor­

92, National Endowment for the Arts Literature

mances on videotape during 1992. ~r Writer’s Center Marianne Wiggins 1991 Professional Development panel. (PEN Syndicated Fic’don Project) Fiction Writer [92-5265-0011] Bethesda, MD $75,000 Washington, DC To support the placement of literary ~r San Francisco State University fiction in newspapers and the distribu­ LITERARY PUBLISHING (The Poetry Center) tion of radio programs featuring short San Francisco, CA $25,000 fiction. 1992 Professional Devel­ Robert Dana (chair) To support the videotaping, distribu­ opment panel. [92-5270-0246] Poet; Professor of English and tion, and archiving of literary perfor­ Poet-in-Residence mances, and editing of an anthology Cornell College series during 1993. 1992 Professional Panels Coralville, IA Development panel. [92-5265-0255] AUDIENCE DEVELOPMENT R0bert0 Fernandez ~r Teachers and Writers Collaborative Fiction Writer; Essayist; Associate New York, NY $94,000 Richard Bray Professor, Modern Languages & To support services provided to writers Program Director Literature and programs which foster the art of PEN Center USA West Florida State University creative writing. 1991 Professional Los Angeles, CA Tallahassee, FL Development panel. [92-5265-0002] ~r University of Texas at Dallas Richard Burgin Laura Furman Richardson, TX $17,500 Fiction Writer; Fiction Writer; Essayist; To support the American Literary Associate Professor of Humanities Founder/Editor, American Short Translators Association in promoting Drexel University Fictiom Associate Professor, English excellence in literary translations and Philadelphia, PA University of Texas providing essential information and Austin, TX support services to literary translators. C. S. Giscombe 1991 Professional Development panel. Poet; Assistant Professor of English Dana Groseclose [92-5265-0005] Illinois State University Founder, Publisher, Editor-in-chief Bloomington, IL Vox Magazine SPECIAL PROJECTS New York, NY Don Lee For projects that benefit the literature Fiction Writer; Managing Jean Hanson field as a whole and are not eligible Editor/Associate Fiction Editor Fiction Writer; under other categories. Ploughshares Publications Consultant Boston, MA Wyoming Arts Council 3 grants Fort Collins, CO Program Funds: $130,000 Susan Ludvigson (chair) ~, New American Writing, Inc. Poet; Poet-in-Residence Yusef Komunyakaa St. Paul, MN $45,000 Winthrop College Poet; Editor To support planning, promotion, and Rock Hill SC Berkeley, CA display costs, and other costs for pro­ Stanley Undberg jects of the New American Writing William PonUus Ilayperson) Program. 1992 Professional Devel­ Proprietor Editor, Georgia Review; opment panel. [92-5270-0187] Rock Bridge Books Professor of English l"i.sfor, NY University of Georgia Poetry Society of Amedca Athens, GA New York, NY $10,000" Josie Talamantez 1992 Professional Development panel. Arts Administrator [92-3052-0054] California Arts Council *See International chapter. Sacramento, CA

199zAnnual Report 93 Literature

Breada MitchelI-Powell Josephine Humphreys (chair) Comparative Literature Editor-in-Chief, Mul6Cultural Fiction Writer Northeast Missouri State University Review, Publisher Charleston, SC Kirksville, MO Orange Ball Press Boston, MA Paule Marshall C. S. Giscombo Fiction Writer/Essayist; Professor of Poet; Assistant Professor of English Philip O’Connor English and Creative Writing Illinois State University Fiction Writer; Professor/Director, Virginia Commonwealth University Bloomington, IL Creative Writing Program Richmond, VA Bowling Green State University Daniel Halpern Bowling Green, OH Deborah McGill Poet; Editor, Antae~ Publisher Editor; Director of Literature The Ecco Press Wendy Strothman (layperson) North Carolina Council on the Arts Hopewell, NJ Director Durham, NC Beacon Press Dewitt Henry Boston, MA Sheila Murphy (layperson) Fiction Writer; Executive Director, Literature Program Officer Ploughsharez Chairman, Division of Julia Wendell Lila Wallace-Reader’s Digest Fund Writing, Publishing, & Literature Poet; Editor-in-Chief/Publisher New York, NY Emerson College Galileo Press Boston, MA Sparks, MD Naomi Shihab Nye Poet; Translator Jane Hirshfield Bruce Wilcox San Antonio, 7X Poet; Translator Director Mill Valley, CA University of Massachusetts Press Primus St. John Amherst, MA Poet; Professor of English Susan Ludvigson Portland State University Poet; Poet-in-Residence PROFESSIONAL DEVELOPMENT [1991) Portland, OR Winthrop College Rock Hill, SC Marvin Ball Lawrence Venuti Poet; Professor of English Translator; Associate Professor Wendy Strothman (layperson) University of Iowa of English Director Iowa Ciq, IA Temple University Beacon Press Philadelphia, PA Boston, MA Percival Everett Fiction Writer; Visiting Professor, Dallas Wiebe Josie Talamantez Department of English Fiction Writer; Co-Editor Arts Administrator University of Notre Dame Cincinnati Poetry Review, Black Ice California Arts Council South Bend, IN Cincinnati, OH Sacramento, CA

Lyn Hejinian PROFESSIONAL DEVELOPMENT (1992) Peter Turchi Poet; Translator Fiction Writer; Essayist; Professor Berkeley, CA Phyllis Barber Appalachian State University Fiction Writer; Essayist; Educator Boone, NC Rolando Hinojosa Vermont College Fiction Writer; Director, Texas Center Dillon, CO Robley Wilson (chair) for Writers; Professor of English Fiction Writer; Poet; Editor, The North University of Texas at Austin Jim Barnes American Review, Professor of English Austin, TX Poet; Translator; Editor, The Chariton University of Northern Iowa Review, Associate Professor of Cedar Rapids, IA ­

94 National Endowment for the Arts Literature

POETRY FELLOWSHIPS PROSE FELLOWSHIPS Susan Minot Fiction Writer; Editor Jim Deroes Lee K. Abbott North Haven, ME Fiction Writer; Professor of English Poet; Translator; Editor, The Chariton Ishamel Reed Ohio State University Review, Associate Professor of Fiction Writer; Essayist; Poet; Lecturer Worthington, OH Comparative Literature University of California at Berkeley Northeast Missouri State University Berkelq, CA Kirksville, MO Laurie Alberts Fiction Writer, Professor of Jane Von Mehren (layperson) Marvin Dell (chair) Creative Writing Senior Editor Poet; Essayist; Professor of English University of New Mexico Ticknor & Fields Publishers University of Iowa Writers Workshop Albuquerque, NM New York, NY Iowa City, IA Clark Blaise (chair) Robley Wilson Deborah Digges Fiction Writer; Professor of English; Fiction Writer; Poet; Editor, The North Poet; Educator Director, International Writing American Review, Professor of English Tufts University; Columbia University Program University of Northern Iowa Boston, MA University of Iowa Cedar Rapids, IA Iowa City, IA Emily Heckman (laypersoa) TRANSLATORS FELLOWSHIPS Alan Cheese Associate Editor/Advertising Manager Mary Crow Fiction Writer.; Essayist; Radio Grove Weidenfeld Publishers Translator; Poet; Professor of English; New York, NY Commentator National Public Radio Director, Creative Writing Program Colorado State University U-Young Lee Washington, DC Colorado Springs, CO Poet; Educator Chicago, IL Judith Orl~ COt~r Sam Hamill Poet; Fiction Writer; Educator Translator; Essayist; Poet; Editor Sandra McPherson Louisville, GA Copper Canyon Press Poet; Professor of English Port Townsend, WA University of California-Davis ~lital~ilt Cox Davis, CA Fiction Writer; Poet; Professor of Lyn Hejinian Creative Writing Poet; Translator Primus St. John Duke University Berkeley, CA Durham, NC Poet; Professor of English Jane Hirshfield Portland State University Rolando Hinojose Poet; Translator Portlana~ OR Mill Valley, CA Fiction Writer; Director, Texas Center Henry Taylor for Writers; Professor of English Rose Marie Morse (layperson) Poet; Co-Director, MFA Program in University of Texas at Austin Editor-at-Large Creative Writing Austin, TX Grove Weidenfeld Publishers American University New York, NY Leesburg, VA Mary La Chapelle Fiction Writer; Fiction Editor, Passages Katharine Washburn (chair) North;, Professor Translator; Editor University of Minnesota Book-of-the-Month Club Minneat~olis, MN Brooklyn, NY

1992 Annual Report Me di a Arts

205 grants; 2 cooperative agreements Total Funds: $12,318,800 Program Funds: $ 9,949,000 Treasury Funds: $2,369,800* *Includes $350,000 not obligated in FY "92.

The Media Arts program encourages the creativi{y of individual extended the 4,000 seats of the Met’s house to nearly artists working in film, television and radio. It assists organiza­ 7,000,000 nationally. tions that bring the work of these artists to the public through In 1992 the Arts Corps pilot project was completed as exhibition and broadeast, as well as organizations that preserve eleven graduate student-artists spent six weeks in such places such work. It also provides nationwide access to the best of all as Newport, OR, and Macon, GA, where they developed their the performing arts through support of programs on public radio projects in cooperation with local communities. A student at and public television. the American Film Institute journeyed to Kodiak, AK, where she worked with immigrant communities and taught Native HIS YEAR, THE MEDIA PROGRAM’S ARTS ON American teenagers the craft of documentary radio production Television category made several new invest­ (an indispensable mode of communication between Alaska’s T ments, including a series on African American far-flung villages). A student from the School of the Art artists, a series on the blues, a series on the his­ Institute of Chicago went to Georgetown, SC, to teach com­ tory of jazz. The Arts on Radio category funded two new se­ munity workshops and begin producing a fdm of local oral ries: "Jazz from Lincoln Center" and "Folk Masters from histories. The Arts Corps project was administered for the Wolf trap." Endowment by the National Assembly of Local Arts Agencies, All this was in addition to the steady and cumulative which has a membership of 3,000 organizations. commitment of the Program to such on-going series as With the cosponsorship of corporate and private funders, "American Playhouse," "Alive TV," "P.O.V." (Point of the ground-breaking childrens’ series "Behind the Scenes" View), "Live from Lincoln Center," and "The Metropolitan finally reached broadcast this fall after six years of develop­ Opera Presents." These series constitute the single greatest ment. Children on and off the screen became intimate wit­ opportunity the Endowment provides for every citizen to lay nesses and participants in the ten programs as such artists as claim to the birthright of learning how the arts define and Max Roach, David Hockney and Wayne Thiebaud brought confirm new facets of our potential, query our assumptions an artwork from inception to completion. It was hoped that and sublimate our fears and desires. Through these processes this would be a breakthrough series in arts programming for the texture of our culture is renovated and strengthened. children. Judging from the responses of children and critics, Several milestones were passed in 1992. "Great Perform­ it was. ances," the television magazine of the performing arts, cele­ Concerned that the best of radio arts be made available in brated its 20th anniversary. Jac Venza, the series executive underserved communities, the rural radio initiative helped producer, was able to call on a galaxy of talents whose small radio stations purchase from National Public Radio confidence had been earned over the years -- Mikhail and American Public Radio such series as "St. Paul Sunday Baryishnikov, Twyla Tharp, Wendy Wasserstein, Meryl Morning" (classical music); "Afropop Worldwide" (the pop­ Streep, Bernadette Peters, Bill Irwin, Blythe Danner, Peter ular music of the African diaspora); "Crossroads" (a maga­ Martins, Matthew Broderick, and Quincy Jones. Through zine drawn from America’s multiethnic communities); and "Great Performances" broadcasts, millions were afforded ac­ "Soundprint" (the art of the radio documentary). These se­ cess to the best art this country can produce -- from a docu­ ries are also supported through the Arts on Radio category. mentary featuring the soprano Kathleen Battle and trumpet One of the Media Arts Program’s two longtime priorities player Wynton Marsalis rehearsing the music of Scarlatti, (along with Arts on Television) has been to encourage the Handel, and Bach to La Pastorela, the traditional shepherd’s development of a support system for media artists through­ play performed by El Teatro Campesino and directed for out the country, thereby encouraging the production of art­ television by Luis Valdez. works of excellence, which are then exhibited and broadcast. This year saw an extraordinary operatic triumph in the To this end, the program supported 90 media arts organiza­ production -- and telecast -- of John Corrigliano’s Ghosts of tions directly in 23 states, and 50 media organizations indi­ Versailles, the first opera premiered by the Metropolitan rectly in 26 states. Such indispensable exhibitions as "Two Opera in 25 years. A popular and critical triumph, the opera Decades of Algerian Cinema" and "Before Hollywood: Turn

96 National Endowment for the Arts 0 0

Nancy Graves shows how sculpture seems to defy gravity on "Behind the Scenes." She is one of many artists to demonstrate professional skills on the acclaimed TV series for children, which received support from the Endowment this year. of the Century Film From American Archives" are circulated each year’s grants a vigorous profile. Among this year’s grants through the nonprofit centers to annual audiences of some were production support for a documentary film by Fred two million. Without these centers, third world films, for­ Wiseman on the American Ballet Theater and a series of eign films as well as independent American films would have short experimental videotapes by Philip Mallory Jones no organized way of reaching American audiences. exploring traditional African culture. As usual, Film/Video The flow of new artworks of excellence is stimulated by Production category projects received wide approval. In the production programs in film/video and radio which partially Shadaw of the Stars-- funded in 1989 -- won an Academy support works in all genres of media art" narrative, documen­ Award in 1992, the second Endowment-funded film in a tary and experimental. Investment in these categories has row to receive this honor. (Barbara Kopple’s American proved unusually rewarding. The range of subjects, the gen­ Dream won an Oscar for best feature-length documentary erational spread, the variety of approaches and aesthetics give in 1991.)

I992 Annual Report 97 Media Arts

Duesing, Jam~ the creation of a living patchwork quilt, Grants Cincinnati, OH $30,000 a performance artwork that stresses the To support the production of a com­ rhythm and history of quilting bees. Indicates grants having national impact. puter animation project, "Law of [92-3411-0196] Averages," the story of a character torn between a personal relationship and the Mueller, Eric West FILM/VIDEO PRODUCTION exciting and risky world of game Minneapolis, MN $25,000 shows. [92-3411-0182] To support the production of a To support outstanding productions in narrative film, Cathedra~ a moving film and video that emphasize the use Educational Broadcasting Corporation story of two longtime companions. of these media as art forms. New York, NY $50,000 [92-3411-0194] To support the production of a docu­ 20 grants mentary film by Frederick Wiseman, a New York Foundation for the Arts Program Funds: $714,000 behind-the-scenes look at the American New York, NY $50,000 Ballet Theatre. [92o3411-0189] To support the post-production costs Arizona State University for a documentary film by Hart Perry Tempe, AZ $50,000 Film Arts Foundation entitled Valley of Tears, which traces To support the production of a series San Francisco, CA $50,000 over a decade the experience of migrant of short experimental videotapes by To support the production of a workers and farmers in the Rio Grande Philip Mallory Jones on traditional documentary film by Arthur Dong. Valley of Texas. [92-3411-0178] African culture. [92-3411-0191] [92-3411-0186] New York Foundation for the Arts Berman, Jonathan Finley, Jeanne C. New York, NY $50,000 New York, NY $25,000 San Francisco, CA $20,000 To support the production of a To support the post-production costs To support the production of an exper­ documentary film by Jennifer Fox. of a documentary film on the tradi­ imental videotape crystallizing images [92-3411-0181] tional urban steambath, the "shvitz." of fear, generated by the personal testi­ [92-3411-0179] monies of victims of fear manipulation. Rudavsky, Oren [92-3411-0188] New York, NY $35,000 Black Maria, Inc. To support research and development New York, iVY $47,000 Garrison, Andrew S. for a narrative film about the life of a To support the production of an inter­ Whitesburg, KY $35,000 modern-day hobo. [92-3411-0190] active cinema installation, "March," by To support the production of a narra­ Grahame Weinbren. [92-3411-0185] tive film based on two short stories Scribe Video Center, Inc. from Wilgus Collier’s Kinfolks: The Philadelphia, PA $50,000 Ching, LiPo Wilgus Stories, set in Appalachia. To support the production of a docu­ Los Angeles, CA $35,000 [92-3411-0198] mentary by Louis Massiah on the life To support the production of a narra­ of the African American political and tive film about two people in an insti­ Johnson, Flip intellectual leader W. E. B. DuBois. tution. [92-3411-0180] Roslindale, MA $35,000 [92-3411-0192] To support the production of an ani­ Downey, Juan mated film, using motifs of water, Swetzoff, Martha New York, NY $35,000 stone, and concrete to suggest man’s Santa Monica, CA $25,000 To support the production of Latin conflict with nature. [92-3411-0197] To support the post-production American Indian, an experimental costs for an experimental film. videotape exploring colonial attitudes Lacy, Suzanne [92-3411-0183] to indigenous cultures. Oakland, CA $18,000 [92-3411-0193] To support the completion of The Crystal Quilt, a videotape documenting

National Endowment for the Arts Media Arts

Wallin, Michael S. Appalshop, Inc. Maryland, New Jersey, Pennsylvania, San Francisco, CA $19,000 Whitesburg, KY $60,000 and West Virginia). [92-3413-0092] To support the production of an To support media arts regional fellow­ experimental £dm. [92-3411-0195] ships in the Southeast (Alabama, Southwest Alternate Media Project, Inc. Florida, Georgia, Kentucky, Louisiana, Houston, TX $60,000 Wood, Mitchell & Bouiss, I~izabeth Mississippi, North Carolina, South To support media arts regional fellow­ New York, NY $30,000 Carolina, Tennessee, and Virginia). ships in the South Central region To support the post-production costs [92-3413-0095] (Arkansas, Kansas, Missouri, Nebraska, of a documentary film about the Oklahoma, Texas, Puerto Rico, and women who served as caregivers in Boston Him/Video Foundation, Inc. the Caribbean). [92-3413-0096] Vietnam. [92-3411-0184] Boston, MA $60,000 To support media arts regional fellow­ ships in New England (Connecticut, MEDIA ARTS CENTERS AFI INDEPENDENT FiLM & Maine, Massachusetts, New Hamp­ ViDEOMAKER PROGRAM shire, Rhode Island, and Vermont). To assist media arts centers in a variety [92-3413-0097] of projects that make the arts of film AFI administers for the Endowment a and video more widely appreciated and program ofsubgrants to independent Center for New Television practiced. Projects may include exhibi­ media artists working in animated, Chicago, 1L $60,000 tions, workshops, production facilities, documentary, experimental and To support media arts regional fellow­ publications, study collections, and arts narrative film and video. ships in the Great Lakes region education programs. (Illinois, Indiana, Michigan, and 1 cooperative agreement Ohio). [92-3413-0094] 58 grants Program Funds: $400,000 Program Funds: $1,699,500 Him in the Cities, Inc. ~r American Him Institute St. Paul, MN $60,000 American Museum of the Meving Image Washington, DC $400,000 To support media arts regional Astoria, NY $20,000 For a cooperative agreement to support fellowships in the upper Midwest To support film and video exhibition the Independent Film and Videomaker (Iowa, Minnesota, North Dakota, programs. Panel II. [92-3421-0035] Program, which conducts a national South Dakota, and Wisconsin). subgrant program for advanced film [92-3413-0093] Anthology Him Archives and video artists and awards regional New York, NY $12,000 subgrants to film- and videomakers in Oregon Art Institute To support screenings, touring pro­ the western part of the country. (Northwest Him & Video Centerl grams, publications, and a resource [DCA 92-32] Portland, OR $60,000 center. Panel II. [92-3421-0024] To support media arts regional fellow­ ships in the West (Alaska, Arizona, ~. Appalshop, Inc. REGIONAL FELLOWSHIPS California, Colorado, Hawaii, Idaho, Whitesburg, KY $55,000 Montana, Nevada, New Mexico, To support workshops, distribution ac­ To enable media centers to administer Oregon, Utah, Washington, tivities, artist residencies, screenings, fellowship programs for regional film Wyoming, and the Pacific Territories). archival programs, and radio and tele­ and video artists. [92-3413-0091] vision production and programming. Panel I. [92-3421-0043] 7 grants Pittsburgh Hlmmakers, Inc. Program Funds: $420,000 Pittsburgh, PA $60,000 ~r Art Institute of Chicago To support media arts regional fellow­ Chicago, IL $30,000 These grants were reviewed by the ships in the Mid-Atlantic region To support the Film Center’s exhibi­ Media Arts Centers/National Services (Delaware, District of Columbia, tions, touring programs, and resource Panel I. services. Panel II. [92-3421-0058]

1992 Annual Report 99 Media Arts

ArUsts Space, Inc. gcnfor for New Television shops, and resource services. Panel I. New York, NY $10,000 Chicago, 1L $35,000 [92-3421-0003] To support fdm and video exhibitions. To support a program of services to Panel II. [2-3421-0032] artists, including video programming, I~lm in I~e CRies, Inc. access to facilities, publication of a St. Pau£ MN $55,000 ~. Asian Cine-Vision, Inc. newsletter, and workshops. Pond I. To support media exhibitions, facilities New York, NY $33,000 [92-3421-0017] access, workshops, and educational To support media exhibitions, programs. Pond I. [92-3421-0057] touring programs, facilities access, Chicago Hlnlmakers publications, and workshops. Panel I. Chicago, IL $20,000 Film/~kleo Arts, Inc. [92-3421-0012] To support film and video screenings, New York, NY $30,000 facilities access, workshops, and a To support facilities access, workshops, Bay/Itca ~qd~o goalRion, Inc. media arts education program. Panel I. internships, and exhibitions. Panel I. San Francisco, CA $33,000 [92-3421-0056] [92-3421-0011 ] To support facilities access, workshops, exhibitions, and publication of the gommunRy Him Workshop o~ Chigago FoundaUon for Art in Cinema newsletter Video Networks. Panel I. Chicago, 1L $13,000 San Francisco, CA $14,000 [92-3421-0023] To support facilities access, workshops, To support the San Francisco exhibitions, and education programs. Cinematheque’s film/video exhibition Black Filmmaker FoundaUon Panel I. [92-3421-0028] program, guest appearances, and publi­ New York, NY $10,000 cations. Panel II. [92-3421-0007] To support fdm and video exhibitions; DomRown Community a newsletter; workshops; monthly Television Center, Inc. Friends of Sheldon Film Theater, Inc. works-in-progress screenings; and a New York, NY $27,000 Lincoln, NE $10,000 skills bank for job referrals. Panel I. To support media exhibitions, To support the film exhibition pro­ [92-3421-0100] facilities access, workshops, intem­ gram of the Mary Riepma Ross Film ships, and a resource library. Pand I. Theater. Pand II. [92-3421-0030] Boston Film/Video Foundation, Inc. [92-3421-0010] Boston, MA $35,000 Haleakala, Inc. (The I~Jtchen) To support media exhibitions, work­ ¢r Electronic Arts Intermix, Inc. New York, NY $13,000 shops, production facilities, a media New York, iVY $28,000 To support video exhibitions and in­ literacy program, and publications. To support a distribution program, stallations; a video distribution pro­ Panel I. [92-3421-0050] facilities access, exhibition equipment gram; symposia, seminars, and work­ access, and an artists-in-schools pro­ shops; and production/post-production Brooklyn Institute of Arts and gram. Panel I. [92-3421-0014] facilities. Pond I. [92-3421-0039] Sciences (Brooklyn Museum) Brooklyn, NY $10,000 ¢r Facets-Multimedia, Inc. Hallwalls, Inc. To support thematic exhibitions of Chicago, IL $32,000 Buffalo, NY $15,000 film and video. Pond II. To support exhibitions, publications, To support exhibitions, workshops and [92-3421-0048] an international children’s film festival, residencies, publications, and facilities the Visiting Filmmakers Program, and ¯ access. Panel I. [92-3421-0008] gnmegle Instit~ a video distribution service. Panel II. Pittsburgh, PA $16,000 [92-3421-0022] Helena Presents To support film/video screenings, pub­ Helena, MT $10,000 lications, and resource services. ¢r Him/Iris FoundaUon To support film exhibition programs. Panel II. [92-3421-0054] San Francisco, CA $44,000 Panel II. [92-3421-0052] To support facilities access, film screenings, a national newsletter, work­

IOO National Endowment for theArts Media Arts

Independent Media ArUsts of Media Alliance, Inc. New Community Cinema Club, Inc. Georgia, Etc., Inc. New York, NY $15,000 Huntington, NY $10,000 Atlanta, GA $27,000 To support facilities access, publica­ To support film exhibitions, an educa­ To support exhibitions, facilities access, tions, workshops and conferences. tion program, workshops, and the pub­ a resource center, workshops, and a Panel I. [92-3421-0026] lication of program notes. Panel II. newsletter. Panel I. [92-3421-0016] [92-3421-0055] Millennium Film Workshop, inc. InsUtate of Contemporary Art, Boston New York, NY $18,000 New Orleans Video Access Center, Inc. Boston, MA $10,000 To support exhibitions, facilities access, New Orleam, LA $13,000 To support film/video exhibition pro­ filmmaking and film theory classes, To support facilities access, screenings, grams. Panel II. [92-3421-0027] and publication of the Millennium a newsletter, distribution services, and Film JournaL Pand I. [92-3421-0038] workshops. Panel I. [92-3421-0051] Intennedia Arts of Minnesota, Inc. Minneapolis, MN $36,000 Minnesota Him Center Nine One One Cent~mpem~ To support video exhibitions and in­ Minneapolis, MN $12,000 Arts and Resource Center stallations, a quarterly newsletter, access To support film exhibitions, guest Seattle, WA $10,000 to video facilities, workshops, educa­ speakers, and workshops. Panel II. To support media exhibitions, facilities tional programs with local colleges, and [92-3421-0044] access, workshops, and publication of a visiting artist programs. Panel I. newsletter. Panel I. [92-3421-0045] [92-3421-0034] New York, NY $40,000 Ohio State University I~emational House of Philadelphia To support year-round programming Research Foundation Philadelphia, PA $30,000 at Film Forum’s theaters. Panel II. Columbus, OH $10,000 To support the Neighborhood [92-3421-0005] To support the film/video components Film/Video Project’s screenings, of RE/VISIONS at the Wexner Center newsletter, workshops, and library. Museum of Fine Arts, Boston for the Arts. Panel II. [92-3421-0031] Panel I. [92-3421-0013] Boston, MA $10,000 To support f’dm/video exhibition pro­ Oregon Art Institute ~. International Museum of Photography grams. Panel II. [92-3421-0036] Portland, OR $28,000 at George Eastman House To support the Northwest Film and Rochester, IVY $10,000 Museum of Fine Arts, Houston Video Center’s exhibitions, education To support a film exhibition program Houston, TX $10,000 programs, distribution activities, facili­ and the distribution of work from the To support film and video exhibitions ties access, and media resource services. museum’s collection. Panel II. and a resource library. Panel II. Panel II. [92-3421-0018] [92-3421-0033] [92-3421-0015] Pittsburgh Hlmmakers, Inc. Long Beach Museum of Art Foundation ~. Museum of Modem Art Pittsburgh, PA $26,000 Long Beach, CA $33,000 New York, iVY $57,500 To support facilities access, screenings, To support facilities access, exhibitions, To support year-round film and education services, workshops, and a a resource library, workshops, and a video programming. Panel II. newsletter. Panel I. [92-3421-0047] cable television series. Panel I. [92-3421-0053] [92-3421-0029] Scribe V’,deo Center, Inc. ~, National Nliance of Philadelphia, PA $10,000 Los Angeles Contemporary Media Arts Centers, Inc. To support workshops, access to video Exhibitions, Inc. Oaklana£ CA $350,000 equipment, seminars and screenings Los Angeles, CA $10,000 To support the second year of the with visiting artists, videotape distribu­ To support exhibitions, facilities Media Arts Development Fund. tion, and services to media artists. access, and workshops. Panel I. Pand I. [92-3421-0041] Panel I. [92-3421-0046] [92-3421-0037]

1992Annual Report IOI Media Arts

South Carolina Arts Commission University of the District of Columbia ~, American Film institute Columbia, SC $45,000 Washington, DC $10,000 Washington, DC $750,000 To support facilities access, workshops, To support the Black Film Institute’s For a cooperative agreement to support a touring film/video exhibition, a screenings and lecture presentations on the ninth year of the National Center media arts-in-education program, and a black and Third World films. Panel II. for Film and Video Preservation. Center publication. Panel I. [92o3421-0002] [92-3421-0019] activities include publication of The American Film Institute Catalog of Southern California Asian Utah Media Center, Inc. Feature Films, development of the American Studies Central Salt Lake City, UT $10,000 National Moving Image Database and Los Angeles, CA $28,000 To support film and video programs. administration ofsubgrants to organiza­ To support Visual Communication’s Panel I. [92-3421-0049] tions that preserve and restore films of screenings, education programs, facili­ artistic and cultural value. [DCA 92-29] ties access, publications, and distribu­ Walker Art Center, Inc. tion activities. Panel I. [92-3421-0040] Minneapolis, MN $23,000 RADIO/AUDIO ART To support film and video exhibitions. Southwest Alternate Media Project, Inc. Panel II. [92-3421-0006] Includes two subcategories: Houston, TX $33,000 Radio/Audio Production grants sup­ To support media exhibitions, work­ Whllney Mu~um of American Ari port outstanding single productions shops, and educational programs. New York, NY $32,000 and series for radio broadcast and audio Panel I. [92-3421-0042] To support the New American art. Radio/Audio Services grants sup­ Film and Video Series. Panel II. port a variety of projects which advance Standby Program, Inc. [92-3421-0025] the art of radio, including production New York, NY $18,000 services, distribution, conferences, pub­ To support facilities access, work­ licarions, workshops and residencies. shops, and publications. Panel I. AMERICAN FILM INSTITUTE [92-3421-0009] RADIO/AUDIO PRODUCTION Support for the American Film 27 grants University of California-Berkeley Institute, founded in 1967 to preserve Program Funds: $305,800 Berkeley, CA $58,000 the heritage and advance the art of film To support the Pacific Film Archives’ and television. A Traveling Jewish Theatre exhibition programs, workshops, study San Francisco, CA $15,000 collection, and guest speakers. Panel II. 1 grant To support the development and pro­ [92-3421-0004] Program Funds: $1,400,000 duction of"Heart of Wisdom: Explorations in Jewish Culture," a University of California, Regents of the ~, American Him Institute series of audio programs on various Los Angeles, CA $32,000 Washington, DC $1,400,000 aspects of Jewish culture. Producers: To support the exhibition program of To support programs of the American Claire Schoen and Corey Fischer. the UCLA Film and Television Film Institute. [92-3422-0102] [92-3444-0107] Archive. Panel II. [92-3421-0020] Naska Public Radio Network University of Colorado, Regents of the AFI/NEA FILM PRESERVATION Anchorage, AK $10,000 Boulder, CO $25,000 PROGRAM To support "Alaskanarts," a state­ To support the Rocky Mountain Film wide radio program presenting Center’s exhibitions, access facilities To help organizations locate, preserve, Alaskan arts through the work of in­ workshops, resource library, and tour­ and catalog films of artistic value. dependent producers and audio artists. ing programs. Panel I. [92-3421-0001] Producer: Steven J. Heimel. 1 cooperative agreement [92-3444-0129] Program Funds: $750,000

National Endowment for the Arts Media Arts

American Composers Orchestra, Inc. Green, Anthony D. ~. Overnight ProduCtions, Inc. New York, iVY $15,000 Chicago, IL $3,000 North Hollywood, CA $10,000 To support "Music in the Present To support "Grand Boulevard," an To support the production and distrib­ Tense: The American Composers episodic family-oriented radio drama ution of a radio magazine that presents Orchestra at Carnegie Hall," a series of emphasizing the positive contributions stories about community and personal programs featuring recent ACO perfor­ of African Americans. [92-3444-0157] responses to the AIDS crisis. Producer: mances. Producer: Julie Burstein. Mike Alcalay. [92-3444-0128] [92-3444-0121] Jackson, Homer Philadelphia, PA $5,000 ~, Radio Bilingue, Inc. Appalshop, Inc. To support "Perfect Pitch," a humor­ Fresno, CA $20,000 Whitesburg, KY $10,000 ous radio drama set in the high-pres­ To support the inclusion of short arts To support production of a series of sure world of a public radio station features in "Noticiero Latino," the only half-hour programs based on live per­ during pledge week. [92-3444-0159] national Spanish-language program on formances by master traditional artists public radio. Producer: Samuel at Appalshop’s annual Seedtime on the Media-Rites, Inc. Orozco. [92-3444-0126] Cumberland festival. Producer: Rich Portland, OR $5,000 Kirby. [92-3444-0177] To support "Legacy," a radio series ex­ Radio Foundation, Inc. ploring personal responses to cross-cul­ New York, IVY $15,000 Baskas, Harriet R. tural and intergenerational issues. Pro­ To support "Words of Love: The Life Seattle, WA $10,000 ducer: D. Roberts. [92-3444-0119] and Art of Edith Piaf." Producers: To support "Aunt Sammy to Ma Don Druker and Davia Nelson. Perkins: Women of the Wireless," a Michel, Karen [92-3444-0113] series of radio programs employing Brooklyn, NY $10,000 archival tape, interviews, period music, To support the production of two doc­ Radio West Productions, Inc. and commentary to survey early exam­ umentaries, one examining myths Universal City, CA $20,000 ples of radio programming designed about menopause and the other an To support "Journeys on the Job," a for women. [92-3444-0116] audio tour through some of Brooklyn’s series exploring the challenges people most colorful areas. [92-3444-0143] face in today’s workplace and their Ray Area Radio Drama often creative responses to employment Berkeley, CA $28,800 Minkert, Jesse situations. Executive Producer: Audrey To support a series of half-hour radio Seattle, WA $3,000 Coleman. [92-3444-0120] dramas of commissioned works by San To support episodes of "The Boones­ Francisco Bay area writers. Producer: ville Horror." [92-3444-0125] Rochlin, Margaret Erik Bauersfeld. [92-3444-0111] Los Angeles, CA $5,000 ~r National Public Radio, Inc. To support "Ambos Nogales: The ~r Dalby, Michael Washington, DC $10,000 Mingling Cultures of the Border," a New York, NY $7,000 To support "Performance Today," a series of radio documentaries about a To support "Soundbites," a one-hour daily program showcasing classical working example of multiculturalism, comedy special to be distributed music. [92-3444-0112] focusing on the relationships of people nationally to public radio stations. along the Arizona-Mexico border. [92-3444-0123] New Radio & Performing Arts, Inc. [92-3444-0115] Brooklyn, IVY $10,000 E]kin, Sandra To support pilot episodes of Rollins, Njemile Carol New York, NY $10,000 "CulturContact," a series exploring Takoma Park, MD $I0,000 To support "Til Death Do Us Part," the cultural documentary as an educa­ To support the production of "Images a radio documentary exploring the tional tool for international under­ of the 20th Century," a series of half- institution of marriage and the chal­ standing. Producer: Regine Beyer. hour narratives on 20th-century lenges of a lifetime commitment. [92-3444-0109] American history by poets, writers, [92-3444-0124] and actors. [92-3444-0117]

1992 Annual Report 103 Media Arts

Santa Monica College (KCRW) RADIO/AUDIO SERVICES ~" New Wave Corporation Santa Monica, CA $15,000 Columbia, MO $20,000 To support the production of a radio 9 grants To support the Midwest Radio Theatre docudrama about the dramatic and tu­ Program Funds: $123,000 Workshop, a training ground and re­ multuous life of the Mexican muralist, source center for contemporary radio Diego Rivera. Producer: Jacqueline des ~r Association of drama. [92-3444-0139] Lauriers. [92-3444-0130] Independents in Radio, Inc. Washington, DC $20,000 ~, Pacifica Foundation WGBH Educational Foundation To support services to independent North Hollywood, CA $15,000 Boston, MA $18,000 radio producers and audio artists. To support the Pacifica Program To support the production of a musical [92-3444-0105] Service and Radio Archive which dis­ program from the 1993 New Orleans tributes and archives programs for Jazz and Heritage Festival. Producer: Film in the Cities, Inc. radio producers and stations. Robert Lyons.-[92-3444-0154] St. Paul, MN $5,000 [92-3444-0108] To support a studio and equipment WNYC Foundation access project co-sponsored with ~, Western Public Radio, inc. New York, IVY $16,000 community radio station KFAI. San Francisco, CA $10,000 To support "New York Kids," a weekly [92-3444-0122] To support services to independent radio program for elementary school radio producers, including training, children in the New York area, to be ~r Harvestworks, Inc. access to production/post-production aired on WNYC-FM. Producer: Lou New York, NY $18,000 facilities, and workshops. Giansante. [92-3444-0200] To support an audio production facil­ [92-3444-0106] ity and production services to indepen­ Ward, Jeffrey dent producers through Harvestwork’s Brooklyn, NY $5,000 Artist-In-Residence and Studio PASS PROGRAMMING IN THE ARTS To support the production of a 30­ programs. [92-3444-0131] minute radio drama. [92-3444-0155] To bring the best of all the arts to the ~ National Asian American widest possible audience through the Western Organization of Resource Telecommunications Association support of nationally broadcast radio Councils Education Project San Francisco, CA $10,000 and television programs. Billings, MT $10,000 To support the development of a train­ To support arts features on "The High ing and audio production services pro­ THE ARTS ON RADIO Plains News Service," a regional pro­ gram at NAATA’s Audio Production gram focusing on Native American cul­ Facility in Berkeley. [92-3444-0114] 20 grants tural activities and the arts of Colorado, Program Funds: $782,000 Idaho, Montana, North and South ~- National Federation of Dakota, and Wyoming. Executive Pro­ Community Broadcasters, Inc. ~, Alaska Public Radio Network ducer: Mary Boyle. [92-3444-0158] Washington, DC $20,000 Anchorage, AK $25,000 To support services to community To support the eighth year of Wilding, Faith radio stations; producers, and program­ "National Native Arts," weekly five- New York, NY $10,000 mers. [92-3444-0151] minute features on traditional and To support "Speak, So I Can See You," contemporary Native American arts. an hour-long program presenting the ~" New Radio & Performing Arts, Inc. [92-3445-0138] writings and voices of women artists. Brooklyn, IVY $5,000 [92-3444-0153] To support a publication surveying new American radio drama and experi­ mental audio art. [92-3444-0127]

IO4 National Endowment for theArts Media Arts

~r Ceilm Preduetions, Inc. ~. Alternative Media Information Center ~, Otherworld Media, Inc. New York, NY $70,000 New York, NY $45,000 Freeland, WA $50,000 To support the fourth season of To support "Endangered Literature," a To support final development and im­ "BluesStage," a series of one-hour pro­ series of radio plays dramatizing works plementation of a digital audio cable grams presenting the many styles of of literature with human rights themes channel dedicated to the spoken arts. blues music from various locations in published by small presses in Central [92-3445-0148] the United States. [92-3445-0136] and South America, Eastern Europe, the Caribbean, Africa, and the Middle ¯ ~r Pennsylvania Public ¢r ~ Endowment of South Carolina, Inc. East. [92-3445-0201] Radio Associates, Inc. Spartanbur$ SC $30,000 Uwchland, PA $20,000 To support "Marian McPardand’s ~r Minnesota Public Radio, Inc. To support the fourth season of Piano Jazz," a weekly hour that brings St. Paul, MN $15,000 "Echoes," a music program featuring great jazz artists together for perform­ To support the twelfth season of "Saint world music, new acoustic and elec­ ance and discussion. [92-3445-0140] . Paul Sunday Morning," a music series tronic music, jazz, and contemporary that brings artists into the recording classical music. [92-3445-0144] ~r tarmark, I.c. studio to perform exclusively for the Miami, FL $60,000 listening audience. [92-3445-0145] ~r Radio Foundation, Inc. To support "Crossroads," a national New York, NY $12,000 weekly magazine. [92-3445 -0132] ~r National Federation of To support the fourth season of Community Broadcasters, Inc. "Modern Times," a live two-hour radio ~ Friends of West Virginia Washington, DC $50,000 show composed of interviews, essays, Public Radio, Inc. To support the second year of the listener phone calls, and music. Charleston, WV $50,000 Rural Radio Initiative, which assists [92-3445-0147] To support the eighth season of rural radio stations to acquire Endow­ "Mountain Stage," a live performance ment-funded arts programming. ~ Symphony Space, Inc. program showcasing a variety of artists, [92-3445-0149] New York, NY $30,000 ranging in style from traditional folk To support the ninth season of and blues to international and ~r National Public Radio, Inc. "Selected Shorts: A Celebration of Appalachian music. [92-3445-0133] Washington, DC $10,000 the Short Story," programs of short To support the acquisition of stories read by distinguished actors. ~" Johns Hopkins University American-produced radio dramas and [92-3445-0141] Baltimore, MD $60,000 spoken word productions for inclusion To support the sixth season of "Sound­ in the nationally distributed "NPR ~r WHYY, Inc. print," a series of documentaries by in­ Playhouse." [92-3445-0137] Philadelphia, PA $30,000 dependent producers. [92-3445-0142] To support the fifth season of "Fresh ~r New Radio & Performing Arts, Inc. Air," a daily hour-long public radio ~r Uncoln Center for the Brooklyn, NY $80,000 magazine, combining interviews with Performing Arts, Inc. To support the 1993 season of"New prominent and emerging figures in the New York, NY $30,000 American Radio," a series of programs arts. [92-3445-0135] To support "Jazz from Lincoln Cen­ featuring commissioned and acquired ter," a series of hour-long radio broad­ works exploring the radio medium. ~r Wolf Trap Foundation casts to be distributed through Na­ [92-3445-0146] for the Performing Arts tional Public Radio. [92-3445-0118] Vienna, VA $25,000 ~ Newark Public Radio, Inc. To support radio programs presenting Newark, NJ $40,000 the Folk Masters concert series at the To support "Jazzset," a weekly series of Barns of Wolf Trap. [92-3445-0150] live performances by major jazz musi­ cians as well as rising young artists, recorded at venues across the country. [92-3445-0110]

1992 Annual Report IO5 Media Arts

~, World Music Productions ~r Educational Broadcasting Corporation ~- Uncoln Center for the Brooklyn, NY $50,000 New York, iVY $700,000 Performing Arts, Inc. To support the fifth season of To support the eighth season of New York, IVY TF $200,000 "Afropop Worldwide," a weekly series "American Masters," a television series To support the 1993 season of of programs devoted to today’s African of documentaries on major American "Live From Lincoln Center." and African-influenced music in the artists. [92-3446-0172] [92-3446-0173] Caribbean, Europe, and the Americas. [92-3445-0134] ~r Educational Broadcasting Corporation ~r Metropolitan 0pora Association, Inc. New York, iVY $150,000 New York, NY TF $300,000 THE ARTS ON TELEVISION To support the development of a To support the 1992-93 season of television magazine of the arts. "The Metropolitan Opera Presents." 22 grants [92-3446-0174] [92-3446-0166] Program Funds: $2,788,200 Treasury Funds: $2,369,800 ~, Educational Broadcasting Corporation ~r National Latino New York, NY $38,000 Communications Consortium ~, American Architectural Foundation, Inc. To amend a grant to support the 1991­ Los Angeles, CA $50,000 Washington, DC $50,000 92 season of the public television series, To support a documentary film about To support the research and develop­ "Great Performances," including a pro­ the poet, playwright, actor, and film­ ment costs for a television series on gram on the National Heritage maker Luis Valdez. [92-3446-0171] architecture and design in the 20th Fellowship recipients. [90-3446-0146] century, a joint undertaking with ~r New York Foundation for the Arts WQED Communications, Pittsburgh. ~r FilmAmerica, inc. (Vanguard films) [92-3446-0199] East Harnpton, iVY $100,000 New York, NY $50,000 To amend a grant to support the initial To amend a grant to support the pro­ ~- American Documentary, Inc. production phase of a television duction of a public television series New York, NY TF $300,000 series on music in the 20th century. about the influence of the blues on To support the 1993 season of [91-3446-0184] American music. [91-3446-0002] "P.O.V." (Point of View), a television series presenting independently pro­ ~r Film Arts Foundation ~r New York Foundation for the Arts duced documentaries. [92-3446-0175] San Francisco, CA $50,000 New York, NY $20,000 To support the production of a docu­ To amend a grant to support the pro­ ~r Educational Broadcasting Corporation mentary film about sculptor Isamu duction of a film on the arts in rural New York, NY $50,000 Noguchi. [92-3446-0165] America. [89-3470-0249] To support the production of a docu­ mentary film about master American ~r Greater Washington Educational ~ Public Television Playhouse, Inc. folk artists. [92-3446-0160] Telecommunications Association, Inc. New York, NY TF $750,000 Washington, DC $50,000 To support the twelfth season of ~r Educational Broadcasting Corporation To support the production of a docu­ ’~unerican Playhouse." [92-3446-0163] New York, NY TF $100,000 mentary film on the novelist John To amend a grant to support "Behind Edgar Wideman. [92-3446-0152] ~r Rebekah Films, Inc. the Scenes," a television series on the Brooklyn, NY $100,000 arts for children. [86-3442-0226] ~r International Cultural To support a series of television pro­ Programming, Inc. grams about contemporary African ~r Educational Broadcasting Corporation New York, NY $50,000 American artists. 1991 Arts on New York, NY $730,200 To support the production of a docu­ Television panel. [92-3446-0098] TF $369,800 mentary film about the artist Robert To support the 1993-94 season of Irwin. [92-3446-0161] "Great Performances," a television series presenting the performing arts. [92-3446-0170]

IO6 National Endowment for theArts Media Arts

~ Twin Cities Public Television, Inc. ~ Cabin Creek Center for Work and ~r FoundaUon for Independent St. Paul, MN $500,000 Environmental Studies, Inc. Video and Film, Inc. To support the 1993 season of"ALIVE New York, NY $7,500 New York, NY $40,000 TV" (formerly "Alive From Off To support the presentation of the bi­ To support services to independent Center"). [92-3446-0167] annual Documentary Festival of New media artists, including publications, York. Panel II. [92-3465-0072] seminars, and information services. ~ Unique Projects, Inc. Panel I. [92-3465-0068] New York, NY TF* $350,000 ~ Camera News, Inc. To support the production of a New York, NY $18,000 ~r Frameline, inc. television series on the history of jazz. To support distribution and support San Francisco, CA $10,000 [92-3446-0202] services for independent minority and To support the acquisition of Together *Funds were committed but not Third World film and video makers. Alone, Absolutely Positive, and obligated in FY ’92. Panel I. [92-3465-0086] Resonance, three international award- winning films to be offered by ~" WGBH Educational Foundation ~r Camera Obscura, Inc. Frameline as part of its distribution Boston, MA $100,000 Santa Barbara, CA $5,000 service to film schools and scholarly To support the seventh season of "New To support the publication of Camera programs. Panel I. [92-3465-0066] Television." [92-3446-0164] Obscura, a scholarly journal examining critical issues in media studies. Panel II. ~- Guadalupe Cultural Arts Center [92-3465-0067] San Antonio, TX $5,000 NATIONAL SERVICES To support a national conference and ~r Chicago Latino Cinema a workshop for media artists of color To support exemplary activities that Chicago, IL $6,000 in conjunction with the 1992 San provide professional media artists and To support the annual Latino Antonio CineFestival. Panel II. media arts organizations with essential Film/Video Festival in 1992. Panel II. [92-3465-0077] resources for artistic growth and [92-3465-0060] development. ~- Hawaii IntemaUonal Him Festival ~. Ci~ of Atlanta Bureau of Cultural Affairs Honolulu, HI $7,500 32 grants Atlanta, GA $10,000 To support the 12th annual Hawaii Program Funds: $380,500 To support the 1992 Adanta Third International Film Festival. Panel II. World Film Festival. Panel II. [92-3465-0084] ~- Alternative Media Information Center [92-3465-0079] New York, NY $5,000 ~r Independent Feature Project, Inc. To support the Deep Dish TV Satellite ~. Film Societ~ of Uncoln Center, Inc. New York, IVY $15,000 Network, a nationwide distribution New York, NY $35,000 To support services which assist the system for independent video produc­ To support the New York Film development, production, and distribu­ tions. Panel II. [92-3465-0087] Festival; publication of the film jour­ tion of feature films by independent nal, Film Commeng the "New filmmakers. Panel I. [92-3465-0062] ~. American FederaUon of Arts, Inc. Directors/New Films" series; and pro­ New York, iVY $30,000 gramming at the new Walter Reade ~ International Center for To support the AFA Independent Theater. Panel I. [92-3465-0081] 8mm Film and Video, Inc. Film/Video Distribution program, to Rowley, MA $ I 0,000 organize and circulate traveling exhibi­ ~" FoundaUon for Art in Cinema To support technical assistance, work­ tions of independent artists’ works and San Francisco, CA $5,000 shops, and information services to help allow distribution of these works to To support the Canyon Cinema advance the art of 8mm and Super 8 educational and cultural institutions. film/video distribution cooperative. film. Panel I. [92-3465-0076] Panel II. [92-3465-0082] Panel II. [92-3465-0074]

I992Annual Report 107 Media Arts

~r International Film Circuit, Inc. ¢r National Film Preserve, Ltd. Video Festival’s circulating exhibition Princeton, NJ $10,000 Hanover, NH $5,000 of independent film and video produc­ To support the organization and To support the 19th annual Telluride tions. Panel II. [92-3465-0075] national exhibition of contemporary Film Festival. Panel II. [92-3465-0063] films from around the world. Panel II. ¢t V~sual Studies Workshop, Inc, [92-3465-0065] ~. New England Foundation for the Arts Rochester, NY $12,000 Cambridge, MA $10,000 To support the coverage of indepen­ ~r Jewish Film Festival To support "Mixed Signals," a cable dent film and video in Afterimage mag­ Berkeley, CA $8,000 television series of work by inde­ azine. Panel II. [92-3465-0070] To support the 12th annual Jewish pendent film and video artists Film Festival. Panel II. [92-3465-0061] throughout New England. Pant II. ~. Washington D.C. Film Festival, Inc. [92-3465-0089] Washington, DC $10,000 ~r Laguna Gloria A~ Museum, Inc. To support the sixth annual Austin, TX $5,000 ¢r New Ymk Foundation for the A~s Washington, D.C. International Film To support production of "The New York, NY $5,000 Festival. Panel II. [92-3465-0064] Territory," a broadcast showcase of in­ To support the sixth annual American dependent film and video art. Panel II. Independents and Features Abroad, a ~r Women Make Movies, Inc. [92-3465-0083] consortium of media organizations New York, NY $18,000 providing promotion and support to To support the production and distribu­ ~, National Alliance of American film and video makers at tion of films and videotapes by and Media Arts Centers, Inc. European festivals. Panel II. about women. Panel I. [92-3465-0073] Oakland, CA $20,000 [92-3465-0088] To support services which promote the development of media arts centers and ¢r Sinking Creek Film Celebration, Inc. SPECIAL PROJECTS increase public understanding of the Nashville, TN $7,500 arts of film, radio, and television. To support the 23rd annual film and The Special Projects category supports Panel I. [92-3465-0080] video festival. Panel II. [92-3465-0090] innovative and exemplary projects of artistic excellence addressing new needs ~. National Asian American and opportunities in the field and not Telecommunications Association Olympic Valley, CA $3,000 eligible under other categories. San Francisco, CA $8,000 To support the 1992 Screenwriters To support CrossCurrent Media, a Program at the Squaw Valley 9 grants national video/audio cassette and film Community of Writers. Panel II. Program Funds: $186,000 distribution program for works by or [92-3465-0078] about Asian Americans. Panel II. ~, American Film InsUta~ [92-3465-0085] ~, Sundance Institute for Washington, DC $50,000 Film and Television To support a documentary television ~r National Black Arts Festival, Inc. Sait Lake City, UT $28,000 program about film and video pres­ Atlanta, GA $12,000 To support services to independent ervation. Arts on Television panel. To support the "Black Cinematheque," filmmakers, including screenwriter and [92-3470-0176] the film exhibition component of the filmmaker labs, producer conferences, 1992 National Black Arts Festival. an exchange program with Latin Fund for New Performance Video, Inc. Panel II. [92-3465-0071] American filmmakers, and a film festi­ Boston, MA $15,000" val. Panel I. [92-3465-0069] [92-3052-0052] ~, National Educational Film Festival * See International chapter. Oaklana~ CA $5,000 ~ Thomas A. Edison To support the 22nd annual National Media Arts ConsorUum, Inc. Educational Film and Video Festival. Jersey City, NJ $5,000 Panel II. [92-3465-0059] To support the Black Maria Film and

108 National Endowment for the Arts Media Arts

Hawaii InternaUonal Film FesUval ~ Otherworld Media, Inc. Suzanne Weil Honolulu, HI $10,000" Freeland, WA $25,000 Independent Producer [92-3052-0055] To support "We Hold These Truths," Los Angeles, CA *See International chapter. a one-hour radio production celebrat­ ing the Bicentennial of the Bill of Rick Weise ¢r Krafft, Rebecca Rights. Reviewed by: Leon Collins, Filmmaker; Executive Director Arlington, VA $1,000 Washington, DC; Ruby Lerner, Film In The Cities, Inc. To support the research, writing, and Atlanta, GA; and Shirley Sneve, Sioux Minneapolis, MN editing of a brochure about the films Falls, SD. [92-3470-0099] and videotapes produced with support Extraordinary Action Grant. HLM/VIDEO PRODUCTION from the Endowment’s Media Arts Program. Film/Video Production ~r Pab’imakers, Inc. lyo~ Chenzira panel. [92-3470-0205] Washington, DC $50,000 Filmmaker To support the national telecast of con­ New York, NY Louisiana Public BroadcasUng certs with the National Symphony Baton Rouge, LA $21,000 Orchestra from the west lawn of the Robelt Collinson (layperson, chair) To support the station in continuing U.S. Capitol. Arts on Television panel. Business Consultant its arts programming despite losses in­ [92-3470-0203] Annapolis, MD curred as a result of Hurricane Andrew. [92-3470-0207] Extraordinary Action Sol Horwitz Grant. Professor of Media Studies Panels Broward Community College ~r National Assembly of Miami, FL Local ~ Agencies AMI~ICAN FILM INSTITUTE (AF1) Washington, DC $9,000 Trinh Minh-Ha To support the participation of media Pamela Holt Filmmaker; Assistant Professor arts administrators and media artists Executive Director San Francisco State University- at NALAA’s annual conference. Re­ D.C. Commission on the Film Studies Program viewed by Steve Anker, San Francisco, Arts and Humanities Berkeley, CA CA; Kate Horsfield, Chicago, IL; Washington, DC Michelle VaIIadares, New York, NY. Nancy Sher [92-3470-0101] Howard My~k Acting Director, Tuscon Pima Arts Chairman, Department of Radio, Council "Arts Channel" ¢r National Public Radio, Inc. Television and Film Phoenix, AZ Washington, DC $5,000 Temple University To support costs associated with the Philadelphia, PA international distribution of the April Director of Film Program 5, 1992 National Public Radio broad­ John Roche (iayperson, chair) Museum of Fine Arts, Boston cast of the "Heroes of Conscience" Board Member, Film Society of Boston, MA concert honoring the memory of Lincoln Center Dietrich Bonhoeffer and members of Investment Banker Peter Wang the German Resistance. Arts on Radio New York, NY Independent Filmmaker panel. [92-3470-0104] Extraordinary New York, NY Action Grant. Morrie Warshawski Arts Consultant St. Louis, MO

z99zAnnual Report 109 Media Arts

FILM/VIDEO PRODUCTION PRESCREENING MEDIA ARTS CENTERS/ Unda Mabalot NATIONAL SERVICES PANEL I Executive Director Steve Anker Visual Communications Artistic Director Stephen Gong Los Angeles, CA San Francisco Cinematheque General Manager San Francisco, CA Pacific Film Archive Cornelius Moore Berkeley, CA Executive Director Fred Barzyk California Newsreel TV Producer/Director Marian Luntz San Francisco, CA WGBH Educational Foundation Director of Exhibitions Boston, MA Southwest Alternate Media Center Mimi Pickering (S.W.A.M.P.) Filmmaker; Administrator Tony Batten Houston, TX Appalshop Independent Producer and Director Whitesburg, KY New York, NY Micld McGee Film/Video Curator Thomas Wylie Ilayperson) Loni Ding Artists Space Assistant Dean of Planning & Independent Filmmaker New York, NY External Resources San Francisco, CA Bunker Hill Community College Daniel Solazar Boston, MA Lynn Hoist Filmmaker; Director of Director of Program Development Individual Artist Program PROGRAMMING IN THE ARTS: American Playhouse Colorado Council on the THE ARTS ON RADIO New York, NY Arts and Humanities Denver, CO Peggy Bemjhill ~e Ho~eld Independent Producer Film/Video Producer and Distributor; Milos Stehlik (chair) Billings, MT Executive Director Co-founder and Film Video Data Bank Program Director Daniel del Solar Chicago, IL Facets Multimedia General Manager Chicago, IL KALW-FM Austin Lamont San Francisco, CA Filmmaker; Instructor; Lecturer, Thomas Wylie (layperson) U. of New Mexico Assistant Dean of Planning & Annie Jackson (layperson) Anthropology Film Center External Resources Special Assistant for Sante Fe, NM Bunker Hill Comm’unity College Planning and Marketing Boston, MA Washington, D.C. General Hospital William Pence Washington, DC Director of Film, Hopkins Center at MEDIA ARTS C~ Dartmouth College; NATIONAL SERVICES PANEL II Marry Newell Co-Director, Telluride Film Festival Executive Director Hanover, NH Robert 8ooker Kentucky Arts Commission Assistant Director Frankfort, KY Michelle Valladares Minnesota State Arts Board Independent Producer; St. Paul, MN D. Roberts Assistant Director Independent Radio Producer American Independents and Wendy Keys (chair) Portland, OR Features Abroad, Berlin Director of Programming New York, NY Film Society of Lincoln Center New York, NY

IIO National Endowment for theArts Media Arts

Steve Rowland (chair) PROGRAMMING IN THE ARTS: RADIO/AUDIO PROJECTS Independent Producer THE AITIS ON TEI_rVISION (1992) Philadelphia, PA Peggy Berryhill David Edelberg (layperson) Independent Producer Susan Stone Physician; President of Billings, MT Director of Drama and Literature Board of Directors KPFA Facets Multi-Media Daniel del Solar Berkeley, CA Chicago, IL General Manager KALWoFM PROGRAMMING IN THE ARTS: Stephen Gong San Francisco, CA THE ARTS ON TELEVISION (1991) General Manager Pacific Film Archive Annie Jackson (layperson) Rachel Bellow (layperson) Berkeley, CA Special Assistant for Program Associate for the Arts Planning and Marketing Mellon Foundation Robert Gordon Washington, D.C. General Hospital New York, NY General Manager Washington, DC WSSU-FM David Griffiths Springfield, IL Marly Newell Independent TV Producer; Director Executive Director Beverly Hills, CA David Gdffiths Kentucky Arts Commission Independent TV Producer/Director Frankfort, KY Robert Holmes Beverly Hills, CA Pianist; Composer; Educator; Steve Rathe Record Producer Soyini Guyton Executive Director Nashville, TN Executive Director Murray Street Enterprise Metropolitan Regional Arts Council New York, NY Lloyd Kaiser (chair) St. Paul, MN President Steve Rowland (chair) WQED John Leonard Independent Producer Pittsburgh, PA Writer; Book Critic; Television Critic Philadelphia, PA New York, NY Julie Levinson Judith Walcott Producer; Curator Mara Mayor (chair) Executive Producer/CEO New England Foundation for the Arts Director Otherworld Media Cambridge, MA Annenberg/CPB Project Freelana~ WA Washington, DC Lawrence Pitkethly Director New York Center for Visual History New York, NY

Alan Sandier Director, Public Education American Institute of Architects Washington, DC

z99z Annual Report III Museum

485 grants Total Funds: $11,329,583 Program Funds: $ 8,814,783 Treasury Funds: $ 2,514,800" *This includes $250,000 in unobligated commitments and $310,000 committed in FY ’91 but not obligated until FY ’92.

The Museum Program supports projects of artistic significance in the museum fieM. It awards grants to museums, organizations and museum professionals for activities that present art to the public and contribute to the understanding and appreciation of visual art through special exhibitions, educational programs, pub­ lications and programs devoted to the care and presentation of permanent collections. Awards are made to a broad range of institutions across the country, including universi{y museums and regional art centers.

HIS YEAR, AS IN THE PAST, THE PROGRAM helped art museums and related organizations T make art an integral part of American cultural life. Funds helped museums exhibit art, preserve and care for art, and present information about art to the public in imaginative and instructive ways utilizing the latest research through such media as publications, lectures, films, and computer based formats. Beyond enhancing the central missions of most art muse­ ums, the Endowment looked to the future of the visual arts in America. Recognizing that museums depend on trained staff, the Museum Program funded student stipends in graduate schools of art history and art conservation. It supported intern­ ships in curatorial and conservation departments in an effort to introduce graduate students to careers in art museums. For example, this year a grant was awarded to the Saint Louis Art Museum to support a one-year internship in textile conservation providing a young trainee with hands-on experi­ ence and close supervision by an expert textile conservator in this specialized field. Support was given to the Winterthur Museum for a one-year internship in museum registration providing an intern with instruction in all areas of collections management, including care, shipping, and storage of objects. The rapidly evolving fields of computer, video, and laser technology are transforming the ways in which information about works of art and visual images are being gathered, stored and retrieved. Ultimately, an art student sitting at a terminal will be able to call up a picture and documentary information on just about any work of art in an American art museum. It can already be done locally for selected holdings of some mu­ seums. The Endowment hopes to make certain that a wide range of museums, regardless of resources, have an opportu-

National Endowment for the Arts Z

As visitors encounter an Italian sculpture on temporary display, an 18th.century patrician seems to study the scene at the Museum of Fine Arts, Boston. It is one of 137 organizations to receive Endowment help for special exhibitions.

z z99 Annual Report 1I3 Museum

nity to become involved and share in this new technology. standing works of art in the Museum’s collections, offering As an example, a grant was awarded to the Harvard multiple methods of inquiry and interpretation. University Art Museums to support, as part of the "Perseus In addition the Museum Program is helping museums Project," the production 0fa computerized "catalogue" high­ work with schools in the development of curriculum related to lighting ten ancient Greek vase painters from the Museums’ the arts. Education support provided in FY ’92 includes a grant collections. The independently funded "Perseus Project" is an to Munson-Williams-Proctor Institute in Ithaca, New York, interactive program that will provide far-flung students and to develop classroom materials for 4th-grade students. These scholars with texts on each artist as well as over 2,500 photo­ materials will link the Museum’s collection of 19th-century graphic images of the objects and related examples. American art to the study of local historyl A grant to the In the same category, a grant was awarded to the Pierpont Morgan Library to support an arts education program Mississippi Museum of Art to establish a computerized collec­ for elementary students in New York public schools will tions management system. The program, designed to replace integrate the study of illuminated manuscripts with study of index card files, contains vital information on each object in medieval history. the collection, including accession number, dimensions, prove­ Exhibitions remain the principal way in which the nance and bibliographic references. Selected information can American public comes face-to-face with works of art. Among be retrieved instantly by researchers nationwide. the exhibitions funded in FY ’92 were the major retrospective Museums offer a wide range of educational activities for of the work of Henri Matisse at the Museum of Modern Art in their audiences. The Museum Program’s education support ac­ New York City; "The Lure of Italy: American Artists and the tivities help museums share information and teach through Italian Experience, 1760-1914" at the Museum of Fine Arts, tours, lectures, written materials, and videos. Grants awarded Boston; "Egypt’s Dazzling Sun: Amenhotep III and His in FY ’92 include one to Boston’s Museum of Fine Arts to ex­ World," organized by the Cleveland Museum of Art; Camille pand a program for families with children aged four and older, Pissarro’s paintings of urban views presented by the Dallas providing materials for self-guided tours of selected collections Museum of Art; and retrospectives of the work of contempo­ within the Museum. Another grant to the Cincinnati Art rary American artists Susan Rothenberg, organized by the Museum supported the development of a series of brochures Albright-Knox Art Gallery in Buffalo, and Bruce Nauman, that will provide visitors with alternative approaches to under­ organized by the Walker Art Center in Minneapolis.

A 3,000.year-old F.~,ptian lion from the reign of Amenhotep III stars in an exhibition at the Cleveland Museum of ArL It also traveled to Fort Worth and Paris.

114 National Endowment for the Arts Museum

contemporary art in the context of ~ Institute of Chicago Grants the traditional art museum. Chicago, 1L $12,000 [92-4411-0002] To support a graduate-level internship ~ Indicatesgrants having national impact. in the Department of Prints and Parmal, Pamela A. Drawings. [92-4412-0046] Providence, RI $6,300 FELLOWSHIPS FOR MUSEUM To support travel to France and Great Art Institute of Chicago PROFESSIONALS Britain to research 18th-century Chicago; IL $15,600 costumes, lace, and textiles. To support a graduate-level internship To enable currendy employed museum [92-4411-0004] in the Department of Museum professionals to take leaves of absence Education. Professional Development of up to one year to undertake inde­ Percival, Sandra A. & Shamash, Diane Panel (1992). [92-4412-0502] pendent study, research, travel, or Seattle, WA $15,000 otherwise improve their professional To support research and travel to Asia Society qualifications. study public art programs in Great New York, NY $12,000 Britain, France, Germany, and Spain. To support a graduate-level internship 7 grants [92-4411-0007] program for a student of Asian art his­ Program Funds: $60,100 tory. [92-4412-0017] Stark, David F.. Grants were reviewed by the Pro­ Providence, RI $6,000 Boston University, Trustees of fessional Development panel (1991). To support travel to Belgium and Boston, MA $9,000 France to study the work of artist To support a graduate-level intern­ Briggs, Peter S. Charles De Groux. [92-4411-0006] ship in the university’s American and Tucson, AZ $6,500 New England Studies Program. To support research and travel to study [92-4412-0024] contemporary and 20th-century artists MUSEUM TRAINING in Costa Rica, Honduras, and Panama. Brooklyn InsUtute of Arts and [92-4411-0009] To assist museums and universities Sciences (The Brooklyn Museum) in training museum professionals and Brooklyn, iVY $8,000 Hauser, Robert A. technicians through arts-related To support a Collections Care Appren­ New Bedford, MA $5,300 formal college-level and postgraduate- ticeship program. [92-4412-0178] To support travel to Great Britain to level programs, internships and research conservation practices related apprenticeships. ~ Brooklyn InsUtute of Arts and to maritime hi~tory and works of art, Sciences (The Brooklyn Museum) including conservation of logbooks, 57 grants Brooklyn, NY $10,000 ship figureheads, ship models, and Program Funds: $778,600 To support graduate-level internships works on paper. [92-4411-0010] in the museum’s curatorial depart­ Unless otherwise noted, these grants ments. [92-4412-0179] MacNaughton, Mary D. were reviewed by the Professional Altadena, CA $10,000 Development Panel (1991). Cleveland Museum of Art To support salary and travel to Clevelana~ OH $15,600 complete research for a book on the ~ Institute of Chicago To support an internship in the abstract expressionist painter Adolph Chicago, 1L $12,000 Department of Education and Public Gotdieb (1903-1974). [92-4411-0003] To support a summer internship pro­ Programs that will offer intensive on- gram for college juniors and seniors the-job training in the exhibition and Miller-Keller, Andrea interested in exploring careers in the interpretation of works of art. West Hanford, CT $11,000 museum field. [92-4412-0041] Professional Development Panel To support travel to museums (1992). [92-4412-0507] throughout the United States to study

z99z Annual Report 115 Museum

Corporation of the Fine Arts Museums ~, Harvard College, President & Fellows of Professional Development Panel (Fine Arts Museums of San Francisco) (Harvard University Art Museums) (1992). [92-4412-0500] San Francisco, CA $12,000 Cambridge, MA $10,000 To support a graduate-level internship To support a ten-month graduate-level John F. Kennedy University program in the American Paintings internship program in Asian art. Orinda, CA $12,000 Department. [92-4412-0045] [92-4412-0031] To support internship stipends and re­ lated costs for graduate students in the DeCordova and Dana Museum and Park ~, Harvard College, President & Fellows of university’s Museum Studies Program. (DeCordova Museum and Sculpture Park) (Harvard University Art Museums) [92-4412-0047] Lincoln, MA $14,400 Cambridge, MA $16,600 To support a graduate-level internship To support a graduate-level internship Joslyn Art Museum in the curatorial department. Pro­ in the Department of Asian Art. Omaha, NE $15,600 fessional Development Panel (1992). Professional Development Panel To support an 18-month graduate- [92-4412-0481] (1992). [92-4412-0503] level internship. Professional Devel­ opment Panel (1992). [92-4412-0505] Denver Art Museum, Inc. Henry Francis du Pont Denver, CO $15,000 Winterl~ur Museum, Inc. Metropolitan Museum of Art To support a one-year internship Winterthur, DE $10,000 New York, NY $18,000 for a Native American student. To support a registrarial internship. To support a summer internship [92-4412-0034] [92-4412-0039] program for college students interested in pursuing museum careers. Pro­ Denver Art Museum, Inc. Henry Francis du Pont fessional Development Panel (1992). Denver, CO $15,600 Winterthur Museum, Inc. [92-4412-0483] To support a graduate internship for a Winterthur, DE $15,600 candidate of Hispanic descent inter­ To support a registrarial internship. Mexican Museum ested in Pre-Columbian and Spanish Professional Development Panel San Francisco, CA $12,500 Colonial art and education. (1992). [92-4412-0494] To support a summer internship pro­ Professional Development Panel gram for Latino students interested in (1992). [92-4412-0504] Honolulu Academy of Arts museum careers. [92-4412-0019] Honolulu, HI $10,000 Exit Art, Inc. To support a graduate-level internship Minneapolis Society of Fine Arts New York, NY $15,000 in the Department of Western Art. (Minneapolis Institute of Arts) To suppbrt a ten-month graduate- [92-4412-0018] Minneapolis, MN $10,000 level internship in the Curatorial To support a graduate-level internship Department. [92-4412-0026] Huntington Museum of Art, Inc. in the Department of Paintings. Huntington, WV $7,500 Professional Development Panel Rim in the CRies, Inc. To support a six-month internship (1992). [92-4412-0484] St. Paul, MN $10,000 in the Department of Education. To support a one-year internship in the [92-4412-0021] Museum of Contemporary Art, Film/Video Exhibition Department. Los Angeles 192-4412-0040] Indianapolis Museum of Ar~ Inc. Los Angeles, CA $11,000 Indianapolis, IN $9,200 To support a 12-month curatorial ~ Founders Society To support a graduate-level internship internship. [92-4412-0035] Detroit InslRute of Arts in exhibition design and installation. Detroit, MI $10,300 [92-4412-0038] Museum of Fine Ar~s Boston To support a summer internship pro­ Boston, MA $10,000 gram for college students of various ~r Indianapolis Museum of ArL, Inc. To support a graduate-level curatorial cultural backgrounds. [92-4412-0014] Indianapolis, IN $13,500 internship and related costs. To support internships in the areas of [92-4412-0033] Asian and contemporary art.

II6 National Endowment for theArts Museum ......

Museum of I~ne Arts, Boston Philadelphia Museum of Art a University of Illinois at Boston, MA $13,500 Philadelphia, PA $15,600 Urbana-Champaig~ To support a curatorial internship for To support a post-graduate internship Urbana, IL $20,000 a graduate-level student. Professional in the Department of Prints, Draw­ To support travel and stipends for Development Panel (1992). ings, and Photographs. Professional students in the Graduate Program in [92-4412-0485] Development Panel (1992). Art Museum Studies offered by the [92.4412-0489] Krannert Art Museum. [92-4412-0022] Museum of Modem Art New York, NY $12,500 Portland Museum of Art Universil¥ of Kansas Main Campus To support an eight-week summer Portland, ME $10,000 Lawrence, KS $15,000 internship for college students. To support a curatorial internship for a To support the Spencer Museum of [92-4412-0027] graduate-level student. [92-4412-0028] Art’s Museum Training Program, de­ signed to complement the graduate Museum of Modem Art ~. Restoration College Association degree programs in art history at the New York, NY $18,000 Mount Carroll, 1L $10,800 University of Kansas. Professional To support a summer internship To support a series of workshops and Development Panel (1992). program for college students. seminars on collections care for cura­ [92-4412-0506] Professional Development Panel torial and technical staffat small to (1992). [92.4412-0486] mid-sized museums, to be presented at University of Massachusetts at Amherst the Campbell Center. Professional Amherst, MA $7,000 Museum of the City of New York Development Panel (1992). To support internship stipends for New York, NY $12,000 [92.4412-0490] graduate students in the Master’s To support an internship program in Program in Art History. the Department of Paintings and Robert W. Woodruff Arts Center, Inc. [92-4412-0020] Sculpture. [92.4412-0025] (High Museum of Art) Atlanta, GA $15,000 ~r University of Michigan, Regents of the New Museum of Contemporary Art To support a one-year internship in ei­ Ann Arbor, MI $20,000 New York, NY $15,300 ther the Department of Education or To support speaker honoraria and To support a curatorial internship for Administration. [92.4412-0044] travel, scholarships, and stipends for a minority student. Professional students in the Graduate Program in Development Panel (1992). Saint ~uis Rrt Museum Museum Practice. [92-4412-0032] [92.4412-0487] St. Louis, MO $15,300 To support an apprenticeship in art ~r University of Michigan, Regents of the ~r New York University handling and preparation. Professional Ann Arbor, MI $15,000 New York, IVY $30,000 Development Panel (1992). To support speakers’ honoraria, travel, To support honoraria for lecturers and [92-4412-0491] scholarships, and stipends for graduate financial aid for students in the gradu­ students in the Museum Practice ate program in Curatorial Studies, of­ University of California - Berkeley Program at the Museum of Art. fered joindy through the university’s Berkeley, CA $10,800 Overview Panel. [92.4412-0501] Institute of Fine Arts and the Metro­ To support a summer internship pro­ politan Museum of Art. Professional gram for undergraduate minority stu­ University of Pennsylvania, Development Panel (1992). dents at the University Art Museum Trustees of the [92o4412-0488] and Pacific Film Archive. Professional Philadelphia, PA $9,000 Development Panel (1992). To support a collections management Philadelphia Museum of Art [92.4412-0497] internship in the university museum’s Philadelphia, PA $15,000 Mediterranean Section. Professional To support a post-graduate internship Development Panel (1992). in the Department of Prints, Drawings, [92-4412-0492] and Photographs. [92-4412-0023]

199z Annual Report 117 Museum

~. University of Southern California Yale Universi~ Art Institute of Chicago Los Angeles, CA $15,000 New Haven, CT $15,600 Chicago, IL $10,000 To support honoraria for speakers, and To support a graduate-level internship To support conservation treatment of travel and stipends for students in the in the Department of Prints, Drawings ancient Greek vessels in the permanent university’s Graduate Program in and Photographs at the Yale University collection. [92-4431-0217] Museum Studies. [92-4412-0030] Art Gallery. Professional Development Panel B (1992). [92-4412-0496] ~ Institute of Chicago ~. University of Southern California Chicago, IL $5,000 Los Angeles, CA $23,000 CONSERVA~ON To support the development of a con­ To support the university’s Graduate servation strategy to preserve the most Program in Museum Studies. To enable museums m plan conserva­ significant works of video art in the Professional Development Panel tion programs, implement conservation permanent collection of the Video (1992). [92-4412-0493] treatment for permanent collections, Data Bank at the School of the Art conduct workshops, support training Institute of Chicago. [92-4431-0233] University of Texas at Austin centers and internship programs to Austin, TX $14,400 train conservation professionals and Berkshire Museum, Trustees of the To support a graduate-level internship purchase conservation equipment. Pittsfield, MA $6,000 in Latin American art at the Archer M. To support the conservation treatment Huntington Art Gallery. Professional 90 grants of"The Tower of Babel," an early Development Panel (1992). Program Funds: $942,700 17th-century painting by Leandro [92-4412-0482] Treasury Funds: $157,300 da Ponte Bassano (Italian, 1558-1622) Grants in this category were reviewed in the permanent collection. Walker Art Center, Inc. by Care of Collections/Collections [92-4431-0247] Minneapolis, MN $18,000 Maintenance Panel A or Panel B. To support graduate-level internships Unless otherwise noted, the reviewing Brooklyn Ins’dtute of Arts and Sciences in the curatorial and education depart- panel was Panel A. (Brooklyn Museum) menu. Professional Development Brooklyn, NY $15,000 Panel (1992). [92-4412-0480] American Museum of Natural History To support conservation treatment New York, NY $25,000 of a "marine mosaic" stained glass win­ Whitney Museum of American Art To support conservation treatment of dow by American artist Walter Cole New York, NY $20,000 the Little Fingernail, Cheyenne, and Brigham in the permanent collection To support the Independent Study Cronau ledgers in the museum’s of the Brooklyn Museum. Panel B. Program, an alternative to traditional collection. [92-4431-0190] [92-4431-0236] academic programs in art history and museum studies. [92-4412-0508] Amigos del Museo del Barrio Buffalo Bill Memorial Association New York, NY $5,000 (Buffalo Bill Historical Center) Williams College (Museum of Art) To support conservation treatment of Cody, WY $3,000 Williamstown, MA $10,000 selected works in the museum’s graphic To support conservation treatment of To support a one-year curatorial arts collection. [92-4431-0213] the painting, "A Surround of Buffalo internship. [92-4412-0029] by Indians," by Alfred Jacob Miller Amigos del Museo del Barrio (American, 1810-1874). Worcester Art Museum New York, NY $5,000 [92-4431-0269] Worcester, MA $14,800 To support the conservation survey of To support a curatorial internship the museum’s graphic arts collection. ~ Buffalo State College Foundation, Inc. in American art. Professional [92-4431-0281] (SUNY/Buffalo) Development Panel (1992). Buffalo, NY $67,700 [92-4412-0495] TF $7,300 To support student fellowships for the graduate-level art conservation training

II8 National Endowment for theArts program sponsored by the Art Founders Society Detroit Institute of Arts photographs by Gertrude Kasebier Conservation Department at State Detroit, MI $20,000 (American, 1852-1934) in the perma­ University of New York College at To support a one-year, advanced-level nent collection. [92-4431-0275] Buffalo. [92-4431-0187] internship in the area of paintings con­ servation at the Conservation Services Historic Hudson Valley ConservaUon Center for Art Laboratory of the Detroit Institute of Tarrytown, NY $5,000 and Historic Artifacts Arts. [92-4431-0185] To support conservation treatment of Philadelphia, PA $5,000 selected portrait miniatures in the per­ To support the purchase of a book Founders Society Detroit Institute of Arts manent collection. [92-4431-0204] and document leafcaster for the Detroit, MI $20,000 center’s paper conservation facility. To support conservation treatment of Huntington Museum of Art, Inc. [92-4431-0227] "The Court of Death," a monumental Huntington, WV $7,500 painting by American artist Rembrandt To support conservation treatment of Corporation of the Fine Arts Museums Peale ( 1778 - 1860) in the permanent selected paintings in the museum’s (Fine Arts Museums of San Francisco) collection of the Detroit Institute of collection of 19th-century art. San Francisco, CA $10,000 Arts. [92-4431-0239] [92-4431-0183] To support conservation of selected German prints in the museums’ ~ Harvard College, President & Fellows of Indiana University Bloomington Achenbach Foundation for Graphic Cambridge, MA $40,000 Bloomington, IN $15,000 Arts. [92-4431-0218] To support student stipends and To support conservation treatment related expenses for the 1992-93 of selected works on paper in the Currier Gallery of Art advanced-level training program at permanent collection of the Indiana Manchester, NH $2,600 Harvard’s Center for Conservation University Art Museum. To support conservation treatment of and Technical Studies. [92-4431-0192] [92-4431-0245] 18th-century American side chairs in the museum’s permanent collection. Harvard College, President & Fellows of Indiana University Bloomington [92-4431-0196] Cambridge, MA $10,000 Bloomington, IN $5,000 To support the purchase of selected To support a conservation survey of Denver Art Museum, Inc. pieces of conservation equipment for the paintings collection of the Indiana Denver, CO $16,500 use at Harvard University’s Center for University Art Museum. To support conservation treatment of Conservation and Technical Studies. [92-4431-0246] Chinese and Japanese paintings in the [92-4431-0212] museum’s collection. [92-4431-0262] indianapolis Museum of Art, Inc. Heckscher Museum Indianapolis, IN $18,000 Discovery Museum, Inc. Huntington, NY $5,000 To support conservation treatment of Bridgeport, CT $3,000 To support conservation treatment of selected African and South Pacific To support conservation treatment of selected 19th-cenmry American and works of art in the museum’s Harrison works of American folk art in the mu­ European paintings in the museum’s Eiteljorg Collection of African and seum’s collection. [92-4431-0186] collection. [92-4431-0255] South Pacific Art. [92-4431-0250]

Educational Foundation for the Henry E. Huntington Ubrary & Art Gallery John & Mable Ringling Museum of Art Fashion Industries (Fashion Institute San Marino, CA $10,000 Foundation (Ringling Museum of Art) of Technology) To support a conservation survey of the Sarasota, FL $15,000 New York, NY $10,000 Huntington Library’s art collections To support conservation treatment of To support a conservation survey of the and storage facilities. [92-4431-0259] a 17th-century tapestry, "Alexander National Museum of Fashion’s textile Rescued from the Cydnus River," collection. [92-4431-0202] Hill-Stead Museum in the permanent collection. Farmington, CT $4,000 [92-4431-0261] To support conservation treatment of

I992 Annual Report 119 Museum

Leland Stanford Junior University, works of art on paper at the Los Museum of New Mexico Foundation Board of Trustees of the Angeles County Museum of Art. Santa Fe, NM $12,000 Stanford, CA $7,000 [92-4431-0211] To support conservation treatment To support conservation treatment of of selected textiles from India in the sculptures by Auguste Rodin (French, Museum of Contemporary Art, permanent collection of the Museum 1848-1917) and a 16th-century Los Angeles of International Folk Art. Neapolitan figure of "The Risen Los Angeles, CA $8,000 [92-4431-0206] Christ" in the permanent collection of To support conservation treatment of the Stanford University Museum of three major paintings by Robert Museum of Photographic Arts Art. [92-4431-0228] Rauschenberg in the museum’s perma­ San Diego, CA $6,700 nent collection: "Interview" (1955), To support a conservation survey of the Margaret Woodbury Strung Museum "Inlet" (1959), and "Painting with museum’s collection of daguerreotypes, Rochester, iVY $5,000 Grey Wing" (1959). [92-4431-0251] ambrotypes, and albumen prints. To support a conservation survey of the [92-4431-0249] museum’s collection of paintings by re­ Museum of Fine Arts, Boston gional artists. [92-4431-0219] Boston, MA $12,500 Museum of the City of New York To support the purchase and installa­ New York, NY $15,000 Maryland Historical Society tion of a Fourier transform infrared To support conservation treatment Baltimore, MD $6,000 spectrometer and microscope system of selected prints by Currier and Ives To support conservation treatment of for the museum’s conservation research in the museum’s collection. selected pieces of early 19th-century laboratory. Panel B. [92-4431-0214] [92-4431-0224] furniture in the permanent collection. [92-4431-0199] Museum of Fine Arts, Boston Museum of the C~/of New York Boston, MA $7,000 New York, NY $10,000 Metropolitan Museum of Art To support conservation treatment of a To support the establishment of an New York, NY $10,000 12th-century portal from the Church institution-wide collections care plan. To support the purchase of a Zeiss of San Miguel in Castillo, Spain, in [92-4431-0268] Axiovert 405M metallographic micro­ the museum’s permanent collection. scope for the museum’s objects conser­ Panel B. [92-4431-0256] National Academy of Design vation laboratory. [92-4431-0210] New York, NY $10,000 Museum of Fine Arts, Boston To support a conservation survey of Milwaukee Art Museum, Inc. Boston, MA $15,000 the academy’s permanent collection of Milwaukee, WI $10,000 To support the first year of a two-year paintings. [92-4431-0253] To support a conservation survey of advanced-level internship in textile the museum’s collection of paintings. conservation.at the Museum of Fine Nebraska Art Collection Foundation [92-4431-0258] Arts, Boston. Panel B. [92-4431-0265] (University of Nebraska/Museum of Nebraska Art) Mount Holyoke College Museum of Fine Arts, Houston Kearney, NE $3,500 South Hadley, MA $7,500 Houston, TX $9,000 To support a conservation survey of the To support conservation treatment of To support the purchase of a spray permanent collection of the Museum selected sculptures in the permanent booth for the museum’s conservation of Nebraska Art. [92-4431-0220] collection of the Mount Holyoke laboratory. [92-4431-0226] College Art Museum. [92-4431-0223] Nelson Gallery Foundation Museum of New Mexico Foundation Kansas City, MO $10,000 Museum Associates Santa Fe, NM $5,400 To support the purchase ofa stereomi­ (Los Angeles County Museum of Art) To support a conservation survey of croscope to be used in the examination Los Angeles, CA $15,000 the graphic arts collection of the of selected works in the permanent col­ To support a one-year, advanced-level Museum of Indian Arts and Culture. lection of the Ndson-Atkins Museum internship in the conservation of [92-4431-0188] of Art. Panel B. [92-4431-0200]

I2,O National Endowment for theArts Museum

Nelson Galle~j Foundation Northeast Document Philbrook Museum of Art, Inc. Kansas City, MO $4,600 Conservation Center, Inc. Tulsa, OK $4,500 To support a conservation survey of the Andover, MA $5,000 To support a conservation survey of American furniture collection of the To support the purchase of a custom- selected American and European paint­ Nelson-Atkins Museum of Art. built light bleaching unit used in re­ ings in the permanent collection. Panel B. [92-4431-0201] ducing staining in works on paper. [92-4431-0194] [92-4431-0180] New-York Historical Society Phillips Collection New York, NY $18,000 Northeast Document Washington, DC $ i 0,000 To support conservation treatment of Conservation Center, Inc. To support conservation treatment of selected presentation drawings by the Andover, MA $20,000 selected paintings by Augustus Vincent architectural firm of Cass Gilbert in the To support the first year of a two-year Tack (American, 1879-1949) in the permanent collection. [92-4431-0238] internship in the conservation of works permanent collection. [92-4431-0193] of art on paper. [92-4431-0181] New York University Phoenix Art Museum New York, NY $8,100 Northeast Document Phoenix, AZ $5,000 To support the purchase of two pieces Conservation Center, Inc. To support conservation treatment of of major equipment, a Barnstead Andover, MA $10,000 the 1890 painting, "In the Conserv­ Fistreem II glass still with storage To support a two-day seminar, atory," by Julius Stewart (American, tank and a Haskris R100 water chiller, "Conservation in the Design of 1855-1919), in the museum’s perma­ for the Conservation Center at the Museum Facilities," organized by the nent collection. [92-4431-0221 ] university’s Institute of Fine Arts. Northeast Document Conservation [92-4431-0229] Center for 1992. [92-4431-0182] Proprietors of the Boston Athenaeum Boston, MA $3,300 ~, New York University Oakland Museum/Museum To support a conservation survey of New York, IVY $25,000 of California Foundation the Boston Athenaeum’s collection of To support the establishment of a per­ Oakland, CA $10,000 American and European sculpture. manent curriculum providing special­ To support conservation treatment of [92-4431-0241] ized instruction in the conservation of selected paintings by California artists ethnographic and archeological works of the 19th and 20th centuries in the ~r Restoration College Association of art at the Conservation Center of permanent collection of the Oakland Mount Carroll, 1L $12,000 the university’s Institute of Fine Arts. Museum. [92-4431-0260] To support participant stipends for [92-4431-0230] art conservation seminars to be offered Parrish Art Museum, Inc. at the Campbell Center in 1992. ¢r New York University Southampton, NY $4,900 [92-4431-0195] New York, NY TF $75,000 To support conservation treatment To support student financial aid and of marble busts and a replica of the Robert W. Woodruff Arts Center, Inc. related expenses for the 1992-1993 art "Prima Porta Augustus," installed in an (High Museum of Art) conservation training program spon­ outdoor allee in the museum’s perma­ Atlanta, GA $5,000 sored by the Conservation Center of nent collection. [92-4431-0225] To support a conservation survey of the New York University’s Institute of Fine museum’s European painting and Arts. [92-4431-0231] Pennsylvania Academy of the fine ~ sculpture collections. [92-4431-0215] Philadelphia, PA $12,000 Newark Museum Association To support conservation treatment of San Diego Museum of Art Newark, NJ $10,000 William Wetmore Story’s "Jerusalem," San Diego, CA $4,000 To support a conservation survey of a monumental 19th-century" sculpture To support conservation treatment the museum’s textile collection. in the permanent collection. of an ancient Chinese bodhisatt-ca [92-4431-0237] [92-4431-0203] figure in the museum’s collection. [92-4431-0254]

199z Annual Report 1:l,1 Museum

San Francisco Museum of Modern Art permanent collection of the University selected 17th-century Dutch paintings San Francisco, CA $15,000 Art Museum/Pacific Film Archive. in the permanent collection of the To support the first year of a two-year, [92-4431-0189] Ackland Art Museum. [92-4431-0198] advanced-level internship in the con­ servation of photographs and of mod­ University of California-Riverside University of Rochester ern and contemporary works on paper. (California Museum of Photograph]t) Rochester, iVY $5,000 [92-4431-0248] Riverside, CA $8,000 To support conservation treatment of To support conservation treatment of selected American and British paintings Shelburne Museum, Inc. albumen prints by photographers in the permanent collection of the Shelburne, VT $20,000 Carleton W’atkins (American, 1829­ Memorial Art Gallery at the University To support conservation treatment of 1916) and George Barker (American, of Rochester. [92-4431-0257] selected works on paper in the d. 1894), and the 19th-century, dou­ museum’s permanent collection. ble-sided oak screen which houses University of Vermont [92-4431-0209] them. [92-4431-0207] Burlington, VT $5,000 To support conservation treatment Smith College (Museum of Art) ~r University of Delaware of selected works on paper in the per­ Northampton, MA $3,000 Newark, DE TF $75,000 manent collection of the university’s To support conservation treatment of To support student stipends for the Robert Hull Fleming Museum. works in the museum’s collection of 1992-93 graduate program in art con­ [92-4431-0252] ethnographic art and selected works on servation sponsored by the Art Con­ paper. [92-4431-0264] servation Department at the University University of Wisconsin-Madison of Delaware. [92-4431-0232] (Elvehjem Museum of Art) St. Louis Art Museum Madison, WI $10,000 St. Louis, MO $20,000 University of Florida To support conservation treatment To support a master-apprentice intern­ Gainesville, FL $5,000 of selected works by CoBrA (Copen­ ship in textile conservation at the Saint To support a conservation survey of the hagen, Brussels, and Amsterdam) Louis Art Museum. [92-4431-0234] paintings collection of the Samuel P. artists in the permanent collection. Harn Museum of Art. [92-4431-0267] [92-4431-0242] St. Louis Art Museum St. Louis, MO $3,000 University of Hawaii at Manoa Vassar College To support the development of a con­ Honolulu, HI $4,000 Poughkeepsie, NY $10,000 servation treatment strategy for the To support conservation treatment of To support conservation treatment of polychromed sculpture "Entombment selected works by artist/muralist Jean a group of Italian Renaissance panel of Christ" in the museum’s permanent Chadot (French, 1898-1979) in the paintings in the permanent collection collection. [92-4431-0235] collection of the Hamilton Library at of the Vassar College Art Gallery. the University of Hawaii. [92-4431-0208] University of Arizona [92-4431-0222] Tucson, AZ $5,000 Wadsworth Atheneum To support the second of a four-stage, University of Illinois at Hartford, CT $10,000 comprehensive condition survey of Urbana-Champaign To support a conservation survey of the the collection of graphic arts from Urbana, 1L $8,000 Atheneum’s newly acquired Amistad the 18th and 19th centuries at the To support conservation treatment of a Collection of African American art. University of Arizona Museum of Art. pre-Columbian Peruvian ceramic fu­ [92-4431-0263] [92-4431-0191 ] nerary drum from the collection of ancient pottery of the Krannert Art Waiters Art Gallery, Trustees of the University of California - Berkeley Museum. [92-4431-0240] Baltimore, MD $20,000 IUnivers~ Art Museum) To support the first year of a two-year Berkeley, CA $10,000 University of North Carolina at Chapel Hill advanced-level internship in the con­ To support conservation treatment of Chapel Hill, NC $15,000 servation of illuminated manuscripts paintings by Hans Hofmann in the To support conservation treatment of

National Endowment for the Arts Museum

and early printed books. American Architectural FoundalJon, Inc. Corcoran Gallery of Art, Trustees of the [92-4431-0197] Washington, DC $15,000 Washington, DC $20,000 To support the purchase and installa­ To support the purchase and installa­ Woods-Marchand Foundation tion of a climate control system for the tion of equipment to upgrade the Greensburg, PA $10,000 prints and drawings collection of The museum’s dehumidification system. To support conservation treatment of Octagon Museum. [92-4432-0272] [92-4432-0274] selected works on paper by American artists in the permanent collection of BalUmore Museum of Art, inc. Currier Gallery of Art the Westmoreland Museum of Art. Baltimore, MD $90,000 Manchester, NH TF $60,000 [92-4431-0184] To support the purchase and installa­ To support the purchase and installa­ tion of an ice thermal cooling system, a tion of a climate control system for the Worcester Art Museum heat recovery system, steam-to-steam Currier Gallery of Art. [92-4432-0301] Worcester, MA $14,300 humidifiers, and outside air controls To support conservation treatment of for the museum. [92-4432-0291] Denver Art Museum, Inc. selected European Old Master, 19th-, Denver, CO $29,400 and 20th-century drawings in the per­ Birmingham Museum of Art To support the purchase and installa­ manent collection. [92-4431-0266] Birmingham, AL TF $33,000 tion of storage cabinets for over-sized To support the purchase and installa­ Native American costumes in the per­ Yale Universi~j tion of improved cabinetry for the manent collection. [92-4432-0305] New Haven, CT $16,000 museum’s objects collections. To support a one-year, master- [92-4432-0300] Edmundson Art Foundation, Inc. apprentice internship in the con­ Des Moines, IA $6,000 servation of early Italian paintings at Buffalo Fine Arts A~ademy To support a survey of the environ­ the Yale University Art Gallery. Buffalo, NY $5,000 mental control system of the Des [92-4431-0243] To support a facilities survey assessing Moines Art Center. [92-4432-0276] the environmental control system of Yale University the Albright-Knox Art Gallery. EducaUonal FoundaUon for the New Haven, CT $7,100 [92-4432-0216] Fashion Indust~es (Fashion Institute To support the purchase of an infrared of Technology) vidicon system for use in the conserva­ Center for Puppetry Arts, Inc. New York, NY $6,000 tion laboratory of the Yale University Atlanta, GA $5,000 To support an assessment of the textile Art Gallery. [92-4431-0244] To support the renovation of the mu­ storage facilities of the National seum’s permanent collection storage Museum of Fashion. [92-4432-0273] area. [92-4432-0285] COLLECTION MAINTENANCE Fort Wayne Museum of Art, Inc. Cleveland Museum of Art Ft. Wayne, IN $10,100 To help museums preserve collections Cleveland, OH $10,000 To support a three-part survey of the primarily of artistic significance by To support a survey of the museum’s museum’s storage, climate control, and identi~ing and solving problems of storage areas for its Asian, Decorative security systems. [92-4432-0283] climate control, security and storage. Arts and Ancient Art collections. [92-4432-0296] Founders Society Detroit Institute of Arts 40 grants Detroit, MI $81,000 Program Funds: $650,000 Columbus Museum of Art To support the purchase and installa­ Treasury Funds: $525,000 Columbus, OH $15,000 tion of an upgraded climate control Unless otherwise noted, grants were To support the purchase and installa­ system for the museum’s Asian art reviewed by Care of Collections/ tion of a textile rack system for the galleries. [92-4432-0288] Collections Maintenance Panel B. museum’s newly-acquired Don and Jean Stuck collection of 19th-centuty American coverlets. [92-4432-0304]

z99z Annual Report 1:2,3 Franklin Furnace Archive, Inc. Metropolitan Museum of Art Phillips Academy New York, NY $10,000 New York, NY $8,000 Andover, MA TF $50,000 To support the rehousing of selected TF $37,000 To support the renovation of the cli­ artist-created books in the permanent To support the storeroom renovation mate control system and overall physi­ collection. [92-4432-0205] program for the museum’s collection of cal plant of the Addison Gallery of ancient Greek and Roman glass and American Art. [92-4432-0307] Hammonds House Galleries, Inc. terracottas. [92-4432-0270] Atlanta, GA $6,700 Public Schools of the City of Muskegon To support a facilities survey of the Mississippi Museum of Art, inc. Muskegon, MI TF $25,000 museum’s exhibition and art storage Jackson, MS TF $10,000 To support the renovation of the 1912 areas. [92-4432-0299] To support the purchase and installa­ Hackley Wing of the Muskegon tion of improved cabinetry for paint­ Museum of Art. [92-4432-0293] Harvard College, President & Fellows of ings and framed works on paper. Cambridge, MA TF* $50,000 [92-4432-0306] Rutgors, The State University To support the improvement of the se­ of New Jersey curity in the Fogg Art Museum and the Museum Associates Piscataway, NJ TF $45,000 Arthur M. Sadder Museum. Care of Los Angeles, CA $25,000 To support the relocation and renova­ Collections/Collections Maintenance To support the renovation of art stor­ tion of the prints and drawings storage Panel B (1991). [91-4432-0251] age areas in order to accommodate the area at the Jane Voorhees Zimmerli Art *Funds were committed in FY ’91 but growing permanent collection of the Museum. [92-4432-0294] not obligated until FY "92. Los Angeles County Museum of Art. [92-4432-0292] San Diego Museum of Art Heard Museum San Diego, CA $25,000 Phoenix, AZ $15,000 Museum of Contemporary Art, San Diego To support the second of a two-phase To support storage upgrading for the LaJolla, CA $40,000 project securing the museum’s decora­ museum’s collection of works on To support the renovation of the mu­ tive arts and sculpture collections paper. [92-4432-0287] seum’s newly designated area for stor­ against possible seismic damage. age of works on paper and general mu­ [92-4432-0302] Historic Hudson Valley seum preparation. [92-4432-0282] Tarrytown, NY $25,000 Springfield Ubrary and To support the conversion of a non- Newark Museum Association Museums Association historic gatehouse owned by the insti­ Newark, NJ TF* $125,000 Spring~qeld, MA TF $90,000 tution into a storage facility for the per­ To support the installation of a dimate To support the renovation of the cli­ manent collection. [92-4432-0278] control system for the Decorative Arts mate control system of the Museum of collection. Care of Collections/ Fine Arts, Springfield. [92-4432-0271] Honolulu Academy of Arts Collections Maintenance Panel B Honolulu, HI $11,000 (1991). [91-4432-0267] State Universil3~ of New York, To support an environmental survey of *Funds were committed in FY "91 but Research Foundation of the museum’s permanent collection not obligated until FY ’92. Albany, NY $12,000 galleries. [92-4432-0286] To support the upgrading of storage Oakland Museum/Museum for works on paper in the permanent Marion Koogler McNay Art Museum of California Foundation collection of the Neuberger Museum. San Antonio, TX $8,000 Oakland, CA $ ! 5,000 [92-4432-0297] To support the rematting and rehous­ To support the rehousing of selected ing of selected works in the museum’s prints, drawings, and photographs in collection of works on paper. the permanent collection of the [92-4432-0289] Oakland Museum. [92-4432-0303]

1:/,4 National Endowment for the Arts Museum

Studio Museum in Harlem, Inc. SPECIAL EXHIBmONS Americas Society, Inc. New York, IVY $25,000 New York, IVY $12,000 To support the renovation of the mu­ To enable museums to organize special To support the planning of an exhibi­ seum’s climate control system and art exhibitions or to borrow exhibitions or­ tion of the work of 19th-century storage areas. [92-4432-0284] ganized by other museums. Uruguayan artist Juan Manuel Blanes. Panel A. [92-4442-0366] Textile Museum of D.C. 169 grants Washington, DC $6,800 Program Funds: $3,769,483 Amon Carter Museum of Westem Art To support the installation of a fire de­ Treasury Funds: $1,432,500 Fort Worth, TX $15,000 tection, alarm, and signaling system in To support the presentation in Fort the museum’s main entrance building. Alexandria Museum of Art Worth of an exhibition of the work of [92-4432-0295] Alexandria, LA $12,500 American painter William H. Johnson, To support "933 Window Works," an organized by the National Museum University of California-Berkeley ongoing series of temporary installa­ of American Art, and accompanying Berkeley, CA $15,000 tions by emerging and established re­ education programs. Panel A. To support the purchase and installa­ gional artists, with accompanying [92-4442-0337] tion of an upgraded security system for brochures and education programs. the University Art Museum/Pacific Panel B. [92-4442-0440] Amon Carter Museum of Western Art Film Archive. [92-4432-0280] Fort Worth, TX $10,000 Allentown Art Museum To support the presentation in Fort Universil), of Miami Allentown, PA $25,000 Worth of the exhibition, "Themes and Coral Gables, FL $10,000 To support a touring exhibition, with Improvisations: Kandinsky and the To support the renovation of the stor­ accompanying catalogue and education American Avant-Garde" organized by age room for paintings and framed program, of the work of American the Dayton Art Institute in Ohio, and works on paper at the Lowe Art artist Joan Snyder. Panel B. accompanying education programs. Museum. [92-4432-0279] [92-4442-0452] Panel A. [92-4442-0376]

Utah State Univers~ Alternative Canter for International Art Institute of Chicago Logan, UT $5,000 Arts, Inc. (Alternative Museum) Chicago, IL TF $130,000 To support the upgrading of storage New York, NY $20,000 To support an exhibition of the art of for small three-dimensional objects in To support a retrospective exhibition French artist Odilon Redon (1840­ the permanent collection of the Nora and accompanying catalogue of the 1916). Panel B. [92-4442-0465] Ecdes Harrison Museum of Art at works of American artist Howardena Utah State University. [92-4432-0277] Pindell. Panel B. [92-4442-0453] ~ Institute of Chicago Chicago, IL $15,000 Whitney Museum of American Art American Craft Museum To support the planning of an exhibi­ New York, NY $65,000 New York, NY $30,000 tion of the work of the French photog­ To support the purchase and installa­ To support "Glass in Situ," an exhibi­ rapher Brassai (1899-1984). Panel B. tion of a new climate control system tion, and accompanying catalogue and [92-4442-0466] for the museum’s Marcel Breuer build­ education programs, of large-scale site- ing. [92-4432-0290] specific work by major mid-career glass ~ Services International, Inc. artists. Panel A. [92-4442-0349] Alexandria, VA $50,000 Yale Universit,j To support a touring exhibition and New Haven, CT $30,000 Americas Society, Inc. accompanying catalogue of the work of To support the renovation of a New York, NY $25,000 British artist Sir Thomas Lawrence. basement art storage area at the To support the production and publi­ Panel A. [92-4442-0309] Yale University Art Gallery. cation of a catalogue to accompany an [92-4432-0298] exhibition of works on paper by Cuban artist Wifredo Lam. Panel A. [92-4442-0365]

I99z Annual Report I:l,~ Museum

Artists Space, Inc. Bronx Museum of the Arts California State University New York, NY $20,000 Bronx, NY $15,000 Long Beach Foundation To support "Projects," an ongoing se­ To support the presentation at the Long Beach, CA $15,000 ries of small-scale, one-person exhibi­ Bronx Museum of"The School of the To support "Centric," an ongoing tions of contemporary art and accom­ South: El Taller Torres-Garcia and Its series of small-scale exhibitions of con­ panying brochures. Panel B. Legacy," an exhibition organized by temporary art, with accompanying [92-4442-0442] the Huntington Art Gallery at the brochures and education programs, at University of Texas, Austin. Panel A. the University Art Museum. Panel B. ~ Artists Space, Inc. [92-4442-0330] [92-4442-0398] New York, NY $15,000 To support a touring exhibition and Brooklyn Institute of Arts and Sciences ~" Center for African Art, Inc. accompanying catalogue of the work of (Brooklyn Museum) New York, IVY $66,200 Tom Marioni and other artists who Brooklyn, NY $15,000 To support a touring exhibition, with were central to the development of To support the presentation in accompanying catalogue and education conceptual and performance art in the Brooklyn of"Painters of a New programs, examining the role of secrecy San Francisco Bay Area. Panel B. Century: The Eight and American in the arts of Africa. Panel A. [92-4442-0443] Art," an exhibition organized by the [92-4442-0339] Milwaukee Art Museum. Panel A. ~r Asia Sociell¢ [92-4442-0364] Cleveland Center for Centemparary Art New York, NY $75,000 ~leveland, OH $10,000 To support a touring exhibition and re­ Brooklyn InstRute of Arts and Sciences To support a touring exhibition and lated education programs of medieval (Brooklyn Museum) accompanying catalogue of the work of temple sculpture from North India, Brooklyn, iVY $50,000 American artist Ellen Brooks. Panel B. 700-1200 A.D., and accompanying To support an exhibition of the work [92-4442-0391] catalogue. Panel A. [92-4442-0340] of American furniture designer George Hunzinger (1835-1898), with related Cleveland Museum of ~- Baltimore Museum of Ar~, Inc. education programs and accompanying Cleveland, OH TF $100,000 Baltimore, MD $40,000 catalogue and brochure. Panel A. To support a touring exhibition of art To support a touring exhibition tided [92-4442-0374] from the reign of the Egyptian pharaoh "Northern Lights: Inuit Textile Art Amenhotep III (1391-1353 B.C.), from the Canadian Arctic" and an ac­ Brown University (Haffenreffer Museum) related education programs, and an companying catalogue and education Providence, RI $25,000 accompanying catalogue. Panel A. programs. Panel B. [92-4442-0389] To support a touring exhibition with [92-4442-0368] accompanying catalogue and education Binning, ham Museum of Art programs of the work of Passama­ ~" Columbia College Birmingham, AL $10,000 quoddy Indian artist Tomah Joseph. Chicago, 1L $25,000 To support the planning of an exhibi­ Panel A. [92-4442-0469] To support a touring exhibition, ac­ tion of stoneware produced in the companying catalogue, and education Echizen area of Japan from the late part ~ Buffalo Fine Arts Academy programs of the work of American of the Heian period (794-1185) to the (Albright-Knox Art Gallery) photographer Ruth Thorne-Thomsen, present. Panel B. [92-4442-0444] Buffalo, NY TF $50,000 at the Museum of Contemporary To support a touring exhibition with Photography. Panel B. [92-4442-0406] Boise Art Museum, inc. accompanying catalogue and education Boise, ID $20,000 programs of the work of Americlm Contemporary Arts Association To support a series of site-specific in­ artist Susan Rothenberg. Panel B. of Houston stallations by artists from the American [92-4442-0471] Houston, TX $10,000 Northwest and an accompanying pub­ To support the presentation at the lication documenting the series. Panel Contemporary Arts Museum of the ex­ B. [92-4442-0396] hibition "KrzysztofWodiczko: Public

I9.6 National Endowment for the Arts Museum

Address," and accompanying education Sr Craft Alliance Education Center DeCordova and Dana Museum and Park programs, organized by the Walker Art St. Louis, MO $35,000 Lincoln, MA $25,000 Center, Minneapolis, MN. Panel B. To support a touring exhibition, with To support an exhibition, with accom­ [92-4442-0474] accompanying catalogue and education panying catalogue and education pro­ programs, of 20th-century American grams, of work by contemporary Contemporary Arts Center, New Orleans crafts that involve storytelling or narra­ American artists who address the New Orleans, LA $10,000 tive imagery. Panel B. [92-4442-0423] problems faced by American families To support an exhibition, accompany­ in today’s society. Panel B. ing brochure, and education programs Craft and Folk Art Museum [92-4442-0425] of work by contemporary artists Los Angeles, CA $12,500 from Houston, Texas. Panel B. To support the planning phase of an Denver Art Museum, Inc. [92-4442-0395] exhibition of the work of contemporary Denver, CO $25,000 Americhn furniture-maker Sam To support an exhibition, accompany­ Corcoran Gallery of Art, Trustees of the Maloof. Panel B. [92-4442-0410] ing catalogue, and education programs Washington, DC $12,500 of British landscape paintings and wa­ To support the presentation at the Dallas Museum of Art tercolors from American collections. Corcoran Gallery of an exhibition, Dallas, 7X $75,000 Panel A. [92-4442-0334] with accompanying education pro­ To support a touring exhibition of grams, of the work of American painter works by Camille Pissarro (1830-1903) Dia Center for the Arts, Inc. Archibald J. Motley, Jr., organized by and accompanying education programs. New York, NY TF $35,000 the Chicago Historical Society. Panel A. [92-4442-0321] To support the presentation of an Panel A. [92-4442-0316] installation of a large-scale new work Dallas Museum of Art by German artist Katharina Fritsch, Corcoran Gallery of Art, Trustees of the Dallas, TX TF $50,000 and an accompanying catalogue and Washington, DC $10,000 To support a touring exhibition, with education programs. Panel B. To support the presentation at the accompanying catalogue and education [92-4442-0402] Corcoran Gallery of the exhibition programs, exploring the influence of "Africa Explores: 20th-Century African children’s art on modern artists. Directors of the Gallery at Barusdall Art Art," and accompanying education Panel A. [92-4442-0323] Park (Los Angeles Municipal Art Gallery) programs, organized by the Center for Los Angeles, CA $10,000 African Art and the New Museum in Dallas Museum of Art To support an exhibition, with ac­ New York. Panel B. [92-4442-0463] Dallas, TX TF $75,000 companying catalogue and education To support an exhibition and accom­ programs, of contemporary art that Coming Museum of Glass panying catalogue of art produced by investigates the cultural effects of Coming, NY $40,000 the master court painters of the Zhe colonization on the Americas on the To support an exhibition and accom­ School of the Ming Dynasty. Panel A. occasion of the Christopher Columbus panying catalogue and education pro­ [92-4442-0325] Quincentenary. Panel B. grams of the work of Czech glass artists [92-4442-0414] Stanislav Libensky and Jaroslava Dayton Art Institute Btychtova. Panel B. [92-4442-0390] Dayton, OH TF* $50,000 ~, Drawing Society, Inc. To support a touring exhibition and New York, NY $25,000 Corporation of the Fine Arts Museums accompanying catalogue titled "Theme To support a touring exhibition and ac­ (Fine Arts Museums of San Francisco) and Improvisation: Kandinsky and the companying catalogue of drawings by San Francisco, CA TF $75,000 American Avant-Garde, 1912-1950." American artist Theodore Roszak To support an exhibition, with ac­ Special Exhibitions Panel A (1991). (1907-1981). Panel A. [92-4442-0342] companying catalogue and education [91-4442-0309] programs, oft he arts of the ancient *Funds were committed in FY ’91 but Mesoamerican city of Teotihuacan not obligated until FY ’92. (I-750 A.D.). Panel A. [92-4442-0324]

199:zAnnual Report 12.7 Museum

East Carolina University that took place in Czechoslovakia, education program of the work of con­ Greenville, NC $15,000 Japan, France, Denmark, and the temporary Asian American women To support an exhibition at the United States in the early 1960s. artists, with accompanying catalogue. Wellington B. Gray Gallery of the Panel B. [92-4442-0416] Panel B. [92-4442-0412] work of American artist Minnie Evans, with an accompanying catalogue and Friends of Photography Houston Center for Photography education programs. Panel B. San Francisco, CA $20,000 Houston, TX $7,500 [92-4442-0459] To support "Open Space: An To support a touring exhibition of a Invitational Installation Series," con­ multimedia projection and sound in­ Edmundson Art Foundation, Inc. sisting of installation exhibitions with stallation by video artist Lorie Novak. (Des Moines Art Center) accompanying brochures, each using Panel B. [92-4442-0399] Des Moines, !A $15,000 photography as an essential element. To support an exhibition and accom­ Panel A. [92-4442-0331] Indiana University panying catalogue of works by Bloomington, IN $15,000 American multimedia artist Rita Friends of the North Dakota To support an exhibition at the Herron McBride. Panel B. [92-4442-0388] Museum of Art Gallery of the work of American artist Grand Forks, ND $5,000 Jon Tower, with accompanying cata­ Exit Art, Inc. To support the presentation in Grand logue. Panel B. [92-4442-0450] New York, NY $25,000 Forks of the exhibition "An Uncertain To support a touring exhibition and Grace: Photographs by Sebastiao Indianapolis Museum of Art, Inc. accompanying catalogue that will ex­ Salgado," organized by the San Indianapolis, IN $15,000 amine the work of 25 visual and per­ Francisco Museum of Modern Art. To support the presentation in formance artists spanning the 20th cen­ Panel B. [92-4442-0467] Indianapolis of an exhibition of tury from Marcel Duchamp to Adrian Japanese narrative painting from the Piper, whose work tests the physical, Heard Museum Chester Beatty Library, Dublin, orga­ mental, and spiritual endurance of the Phoenix, AZ $15,000 nized by Art Services International, body. Panel B. [92-4442-0457] To support the presentation at the with accompanying education pro­ Heard Museum of an exhibition with grams. Panel A. [92-4442-0378] Florida State University (Horida State accompanying education programs of University Gallery and Museum) Native American art from the collec­ Institute for Contemporary Art, P.S. 1 Tallahassee, FL $20,000 tions of the Brooklyn Museum. Museum and the Clocktower Gallery, Inc. To support an exhibition and accompa­ Panel A. [92-4442-0375] Long Island City, NY $65,000 nying catalogue of "outsider" art tided To support an exhibition with accom­ "Unsigned, Unsung, Whereabouts Heckscher Museum panying catalogue and education pro­ Unknown." Panel B. [92-4442-0461] Huntington, NY $20,000 grams of Soviet socialist realist art from To support an exhibition, accompany­ the Stalin era, organized by the P. S. 1 Founders Society Detroit Institute of Arts ing catalogue, and education programs Museum. Panel B. [92-4442-0422] Detroit, MI $75,000 of the work of American artist Thomas To support an exhibition, accompany­ Anshutz. Panel A. [92-4442-0381] Institute of Contemporary Art, Boston ing catalogue, and education programs Boston, MA $22,500 of Native American art originally col­ Henry Gallery Association, Inc. To support a touring exhibition with lected by Milford Chandler and Seattle, WA $30,000 accompanying catalogue and educa­ Richard Pohrt. [92-4442-0361] To support an exhibition, with accom­ tional programs of the work of panying catalogue and education pro­ Canadian artist Rodney Graham. ~, Franklin Furnace Archive, Inc. grams, of the work of American artist Panel B. [92-4442-0438] New York, NY $15,000 James Turrell. Panel A. [92-4442-0344] To support a touring exhibition and Institute of Contemporary Art, Boston accompanying catalogue documenting Henry Street Settlement Boston, MA $30,000 activities of the Fluxus art movement New York, NY $25,000 To support "Currents," an ongoing To support a touring exhibition and series of small-scale exhibitions of con­

12,8 National Endowment for the Arts temporary art and accompanying Japan Society, Inc. Joslyn Art Museum brochures and education programs. New York, NY $15,000 Omaha, NE $ i 0,000 Panel B. [92-4442-0439] To support the planning of an exhibi­ To support the presentation at the tion that will examine the relationship Joslyn Museum of"El Dia de los ~, InterCulturn, Inc. between style and technique in Muertos: The Life of the Dead in Mex­ Fort Worth, TX TF* $50,000 Japanese Buddhist sculpture. Panel A. ican Folk Art," an exhibition organized To support a touring exhibition of [92-4442-0351] by the Modern Art Museum of Fort Ethiopian religious art, co-organized Worth, and accompanying education with the Waiters Art Gallery in ~- Japanese American National Museum programs. Panel B. [92-4442-0472] Baltimore. Panel A. [92-4442-0319] Los Angeles, CA $40,000 *Funds were committed but not obligated To support a touring exhibition, with Katonah Museum of Art, Inc. in FY’92. accompanying catalogue and education Katonah, NY $10,000 programs, of Japanese American art To support a touring exhibition, with InterCultura, Inc. produced in the internment camps in accompanying catalogue and education Fort Worth, TX $60,000 the United States during World War programs, examining the tradition of To support a touring exhibition and II. Panel A. [92-4442-0358] political commentary and social criti­ accompanying education programs ex­ cism in 20th-century American illustra­ ploring the influence of primitive or Jewish Museum tion. Panel A. [92-4442-0320] naive sources in the work of Russian New York, NY TF $40,000 avant-garde artists in the early 20th To support a touring exhibition of Laguna Art Museum century. Panel B. [92-4442-0400] works of art and architecture illustrat­ Laguna Beach, CA $50,000 ing the cultural interaction among To support a touring exhibition, with International Arts Relations, Inc. Muslims, Christians, and Jews in accompanying catalogue and educa­ (Hispanic American Gallery) Medieval Spain from the 8th through tional programs, of the work of New York, NY $20,000 the 15th centuries. Panel A. American artist John McLaughlin. To support a touring exhibition and [92-4442-0380] Panel B. [92-4442-0433] accompanying catalogue examining the effect that the intermingling of African, Jewish Museum Lehman College Art Gallery, Inc. American Indian, and European peo­ New York, NY $50,000 Bronx, NY $10,000 ples and cultures has had on contem­ To support an exhibition, with accom­ To support an exhibition, with ac­ porary art in the Americas and the panying catalogue and education pro­ companying catalogue and education Caribbean. Panel B. [92-4442-0385] grams, presenting concurrent site-spe­ programs, of the work of American cific installations by contemporary artist Whitfield Lovell. Panel B. IntemaUonal Center of Photography artists who use the Jewish experience [92-4442-0447] New York, NY $10,000 as a point of departure. Panel B. To support an exhibition and accom­ [92-4442-0428] Long Island Universi~j panying education programs of the IHillwood Art Museum) work of the Linked Ring Brotherhood, Joslyn Art Museum Brookville, IVY $10,000 a society of photographers in Victorian Omaha, NE $15,000 To support an exhibition, with accom­ England. Panel A. [92-4442-0341] To support the presentation at the panying catalogue and education pro­ Joslyn Art Museum of’Jacob grams, of the work of American artist International Center of Photography Lawrence: The Frederick Douglass and Joe Lewis. Panel B. [92-4442-0441] New York, NY $40,000 Harriet Tubman Series of Narrative To support a touring exhibition and Paintings," an exhibition organized Marietta/Cobb Museum of Art, Inc. accompanying education programs by the Hampton University Museum, Marietta, GA $7,500 of new digital imagery. Panel B. Hampton, Virginia. Panel A. To support an exhibition of the work [92-4442-0431] [92-4442-0336] of American Regionalist artists Thomas Hart Benton, John Stuart Curry, and Grant Wood drawn from collections in Georgia. Panel A. [92-4442-0335]

I992 Annual Report 1/,9 Museum

Marquette University Mexican Fine Arts Center that explore artistic activity in the state Milwaukee, WI $50,000 Chicago, IL $15,000 during the period 1890 to 1915. Panel To support an exhibition and accom­ To support an exhibition with accom­ B. [92-4442-0475] panying catalogue of the work of panying catalogue and education pro­ Dutch painter and printmaker grams of the work of artists of Mexican Minnesota Museum of Art Leonaert Bramer (1596-1674), or­ descent living in the United States. St. Paul, MN $25,000 ganized by the Haggerty Museum. Panel B. [92-4442-0424] To support an exhibition of the Special Exhibitions Panel A (1991). work ofLuigi Lucioni. Panel A. [92-4442-0177] Mexican Museum [92-4442-0345] San Francisco, CA $7,500 Maryland Historical Society To support the planning of an Montclair Art Museum Baltimore, MD $40,000 exhibition of Mexican and Mexican Montclair, NJ $12,500 To support an exhibition titled American art depicting female To support an exhibition and accom­ "Classical Maryland, 1815-1845," and archetypal figures: "La Virgen de panying catalogue of the work of Hans accompanying catalogue and education Guadalupe," "La Malinche," and Weingaertner (1896-1970). Panel A. programs. Panel A. [92-4442-0322] "La Llorona." Panel A. [92-4442-0352] [92-4442-0314]

Mattress Factory ¢r Mid-America Arts Alliance Moore College of Art and Design Pittsburgh, PA $10,000 Kansas City, MO $15,000 Philadelphia, PA $30,000 To support an exhibition of site-spe­ To support the national tour of an ex­ To support a touring exhibition with cific work by American artist David hibition and accompanying educa­ accompanying catalogue and education Ireland. Panel B. [92-4442-0437] tional materials of recent work by con­ programs of the work of American temporary Chicana artists, organized artist Terry Fox, organized by the Memphis Brooks Museum of Art, Inc. by the Laband Gallery at Loyola Goldie Paley Gallery at Moore College Memphis, TN $15,000 Marymount University in Los Angeles. of Art and Design. Panel B. To support the presentation in Pand B. [92-4442-0432] [92-4442-0454] Memphis of the exhibition "Gold of Africa: Jewelry and Ornaments from Mills College Moore College of Art and Design Ghana, Cote d’Ivoire, Mali, and Oaklana~ CA $12,200 Philadelphia, PA $20,000 Senegal," and accompanying education To support an exhibition of the work To support a touring exhibition, ac­ programs, organized by the American of Louisiana artist Clyde Connell. companying catalogue, and education Federation of Arts. Panel A. Panel B. [92-4442-0413] programs of the work of ceramist [92-4442-0315] William Daley, organized by the Levy Milwaukee Art Museum, Inc. Gallery for the Arts in Philadelphia at Menil Foundation, Inc. Milwaukee, WI $12,500 Moore College of Art and Design. Houston, TX $75,000 To support the presentation in Panel B. [92-4442-0455] To support a touring exhibition and Milwaukee of an exhibition of Old accompanying catalogue tided "Max Master European drawings from Polish Museum Associates Ernst: Dada and the Dawn of collections, with accompanying educa­ (Los Angeles County Museum of Art) Surrealism." Panel A. [92-4442-0338] tion programs, organized by the Trust Los Angeles, CA $60,000 for Museum Exhibitions, Washington, To support a touring exhibition titled Metropolitan Museum of Art D.C. Panel A. [92-4442-0346] "Expressionist Utopias: Paradise, New York, NY $75,000 Metropolis, Architectural Fantasy," To support an exhibition, with accom­ Minneapolis Society of Fine Arts and accompanying catalogue and edu­ panying education programs, of the (Minneapolis InsUtute of Arts) cation programs at the Los Angeles drawings of French artist Honord Minneapolis, MN $22,500 County Museum of Art. Panel A. Daumier. Panel A. [92-4442-0329] TF $12,500 [92-4442-0318] To support "Minnesota 1900," an ex­ hibition and accompanying catalogues

I30 National Endowment for the Arts Museum

Parents with children join the whopping 950,000 patrons at the Matisse exhibition during a three-month stay at the Museum of Modern Art.

Museum Associates *Funds were committed in FY "91 but Dreamin’," with accompanying (Los Angeles County Museum of Art) not obligated until FY ’92. brochure and educational programs. Los Angeles, CA $45,000 Panel B. [92-4442-0407] To support a touring exhibition, ac­ ¢r Museum Associates companying catalogue, and education (Los Angeles County Museum of Art) ~r Museum of Contemporary Art, Chicago programs of works by contemporary Los Angeles, CA TF* $35,000 Chicago, IL $20,000 Los Angeles sculptor Peter Shelton. To support a touring exhibition and To support a touring exhibition and Panel B. [92-4442-0418] accompanying catalogue of the work of accompanying catalogue of the work of Los Angeles ceramist Adrian Saxe at the American artist Lorna Simpson. Museum Associates Los Angeles County Museum of Art. Panel B. [92-4442-0417] (Los Angeles County Museum of Art) Special Exhibitions Panel A (1991). Los Angeles, CA TF* $50,000 [91-4442-0459] Museum of Contemporary Art, Chicago To support a touring exhibition and *Funds were committed in FY ’91 but Chicago, IL $30,000 accompanying catalogue exploring the . not obligated until FY ’92. To support an exhibition of room-size definition of modernism in American installations by regional, national, and sculpture during the period 1890 to Museum for Contemporary Arts, Inc. international artists in the National 1945 at the Los Angeles County Baltimore, MD $15,000 Guard Armory building, accompany­ Museum of Art. Special Exhibitions To support a touring exhibition of a ing catalogues and education programs. Panel A (1991). [91-4442-0405] new work by Alison Saar titled "Catfish Panel B. [92-4442-0460]

i99z Annual Report I3I Museum of Contemporary Art, Museum of Modem Art Newark Museum Association Los Angeles New York, NY TF $100,000 Newark, NJ $25,000 Los Angeles, CA $19,983 To support a touring exhibition, ac­ To support an exhibition, accompany­ TF* $55,000 companying catalogue, and education ing catalogue, and education programs To support a touring exhibition and programs of 20th-century Latin titled "Art With Conscience," examin­ accompanying catalogue and education American art. Panel A. [92-4442-0359] ing the role that socially concerned an programs of the work of John Cage. has played in contemporary art since Panel B. [92-4442-0409] Museum of Modem Art the 1980s. Panel B. [92-4442-0408] *Treasury Funds were committed but not New York, NY TF $110,000 obligated in FY ’92. To support a touring exhibition and Newport Harbor Art Museum accompanying education programs of Newport Beach, CA $12,500 Museum of Contemporary Art, San Diego the work of Henri Matisse. Panel A. To support the presentation at the LaJolla, CA $35,000 [92-4442-0360] museum of an exhibition, with accom­ To support "Parameters," an ongoing panying education programs, of sculp­ series of contemporary installations and Museum of Modem Art ture by Max Ernst, organized by the site-speciflc exhibitions, with accompa­ New York, NY $15,000 Fruitmarket Gallery in Edinburgh, nying catalogues or brochures. Panel B. To support an exhibition and accom­ Scodand. Panel A. [92-4442-0348] [92-4442-0434] panying brochure of work by Felix Gonzalez-Torres, as part of the mu­ Newport Harbor Art Museum Museum of Contemporary A~, San Diego seum’s "Projects" series. Panel B. Newport Beach, CA $10,000 LaJolla, CA $35,000 [92-4442-0411] To support the presentation in To support a touring exhibition, with Newport Beach of the exhibition accompanying catalogue and education ~. Museum of Photographic Arts "El Corazon Sangrante/The Bleeding programs, titled "Pillow Talk: The San Diego, CA $20,000 Heart," and accompanying education Vocabulary of the Bedroom in Recent To support a touring exhibition of the programs, organized by the Institute of Contemporary Art." Panel B. work of photographer and filmmaker Contemporary Art, Boston. Panel B. [92-4442-0435] Lou Stoumen, as well as an accompa­ [92-4442-0470] nying catalogue and education pro­ Museum of Fine Arts, Boston grams. Panel A. [92-4442-0372] Oakland Museum/Museum Boston, MA TF $100,000 of California Foundation To support a touring exhibition of Museums at Stony Brook Oakland, CA $25,000 "The Lure of Italy: American Artists Stony Brook, NY $5,000 To support a touring exhibition, with and the Italian Experience, 1760­ To support the presentation in Stony accompanying catalogue and education 1914," related education programs, Brook of an exhibition of 18th-century programs, of the work of a group of and an accompanying catalogue. prints from the Winterthur Museum California photographers known as Panel A. [92-4442-0356] (with accompanying education pro­ f.64. Panel A. [92-4442-0354] grams), organized by Art Services Museum of Fine Arts, Houston International, Alexandria, Virginia. Ohio State Universit~� Houston, TX TF* $50,000 Pant A. [92-4442-0313] Research Foundation To support a touring exhibition with Columbus, OH $40,000 accompanying catalogue and education New York University To support an exhibition and accom­ programs tided "The Herter Brothers: New York, NY $25,000 panying catalogue of new works by European Furniture Makers in the To support an exhibition and accom­ American artists Hachivi Edgar Heap American Gilded Age." Panel A. panying catalogue tided "American of Birds, Papo Colo, Jimmie Durham, [92-4442-0326] Reductiveness: Shaker Design and David Hammons, Adrian Piper, and *Treasury Funds were committed but not Recent Art," organized by the univer­ Aminah Robinson, at the Wexner obligated in FY ’92. sity’s Grey Art Gallery. Panel B. Center for the Arts. Panel B. [92-4442-0401] [92-4442-0394]

132, National Endowment for the Arts Museum

Ohio State University Queens County Art and Cultural San Francisco Craft and Folk Art Museum Research Foundation COMer, Inc. (Queens Museum of Art) San Francisco, CA $15,000 Columbus, OH $7,500 Flushing, NY $15,000 To support an exhibition and ac­ To support the presentation at the To support a touring exhibition, ac­ companying catalogue of early 20th­ Wexner Center for the Arts of an exhi­ companying bilingual catalogue, and century Japanese textiles. Panel A. bition of the work of the Canadian- education programs of contemporary [92-4442-0377] based artists’ collective, General Idea, Korean art. Panel B. [92-4442-0426] organized by the Wurttembergischer ¢r San Francisco Museum of Modern Art Kunstverein in Stuttgart, Germany. Real Art Ways, Inc. San Francisco, CA $30,000 Panel B. [92-4442-0464] Hartford, CT $20,000 To support a touring exhibition, To support "RAW Specifics," an ongo­ accompanying catalogue, and ed­ 0Mah0m C~ ~ Mu~0um, Inc. ing series of site-specific projects and ucation programs of the work of pho­ Oklahoma City, OK $10,000 installations by contemporary artists. tographer Dorothea Lange. Panel A. To support the presentation in Panel B. [92-4442-0404] [92-4442-0373] Oklahoma City of an exhibition of French paintings from the collection of Renaissance Society at the San Francisco Museum of Modem Art the New Orleans Museum of Art, and University of Chicago San Francisco, CA $30,000 accompanying education programs. Chicago, IL $20,000 To support a touring exhibition, ac­ Panel A. [92-4442-0328] To support an exhibition and accom­ companying catalogue, and education panying catalogue of the work of Polish programs of the work of American Pcebedy Museum of .Salem artist Miroslaw Balka. Panel B. artist Sherrie Levine. Panel B. Salem, MA $10,000 [92-4442-0386] [92-4442-0448] To support the presentation in Salem of an exhibition and accompanying Renaissance Society at the Santa Monica Museum of Art education programs, of marine art Universi~ of Chicago Santa Monica, CA $20,000 from the collections of the National Chicago, IL $15,000 To support an exhibition with accom­ Maritime Museum in Greenwich, To support an exhibition and accom­ panying catalogue and educational pro­ England, organized by the San Diego panying catalogue of the work of grams tiffed "Altered Egos," exploring Museum of Art. Overview Panel. Australian artist Narelle Jubelin. the work of contemporary artists who [92-4442-0498] Panel B. [92-4442-0387] produce work under an assumed or altered identity. Panel B. Photographic R~our~e Coator, Inc. Robert W. Woodruff Arts Center, Inc. [92-4442-0458] Boston, MA $20,000 (High Museum of Art) To support a touring exhibition of Atlanta, GA TF $30,000 Snug Harbor Cultural Center, In(:. work by contemporary Native To support "Art at the Edge," an ongo­ Staten Island, iVY $22,500 American photographers. Panel B. ing series of small exhibitions of con­ To support an exhibition of contempo­ [92-4442-0446] temporary art, and accompanying cata­ raty art, with accompanying catalogue logues and education programs. and education programs, of "In the Princeton University, Trustees of Panel B. [92-4442-0384] Ring," which will examine the sport of Princeton, NJ $10,000 boxing as a microcosm of the larger To support the presentation at the Rutgers, The State University of world and conflicts within it. Panel B. University Art Museum of an exhibi­ New Jersey (Z]mmedi Art Museum) [92-4442-0451] tion and symposium on the work of Piscataway, NJ $20,000 Suzy Frelinghuysen (1912-1988) and To support a touring exhibition and Solomon R. Guggenheim Foundation her husband, George L. K. Morris accompanying catalogue tiffed New York, NY $75,000 (1905-1975), organized by the "Pissarro to Picasso: Color Etching in To support a touring exhibition, accom­ Williams College Museum of Art. France," organized in collaboration panying catalogue, and education pro­ Panel A. [92-4442-0311] with the Bibliotheque Nationale, Paris. grams of work by German-born artist Panel A. [92-4442-0347] Rebecca Horn. Panel B. [92-4442-0419]

i99z Annual Report 133 Museum

Solomon R. Guggenheim Foundation State University of New York, University of Arizona New York, NY $50,000 Research Foundation of Tucson, AZ $20,000 To support a touting exhibition and Albany, iVY $7,500 To support an exhibition at the accompanying education programs of To support an exhibition, with accom­ University of Arizona Museum of Art Italian art, design, and film from 1943 panying catalogue and education pro­ of installations, with accompanying to 1968. Panel B. [92-4442-0420] grams, of the work of Connie Samaras brochures, by Michael Cajero, Edgar as part of the annual "Current Events" Heap of Birds, Judite dos Santos, and ~r Sons of the RevolulJon in the State of series, organized by the University Art James Luna. Panel B. [92-4442-0445] New York (Fraunces Tavem Museum) Museum, Binghamton. Panel B. New York, NY $50,000 [92-4442-0397] University of California-Berkeley To support a touring exhibition and Berkeley, CA $15,000 accompanying catalogue of history ~r State University of New York, To support the presentation at the painting in America from 1775 to Research FoundaUon of University Art Museum of the exhibi­ 1925. Panel A. [92-4442-0367] Albany, iVY $20,000 tion "Munch and His Models, 1912­ To support a touring exhibition, and 1943," and accompanying education Southeastern Canter for accompanying catalogue and education programs, organized by the Munch Contemporary Art programs, of the sculpture of Ametican Museum in Oslo. Panel B. Winston-Salem, NC $15,000 artist Melvin Edwards, organized by [92-4442-0312] To support "Accounts Southeast," a the Neuberger Museum of Art in series of one-person touting exhibitions, Purchase, New York. Panel B. University of California.Berkeley accompanying catalogues and related [92-4442-0415] Berkeley, CA $20,000 programs featuring artists living and To support "Matrix," an ongoing series working in the southeastern United Tacoma Art Museum of small-scale exhibitions of contempo­ States. Panel B. [92-4442-0427] Tacoma, WA $10,000 rary art and accompanying education To support the presentation in Tacoma programs at the University Art Southern Alleghenies Museum of Art of "From Barrier to Bridge: Art About Museum. Panel B. [92-4442-0392] Loretto, PA $14,000 the U.S./Mexican Border," an exhibi­ To support an exhibition with accom­ tion organized by the San Diego University of Colorado, Regents of the panying catalogue and educational pro­ Museum of Contemporary Art and the Boulder, CO $5,000 grams of Soap Hollow furniture pro­ Centro Cultural de la Raza, San Diego. To support the presentation at the duced in the Allegheny Mountains Panel B. [92-4442-0462] University Art Galleries of "The from 1845 to 1904 by Mennonite Nearest Edge of the World: Art and craftsmen. Panel A. [92-4442-0353] Textile Museum of D.C. Cuba Now," an exhibition organized Washington, DC $50,000 and circulated by Polarities, Inc. Panel $1mnish Institete, Inc. TF $50,000 B. [92-4442-0405] New York, NY $20,000 To support a touring exhibition ~vith To support a touring exhibition and accompanying educational programs of ~ University of Houston-University Park accompanying catalogue of Spanish Tai textiles. Panel A. [92-4442-0350] IBlaffer Gallery) polychrome sculpture (1500-1800) Houston, TX $30,000 from North American collections. Toledo Museum of Art To support a touring exhibition, with Panel A. [92-4442-0310] Toledo, OH $30,000 accompanying catalogue and education To support a touring exhibition, with programs, of the work of American St. Louis Art Museum accompanying catalogue and education artist Robert Helm. Panel B. St. Louis, MO $40,000 programs, of the work of American [92-4442-0383] To support an exhibition and accom­ video artist Mary Lucier. Panel B. panying catalogue of"Nihonga," or [92-4442-0436] modern Japanese painting in the tradi­ tional style. Panel A. [92-4442-0379]

I34 National Endowment for the Arts Museum

University of Kansas Main Campus temporary Latin American artists Andover, Massachusetts. Panel A. Lawrence, KS $11,000 Alfredo Jaar, Luis Camnitzer, and [92-4442-0363] To support the presentation at the Cildo Meireles, organized by the uni­ Spencer Museum of"A Noble versity’s Archer M. Huntington Art Walker Art Center, Inc. Collection: The Spencer Albums of Gallery. Panel B. [92o4442-0403] Minneapolis, MN $90,000 Old Master Prints," an exhibition orga­ To support a touring exhibition with nized by the Fogg Art Museum, University of Utah accompanying catalogue and education Harvard University, and accompanying Salt Lake City, UT $9,600 programs of the work of American education programs. Panel A. To support the presentation at the artist Bruce Nauman. Panel B. [92-4442-0343] Utah Museum of Fine Arts of the exhi­ [92-4442-0468] bition "Francisco de Goya: Caprices, University of Michigan, Disasters of War, Tauromaquia, Waiters Art Gallery, Trustees of the Regents of the (University Museum of Art) Proverbs," and accompanying educa­ Baltimore, MD TF $75,000 Ann Arbor, MI $16,000 tion programs, circulated by the Trust To support a touring exhibition of the To support the planning of an ex­ for Museum Exhibitions, Washington, work of French painter Alfred Sisley hibition on the history of Yaozhou DC. Panel A. [92-4442-0327] (I 839-1899), related education pro­ celadon wares in China. Panel A. grams, and an accompanying cata­ [92-4442-0371] University of Wisconsin-Madison logue. Panel A. [92-4442-0355] Madison, WI $20,000 Universit7 of Missouri-Columbia To support the presentation at the Wellesley College (Davis Museum) (Museum of Art & Archaeology) Elvehjem Museum of Art of an exhibi­ Wellesley, MA $59,000 Columbia, MO $45,000 tion of art from northeastern Zaire, To support an exhibition and accom­ To support a touring exhibition, ac­ organized by the American Museum of panying catalogue of 17th-century companying catalogue, and education Natural History in New York. Panel A. Flemish drawings. Panel A. programs of Greek art from about [92-4442-0369] [92-4442-0333] 1000 to 700 B.C. Panel A. [92-4442-0317] Virginia Museum of Fine Arts White Columns, Inc. Richmond, VA $40,000 New York, NY $12,000 University of Pennsylvania, Trustees of To support an exhibition on the To support an exhibition and accom­ the (Institute of Contemporary Art) history of Virginia architecture, panying catalogue tided "The Naming Philadelphia, PA $30,000 related education programs, and an of the Colors," presenting the work of To support "Investigations," an ongo­ accompanying catalogue. Panel A. contemporary artists exploring how so­ ing series of small-scale exhibitions of [92-4442-0370] cieties have inscribed color with mean­ contemporary art with accompanying ing based on natural and cultural asso­ brochures and education programs. Wadsworth Atheneum ciations. Panel B. [92-4442-0473] Panel A. [92-4442-0332] Hartford, CT $30,000 To support "Matrix," an ongoing series ~r White House Historical Association University of Pennsylvania, Trast~s of the of small-scale exhibitions of contempo­ {1/ery Special Arts) Philadelphia, PA TF $30,000 rary art with accompanying brochures Washington, DC $50,000 To support an exhibition at the and education programs. Panel A. To support an exhibition and accom­ Institute of Contemporary Art of the [92-4442-0362] panying catalogue of work by student work of architects Robert Venturi and artists with disabilities sponsored Denise Scott Brown, with related pro­ Wadsworth Atheneum jointly by the White House Historical grams and accompanying catalogue. Hartford, CT $12,500 Association and Very Special Arts. Panel A. [92-4442-0382] To support the presentation in Reviewed by Teri Edelstein, Chicago, Hartford of the exhibition "Eadweard IL; Selma Holo, Los Angeles, CA; Univers~ of Texas at Austin Muybridge and Contemporary Susan Krane, Atlanta, GA; and Alex Austin, TX $30,000 American Photography," and related Nyerges, Jackson, MS. [92-4442-0308] To support an exhibition and accom­ education programs, organized by the panying catalogue of the work of con­ Addison Gallery at Phillips Academy,

~99z Annual Report Museum

~r Whitney Museum of American Art Brooklyn Institute of Arts and Sciences tury architectural and topographical New York, NY $15,000 (Brooklyn Museum) photographs. [92-4444-0077] To support a touring exhibition and Brooklyn, NY $40,000 accompanying education programs of To support documentation and re­ Harvard College, President & Fellows of the work of American artist Agnes search of the museum’s collection of Cambridge, MA $27,500 Martin. Panel B. [92-4442-0477] Islamic art which includes almost To support the publication of an elec­ 1,200 works of art. [92-4444-0075] tronic catalogue highlighting major Worcester Art Museum Greek vase painters from archaic and Worcester, MA TF $80,000 Buffalo State College Foundation, Inc. classical periods in the collection of To support an exhibition with accompa­ (Burchfield Art Center) Harvard University Art Museums. nying catalogue and educational pro­ Buffalo, NY $25,000 [92-4444-0065] grams of the work of Judith Leyster To support the preparation of the (1609-1660). Panel A. [92-4442-0357] manuscript for a catalogue of the cen­ Henry E. HunUngtan Ubrary ter’s Charles E. Burchfield Collection. and Art Gallery [92-4444-0083] San Marino, CA $50,000 UTILIZATION OF MUSEUM To support research and preparation of RESOURCES/CATALOGUE Carnegie Institute a manuscript for a catalogue of the col­ (Carnegie Museum of Art) lection of British paintings owned by To document collections or to publish Pittsburgh, PA $15,500 the museum. [92-4444-0068] catalogues or handbooks on collections. To support research and documenta­ tion of the collection of Japanese prints Jacques Marchais Center of ~betan 40 grants from the estate of Dr. James A. Austin. Arts, Inc. (Tibetan Museum) Program Funds: $911,100 [92-4444-0060] Staten !sland, NY $15,000 Treasury Funds: $ 97,500 To support the publication of a Grants were reviewed by Utilization of Cincinnati Museum Association catalogue of the highlights of the Museum Resources Panel B. Cincinnati, OH $25,000 collection of the Tibetan Museum. To support the publication of the [92-4444-0052] Anchorage Museum Association museum’s comprehensive collection Anchorage, AK $17,500 of Chinese art. [92-4444-0064] Metropolitan Museum of Art To support the preparation and publi­ New York, NY $35,000 cation of a guide to the collection of Cleveland Museum of Art To support the publication of a cata­ the Anchorage Museum of History and Cleveland, OH $22,200 logue of the museum’s collection of Art. [92-4444-0051] To support the preparation of a cata­ European miniatures. [92-4444-0073] logue of the museum’s collection of Berkshire Museum, Trustees of the American paintings dating from 1730 Metropolitan Museum of Art Pittsfield, MA $7,000 to 1920. [92-4444-0074] New York, NY $20,000 To support a full-scale inventory of To support the publication of a cata­ the permanent collection including Columbus Museum of Art logue of medieval tapestries in the the entry of records into a computer Columbus, OH $15,000 museum’s collection. [92-4444-0174] collections management system. To support research and documenta­ [92-4444-0062] tion of the recendy acquired Don and Milwaukee Art Museum, Inc. Jean Stuck collection of American Milwaukee, WI $17,500 Brooklyn Institute of Arts and Sciences coverlets. [92-4444-0080] To support the preparation of a manu­ (Brooklyn Museum) script for a catalogue of the recendy Brooklyn, iVY $45,000 Founders Societ), Detroit Institute of Arts acquired Richard and Erna Flagg Col­ To support the publication of a cata­ Detroit, MI $20,000 lection of Haitian Art. [92-4444-0054] logue of the museum’s 19th-century To support documentation of the French drawings and watercolors. Graphic Art department’s collection of [92-4444-0059] approximately 4,000 vintage 19th-cen­

136 National Endowment for the Arts Museum

Minneapolis Society of Fine Arts in 1985 from the Pennsylvania Acad­ permanent collection. [92-4444-0061] (Minneapolis Institute of Arts) emy of the Fine Arts. [92-4444-0173] Minneapolis, MN $20,000 Southwest Museum Pierpont Morgan Ubrary To support the publication of a com­ Los Angeles, CA $15,000 prehensive catalogue of the institute’s New York, IVY TF* $50,000 To support the research and documen­ collection of European tapestries. To support the publication of the tation of the collection of Navajo tex­ [92-4444-0055] Islamic and Indian manuscripts and tiles and related Pueblo and Hispanic miniatures owned by the library. textiles owned by the museum. Mississippi Museum of Art, Inc. [92-4444-0050] [92-4444-0071] Jackson, MS $13,000 *Treasury Funds were committed but not To support the documentation of the obligated in FY ’92. Springfield Ubrary and Museums permanent collection through a com­ Son Diego Museum of Art Association (Museum of Fine Arts, Springfield) puterized collections management sys­ San Diego, CA $22,500 tem. [92-4444-0057] To support the publication of a general Springfield, MA $32,000 overview catalogue of the museum’s To support the publication of a cata­ Museum of Fine Arts, Boston permanent collection. [92-4444-0072] logue of the museum’s collection of Boston, MA $30,000 16th- and 17th-century Dutch and To support the publication of the first School of American Research Flemish paintings. [92-4444-0049] volume in a set of three planned to cat­ Santa Fe, NM $10,000 alogue the Italian paintings in the mu­ To support the preparation of a cata­ Soint Louis Art Museum seum’s collection. [92-4444-0084] logue of the school’s 760-piece collec­ St. Louis, MO $32,500 tion of early 20th-century paintings by To support the publication of a New Orleans Museum of Art Pueblo Indian easel painters who began catalogue of Chinese bronzes in the New Orleans, LA $22,500 work about 1910 near Santa Fe. museum’s Asian Art collection. To support the publication of a new [92-4444-0076] [92-4444-0069] handbook of the museum’s permanent collection. [92-4444-0085] Shaker Museum Foundation, Inc. Textile Museum of D.C. OM Chatham, NY $15,000 Washington, DC $11,000 New York Historical Society To support the preparation of the first To support the curatorial and photo­ New York, NY $37,500 scholarly catalogue of the museum’s graphic documentation of selected To support documentation of the col­ permanent collection. [92-4444-0070] works from the museum’s collections. lection of 18th- through 20th-century Smith College (Museum of Art) [92-4444-0067] American and European sculptures in Northampton, MA $12,000 preparation for an illustrated checklist. To support the documentation of the Toledo Museum of Art [92-4444-0079] museum’s collection of 19th-century Toledo, OH $45,500 photographs from Europe, Asia, and To support the preparation of a cata­ New York Public Ubrapj/Astor, America. [92-4444-0058] logue of the museum’s collection of Lenox and ~lden Foundation Roman and Byzantine blown glass. New York, iVY $35,000 Smith College (Museum of Art) [92-4444-0175] To support a documentation project to Northampton, MA $15,000 provide an automated inventory of the To support the preparation of a cata­ University of Arizona Romana Javitz Collection of early to logue of masterpieces from the mu­ (Center for Creative Photography) mid-20th-century photographs. seum’s collection of American painting Tucson, AZ $21,000 [92-4444-0056] and sculpture. [92-4444-0176] To support documentation of the re­ cendy acquired Josef Breitenbach Philadelphia Museum of Art Solomon R. Guggenheim Foundation Archive. [92-4444-0063] Philadelphia, PA $25,000 (Solomon R. I~uggenheim Museum) To support the documentation of New York, NY TF $47,500 French prints acquired by the museum To support the publication of an edu­ cational guidebook to the museum’s

z992Annual Report 137 Museum

Virginia Museum of Fine Arts Art Institute of Chicago Dallas Museum of Art Richmond, VA $20,000 Chicago, IL $15,000 Dallas, TX $25,000 To support the publication of a cata­ To support an exhibition in the insti­ To support a multi-visit art education logue of the museum’s collection of tute’s renovated Junior Museum ex­ program for fourth-, sixth- and eighth- Late Roman and Byzantine decorative ploring the making of art by different grade students. [92-4445-0121] arts. [92-4444-0081] cultures. Panel B. [92-4445-0105] Fitchburg Art Museum Waiters Art Gallery, Trustees of the Birmingham Museum of Art Fitchburg, MA $20,000 Baltimore, MD $24,400 Birmingham, AL $15,000 To support the expansion of a school To support the second in the four To support the development of a com­ program for third-grade students. volume series of the Gallery’s Western prehensive program of museum educa­ [92-4445-0094] European manuscript collection. tion for the blind and/or visually im­ [92-4444-0078] paired visitor. [92-4445-0091] Founders Society Detroit Institute of Arts Detroit, MI $25,400 William A. Famsworth Library Brooklyn Institute of Arts and Sciences To support the establishment of an and Art Museum, Inc. (Brooklyn Museum) in-house facility for producing gallery Rockland, ME $25,000 Brooklyn, NY $35,000 labels and interpretive guides. To support the preparation of a cata­ To support a multidisciplinary art edu­ [92-4445-0116] logue of the museum’s collection of cation program for third-, sixth-, and American art from the 18th century to ninth-grade students in New York City Franklin Furnace Archive, Inc. the present. [92-4444-0066] public schools. [92-4445-0093] New York, iVY $10,000 To support a series of artist-curated Worcester Art Museum Center for Puppetry Arts, Inc. exhibitions drawn from the permanent Worcester, MA $30,000 Atlanta, GA $15,000 collection, each of which will be ac­ To support the preparation of a hand­ To support the development of educa­ companied by a videotape prepared by book of the highlights of the museum’s tional materials for grades K-12 that the artist. [92-4445-0092] collection. [92-4444-0082] will focus on the performance and cul­ tural and historical context of puppetry Friends of the Boss Museum arts around the world. [92-4445-0099] Miami Beach, FL $25,000 UTILIZATION OF MUSEUM To support the development of RESOURCES/EDUCATION Cincinnati Museum Association classroom materials on Art Deco archi­ Cincinnati, OH $25,000 tecture and design using the museum’s To help organizations make greater use To support the development of a series collection and the Miami Beach of their collections and other resources of brochures that will provide visitors community as a design laboratory. and provide meaningful educational with alternative approaches to under­ [92-4445-0108] programs for their audiences and com­ standing works of art in the museum’s munities. collections. [92-4445-0097] Institute of Contemporary Art, Boston Boston, MA $6,000 31 grants Cernell University To support an outreach program for Program Funds: $474,100 (Herbert F. Johnson Museum of Art) children ages four to seven and their Unless otherwise noted, all grants were Ithaca, NY $10,000 families. [92-4445-0101] reviewed by Utilization of Museum To support a collaborative project be­ Resources Panel A. tween the Herbert F. Johnson Museum International Center of Photography and the Cornell American Indian New York, NY $25,000 Program to instruct secondary school To support a school program for junior teachers in using art to teach a multi­ high and high school students in two cultural curriculum. [92-4445-0088] of New York’s most densely populated minority neighborhoods. [92-4445-0098]

138 National Endowment for the Arts Lehman College Art Gallery, Inc. Museum of Fine Arts, Boston Solomon R. Guggenheim FoundaUon Bronx, iVY $10,000 Boston, MA $15,000 New York, NY $8,000 To support an educational program for To support the expansion of an To support a study of the museum’s Bronx high school students examining educational program for families interpretive materials and signage sys­ issues in contemporary art and art with children aged four and older. tems and to structure a program of on­ making. [92-4445-0107] [92-4445-0118] going evaluation. [92-4445-0096]

Mattress Factory New-York Historical Society Southwest Museum Pittsburgh, PA $10,000 New York, NY $15,000 Los Angeles, CA $15,000 To support the development of gallery To support the publication of curricu­ To support a summer family program brochures to interpret the permanent lum materials for sixth- and seventh- of artist demonstrations, workshops, collection. [92-4445-0106] grade students based on the Society’s and performances. [92-4445-0103] Luman Reed collection of American Mexican Museum art. [92-4445-0110] University of Arizona San Francisco, CA $10,000 (Center for Creative Photography) To support a family outreach program Photographic Resource Center, Inc. Tucson, AZ $10,000 designed to develop new museum audi­ Boston, MA $7,500 To support the production of an in­ ences among Bay Area Latinos. To support a visiting artist program formational video to provide broader [92-4445-0112] in the Boston public schools. public access to the collections and [92-4445-0100] programming at the Center. Minneapolis Society of Fine Arts [92-4445-0109] (Minneapolis Institute of Arts) Pierpont Morgan Ubrary Minneapolis, MN $10,000 New York, NY $5,000 Whitney Museum of Amedcan Art To support the production of booklets To support and strengthen the New York, IVY $7,400 relating to the institute’s permanent library’s docent training program. To support a series of advanced train­ collections of African and Native [92-4445-0086] ing workshops for museum docents. North American art. [92-4445-0115] [92-4445-0089] Pierpont Morgan Ubrary Minnesota CoMer for Book Arts New York, NY $25,000 UTILIZATION OF MUSEUM Minneapolis, MN $7,300 To support an arts education program RESOURCES/PRESENTATION OF To support an outreach program that for students in grades four through COLLECTIONS will bring book artists and the original nine in New York City public schools. work they produce into the public [92-4445-0120] To hdp organizations make greater use schools. [92-4445-0113] of museum collections and other re­ San Francisco Museum of Modem Art sources primarily of artistic significance. Museum of Contemporary Art, San Francisco, CA $7,500 Los Angeles To support an expansion of the docent 51 grants Los Angeles, CA $10,000 training program to serve the mu­ Program Funds: $1,205,700 To support an educational program seum’s increased audience and pro­ Treasury Funds: $ 302,500 exploring issues in the conservation gramming needs. [92-4445-0095] Unless otherwise noted, grants were and restoration of contemporary art. reviewed by the Utilization of Museum [92-4445-0114] Seattle Ar~ Museum Resources Panel A. Seattle, WA $30,000 Museum of Fine Arts, Boston To support the development of special American Architectural Foundation, Inc. Boston, MA $20,000 education programs and materials to Washington, DC $25,000 To support the development of cur­ interpret the museum’s collection of To support an exhibition organized by riculum materials in collaboration with European paintings and decorative arts the Octagon Museum of architectural neighboring Boston Latin School. and modern art of Europe and drawings for the Biltmore Estate cre­ [92-4445-011 I] America. [92-4445-0117] ated by Richard Morris Hunt and Frederick Olmsted. [92-4446-0122]

z99z Annual Report 139 Museum

Amon Carter Museum of Western Art Cit~ of Neenah Municipal Museum Denver Art Museum, Inc. Fort Worth, TX $ ] 5,000 Foundation, Inc. (Bergstrom-Mahler Denver, CO TF $80,000 To support two exhibitions drawn Museum) To support the reinstallation of the from the museum’s collection of Neenah, W/ $15,000 museum’s encyclopedic collection of Hudson River School paintings. To support the reinstallation of the pre-Columbian and Spanish Colonial Panel B. [92-4446-0163] museum’s collection of glass paper­ art in expanded gallery space. Panel B. weights. [92-4446-0135] [92-4446-0155] ~ Appalshop, Inc. Whitesburg, KY $30,000 Columbia Art AssociaUon Dia Canter for the Arts, Inc. To support a low-cost touring (Columbia Museum of Art) New York, NY $15,000 exhibition of photographs by William Columbia, SC $25,000 To support the installation of a large- R. "Pictureman" Mullins. To support the reinstallation of the scale work by Joseph Beuys from the [92-4446-0159] Columbia Museum of Art’s Kress permanent collection. [92-4446-0146] collection of European art. Art Institute of Chicago [92-4446-0124] Gallery AssociaUon of Chicago, 1L $15,000 New York State, Inc. To support a series of thematic Columbus Museum of Art Hamilton, NY $15,000 exhibitions drawn from the Institute’s Columbus, OH TF* $45,000 To support a low-cost touring exhibi­ photography collection. Panel B. To support the first major retrospective tion of artists living and working in the [92-4446-0166] of the work of Elijah Pierce, an Amer­ United States whose work represents ican folk artist, as well as an accompa­ the range and diversity of contempo­ Asia Society nying catalogue. [92-4446-0170] rary Latin American visual arts. New York, NY $50,000 *Treasury Funds were committed but not [92-4446-0150] To support the exhibition, "The obligated in FY "92. Cosmic Dancer: Shiva Nataraja" Henry Francis du Pont [92-4446-0149] Cornell Universi~ Winterthur Museum, Inc. (Herbert F. Johnson Museum of Art) Winterthur, DE $50,000 Asian Art Museum FoundaUon Ithaca, NY $20,000 To support the reinstallation of of San Francisco To support a collection-sharing project American furniture from the perma­ San Francisco, CA $50,000 between the Johnson Museum and the nent collection in a Furniture Study To support an exhibition and catalogue Solomon R. Guggenheim Museum in Gallery. [92-4446-0133] of the James and Elaine Connell collec­ New York. [92-4446-0129] tion of Thai ceramics. [92-4446-0156] Lyman Allyn Art Museum, Inc. Corporation of the Fine Arts Museunm New London, CT $25,000 Brooklyn Institute of Arts and Sciences (Fine Arts Museums of San Francisco) To support the reinstallation of the (Brooklyn Museum) San Francisco, CA $30,000 museum’s collection of American Brooklyn, NY $90,000 To support "Viewpoints," a series of paintings, sculpture, and decorative To support the first phase of the mu­ small thematic exhibitions highlighting arts dating from 1680 to 1915. seum’s reinstallation of its collection of works from the permanent collection. [92-4446-0144] ancient Egyptian art. [92-4446-0158] [92-4446-0151 ] Mexican Museum Brooklyn Institute of Arts and Sciences Corporation of the Fine Arts Museums San Francisco, CA TF $7,500 (Brooklyn Museum) (Fine Arts Museums of San Francisco) To support an exhibition of con­ Brooklyn, NY $35,000 San Francisco, CA $70,000 temporary art by Chicano artists. To support the first major retrospective To support the reinstallation of the [92-4446-0164] of the American photographer museum’s Native American, Consuelo Kanaga (1894-1978) and Mesoamerican, and ancient South accompanying catalogue. American collections. [92-4446-0152] [92-4446-0162]

140 National Endowment for the Arts Museum

Milwaukee Art Museum, Inc. Museum of Fine A~s, Houston Rutgers, The State University Milwaukee, WI $15,000 Houston, TX $15,000 of New Jersey To support a low-cost touring exhibi­ To support a low-cost touring exhibi­ Piscataway, NJ $35,000 tion and acconipanying catalogue serv­ tion entitled, "The Pen and the Sword: To support the reinstallation of the ing smaller museums in Wisconsin. Winslow Homer, Thomas Nast, and Riabov collection of Russian art in ren­ [92-4446-0137] the American Civil War." ovated galleries of the Jane Voorhees [92-4446-0130] Zimmerli Art Museum and the publi­ Milwaukee Art Museum, Inc. cation of a catalogue of the collection. Milwaukee, WI $25,000 Museum of New Mexico FoundaUon [92-4446-0138] To support an exhibttion and related (Museum of Fine Ar~s) catalogue of the Michael and Julie Hall Santa Fe, NM $25,000 San Diego Museum of Man collection of American folk art. To support an exhibition and catalogue San Diego, CA $20,000 [92-4446-0153] of the color woodblock prints of To support an exhibition of the mu­ Gustave Baumann. [92-4446-0167] seum’s collection of Indian clothing Missouri Historical Society from the Mexican state of Oaxaca. St. Louis, MO $25,000 Pardsh Art Museum, Inc. [92-4446-0134] To support the first exhibition of Southampton, NY $20,000 daguerreotypes by frontier photogra­ To support the first representative sur­ ~ Seattle Art Museum pher Thomas Easterly (1809-1882). vey of the museum’s Fairfield Porter Seattle, WA TF $50,000 [92-4446-0169] collection as well as an accompanying To support the exhibition, tour, and catalogue and a tour. [92-4446-0160] catalogue publication of Japanese folk Museum of Contemporary Ar~ Chicago textiles from the Edo, Meiji, and Chicago, IL $15,000 Pierpont Morgan Library Taisho-Showa periods, dating from To support an on-going series of exhi­ New York, NY $44,700 the 18th through the 20th century. bitions drawn from the museum’s col­ To support the first major exhibition [92-4446-0131] lection of post- 1945 American and and accompanying catalogue of the European art. [92-4446-0141] library’s British drawings and sketch­ Southwest Museum books dating from 1750 to 1850. Los Angeles, CA $20,000 Museum of Contemporary Art, San Diego [92-4446-0139] To support an exhibition and catalogue La Jolla, CA $25,000 of the art and culture of the Hopi peo­ To support an encompassing series of Plains Art Museum ple from the permanent collection. exhibitions exploring the permanent Fargo, ND $20,000 [92-4446-0154] collection. [92-4446-0161] To support the museum’s Mobile Gallery program that will allow the Texas Fine Arts/ksso~iMion Museum of ~ne Arts, Boston museum to circulate its permanent col­ Austin, TX $20,000 Boston, MA $20,000 lection to rural regions in North To support a touring program of con­ To support the reinstallation of a me­ Dakota and northern Minnesota. temporary art exhibitions and accom­ dieval gallery containing the Spanish [92-4446-0172] panying catalogues that will travel to portal from the church of San Miguel small colleges and community centers in Castillo and to complete minor Putnam Foundation in Texas. [92-4446-0145] work in the adjoining gothic gallery. San Diego, CA $30,000 [92-4446-0157] To support a collection sharing project University of Arizona between the Timken Museum of Art (Center for Creative Photography) Museum of Fine Arts, Houston and the Fine Arts Museums of San Tucson, AZ $12,000 Houston, TX $25,000 Francisco. [92-4446-0148] To support low-cost touring exhibi­ To support an exhibition of contempo­ tions of 20th-century photographs by rary Mexican photography drawn from Aaron Siskind and Louise Dahl-Wolfe. the museum’s permanent collection. [92-4446-0142] [92-4446-0128]

1992 Annual Report 141 Museum

University of Arizona (Museum of Art) University of Pennsylvania, SPECIAL PROJECTS Tucson, AZ $10,000 Trustees of the (University Museum) To support a program of low-cost Philadelphia, PA TF $50,000 To support a limited number of innov­ touring exhibitions to serve smaller To support the reinstallation of the ative projects that will have a broad im­ cultural institutions in the region. museum’s collection of ancient Greek pact on the museum field as a whole. [92-4446-0147] art. [92-4446-0140] 1 grant University of California-Berkeley University of Southem California Program Funds: $23,000 (University Art Museum) Los Angeles, CA $15,000 Berkeley, CA TF $70,000 To support a collection-sharing project ~r International Museum of Photography To support the reinstallation of the between the Fisher Gallery and the Los at George Eastman House permanent collection highlighting its Angeles County Museum of Art to pre­ Rochester, NY $23,000 strengths while stressing the museum’s sent an exhibition and accompanying To support a two-day colloquium at educational mission. [92-4446-0165] catalogue of the engravings and wood­ George Eastman House tided cuts of Hendrik Goltzius. Panel B. "Publishing Electronic Media: A University of Chicago [92-4446-0123] Model for the Digital Realm" address­ Chicago, IL $40,000 ing the issue of preservation and distri­ To support an exhibition and catalogue University of Southern California bution of video art on disc and tape for of German print portfolios from 1890 Los Angeles, CA $10,000 archival use. Special Exhibitions to 1930 from the David and Alfred To support an exhibition of 19th­ Panel A. [92-4470-0478] Smart Museum’s permanent collection. century American landscape paintings [92-4446-0127] from the permanent collection of In addition, the Museum Program’s the Fisher Gallery. Panel B. Panel A reviewed and recommended University of Miami (Lowe Art Museum) [92-4446-0132] applications for five special projects Coral Gables, FL $18,000 that were funded by the Arts in To support an exhibition and catalogue Wadsworth Atheneum Education Program. The grants, under of the work of American artist Irene Hartford, CT $25,000 the Arts Education Collaboration Rice Pereira (1902-1971). To support the installation of galleries Initiative, went to the following recipi­ [92-4446-0126] devoted to African American art. ents: Corporation of the Fine Arts [92-4446-0136] Museums of San Francisco, University of Michigan, DeCordova and Dana Museum and Regents of the (Museum of Art) Wadsworth Atheneum Park, J. B. Speed Art Museum, Ann Arbor, MI $15,000 Hartford, CT $56,000 Munson-Williams-Proctor Institute, To support a long-term installation To support the reinstallation of the Virginia Museum of Fine Arts. For of objects and interiors by Louis museum’s collections of medieval and complete information, see Arts in Comfort Tiffany for the H.O. early Renaissance European art and Education chapter. Havemeyer House in New York City. English silver and decorative arts in [92-4446-0168] newly refurbished and climate con­ trolled galleries. [92-4446-0143] University of New Mexico Main Campus IUniversity Art Museum) Worcester Art Museum Albuquerque, NM $10,000 Worcester, MA $20,000 To support the reinstallation of the To support a series of exhibitions that museum’s nationally-recognized document the work of four master collection of Spanish Colonial art. printmakers: Rembrandt, Piranesi, [92-4446-0125] Goya, and Redon. [92-4446-0171]

14:/, National Endowment for the Arts Museum

CAREOF COLLECTIONS/COLLECTION PROFET~IONAL DEVELOPMENT (1991) PANELS MAIlTrENANCE PANEL B Jan Adlmann CARE OF COLLECTIONS/ Thomas Banvick (layperson) Assistant Director for External Affairs CONSERVATION PANEL A Collector of American Art Solomon tL Guggenheim Museum Seattle, WA New York, NY AIl~rl Albano Senior Conservator Sally Freitag Maxwell L. Anderson (chair) Winterthur Museum and Gardens Registrar Director, Michael C. Carlos Museum Winterthur, DE Worcester Art Museum Emory University Worcester, MA Atlanta, GA Eleanor Apler (layper~on) Museum Volunteer; Art Historian Melanie Gifford Amina Dickerson North Haven, CT Head of Painting Conservation Director of Education and Waiters Art Gallery Public Programs Brian Considine Baltimore, MD Chicago Historical Society Conservator of Decorative Arts Chicago, IL and Sculpture Ricardo Hernandez J. Paul Getty Museum Director of Programs Nancy Grover (layperson) Malibu, CA Texas Commission on the Arts Trustee Austin, TX Wadsworth Atheneum Cynthia Duval (chair) Simsbury, CT Assistant Director and Curator of Ellen W. Lee Decorative Arts Senior Curator of Painting Marie Ramirez-Garcia Museum of Fine Arts, St. Petersburg and Sculpture Curator, Latin American Art St. Petersbur$ FL Indianapolis Museum of Art Huntington Art Gallery Indianapolis, IN University of Texas, Austin $~oR Heffley Austin, TX Associate Conservator Hugh Phibbs Nelson-Atkins Museum of Art Coordinator of Matting and Laurel Reuter Kansas City, MO Framing Services Founder/Director National Gallery of Art North Dakota Museum of Art Harriet Kennedy Washington, DC Grand Forks, ND Assistant Director/Registrar Museum of the National Center for Nlen Rosenbaum (chair) PROFESSIONAL DEVELOPMENT 11992) Afro-American Artists Director, The Art Museum Boston, MA Princeton University Nancy C. Barrett PHnceton, NJ Curator of Photography Antoinette Owen New Orleans Museum of Art Conservator Joan Rosenbaum New Orleans, LA Brooklyn Museum Director Brooklyn, NY Jewish Museum William J. Hennessey New York, NY Director, Museum of Art Bruce Robertson University of Michigan Associate Curator of Paintings Ann Arbor, MI Cleveland Museum of Art Cleveland, OH

199zAnnual Report 143 Museum

Seitu K. Jones Phyllis Pious Douglas Druick Community Programs Coordinator Curator, University Art Museum Curator of Prints and Drawings Walker Art Center University of California-Santa Barbara The Art Institute of Chicago Minneapolis, MN Santa Barbara, CA Chicago, IL

Peggy M. Mussafer (layperson) Eliza Rathbone Carroll Hartwell Interior Consultant Curator Photographer; Curator of Photography Montgomery, AL The Phillips Collection Minneapolis Institute of Arts Washington, DC Minneapolis, MN Dennis 0’Leafy Executive Director Emily J. Sano Pamela McClusky Boise Art Museum Deputy Director, Collections and Associate Curator of Art of Africa, Boise, ID Exhibitions/Senior Curator, Oceania, and America Non-Western Art Seatde Art Museum Valrae Reynolds Dallas Museum of Art Seattle, WA Curator of Asian Collections Dallas, TX The Newark Museum Dewey F. Mosby Newark, NJ Rodney S. Slemmons (chair) Director, The Picker Art Gallery Associate Curator, Prints and Colgate University Thomas W. Sokolowski (chair) Photographs Hamilton, NY Director, The Grey Art Gallery Seattle Art Museum and Study Center Seattle, WA Sasha Newman New York University Curator, European Art New York, iVY SPECIAL EXHIBmONS PANEL A 11992) Yale University Art Gallery New Haven, CT SPECIAL EXHIBmONS (1991) Holmes Adams (layperson) Managing Partner SPECIAL EXHIBmONS PANEL B (1992) Patrick Ela Brunini, Grantham, Grower and Executive Director Hewes law firm Richard Andrews Craft and Folk Art Museum Jackson, MS Director, Henry Art Gallery Los Angeles, CA University of Washington John W. Coffey Seattle, WA Rita Fraad (layperson) Curator of American and Modern Art Art Collector; Board Member North Carolina Museum of Art Andy Grundberg Scarsdale, NY Raleigh, NC Chief Curator The Friends of Photography Adelheid M. Gealt I. Michael Danoff (chair) San Francisco, CA Director, Indiana University Director Art Museum Des Moines Institute of Arts Mitchell Kahan (chair) Indiana University Des Maines, IA Director Bloomington, IN Akron Art Museum David J. de la Torte Akron, OH Judy L. Lareon Associate Director Curator, American Art Honolulu Academy of Arts Emily Kass High Museum of Art Honolulu, HI Executive Director Atlanta, GA Fort Wayne Museum of Art Fort Wayne, IN

I44 National Endowment for theArts Museum

Elizabeth Komhauser Jean Handley (layperson) UTILIZATION OF MUSEUM RESOURCES Curator of American Paintings, Vice President, Personnel & PANEL B Sculpture and Drawings Corporate Relations Wadsworth Atheneum Southern New England Telephone Jacquelynn Baas Hartfbrd, CT Company Director, University Art Museum Branford, CT University of California-Berkeley Laurence D. Miller Berkeley, CA Art Consultant; President Selma Holo Baluarte Creek, Inc. Director, Fisher Art Gallery & Colin B. Bailey Austin, TX Museum Studies Program Senior Curator University of Southern California Kimbell Art Museum John Perreault Los Angeles, CA Fort Worth, TX Senior Curator American Craft Museum Jeanne Lakso Constance Caplan (layperson) New York, NY Senior Program Director Trustee Arts Midwest Baltimore Museum of Art Rol~rt C. Ripley (layperson) Minneapolis, MN Baltimore, MD Architect; Manager Capitol Restoration and Promotion Cha~es W. Millard (chair) Ellen Dugan Lincoln, NE Director, Ackland Art Museum Chief Curator of Education University of North Carolina High Museum of Art Marcos Sanchez-Tranquilino Chapd Hill, NC Atlanta, GA Guest Curator Mexican Museum Tom Seuthall Barbara Haskell San Francisco, CA Curator of Photographs Curator, Painting and Sculpture Amon Carter Museum Whitney Museum of American Art Judith Tannenbaum Fort Worth, TX New York, NY Associate Director/Curator, Institute of Contemporary Art, Dianne Perry Vanderiip David Nelson University of Pennsylvania Executive Director Philadelphia, PA Denver Art Museum Montana Arts Council Denver, CO Helena, MT UTILIZATION OF MUSEUM RESOURCES PAHEL A Inez Wolins Paul D. Schweizer (chair) Curator of Education Director, Museum of Art Antonia Contro Pennsylvania Academy of the Fine Arts Munson-Williams-Proctor Institute Assistant Director, Museum Philadelphia, PA Utica, NY Education-Teacher Services Art Institute of Chicago Philip Yenawine Chicago, 1L Director of Education Museum of Modern Art David COny New York, NY Chief Curator Virginia Museum of Fine Arts Richmond, VA

1992 Annual Report 145 Music

757 grants; 1 cooperative agreement Total Funds: $14,901,800 Program Funds: $ 9,924,800 Treasury Funds: $ 4,977,000

The Music Program assists creative and pe~orming musicians In the area of Presenting and Festivals, the Program sup­ of exceptional taleng performing and presenting organizations ported 218 organizations, based on artistic merit, manager­ of local, regional, and national significance; and training and ial e~ciency, and outreach efforts. The Program provided service organizations of regional and national importance. assistance to "Music at Angel Fire," a New Mexico festival that presents concerts, open rehearsals, workshops and out­ HE MUSIC PROGRAM’S PEER REVIEW PANELS reach concerts in rural Taos, Red River, Mora, and Raton. were scrupulous in their evaluations, adhered In South Dakota, the Shrine to Music Museum offered his­ T closely to the published review criteria, and torically informed performances of music from the 15th to based award recommendations on quality rank­ the early 19th centuries, performed on original instruments. ings, artistic excellence and merit. Panelists were convinced In California, Mount Saint Mary’s College offered Solo that their recommendations represented investments in mu­ Recitalist and Chamber Ensemble performances at sites of sical excellence designed to reach diverse American audi­ architectural and historical significance. (The Music ences throughout the country as well as audiences abroad in Program supported 20 of the 80 concerts sponsored by the many cases. Da Camera Society of Mount Saint Mary’s.) Ensemble support included funds to 34 choruses, 187 Fellowship grants were made to 19 composers, who symphony orchestras, and 81 chamber and jazz ensembles. would write works for standard instrumental and vocal en­ Reflecting concern for new and future audiences, the en­ sembles, as well as works for tape and optional live percus­ sembles collectively broadened musical awareness and ap­ sion, double bass and tape, and clarinet and interactive preciation, especially among young people. Western Wind, electronics. One solo recitalist was supported in nationwide a vocal ensemble based in New York, received support for performances of Hispanic and Latin American composi­ its concert series and a public school residency program, tions. Others participated in residencies in schools, which emphasized multi-cultural vocal repertoire. A grant churches, retirement communities, hospitals and recreation to the Cleveland Orchestra made possible educational con­ centers. There was continued assistance for a commission­ certs for third through eighth grade students and a series of ing program to consortia of music organizations for com­ daytime concerts, at reduced prices, for adults unable to at­ missioning works in concert music, opera, musical theater, tend evening concerts. The Buffalo Philharmonic Orchestra and jazz. Administered by Meet the Composer, a service Society received financial assistance for its program for high organization based in New York, the program guaranteed school juniors and seniors. These students received college multiple performances following each composition’s credit for attending a full academic year of subscription con­ premiere. certs and the "June in Buffalo" new music concerts at In the area of jazz, support was provided for the Charlin SUNY-Buffalo -- an especially effective effort aimed at Jazz Society which coordinated jazz activities for the stimulating musical awareness and appreciation. Washington Performing Arts Society. All visiting jazz artists In the area of chamber music, support was offered for participated in the Society’s "Jazz in the Schools" program the planning phase of a Pilot Chamber Music Rural in the D.C. public schools. Assistance was also provided for Residency Program that would place graduate-level cham­ the National Jazz Service Organization’s (NJSO) technical ber music ensembles in rural areas of Iowa, Kansas, and assistance program, consultant service, national workshops Georgia. At non-conventional venues, well-trained chamber and symposia, publication of the NJSO journal, and main­ musicians would build repertoire; teach children and adults; tenance of a jazz database. and master the art of communication, both musically and During this the eleventh year of the American Jazz verbally. Investing in future choral excellence, the Music Masters subcategory, fellowships were awarded to three jazz Program assisted the Illinois-based Glen Ellyn Children’s legends: Dorothy Donegan, Betty Carter, and Harry Chorus in its training of a second children’s chorus and its "Sweets" Edison. The second public Jazz Masters Awards frequent workshops and festivals. Ceremony Concert was held in conjunction with the

I46 National Endowment for theArts Five great jazz trombonists gather at the University of Idaho’s Uonel Hampton/Chevron Jazz Festival in this archival photo: Carl Fontana, AI Grey, Bill Watrous, Curtis Fuller and Delfeayo Marsalis. Receiving a Jazz Presenters grant in 1992, its silver anniversary year, the festival attracts 500 competition entries--up from fifteen in its first year--and draws audiences from all over the nation to Moscow, ID in February, no less.

International Association of Jazz Educators’ 19th Annual tions) in association with the School District of Philadelphia. Conference in Miami, FL. Another Special Projects grant supported a four-part pro­ The Special Projects category continued to accommodate gram of the Montgomery (AL) Symphony Association that a unique variety of unusual efforts. One such project involved was designed to improve performance skills of the current support to New York-based Parallelodrome, Ltd. in its efforts volunteer amateur orchestra through professional training at commemorating the bicentennial of the birth of the black opportunities. Still another Special Projects grant supported American composer, performer, and orchestra leader Francis the Louisville (KY) Orchestra’s "Sound Celebration II," a "Frank" Johnson (1792-1844), believed to be a native of ten-day international contemporary music festival that Philadelphia. Endowment funds assisted the organization brought together composers, performers, musicologists, and with its presentation of Johnson exhibits and concerts cultural leaders from 52 countries. This festival focused at­ throughout Philadelphia and educational activities and per­ tention on an emerging musical language that results from formances of Johnson’s music (over 200 published composi­ melding aesthetic elements from diverse cultures.

~992Annual Report 147 Music

¢r Cleveland Institute of Music ~r Kneisel Hall Grants Cleveland, OH $13,000 Blue Hill, ME $4,000 To support the program of scholarship To support the program of scholarship �~ Indicates grants having national impact. and fellowship aid. [92-3111-0615] aid. [92-3111-0612]

MUSIC PROFESSIONAL TRAINING ~r California Institute of the Arts ~r Mannes College of Music Valencia, CA $4,100 New York, NY $6,500 To foster the career development of To support the program of scholarship To support the program of scholarship committed, talented musicians through aid for minority students enrolled in aid. [92-3111-0625] support of their training and education the Jazz and Instrumental Performance as artists. Grants are awarded to post­ programs. [92-3111-0629] ~r Manhattan School of Music secondary programs that provide out­ New York, NY TF $24,000 standing advanced training for profes­ ~r Enstom Music Festival, Inc. To support the program of scholarship sional careers in music. Greensboro, NC $4,500 aid. [92-3111-0630] To support the program of scholarship 37 grants aid for postsecondary students. ~r Marlboro School of Music, Inc. Program Funds: $280,000 [92-3111-0619] Philadelphia, PA $14,400 Treasury Funds: $220,000 TF $20,000 ~r Grand Teton Music Festival, Inc. To support the program of scholarship ~ Academy of Vocal Arts Teton Village, WY $4,000 aid. [92-3111-0632] Philadelphia, PA $4,500 To support the program of scholarship To support the program of scholarship aid for the Grand Teton Orchestral ~, Music Academy of the West aid. [92-3111-0624] Seminar. [92-3111-0626] Santa Barbara, CA $8,000 To support the program of scholarship ~r linch/~Ja Group Asso~iaUon, Inc. ~ Hadem School of the A~s, Inc. aid. [92-3111-0715] Stony Brook, NY $4,000 New York, NY $8,500 To support the program of fellowship To support the program of scholarship ~r Music Associates of Aspen, Inc. aid. [92-3111-0618] aid for postsecondary students enrolled (Aspen Music School) in the Master Voice Class. Aspen, CO TF $34,500 a B~rkioo College of Music, Inc. [92-3111-0617] To support the program of scholarship Boston, MA $6,500 and fellowship aid. [92-3111-0606] To support the program of scholarship ~, Johns Hopkins University aid. [92-3111-0611] Baltimore, MD $2,500 ~r National Repertory Orchestra, Inc. TF $16,000 Denver, CO $4,200 ¢r Hoston Symphony Orchestra, Inc. To support the program of scholarship To support the program of scholarship Boston, MA TF $62,400 aid at the Peabody Institute. aid. [92-3111-0714] To support the fellowship program [92-3111-0633] at the Tanglewood Music Center. ~r New England Conservatory of Music [92-3111-0636] ~r Juilliard School Boston, MA $4,500 New York, NY $5,600 TF $16,000 ~- Bowdoin College TF $31,100 To support the program of scholarship Brunswick, ME $4,000 To support the program of scholarship aid and a Career Skills course. To support the program of scholarship aid. [92-3111-0681] [92-3111-0635] aid for "performing associates" at the Bowdoin Summer Music Festival. ~ Keut State Universit~ Main Campus ~ New School for Social Research [92-3111-0616] Kent, OH $11,500 (New School Concerts) To support the program of scholarship New York, NY $13,900 aid at the Blossom Music Center. To support the program of scholarship [92-3111-0628] aid for students participating in the

148 National Endowment for the Arts Music

New York String Orchestra Seminar. ~, University of Cincinnati Main Campus COMPOSERS FELLOWSHIPS [92-3111-0622] Cincinnati, OH $15,300 To support the program of scholarship Includes two subcategories: Composers ~r New World Symphony, Inc. aid at the Conservatory of Music. Fellowships provide for the creation or Miami Beach, FL $14,500 [92-3111-0614] completion of musical works. Collab­ To support the program of scholarship orative Fellowships are available to aid. [92-3111-0620] ~r University of Hartford composers and their collaborators, in­ (Hartt School of Music) cluding librettists, video artists, film­ ~, Oberlin College West HarqCord, CT $4,200 makers, poets, or choreographers, for Oberlin, OH $3,200 To support the program of scholarship the creation or completion of new TF $16,000 aid. [92-3111-0604] works. To support the program of scholarship aid for students enrolled in the Con­ ~r University of Maryland - College Park 19 grants servatory of Music. [92-3111-0605] College Park, MD $8,600 Program Funds: $280,000 To support the program of scholarship ~r Orchestral Association aid of the National Orchestral Amirkhanian, Charles B. Chicago, 1L $19,500 Institute. [92-3111-0609] El Cerrito, CA $15,000 To support the scholarship aid pro­ To support the composition of a work gram of the Civic Orchestra of ~r University of for tape and optional live percussion­ Chicago. [92-3111-0621] Massachusetts at Amherst ists. [92-3112-0756] Amherst, MA $6,500 ~ Philharmonic-Symphony To support the program of scholarship Asia, Daniel I. SocietY of New York, Inc. aid for the 1992 Jazz in July Workshop Tucson, AZ $18,000 New York, iVY $26,000 in Improvisation. [92-3111-0608] To support the composition of a con­ To support the Music Assistance Fund certo for violin and orchestra and a solo Scholarship and Fellowship Program. ~, University of Michigan, Regents of work for guitar. [92-3112-0761] [92-3111-0623] Ann Arbor, MI $20,500 To support the program of scholarship Bastor, Charles L. ~, Quartet Program, Inc. aid. [92-3111-0627] Amherst, MA $6,000 Rochester, NY $4,900 To support the composition of a work To support the program of scholarship ~- Yale University for clarinet and interactive electronics. aid. [92-3111-0631] (Yale Summer School of Music) [92-3112-0749] New Haven, CT $4,000 ~- San Francisco To support the program of scholarship Callaway, Ann M. Conservatory of Music, Inc. aid for students attending the Norfolk Rodeo, CA $24,000 San Francisco, CA $5,000 Chamber Music Festival. To support the composition of a work To support the program of scholarship [92-3111-0610] for orchestra. [92-3112-0762] aid. [92-3111-0716] ~r Yale University Davidovsky, Mario ~, SocietY for Strings, Inc. New Haven, CT $11,600 New York, NY $25,000 New York, NY $4,000 To support the program of scholarship To support the composition of a con­ To support the program of scholarship add at the Yale School of Music. certo for violin and orchestra. aid for string players at the [92-3111-0634] [92-3112-0747] Meadowmount School of Music. [92-3111-0613] ~r Yellow Barn Dick, Robert (Yellow Barn Music Festival) Zurich, Switzerland $15,000 Putney, VT $4,000 To support the composition of a work To support the program of scholarship for solo flute and flute ensemble. aid. [92-3111-0607] [92-3112-0748]

1992Annual Report I49 Music

Ge, Gan.ru Oliveras, Pauline field of jazz. American Jazz Masters Cliffiide Park, NJ $15,000 Kingston, NY $16,500 Fellowships honor distinguished jazz To support the composition of a sym­ To support the composition of a work masters who have made a significant phonic work for full orchestra and for Fullman’s Long String Instrument, contribution to the art form in the chorus. [92-3112-0763] trombone/didjeridu, voice, accordion, African American tradition. IndMduals and a computerized instrument system. may not apply for these awards; jazz Jaffe, David A. [92-3112-0759] masters are nominated by the jazz com­ Stanford, CA $10,000 munity or the general public. To support the composition of a Raads, Bernard collaborative work for interactive elec­ Boston, MA $23,500 54 grants tronic performance instruments. To support the composition of a large- Program Funds: $400,000 [92-3112-0752] scale work for full orchestra. [92-3112-0755] Jazz Performance Klein, Joseph P. Denton, TX $8,500 Shrude, Marilyn J. 23 grants To support the composition of a work Bowling Green, OH $12,000 Program Funds: $208,800 for mixed chamber ensemble and a To support the composition of a work work for solo trombone and live for alto saxophone and symphonic Berger, Kad H. electronics. [92-3112-0753] wind ensemble, a work for solo organ, Woodstock, iVY $13,000 and a work for soprano and piano. To support the costs of concerts and Kolb, Barbara [92-3112-0757] workshops showcasing the applicant as New York, NY $20,000 a soloist and leader in a quintet. To support the composition of an or­ Widdoes, Lawrence L. [92-3113-0008] chestral work and the completion of a New York, NY $7,000 trio for flute, bass clarinet, and piano. To support the composition of a Bergonzi, Jerry [92-3112-0758] work for orchestra and a work for Brighton, MA $10,800 solo flute and chamber ensemble. To support the costs of a concert show­ Kramer, 11mothy A. [92-3112-0754] casing the applicant as a saxophonist San Antonio, TX $9,000 and leader in a quartet and demonstrat­ To support the composition of a con­ Wuodnen, Charles P. ing the polyrhythmic interaction be­ certo for organ and chamber orchestra. New York, iVY $14,000 tween saxophonist and drummer. [92-3112-0760] To support the composition of a piano [92-3113-0006] quintet. [92-3112-0765] Kreiger, Adhur V. Boukas, Richard A. New York, NY $10,000 Flushing, IVY $7,400 To support the composition of a work JAZZ FELLOWSHIPS To support the costs of a series of for solo piano. [92-3112-0764] workshops and performances entided Nonmatching fellowships are awarded "World Beat Jazz," which will demon­ Levinson, Gerald C. in subcategories: Jazz Performance and strate the effect of world music on con­ Swarthmore, PA $21,500 Jazz Composition grants are non- temporary jazz. [92-3113-0003] To support a major work for orchestra. matching fellowships awarded to pro­ [92-3112-0750] fessional jazz musicians for performance Chapin, Thomas D. or composition. Jazz Study grants are Jackson Heights, NY $7,500 Mobbedey, James C. awarded to aspiring jazz musicians to To support the costs of concerts show­ Kansas City, MO $10,000 study with the professional artists of casing the applicant as an alto saxo­ To support the composition of a work their choice. Special Projects grants are phonist and leader in a trio performing for double bass and tape and a work also awarded to individuals for innova­ jazz standards and original composi­ for trumpet, organ, and tape. tive and exemplary projects of national tions. [92-3113-0001] [92-3112-0751] or regional significance that benefit the

IjO National Endowment for theArts Music

Davis, Michael E. Kindred, Robert H. Sabir, Kamal New York, NY $6,000 New York, NY $8,900 Amherst, MA $5,200 To support the costs of a concert To support the costs of a concert fea­ To support the costs of a series of con­ featuring the applicant as trombonist turing the applicant as tenor saxophon­ certs and workshops at the Northamp­ and leader in a jazz ensemble. ist and leader in an 11-piece ensemble. ton Center for Children and Families [92-3113-0002] [92-3113-0016] in Northampton, MA, featuring the applicant as drummer and leader of an Debriano, Alonso S. W. Makowicz, Adam ensemble. [92-3113-0022] Englewood, NJ $9,000 New York, NY $13,000 To support the costs of a concert fea­ To support the costs of concerts paying Sandke, Randy turing the applicant as bassist and tribute to Art Tatum. [92-3113-0015] Brooklyn, NY $5,000 leader of a ten-piece ensemble. To support the costs of a concert fea­ [92-3113-0004] Malinverni, Peter G. turing the applicant as trumpeter and New York, NY $5,500 leader in a quintet. [92-3113-0023] Donelian, Armen H. To support the costs of concerts show­ West Orange, NJ $9,500 casing the applicant as a leader and Skaff, Gregory A. To support the costs of jazz master pianist in a jazz trio. [92-3113-0005] New York, NY $7,400 classes led by the applicant. To support the costs of concerts show­ [92-3113-0014] Namery, Allan casing the applicant as guitarist and Dumont, NJ $9,500 leader in a quartet, performing the Eubanks, Robin D. To support the costs of a series of con­ applicant’s compositions. Brooklyn, NY $14,400 certs in libraries in northern New [92-3113-0013] To support the costs of a concert fea­ Jersey featuring the applicant as saxo­ turing the applicant as soloist and phonist, flutist, and leader in a quintet. Stua~ Rory J. leader in duo, trio, quintet, and sextet [92-3113-0011] Pomona, NY $8,000 settings. [92-3113-0010] To support the costs of workshops and Piltzecker, Ted a concert led by the applicant. Gertz, Bruce D. New York, IVY $12,000 [92-3113-0009] Melrose, MA $6,500 To support the costs of concerts featur­ To support the costs of a concert fea­ ing the applicant as vibraphonist and Terry, William B. turing the applicant as bassist and leader in a sextet. [92-3113-0018] Brunswick, ME $14,500 leader in duo, trio, quartet, and quintet To support the costs of concerts and settings. [92-3113-0017] Ros~ethal, Thoodore M. workshops in not-for-profit venues and New York, NY $5,500 public schools throughout the state of Haddad, Jamey G. To support the costs of concerts show­ Maine, featuring the applicant as Saylorsburg, PA $8,900 casing the applicant as pianist and soloist and leader in a quartet. To support the costs of a concert fea­ leader in a quintet, featuring arrange­ [92-3113-0012] turing the applicant as drummer and ments of the music of Thelonious leader in a sextet. [92-3113-0021] Monk. [92-3113-0007] Jazz Composition

Harrison, Wendell R. Rudolph, Adam C. 5 grants Detroit, MI $12,000 Venice, CA $9,300 Program Funds: $37,000 To support the costs of concerts featur­ To support the costs of a concert fea­ ing the applicant as saxophonist, clar­ turing the applicant as a percussionist Abrams, Richard I_ inetist, and leader in quartet, big band, and leader of a seven-piece ensemble. New York, NY $10,000 and clarinet ensemble settings. [92-3113-0020] To support the composition of a six- [92-3113-0019] movement suite for an 18-piece jazz orchestra. [92-3113-0024]

x99z Annual Report IjI ~/[usic

Dahlgren, Chris Caranicas, Charles S. Hommel, Sarah F. Cincinnati, OH $5,000 Minneapolis, MN $5,000 Hoboken, NJ $3,300 To support the composition of a multi- To support study with trumpeter To support study with drummer Victor movement work for jazz quartet scored Warren Vache, Jr. [92-3113-0044] Lewis. [92-3113-0042] for piano, double bass, violin, and woodwind. [92-3113-0025] Cion, Sarah J. LamaroSpicka, Jane Brooklyn, NY $2,000 Baltimore, MD $2,000 Douglas, David D. To support study with pianist Richie To support study with singer Ronnie Brooklyn, IVY $7,000 Beirach. [92-3113-0031] Wells. [92-3113-0043] To support the composition of an ex­ tended work scored for trumpet, violin, Coffin, Jeff S. MacDonald, Peter reeds, bass, and drums. [92-3113-0028] Nashville, TN $4,300 CliJ~on, NJ $3,000 To support study with saxophonist Joe To support study with drummer Sam Marentic, James J. Lovano. [92-3113-0039] Ulano. [92-3113-0046] North Hollywood, CA $7,000 To support the composition of a Do Greg, Philip A. McCall, "l~mothy S. multi-movement work scored for jazz Cincinnati, OH $4,000 Worchester, MA $3,900 quartet, synthesizers, and samplers. To support study with pianist Kenny To support study with pianist Barry [92-3113-0026] Werner. [92-3113-0041] Harris. [92-3113-0035]

Morgan, Gary E. Dreyer, Laura J. Mead, Marilyn L. Roselle, NJ $8,000 Brooklyn, NY $2,000 Cypress, TX $4,000 To support the completion of a three- To support study of jazz composition To support study with flutist James movement work in progress for big with keyboardist and composer Lyle Walker. [92-3113-0049] band augmented with French horns, Mays. [92-3113-0030] synthesizer, and Latin percussion; and Raney, Jonathan L. the creation of a new five- to sEx-move­ Freelon, Chinyere Nnenna New York, IVY $2,000 ment suite with the same instrumenta­ Durham, NC $5,000 To support study with pianist Kenny tion. [92-3113-0027] To support study of improvisation Barron. [92-3113-0038] with saxophonist and composer Yusef Jazz Study Lateef. [92-3113-0048] Reed, Scott C. Park Forest, IL $2,500 22 grants Galindo, Jeffrey A. To support study with guitarist Ron Program Funds: $70,200 Cambridge, MA $4,000 Eschete. [92-3113-0037] To support study with trombonist Hal Ballin, Peter T. Crook and saxophonist Jerry Bergonzi. Rios, Enrique A. Lyons, 1L $4,900 [92-3113-0045] Eugene, OR $2,000 To support study of improvisation To support study in composition with with pianist Jim McNeely. Goldberg, Benjamin A. composer Fred Sturm. [92-3113-0034] [92-3113-0033] Oakland, CA $4,000 To support study with tenor saxophon­ Seager, Bert L. Barish, Amiel J. ist Joe Lovano. [92-3113-0040] Auburndale, MA $2,000 Sherman Oaks, CA $2,000 To support study with pianist Bob To support study with guitarist Ted Gunther, John G. Winter. [92-3113-0029] Greene. [92-3113-0050] Aurora, CO $4,000 To support study with saxophonist Joe Stone, Richard J. Buckingham, Katisse A. Lovano. [92-3113-0047] Brooklyn, NY $2,000 Venice, CA $2,300 To support study with pianist Hal To support study with saxophonist Bill Galper. [92-3113-0036] Green. [92-3113-0032]

152 National Endowment for the Arts Music

Special Projects American Jazz Masters Fellowships New Odeans, LA; Amina Claudine Meyers, New York, NY; Howie Smith, 1 grant 3 grants Cleveland Heights, OH; and Program Funds: $24,000 Program Funds: $60,000 Christopher Waterman, Seattle, WA. [92-3113-0265] Scott, Shirl0y Carter, Betty New York, NY $24,000 San Francisco, CA $20,000 Donegan, Dorothy To support the preparation of the late In support of Ms. Carter’s significant Los Angeles, CA $20,000 Dexter Gordon’s compositions in sheet contribution to the art form of jazz in In support of Ms. Donegan’s significant music format and the transcriptions of the African American tradition. contributions to the art form of jazz in his tenor saxophone solos from the Reviewed by the following members of the African American tradition. Jazz original recordings. [92-3113-0051] the Jazz Fellowships Panel: Anthony Fellowships Panel. [92-3113-0267] Brown, Berkeley, CA; Leah Chase,

Billy Taylor, former member of the National Council on the Arts, celebrates the award of Jazz Master status to Harr~j "Sweets" Edison, Betty Carter and Dorothy Donegan.

I99zAnnual Report I53 I~[usic

Edison, Narry "Sweets" States in 1993-95 with duo partner video recording, to be used as an aid in Los Angeles, CA $20,000 flutist Janice Boland. [92-3114-0713] obtaining opportunities for solo In support of Mr. Edison’s significant recorder recitals in the United States. contributions to the art form of jazz in Kanengiser, William J. [92-3114-0706] the African American tradition. Jazz Whittier, CA $13,000 Fellowships Panel. [92-3113-0266] To support costs associated with the Zeltsman, Nancy preparation and performance of solo Somerville, MA $5,000 SOLO RECITALIST FELLOWSHIPS guitar recitals in the United States in To support costs associated with the 1993-94. [92-3114-0708] preparation and performance of a duo For awards to support specific projects violin and marimba recital and a lec­ direcdy related to artists’ solo or Krieger, J~lr~y S. ture/demonstration in New York City duo recital careers. Fellowships during Manchester, CT $12,500 in 1993 with duo partner violinist FY ’92 were awarded to instrumental­ To support costs associated with a Sharan Leventhal. [92-3114-0704] ists other than keyboard and vocal series of in-school residencies in the recitalists. United States during 1993-94, to in­ clude solo electronic cello recitals and CAREER DEVELOPMENT 11 grants master classes for performers and ORGANIZATIONS FOR Program Funds: $105,000 composers of electronic music. SOLO MUSIC ARTISTS [92-3114-0711] Boland, Janice M. To assist organizations, other than pre­ Marion, IA $5,500 Leventhal, Sharan G. senting organizations and educational To support costs associated with the Bowling Green, OH $5,000 institutions, that are devoted primarily preparation and performance of duo To support costs associated with the to the professional career development flute and guitar recitals in the United preparation and performance of a duo of American solo recitalists. States in 1993-95 with duo partner violin and marimba recital and a lec­ guitarist John Dowdall. ture/demonstration in New York City 6 grants [92-3114-0703] in 1993 with duo partner marimbist Program Funds: $135,000 Nancy Zeltsman. [92-3114-0712] These grants were reviewed by the Chapdelaine, Michael J. Music Professional Training Panel. Albuquerque, NM $9,000 Louie, Gary D. To support costs associated with the Rockville, MD $9,500 ~ Affiliate Artists, Inc. preparation and performance of solo To support costs associated with the New York, NY $15,600 guitar recitals within the United States performance of solo saxophone recitals To support instrumentalists partici­ in 1993. [92-3114-0709] in the United States in 1993. pating in Affiliate Artists’ corporate- [92-3114-0705] sponsored residency program. Costanza, Christopher V. [92-3115-0677] Virginia Beach, VA $13,000 McCarty, Patricia A. To support costs associated with resi­ Boston, MA $12,000 ~" Affiliate ArUsts, inc. dencies and solo cello recitals in To support costs associated with the New York, NY $23,400 schools, churches, retirement commu­ preparation and performance of solo To support artists’ fees for the recital nities, hospitals, and recreation centers viola recitals and master classes at uni­ and "informance" portions of the Xerox in the United States in 1993-95. versity and preparatory music schools Pianists Program. [92-3115-0680] [92-3114-0707] in the United States in 1993-95. [92-3114-0710] ~, Concer~ Artists Guild, Inc. Dowdall, John New York, NY $14,000 Marion, IA $5,500 Reiss, Scott G. To support management services and To support costs associated with the Arlington, VA $15,000 artists’ fees for concerts to take place preparation and performance of duo To support costs associated with the during the 1992-93 season. flute and guitar recitals in the United 1993 production of a demonstration [92-3115-0678]

154 National Endowment for the Arts Music

Great Lakes Performing Artist Associates Choral Arts Societ~ of Washington ing artistic and management salaries for Ann Arbor, MI $6,500 Washington, DC $5,000 national tours and the New York series To support management services for To support fees for vocal soloists in of performances, and related costs. regional performing artists in Illinois, 1992-93. [92-3121-0279] [92-3121-0283] Indiana, Michigan, Minnesota, Ohio, and Wisconsin. [92-3115-0679] Connecticut Choral ArUsts, Inc. Handel and Haydn Societ,] New Britain, CT $7,000 Boston, MA $19,000 ~ Pro Musicis Foundation, Inc. To support salaries and related ex­ To support salaries and fees for the New York, NY S18,000 penses for the singers, executive direc­ chorus master, singers, vocal soloists, To support a recital series in a number tor, conductor, artistic director, and ac­ and accompanists in 1992-93. of cities in the United States. companist in the 1992-93 [92-3121-0288] [92-3115-0675] performance season. [92-3121-0298] His Majestie’s Clerkes ~ Young Concert Artists, Inc. ~, Dale Wadand Singers Evanston, IL $5,000 New York, NY $57,500 Minneapolis, MN $20,400 To support the artistic director’s salary, To support the organization’s services TF $25,000 and fees for the singers and guest con­ to American solo recitalists. To support singers’ fees and salaries for ductor in 1992-93. [92-3121-0277] [92-3115-0676] the music director/conductor and the assistant conductor/accompanist in I~tka, Inc. the 1992-93 performance season. Oakland, CA $7,500 CHORUSES [92-3121-0305] To support singers’ fees and the artistic director’s salary in 1992-93. To maintain or improve the artistic Dallas Symphony Associa’don, Inc. [92-3121-0300] and management quality of choruses; Dallas, TX $5,000 to enhance opportunities for American To support the salaries of the chorus Master Chorale of Orange County choral singers, soloists, conductors, and manager, assistant chores director, ac­ Costa Mesa, CA $5,000 accompanists; and to make high-qual­ companist, and singers of the Dallas To support salaries for a core of profes­ ity choral performances more widely Symphony Chorus for the 1992-93 sional singers in the 1992-93 season. available. performance season. [92-3121-0294] [92-3121-0309]

36 grants Gay Men’s Chorus of Los Angeles Mendelssohn Choir of Pittsburgh Program Funds: $355,000 Los Angeles, CA $5,000 Pittsburgh, PA $5,000 Treasury Funds: $100,000 To support salaries for the assistant To support singers’ fees in the general manager and the administrative 1992-93 performance season. [92­ Sr American Boychoir School assistant in 1992-93. [92-3121-0310] 3121-0291] Princeton, NJ $5,000 To support the artistic and educational Glen mlyn Children’s Chorus Milwaukee Symphony Orchestra, Inc. activities of the American Boychoir in Glen Ellyn, IL $5,000 Milwaukee, WI $16,000 1992-93, including expenses for per­ To support expenses related to a chil­ To support artistic salaries and related formances, workshops, and a guest dren’s choral workshop and festival in administrative expenses of the conductor. [92-3121-0274] DuPage County, Illinois, in 1992-93, Milwaukee Symphony Chorus in and a second training chorus within 1992-93. [92-3121-0306] BaltJmora Symphony Orchestra, Inc. the Glen Ellyn Children’s Chorus. Baltimore, MD $5,000 [92-3121-0275] Minnesota Chorale To support salaries for the chorus di­ Minneapolis, MN $5,000 rector and chores manager, and fees for ~, Gregg Smith Singers, Inc. To support salaries and fees for the the singers and accompanist for the New York, NY $7,000 assistant director, personnel manager, Baltimore Symphony Chorus in To support expenses related to the accompanist, and singers in 1992-93. 1992-93. [92-3121-0296] 1992-93 performance season, includ­ [92-3121-0280]

I99zAnnual Report 155 Music

Music of the Baroque Concert Series Oregon Repertory Singers San Francisco Symphony Chicago, 1L $20,200 Portland, OR $5,000 San Francisco, CA $18,000 TF $25,000 To support the salaries and fees for To support the San Francisco To support singers’ salaries/fees and ex­ singers, vocal soloists, vocal coaches, a Symphony Chorus singers’ salaries in penses related to an educational out­ master teacher, associate conductor, and the 1992-93 performance season. reach program in the 1992-93 perfor­ conductor in 1992-93. [92-3121­ [92-3121-0289] mance season. [92-3121-0301 ] 0281] Santa Fe Desert Chorale Musica Sacra of New York, Inc. Performing Arts Association Santa Fe, NM $7,000 New York, NY $28,100 of Orange County To support the singers’ and conductor’s To support singers’ fees for the 1992­ Irvine, CA $5,000 salaries in 1992-93. [92-3121-0273] 93 performance season. [92-3121-0304] To support salaries for the singers and artistic director/conductor of the Southern California Choral Music Musical Arts Association Pacific Chorale in 1992-93, and fees Association (Los Angeles Master Cleveland, OH $5,000 for vocal soloists. [92-3121-0308] Chorale Association) To support salaries for the director and Los Angeles, CA $15,000 accompanist of the Cleveland Philadelphia Singers, Inc. To support singers’ fees in the Orchestra Chorus, and fees for voice Philadelphia, PA $7,000 1992-93 performance season. [92­ master teachers and coaches in the To support singers’ salaries/fees, and 3121-0292] 1992-93 performance season. other related costs of the 1992-93 per­ [92-3121-0293] formance season. [92-3121-0295] St. Louis Symphony Society St. Louis, MO $5,000 National Choral Foundation, Inc. ~r Pomerium Musices, Inc. To support artistic and management Washington, DC $5,000 New York, NY $7,300 salaries/fees and related expenses of the To support artistic salaries and fees for To support singers’ fees in 1992-93. Saint Louis Symphony Chorus in the 1992-93 performance season of the [92-3121-0290] 1992-93, including the singers, chorus Paul Hill Chorale. [92-3121-0286] director, and assistant director, man­ Robert W. Woodruff Arts Center, Inc. ager, accompanist, and language coach. National Choral Foundation, Inc. Atlanta, GA $5,000 [92-3121-0297] Washington, DC $8,000 To support artistic and administrative To support artistic salaries and fees expenses related to a series of master Services to the Chorus Field of the Washington Singers during the classes and lectures for members of the 1992-93 performance season. Atlanta Symphony Orchestra Chorus ~r American Choral Directors Association [92-3121-0287] in 1992-93. [92-3121-0278] Lawwn, OK $15,000 To support costs associated with the Northwest Gidchoir ~ San Francisco Chanticleer, Inc. 1993 preparation of a videotape series Seattle, WA $5,000 San Francisco, CA $20,700 of ACDA’s past presidents, and for the To support salaries for the music and TF $25,000 editorial staff ofACDA’s 1992-93 managing directors in 1992-93. To support salaries for the singers, publication of Choral JournaL [92-3121-0284] music director, assistant conductor, [92-3121-0276] artistic director, and executive director Orchestral Association in the 1992-93 performance season. ~ Chorus America, Association of Chicago, IL $16,800 [92-3121-0302] Professional Vocal Ensembles TF $25,000 Philadelphia, PA $20,000 To support the Chicago Symphony San Francisco Girls Chorus, Inc. To support ongoing services in Chorus singers’ fees in 1992-93. San Francisco, CA $10,000 1992-93, to include the annual confer­ [92-3121-0303] To support fees for voice master teach­ ence, regional management and con­ ers in 1992-93. [92-3121-0299] ducting workshops, a newsletter, sur­ veys, pamphlet and tape series, member

156 National Endowment for the Arts profile, and a national choral census. Amherst Saxophone Society, inc. Chamber Artists of Washington [92-3121-0285] Buffalo, iVY $4,400 Annandale, VA $4,000 To support artists’ fees and related costs To support artists’ fees for a chamber CHAMBER MUSIC/JAZZ for chamber music concerts by the music concert series during the ENSEMBLES Amherst Saxophone Quartet during the 1992-93 season. [92-3124-0594] 1992-93 season. [92-3124-0602] To assist organizations that perform ~, Chamber Music America, Inc. chamber music from all eras with an Apple Hill CoMer for Chamber Music, Inc. New York, iVY $42,000 emphasis on American works, and jazz East Sullivan, NH $4,000 To support a technical assistance pro­ in its traditional or current forms. To support artists’ fees and related gram and costs of the quarterly maga­ Assistance is also available to organiza­ costs for chamber music concerts by zine Chamber Music during the tions providing services to the chamber the Apple Hill Chamber Players during 1992-93 season. [92-3124-0528] music field. the 1992-93 season. [92-3124-0529] Chamber Music Society of 83 grants Ashmont Hill Chamber Music Grand Rapids, Inc. Program Funds: $452,000 Dorchester, MA $4,000 Grand Rapids, MI $4,000 To support artists’ fees and related costs To support artists’ fees and related Chamber Music Ensembles for chamber music concerts during the costs for chamber music residencies by 1992-93 season. [92-3124-0574] the New World Quartet during the 78 grants 1992-93 season. [92-3124-0587] Program Funds: $427,000 Aston Magna Foundation for Music and the Humanities, inc. Chamber Music Socie~j of ~ Aeolian Chamber Players, Inc. Danbury, CT $4,000 Lincoln Center, Inc. New York, NY $4,000 To support artists’ fees for the perfor­ New York, NY $10,000 To support artists’ fees and related costs mance of chamber music during the To support artists’ fees and related for chamber music concerts during the 1992 season. [92-3124-0550] costs for a chamber music concert 1992-93 season. [92-3124-0535] series during the 1992-93 season. Boston Musica V’wa, Inc. [92-3124-0548] Aequalis, Inc. Boston, MA $4,400 Brookline, MA $4,100 To support artists’ fees and related costs Chestnut Brass Company To support artists’ fees for chamber for chamber music concerts during the Philadelphia, PA $4,000 music concerts during the 1992-93 1992-93 season. [92-3124-0568] To support artists’ fees and related costs season. [92-3124-0588] for chamber music concerts during the Brass Ring, Inc. 1992-93 season. [92-3124-0592] ~ American Brass Chamber Music New Haven, CT $4,000 Association, Inc. To support artists’ fees and related Chicago Brsss Quintet New York, NY $4,000 costs for a chamber music concert Chicago, IL $4,000 To support artists’ fees and related series during the 1992-93 season. To support artists’ fees and the salary costs for chamber music concerts by [92-3124-0540] of a part-rime administrative director the American Brass Quintet during the during the 1992-93 season. 1992-93 season. [92-3124-0557] Capitol Woodwind Quintet [92-3124-0563] Arlington, VA $4,000 ~r Amherst College, Trustees of To support artists’ fees and related Chicago Chamber Musicians Washington, DC $8,000 costs for a chamber music concert Chicago, IL $4,000 To support artists’ fees for chamber series during the 1992-93 season. To support artists’ fees and related music concerts by the Folger Consort [92-3124-0543] costs for a chamber music concert during the 1992-93 season. series during the 1992-93 season. [92-3124-0539] [92-3124-0599]

I99z Annual Report I57 I~/[usic

D’Addario Foundation Goliard Concerts, Inc. MSQ Enterprises, Inc. for the Performing Arts, Inc. Astoria, NY $4,000 Mt. Kisco, NY $4,000 Washington Depot, CT $4,000 To support artists’ fees and related To support artist fees and related costs To support artists’ fees and related costs for chamber music concerts by for chamber music concerts by the costs for the expansion of Flute Force’s the Goliard Chamber Soloists during Manhattan String Quartet during the repertoire during the 1992-93 season. the 1992-93 season. [92-3124-0565] 1992-93 season. [92-3124-0544] [92-3124-0595] ~, Haydn-Mozart Chamber Orchestra, Inc. Montshirn Museum of Science, Inc. ¢r Da Cape Chamber Players, Inc. Brooklyn, NY $4,000 (Carnegie Chamber Players) New York, NY $12,800 To support artists’ fees and related Norwich, VT $4,000 To support artists’ fees and related costs for chamber music concerts by To support artists’ fees and related costs costs for chamber and new music The Powell Quartet during the for a chamber music residency during concerts during the 1992-93 season. 1992-93 season. [92-3124-0549] the 1992-93 season. [92-3124-0525] [92-3124-0577] ~r Hesperus Musica Antigua de Albuquerque, Inc. ¢r Debussy Trio Music Foundation Arlington, VA $5,000 Albuquerque, NM $4,000 Los Angeles, CA $4,000 To support artists’ fees and related costs To support artists’ fees and related costs To support artists’ fees and related costs for chamber music concerts during the for chamber music programs during the for chamber music residencies during 1992-93 season. [92-3124-0570] 1992-93 season. [92-3124-0554] the 1992-93 season. [92-3124-0573] ¢r Kronos Performing Arts Association New Jersey Chamber Music Society, Inc. Denver Brass, Inc. San Francisco, CA $15,500 Montclair, NJ $4,000 Denver, CO $4,000 To support artists’ fees and related To support artists’ fees and related costs To support artists’ fees and related costs costs for new music concerts by the for chamber music concerts during the for chamber music concerts during the Kronos Quartet during the 1992-93 1992-93 season. [92-3124-0589] 1992-93 season. [92-3124-0580] season. [92-3124-0596] New Music Consort, Inc. Detroit Chamber Winds Lark Society for Chamber Music New York, NY $10,300 Royal Oak, MI $4,000 Portland, ME $4,000 To support artists’ fees and related To support artists’ fees and related To support artists’ fees and related costs for new music concerts during the costs for a chamber music concert costs for chamber music concerts by 1992-93 season. [92-3124-0526] series during the 1992-93 season. the Portland String Quartet during the [92-3124-0590] 1992-93 season. [92-3124-0555] New York Chamber Ensemble, Inc. New York, NY $4,000 ~ Dorian Woodwind Long Island Baroque Ensemble, Inc. To support artists’ fees and related Quintet Foundation, Inc. Locust Valley, NY $4,000 costs for the performance of chamber New York, NY $4,100 To support artists’ fees and related costs music during the 1992-93 season. To support artists’ fees and related costs for chamber music concerts during the [92-3124-0531] for chamber music concerts during the 1992-93 season. [92-3124-0593] 1992-93 season. [92-3124-0545] New York Consort of Viols, Inc. Lyric Chamber Ensemble, Inc. New York, NY $4,000 ~, Early Music America, Inc. Southfield, MI $4,000 To support artists’ fees and related costs New York, NY $10,800 To support artists’ fees and related for chamber music concerts during the To support workshop/symposium pro­ costs for the performance of chamber 1992-93 season. [92-3124-0578] grams and the publications Historical music during the 1992-93 season. Pe~ormance, The Journal of Early [92-3124-0603] ~ New York New Music Ensemble Music America, and the Bulletin. New York, NY $9,100 [92-3124-0581] To support artists’ fees and related costs for chamber music concerts during the 1992-93 season. [92-3124-0585]

I~8 National Endowment for theArts MUSIC

New York Philomusica certs during the 1992-93 season. Rosewood Chamber Ensemble, Inc. Chamber Ensemble [92-3124-0567] Sunnyside, NY $4,000 New York, NY $4,000 To support artists’ fees and related costs To support artists’ fees and related costs Philomel Concerts, Inc. for chamber music concerts during the for chamber music concerts during the Philadelphia, PA $4,000 1992-93 season. [92-3124-0547] 1992-93 season. [92-3124-0575] To support artists’ fees and related costs for chamber music concerts during the Roxbury Chamber Players Newband, Inc. 1992-93 season. [92-3124-0572] Richmoru~ VA $4,000 Nyack, NY $4,000 To support artists’ fees and related costs To support artists’ fees and related Pi~sburgh New Music Ensemble, Inc. for chamber music concerts during the costs for new music concerts during the Pittsburgh, PA $4,000 1992-93 season. [92.-3124-0552] 1992-93 season. [92-3124-0601] To support artists’ fees and related costs for new music concerts during the S.F..M. Ensemble, Inc. Newberry Library 1992-93 season. [92-3124-0586] Brooklyn, NY $4,000 Chicago, IL $4,000 To support artists’ fees and related To support artists’ fees and related costs ~. Present Music, Inc. costs for new music concerts during the for a chamber music concert series by Milwaukee, WI $4,100 1992-93 season. [92-3124-0560] The Newberry Consort during the To support artists’ fees and related 1992-93 season. [92-3124-0571 ] costs for new music concerts during the San Francisco Contemporary 1992-93 season. [92-3124-0542] Music Players North/South Consonance, Inc. San Francisco, CA $8,500 New York, NY $4,000 Pro Musica Rara, inc. To support artists’ fees and related To support artists’ fees and related costs Baltimore, MD $4,000 costs for a music concert series during for chamber music concerts during the To support artists’ fees and related costs the 1992-93 season. [92-3124-0583] 1992-93 season. [92-3124-0559] for chamber music concerts during the 1992-93 season. [92-3124-0537] Son Francisco Early Music Societ), ~ Odyssey Chamber Players, Inc. Berkeley, CA $4,000 New York, NY $4,000 Quintessence Chamber Ensemble, Inc. To support artists’ fees and related To support artists’ fees and related costs Phoenix, AZ $4,000 costs for a tour program by the for chamber music concerts during the To support artists’ fees and related Concerto Amabile during the 1992-93 1992-93 season. [92-3124-0553] costs for contemporary chamber music season. [92-3124-0546] concerts during the 1992-93 season. Orchestra 2001, inc. [92-3124-0562] Sea Cliff Chamber Players, Inc. Walling~ord, PA $4,000 Sea Cliff, NY $6,400 To support artists’ fees and related Quintet of the Americas, Inc. To support artists’ fees and related costs costs for new music concerts during the New York, iVY $4,000 for chamber music concerts during the 1992-93 season. [92-3124-0533] To support artists’ fees and related 1992-93 season. [92-3124-0527] costs for chamber and new music 0dana Singers concerts during the 1992-93 season. ~, Solid Brass Chamber Music Guild, Inc. Chicago, 1L $4,000 [92-3124-0561] Chatham, NJ $4,000 To support artists’ fees and related costs To support artists’ fees and related costs for chamber music concerts during the Relache, Inc. for chamber music concerts during the 1992-93 season. [92-3124-0538] Philadelphia, PA $4,000 1992-93 season. [92-3124-0597] To support artists’ fees and related Performers’ Committee, Inc. costs for new music concerts by the Speculum Musicae, Inc. New York, NY $5,300 Relache Ensemble during the 1992-93 New York, NY $4,000 To support artists’ fees and related season. [92-3124-0558] To support artists’ fees and related costs for chamber and new music con­ costs for new music concerts during the 1992-93 season. [92-3124-0600]

199zAnnual Report 159 Music

St. Luke’s Chamber EnsemMe, Inc. the Monticello Trio during the Jazz Ensembles New York, NY $4,000 1992-93 season. [92-3124-0591] To support artists’ fees and related costs 5 grants for chamber music concerts during the Viklarbo Program Funds: $25,000 1992-93 season. [92-3124-0579] Los Angeles, CA $4,000 To support artists’ fees and related Association for l~e Advancement of St. Michael’s Episcopal Church costs for a chamber music concert CrnaUve Musicians, New York City New York, NY $4,400 series during the 1992-93 season. Chapter, Inc. To support artists’ fees and related costs [92-3124-0598] New York, NY $4,000 for chamber and new music concerts by To support a concert series by the asso­ the Saturday Brass Quintet during the Vineyard Theatre and ciation’s ensemble that celebrates the 1992-93 season. [92-3124-0566] Workshop Center, Inc. compositions of its own members. [92­ New York, NY $4,000 3124-0520] Sylvan Winds, Inc. To support artists’ fees and related New York, NY $4,000 costs for the performance of chamber CrcaU~ Opportunity Orchestra, Inc. To support artists’ fees and related costs music by Vineyardmusicke during the Austin, TX $4,500 for chamber music concerts during the 1992-93 season. [92-3124-0564] To support the orchestra’s Community 1992-93 season. [92-3124-0534] Outreach Program, the subscription Virtuosi della Roso, Inc. series, and national touring. Synchronia Portlana~ OR $4,300 [92-3124-0522] St. Louis, MO $4,000 To support artists’ fees and related To support artists’ fees and related costs for chamber and new music con­ ¢t Jazz Legacy, Inc. costs for new music concerts during the certs during the 1992-93 season. New York, NY $5,000 1992-93 season. [92-3124-0582] [92-3124-0541] To support a national tour of the Jazz Legacy Ensemble including concerts Theater Chamber Pia~rs, Inc. Voices of Change in Adanta and New York City. Washington, DC $4,000 Dallas, TX $7,300 [92-3124-0521] To support artists’ fees for chamber To support artists’ fees and related music during the 1992-93 season. costs for new music concerts during the Koncepts Cultural Gallery [92-3124-0532] 1992-93 season. [92-3124-0551] Oakland, CA $7,500 To support artists’ fees and related Tremont String Quartet, inc. ~- Waverly Consort, inc. costs associated with concerts featuring Geneseo, NY $4,000 New York, NY $8,500 Bebop and Beyond in the San To support artists’ fees and related To support artists’ fees and related Francisco Bay area. [92-3124-0523] costs for chamber and new music con­ costs for concerts during the 1992-93 certs during the 1992-93 season. season. [92-3124-0530] Sound DirnclJons~ Inc. [92-3124-0536] New York, NY $4,000 Western Wind Vocal Ensemble, Inc. To support performance fees, travel, TwenUeth Century Consort New York, NY $11,200 and promotional expenses associated Washington, DC $5,500 To support artists’ fees and related with a national tour of the String Trio To support artists’ fees and related costs costs for a chamber music concert of New York. [92-3124-0519] for a new music concert series during series and a public school residency the 1992-93 season. [92-3124-0584] program during the 1992-93 season. [92-3124-0576] University of Virginia Charlottesville, VA $5,000 To support artists’ fees and related St. Paul, MN $4,000 costs for chamber music concerts by To support artists’ fees and related costs for new music concerts during the 1992-93 season. [92-3124-0556]

160 National Endowment for the Arts Music

0 0

String players perform in the Bay Area Women’s Philharmonic, one of 187 orchestras to r~eive supper~ ~r a~c and admini~Uve a~es.

ORCHESTRAS Artistic and Administrative Activities To support run-out concerts, addi­ tional rehearsal time, youth concerts To improve the artistic quality and 187 grants (including the "Kinderkonzert Series," management of orchestras in all sec­ Program Funds: $4,528,525 in-school series, and "Symphony tions of the country; to encourage or­ Treasury Funds: $4,307,000 Family Series"), and the engagement of chestras to broaden their repertoires to an American guest conductor and a include not only works of many histor­ Nabama Symphony Association guest artist. [92-3125-0427] ical periods, but particularly music of Birmingham, AL $28,400 our time with an emphasis on TF $15,000 American Composers Orchestra, Inc. American works; to provide profes­ To support the 1992-92 subscription New York, NY $24,800 sional opportunities for American season. [92-3125-0444] TF $10,000 artists and conductors; and to encour­ To support artistic and production age orchestras to increase and educate Albany Symphony Orchestra, Inc. costs for additional rehearsals, fees for their audiences and serve the larger Albany, NY $23,000 American conductors and soloists, and community. Grants are awarded in TF $10,000 marketing, promotion, and advertising three subcategories: Artistic and To support the 1992-93 subscription expenses. [92-3125-0445] Administrative Activities, Services to series concerts performed in the Palace the Field, and Creative Projects. Theatre and repeat performances in American Symphony Orchestra, Inc. Troy, New York. [92-3125-0374] New York, NY $17,000 197 grants To support the 1992-93 subscription Program Funds: $4,909,000 Amarillo Symphony, Inc. series of Sunday afternoon concerts in Treasury Funds: $4,427,000 Amarillo, TX $5,000 Carnegie Hall. [92-3125-0380]

I99Z Annual Report 161 Anchorage Symphony Orchestra Baton Rouge Symphony Association Buffalo Philharmonic Anchorage, AK $5,000 Baton Rouge, LA $13,000 Orchestra Society, Inc. To support expansion of the touring To support run-out concerts to smaller Buffalo, NY TF $130,000 and runout program by full orchestra communities outside Baton Rouge. To support performances of women and chamber ensembles. [92-3125-0409] composers’ works on the main series, [92-3125-0348] pre-concert lectures and educational ~ Bay Area Women’s Philharmonic broadcasts, concerts at Indian reserva­ Ann Arbor Symphony Orchestra, Inc. San Francisco, CA $9,000 tions and Native American cultural Ann Arbor, MI $5,000 To support the music director’s salary centers, and participation in June in To support costs associated with a con­ and musicians’ rehearsal and perfor­ Buffalo, a festival devoted to new ductor search, increased remuneration mance fees for the subscription con­ music. [92-3125-0335] for musicians, additional rehearsal certs. [92-3125-0448] time, and the Education and Outreach Canton Symphony Orchestra Association Program. [92-3125-0350] Berkeley Symphony Orchestra Canton, OH $25,300 Berkeley, CA $5,000 To support salaries of musicians who Arkansas Orchestra Society, Inc. To support the engagement of addi­ comprise the string quartet, brass Little Rock, AR $14,500 tional musicians and strengthening of quintet, woodwind quintet, and per­ To support costs associated with the marketing and promotional efforts. cussion ensembles, and related costs. presentation of choral works, including [92-3125-0360] [92-3125-0452] rehearsal time, hall rental, and purchase of music. [92-3125-0446] Billings Symphony Society Ca~gu Chambor 0rehestra, Inc. Billings, MT $5,000 Ithaca, NY $5,000 Augusta Symphony, Inc. To support the engagement of Lorin To support the engagement of musi­ Augusta, GA $5,000 Hollander as pianist and participant in cians and other costs associated with To support the "MasterWorks a two-day residency. [92-3125-0398] the production of the main concert se­ Series" I and II and related costs. ries. [92-3125-0438] [92-3125-0385] Binghamton Symphony and Choral Society, Inc. Cedar Rapids Symphony Orchestra Austin Symphony Orchestra Socie~, Inc. Binghamton, NY $7,000 Association, Inc. Austin, TX $20,000 To support musicians’ salaries and Cedar Rapids, IA $17,400 To support expansion of the subscrip­ presentation of a pair of concerts as To support salaries of the Cedar Rapids tion concert series and engagement part of the home subscription series. String Quartet and a string enrichment of the music director/conductor, [92-3125-0449] program for third graders, ensemble American guest artists, and string and chamber orchestra performances principals. [92-3125-0341] ~- Boston Symphony Orchestra, Inc. in rural communities of eastern Iowa, Boston, MA $100,300 and music education programs. Baltimore Chamber Orchestra, Inc. TF $180,000 [92-3125-0453] Baltimore, MD $5,000 To support the orchestra’s 1992-93 To support additional rehearsal time, subscription season. [92-3125-0450] Champaigu-Urbana Symphony increased musicians’ compensation, and Champaign, IL $5,000 engagement of American soloists for the Brooklyn Philharmonic To support one subscription concert 1992-93 season. [92-3125-0439] Symphony Orchestra, inc. featuring photochoreographer, James Brooklyn, NY $34,600 Westwater, in "Symphonic Spring Baltimore Symphony Orchestra, Inc. TF $15,000 Images" and salary increases for non- Baltimore, MD $100,000 To support administrative expenses re­ principal musicians and music director. TF $127,000 lating to planning and implementation [92-3125-0362] To support the 1992-93 "Celebrity," of the subscription series, education "Casual," and "Favorites" subscription programs, and community outreach series. [92-3125-0447] efforts during the 1992-93 season. [92-3125-0451]

I62, National Endowment for the Arts ~/[US~C

Charleston Symphony Orchestra Colorado Springs Symphony Denver Chamber Orchestra Charleston, SC $12,000 Orchestra Association Denver, CO $4,725 To support the 1992-93 "Masterworks Colorado Springs, CO $23,200 To support educational outreach Series." [92-3125-0424] To support salaries, concert produc­ programs, including Musicians tion, and promotion costs of an educa­ Apprenticeship Program, Talks with Chadutte Symphony tional program. [92-3125-0455] the Maestra, and ensembles in public Orchestra Society, Inc. schools. [92-3125-0330] Charlotte, NC $30,000 Columbus Symphony Orchestra, inc. TF $10,000 Columbus, OH $60,800 Des Moines Symphony Association To support an educational program for TF $68,000 Des Moines, IA $12,000 the children of the Charlotte-Mecklen­ To support the educational program To support salaries of orchestra musi­ burg School System and expansion of and related costs. [92-3125-0456] cians for the 1992-93 subscription these services in a 12-county radius of series. [92-3125-0346] Charlotte. [92-3125-0402] Concerto Soloists of Philadelphia Philadelphia, PA $32,000 Detroit Symphony Orchestra Hall, Inc. Chattanooga Symphony and TF $10,000 Detroit, MI $100,000 Opera Association To support salaries of musicians on TF $125,000 Chattanooga, TN $10,000 contract and engagement of per service To support the African American To support salaries of core musicians, assisting musicians. [92-3125-0343] Composers Forum and engagement of additional rehearsal time for the prepa­ guest artists, soloists, and conductors ration of subscription concerts, and Concordia: A Chamber Symphony for the subscription series, The engagement of American guest artists. New York, NY $6,000 Nutcracker Ballet, and the opening [92-3125-0382] To support the 1992-93 subscription Gala concert. [92-3125-0326] series at Lincoln Center. Chicago SITing Ensemble [92-3125-0340] Duluth-Superior Symphony Association Chicago, IL $5,000 Duluth, MN $10,500 To support the 1992-93 subscription Dallas Symphony Association, Inc. To support rehearsal time in prepara­ concert series and repeat concerts in Dallas, TX $50,000 tion of subscription concerts and ser­ Elmhurst, Illinois. [92-3125-0370] TF $100,000 vices for the Chamber Ensembles in To support the 1992-93 main sub­ the Schools project. [92-3125-0458] Cincinnati Symphony Orchestra scription series; the "SuperPops Series" Cincinnati, OH $100,700 of light classical and popular music; Eastern Connecticut Symphony, Inc. TF $121,000 and community series for youth, dis­ New London, CT $5,500 To support the 1992-93 subscription abled persons, elderly, and minority To support increased salaries for musi­ concert series. [92-3125-0454] audiences. [92-3125-0375] cians, guest artists’ fees, and open rehearsals for music students with Cleveland State University Dayton Philharmonic commentaty by the music director. (Cleveland Chamber Symphony) Orchestra Association [92-3125-0313] Cleveland, OH $7,000 Dayton, OH $28,600 To support additional rehearsal time TF $10,000 [] Paso Symphony Orchestra Association and engagement of guest soloists to To support a series of Coffee and E1 Paso, TX $5,000 perform with the orchestra. Casual Classics Concerts and educa­ To support the 1992-93 subscription [92-3125-0329] tional concerts. [92-3125-0457] series. [92-3125-0314]

Colonial Symphony Society Delaware Symphony Association Madison, NJ $5,000 Wilmington, DE $20,000 To support performance of American To support rehearsal time, engagement music and presentation of American of guest artists, and musicians’ salaries guest artists for the 1992-93 subscrip­ for additional services. [92-3125-0431] tion series. [92-3125-0386]

z99zAnnual Report 163 Music

Elgin Symphony Orchestra AssociaUon Fargo-Moorhead Orchestral Association musicians and related artistic and ad­ Elgin, IL $7,300 Fargo, ND $5,300 ministrative expenses. [92-3125-0463] To support promotion, preparation, To support educational concerts for and performances of concerts featuring young audiences during the 1992-93 Fort Worth Symphony Orchestra American music, engagement of an season. [92-3125-0461] Association, Inc. additional cellist and violist, Petite Fort Worth, TX $47,600 Musique Concerts, and a family series. Flint Institute of Music TF $20,000 [92-3125-0412] Flint, MI $5,000 To support the touring program and To support additional services for full local education concerts. Eugene Symphony Association, Inc. orchestra. [92-3125-0359] [92-3125-0464] Eugene, OR $8,000 To support run-out programs to cul­ Florida Orchestra, Inc. Fresno Philharmonic Association turally underserved areas of central Tampa, FL $29,100 Fresno, CA $6,300 Oregon, the "Youth Concert Series" TF $10,000 To support run-out concerts to performed in local high schools, and To support costs associated With the Kerman and Clovis, Calfornia. small ensemble performances in production of the 1992-93 [92-3125-0465] schools. [92-3125-0324] "Masterworks" subscription series. [92-3125-0462] Grand Rapids Symphony Society Evansville Philharmonic Orchestral Grand Rapids, MI $59,200 Corporation Endowment Fund Trust Florida Philharmonic Orchestra, Inc. TF $20,000 Evansville, IN $14;800 Ft. Lauderdale, FL $42,000 To support salaries of core orchestra To support fees for an American artist TF $15,000 musicians and increased performance and conductor, youth concerts that To support the 1992-93 subscription opportunities, including subscription, reach students within a 50-mile radius series, additional concerts in Palm chamber, educational, run-out, special of Evansville, and ensemble perfor­ Beach County, expansion of youth and constituencies, and collaborative mances in area hospitals, churches, and park concerts, and employment of opera!ballet concerts. [92-3125-0466] nursing homes. [92-3125-0459] part-time musicians for core orchestra positions. [92-3125-0420] Greater Akron Musical Association, Inc. Fairbanks Symphony Association, Inc. Akron, OH $19,000 Fairbanks, AK $9,500 Florida Symphony Orchestra, Inc. To support Little Tikes concerts for To support the engagement of Orlando, FL $20,000 pre-school children, Young People’s American guest artists or ensembles as TF $10,000 Concerts for fourth-through-sixth­ soloists, a concert featuring works by To support costs associated with pre­ grade students, and a family concert. American composers, and touring the sentation of the Masterworks series, in­ [92-3125-0320] Arctic Chamber Orchestra in north­ cluding rehearsal time, engagement of western Alaska. [92-3125-0460] American artists and conductors, and Greensboro Symphony Society, Inc. the performance of major works; Greensboro, NC $9,500 Fairfax Symphony Orchestra chamber music series; and radio broad­ To support expenses associated with Annandale, VA $9,500 casts. [92-3125-0400] presentation of Family Concerts. To support the 1992-93 concert sea­ [92-3125-0337] son presented in the new Center for Florida West Coast Symphony, Inc. the Arts at George Mason University. Sarasota, FL $5,000 Greenville Symphony Association [92-3125-0442] To support salaries of core orchestra Greenville, SC $ 5,000 musicians. [92-3125-0426] To support the 1993 Winter Music Fairfield Orchestra, Inc. Festival, the theme of which will be New Canaan, CT $5,000 Fort Wayne Philharmonic Orchestra, Inc. Jazz in Classical Music, and an in- To support musicians’ salaries and guest Fort Wayne, IN $33,400 school educational outreach program. artists’ fees for the 1992-93 subscrip­ TF $10,000 [92-3125-0418] tion series performed in the Norwalk To support salaries of a core group of Concert Hall. [92-3125-0378]

164 National Endowment for the Arts Music

Handel and Haydn Society with the production of the 1992-93 chestra musicians who form the nu­ Boston, MA $22,000 main subscription series and cleus of the Knoxville Symphony To support musicians’ fees for the "Symphony Promenade Series." Orchestra and the Knoxville Chamber period-instrument performances of the [92-3125-0469] Orchestra. [92-3125-0435] 1992-93 season. [92-3125-0363] Island Philharmonic Society, Inc. Lake Forest Symphony Association, Inc. Harrisburg Symphony Association Melville, NY $16,000 Lake Forest, IL $5,000 Harrisburg, PA $7,700 To support Young People’s Concerts, To support artistic expenses for the To support the engagement of an open rehearsal program, and a 1992-93 classical series and young American guest artists and conductors, subscription concert series. people’s concerts. [92-3125-0327] educational concerts for pre-school and [92-3125-0434] elementary school students, and run- Lansing Symphony Association, Inc. out concerts. [92-3125-0467] Jacksonville Symphony Association Lansing, MI $7,000 Jacksonville, FL $22,000 To support production costs for Honolulu Symphony Society TF $10,000 the "Family Concert Series." Honolulu, HI $60,800 To support the Music Education [92-3125-0396] TF $3O,0O0 Program, a youth orchestra, free com­ To support the 1992-93 subscription munity/run-out concerts, presentation Las Vegas Symphonic and series; the Starlight Festival at the of orchestra musicians as soloists, and Chamber Music Society Waikiki Shell; the Oahu education expansion of core orchestra, pre-school Las Vegas, NV $5,000 program of concerts and ensemble per­ concerts’, and in-school lecture/demon­ To support partial salaiies of market­ formances; and within-state touring to strations. [92-3125-0421] ing/public relations personnel and mu­ neighboring islands. [92-3125-0468] sicians who perform subscription series Johnslxw~ Symphony Orchestra concerts. [92-3125-0428] Houston Symphony Society Johnstown, PA $5,000 Houston, TX TF $187,000 To support additional string players, Lehigh Valley Chamber Orchestra To support the 1992-93 main sub­ engagement of a concertmaster, educa­ Lehigh Valley, PA $5,000 scription series. [92-3125-0416] tional concerts for elementary students, To support additional string sectional and musicians’ participation as teachers and string principal rehearsals for Hudson Valley Philharmonic Society, Inc. at the Youth Music Camp at the subscription series concerts. Poughkeepsie, NY $22,000 University of Pittsburgh at Johnstown. [92-3125-0397] To support the 1992-93 subscription [92-3125-0318] series performed in the Bardavon Opera Lexington Philharmonic Society House (Poughkeepsie, NY), Ulster Kalamazoo Symphony Society Lexington, KY $13,500 Performing Arts Center (Kingston, Ka.lamazoo, MI $6,000 To support musicians’ salaries for the NY), and Paramount Theater To support the 1992-93 subscription chamber orchestra and Young People’s (Middletown, NY). [92-3125-0342] series of full and chamber orchestra Concerts, including production costs concerts and a choral concert. of an educational video and travel ex­ Illinois Philharmonic Orchestra [92-3125-0408] penses for musicians outside Park Forest, IL $6,000 Lexington. [92-3125-0471] To support additional rehearsal time, Kansas City Symphony salary increases for musicians, and Kansas City, MO $37,500 Uncoln Symphony Orchestra Association engagement of guest soloists. TF $10,000 Lincoln, NE $5,300 [92-3125-0351] To support the "Discovery Series" and To support distribution of subsidized "Family Series" during the 1992-93 tickets for lower- and middle-income Indiana State Symphony Society, Inc. season. [92-3125-0470] senior citizens and their transportation Indianapolis, IN $64,700 to the concert hall for Lincoln TF $100,000 Knoxville Symphony Society, Inc. Symphony concerts. [92-3125-0472] To support musicians’ and guest artists’ Knoxville, TN $21,000 fees and administrative costs associated To support the engagement of core or­

1992Annual Report I65 Music

Long Beach Symphony Association guest artists who will perform with the Monterey County Symphony Association Long Beach, CA $20,700 orchestra during the 1992-93 concert Carmel, CA $7,000 TF $11,000 season. [92-3125-0315] To support a composer education pro­ To support orchestra musicians’ salaries ject, performance of American works, for the 1992-93 subscription series and Memphis Orchestral Society, Inc. and the engagement of guest soloists. education and community programs. Memphis, TN $25,000 [92-3125-0328] [92-3125-0473] TF $10,000 To support the engagement of core Music of the Baroque Concert Series Los Angeles Chamber orchestra musicians. [92-3125-0425] Chicago, IL $12,700 Orchestra Society, Inc. To support orchestral musicians’ Los Angeles, CA $42,000 Midland-Odessa Symphony salaries and instrumental soloists’ fees. TF $20,000 and Chorale, Inc. [92-3125-0478] To support a series performed in Royce Midland, TX $5,000 Hall at U.C.L.A. [92-3125-0401] To support increased remuneration for ~ Musical Arts Association, orchestra musicians. [92-3125-0369] The Cleveland Orchestra Los Angeles Philharmonic Association Cleveland, OH $100,300 Los Angeles, CA $100,300 Milwaukee Symphony Orchestra, Inc. TF $180,000 TF $180,000 Milwaukee, WI $68,000 To support the Cleveland Orchestra’s To support the 1992-93 winter season TF $100,000 educational concerts for third- through activities. [92-3125-0474] To support classical subscription con­ eighth-grade students and a subscrip­ certs, youth and high school concerts, tion series of daytime concerts for adult Louisville Orchestra, Inc. and touring throughout Wisconsin. audiences, both performed in Louisville, KY $55,000 [92-3125-0411] Severance Hall. [92-3125-0477] TF $20,OOO To support the presentation of the Minneapolis Chamber Symphony, Inc. Napa Valley Symphony Association, Inc. "Masterworks," "Cumberland Coffee Minneapolis, MN $5,300 Napa, CA $5,000 Concerts," and "New Dimensions" To support a free "Community To support increased remuneration for series. [92-3125-0404] Concert Series." [92-3125-0475] per-service musicians. [92-3125-0354]

Macon Symphony Orchestra, Inc. ~ Minnesota Orchestral Association Nashville Symphony Association Macon, GA $5,000 Minneapolis, MN $100,200 Nashville, TN $28,000 To support preparation and perfor­ TF $169,000 To support the engagement of an mance of American music and presen­ To support production costs for the American guest conductor and con­ tation of American artists on the sub­ 1992-93 Minneapolis Symphony tinuation of concerts presented in scription series. [92-3125-0413] Orchestra subscription series, Nashville’s public school system. "Symphony Week," a family series, [92-3125-0332] Madison Civic Music Association, Inc. "Adventures in Music," and a domestic Madison, WI $5,000 tour. [92-3125-0476] Nassau Symphony Society, inc. To support concert production costs for Uniondale, NY $5,000 educational projects. [92-3125-0334] Mississippi Symphony To support the engagement of guest Orchestra Association artists, additional rehearsal time costs Marin Symphony Association Jackson, MS $6,500 for preparation of contemporary San Rafael, CA $6,000 To support a statewide educational American music, and run-out perfor­ To support the music director’s salary program. [92-3125-0333] mances. [92-3125-0392] and increased remuneration for musi­ cians. [92-3125-0312] Missouri Symphony Society National Chamber Orchestra Society, Inc. Columbia, MO $5,000 Rockville, MD $6,000 Maryland Symphony Orchestra, Inc. To support an outreach and audience To support artistic and administrative Hagerstown, MD $5,500 development project. [92-3125-0364] costs associated with performance of To support presentation of American American music, engagement of

I66 National Endowment for theArts ~/~usic

American soloists, and increased in-school educational program called Oregon Symphony Association rehearsal time. [92-3125-0352] Bach to Basie. [92-3125-0481] Portland, OR $70,000 TF $63,000 National Symphony Orchestra North Carolina Symphony Society, Inc. To support presentation of contempo­ Association of Washington, D.C. Raleigh, NC $71,300 rary repertoire and American soloists, Washington, DC $100,000 TF $30,000 as part of the subscription series in TF $115,000 To support full orchestra educational Portland and repeated in Salem; com­ To support the 1992-93 subscription concerts and performances of new munity services and outreach; and en­ series at the Kennedy Center for the American music. [92-3125-0483] gagement of part-time string players. Performing Arts. [92-3125-0394] [92-3125-0415] Northwest Indiana Nebraska Chamber Orchestra Symphony Society, Inc. Orpheo,, Inc. Lincoln, NE $5,000 Munster, IN $7,000 New York, NY $15,800 To support employment of a full-time To support family concerts of The To support musicians’ fees for addi­ manager and full-time staff assistant. Nutcracker and the duo Rosenshontz in tional rehearsal time, partial salaries of [92-3125-0316] Man, Music and the Natural Wor~ the conductor and director of educa­ [92-3125-0339] tion, and full salary of the music assis­ New Hampshire Symphony tant for the Little Orchestra Society of Manchester, NH $11,100 Ohio Chamber Orchestra Society New York. [92-3125-0485] To support the 1992-93 main sub­ Cleveland, OH $9,700 scription series. [92-3125-0479] To support the music director’s salary Orpheus Chamber Orchestra, Inc. and engagement of a section cellist, New York, NY $32,800 New Haven Symphony Orchestra, Inc. string quartet, and other ensemble TF $20,000 New Haven, CT $33,300 musicians who will participate in a resi­ To support the Carnegie Hall subscrip­ TF $10,000 dency program at the Cleveland School tion series; satellite, run-out, and tour To support the 1992-93 subscription of the Arts. [92-3125-0484] concerts; and continued management series at Woolsey Hall on the campus initiatives. [92-3125-0486] of Yale University. [92-3125-0480] Omaha Symphony Association Omaha, NE $31,000 Owensbero Symphony Orchestra, Inc. New Jersey Symphony Orchestra TF $10,000 Owensboro, KY $5,000 Newark, NJ $10,250 To support the orchestra’s educational To support the Consortium Chairs TF $100,000 and touring activities and the "Classical program and a pre-concert outreach To support an education program Series." [92-3125-0437] series. [92-3125-0414] which serves students in New Jersey and southeastern Pennsylvania and Orchestra of Santa Fe, Inc. Pacific Symphony Association engagement of an associate conductor. Santa Fe, NM $5,000 Santa Ana, CA $30,000 [92-3125-0508] To support performance of American TF $10,000 compositions during the 1992-93 sea­ To support the engagement of New Mexico Symphony Orchestra son and engagement of American guest American soloists and guest conduc­ Albuquerque, NM TF $60,000 artists and additional administrative tors, in-school concerts, and perfor­ To support the orchestra’s educational staff. [92-3125-0419] mance of contemporary American and touring activities. [92-3125-0331] works. [92-3125-0436] Orchestral Association New Orchestra of Westchester, Inc. Chicago, IL $100,300 Pasadena Symphony Association Hartsdale, NY $11,100 TF $180,000 Pasadena, CA $19,300 To support preparation and perfor­ To support costs related to the Chicago To support the 1992-93 concert series mance of new works programmed dur­ Symphony Orchestra’s 1992-93 sub­ at the Pasadena Civic Auditorium. ing the 1992-93 season and develop­ scription series. [92-3125-0422] [92-3125-0487] ment of curriculum materials for an

1992 Annual Report 167 P~or~a Symphony 0rchestr~ Peoria, IL $5,000 To support a wodd premiere perfor­ mance, American music presented in youth concerts, solo performances by principal players, increased remunera­ tion for musicians, and chamber en­ sembles. [92-3125-0317]

Philadelphia Orchestra Association Philadelphia, PA $100,300 TF $180,000 To support the 1992-93 subscription series, a pre- and post-concert lecture series, a chamber music series per­ formed by orchestra members and guest artists, educational programs, and a Martin Luther King, Jr. commemora­ tive concert. [92-3125-0488] A future musician meets the flute at an open house in Heinz Hall, Philharmonia Baroque Orchestra home of the Pittsburgh Symphony. San Francisco, CA $22,000 To support performances of Handel’s ,~, Philharmonic-Symphony PorlJand Maine Symphony Orchestra oratorio Judas Maccabeus. Society of New York, Inc. Portland, ME $30,000 [92-3125-0349] New York, NY $100,300 TF $10,000 TF $180,000 To support the 1992-93 "Classical Philharmonia Virtuosi Corporation To support extra rehearsals for perfor­ Series," the "Pre-concert Lecture Dobbs Ferry, iVY $13,500 mances ofwodd premiere works by Series," run-out concerts as part of the To support additional rehearsal time contemporary composers, engagement "Portsmouth Music Hall Series," and a and expansion of a youth concert series of young American conductors, and television broadcast in collaboration called "Cushion Concerts." outdoor concerts in boroughs of with public television station WCBB. [92-3125-0489] New York City, Long Island, and [92-3125-0417] Westchester County. [92-3125-0429] Philharmonic Center for the Arts, Inc. Pro AJ’te Chamber Naples, FL $5,000 Phoenix Symphony Association Orchestra of Boston, Inc. To support guest conductors’ fees and Phoenix, AZ $50,500 Cambridge, MA $9,200 additional rehearsal time for the TF $54,000 To support salaries and benefits of a Naples-Marco Philharmonic’s To support the 1992-93 "Classics music director and general manager. 1992-93 subscription series. [92-3125­ Series" of concerts performed in [92-3125-0322] 0433] Symphony Hall. [92-3125-0490] Pro Musica Chamber Philharmonic Society of Pittsbur~-,h Symphony Society Orchestra of Columbus, Inc. Northeastern Pennsylvania Pittsburgh, PA $100,000 Columbus, OH $5,300 Avoca, PA $17,000 TF $173,000 To support musicians’ travel expenses To support rehearsals and perfor­ To support the 1992-93 subscription and related costs. [92-3125-0491] mances of works by contemporary series. [92-3125-0373] American composers and engagement Puerto Rico Symphony of young American guest soloists who Orchestra Corporation will perform with the orchestra during Santurce, PR $17,000 the 1992-93 season. [92-3125-0357] To support outreach concerts for audi­

168 National Endowment for the Arts Music

ence development, induding perfor­ city school children. [92-3125-0391] ter), a principal oboist, a principal mances at the University of Puerto French hornist, and players’ travel Rico and at various towns on the Roanoke Symphony Society expenses. [92-3125-0493] island. [92-3125-0368] Roanoke, VA $5,000 To support Young People’s Concerts Saint Paul Chamber Orchestra Society Queens Symphony Orchestra, Inc. for fourth- through sixth-grade stu­ St. Paul, MN $74,800 Rego Park, NY $14,000 dents. [92-3125-0355] TF $100,000 To support the 1992-93 "Masterworks To support costs associated with pro­ Concert Series" and a family concert Robert W. Woodruff Arts Center, Inc. duction of the "Masterworks Series," series on Sunday afternoons. Atlanta, GA $100,000 "Basically Baroque Series," and [92-3125-0383] TF $127,000 "Morning Coffee Series." To support salaries of the Atlanta [92-3125-0494] Reading Symphony Orchestra Association Symphony’s music director and admin­ Reading, PA $5,000 istrative personnel, guest artists’ fees, San Diego Chamber Orchestra To support additional string sectional production costs, a Florida tour, educa­ Rancho Santa Fe, CA $5,000 rehearsals. [92-3125-0323] tional and family concerts, and free To support musicians’ salaries and parks concerts. [92-3125-0336] soloists’ fees for the 1992-93 subscrip­ Redlands Symphony Association tion series. [92-3125-0390] Redlands, CA $6,500 Rochester Civic Music Guild To support school concerts for fifth and Rochester, MN $5,000. San Diego Symphony Orchestra sixth graders in the Redlands and Yu­ To support engagement of an emerging Association caipa school systems. [92-3125-0423] American guest soloist and musicians’ San Diego, CA $40,000 salaries for performances of works by TF $50,000 Rhode Island Philharmonic Orchestra modern composers. [92-3125-0403] To support salaries and benefits for Providence, RI $21,000 musicians. [92-3125-0381] To support an educational program Rochester Philharmonic Orchestra, Inc. consisting of school-time concerts and Rochester, NY $80,300 San Francisco Symphony in-school ensemble presentations. TF $78,000 San Francisco, CA $100,300 [92-3125-0371] To support educational concerts, sub­ TF $180,000 scription concerts in the Eastman To support the 1992-93 main sub­ Richmond Symphony Theatre, free concerts at area parks and scription series. [92-3125-0495] Richmond, VA $27,500 other public locations, and run-out To support musicians’ salaries and concerts in upstate New York. San Jose Symphony Association other related costs for the production [92-3125-0492] San Jose, CA $38,100 of the "Double Exposure Series" and TF $15,000 statewide touring. [92-3125-0365] Sacramento Symphony Association To support artistic expenses associated Sacramento, CA $20,000 with the production of the 1992-93 Riverside Symphony TF $10,000 "Masterworks" series. [92-3125-0496] Orchestra Society, Inc. To support engagement of guest con­ Riverside, CA $5,000 ductors who will be candidates for the Santa Barbara Symphony To support a special concert of music director/conductor position, Orchestra Association American and Hispanic music at the appointment of a music advisor during Santa Barbara, CA $12,700 Sherman Indian High School. the transition period, and salaries To support artists’ fees and costs re­ [92-3125-0358] of core orchestra musicians. lated to production of the "Sunday [92-3125-0384] Matinee Series." [92-3125-0497] Riverside Symphony, inc. New York, NY $6,500 Saginaw Symphony Association To support additional rehearsal time Saginaw, MI $5,300 for community concerts, including free To support engagement of principal concerts of open rehearsals for inner- string players (including concertmas­

x99:zAnnual Report 169 Sa,ta Rosa Symphony Association Southwest Florida Symphony tickets to senior citizens and students Santa Rosa, CA $5,000 Orchestra and Chorus Association and their families. [92-3125-0501] To support increased remuneration for Fort Myers, FL $5,000 orchestra members and administrative To support expansion of run-out con­ Symphony Sa©iety of San Antonio staff and engagement of musicians certs to Port Charlotte and Lehigh San Antonio, TX TF $70,000 for the Music for Seniors program. Acres, Florida. [92-3125-0410] To support the "Symphony Series" and [92-3125-0325] student concerts. [92-3125-0321] Spokane Symphony Society Savannah Symphony Socie~, Inc. Spokane, WA $22,200 Syracuse Symphony Orchestra, Inc. Savannah, GA $14,500 To support increased remuneration Syracuse, NY $50,000 To support the Women in Music for core orchestra musicians. TF $64,000 Program and educational and [92-3125-0499] To support Project 2000, a minority Wunderkind concerts. [92-3125-031 I] audience development tool; scholar­ Springfield Symphony ships for members of the Syracuse Seattle Symphony Orchestra, Inc. Orchestra Association, Inc. Symphony Youth Orchestra; and Seattle, WA $53,100 Springfield, IL $15,800 music in the schools throughout TF $100,000 To support salaries of core orchestra central and northern New York. To support the 1992-93 "Masterpiece musicians who will perform subscrip­ [92-3125-0502] Series." [92-3125-0498] tion, tour, and run-out concerts (as the Illinois Chamber Orchestra), and small Toledo Orchestra Association, Inc. Shr~veporl Symphony Saeioty ensemble presentations in schools and Toledo, OH $35,000 Shreveport, LA $16,000 in the community. [92-3125-0500] TF $15,000 To support an educational program in To support performances of American cooperation with the school boards in Springfield Symphony Orchestra, Inc. compositions as part of the subscrip­ Caddo, Bossier, and DeSoto parishes. Springfield, MA $21,000 tion series programs and educational [92-3125-0407] TF $10,000 performances for students given by To support full orchestra youth con­ small ensembles. [92-3125-0372] Sa~ Bend Symphony certs, symphony ensemble perfor­ Orchestra Association, Inc. mances serving grades three through Tucson Symphony Society South Bend, IN $5,000 eight in inner-city public schools, pre­ Tucson, AZ $24,000 To support salaries of the core orches­ sentation of American works, and en­ To support core orchestra musicians’ tra and its component ensembles and gagement of American guest artists. salaries and related travel costs for their their activities. [92-3125-0395] [92-3125-0347] performances with the orchestra, cham­ ber orchestra, and part of the Music in South Carolina Orchestra St. Louis Symphony Society the Schools program. [92-3125-0338] Association, inc. St. Louis, MO $100,000 Columbia, SC $5,000 TF $175,000 Tulsa Philharmonic Society, Inc. To support engagement of an artistic To support the main subscription series Tulsa, OK $20,000 advisor and American guest soloists. in its commitment to present American To support low-cost "Sundae Series" [92-3125-0393] music and American musicians, pre- concerts, in-school performances, and concert lectures, and engagement of a educational run-outs that combine an Sauth Dakota Symphony Orchestra new community affairs administrator. afternoon school concert with an Sioux Falls, SD $5,000 [92-3125-0376] evening performance. [92-3125-0406] To support performances of a commis­ sioned piece by Eric Stokes, celebrating Stamford Symphony Orchestra, Inc. Utah Symphony Society Native American folklore; an educa­ Stamford, CT $7,700 Salt Lake Ciq, UT $50,600 tional/outreach program; and touring To support an in-school program for TF $55,000 by the full orchestra and chamber en­ Darien and Stamford public schools To support the classical series and sembles. [92-3125-0344] and issuance of discounted and free chamber series in Symphony Hall, stu­

I70 National Endowment for theArts Music

dent and family concerts, collaborative To support additional rehearsal time, SERVICES TO THE FIELD performances with Ballet West and expansion of an education program Utah Opera, and regional tours to to include a broader audience, and 6 grants neighboring states. [92-3125-0503] engagement of a guest artist. Program Funds: $349,100 [92-3125-0387] Treasury Funds: $120,000 Ventura County Symphony Association Ventura, CA $5,000 Westmoreland Symphony Orchestra ~" Affiliate Artists, Inc. To support salary and benefits of a new Greensburg, PA $5,000 New York, NY $100,000 music director/conductor who will be To support an extra full orchestra re­ TF $20,0O0 engaged for the 1992-93 concert hearsal for each subscription concert. To support the continuation of the season. [92-3125-0432] [92-3125-0377] Aflqliate Artists/NEA Conductors Program, which provides residencies Vermont Symphony Wheeling Symphony Society, Inc. for young American conductors with Orchestra Association, Inc. Wheeling, WV $5,000 American orchestras to further Burlington, VT $19,050 To support concerts in rural commu­ develop and advance their careers. To support the music director’s salary nities in West Virginia, including [92-3125-0405] and orchestra performances for youth. Weirton, Bluefield, and Glenville. [92-3125-0504] [92-3125-0356] ~" American Symphony Orchestra League Washington, DC $48,000 Virginia Orchestra Group Wichita Symphony Society, Inc. To support the Orchestra Management No~olk, VA $24,000 Wichita, KS $20,100 Fellowship Program, which involves To support increased salaries of TF $10,000 the identification, selection, and train­ Virginia Symphony’s core orchestra To support run-out and tour concerts ing of candidates who show potential musicians and expansion of repertoire throughout Kansas, employment of as general managers of symphony or­ programmed for the "Mozart and graduate students from Wichita State chestras. [92-3125-0366] More Series." [92-3125-0379] University, and Young People’s Concerts. [92-3125-0505] ~- American Symphony Orchestra League Washington Chamber Symphony Washington, DC $185,000 Washington, DC $5,000 Winston-Salem Symphony Association To support the League’s educational To support The American Initiative, a Winston-Salem, NC $17,400 programs, including seminars and comprehensive program to integrate To support the educational outreach workshops for orchestra managers, American music and musicians into the program and related costs. volunteers, and conductors, and 1992-93 "Chamber Orchestra Series." [92-3125-0506] specialized training courses for orches­ [92-3125-0353] tra professionals. [92-3125-0367] Young Men’s & Young Women’s West Shore Symphony Orchestra Hebrew Association ~ American Symphony Orchestra League Muskegon, MI $5,000 New York, NY $32,200 Washington, DC TF $40,000 To support additional rehearsals on the TF $10,000 To support a research-based investiga­ concert hall stage. [92-3125-0441] To support the musicians’ fees for the tion of the financial condition of 1992-93 main subscription series of American orchestras and the role of West Virginia Symphony Orchestra, Inc. the New York Chamber Symphony. musicians with orchestras to be pre­ Charleston, WV $10,000 [92-3125-0482] sented at the June 1992 and June 1993 To support touring to various commu­ national conferences. [92-3125-0524] nities throughout the state with a re­ Youngstown Symphony Society, Inc. duced-size orchestra and related costs. Youngstown, OH $8,000 [92-3125-0430] To support a multi-arts presentation with original narration and choreog­ Westfield Symphony raphy. [92-3125-0507] Wes~qeld, NJ $5,000

x99zAnnual Report 171 Music

Conductor’s Guild, Inc. tions by string ensembles in local and Caramoor COMer for West Chester, PA $6,100 rum schools within a tri-state region. Music and the Arts, Inc. To support conductor workshops [92-3125-0440] Katonah, NY $7,000 during the 1992-93 season led by Max To support artists’ fees at the 1992 Rudolf, Julius Rudel, Otto Werner Caramoor Music Festival. Mueller, Daniel Lewis, and Michael MUSIC FESTIVALS [92-3142-0119] Tilson Thomas. [92-3125-0345] To assist.organizations that offer a se­ Chicago Park District ~r Meet the Composer, Inc. ries of high-quality special music Chicago, IL TF $20,000 New York, iVY $10,000 events, coordinated within a specific To support artists’ fees at the 1992 TF $60,000 period of time and presented at a season of Grant Park Concerts. To support a new composer residency centralized location. [92-3142-0271] program allowing composers to work on a part-time basis with one mid-size 39 grants Cincinnati Symphony Orchestra or two smaller orchestras in a region. Program Funds: $235,000 Cincinnati, OH $5,000 [92-3125-0399] Treasury Funds: $150,000 To support artists’ fees for the 1992 season of the Riverbend Music Center. Creative Projects Associated Students of [92-3142-0146] Sacramento State College 4 grants Sacramento, CA $6,500 Connecticut Early Music Society, Inc. Program Funds: $31,375 To support the Festival of New New London, CT $5,000 American Music in 1992. To support American artists’ fees at the /Inn ~bor Slmtphony 0rchestm, Inc. [92-3142-0142] 1992 Connecticut Early Music Ann Arbor, MI $5,000 Festival. [92-3142-0128] To support the Minority Mentorship Bang On A Can, Inc. Program. [92-3125-0389] New York, NY $6,600 District Curators, Inc. To support American musicians’ fees Washington, DC $6,000 Buffalo Philharmonic at the 1992 Bang On A Can Festival. To support American artists’ fees for Orchestra Societ),, Inc. [92-3142-0126] the DC Free Jazz Festival scheduled for Buffato, NY $9,000 July 4, 1992. [92-3142-0272] To support an education program Boston Symphony Orchestra, Inc. called Curriculum in Concert for high Boston, MA TF $20,800 Eastern Music Festival, Inc. school students who will receive college To support American guest artists Greensboro, NC $11,300 credit for attending subscription con­ appearing with the Boston Symphony To support artists’ fees at the 1992 certs and the June in Buffalo new Orchestra or in recital at the 1992 Eastern Music Festival. [92-3142-0121] music concert at SUN-Y-Buffalo. Tanglewood Festival. [92-3142-0116] [92-3125-0388] Festival at Sandpoint, Inc. Bravo Colorado at Vail-Beaver Creek Sandpoint, ID $5,000 Handel and Haydn Vail, CO $5,000 To support artists’ fees for the 1992 Boston, MA $9,875 To support artists’ fees at the 1992 Festival at Sandpoint. [92-3142-0122] To support a participatory youth con- Bravo! Colorado Music Festival at curt series, involving high school stu­ Vail/Beaver Creek. [92-3142-0135] Fredric R. Mann Music Center dents who will perform in their own Philadelphia, PA $5,000 communities with professionals from CObHIIo Guild of Music To support artists’ fees at the 1992 the Society’s period-instrument orches­ Aptos, CA $13,000 season of the Mann Music Center. tra and chorus. [92-3125-0443] To support artists’ fees at the 1992 [92-3142-0134] Cabrillo Music Festival. Wheeling Symphony $ociet,/, Inc. [92-3142-0138] Friends of the Brattleboro Wheeling, WV $7,500 Music Center, Inc. To support performances/demonstra­ Brattleboro, VT $13,000

172. National Endowment for the Arts Monadnock Music Peterborough, NH $5,000 To support artists’ fees at the 1992 Monadnock Music Festival. [92-3142-0120]

Mozart Festival Association San Luis Obispo, CA $5,000 To support artists’ fees at the 1992 sea­ son of the Mozart Festival in San Luis Obispo. [92-3142-0127]

Music Associates of Aspen, Inc. Aspen, CO TF $14,500 To support the 1992 Aspen Music Festival. [92-3142-0269] James DePreist, music director of the Oregon Symphony, conducts an orchestra at the Peter BrAt Festival in Medford, Oregon. Musical Arts Association Cleveland, OH TF $17,400 To support the 1992 New England Mostly Mozart Festival. Tosupport artists’ fees for the 1992 Bach Festival. [92-3142-0137] [92-3142-0268] festival at the Blossom Music Center. [92-3142-0117] Grand Teton Music Festival, Inc. Los Angeles Philharmonic Association Teton Village, WY $14,300 Los Angeles, CA $2,500 New Hampshire Music Festival, Inc. To support artists’ fees at the 1992 TF $16,000 Center Harbor, NH $5,000 Grand Teton Music Festival. To support American artists’ fees for To support American artists’ fees at the [92-3142-0124] the 1992 season of the Hollywood 1992 New Hampshire Music Festival. Bowl Summer Festival. [92-3142-0125] Gregg Smith Singers, Inc. [92-3142-0270] New York, NY $5,000 OK Mozart, Inc. To support artists’ fees at the 1992 Mendocino Music Festival Bartlesville, OK $ 5,000 Adirondack Festival of American Mendocino, CA $5,000 To support artists’ fees at the 1992 OK Music. [92-3142-0143] To support American artists’ fees at Mozart Festival. [92-3142-0145] the 1992 Mendocino Music Festival. Jo Scott’s Center for [92-3142-0133] Ojai Festivals, Ltd. Cultural Developments, Inc. Ojai, CA S14,500 Fairbanks, AK $5,000 Miami-Dade Community College To support American artists’ fees at the To support artists’ fees at the 1992 Miami, FL $5,000 1992 Ojai Festival. [92-3142-0131] Fairbanks Summer Arts Festival. To support American artists’ fees at the [92-3142-0139] 1992 Subtropics Music Festival IV. Peter Britt Gardens Music and Arts [92-3142-0118] Festival Association La Jolla Chamber Music Society Medford, OR $5,000 La Jolla, CA $5,000 Minnesota Orchestral Association, To support artists’ fees at the 1992 To support artists’ fees at the 1992 the Minneapolis Symphony Orchestra Peter Britt Festival. [92-3142-0148] SummerFest. [92-3142-0129] Minneapolis, MN $1,800 TF $22,800 Ravinia Festival Association Uncoln Center for the To support artists’ fees at the 1992 Highland Park, IL $7,000 Performing Arts, Inc. Viennese Sommerfest. [92-3142-0115] To support artists’ fees at the 1992 New York, NY TF $18,500 Ravinia Festival. [92-3142-0136] To support artists’ fees at the 1992

1992 Annual Report 173 Rhode Island Arts MUSIC RECORDING facture of a compact disc featuring Foundation at Newpo~ Inc. the solo piano works of Walter Newport, RI $5,000 To assist nonprofit organizations, solo­ Aschaffenburg, David Cohen, Holon To support American artists’ fees at ists, and duo performers in the record­ Matthews, and Ned Rorem for the 1992 Newport Music Festival. ing and distribution of American music. Summit Records. [92-3143-0665] [92-3142-0132] 38 grants ~ Detroit Symphony Orchestra Hall, Inc. Rutgers, The State University Program Funds: $500,000 Detroit, MI $40,000 of New Jersey To support a recording of William Levi Piscataway, NJ $5,000 ¢r Baltimore Symphony Orchestra, Inc. Dawson’s "Negro Folk Symphony," To support artists’ fees at the 1992 Baltimore, MD $30,000 William Grant Still’s "Afro-American Rutgers SummerFest. [92-3142-0147] To support the recording of Stephen Symphony" (1930), and Edward Albert’s "Concerto for Cello and Kennedy "Duke" Ellington’s "The Santa Fe Chamber Music Festival, Ltd. Orchestra," featuring cellist Yo-Yo Ma River" for Chandos Records Limited. Santa Fe, NM $25,500 for Sony Classical Records. [92-3143-0649] To support artists’ fees at the 1992 [92-3143-0668] Santa Fe Chamber Music Festival. ~- Dick, Robert [92-3142-0144] ~r Boston Musica Viva, Inc. Switzerland, FO $5,000 Boston, MA $12,000 To support the recording and produc­ Spoleto Festival U.$AL To support the recording, production, tion of works by composers/flutists Charleston, SC $4,800 distribution, and promotion of selected Robert Dick and Steve Gorn, to be per­ TF $10,000 works by Henry Brant for Newport formed by their duo Steel and Bamboo To support artists’ fees for chamber, Classic records. [92-3143-0666] for O.O. Discs. [92-3143-0640] new music, and jazz performances at the 1992 Spoleto Festival U.S.A. ~ Brooklyn Philharmonic ~, Dinosaur Annex Music Ensemble, Inc. [92-3142-0123] Symphony Orchestra, Inc. Boston, MA $5,000 Brooklyn, NY $15,000 To support a recording of the music UniversR), of Maryland - College Parr To support the recording of Symphony of composer Ezra Sims for CRI, Inc. College Park, MD $6,000 No. 4 by Lou Harrison (1991), "Suite [92-3143-0650] To support artists’ fees at the 1992 for Toy Piano" by John Cage, and Maryland Handel Festival. "Double Music" by Lou Harrison and ¢r Drnry, Stephen [92-3142-0141] John Cage, for MusicMasters. Cambridge, MA $10,000 [92-3143-0641] To support the recording of solo piano Universit,j of Oregon works by Frederic Rzewski and John Eugene, OR $5,200 ~r California E.A.R. Unit Foundation Cage on New Albion Records and TF $10,000 Los Angeles, CA $9,000 Mode Records respectively. To support American artists’ fees at To support the recording of Morton [92-3143-0663] the 1992 Oregon Bach Festival. Feldman’s "for Philip Guston" ( 1984) [92-3142-0140] to be issued as a multiple disk set by ~r First Avenue, Inc. Cambria Records. [92-3143-0672] New York, NY $4,000 Vermont Mozart Festival To support the recording of "First Burlington, VT $5,000 ~- Composers Recordings, Inc. Avenue and Friends" by William To support artists’ fees at the summer New York, NY $23,000 Kannar, C. Bryan Rulon, and Matt 1992 Vermont Mozart Festival. To support marketing and distribution Sullivan, for O.O. Discs. [92-3142-0130] activities of CRI’s annual compact disc [92-3143-0647] releases. [92-3143-0659] ~r Group for Contemporary Music, Inc. ~r Cosand, Walter New York, IVY $10,000 Tempe, AZ $4,0O0 To support the recording of Morton To support the recording and manu­ Feldman’s "String Quartet," Chades

I74 National Endowment for the Arts ~/~usic

Wuorinen’s "Fortune," "Tashi," and ~- Milwaukee Symphony Orchestra, Inc. ~ Performers’ Committee, Inc. "Violin Variations," and Donald Milwaukee, WI $5,000 New York, NY $6,000 Martino’s "From the Other Side" and To support the recording of composi­ To support Continuum’s recording of "Quodlibets II," for Koch tions by composer David Ott on the music by Leon Kirchner and Henry International. [92-3143-0645] Koss Classics label. [92-3143-0658] Cowell for the Musical Heritage Society. [92-3143-0637] ~- Harvestworks, Inc. Sr Monadnock Music New York, iVY $5,000 Peterborough, NH $10,000 ~r Performing Ar~services, Inc. To support the recording of the music- To support the recording by the New York, NY $4,000 theater work "Urban Diva" on the CRI Monadnock Music Orchestra of works To support the re-release of recordings label. [92-3143-0657] by Philip Greeley Clapp and Leo on compact disc for Lovely Music, Ltd. Sowerby for Koch International. [92-3143-0653] Sr Han, estworks, Inc. [92-3143-0644] New York, NY $4,000 ~ Phoenix Symphony Association To support the recording of works con­ ~ New York Chamber Ensemble, Inc. Phoenix, AZ $27,500 ceived and composed through Harvest- New York, NY $10,000 To support the recording of works works’ Artist-In-Residence program for To support recording projects of the commissioned by the Phoenix Tellus Records. [92-3143-0674] New York Chamber Ensemble for Symphony for Koch International Arabesque Recordings, Inc., featuring Records. [92-3143-0646] ¢r House Foundalion of ~e ~ the works of Aaron Copland, Charles New York, NY $12,500 T. Griffes, Ned Rorem, Douglas ~ Recorded Anthology of To support the recording of Meredith Moore, and Paul Hindemith. American Music, Inc. Monk’s three-part opera, Atlas, using [92-3143-0667] New York, NY $25,000 the original cast from the Houston To support the recording and post-pro­ Grand Opera production, for ECM/ sr New York Ci~ Opera, Inc. duction costs for recordings for New Polygram Classics. [92-3143-0661] New York, NY $10,000 World Records. [92-3143o0643] To support the recording of the ¢r Los Angeles Chamber Harvey Schmidt and Tom Jones ¢r Robinson, Stephen Orchestra Society, Inc. musical 110 in the Shade, based on DeLand, FL $4,000 Los Angeles, CA $20,000 N. Richard Nash’s play, The To support a recording of solo guitar To support the recording for Dorian Rainmaker, for Musicmasters Records. works composed by contemporary Recordings of works by five American [92-3143-0671] Americans for Centaur Records. composers: Donald Crockett, Libby [92-3143-0639] Larsen, Stephen Hartke, Rand Steiger, ~" Newband, Inc. and William Bolcom. [92-3143o0670] Nyack, NY $10,000 ¢r Seattle Symphony Orchestra, Inc. To support the production and release Seattle, WA $35,000 Louisville Orchestra, Inc. of two recordings on Mode Records. To support the Seatde Symphony ~ Louisville, KY $40,000 [92-3143-0651] Orchestra’s recording of works by To support the recording of works by composers David Diamond and Paul composers David Dzubay, Adolphus ~ Parnassus Contemporary Creston for Delos International. Hailstork, Ellen Taaffe Zwilich, Tania Music Foundation, Inc. [92-3143-0664] Leon, and Augusta Read-Thomas for New York, NY $10,000 First Editions Recordings. To support the recording and post-pro­ ~ Spencer, Patricia L [92-3143-0673] duction expenses of works for chamber New York, NY $5,000 ensemble by Andrew Imbrie on New To support the recording of works for ~ Macbride, David World Records. [92-3143-0656] flute and piano for Neuma Records, Hartford, CT $4,000 p~rformed by Patricia Spencer and To support the recording of works by Linda Hall. [92-3143-0662] composer David Macbride on the CRI label. [92-3143-0648]

I992. Annual Report I7J ~r St. Louis Symphony Society JAZZ PRESENTERS Brooklyn Institute of Arts and Sciences St. Louis, MO $42,000 Brooklyn, NY $5,000 To support the recording of works by To assist organizations of the highest To support artists’ fees for summer American composer John Corigliano. artistic level in presenting jazz artists 1992 concerts exploring the influence [92-3143-0638] and ensembles. The category also in­ of the blues on jazz. [92-3144-0163] cludes subcategories for Jazz ~r Syracuse Society for New Music, Inc. Management and Jazz Special Central Pennsylvania Friends of Jazz Syracuse, NY $7,500 Projects. Harrisburg, PA $9,000 To support the recording of works by To support the 12th annual jazz festi­ the society’s commissioned composers 60 grants val in June 1992. [92-3144-0149] for Opus One Records. [92-3143-0654] Program Funds: $645,000 Charlie Parker Memorial Foundation ~ Tanenbaum, David Jazz Presenters Kansas City, MO $5,000 Berkeley, CA $4,000 To support a clinic and concert by Tito To support the recording of recent 44 grants Puente’s Latin Jazz Orchestra featuring works for guitar by American com­ Program Funds: $424,300 Celia Cruz. [92-3144-0156] posers for Neuma Records. [92-3143-0669] Afrikan Poetry Theatre, Inc. Chariin Jazz Society, Inc. Jamaica, NY $5,000 Washington, DC $7,000 gr Tommasini, Anthony To support a "Meet the Composer" To support the 1992-93 concert series Cambridge, MA $4,000 series of lectures and concerts during at Kennedy Center’s Terrace Theater, To record a compact disc featuring the 1992-93 season. [92-3144-0185] which will incorporate Latin Jazz pro­ the songs and vocal works of Virgil gramming and The Wonderful World Thomson for Northeastern Records. Afro-American Historical and of Louis Armstrong that will take [92-3143-0660] Cultural Museum, Inc. place at the Lisner Auditorium. Philadelphia, PA $5,000 [92-3144-0178] ~" Townsell, Frank V. To support artists’ performance fees for San Francisco, CA $7,500 the annual Presidential Jazz Weekend City of San Antonio, Texas To support the first recordings of the in February 1993. [92-3144-0188] San Antonio, TX $6,000 piano music of composer John W. To support artists’ fees for the annual Boone ("Blind Boone") for Laurel Artists Collective, Inc. jazz festival at the Carver Community Records. [92-3143-0652] HarqCord, CT $15,000 Cultural Center. [92-3144-0153] To support artists’ fees and other re­ ~ University of Califoraia- lated expenses (lights/sound rental and Cityfolk Santa Cruz, Regents of publicity) during the 1993 jazz concert Dayton, OH $5,500 Santa Cruz, CA $6,000 season. [92-3144-0181] To support artists’ fees and promotion To support a recording of the music of costs for the 1992-93 jazz presentation composer Lou Harrison for the Mu­ ArtsCenter season. [92-3144-0167] sical Heritage Society. [92-3143-0642] Carrboro, NC $5,000 To support the 1992-93 jazz concert Cuyahoga Community College ~ University of North Texas (Consortium series, including live jazz events featur­ Cleveland, OH $5,000 to Distribute Computer Music) ing nationally known, emerging, and To support guest artists’ performance- Denton, TX $15,000 regional artists. [92-3144-0186] clinician fees and related production To support the production of two expenses for the annual Tri-C JazzFest compact discs featuring computer Attic Theatre, Inc. in 1992. [92-3144-0158] music compositions for Centaur Detroit, MI $5,000 Records. [92-3143-0655] To support artists’ fees during the DeCordova and Dana Museum and Park 1992-93 "Guest Artist Series." Lincoln, MA $5,000 [92-3144-0161] To support expenses for the 1992 "Jazz

176 National Endowment for the Arts at DeCordova" summer concert series. International Art of Jazz, Inc. Kuumbwa Jazz Society [92-3144-0162] Stony Brook, NY $15,000 Santa Cruz, CA $16,000 To support artists’ fees, and promotion To support artists’ fees for the Detroit Renaissance Foundation and production costs for jazz program­ 1992-93 concert series at the Detroit, MI $5,000 ming for the 1992-93 season. Kuumbwa Jazz Center. [92-3144­ To support guest artists’ performance [92-3144-0182] 0170] and clinician fees for the 1992 Montreux Detroit Jazz Festival. ~ International Association Lake George Arts Project, Inc. [92-3144-0177] of Jazz Educators Lake George, IVY $5,000 Manhattan, KS $17,000 To support artists’ fees and promo­ ~nrshot Ja~ Se~iet,/of Senttle To support performance and clinician tional expenses for the annual Lake Seattle, WA $8,000 fees, travel, technical production costs, George Jazz Weekend at Shepard Park To support the 1992-93 performance and promotional expenses related to in September 1992. [92-3144-0160] season including the June 1992 World master artists’ participation at the Jazz Festival and the "Roots of Jazz" January 1993 IAJE Conference-Music Louisiana Jazz Federation, Inc. series in the public schools. Festival. [92-3144-0176] New Orleans, LA $6,000 [92-3144-0189] To support the 12th annual Jazz Jazz in the City Awareness Month Festival in October Gainesville Friends of Jazz, Inc. San Francisco, CA $12,500 1992, featuring Louisiana jazz artists. Gainesville, FL $5,000 To support the salary of a publicist [92-3144-0191] To support performance fees and travel and artists’ performance fees for the accomodations for national and re­ 1992 San Francisco Jazz Festival. Manchester Craftsmen’s Guild gional guest artists during the 1992-93 [92-3144-0184] Pittsburgh, PA $5,000 concert season. [92-3144-0175] To support guest jazz artists’ fees, re­ Jazzmobile, Inc. lated travel, and promotional expenses Henry Street Settlement New York, NY $51,000 for the 1992-93 "Living Masters New York, IVY $12,000 To support the 28th year of free sum­ Subscription Series" and workshops. To support the 1992-93 jazz concert mer mobile concerts presented during [92-3144-0173] and workshop series with established 1992 in communities and public parks and emerging artists presented at the in the Mid-Adantic region; and master Manna House Workshops, Inc. Harry de Jur Playhouse and master artists’ fees related to school lecture- New York, iVY $5,000 artists leading workshops in jazz and concerts during the 1992-93 school To support artists’ fees and related Latin jazz at the Louis Abrons Arts year. [92-3144-0190] costs for the 1992-93 presentation Center. [92-3144-0179] program entided MEEE (Music for K~ngs Majestic Corporation Education, Entertainment, and HighligMs in Jm Brooklyn, NY $5,000 Enlightenment). [92-3144-0183] New York, NY $5,000 To support expenses related to the 100 To support the 1992-93 concert Years of Jazz and Blues festival, sched­ New Mexico Jazz Workshop, Inc. series presented at Pace University uled from April through June of 1992. Albuquerque, NM $7,000 Downtown Theatre. [92-3144-0171] [92-3144-0166] To support the "Guest Artist Series," including concerts, workshops, and a Inquilinos Boricuas en Accion Koncepts Cultural Gallery lecture presentation at KiMo Theater Boston, MA $7,800 Oakland, CA $6,000 during the 1992-93 season. To support Latin jazz concerts featur­ To support the 1992-93 "Masters of [92-3144-0155] ing composer/multi-instrumentalist Jazz" series and a pilot community and Hermeto Pascoal and pianist Danilo in-the-schools lecture/demonstration Perez to be presented at the J0rge program. [92-3144-0154] Hernandez Cultural Center during the 1992-93 season. [92-3144-0157]

I99zAnnual Report 177 Music

Northeast Ohio Jazz Society Tucson Jazz Society, Inc. Jazz Management Cleveland Heights, OH $8,500 Tucson, AZ $13,000 To support guest artists’ fees, related To support the 15th annual Jazz 4 grants travel, production, and promotional Sundae concert in 1992 and the 13th Program Funds: $33,400 expenses for the 1992-93 concert se­ Primavera: A Celebration of Women in ries. [92-3144-0150] the Arts in 1993. [92-3144-0164] Earshot Jazz Society of Seattle Seattle, WA $5,400 Painted Bride Art Center, Inc. University of Hartford For second-time support of the execu­ Philadelphia, PA $21,000 West Harqeord, CT $7,500 tive director position. [92-3144-0197] To support jazz programming during To support artists’ fees related to the the 1992-93 season, including Hartt School of Music’s series of resi­ Koncepts Cultural Gallery monthly concerts, an Afro-Asian festi­ dencies, lectures, workshops, master Oakland, CA $9,000 val, a Latin jazz series, and expansion of classes, and concerts during the For second-time support of the music the educational and residency pro­ 1992-93 academic year. [92-3144­ program manager’s salary. grams. 0172] [92-3144-0194] [92-3144-0192] University of Idaho Manchester Craftsmen’s Guild Performing Arts Moscow, ID $18,000 Pittsburgh, PA $12,000 Foundation of Kansas City To support guest artists’ performances For second-time support of the jazz Kansas City $5,000 for the 25th (Silver) Anniversary support service manager position, To support the "12th Street Jazz University of Idaho Lionel Hampton/ responsible for the Guild’s concerts, Series" at Folly Theater during the Chevron Jazz Festival in 1992. development of marketing and promo­ 1992-93 season, including an intro­ [92-3144-0193] ti0nal materials, and coordination of duction of master classes for high membership activities. [92-3144-0195] school and college students. [92-3144­ University of Virginia 0152] Charlottesville, VA $7,500 Stanford Jm Workshop To support public concerts and work­ San Francisco, CA $7,000 Portland Performing Arts Center, Inc. shops for professional musicians pro­ For second-time support of the posi­ Portland, ME $13,000 duced by WTJU-FM during 1992-93. tion of director. [92-3144-0196] To support the 1992 concert series [92-3144-0174] "The Generations of Jazz: A Continu­ ing Tradition" which will present a William Paterson College Jazz Special Projects broad range of performers representa­ Wayne, NJ $18,000 tive of several major phases of jazz To support the 1992-93 "Jazz Room 12 grants history. [92-3144-0169] Series" and the spring 1993 Willow- Program Funds: $187,300 brook Jazz Festival. [92-3144-0151] Snug Harbor Cultural Center, Inc. Arts Midwest Staten Island, NY $7,500 Wolf Trap Foundation Minneapolis, MN $35,000 To support performance fees for for the Performing Arts To support jazz programming activities emerging as well as established artists Vienna, VA $15,000 in 1992-93. [92-3144-0208] during the 1992 Summer Sounds series To support expansion of Wolf Trap’s and the Jazz Festival in February 1993. jazz season by presenting additional Inter-Media Art Center, Inc. [92-3144-0180] daytime stage events. [92-3144-0165] Huntington, NY $6,000 To support the design and production Stenford Jar. Wor~hop Xavier University of Louisiana of professional video recordings for jazz San Francisco, CA $7,500 New Orleans, LA $7,000 composers. [92-3144-0200] To support guest artists’ fees and re­ To support the 1992-93 jazz clinic- lated costs for the 1992 summer con­ concert series featuring national and lo­ cert series. [92-3144-0187] cally based jazz artists. [92-3144-0159]

178 National Endowment for the Arts Music

~, International Association ~ National Jazz Service Organization MULTIMUSIC PRESENTERS of Jazz Educators Washington, DC $43,000 Manhattan, KS $30,000* To support the national Technical To assist organizations that present To support artists’ fees and related pro­ Assistance Program, providing consul­ two or more of the following genres of duction expenses for a special concert tants’ services, workshops, and sym­ music: chamber music or new music, and award ceremony honoring recipi­ posia for jazz artists and organizations; chorus, jazz, orchestra, and solo ents of the Fiscal 1992 National publication of the NJSO journal; and recitalists. Endowment for the Arts American Jazz the maintenance of a jazz database Masters Fellowships. Reviewed by Leah system. [92-3144-0198] 60 grants Chase, New Orleans, LA; Jeffrey Program Funds: $631,000 Holmes, Sunderland, MA; Amina New England Foundation for the Arts Treasury Funds: $ 80,000 Claudine Myers, New York, NY; Cambridge, MA $5,000 Howie Smith, Cleveland Heights, OH; To support production of the radio se­ Artist Series at the Pabst, Inc. and Christopher Alan Waterman, ries "JAZZWAVES." [92-3144-0205] Milwaukee, WI $5,000 Seattle, WA. [92-3144-0307] To support American artists’ fees and *Includes $6, 000 awarded as an Southern Arts Federation, Inc. related costs for the 1993 multimusic Extraordinary Action. Atlanta, GA $23,100 presentation season. [92-3145-0091] To support costs related to the 1992 Jack Straw Preduction series of jazz projects, including publi­ Arts Midwest Seattle, WA $6,000 cation of JazzSouth, expansion of the Minneapolis, MN $29,500 To support the production, distribu­ Jazz Information Network, and the To support the continuation of fee tion, and promotion of a series of radio fourth Southeastern Jazz Forum. support to presenters in this nine-state programs focusing on jazz musicians [92-3144-0204] region for the 1992-93 multimusic living and working in the Pacific presentation season. [92-3145-0084] Northwest. [92-3144-0199] Thelonious Monk Institute of Jazz Washington, DC $8,000 Bargemusic, Ltd. Louisiana Jazz Federation, Inc. To support the compilation and tran­ Brooklyn, NY $5,000 New Orleans, LA $6,000 scription of the works of pianist/com­ To support American artists’ fees for To support the Jazz Resource Center poser Thelonious Sphere Monk. the 1992-93 multimusic presentation which will provide access to archives [92-3144-0206] season. [92-3145-0056] and databases on funding opportuni­ ties, booking contacts, educational University of Alabama at Birmingham Brooklyn Academy of Music, Inc. opportunities, presenters, musicians, Birmingham, AL $9,600 Brooklyn, NY $17,900 and events. [92-3144-0207] To support musical artists’ fees associ­ To support American artists’ fees and ated with the Tuxedo Junction festival, related costs for the 1992-93 multi- Ma.deleo I.stitute June 4-13, 1992. [92-3144-0202] music presentation season. Oakland, CA $9,600 [92-3145-0088] To support musical artists’ fees and re­ Yale University lated costs for "Jazz/Africa," a collabo­ New Haven, CT $6,000 Brooklyn Philharmonic rative, multidisciplinary work fusing To support partial salaries of re­ Symphony Orchestra, Inc. contemporary African American jazz searchers and interviewers, musicians’ Brooklyn, NY $6,400 with traditional African drumming and honoraria, and transcription costs for To support American artists’ fees for dance. [92-3144-0201] the University’s oral history project on the 1992-93 multimusic presentation jazz composers as part of Oral History, season. [92-3145-0077] American Music. [92-3144-0203]

~992 Annual Report 179 Carnegie Hall Corporation the 1992-93 multi-music presentation John F. Kennedy Center New York, NY $34,000 season. [92-3145-0073] for the Performing Arts TF $40,000 Washington, DC $13,000 To support American mists’ fees and re­ Fairbanks Symphony Association, Inc. TF $5,000 lated costs for the 1992-93 multimusic Fairbanks, AK $6,400 To support American artists’ fees and re­ presentation season. [92-3145-0057] To support American artists’ fees and lated costs for the 1992-93 multimusic related costs for the 1992-93 multi- presentation season. [92-3145-0065] Ceatrnm Foundation music presentation season. Port Townsend, WA $6,000 [92-3145-0076] La Jolla Chamber Music Societ~ To support American artists’ fees and re­ La Jolla, CA $5,000 lated costs for the 1992-93 multimusic Flynn Theatre for the To support American artists’ fees for presentation season. [92-3145-0109] Performing Arts, Ltd. the 1992-93 multimusic presentation Burlington, VT $13,000 season. [92-3145-0062] Composers’ Forum, Inc. To support American artists’ fees and New York, NY $5,500 related costs for the 1992-93 multi- La Pena Cultural Center, Inc. To support American artists’ fees and re­ music presentation season. Berkeley, CA $5,000 lated costs for the 1992-93 multimusic [92-3145-0089] To support American artists’ fees for presentation season. [92-3145-0103] the 1992-93 multimusic presentation Friends of the Brattleborn season. [92-3145-0105] Concert AssociaUon of Music Canter, Inc. Greater Miami, Inc. Bratdeboro, VT $7,800 Leland Stanford Junior University, Miami Beach, FL $6,000 To support American artists’ fees and Board of Trustees of the (Lively Arts To support American artists’ fees and re­ related costs for the 1992-93 multi- at Stanford) lated costs for the 1992-93 multimusic music presentation season. Stanford, CA $5,500 presentation season. [92-3145-0078] [92-3145-0099] To support American artists’ fees for the 1992-93 multimusic presentation Da Camera Society of Texas Fund for the Borough of Brooklyn, Inc. season. [92-3145-0061] Houston, TX $5,000 Brooklyn, IVY $6,900 To support American artists’ fees and re­ To support American artists’ fees and re­ Life on the Water lated costs for the 1992-93 multimusic lated costs for the 1992-93 multimusic San Francisco, CA $5,000 presentation season. [92-3145-0058] presentation season. [92-3145-0097] To support American artists’ fees and related costs for the 1992-93 multi- District Curators, Inc. Haleakala, Inc. music presentation season. Washington, DC $7,800 New York, NY $13,200 [92-3145-0072] To support American artists’ fees and To support American artists’ fees and re­ related costs for the 1992-93 multi- lated costs for the 1992-93 multi-music Uncoln Center for the music presentation season. presentation season. [92-3145-0079] Performing Arts, Inc. [92-3145-0096] New York, NY $19,500 Hallwalls, Inc. TF $20,000 Dumbarton Avenue Concert Series Buffalo, NY $8,300 To support American artists’ fees for Washington, DC $5,000 To support American artists’ fees and re­ the 1992-93 muldmusic presentation To support American artists’ fees for lated costs for the 1992-93 multimusic season. [92-3145-0074] the 1992-93 multimusic presentation presentation season. [92-3145-0063] season. [92-3145-0054] Litchfleld Performing Arts, Inc. Helena Presents Litchfield, CT $5,000 Elaine Kaufman Cultural CoMe#Lucy Helena, MT $6,000 To support American artists’ fees and Moses School for Music and Dance To support American artists’ fees for related costs for the 1992-93 multi- (Hebrew Arts School) the 1992-93 multimusic presentation music presentation season. New York, NY $5,500 season. [92-3145-0067] [92-3145-0107] To support American artists’ fees for

I8O National Endowment for theArts Music

Madison Civic Center New Haven Symphony Orchestra, Inc. To support the contractual fees of the Madison, WI $5,500 New Haven, CT $5,000 manager and assistant manager for the To support American artists’ fees for To support American artists’ fees for 1992-93 multimusic presentation the 1992-93 multimusic presentation the 1992-93 multimusic presentation season. [92-3145-0092] season. [92-3145-0066] season. [92-3145-0098] Rutgers, The State University of New Mandeleo Institute New School for Social Research Jersey (Mason Gross School of the Arts) Oaklaru~ CA $5,000 (New School Concerts) Piscataway, NJ $5,000 To support American artists’ fees and New York, NY $5,600 To support American artists’ fees for related costs for the 1992 multimusic To support American artists’ fees and the 1992-93 multi-music presentation presentation season. [92-3145-0053] related costs for the 1992-93 multi- season by the "University Concert music presentation season. Series" and the "Alternate Paths Market Square Conceris [92-3145-0069] Series." [92-3145-0113] Harrisburg, PA $5,000 To support American artists’ fees and Ohio State University Research Scottsdale Cultural Council related costs for the 1992-93 multi- Foundation (Wexner Center for the Ar~) Scottsdale, AZ $5,000 music presentation season. Columbus, OH $5,000 To support American artists’ fees for [92-3145-0108] To support American artists’ fees for the 1992-93 multimusic presentation the 1992-93 multimusic presentation season. [92-3145-0114] Mid-America Arts Alliance season. [92-3145-0085] Kansas City, MO $24,500 Society for the Performing Arts To support the continuation of fee Orchestral Associalion Houston, TX $6,900 support to presenters in this six-state IAllied Arts Association) To support American artists’ fees and region for the 1992-93 multimusic Chicago, IL $5,000 related costs for the 1992-93 multi- presentation season. [92-3145-0070] To support American artists’ fees for music presentation season. the 1992-93 multimusic presentation [92-3145-0090] Mid-AtlanUc Arts FoundaUon, Inc. season. [92-3145-0095] Baltimore, MD $14,600 Southern Arts Federation, Inc. To support the continuation of fee Philadelphia Chamber Music Society Atlanta, GA $21,500 support to presenters in this seven-state Philadelphia, PA $5,000 To support the continuation of fee (and the District of Columbia and To support American artists’ fees for support to presenters in this nine-state Virgin Islands) region for the 1992-93 the 1992-93 multimusic presentation region for the 1992-93 multimusic multimusic presentation season. season. [92-3145-0071] presentation season. [92-3145-0083] [92-3145-0080] Phillips Collection St. Louis Classical Guitar Society Mount Saint Ma~j’s College Washington, DC $7,800 St. Louis, MO $5,000 (Da Comom Socie~) To support American artists’ fees for To support American artists’ fees and Los Angeles, CA $12,000 the 1992-93 multimusic presentation related costs for the 1992-93 multi- To support American artists’ fees and season. [92-3145-0055] music presentation season. related costs for the 1992-93 multi- [92-3145-0101] music presentation season. Quad City Arts, Inc. [92-3145-0064] Rock Island, IL $9,800 State University of New York, Research To support American artists’ fees and Foundation of (SUNY]Purchase) New England Foundgdon for the ~ related costs for the 1992-93 multi- Albany, NY $5,000 Cambridge, MA $34,500 music presentation season. To support American artists’ fees and To support the continuation of fee [92-3145-0087] related costs for the 1992-93 multi- support to presenters in this slx-state music presentation season. region for the 1992-93 multimusic Renaissance and Baroque [92-3145-0082] presentation season. [92-3145-0102] Society of Pittsburgh Pittsburgh, PA $5,000

1992Annual Report I8I State University of New York, Research Walker Art Center, Inc. Consortium Commissioning Foundation of (Crane School of Music, Minneapolis, MN $42,500 Potsdam College) To support American artists’ fees for 1 grant Albany, NY $5,0O0 the 1992-93 multimusic presentation Program Funds: $160,000 To support American artists’ fees and season. [92-3145-0060] related costs for the 1992-93 multi- ~ Meet the Composer, Inc. music presentation season. Washington Performing Arts Society New York, NY $160,000 [92-3145-0094] Washington, DC $15,500 To support the Meet the Composer/ TF $15,000 Reader’s Digest/Arts Endowment Symphony Space, Inc. To support American artists’ fees for Commissioning Program, which New York, NY $5,000 the 1992-93 multimusic presentation awards funds to consortia of music or­ To support American artists’ fees and season. [92-3145-0106] ganizations for commissioning works related costs for the 1992-93 multi- in concert music, opera, musical the­ music presentation season. Western States Arts Federation ater, and jazz. Special Projects Panel [92-3145-0075] Santa Fe, NM $27,600 (1991). [92-3146-0052] To support the continuation of fee Town Hall Foundation, Inc. support to presenters in this 12-state Composer in Residence New York, NY $5,000 region for the 1992-93 multimusic To support American artists’ fees and presentation season. [92-3145-0110] 7 grants related costs for the 1992-93 multi- Program Funds: $50,000 music presentation season. World Music Institute, Inc. These grants were reviewed by the [92-3145-0112] New York, NY $12,500 Chamber Music/Jazz Ensembles Panel. To support American artists’ fees and University of California.Berkeley related costs for the 1992-93 multi- Bach Society of Minnesota Berkeley, CA $6,000 music presentation season. Minneapolis, MN $10,500 To support American artists’ fees for [92-3145-0111] To support a residency project involv­ the 1992-93 multimusic presentation ing composer Mack Wilberg, who will season. [92-3145-0059] Young Men’s & Young Women’s write a contemporary choral composi­ Hebrew Association tion as part of a year-long Bach University of Iowa (Hancher Auditorium) New York, NY $40,000 Cantata Project. [92-3146-0513] Iowa City, IA $5,500 To support American artists’ fees for To support American artists’ fees and the 1992-93 multimusic presentation California E.A.R. Unit Foundation related costs for the 1992-93 multi- season. [92-3145-0068] Los Angeles, CA $8,000 music presentation season. To support a residency project involv­ [92-3145-0093] CONSORTIUM COMMISSIONING ing electronic music pioneer Morton AND COMPOSER IN RESIDENCE Subotnick during the 1992-93 season. Van Cliburn Foundation, Inc. [92-3146-0515] Fort Worth, TX $5,500 Consortium Commissioning grants To support American artists’ fees and enable consortia of performing organi­ Dale Warland Singers related costs for the 1992-93 multi- zations, soloists, or presenting organiza­ Minneapolis, MN $5,000 music presentation season. tions, festivals, and public radio and To support a residency project [92-3145-0100] television stations to commission and involving composer Stephen Paulus. perform new works. The Composer in [92-3146-0518] Vermont Mozart Festival Residence category provides support to Burlington, VT $5,000 establish a collaborative working rela­ Nebraska Chamber Orchestra To support American artists’ fees and tionship between a composer and a Lincoln, NE $5,000 related costs for the 1992-93 multi- music performing organization that To support a residency project involv­ music presentation season. wishes to sponsor a residency. ing composer Randall Snyder who will [92-3145-0081] act as the orchestra’s primary advocate

18:/, National Endowment for the Arts Music

and spokesperson for contemporary Bay Chamber Concerts, Inc. Chamber Music Chicago and American music. [92-3146-0512] Camden, ME $5,800 Chicago, IL $10,000 To support artists’ fees and related To support artists’ fees and related Philadelphia Orchestra Association costs for chamber music concerts dur­ costs for a chamber music concert Philadelphia, PA $9,000 ing the 1992 season. [92-3147-0255] series during the 1992 concert season. To support a residency project involv­ [92-3147-0262] ing Bernard Rands during the 1992-93 Boise State University season. [92-3146-0516] Boise, ID $5,000 Chamber Music Hawaii To support artists’ fees and related Honolulu, HI $5,000 Present Muslc, Inc. costs for a chamber music concert To support the creation and incorpora­ Milwaukee, WI $7,500 series during the 1992-93 season. tion during the 1992-93 season of an To support a residency project involv­ [92-3147-0236] integrated data base to track ticket sales ing composer Mary Ellen Childs. and memberships and provide more ef­ [92-3146-0517] Bowdoin College ficient financial accounting and report­ Brunswick, ME $5,000 ing. [92-3147-0238] Thamyris, Inc. To support artists’ fees and related Decatur, GA $5,000 costs for the Bowdoin Summer Music Chamber Music Northwest, Inc. To support a residency project Festival during 1992. [92-3147-0249] Portland, OR $14,000 involving composer James Oliverio. To support artists’ fees and related [92-3146-0514] Broward’s Friends of costs for the Chamber Music Chamber Music, Inc. Northwest festival during the summer Plantation, FL $5,000 of 1992. [92-3147-0220] CHAMBER MUSIC/SOLO To support artists’ fees and related costs RECITALISTS/NEW MUSIC for chamber music concerts during the Chamber Music Society of Baltimore, Inc. PRESENTERS 1992-93 season. [92-3147-0229] Baltimore, MD $5,000 To support artists’ fees for chamber To enable music presenting organiza­ Buffalo Hne Arts Academy and new music concerts during the tions and music festivals to present (Nbright-Knox Gallery) 1992-93 season. [92-3147-0217] chamber music and recently composed Buffalo, NY S6,000 music with an emphasis on American To support artists’ fees and related costs Chamber Music Society of Logan, Inc. music--of the highest artistic level and for a new music concert series during Logan, UT $3,000 of national or regional significance. the 1992-93 season. [92-3147-0215] To support artists’ fees and related costs for the performance of chamber 59 grants Cope & Islands Chamber music during the 1992-93 season. Program Funds: $340,000 Music Festival, Inc. [92-3147-0261] Orleans, MA $5,000 80 ~ngtan Stroot, Inc. To support artists’ fees and related Chamber Music Society of St. Cloud, Inc. San Francisco, CA $5,000 costs for chamber music concerts dur­ St. Cloud, MN $5,000 To support artists’ fees and related ing the 1992 season. [92-3147-0511] To support artists’ fees and related costs for new music concerts during the costs for a chamber music concert 1992-93 season. [92-3147-0258] CoMer for Contemporary series during the 1992-93 season. Ads of Santa Fe, Inc. [92-3147-0228] Allied ArLs Foundation Santa Fe, NM $5,000 (Soundwork Northwest) To support artists’ fees and related Charles Ires Center for American Music Seattle, WA $5,000 costs for new music concerts during the Roxbury, CT $5,000 To support artists’ fees and related 1992-93 season. [92-3147-0263] To support artists’ fees and related costs for a new music concert series costs for chamber and new music con­ during the 1992-93 season. certs during 1992. [92-3147-0218] [92-3147-0225]

z99z Annual Report 183 Music

Composers Guild of New Jersey, Inc. 1992-93 season. [92-3147-0509] Mostly Music, Inc. Ship Bottom, NJ $5,000 Chicago, IL $7,500 To support artists’ fees and related improvisationalmusicco To support artists’ fees and related costs for new music concerts during the Allentown, PA $5,000 costs for chamber music concerts 1992-93 season. [92-3147-0250] To support artists’ fees and related during the 1992-93 season. costs for a new music concert series [92-3147-0230] Composers, Inc. during the 1992-93 season. Fremont, CA $5,500 [92-3147-0253] Museum Associates To support artists’ fees and related Los Angeles, CA $9,000 costs for new music concerts during the Intermedia Ar~s of Minnesota, Inc. To support artists’ fees and related 1992-93 season. [92-3147-0211] Minneapolis, MN $5,000 costs for a chamber and new music To support artists’ fees and related concert series during the 1992-93. Concertime, inc. costs for new music concerts during the season. [92-3147-0233] Tulsa, OK $5,000 1992-1993 season. [92-3147-0240] To support artists’ fees and related Music at Angel Firs, Inc. costs for chamber music concerts Jackson State University Angel Fire, NM $4,500 during the 1992-93 season. (Gladys Perry Norris Piano Festival) To support artists’ fees and related costs [92-3147-0256] Jackson, MS $5,000 for chamber music performance during To support artists’ fees and related the 1992 festival season of Music from Creative ]]me, Inc. costs for a solo recitalist series during Angd Fire. [92-3147-0257] New York, NY $9,000 the 1993 Norris Festival at Jackson To support artists’ fees and related State University. [92-3147-0244] Music Before 1800, Inc. costs for new music concerts during the New York, NY $5,000 1992-93 season. [92-3147-0216] League of Composers-International To support artists’ fees and related costs Society of Contemporary Music, U.S. for chamber music concerts during the Dance Theater Workshop, Inc. Section, Inc. 1992-93 season. [92-3147-0264] New York, IVY $8,000 New York, NY $5,000 To support artists’ fees and related To support artists’ fees and related Musica de Camara, Inc. costs for new music concerts during the costs for new music concerts during the New York, NY $5,000 1992-93 season. [92-3147-0252] 1992-93 season. [92-3147-0221] To support artists’ fees and related costs for chamber music concerts during the Downtown Music Productions, Inc. Los Angeles Contemporary 1992-93 season. [92-3147-0510] New York, NY $5,000 Exhibitions, Inc. To support artists’ fees and related Los Angeles, CA $7,500 Musicorda, Inc. costs for chamber and new music To support artists’ fees and related South Hadley, MA $5,000 concerts during the 1992-93 season. costs for new music concerts during the To support artists’ fees and related [92-3147-0259] 1992-93 season. [92-3147-0232] costs for a chamber music series during the 1992-93 season. [92-3147-0245] Grand Canyon Chamber Maverick Concerts, Inc. Music Festival, Inc. Woodstock, iVY $5,000 New Music Circle Grand Canyon, AZ $5,000 To support artists’ fees and related St. Louis, MO $5,000 To support artists’ fees and related costs for chamber music concerts dur­ To support artists’ fees and related costs for chamber music performances ing 1992. [92-3147-0223] costs for new music concerts during the at the Grand Canyon Chamber Music 1992-93 season. [92-3147-0237] Festival during 1992. [92-3147-0246] Minnesota Composers Forum St. Paul, MN $13,000 Performance Space 122, Inc. Guild of Composers, Inc. To support artists’ fees and related New York, NY $6,000 New York, NY $5,000 costs for new music concerts during the To support artists’ fees and related costs To support artists’ fees and related 1992-93 season. [92-3147-0224] for a new music concert series during costs for new music concerts during the the 1992-93 season. [92-3147-0248]

184 National Endowment for the Arts MUSIC

Pittsburgh Chamber Music Society, Inc. ist performances during the 1992-93 University of Idaho Pittsburgh, PA $5,000 season. [92-3147-0212] (Honel Hampton School of Music) To support artists’ fees and related costs Moscow, ID $5,000 for chamber music concerts during the Seattle Chamber Music Festival To support artists’ fees and related 1992-93 season. [92-3147-0234] Seattle, WA $5,000 costs for a chamber music concert To support artists’ fees and related series during the 1992-93 season. Portland State University (Portland State costs for the Seatde Chamber Music [92-3147-0241] UniversRy Piano Recital Series) Festival during 1992. [92-3147-0235] Portland, OR $5,000 University of Michigan, To support artists’ fees and related Shrine to Music Museum, Inc. Regents of the (Museum of Ar~) costs for a solo recitalist series during Vermillion, SD $5,000 Ann Arbor, MI $5,000 the 1992-93 season. [92-3147-0251] To support artists’ fees and related To support artists’ fees and related costs costs for a chamber music concert for chamber music concerts during the Puget Sound Chamber Music Society series during the 1992-93 season. 1992-93 season. [92-3147-0247] Seattle, WA $5,000 [92-3147-0226] To support artists’ fees and travel costs Washington Square for the Santa Fe Chamber Music Si-Yo Music Society Foundation, Inc. Contemporary Music Society, Inc. Festival in Seatde during 1992. New York, NY $5,000 New York, NY $5,000 [92-3147-0242] To support artists’ fees and related costs To support artists’ fees and related for chamber music concerts during the costs for a new music concert series Rensselaer Polytechnic Institute 1992-93 season. [92-3147-0213] during the 1992-93 season. Troy, NY $4,000 [92-3147-0254] To support artists’ fees and related Society for Chamber Music costs for a new music concert series in Rochester, Inc. Xavier University during the 1992-93 season. Rochester, NY $5,000 Cincinnati, OH $5,000 [92-3147-0210] To support artists’ fees and related To support artists’ fees and related costs for a chamber music festival dur­ costs for a solo recitalist series during Rockport Chamber Music Festival, Inc. ing 1992. [92-3147-0260] the 1992-93 season. [92-3147-0222] Rockport, MA $5,000 To support artists’ fees and related South End Musicworks, Inc. Yellow Bam costs for the Rockport Chamber Music Chicago, 1L $5,000 Putney, VT $5,000 Festival during 1992. [92-3147-0239] To support artists’ fees and related costs To support artists’ fees and related for a new music concert series during costs for a series of concerts and resi­ Roulette Intermedium, Inc. the 1992-93 season. [92-3147-0214] dencies at the 1992 Yellow Barn New York, NY $6,000 Chamber Music Festival. To support artists’ fees and related Sun City F~ne Arts Society, Inc. [92-3147-0209] costs for the 15th annual series of new Sun City, AZ $5,000 and experimental music during the To support artists’ fees and related 1992-93 season. [92-3147-0243] costs for chamber music concerts and residencies during the 1992-93 season. San Francisco Early Music Society [92-3147-0219] Berkeley, CA $5,000 To support artists’ fees and related costs Syracuse Society for New Music, Inc. for chamber music concerts during the Syracuse, NY $9,200 1992-93 season. [92-3147-0227] To support artists’ fees and related costs for new music concerts during the Schubert Club 1992-93 season. [92-3147-0231] St. Paul, MN $7,000 To support artists’ fees for solo recital­

x99zAnnual Report ISj Music

SERVICES TO COMPOSERS Elaine Summers Experimental ferences and festivals. [92-3165-0692] Intermedia Foundation, Inc. Grants are awarded to organizations for New York, NY $4,000 Texas Cempesers Forum, Inc. projects that serve composers on a na­ To support administrative expenses Dallas, TX $4,000 tional or regional basis. associated with the foundation’s tech­ To support the forum’s program of ser­ nical services. [92-3165-0691] vices to composers. [92-3165-0690] 18 grants Program Funds: $164,000 Harvestworks, Inc. Texas Composers Forum, Inc. New York, NY $4,000 Dallas, TX $3,000 ~r American Music Center, Inc. To support the Studio PASS and To support the newsletter and expenses New York, NY $38,500 Listen In programs. [92-3165-0697] related to maintaining the Score and To support administrative and other Tape Library. Centers for New Music expenses associated with the center’s Independent Composers Association Resources/Services to Composers Panel information services. [92-3165-0694] (Meet the Composer/CA) (1991). [92-3165-0701] Los Angeles, CA $4,000 ~ Midwest To support composers’ appearance Westem States Arts Federation Minneapolis, MN $4,000 fees. [92-3165-0700] Santa Fe, NM $4,000 To support the publication of a "How To support composer appearance fees To" informational booklet, a promo­ ~ International Computer and administrative costs for the sixth tional publication, and a workshop for Music Association, Inc. year of the Meet the Composer/West composers. [92-3165-0687] San Francisco, CA $4,000 program. [92-3165-0696] To support the Computer Music ¢r Bay Area Women’s Philharmonic Information Project. [92-3165-0683] Yellow Springs Institute San Francisco, CA $4,000 Chester Springs, PA $4,000 To support administrative expenses gr Meet the Cempeser, Inc. To support a residency for composers of the National Women Composers New York, NY $58,500 and ensembles and a workshop for Resource Center (NWCRC). To support the Composers Perform­ Philadelphia artists, as part of the [92-3165-0689] ance Fund/National Affiliate Network 1993 Artists’ Residency Program. (CPF/NAN). [92-3165-0686] [92-3165-0699] Chades Ives Center for American Music Roxbury, CT $4,000 Minnesota Composers Forum To support administrative and techni­ St. Paul, MN $4,000 SPECIAL PROJECTS cal expenses associated with the center’s To support various services to member 13th annual summer program. composers ranging from information To fund innovative and exemplary pro­ [92-3165-0688] dissemination to residencies. jects that have a broad impact on the [92-3165-0693] music field but are not eligible under Composers Conference and the other funding categories. Chamber Music Center, Inc. Relache, Inc. Wellesley, MA $4,000 Philadelphia, PA $6,000 32 grants; I cooperative agreement To support fellowships for young To support the costs of sponsoring Program Funds: $283,800 composers to attend the 48th Annual composers’ residencies that will explore Composers Conference. various aspects of ensemble composi­ Affiliate Artists, Inc. [92-3165-0695] tion. [92-3165-0698] New York, NY $52,500* To support the Chamber Music Rural ~ Composers’ Forum, Inc. ~ Society of Composers, Inc. Residencies Initiative. [DCA 92-08] New York, NY $5,000 New York, NY $5,000 *Co-fknded with $115,000J~om the To support New Music/New To support the publication of Arts in Education Program for a total of Composers and membership and pub­ Newsletter and SCIJournal of Music $167,500. lication activities. [92-3165-0685] Scores and administrative costs for con­

I86 National Endowment for theArts Music

American Dance FesUval, Inc. for the National Performance Louisville Orchestra, Inc. Durham, NC $5,000 Network. [92-3170-0726] Louisville, KY $10,000 To support the music portion of a To support SoundCelebration II, an composers/choreographers residency Fastem Music Fe~val, Inc. international contemporary music festi­ program. [92-3170-0717] Greensboro, NC $5,000 val to be held in Louisville, KY in To support the costs of commissioning September 1992. [92-3170-0768] ~" Bay Area Women’s Philharmonic and premiere of a work by Marga San Francisco, CA $5,000 Richter. [92-3170-0720] Montgomery Symphony Association To support the costs of commissions by Montgomery, AL $4,000 women composers to be performed dur­ Goldman Memorial Band, Inc. To support a program designed to im­ ing 1992-93 season. [92-3170-0723] New York, NY $5,000 prove the performance skills of orches­ To support the 1993 summer season of tra members through professional ~ Chamber Music America, Inc. free outdoor concerts. [92-3170-0740] training activities. [92-3170-0732] New York, NY $5,000 To support continuation of the Jack Straw Production Mount Vemon College National Chamber Music Information Seattle, WA $5,000 Washington, DC $5,000 Project. [92-3170-0729] To support artists’ fees and production To support the experimental chamber expenses for a series of programs of opera season at Mount Vernon College Chamber Music Society of contemporary music tentatively titled for 1992-93 as part of the "’IN’ Uncoln Center, Inc. "Deep Listening." [92-3170-0725] Series." [92-3170-0731] New York, NY $4,000 To support the Chamber Music Jackson Symphony Association Music Associates of Aspen, Inc. Beginnings, Artists at Work, Perform­ Jackson, TN $5,000 Aspen, CO $5,000 ance Awareness Seminar, Composer To support a residency, in cooperation To support the costs of commissioning Apprentice Program, Young Musicians with Lane College, for violist Marcus a violin concerto by Dan Welcher. Program, Student Ticket Subsidy, and Thompson in October, 1992. [92-3170-0722] Teaching Music Now programs. [92-3170-0736] [92-3170-0743] ~ Music Educators National Conference ~r Juiniard School Reston, VA $10,000 Chamber Orchestra New York, NY $35,000 To support student concerts at the Society of America, Inc. To support the continuation of the National Celebration of American Washington, DC $5,000 Seaver/NEA Conductors Award in School Music scheduled for March To support run-out concerts to smaller 1992-93. [92-3170-0744] 1993. [92-3170-0746] communities in Virginia and Maryland and to include more contemporary ~ Leland Stanford Junior University, ~ National Public Radio, Inc. American music and soloists in the Board of Trustees of the Washington, DC $8,800 concerts. [92-3170-0745] Stanford, CA $6,000 To support A Symphonic Initiative: To support the International Digital American Romantics in Concert. ~ Cellege Music Society, Inc. Electroacoustic Music Archive [92-3170-0734] Missoula, MT $5,200 (IDEAMA). [92-3170-0718] To support artists’ fees and other costs NaUonal Symphony Orchestra associated with a major retrospective of Los Angeles Philharmonic Association Association of Washington, D.C. electro-acoustic music, to be held in Los Angeles, CA $8,200 Washington, DC $5,100 San Diego in October 1992. To support the costs of commissioning To support the Youth Fellowship [92-3170-0735] works by American composers. Program. [92-3170-0727] [92-3170-0741] Dance Theater Workshop, Inc. New York, NY $5,400 To support American musicians’ fees

I99Z Annual Report I87 Music

New York Foundation for the Arts and blues. [92-3170-0739] Frank Lee McCarty (chair) New York, NY $5,400 Composer; Associate To support Women In American Snn Francist~ Symphony Professor of Music Music, a program by Michael San Francisco, CA $7,500 University of North Carolina Blackwood Productions which will To support the costs of commissioning Greensboro, NC examine the work of composer/per­ works by John Harbison and Mario formers. [92-3170-0742] Davidovsky to be performed in the Larry Polansky 1992-93 subscription series. Composer; Professor of Music Norfolk Public Schools [92-3170-0737] Dartmouth College Virginia Beach, VA $3,000 Hanover, NH To support free concerts by The Theater Chamber Players, inc. Tidewater Winds, a project of Norfolk Washington, D C $5,000 Carter Wailes (layperson) Public Schools. [92-3170-0730] ’ To support the costs of commissioning Attorney a work by composer Gunther Schuller. Godwin, Jones & Wailes Parallelodrome, Ltd. [92-3170-0721] Richmond, VA New York, NY $15,000 To support the commemoration of the Theatre Development Fund, Inc. CHAMBER MUSIC/JAZZ ENSEMBLES bicentennial of the birth of black New York, NY $7,000 American Francis "Frank" Johnson. To support the music portion of the Reginald Jackson Funds will be used for musicians’ fees open admission Performing Arts Saxophonist; Professor, and related expenses. Chamber Music/ Voucher program, tickets by mail, Department of Music Jazz Ensembles Panel. [92-3170-0702] New York On Stage Directory, and University of Maryland the music telephone line service. Wheaton, MD Philadelphia Orchestra Association [92-3170-0719] Philadelphia, PA $8,500 Leroy Jenldns To support the costs of commissioning Walter W. Naumburg Foundation, inc. Violinist; Composer; Arranger works by Alvin Singleton and Charles New York, NY $5,400 New York, NY Wuorinen to be performed by the or­ To support the chamber music en­ chestra during the 1992-93 season. semble selected by the foundation to Deborah Kavasch [92-3170-0733] appear in Mice Tully Hall in 1993. Composer; Singer; Professor of Music [92-3170-0728] California State University/Stanislaus Plymouth Music Series San Diego, CA Minneapolis, MN $9,000 To support WITNESS: A Celebration Panels Winifted Mayes of the Words and Music of African Cellist Americans, a concert scheduled for CENTERS FOR NEW MUSIC Concorda Trio January 1993. [92-3170-0724] RESOURCES/SERViCES TO COMPOSERS F gsta 11991) State University of New York, Research Ronald McCurdy Foundation of ISUNY Buffalo) Pablo Furman Trumpeter; Director of Jazz Studies Albany, IVY $5,OOO Coordinator, Composition University of Minnesota To support the 1993 June In Buffalo Department Minneapolis, MN seminar/workshop. [92-3170-0738] San Jose State University Dublin, CA Carol L. Quin (co-chair) Rhythm and Blues Foundation, Inc. Executive Director Washington, DC $8,800 Thomas J. Knab Jackson Symphony Orchestra To support the development of an oral Composer; Director of Electronic Jackson, TN history project focusing on approxi­ Music Studios mately 15 individuals who have made Cleveland Institute of Music Roberto Sierra significant contributions to rhythm Cleveland, OH Composer in Residence

I88 NationalEndowment for theArts Milwaukee Symphony Orchestra Alabama State University Paul MarUnez (co-chair) Milwaukee, WI Montgomery, AL Program Analyst New York State Council on the Arts Marian Vafiades (co-chair) Joseph Wheeler (co-chair) New York, NY Fundraiser, Arcady Music Society; Executive Director Board Member Centrum Foundation Joyce Ann Pigge Ilayperson) Maine Arts Commission Port Townsend, WA Professor of Political Science Hampton, ME Bethany College Lany Williams Lindsbor$ KS Carl~r Wailes (layperson) Superintendent of Public Schools; Attorney Chairman Evelyn Davidson White Godwin, Jones & Wailes Montana Arts Coundl Founder and Director Richmona~ VA Great Falls, MT Evelyn White Chamber Singers Washington, DC CHAMBER MUSIC/SOLO CHORUS RECITALiSTS/NEW MUSIC PRESE]TI~S COMPOS~S FELLOWSHIPS/ Elizabeth Bond SERVICES TO COMPOSERS Muhal Abrams General Manager Pianist/Composer Musica Sacra Noel DaCos’m New York, NY New York, NY Composer; Faculty Rutgers University Robert Chumbley Russell Bursch (co-chair) New York, NY Director, Lied Center for the General Manager Performing Arts The Dale Warland Singers Patrick Kavanaugh University of Nebraska St. Pau~ MN Composer; Conductor Lincoln, NE Asaph Ensemble David Conte Fairfax, VA Jay ~ Choral Conductor;, Arts Consultant Professor of Composition Edwin London Claremont, CA San Francisco Conservatory of Music Composer; Professor of Composition San Francisco, CA Cleveland State University Mary A. Hall Shaker Heights, OH Executive Director James Fo Hejduk Handel & Haydn Society Associate Professor of Music & Sylvia Pengilly Roslindale, MA Director of.Choral Activities Composer; Professor of Theory and University of Nebraska-Lincoln Composition Ale~dne Clement Jackson Lincoln, NE Loyola University (layperson, co-chair) New Orleans, LA President, Board of Trustees Cleveland L. Howard, Jr. Washington Performing Arts Society Associate Director of Music & Kay George Roberl~ Potomac, MD Director of Choral Music Violinist; Conductor; Professor of University of New Hampshire Music Terrence D. Jones Durham, NH University of Massachusetts/Lowell Director, Krannert Center for the Cambridge, MA Performing Arts ¯ m long University of Illinois Director of Choral Activities, Lionel Belinda Shaw (layperson) Champaign, IL Hampton School of Music Senior Management Accountant University of Idaho Federal Deposit Insurance Corporation Mellasenah Morals Moscow, ID Arlington, VA Pianist; Dean of the School of Music

x99zAnnual Report 189 Music

AJvin Singleton Cleveland State University Patricia Willard (co-chair) Composer Cleveland Heights, OH Writer; Historian; Researcher Atlanta, GA Washington, DC Christopher Nan Waterman Diane Thome (co-chair) Composer; Bassist; Assistant Henry Wolking Composer; Professor of Professor of Music Composer; Professor of Music; Theory and Composition University of Washington Chairman, Jazz Composition & University of Washington Seattle, WA Performance Program Seattle, WA University of Utah JAZZ PRESENTERS Salt Lake City, UT George Tsontalds (co-chair) Composer; Conductor Cecil Bridgewater (co-chair) MULTIMUSIC PRESENTERS Shokan, NY Trumpeter, Composer, Educator Hempstead, NY Martin Ashby JAZZ FELLOWSHIPS Director of Performing Arts Kenneth Clay Manchester Craftsmen’s Guild Anthony Brown Director, Cultural Diversity Pittsburgh, PA Percussionist; Composer; Programming Ethnomusicologist; Faculty Kentucky Center for the Arts David Bury University of California/Berkeley Louisville, KY Arts Consultant; Executive Director BerkeL7, CA Resource Development Jerry Coleman Foundation, Inc. Leah Chase (layperson) Percussionist; Jazz Drummer Brattleboro, VT Restaurateur Wilmette, IL New Orleans, LA Walter Held Geri Guardino Executive Director Willie L. Hill, Jr. Executive Director Eastern Music Festival Saxophonist; Assistant Dean, McCormack Center for the Arts Greensboro, NC College of Music Dorchester, MA University of Colorado Bonnie Jo Hunt Denver, CO Ellis Marsalis, III (layperson) Singer; Artistic Director/President Software Analyst & Systems Developer Artists of Indian America Jeff Holmes Polaris Systems, Inc. Albuquerque, NM Composer; Trumpeter; Coordinator of Baltimore, MD Jazz Studies and Associate Professor William Leo, III (co-chair) University of Massachusetts James Nardone Composer, Pianist; School of Music Chairman Dean of Arts and Sciences Sunderland, MA Minnesota State Arts Board University of Texas St. Paul, MN San Antonio, TX Amina Claudine Myers Pianist; Organist; Vocalist; Composer Julian Priester Harriet Marsh Page New York, NY Trombonist; Music faculty Pianist; Founder and Director Cornish College of the Arts The Marsh Series Jimmy Owens (co-chair) Seattle, WA Cincinnati, OH Trumpeter; Composer; Educator New York, IVY Carline Ray Arthur Reicher (layperson) Bassist; Vocalist; Pianist Financial/Management Consultant; Howle Smith (co-chair) New York, NY Retired Supermarket Executive Jazz Composer; Saxophonist; Faculty Pacific Palisades, CA

19o National Endowment for the Arts Georgia Ryder (co-chair) Judith Rubin Muriel Whitcomb (layperson, co-chair) Chair Commissioner, Mayor’s Dean of Students Norfolk Commission on the Commission for Protocol Mills College Arts and Humanities Office of the Mayor Oaklana~ CA No#lk, VA New York, NY MUSIC RECORDING John $olum A. Michelle Smith Flutist; President/Co-Artistic Director Executive Director Freddie Cudjoe (layperson) Connecticut Early Music Festival National Black Arts Festival Adjunct Professor, Urban Center Wes~ort, CT Atlanta, GA Langston University Oklahoma City, OK Kevin Waters, SJ. Robert Steams Composer; Dean, College of Director, Wexner Center for the Arts Robert Holmes (co-chair) Arts & Sciences Ohio State University Pianist; Composer; Educator; Gonzaga University Columbus, OH Record Producer Spokane, WA Nashville, TN MUSIC PROFESSIONAL TRAINING MUSIC FESTIVALS Helen Keane Richard Domek Record Producer; Artists’ Manager Ronnie Borisldn Associate Director, School of Music; New York, NY Executive Director Dean, College of Fine Arts Aston Magna Foundation for University of Kentucky Robert MacPherson (co-chair) Music and the Humanities Lexington, KY Music Program Specialist Danbury, CT Indiana Arts Commission Catherine French Indianapolis, IN Robert Cole Chief Executive Officer & Director of Cal Performances Executive Vice President Dennis H. Miller University of California/Berkeley American Symphony Orchestra League Composer; Professor of Music Berkeley, CA Washington, DC Northeastern University Wellesley, MA John Graham (co-chair) Bruce MacCombie Executive Director Dean, The Juilliard School Allen Pittman Florida Philharmonic Orchestra New York, NY Founding President Fort Laud~rdale, FL Theresa Records Toni-Marie Montgomery El Cerrito, CA Warren Hatfield (co-chair) Acting Associate Dean, Chairman College of Fine Arts Neill Archer Roan South Dakota Arts Council Arizona State University Director of Programming and Brookings, SD Tempe, AZ Marketing Hult Center for the Performing Arts Craig Hosmer Richard Ortner Eugene, OR Manager Administrator Washington Performing Arts Society Tanglewood Music Center Bruce Talbot Washington, DC. Boston, MA Executive Producer, Recording Division Leontine T. C. Kelly (layperson) Martin Verdrager (co-chair) Smithsonian Institution Press Retired Bishop Artistic Administrator Washington, DC United Methodist Church Aspen Music Festival San Mateo, CA Aspen, CO

x99z Annual Report IgI ~/[US~C

Allison Sampson Shidey Trepel Associate Managing Director Cellist; Faculty, Shepherd’s Paul Chummers Los Angeles Philharmonic School of Music Executive Director Los Angeles, CA Rice University Utah Symphony Houston, TX Salt Lake City, UT Rosalyn Story Violinist SPECIAL PROJECTS/OVE]~ViEW (1991) Hubert Flesher (layperson) Fort Worth Symphony; Dallas Dean of the Chapel; Lecturer in Opera Orchestra Vance George Department of Religion Dallas, TX Choral Conductor Smith College San Francisco Symphony Chorus Northampton, MA Daniel Webster San Francisco, CA Music Critic Susan Franano The Philadelphia lnquirer Waller Heid (co-chair) General Manager Philadelphia, PA Executive Director Kansas City Symphony Eastern Music Festival Kansas City, MO SOLO RECITAUSTS FE].LOWSHIPS Greensboro, NC

Philip Greenberg Lyman Brodie Alexine Clement Jackson (layperson) Music Director/Conductor Trumpeter; Professor of Music President, Board of Trustees Savannah Symphony Orchestra University of Central Florida Washington Performing Arts Society Savannah, GA Orlandw, FL Potomac, MD

Wade C. Harrison II (co-chair) Lawrence Fer~ara Joyce F. Johnson President Guitarist; Faculty Chair of the Music Department and Harrison Steel Castings Co. San Francisco Conservatory of Music Professor of Piano/Organ Attica, IN & University California/Berkeley Spelman College San Francisco, CA Atlanta, GA Isaiah Jackson Music Director/Conductor Jeannette Jennings (layperson) William McFarlin Dayton Philharmonic Orchestra Associate Professor, Executive Director, International Dayton, OH College of Social Work Association of Jazz Educators; University of Tennessee Professor of Music Steven Monder (co-chair) Knoxville, TN Kansas State University General Manager Manhattan, KS Cincinnati Symphony Orchestra Lois E. Schaefer (co-chair) Cincinnati, OH Flutist; Faculty Lois E. Schaefer Boston Conservatory of Music Flutist; Faculty James Orleans Jamaica Plain, MA Boston Conservatory of Music Bassist Jamaica Plain, MA Boston Symphony Orchestra Daniel Stolper Brookline, MA Oboist; Faculty Howie Smith (co-chair) Michigan State University Jazz Composer; Saxophonist; Faculty Jesse Rosen East Lansin$ MI Cleveland State University Executive Director Cleveland Heights, OH American Composers Orchestra George A. Taylor (co-chair) New York, NY Violist; Assistant Professor of Viola Eastman School of Music Rochester, NY

192, National Endowment for the Arts Music

E)leen Southern Judith Rubin Musicologist; Professor Emeritus Commissioner, Mayor’s Harvard University Commission for Protocol St. Albans, NY Office of the Mayor New York, NY Frederick 11Ills Composer; Director, Fine Arts Center Lois E. Schaefer University of Massachusetts Flutist; Faculty Amherst, MA Boston Conservatory of Music Jamaica Plain, MA Catherine Weiskel General Manager Howie Smith (co-chair) New Haven Symphony Orchestra Jazz Composer; Saxophonist; Faculty New Haven, CT Cleveland State University Cleveland Heights, OH SPECIAL PROJECTS/OVE]WIEW (1992)

David Conte Professor of Composition San Francisco Conservatory of Music San Francisco, CA

Noel DaCosta Composer; Faculty Member Rutgers University New York, iVY

Alexine Clement Jackson (layperson) President, Board of Trustees Washington Performing Arts Society Potomac, MD

Dennis H. Miller . Composer; Professor of Music Northeastern University Wellesley, MA © Steven Monder (co-chair) General Manager Cincinnati Symphony Orchestra Cincinnati, OH

Toni-Marie Montgomery Acting Associate Dean, College of Fine Arts Arizona State University Tempe, AZ PerFormlng a repertory of vocal music from medieval to mod­ ern, the Oriana Singers receive assistance as a chamber music ensemble that tours in Illinois, Michigan and Iowa.

I99zAnnual Report 193 Opera-Musical

219 grants; 1 cooperative agreement Total Funds: $5,962,786 Program Funds: $3,346,186 Treasury Funds:$2,616,600" *Includes $282,000 not obligated in FY ’92.

This Program affords the public greater access to and participa­ Report, in which African American artists combined rock­ tion in the many manifestations of opera-musical theater. To and-roll and jazz to examine contemporary social issues af­ this end the Program supports organizations and individuals as fecting the nation’s African American population. they carry out projects of artistic excellence in the various genres The North Carolina string band, The Red Clay and disciplines involved in traditional opera, the Broadway Ramblers, was funded for a new work based on the travels of musical and still-evolvingforms of music theater. The Program explorers Lewis and Clark, John Wesley Powell, and encourages the broadening of both the concept and canon of Zebulon Pike, combining American ballads, folk styles from opera-musical theater through the creation, development, and both the old and new worlds, and Native American sounds production of new and seldom-produced American works. It with "modern" music. Folk musician Bob Zentz and lyricist supports innovative education and outreach activities, including Ann Goette’s new work for the Virginia Opera, based on the the training and development of artists and administrators. life of Virginia street musician, "Ramblin’" Conrad, will bring opera to residents of rural Virginia. HE HISTORY OF MUSIC THEATER IN AMERICA Dissemination of information within the field is sup­ shows clearly that opera was often a major ele­ ported by a grant to the Goodspeed Opera House of East T ment of popular culture in previous periods. To Haddam, CT, for its Library of Music Theater and Show ensure the future of opera-musical theater in Music magazine. Together, the Library through the preserva­ America, this Program has sought ways to reconnect with a tion and acquisition of archival materials, and the magazine broader segment of today’s public. through the dissemination of historical and current informa­ The Opera-Musical Theater program has encouraged tion, will strengthen networks within the musical theater more inclusive arts education-- on all levels -- for artists, community and encourage artistic growth. Published quar­ administrators, and audiences. As one example, in a grass- terly, Show Music has a subscriber base of 4,000 historians roots initiative that challenges the notion of opera as an elit­ and music theater professionals in 49 states and 19 foreign ist art, Santa Fe’s Pueblo Opera involves some 2,000 Native countries. American youths and adults in learning about and experienc­ In the Professional Companies category, the Program has ing opera. Similarly, last year the Program helped Opera maintained its support of emerging opera-musical theater Memphis, Michigan Opera and Opera Carolina give eco­ companies, which are responsible for some of the field’s nomically-deprived students in rural and urban schools most promising activities. For instance, Tulsa Opera has hands-on experience in creating and producing an opera. earned a reputation for provocative interpretations of stan­ Among professional training programs supported by dard works like La Traviata, which was subsequently re­ grants in the Services to the Art category was the Musical mounted at the New York City Opera. Tulsa also has suc­ Theater Works Conservatory in New York City. This pro­ cessfully produced rarely performed operas such as Rossini’s gram trains young professionals in all aspects of musical the­ Armida~ Under new artistic leadership, Utah Opera is em­ ater performance -- singing, dancing, acting and audition­ barking on a major initiative to establish a regional artist ing -- as well as in the practical realities of the musical training program, part of a long-term effort to bring artistic theater business. A grant to the service organization OPERA excellence in opera production in the Southwest. Casa America supported a twelve-month opera administration Manana Musicals in Fort Worth reaches more than 250,000 fellowship program, which assigns fellows to three different students and adults with year-round musical theater produc­ opera companies where they participate in administrative, tions, and in-school and outreach activities. artistic, and technical activities. As the nation moves into the next century, the Opera- With the inevitable demographic transformation of MusiCal Theater Program, in partnership with the field, has American audiences, the New American Works category begun to reexamine accepted artistic and organizational continues to advance the creation and production of works structures that affect the delivery of the art form. The long- that reflect our multicultural society. A grant to Cultural term goal is to re-envision a performing art that will once Odyssey in San Francisco supported a piece titled Emergency again be rooted in the community.

194 National Endowment for the Arts Theater

Thomas Barrett stars as the Android in the 1992 premiere of The Very Last Green Thing, an opera for children commissioned by the Opera Theatre of Saint Louis and composed by Cary John Franklin. This year the Endowment helped 42 opera companies develop or present new American works.

I99z Annual Report Opera-Musical Theater

Boston Lyric Opera Company Ford’s Theatre Society Grants Boston, MA $20,700 Washington, DC $10,000 To support the creation (phase I) and To support the rehearsal and pre­ Indicates grants having national impact. development (phase II) of Elmer production (phase III) of Captains Gantry by composer Robert Aldridge Courageous, a new musical by composer and librettist Herschel Garfein. Panel Frederick Freyer and librettist Patrick NEW AMERICAN WORKS B. [92-3511-0144] Cook. Panel A. [92-3511-0154]

To enable individual producers and or­ Circle Repertory Theatre Company, Inc. Coorg¢ ~ Performance CO. ganizations to create, develop, rehearse, New York, NY $22,500 San Francisco, CA $59,800 and produce contemporary American To support the rehearsal and pre­ To support the development (phase II), opera-musical theater works; to en­ production (phase III) of Orpheus in rehearsal, and pre-production (phase courage their introduction into the Love by composer Gerald Busby and III) of High Deser~ Panel B. standard repertory; and to make audi­ librettist Craig Lucas. Panel A. [92-3511-0184] ences more aware and appreciative of [92-3511-0158] them. Goodspeed Opera House Found~don, Inc. OI~S.qlZATIONS District Curators, inc. East Haddam, CT $20,000 Washington, DC $5,000 To support the workshop program of 53 grants To support the creation (phase I) of Goodspeed-at-Chester/The Norma Program Funds: $890,800 Mu Lan Pi by composer/cellist Diedre Terris Theatre. Pand A. Murray, in collaboration with visual [92-3511-0145] American Music Theater Festival, inc. artist Robert Craddock, choreographer Philadelphia, PA $13,800 "Ajax" Joe Drayton, and writer Ivan Idris Ackamoor and Cultural Odyssey To support the development (phase II) Van Sertima. Panel A. [92-3511-0161] San Francisco, CA $6,000 of Liberty’s Taken by Julie Taymor, To support the creation (phase I) and Elliot Goldenthal, and David In Corde/Iris, inc. development (phase II) of Emergency Suehsdorf. Panel B. [92-3511-0183] New York, NY $22,200 Report, by composers Vernon Reid and To support the development (phase II), Idris Ackamoor, and playwright Ed American Music Theater Festival, Inc. rehearsal, and pre-production (phase Bullins. Panel A. [92-3511-0189] Philadelphia, PA $46,000 III) of Strange Feet by playwright Mac To support the rehearsal and pre-pro­ Wellman, composer/percussionist International Ar~s Rela~ons, Inc. duction (phase III) of Tania by com­ David Van Tieghem, and director Jim New York, NY $6,000 poser Anthony Davis and librettist Simpson. Panel B. [92-3511-0157] To support the development (phase II) Michael John La Chiusa. Panel B. of E1 Greco by librettist Bernardo [92-3511-0190] ~ Eugene O’Neill Memorial Solano and composer William Harper. Theater Center, inc. Panel A. [92-3511-0164] American Repertory Theatre Wate~ord, CT $11,600 Cambridge, MA $5,300 To support the National Music International Arts Relations, Inc. To support the development (phase II), Theater Conference Workshop New York, NY $51,300 of Steelby Derek Walcott and Galt Program. Panel B. [92-3511-0181] To support the development (phase II), MacDermot. Panel B. [92-3511-0146] rehearsal, and pre-production (phase Ford’s Theatre Society III) of Terra Incognita by composer BMI Foundation, Inc. Washington, DC $5,000 Roberto Sierra and librettist Maria New York, NY $13,800 To support the creation (phase I) of a Irene Fornes. Panel A. [92-3511-0191] To support the workshop program of new musical by composer Frederick BMI-Lehman Engel Musical Theatre. Freyer and librettist Patrick Cook InternatJon~al 4rts RelaUons, Inc. Panel A. [92-3511-0174] based on the 1939 movie classic Mr. New York, NY $5,000 Smith Goes to Washington. Panel A. To support the creation (phase I) of a [92-3511-0152] multi-media operetta about Cuban cul­

I96 National Endowment for the Arts Opera-Musical Theater

ture by collaborators Alina Troyano, Metropolitan Opera Association, Inc. Music-Theatro Group, Inc. Uzi Parnes, and Fernando Rivas. Panel New York, NY $39,500 New York, NY $17,800 A. [92-3511-0192] To support the rehearsal and pre-pro­ To support the creation (phase I) and duction (phase III) of The Voyage by development (phase II) of a new music John F. Kennedy Center composer Philip Glass and librettist theater work by Martha Clarke based for the Performing Arls David Henry Hwang. Panel A. on Lewis Carroll’s Alice in Wonderlana~ Washington, DC $5,500 [92-3511-0156] Panel A. [92-3511-0173] To support the creation (phase I) of a new opera by Carly Simon. Panel B. Minnesota Opera Company Musical Theatre Works, Inc. [92-3511-0155] Minneapolis, MN $31,600 New York, NY $11,600 To support the development (phase II), To support the Workshop Program Lehman Engel Musical Theatre Workshop rehearsal, and preoproduction (phase of Musical Theatre Works. Panel B. Hollywooa~ CA $5,000 III) of Seven Sevens, a music theater [92-3511-0185] To support the Lehman Engel Musical piece created collaboratively by writer Theatre Workshop Program. Panel B. Judy McGuire, composer Janika MusicaI-Theatro Workshop [92-3511-0162] Vandervelde, and director Carolyn Chicago, IL $10,000 Goelzer. Panel A. [92-3511-0147] To support the rehearsal and pre-pro­ Long Beach Civic Ugbt Opera Association duction (phase III) of Dreams of Long Beach, CA $20,000 Minnesota Opera Company Defiance by composer Claudia Howard To support the development (phase II) Minneapolis, MN $20,000 Queen and playwright Meade of Ghost Dance by librettist Jeff To support the New Music Theater Palidofsky. Panel A. [92-3511-0149] Sheppard and Native American com­ Ensemble workshop program. Panel A. poser Michael Wright. Panel A. [92-3511-0148] MusicaI-Theatro Workshop [92-3511-0182] Chicago, IL $5,000 Minnesota Opera Company To support the creation (phase I) of Lyric Opera Cleveland Minneapolis, MN $50,000 Someone You Can Trust by playwright Clevelan~ OH $5,000 To support the rehearsal and pre-pro­ Meade Palidofsky and composers To support the creation (phase I) of a duction (phase III) of From the Towers Claudia Howard Queen and Victor music theater treatment of Virginia of the Moon by composer Robert Sanders. Panel A. [92-3511-0150] Woolf’s novel Mrs. Dalloway, com­ Moran and librettist Michael John posed by Libby Larsen with libretto by LaChiusa. Panel A. [92-3511-0167] New DramaUsts, Inc. Libby Larsen and Bonnie Grice. New York, NY $9,000 Panel B. [92-3511-0179] Minnesota Opera Company To support the Composer-Librettist Stu­ Minneapolis, MN $22,500 dio program. Pand A. [92-3511-0180] Lyric Opera of Chicago To support the creation (phase I) and Chicago, IL $46,000 development (phase II) of Hearts on Now Federal Theatre, Inc. To support the rehearsal and pre-pro­ Fire by writer Laura Harrington and New York, iVY $5,300 duction (phase III) of McTeague by composer Roger Ames. Panel A. To support the rehearsal and pre­ composer W’dliam Bolcom, in collabo­ [92-3511-0178] production (phase III) of Robert ration with director Robert Altman and Johnson: Trick of the Devi£ a blues author Arnold Weinstein. Panel A. Music-Theatro Group, Inc. musical by Bill Harris. Panel B. [92-3511-0168] New York, NY $7,500 [92-3511-0142] To support the creation (phase I) of Medicine Show Theatre E~mble, Inc. a new music theater piece by choreog­ New York Ci~ Opera, Inc. New York, NY $5,000 rapher David Parsons and composer New York, NY $5,000 To support the workshop program of Richard Peaslee. Pand A. To support the creation (phase I) of the Medicine Show Theatre Ensemble. [92-3511-0172] Marilyn, created by composer Ezra Panel A. [92-3511-0177] Laderman and librettist Norman Rosten. Panel A. [92-3511-0151]

x99zAnnual Report 197 Opera-Musical Theater

Opera Lab, Inc. rehearsal, and pre-production (phase Roach, visual artist Polly Walker, and Boston, MA $5,000 III) of Trask &Fenn by composer Jan an ensemble led by Robbie McCauley. To support the creation (phase I) of Powell and bookwriter Ken Stone. Panel B. [92-3511-0166] Hostage by composer Samuel Headrick Panel B. [92-3511-0160] and librettist Craig Wich. Panel A. Theatreworks/USA Corporation [92-3511-0169] Performance Community New York, NY $6,000 Chicago, 1L $11,600 To support the workshop program Opera Theatre of Saint Louis To support the Making Tuners of Theatreworks/USA. Panel A. St. Louis, MO $40,800 Workshop program. Panel B. [92-3511- 0176] To support the creation (phase I), de­ [92-3511-0175] velopment (phase II), rehearsal, and Vineyard Theatre and pre-production (phase III), of The Playwrights Horizons, Inc. Workshop Center, Inc. MidnightAngelby composer David New York, IVY $29,000 New York, IVY $5,000 Carlson and librettist Peter Beagle. To support the workshop program To support the Workshop Program Panel B. [92-3511-0153] of Playwrights Horizons. Panel B. of Vineyard Theatre. Panel B. [92-3511-0165] [92-3511-0188] Opera/Omaha, Inc. Omaha, NE $5,300 Robert W. Woodruff Arts Center, Inc. Virginia Opera Association, Inc. To support the development (phase II), (Alliance Theatre Company) Noueolk, VA $7,200 rehearsal, and pre-production (phase Atlanta, GA $17,800 To support the creation (phase I) and III) of The Gardens of Adonis by com­ To support the creation (phase I) and development (phase II) of a new work poser Hugo Weisgall and librettist development (phase II) of a new based on the life of Virginia street mu­ John Olon-Scrymgeour. Panel B. American musical, currently titled sician "Ramblin’" Conrad, by folk mu­ [92-3511-0140] Jubilee, by composer Dwight Andrews sician Bob Zentz and lyricist Ann and playwright Shay Youngblood. Goette. Panel A. [92-3511-0141] OperaDelaware, Inc. Panel A. [92-3511-0159] Wilmington, DE $6,000 V’Man Beaumont Theater, Inc. To support the development (phase II) SOON 3 Theatre New York, NY $48,100 of a new opera on the Vietnam War by San Francisco, CA $5,000 To support the rehearsal and pre-pro­ composer Conrad Cummings. Panel A. To support the creation (phase I) of duction (phase III) of My Favorite Year [92-3511-0171] Captive, to be created collaboratively by by composer Stephen Flaherty, book- composer/librettist Barney Jones, writer Joseph Dougherty, and lyricist Pan Asian Repertory Theatre, Inc. choreographer Karina Epperlein, and Lynn Ahrens. Panel B. [92-3511-0170] New York, NY $27,800 artistic director Alan Finneran. To support the rehearsal and pre­ Panel B. [92-3511-0143] INDIViDUALS AS PRODUCERS production (phase III) of Cambodia Agonistes, a collaborative effort between San Diego Repertory Theatre, Inc. 11 grants author Ernest Abuba, composer Louis San Diego, CA $5,300 Program Funds: $101,000 Stewart, and director Tisa Chang. To support the creation (phase I) of an Panel B. [92-3511-0187] original jazz opera inspired by Lila a Ash, Jeffrey Dream by Calderon de la Barca. New York, NY $5,000 Pauline Oliveres Foundation Panel B. [92-3511-0163] To support the creation (phase I) of a Kingston, NY $15,000" musical based on the life of Frederick [92-3052-0051] Shaliko Company, Inc. Douglass by composer Grant Sturiale *See International chapter. New York, iVY $5,300 and writer/director Lonny Price. Panel To support the rehearsal and pre-pro­ A. [92-3512-0196] Performance Community duction (phase III) of Strangers, devel­ Chicago, IL $5,300 oped by director/librettist/designer To support the development (phase II), Leonardo Shapiro, composer Max

198 National Endowment for the Arts Opera-Musical Theater

Bokor, |udith Killman, Daniel American Music Theater Festival, Inc. Portland, OR $7,000 Nashville, TN $5,200 Philadelphia, PA $18,500 To support the creation (phase I) of To support the creation (phase I) and TF $19,000 The Death ofKarna, a new opera by development (phase II) of Father To support production expenses for composer Vincent McDermott and Marcelli by Daniel Killman. Panel B. the 1992-93 season. Panel A. librettist Kathy Foley. Panel A. [92-3512-0203] [92-3521-0014] [92-3512-0200] Le~, Sharon M. American Repertory Theatre Brenner, Janet New York, NY $19,000 Cambridge, MA $15,000 New York, NY $18,000 To support the creation (phase I) and To support the musical theater produc­ To support the creation (phase I) and development (phase II) of Lee Breuer’s tion expenses of the 1992-93 season. development (phase II) of a musical by new musical adaptation of the Frank Panel A. [92-3521-0062] writer and lyricist Richard Maltby, Jr. Wedekind Lulu plays with composer/ and composer David Shire, based on trumpeter Jon Faddis. Panel A. Anchorage Civic Opera Association, Inc. the novel Walking Across Egypt by Clyde [92-3512-0195] Anchorage, AK $7,000 Edgerton. Panel B. [92-3512-0201] To support the production expenses Sirota, Robert associated with the 1992-93 season. Field, Thalia Hamden, CT $10,000 Panel B. [92-3521-0078] New York, NY $13,500 To support the creation (phase I) and To support the creation (phase I) and development (phase II) of Judas, a new Arizona Opera Company development (phase II) of Trap Nest by opera by composer Robert Sirota and Phoenix, AZ $5,000 composer Nancy Gunn and librettist librettist Douglas P. Munsell. Panel A. To support production expenses for Thalia Field. Panel B. [92-3512-0194] [92-3512-0197] the 1992-93 season. Panel B. [92-3521-0108] Freeman, Meredith Turoff, Robert E. New York, NY $7,000 Sarasota, FL $5,000 Atlanta Opera Guild, Inc. To support the creation (phase I) of To support the creation (phase I) and Atlanta, GA $10,000 a new music theater adaptation of development (phase II) of The Queen of To support the 1992-93 production Federico Garcia Lorca’s play Blood the Gulf Coast by librettist Jo Morello season. Panel B. [92-3521-0086] Wedding by director Jorge Cacheiro, and composer Diana Colson. Panel A. composer Richard Einhorn, and writer [92-3512-0204] Augusta Opera Associa’don, Inc. Lorenzo Mans. Panel B. Augusta, GA $6,000 [92-3512-0198] To support the 1992-93 production PROFESSIONAL COMPANIES season. Panel B. [92-3521-0066] Haber, John L. New York, NY $5,200 For opera and musical theater compa­ Austin Lyric Opera To support the creation (phase I) of a nies to support expenses associated Austin, TX $7,500 new musical by collaborators John L. with production seasons. To support production expenses associ­ Haber, Jack S. Herrick, John Foley, ated with the 1992-93 season. Panel B. Bland Simpson, and Tommy 107 grants [92-3521-0088] Thompson. Panel B. [92-3512-0199] Program Funds: $1,589,400 Treasury Funds: $2,616,690 B~itimore Opera Compeny, Inc. Kauffman, Gary Baltimore, MD $15,000 New York, NY $6,100 /I/~A$ Repertory Theatre, Inc. To support production expenses of To support the creation (phase I) and New York, NY $6,000 the 1992-93 season. Panel B. development (phase II) of a new musi­ To support the production expenses [92-3521-0080] cal by composer/co-librettist Gary associated with the 1992-93 season. Kauffman and director/co-librettist Panel A. [92-3521-0059] Alan Mann. Panel B. [92-3512-0193]

1992 Annual Report Opera-Musical Theater

Boston Lyric Opera Company Dallas Opera Boston, MA $5,000 Dallas, TX $25,500 To support production expenses for TF $100,000 the 1992-93 season. Panel B. To support production expenses associ­ [92-3521-0104] ated with the 1992-93 season. Panel B. [92-3521-0030] Cosa Manana Musicals, Inc. Fort Worth, TX $5,000 Dayton Opera Association To support artists’ fees for the chorus Dayton, OH $6,000 actors and musicians. Panel A. To support production expenses for [92-3521-0051] the 1992-93 season. Panel B. [92-3521-0057] Center Theatre Group of Los Angeles Los Angeles, CA $16,000 Des Moines Metro Opera, inc. TF $16,000 Indianola, !A $12,000 To support musical theater production To support production expenses associ­ expenses for the 1992-93 season. ated with the 1992-93 season. Panel A. Panel B. [92-3521-0025] [92-3521-0117]

Central Cil), Opera House Association HorantJne Opera Company, Inc. Denver, CO $19,000 Milwaukee, WI $15,000 To support production expenses for the To support production expenses of annual Summer Opera Festival in the 1992-93 season. Panel A. Central City, Colorado during the [92-3521-0043] 1992 season. Panel B. [92-3521-0017] L~( Fort Worth Opera Association, Inc. Chautauqua InslJtMJon Madlyn Taylor and Edward Bogusz star Fort Worth, TX $5,000 Chautauqua, NY $15,000 in Der Rosenkavalierat Des Moines To support the expenses associated To support expenses of the 1992 Metro Opera, one of 107 companies to with the 1992-93 season. Panel A. production season. Panel A. receive seasonal support. [92-3521-0114] [92-3521-0041] Civic Ught Opera Association George Coates Performance Co. Citicago Opera Theater Pittsburgh, PA $11,000 San Francisco, CA $10,000 Chicago, IL $19,000 TF* $11,000 To support musical theater production To support production expenses of To support production expenses of expenses for the 1992-93 season. the 1992-93 season. Panel B. the 1992-93 season. Panel A. Panel B. [92-3521-0107] [92-3521-0011] [92-3521-0024] *Funds were committed but not obligated George Street Playhouse, Inc. Children’s Theater Company and School in FY ’92. New Brunswick, NJ $7,500 Minneapolis, MN $15,000 To support production expenses of To support the musical theater ex­ Connecticut Opera Association, Inc. the 1992-93 season. Panel B. penses associated with the 1992-93 Hartford, CT $7,000 [92-3521-0053] season. Panel B. [92-3521-0070] To support expenses associated with a three-year expansion of a comprehensive Glimmerglass Opera, Inc. Cincinnati Opera Association Education and Community Outreach Cooperstown, NY $25,400 Cincinnati, OH $15,500 Program. Panel A. [92-3521-0048] TF $9,600 TF $15,000 To support production expenses for the To support the production expenses 1993 season. Panel B. [92-3521-0021] of the 1992-93 season. Panel A. [92-3521-0020]

2,OO NationalEndowment for theArts Opera-Musical Theater

Goodspeed Opera House Foundation, Inc. duction for the 1992-93 season. Lyric Opera of Kansas City, Inc. East Haddam, CT $23,000 Panel A. [92-3521-0074] Kansas City, MO $5,000 TF $92,000 To support production expenses associ­ To support the expenses associated ~ke Goorge Opera ated with the 1992-93 season. Panel B. with the 1992-93 season of produc­ Festival lsse~intion, Inc. [92-3521-0113] tions. Panel B. [92-3521-0022] Glens Falls, NY $5,000 To support production expenses of the Lyric Theatre of Oklahoma, Inc. Hawaii Opera Thenira 1992 season. Panel A. [92-3521-0092] Oklahoma City, OK $6,000 Honolulu, HI $6,500 To support production expenses associ­ To support expenses of the 1992-93 Lime Kiln Arts, Inc. ated with the 1992-93 season. Panel A. production season. Panel A. Lexington, VA $7,000 [92-3521-0085] [92-3521-0089] To support the musical theater produc­ tion expenses of the 1992 season. Mad River Theater Works Houston Grand Opera Association, Inc. Panel B. [92-3521-0116] West Liberty, OH $6,000 Houston, TX ¯ $60,000 To support musical theater production TF $270,000 Lone Star Performing Arts expenses for the 1992-93 season. To support the production expenses AssociaUon, Inc. Panel B. [92-3521-0054] of the 1992-93 season. Panel B. Galveston, TX $7,000 [92-3521-0010] To support the production expenses Madison Civic Music Association, Inc. associated with the 1992-93 season. (Madison Opera Guild) Indianapolis Opera Company Panel B. [92-3521-0115] Madison, WI $6,000 FoundaUon, Inc. To support the production expenses Indianapolis, IN $5,000 Long Beach Civic Light Opera Association of the 1992-93 season. Panel A. To support the expenses associated Long Beach, CA $20,000 [92-3521-0044] with the 1992-93 season. Panel B. To support the production expenses [92-3521-0055] of the 1992-93 season. Panel B. Metropolitan Opera Association, Inc. [92-3521-0001] New York, NY $105,000 international ~ Relations, Inc. TF $395,000 New York, NY $15,000 Long Beach Opera To support salaries associated with the To support the production expenses Long Beach, CA $10,000 1992-93 season. Panel A and Panel B. associated with the 1992-93 season. To support artistic staff and principal [92-3521-0097] Panel A. [92-3521-0090] artists for the 1992-93 season. Panel B. [92-3521-0102] Michigan Opera Thontra June Opera Festival of New Jersey Detroit, MI $17,000 Princeton Junction, NJ $6,000 Lyric Opera Cleveland TF $4O,OOO To support the production expenses of Cleveland, OH $5,000 To support production expenses associ­ the 1992-93 season. Panel B. To support the production expenses ated with the 1992-93 season. Panel B. [92-3521-0077] of the 1992-93 season. Panel A. [92-3521-0023] [92-3521-0058] Kentucky Opera Association, Inc. Mill Mountain Playhouse Company Louisville, KY $14,500 Lyric Opera of Chicago Roanoke, VA $6,000 TF $14,000 Chicago, IL $60,000 To support the musical theater To support production expenses associ­ TF $270,000 production expenses associated with ated with the 1992-93 season. Panel A. To support expenses associated with the 1992-93 season. Panel A. [92-3521-0004] the Lyric Opera’s 1992-93 season. [92-3521-0056] Panel A. [92-3521-0064] I~0~11~ 01~ra ~ml~ny Knoxville, TN $6,000 To support expenses of a fourth pro­

1992Annual Report ~.0I Opera-Musical Theater

Minnesota Opera Company Minneapolis, MN $19,000 TF $76,000 To support the production expenses of the 1992-93 season. Panel B. [92-3521-0031]

Mobile Opera, Inc. Mobile, AL $6,000 To support production expenses for the 1992-93 season. Panel B. [92-3521-0049]

Municipal Theatre Association of St. Louis St. Louis, MO $12,000 TF $13,000 To support production expenses associ­ ated with the 1992-93 season. Panel B. [92-3521-0019]

Music Center Opera Association Los Angeles, CA $20,000 TF $80,000 To support artists’ fees and production expenses for the 1992-93 season. Panel A. [92-3521-0015]

Music Theatre of Wichita, Inc. Wichita, KS $7,500 To support the production expenses of the 1992-93 season. Panel A. [92-3521-0093]

Music-Theatro Group, inc. New York, NY $15,000 TF $35,OOO To support the production of new musical theater works in the 1992-93 season. Panel A. [92-3521-0109]

Nevada Opera Association Reno, NV $5,000 To support production expenses of the 1992-93 season. Panel B. [92-3521-0045]

Martha Arnold sings Marie, title role in Donizetti’s Daughter of the Regiment at Wildwood Park in Arkansas.

¯ O~. National Endowment for the Arts Opera-Musical Theater

New Cleveland Opera Company Opera Pacific Paper Mill Playhouse Cleveland, OH $12,000 Costa Mesa, CA $15,000 Millbum, NJ $20,000 TF $12,000 TF $15,000 TF $80,000 To support production expenses associ­ To support artists’ fees and production To support the production of main- ated with the 1992-93 season. Panel A. costs associated with the 1992-93 stage musicals for the 1992-93 season. [92-3521-0008] season. Panel B. [92-3521-0028] Panel A. [92-3521-0065]

New Orleans Opera AssociaUon Opera San Jose, Inc. Pennsylvania Opera Theater New Orleam, LA $7,000 San Jose, CA $5,000 Philadelphia, PA $15,000 To support the expenses associated To support artistic salaries and artists’ To support the expenses associated with the 1992-93 season. Panel A. fees associated with the 1992-93 sea­ with the 1992-93 season of produc­ [92-3521-0046] son. Panel B. [92-3521-0075] tion. Panel A. [92-3521-0105]

New York C~/Opera, Inc. Opera Theatre at Wildwood Pie~moM Opera Theater, Inc. New York, NY $43,000 Little Rock, AR $6,000 Winston-Salem, NC $6,000 TF $172,000 To support artists’ fees for the 1992-93 To support production expenses of To support artists’ fees for the 1992-93 season. Panel A. [92-3521-0101] the 1992-93 season. Panel A. season. Panel A. [92-3521-0005] [92-3521-0079] Opera Theatre of Saint Louis Odyssey Theatre Foundation St. Louis, MO $23,000 Pittsburgh Opera, Inc. Los Angeles, CA $5,000 TF $92,000 Pittsburgh, PA $19,000 To support the musical theater ex­ To support production expenses of TF $19,000 penses associated with the 1992-93 the 1992-93 season. Panel A. To support expenses associated with season. Panel A. [92-3521-0112] [92-3521-0060] the 1992-93 production season. Panel A. [92-3521-0033] Opera Association of Central Ohio Opera/Omaha, Inc. Columbus, OH $7,000 Omaha, NE $20,000 Playwrights Horizons, Inc. To support production expenses associ­ To support expenses associated with New York, NY $19,000 ated with the 1992-93 season. Panel A. the 1992-93 season of productions. TF $29,000 [92-3521-0100] Panel B. [92-3521-0096] To support the musical theater produc­ tion expenses of the 1992-93 season. Opera Celomdo OperaDelaware, Inc. Panel B. [92-3521-0029] Denver, CO $20,000 Wilmington, DE $9,000 To support the production expenses To support the expenses of the Portland Opera Association, Inc. of the 1992-93 season. Panel A. 1992-93 season, including staff devel­ Portland, OR $12,000 [92-3521-0052] opment and educational and outreach TF $13,000 touring programs such as The Night To support expenses of the 1992-93 Opera Company of Philadelphia Harry Stopped Smoking and Krystal season. Panel B. [92-3521-0012] Philadelphia, PA $15,000 Dreams. Panel A. [92-3521-0099] To support production expenses associ­ San Diego Civic Ught ated with the 1992-93 season. Panel A. Orlando Opera Cempeny, Inc. Opera Association, Inc. [92-3521-0095] Orlando, FL $7,000 San Diego, CA $20,000 To support the expenses of the To support production expenses of the Guild of Greater Miami, Inc. Opera 1992-93 production season. Panel A. 1992-93 season. Panel B. Miami, FL $41,000 [92-3521-0098] [92-3521-0068] TF $100,000 To support expenses associated with the 1992-93 season. Panel B. [92-3521-0016]

1992Annual Report :ZO3 Opera-Musical Theater

San Diego Opera Association Seattle Opera AssociaUon, Inc. Thcatr~ de la Jeune Lune San Diego, CA $20,000 Seattle, WA $50,000 Minneapolis, MN $7,500 TF $80,000 TF $110,000 To support the musical theater produc­ To support the expenses of the To support expenses associated with tion expenses of the 1992-93 season. 1992-93 season of productions. the 1992-93 season of productions. Panel A. [92-3521-0111] Panel B. [92-3521-0032] Panel A. [92-3521-0026] TheatreWorks San Francisco Mime Troupe, Inc. Skl~ig~ Opera Theatr~ Palo Alto, CA $9,000 San Francisco, CA $15,000 Milwaukee, WI $10,000 To support the musical theater produc­ To support the musical theater produc­ To support the production expenses tion expenses for the 1992-93 season. tion expenses of the 1992-93 season. associated with the 1992-93 season. Panel A. [92-3521-0073] Panel B. [92-3521-0063] Panel A. [92-3521-0082] Theatreworks/USA CorporaUon San Francisco Opera lssoeiaUon Spanish Theatre Repertory Company, Ltd. New York, NY $15,000 San Francisco, CA $59,000 New York, NY $12,000 To support the expenses associated TF* $271,000 To support the expenses associated with the 1992-93 season of produc­ To support artists’ fees for the 1992-93 with the 1992-93 season of musical tions. Panel B. [92-3521-0076] season. Panel B. [92-3521-0013] theater productions. Panel B. Opera Company, Inc. *Funds were committed but not obligated [92-3521-0067] Tri4~iU~ in FY "92. Binghamton, NY $9,500 Speleto Festival U.S.A. To support production expenses associ­ San Jose Civic light Charleston, SC $17,000 ated with the 1992-93 season. Panel A. Opera Association, Inc. TF $18,000 [92-3521-0069] San Jose, CA $15,000 To support new opera productions To support the sala~ of a resident in the 1992 season. Panel A. Tulsa Opera, Inc. designer. Panel A. [92-3521-0072] [92-3521-0071] Tulsa, OK $15,500 TF $15,000 Santa Barbara Civic Syracuse Opera Company, Inc. To support the 1992-93 production Ught Opera Association, Inc. Syracuse, NY $5,000 season including fees for musical artists, Santo Barbara, CA $5,000 To support artistic expenses for the conductors, orchestras, and stage direc­ To support the production expenses 1992-93 season of productions. tors. Panel A. [92-3521-0027] for the 1992-93 season. Panel B. Panel B. [92-3521-0106] [92-3521-0118] Utah Opera Company Tennessee Repertory Theatre Trust Salt Lake City, UT $7,000 Sarasota Opera Association, Inc. Nashville, TN $10,000 To support a new production for Sarasota, FL $15,000 To support the expenses associated the 1992-93 season. Panel A. To support the production expenses with the 1992-93 season of produc­ [92-3521-0083] of the 1992-93 season. Panel B. tions. Panel B. [92-3521-0084] [92-3521-0087] Village Theatre Thalia Spanish Theatre, Inc. Issaquah, WA $6,000 Saaside Music Theatar, Inc. Sunnyside, NY $6,000 To support musical theater production Daytona Beach, FL $6,000 To support musical theater production expenses for the 1992-93 season. To support the expenses associated expenses of the 1992-93 season. Panel A. [92-3521-0094] with the 1992-93 season of produc­ Panel B. [92-3521-0047] tions. Panel B. [92-3521-0042] Theatre Under the Stars, Inc. Houston, TX $20,000 To support production expenses associ­ ated with the 1992-93 season. Panel A. [92-3521-0110]

204 National Endowment for the Arts Opera-Musical Theater

Vineyard Theatre and REGIONAL TOURING George Coates Performance Co. Workshop Center, Inc. San Francisco, CA $8,000 New York, NY $7,500 To enable professional nonprofit opera To support the tour of a new musical To support the expenses associated or musical theater companies to tour in theater work, The Box Conspiracy, to with the 1992-93 season of produc­ multistate regions. traditional and non-traditional venues tions. Panel A. [92-3521-0091] throughout California and across the 22 grants United States. Panel B. [92-3542-0132] Virginia Opera AssociaUon, Inc. Program Funds: $275,000 Noqeolk, VA $20,000 Grants were reviewed by the Pro­ Idris Ackamoor and Cultural Odyssey To support artistic fees associated fessional Companies panels A and B. San Francisco, CA $7,500 with the 1992-93 season. Panel A. To support the 1992-93 touting [92-3521-0103] Amalgamated Producers, Playwrights, season. Pand A. [92-3542-0126] Ly~cists, & Enterlainers, Inc. (A.P.P.L.E.) V’~an Beaumont Theater, Inc. Louisville, KY $7,500 Mad River Theater Works New York, NY $15,000 To support marketing and promo­ West Liberty, OH $7,500 To support expenses of the 1992-93 tional expenses associated with the To support a tour of two original season of musical theater productions. 1992-93 touring season. Panel B. works, Black Hats and Evelyn and the Panel B. [92-3521-0061] [92-3542-0137] Polka King, to small towns throughout the Midwest. Panel B. [92-3542-0123] Walnut Street Theatre Corp. American Music Theater FesUval, Inc. Philadelphia, PA $7,500 Philadelphia, PA $7,500 Michigan Opera Theatre To support musical theater production To support the 1992 season of touting. Detroit, MI $8,000 expenses associated with the 1992-93 Panel A. [92-3542-0134] To support expenses associated with season. Panel B. [92-3521-0050] touring activities for the 1992-93 Appalshop, Inc. season. Panel B. [92-3542-0128] Washington Drama Society, Inc. Whitesbur$ KY $7,500 Washington, DC $11,000 To support touring expenses associated Mid-America Arts Nliance TF $11,000 with the 1992-93 season of Roadside Kansas City, MO $7,500 To support the musical theater produc­ Theater. Panel A. [92-3542-0125] To provide fee support to presenters tion expenses of the 1992-93 season. for performances of Minnesota Opera’s Panel B. [92-3521-0007] Aris Midwest From the Towers of the Moon. Panel B. Minneapolis, MN $10,000 [92-3542-0139] Washington Opera To provide fee support for presenters Washington, DC $31,000 for touring performances of the Minnesota Opera Company TF $124,000 Minnesota Opera, OPERA Iowa, Minneapolis, MN $7,500 To support production expenses of Skylight Opera Theatre, and the Paul To support the expenses of a national the 1992-93 season. Panel A. Dresher Ensemble in nine states. tour of a new piece commissioned es­ [92-3521-0006] Panel B. [92-3542-0129] pecially for the Minnesota Opera, From the Towers of the Moon, based on a Wolf Trap Foundation for the Des Moines Metro Opera, Inc. popular Japanese fable. Panel B. Performing Arts Irutianola, IA $7,500 [92-3542-0136] Vienna, VA $7,500 To support the 1992 touting season. To support expenses associated with Panel A. [92-3542-0138] Musical Traditions, Inc. the 1992-93 production season. San Francisco, CA $15,000 Panel B. [92-3521-0081] Early Music Foundation, Inc. To support the 1992-93 touring New York, NY $7,500 season. Panel A. [92-3542-0119] To support the 1992-93 touring season. Panel A. [92-3542-0120]

x99z Annual Report 9.05 Opera-Musical Theater

~" New York City Opera, Inc. touring season. Panel A. Opera-Musical Theater Program. New York, iVY $13,000 [92-3542-0122] Professional Companies Panels A & B. To support the expenses of the national [DCA 92-01] tour for the 1992-93 season. Panel A. Westem Opera Theater, Inc. [92-3542-0121] San Francisco, CA $75,000 Lyric Opera Center for American Artists To support the regional tour of La Chicago, IL $19,700 San Francisco Mime Troupe, Inc. Bohdme. Panel B. [92-3542-0037] To support the Lyric Opera Center San Francisco, CA $15,000 for American Artists’ training program To support expenses for the 1992-93 Western States Arts Federation for young singers. Panel A. tour of the troupe’s musical version of Santa Fe, NM $14,000 [92-3565-0219] Uncle Tom’s Cabin and Social Work. To provide fee support to presenters for Panel B. [92-3542-0124] Western Opera Theater, which is offer­ Lyric Opera of Chicago ing touring options of La Boh~me and Chicago, IL $9,000 Skylight Opera Theatre Corp. Operatunities. Panel B. [92-3542-0135] To support the Lyric Opera of Milwaukee, WI $7,500 Chicago’s composer-in-residence pro­ To support production expenses of the SERVICES TO THE ART gram. Panel A. [92-3565-0218] 1992-93 touring season. Panel A. [92-3542-0130] To assist organizations that provide ser­ ~r Meet the Composer, inc. vices to the opera-musical theater field New York, NY $10,000 Spanish Theatre Repertory Company, Ltd. as a whole or a sector of it. To support the opera-musical theater New York, NY $7,500 component of the Meet the To support the costs of touring perfor­ 19 grants; 1 cooperative agreement Composer/Reader’s Digest mances of musical works, including the Program Funds: $444,286 Commissioning program. Panel A. operetta, Losflbaros Progresistas, and a [92-3565-0221] new full-scale zarzuela. Panel B. Affiliate Artists, Inc. [92-3542-0127] New York, NY $6,000 ~r Metropolitan Opera Association, Inc. To support residency activity for New York, NY $16,100 Texas Commission on the Arts singers during the 1992-93 season. To support the Metropolitan Opera Austin, TX $19,000 Panel A. [92-3565-0214] Association’s Young Artist To provide fee support to Texas pre­ Development Program. Panel A. senters for touring performances of the ~r Goodspeed Opera House [92-3565-0210] Minnesota Opera’s From the Towers of Foundation, Inc. the Moon and Western Opera Theater’s East Haddam, CT $10,000 Musical Theatre Works, Inc. La Bobdme. Panel A. [92-3542-0131] To support the Libraty of the Musical New York, NY $13,000 Theatre and the 1992 publication of To support the Musical Theatre Theatreworks/IJSA Corporation Show Music magazine. Panel B. Works Conservatoty. Panel A. New York, IVY $8,000 [92-3565-0223] [92-3565-0213] To support expenses associated with the Midwest and Southwest touring Houston Grand Opera Association, Inc. ~r National Alliance of performances of original music theater Houston, TX $25,300 Musical Theatre Producers for young and family audiences, in­ To support the Houston Opera New York, NY $15,800 cluding Play To Win, based on Jackie Studio’s advanced training program for To support the alliance’s artistic, man­ Robinson’s struggle, and the classic, young artists. Panel A. [92-3565-0209] agement, and information services to Heidi. Panel B. [92-3542-0133] its 70 member companies from 28 ~, Jack Faucett & Associates states and the District of Columbia. Virginia Opera Association, Inc. Bethesda, MD $119,986 Panel B. [92-3565-0216] No~olk, VA $7,500 To administer approximately 430 To support expenses of the 1992-93 artistic and administrative evaluations of applicants and grantees to the

~-O6 National Endowment for the Arts Opera-Musical Theater

~ National Alliance of ~- San Francisco Opera Association associate. Professional Companies Musical Theatre Producers San Francisco, CA $27,450 Panel B (1991). [92-3570-0040] New York, NY $13,500 To support the San Francisco Opera To support the 1992 Festival of Center’s Adler Fellowship Program. Concert Royal, Inc. First Stage Musicals. Panel B. Panel B. [92-3565-0222] New York, NY $5,000 [92-3565-0217] To support the concert production Santn Fe Opera Association of Elisabeth Jacquet de la Guerre’s ~" National Opera Association, Inc. Santa Fe, NM $13,650 Cephale et Procris or Jean-Philippe Shreveport, LA $8,300 To support the Santa Fe Opera’s Rameau’s Zephyre, ou les Nymphes de To support the ongoing services of the 1993 Apprentice Program.’Panel A. Diane for the 1992-93 season. Services National Opera Association, an organi­ [92-3565-0211] to the Art/Special Projects Panel A. zation dedicated to the appreciation, [92-3570-0227] production, and composition of opera Theatre Development Fund, Inc.~ through educational means. Panel B. New York, NY $6,000 Minnesota Opera Company [92-3565-0206] To support the Theater Development Minneapolis, MN $5,400 Fund’s ongoing programs. Panel A. To support Henry Holt as artistic asso­ ~" National Public Radio, Inc. [92-3565-0207] ciate. Professional Companies Panel B Washington, DC $27,500 (1991). [92-3570-0039] To support the production and distrib­ ution of programs of American opera SPECIAL PROJECTS Opera Orchestra of New York, Inc. as part of National Public Radio’s an­ New York, NY $10,900 nual "World of Opera" series. Panel A. For organizations and individuals to To support the Concert Series and [92-3565-0220] pursue outstanding, exemplary ideas Young Artists Program. Services to that advance the forms of opera and the Art/Special Projects Panel A. New York Public Ubrapj/Astor, musical theater. Concert opera pro­ [92-3570-0230] Lenox and .tilden FoundaUon jects, artistic associates, and producing New York, NY $14,400 apprentices are also funded under this San Francisco Performing Arts To support the videotaping of live per­ category. Ubrary and Museum formances of musical theater produc­ San Francisco, CA $5,000 tions for the library’s Theater on Film 7 grants To support the production of an anno­ and Tape Archive (TOFT). Panel A. Program Funds: $45,700 tated chronology of San Francisco [92-3565-0205] Opera performances since its founding American Music Theater Festival, Inc. in 1923. Services to the Art/Special ~" OPERA America, Inc. Philadelphia, PA $8,100 Projects Panel B. [92-3570-0226] Washington, DC $71,100 To support the engagement of Tina To support OPERA America’s ongoing Landau as an artistic associate. programs and services to member com­ Professional Companies Panel A panies. Panel B. [92-3565-0208] (1991). [92-3570-0038] PANELS

~r OPERA America, Inc. Arizona Opera Company NEW AMI~ICAN WORKS PANEL A Washington, DC $7,000 Phoenix, AZ $5,000 To support OPERA America’s 1992 To support the concert production of Craig Bohmler Fellowship and StaffStudy Grants Rossini’s rarely-performed opera, La Composer Programs. Panel B. [92-3565-0212] Donna DelLago, for the 1992 season. Phoenix, AZ Services to the Art/Special Projects Opera San Jose, Inc. Panel A. [92-3570-0225] Sharon Daniels San Jose, CA $10,500 Director/Artistic Director, To support the Resident Artist Center Theatre Group of Los Angeles O.P.E.tLA.; Voice Professor Program during the 1992-93 season. Los Angeles, CA $6,300 Opera Institute at Boston University [92-3565-0215] To support Taj Mahal as an artistic Boston, MA

z99zAnnual Report 207 Opera-Musical Theater

Margot Knight Andre DeShields Joyce Granquist Holland (layperson) Author; Director; Performer Board Member Executive Director New York, NY Lyric Opera of Kansas City Idaho Commission on the Arts Kansas City, MO Boise, ID Eunice DeMello Nobu McCarthy Performer (vocal); Educator Ben Krywosz (chair) Honolulu, HI Artistic Director, Artistic Director New Music Theater Ensemble East West Players Bernard Gersten (chair) Minnesota Opera Company Los Angeles, CA Executive Producer St. Paul, MN Lincoln Center Theatre Everett McCorvey New York, NY Red Reiner Performer (vocal); Dancer; Choreographer; Director of Assistant Professor of Voice Robert Xavier Rodriguez Performing Arts University of Kentucky Composer; Executive Director, Texas Tennessee Arts Commission Lexington, KY Composers Forum; Professor Nashville, TN Sandra Pay (layperson) University of Texas, Dallas Richardson, TX Yvonne Brulet Steely Former Board President Composer; Playwright San Diego Opera Marjorie Samoff Houston, TX San Diego, CA Producing Director American Music Theater Festival Edit Villarreal Pelham G. Pearce Philadelphia, PA Assistant Professor, School of Theater, General Manager Film and Television Mobile Opera Barbara Day Turner University of California-Los Angeles Mobile, AL Resident Conductor; Music Los Angeles, CA Director/Conductor Robert Peterson Opera San Jose Diane Wondisford Co-Director San Jose, CA Associate Producing Director AM/PM Art & Production Music-Theatre Group Management Peter Wolmut (layperson) New York, iVY San Antonio, TX Patron; Educator Portland, OR PROFESSIONAL COMPANIES PANEL A Madlyn Powel Director of Development NEW AMERICAN WORKS PANEL B Judith Allen Ford’s Theater Executive Director Washington, DC Conrad Cummings North Carolina Performing Arts Center Composer Charlotte, NC Michael Price (co-chair) Oberlin College Executive Director Oberlin, OH Sarah Billinghurst Goodspeed Opera House Artistic Administrator East Haddam, CT William Henry Curry San Francisco Opera Conducter San Francisco, CA Mary Robert New Orleans, LA General Director David DiChiera (co-chair) Opera/Omaha Sylvia Debenport General Director Omaha, NE Stage Director Michigan Opera Theater Tempe, AZ Detroit, MI

9-08 National Endowment for the Arts Opera-Musical Theater

Randall Shinn Robert Peterson Sue Frost Associate Professor of Music, Music Co-Director Associate Producer Theory & Composition AM/PM Art & Production Goodspeed Opera House Arizona State University Management East Haddam, CT Tempe, AZ San Antonio, TX Charles Gray PROFESSIONAL COMPANIES PANEL B Edward Purdngton Executive Director/General Manager Artistic Director Pittsburgh Civic Light Opera Judith Allen Washington Opera Association Executive Director Washington, DC Pittsburgh, PA North Carolina Performing Arts Center Roberto Siena Ben Krywosz * Charlotte, NC Composer in Residence Artistic Director, Milwaukee Symphony Orchestra New Music Theater Ensemble Marsha Brooks (layperson) Milwaukee, WI Minnesota Opera Company Law Partner St. Paul, MN Colton, Hartnick, Yamin & Sheresky Stewart Slater New York, NY Executive Producer Everett McCorvey * San Jose Civic Light Opera Performer; Assistant Professor of Voice Michael Ching San Jose, CA University of Kentucky Associate Artistic Director Lexington, KY Virginia Opera Thomson Smillie (co-chair) No~folk, VA General Director Sandra Pay * (layperson) Kentucky Opera Association Member, Board of Directors Angelo ~1 Rossi (co-chair) Louisville, KY San Diego Opera Executive Producer San Diego, CA Paper Mill Playhouse Barbara Zadengo Millburn, NJ Executive Director Pelham G. Pearce, Jr. (chair) Santa Fe Opera General Manager Anne Ewers Santa Fe, NM Mobile Opera General Director Mobile, AL Utah Opera SERVICES TO THE ANTI Salt Lake City, UT SPECIAL PROJECTS Marilyn Powel Director of Development June Goodman PANEL A Ford’s Theater Administrator Washington, DC Marian Anderson Award Fund and Sarah Billinghurst Connecticut Commission on the Arts Artistic Administrator Marjorie Samoff * Hartford, CT San Francisco Opera Producing Director San Francisco, CA American Music Theater Festival Unda Jackson Philadelphia, PA General Director Michael Ching * (chair, Panel B) Chautauqua Opera Associate Artistic Director *Also served on Services to the Art/Special Teaneck, NJ Virginia Opera Projects Panel B No&lk, VA

$)~’ia Debenport Stage Director Tempe, AZ

I992Annual Report :2,09 Presenting & Con 252 grants; 6 cooperative agreements Total Funds: $4,101,975 Program Funds: $3,267,763 Treasury Funds: $ 834,212" *Includes $17, 000 not obligated in FY ’92.

Like its predecessor, Inter-Arts, the Presenting and Commissidning Program assists institutions that serve multiple artistic disciplines: presenting organizations, artists’communi­ ties and presenter service organizations. The Program also sup­ ports projects involving interdisciplinary artists and collabora­ tions of artists jqom different disciplines.

HROUGHOUT 1991, INTER-ARTS PROGRAM staffmet with hundreds of artists, presenters, and T representatives of service organizations to gather their views concerning the development of a new program focused on presenting the performing arts and the commissioning of new work. Ongoing consultation with a wide range of constituents led to an unprecedented consoli­ dation of presenting support areas. Following a formal an­ nouncement to the field and distribution of new guidelines at the Association of Performing Arts Presenters’ Conference in December 1991, Inter-Arts became the Presenting and Commissioning Program in January 1992. The Program’s FY ’92 grantees presented a remarkable body of work, seen by audiences comprising more than five million people throughout the nation. Program funds in the Presenting Organizations category supported the presenta­ tion of artists such as David Parsons, Urban Bush Women, and Paul Dresher in their Wisconsin premieres. The Midnite Rambler and Global Visions series at the Kentucky Center for the Arts benefitted from the investment of pro­ gram dollars, as did the Taos Art Association’s plan to bring the Eugene Ballet Company from Oregon to New Mexico to perform a work based on legends of Pacific Northwest Coast natives. Mternate ROOTS in Atlanta used funds from the Services to Presenting Organizations category to mount a week-long symposium for arts presenters and performing artists on artists’ residencies as a mechanism for audience de­ velopment and education. New work produced with the support of project-specific grants often resulted in public presentation, enriching the repertory available to presenting organizations and expand­ ing participation in and appreciation of the performing arts in diverse communities. Pooling their resources with fund­ ing support from this Program, presenters and artists built partnerships throughout the year which paid impressive aesthetic dividends. For instance, the Partnerships in

~.IO National Endowment for the Arts nlSslonlng

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Performance groups like Urban Bush Women appear before audiences throughout the U.S. thanks to grantees of the Presenting & Commissioning Program. Here Jawole Willa Jo Zollar (downstage center) appears in her interdisciplinary work, Bitter Tongue.

~99z Annual Report :~II Presenting & Commissioning

Commissioning category supported eight projects providing tary in a cohesive whole. For example, a grant to the activity in over twenty communities throughout the United National Asian American Telecommunications Association States. A partnership developed among the Los Angeles will support Paul Kwan’s "A Wok In Progress," the story of a Festival, the National Black Dance Festival of Atlanta, Vietnamese-American immigrant whose immersion in Dayton Contemporary Dance Company (DCDC), and Cal American art becomes the means by which he reinterprets his Performances at the University of California, Berkeley led to own cultural traditions in a new land. the creation and presentation of a new work featuring The Artists’ Projects Regional Initiative is designed to DCDC, along with a capella singing group Sweet Honey in support emerging or lesser-known artists throughout the na­ the Rock, and choreographer Diane Mclntyre. tion whose projects involve the creation of original work that The United States has been a center for the development extends or explores artistic forms. This initiative, a public/ of innovative interdisciplinary art projects since the 1940s. private partnership, invests funds from The Rockefeller This year Interdisciplinary Projects grants featured several exo Foundation and the Andy Warhol Foundation for the Visual traordinary cross-cultural collaborations, an important trend Arts along with Arts Endowment dollars in innovative work, in new American arts experiments. Some artists reexamine with consideration given to regional and cultural contexts. In critical periods of history, fusing artistic and social commen­ 1992, Endowment funds were channelled through thirteen regrant organizations and provided opportuni­ ties for artists and audiences in 50 states, the District of Columbia and Puerto Rico. Artists’ communities provide the time, space, materials, and environment that help artists to create new work. The Program’s in­ vestment in twelve communities in 1992 con­ tributed to residencies for more than 1500 artists. In addition, a 1992 grant assisted the development of the National Consortium of Artists’ Communities. This organization is de­ signed to enrich services for individual com­ munity sites, increase impact on individual artists, and strengthen resources and communi­ cation in the field. The Program’s Special Projects category supports model projects and initiatives of national impact which advance professional performing artists and/or presenting organiza­ tions. Among the projects funded in this area, the Program supported the New Jerseyobased Carter G. Woodson Foundation’s "Black Culture On Tour in America" showcase and workshop. This activity brings together pre­ senters, managers, companies, and solo artists to evaluate the touring and presenting of African American performing artists. The Special Projects area, in collaboration with the International Office, also supported the British American Arts Association’s Advanced Administrator Training Institute. Appalshop’s rustic Roadside Theater performers Tommy Bledsoe, Ron Short and The Institute provides two-week residencies Angelyn DeBord leave Kentucky for points as far north as Maine where they are for ten American arts presenters at sites through- sponsored by another P&C grantee, LA Arts. out Great Britain.

National Endowment for the Arts Presenting & Commissioning

80 Langton Street, Inc. with events in music, theater, dance, Grants San Francisco, CA $5,000 and visual arts during the 1992 festival. To support artists’ fees, travel costs, Panel B. [92-5442-0035] Indicates grants having national impact. and production and promotion ex­ penses associated with a series of inter­ Arts San Antonio disciplinaq¢ performance projects dur­ San Antonio, TX $5,000 PRESENTING ORGANIZATIONS ing the 1992-93 season. Panel A. To support artists’ fees, administrative [92-5442-0006] and production costs, and promotion ­ Includes the following subcategories: expenses associated with the 1992-93 Grants to Presenting Organizations Afro-American Cult.ral Center, Inc. season of events in music, theater, and are designed to improve the ability of Charlotte, NC $5,000 dance. Panel B. [92-5442-0169] professional organizations to present To support artists’ fees and administra­ diverse arts programming for audiences tive, promotion, production, and travel Asia Society in their communities and provide sig­ expenses associated with the "RAP!" New York, NY $5,000 nificant performance opportunities and "Talking Drums" concerts sched­ To support "Sundays of Indian for artists presented throughout the uled for the 1992-93 season. Panel A. Dance," a series of dance performances nation. Services to Presenting [92-5442-0129] and craft demonstrations by Leela Raja, Organizations grants are awarded to a choreographer of classical dance from regional arts agencies and service orga­ Alverno College India. Panel A. [92-5442-0033] nizations to help presenters improve Milwaukee, WI $5,000 their professional skills. Arts in To support artists’ fees, administrative Baltimore Museum of Art, Inc. Alternative Places grants seek to pro­ costs, and production and travel ex­ Baltimore, MD $5,000 vide communities with culturally and penses associated with dance, perfor­ To support artists’ fees, administrative aesthetically diverse work in a variety of mance art, music, and theater events and production costs, travel subsidies, venues through support of presenters in in the 1992-93 season. Panel A. and promotion expenses associated alternative spaces. Special Touting [92-5442-0061] with events in the 1992-93 "Offthe Initiatives support multidisciplinaty Walls" series of music, dance, and in­ presenters working to develop alterna­ Anchorage Concert Association, Inc. terdisciplinary performance. Panel B. tive touring mechanisms for experi­ Anchorage, AK $16,600 [92-5442-0008] mental and/or culturally and aestheti­ To support artists’ fees, production cally diverse works of the highest costs, audience development and ad­ Beyond Baroque Foundation quality in two or more disciplines. ministrative expenses associated with Venice, CA $5,000 Rural/Inner City Arts Presenting the 1992-93 season. Panel A. To support artists’ fees, administrative Regrant Initiative grants support re­ [92-5442-0130] and production costs, and marketing grant programs that assist rural or expenses associated with music, dance, inner-city community groups present­ Appalshop, Inc. theater, literature, and media events ing the performing arts. Dance on Whitesburg, KY $25,000 during the 1992-93 season. Panel A. Tour assists presenters in booking na­ To support artists’ fees and administra­ [92-5442-0090] tionally recognized dance companies tive, promotion, production, and travel and dance artists by supporting state expenses associated with the 1992-93 Black Arts Alliance, Inc. arts agencies and regional arts organiza­ season of events in music, literature, Austin, TX $5,000 tions projects. film, video, theater, dance, and visual To support artists’ fees, administrative arts. Panel A. [92-5442-0054] costs, and travel and production ex­ GRANTS TO PRESENTING ORGANIZATIONS penses associated with e,,ents in music, Arts Festival Association of Atlanta, Inc. dance, theater, literature, and visual 135 grants Atlanta, GA $6,000 arts during the 1992-93 season. Program Funds: $1,108,195 To support artists’ fees, administrative Panel A. [92-5442-0094] Treasury Funds: $ 786,805 and production costs, promotion ex­ penses, and travel subsidies associated

1992 Annual Report Presenting & Commissioning

Borough of Manhattan Community Catamount Film and Arts CO. Charter Oak Temple Restoration College Performing Arts Center, Inc. St. Johnsbury, VT $9,800 Association, Inc. New York, NY $8,000 To support artists’ fees, production and Harqeord, CT $5,000 To support artists’ fees, administrative promotion expenses, and administra­ To support artists’ fees, administrative and production costs, promotion ex­ tive costs associated with the 1992-93 costs, and technical expenses associated penses, and travel subsidies associated Performing Arts Showcase, "Northeast with events during the 1992 season. with the Music of the Americas -­ Kingdom Classical Series," and Panel B. [92-5442-0126] Festival 1992 events during the "Vermont Artists Series." Panel A. 1992-93 season. Panel B. [92-5442-0019] Cil~ of San Antonio, Texas [92-5442-0075] (Carver Community Cultural Center) Center for Contemporary Arts San Antonio, TX TF* $17,000 Brava! for Women in the Arts of Santa Fe, Inc. To support fees associated with market San Francisco, CA $5,000 Santa Fe, NM $7,900 research and audience development ini­ To support artists’ fees, administrative To support artists’ fees, administrative tiatives during the 1992-93 season. costs, and production expenses associ­ and promotion costs, and production Panel B. [92-5442-0121] ated with events in theater, perfor­ and travel expenses associated with *Funds were not obligated in FY ’92. mance art, and interdisciplinary collab­ events in dance, music, performance orations during the 1992-93 season. art, and interdisciplinary art during C~yfolk Panel B. [92-5442-0017] the 1992-93 season. Panel A. Dayton, OH $13,950 [92-5442-0051] To support artists’ fees, administrative Brooklyn Academy of Music, Inc. and promotion costs, and production Brooklyn, NY TF $175,000 Center for Women and Their Work, Inc. expenses associated with events in To support artists’ fees, administrative Austin, TX $10,000 music, dance, and theater during the costs, and production, promotion, and To support artists’ fees, administrative 1992-93 season. Panel A. travel expenses associated with events and travel costs, and production and [92-5442-0025] in music, dance, and theater during promotion expenses associated with the the 1992-93 season. Panel B. 1992-93 season of dance, theater, Cleveland Pedormance Art Festival, Inc. [92-5442-0046] music, film, interdisciplinary collabora­ Lakewood, OH $6,300 tions, literature, and visual arts. To support artists’ fees, adminstrative California Polytechnic Panel B. [92-5442-0038] and promotion expenses, and travel State University Foundation and production costs associated with San Luis Obispo, CA $5,000 Central Park Conservancy, Inc. the Fifth Annual Cleveland Perform­ To support artists’ fees and administra­ New York, NY $5,500 ance Art Festival in March and April of tive, production, and promotion ex­ To support artists’ fees and administra­ 1992. Panel A. [92-5442-0003] penses associated with events during tive, production, and promotion ex­ the conference/symposium in May penses associated with the 1992 Climate Theatre 1992 focusing on music of 18th­ "SummerStage" series. Panel B. San Francisco, CA $5,000 century Imperial Spain. Panel B. [92-5442-0058] To support artists’ fees, and admin­ [92-5442-0064] istrative and promotion expenses Centro Cultural de la Raza, Inc. associated with the 1992-93 season of Carter G. Woodson Foundation, Inc. San Diego, CA $5,000 events in theater, puppetry, perfor­ Newark, NJ $9,000 To support artists’ fees, administrative mance art, music, and dance. Panel A. To support artists’ fees, administrative and production costs, and travel sub­ [92-5442-0086] and promotion costs, and travel sub­ sidies associated with the theater sidies associated with the 1992-93 and performance art pieces in the Contemporary Arts Center, New Orleans "OnStage in New Jersey" series. "Border Realities" series. Panel B. New Orleans, LA $11,350 Panel B. [92-5442-0091] [92-5442-0119] To support artists’ fees, administrative, promotion, and production expenses, and travel costs associated with the

:l,14 National Endowment for the Arts Presenting & Commissioning

1992-93 season of events in music, Davis Center, Inc., Friends of penses, and travel subsidies associated dance, performance and interdiscipli­ New York, NY TF $15,600 with the 1992-93 "Speaking of Music" nary art, visual arts, film, and video. To support artists’ fees and production, series, the Artists Research Program, Panel A. [92-5442-0113] promotion, and administrative costs and the Special Project in Navigation. for the 1992-93 season of events in Panel A. [92-5442-0031] Creative ~me, Inc. theater, music, dance, and multidisci­ New York, NY $8,500 plinary collaborations. Panel A. Flynn Theatre for the To support artists’ fees and administra­ [92-5442-0070] Performing Arts, Ltd. tive, production, and promotion Burlington, VT TF $15,000 costs associated with events in the District Curators, Inc. To support artists’ fees, administrative "CityWide" series, the Battery Washington, DC $22,500 costs, promotion expenses, and travel Maritime Building project, and the To support artists’ fees, administrative subsidies associated with the 1992-93 Art in the Anchorage program during and promotion costs, and production season of events in music, dance, the­ the 1992-93 season. Panel A. expenses associated with events in ater, and performance art. Panel B. [92-5442-0002] music and interdisciplinary perfor­ [92-5442-0032] mance during the 1992-93 season. Crossroads Arts Council, Inc. Panel A. [92-5442-0014] Fort Peck Fine Arts Council Rutland, VT $5,000 Glasgow, MT $5,000 To support artists’ fees, administrative DiverseWorks, Inc. To support artists’ fees, administrative costs, and production expenses associ­ Houston, TX $12,000 and production costs, and promotion ated with the residencies of Roadside To support artists’ fees, administrative expenses associated with the 1992-93 Theater and David Parsons and and production costs, promotion ex­ season. Panel B. [92-5442-0074] Company during the 1992-93 season. penses, and travel subsidies associated Panel B. [92-5442-0085] with the events in music, theater, Fund for the Borough of Brooklyn, Inc. dance, film, and performance art that Brooklyn, NY $5,400 Dance Theater Workshop, Inc. will comprise the 1992-93 "NU-ART" To support artists’ fees, administrative New York, NY $60,000 series. Panel B. [92-5442-0083] and promotion costs, and production To support artists’ fees and administra­ expenses associated with the 1992 tive, production, and promotion ex­ Duke University Celebrate Brooklyn festival of events in penses associated with the 1992-93 Durham, NC $5,000 music, theater, and dance. Panel A. season of performances of dance, To support artists’ fees, administrative [92-5442-0047] music, theater, media, and visual arts costs, and promotion expenses associ­ exhibitions. Panel A. [92-5442-0084] ated with the events in the 1992-93 Guadalupe Cultural Arts Center "Global Perspectives In Performance" San Antonio, TX TF $15,925 Dancing in the Streets, Inc. and "Young Artists" series. Panel B. To support artists’ fees, administrative, New York, NY $10,000 [92-5442-0041] production, and promotion costs, and To support artists’ fees, administrative travel subsidies associated with the and production costs, promotion ex­ E]aine Summers Experimental 1992-93 season of events in music, penses, and travel subsidies for site-spe­ Intermedia Foundation, Inc. film, theater, and performance art. cific multidisciplinary works during the New York, NY $5,000 Panel A. [92-5442-0062] 1992 season. Panel B. [92-5442-0057] To support artists’ fees, administrative costs, and promotion expenses associ­ Haleakala, Inc. (The Kitchen) Davis & Elklns College ated with the 1992-93 season of inter­ New York, NY $32,500 Elkins, WV $7,800 disciplinary performances. Panel B. TF $32,5OO To support artists’ fees in association [92-5442-0111] To support artists’ fees, administrative, with the 1992 "Concert Series" ofper­ production, and promotional costs, f0rmances in music, storytelling, story Expl0ratodum and travel subsidies associated with the theater, and dance. Panel A. San Francisco, CA $12,300 1992-93 season of events in dance, [92-5442-0112] To support artists’ fees, administrative music, video, performance art, and lit­ costs, production and promotion ex­ erature. Panel B. [92-5442-0066]

z99z Annual Report 2,15 Presenting & Commissioning

Hallwalls, Inc. Hult Center for the Performing Arts Jamaica Center for the Buffalo, NY $12,000 Eugene, OR $6,900 Performing and Visual Arts, Inc. To support artists’ fees, administrative To support artists’ fees, production and Jamaica, NY $5,000 costs, promotion and production ex­ promotion costs, and administrative To support artists’ fees, administrative penses, and travel subsidies associated expenses associated with the 1992-93 costs, and production and promotion with events in performance art and lit­ season of events in music, dance, the­ expenses associated with events in erature during the 1992-93 season. ater, and performance art. Panel A. theater, music, and dance during Panel B. [92-5442-0079] [92-5442-0118] the 1992-93 season. Panel B. [92-5442-0115] Helena Presents Humboldt State Universi~j Foundation Helena, MT TF $33,500 Arcata, CA $12,600 Japon Society, Inc. To support artists’ fees, administrative To support artists’ fees for the New York, NY $5,000 and production costs, and promotion 1992-93 CenterArts season of events To support artists’ fees, administrative and travel expenses associated with in dance, theater, and music. Panel A. costs, production and promotion ex­ events in music, theater, dance, and [92-5442-0081] penses, and fees for development of media arts programming. Panel B. program materials associated with [92-5442-0069] Institute of Contemporary Art, Boston events in music, dance, and theater Boston, MA $26,000 during the 1992-93 season. Panel B. Henry Streot $offiement To support artists’ fees, administrative [92-5442-0125] New York, NY $13,000 and production costs, and travel and To support artists’ fees, administrative promotion expenses associated with Japanese American Cultural and and production costs, and promotion events during the 1992-93 season. Community Center expenses associated with dance, music, Panel B. [92-5442-0028] Los Angeles, CA TF $35,000 visual arts, and theater events during To support artists’ fees, administrative the 1992-93 "Centennial Weekend Intennedia Arts of Minnesota, Inc. and production costs, promotion ex­ Celebration Series." Panel B. Minneapolis, MN $5,000 penses, and travel subsidies associated [92-5442-0099] To support artists’ fees, administrative with events in music, theater, and and production costs, promotion ex­ dance during the 1992-93 season. Henson Foundation penses, and travel subsidies associated Panel B. [92-5442-0043] New York, NY $9,600 with events in music, performance art, To support artists’ fees, promotion, video, and visual arts during the Kentucky Center for the Arts production, and administrative costs, 1992-93 season. Panel B. Louisville, KY $5,000 and travel expenses associated with the [92-5442-0007] To support artists’ fees, administrative International Festival of Puppet and promotion costs, and production Theater in September 1992 and a International House of Philadelphia and travel expenses associated with the related conference and exhibition. Philadelphia, PA $5,000 1992-93 season of events in music, Panel A. [92-5442-0055] To support artists’ fees, administrative dance, literature, performance art, and and production costs, travel subsidies, media. Panel A. [92-5442-0087] Highways, Inc. and promotion expenses associated Santa Monica, CA $5,000 with events in music and dance during Kings Majestic Corp. To support artists’ fees and promotion the 1992-93 season. Panel A. Brooklyn, NY $6,675 expenses associated with the events in [92-5442-0029] To support marketing and production the "Driving Solo" and "L.A. Dance expenses and costs for a program book­ TraFfic" series of performance art and Jacob’s Pillow Dance Festival, Inc. let and educational activities associated dance during the 1992-93 season. Lee, MA TF $25,500 with the Jazz and Blues in America Panel A. [92-5442-0100] To support artists’ fees, administrative Festival and Concert Series to be held and production costs, and travel and from March through mid-June 1992. promotion expenses associated with the Panel A. [92-5442-0040] 1992 season of events in dance, music, and theater. Panel A. [92-5442-0026]

:~I6 National Endowment for the Arts Presenting & Commissioning

LA Arts Life on the Water penses, and travel subsidies associated Lewiston, ME $5,000 San Francisco, CA $11,570 with events in theater, performance To support artists’ fees, administrative To support artists’ fees, administrative art, music, and visual arts during the costs, and production and promotion costs, and production and promotion 1992-93 season. Panel B. expenses associated with residencies of expenses associated with music, dance, [92-5442-0114] Roadside Theater, the Billy Taylor theater, and performance art events in Trio, and the Paul Winter Consort the "Visiting Artists Series," Art Maylair, Inc. during the 1992-93 season. Panel A. Without Borders, and Free Idea Zone Allentown, PA $5,000 [92-5442-0106] programs. Panel A. [92-5442-0122] To support artists’ fees, administrative and production costs, promotion ex­ La Mama Experimental Theatre Club, Inc. Lincoln Center for the penses, and travel subsidies associated New York, NY $35,000 Performing Arts, Inc. with events during the May 1992 festi­ To support artists’ fees, administrative New York, NY TF $75,730 val. Panel B. [92-5442-0036] costs, and promotion expenses associ­ To support artists’ fees and administra­ ated with events in music, theater, in­ tive, production, and promotion costs Miami Light Project, Inc. terdisciplinary performance, and dance associated with the 1992-93 "Serious Miami Beach, FL $5,000 during the 1992-93 season. Panel B. Fun!," "Lincoln Center Out-of- To support artists’ fees, administrative [92-5442-0060] Doors," and "Great Performers" series and production costs, promotion ex­ of events. Panel A. [92-5442-0073] penses, and travel subsidies associated La Pena Cultural Center, inc. with events in music and dance during Berkeley, CA $16,000 Lower Manhattan Cultural Council, Inc. the 1992-93 season. Panel B. To support artists’ fees, administrative New York, NY $5,000 [92-5442-0082] and production costs, and promotion To support artists’ fees, administrative expenses associated with events in and production costs, and promotion Miami-Dade Community College music, dance, theater, and interdiscipli­ expenses associated with events in per­ Miami, FL $5,000 nary performance during the 1992-93 formance art, puppetry, dance, and To support administrative, promotion, season. Panel B. [92-5442-0117] music during the 1992-93 season. and production costs, and travel subsi­ Panel A. [92-5442-0167] dies associated with events during the Lafayette College 1992-93 season of music, theater, and Easton, PA $5,000 Maine Ar~s, Inc. dance at the Wolfson campus. Panel A. To support artists’ fees and administra­ Portland, ME $5,000 [92-5442-0049] tive costs associated with the To support artists’ fees, administrative "Revisioning the Americas" series of costs, promotion expenses, and travel Michigan Community Theatre Corp. events in music, dance, theater, and the subsidies associated with events in Ann Arbor, MI $5,000 visual arts during the 1992-93 season. music, dance, and theater during the To support artists’ fees, administrative Panel A. [92-5442-0030] 1992-93 season. Panel B. and production costs, and promotion [92-5442-0039] expenses associated with events in Leland Stanford Junior University, dance, theater, music, and performance Board of Trustees of Mandeleo Institute art during the 1992-93 season. Stanford, CA $12,400 Oakland, CA $11,000 Panel B. [92-5442-0093] To support artists’ fees, project coordi­ To support the salary of the production nator and teacher fees, and promotion coordinator during the 1992-93 season Mission Cultural Center, Friends of and production expenses associated of events in dance and music. Panel B. San Francisco, CA $5,000 with residency/performance activities [92-5442-0108] To support artists’ fees, administrative of the student bus-in program during and production costs, and promotion the 1992-93 season. Panel A. Maryland Art Place, Inc. expenses associated with the 1992 [92-5442-0042] Baltimore, MD $5,000 "Day of the Dead/Dia de los Muertos" To support artists’ fees, administrative multidisciplinary installation. Panel A. and production costs, promotion ex­ [92-5442-0097]

z992Annual Report /.17 Presenting & Commissioning

Mobius, Inc. and travel costs associated with perfor­ performance art during the 1992 Boston, MA $5,000 mance events that will be integrated Bumbershoot Festival. Panel B. To support artists’ fees, administrative with the 1992 "Spatial Drive" exhibi­ [92-5442-0001] and production costs, promotion ex­ tion. Panel A. [92-5442-0071] penses, and travel subsidies associated Onion River Arts Council with events in performance art, music, Newark Performing Arts Corp. Montpelier, VT $5,000 theater, and dance during the 1992-93 Newark, NJ $5,000 To support artists’ fees, administrative season. Panel A. [92-5442-0168] To support artists’ fees, administrative and production costs, and promotion and production costs, and promotion expenses associated with events in Movement Theatre InternaUonal, Inc. expenses associated with events in music, dance, theater, and literature Philadelphia, PA $5,000 music, dance, and theater during the during the 1992-93 season. Panel B. To support artists’ fees, administrative 1992-93 season at Newark Symphony [92-5442-0034] and production costs, travel subsidies, Hall. Panel B. [92-5442-0063] and promotional expenses associated Painted Bride Art Center, Inc. with the 1992-93 season of events in North Carolina State University Philadelphia, PA $25,000 performance art, dance, circus arts, and (centerStage) To support artists’ fees, administrative theater. Panel A. [92-5442-0095] Raleigh, NC $5,000 and production costs, and promotion To support artists’ fees, and adminis­ expenses associated with events in Music Center of Los Angeles County trative and production costs, promo­ music, theater, dance, and performance Los Angeles, CA TF $19,400 tion expenses, and travel subsidies asso­ art during the 1992-93 season. To support artists’ fees and administra­ ciated with events in music, dance, and Panel B. [92-5442-0023] tive, promotion, production, and travel theater during the 1992-93 season. expenses associated with the 1992-93 Panel B. [92-5442-0067] Pennsylvania State University Main "Music Center on Tour" and Campus (center for the Per[orming Arts) "Passport" programs, a series of perfor­ Ohio State University Research University Park, PA $5,000 mances in various Los Angeles County Foundation |Wexner Center for the Arts) To support artists’ fees, administrative locations. Panel A. [92-5442-0010] Columbus, OH $6,000 and production costs, and promotion To support artists’ fees, administrative, expenses associated with events in Music Center of Los Angeles County promotion, and production expenses music, theater, and dance during the Los Angeles, CA TF $15,000* associated with the 1992-93 season 1992-93 season. Panel B. To support artists’ fees and administra­ of events in music, dance, performance [92-5442-0004] tive, production, travel, and promo­ art, and theater. Panel A. tional expenses associated with the [92-5442-0107] Pentangle Council on the/Iris 1991-92 Music Center on Tour and Woodstock, VT $5,000 Passport programs. Panel D. On the Boards To support artists’ fees, administrative, [91-5442-0120] Seattle, WA TF $35,000 promotion, and production costs, and *Funds were committed in FY "91 but To support artists’ fees, administrative travel expenses associated with the were not obligated until FY ’92. and production costs, and promotion 1992-93 season. Panel A. expenses associated with events in [92-5442-0080] NaUonal Black Arts Festival, Inc. the "New Performance Series" during Atlanta, GA $19,750 the 1992-93 season. Panel B. Performance Space 122, Inc. To support artists’ fees associated with [92-5442-0020] New York, NY $18,600 the 1992 festival of events. Panel A. To support artists’ fees, production [92-5442-0116] One R~I costs, and promotion and travel ex­ Seattle, WA $5,000 penses associated with events in music, New Museum of Centempare~ To support artists’ fees, administrative dance, performance art, theater, media, New York, NY $5,000 and production costs, promotion ex­ and visual arts during the 1992-93 sea­ To support artists’ fees, administrative, penses, and travel subsidies associated son. Panel A. [92-5442-0127] promotion, and production expenses, with events in dance, theater, and

National Endowment for the Arts Presenting & Commissioning

Pittsburgh Children’s Festival, Inc. and production costs, and promotion the 1992-93 season. Panel B. Pittsburgh, PA $6,000 expenses associated with events and res­ [92-5442-0110] To support artists’ fees, administrative idency activities in the Nikolais/Louis and production costs, and promotion Residency and Retrospective Program Spoleto Festival U.S.A. expenses associated with the 1992 festi­ during the 1992-93 season. Panel B. Charleston, SC TF $25,000 val. Panel B. [92-5442-0021] [92-5442-0109] To support artists’ fees, administrative and promotion costs, and travel Plaza de la Raza, Inc. San Francisco Performances, Inc. expenses associated with the 1992 festi­ Los Angeles, CA $5,000 San Francisco, CA $10,000 val season. Panel B. [92-5442-0078] To support artists’ fees, administrative To support artists’ fees, administrative and production costs, and promotion and production costs, and promotion St. Ann Center for and documentation expenses associated expenses associated with events in Restoration and the Arts, Inc. with events in music, dance, theater, music and dance during the 1992-93 Brooklyn, IVY $10,500 and visual arts during the 1992-93 season. Panel B. [92-5442-0092] To support artists’ fees, administrative season. Panel B. [92-5442-0104] and production costs, and promotion Scottsdale Cultural Council expenses associated with the 1992-93 Poets’ League of Greater Cleveland, Inc. Scottsdale, AZ $5,000 season of events in music and musical (Cleveland Public Theatre) To support artists’ fees, administrative theater. Panel A. [92-5442-0105] Cleveland, OH $5,000 and production costs, and promotion To support artists’ fees, administrative, expenses associated with events in Sushi, Inc. promotion, and production expenses, music, dance, and theater during the San Diego, CA $7,000 and travel costs associated with the 1992-93 season. Panel A. To support artists’ fees, administrative, 1992 SONIC DISTURBANCE festival [92-5442-0166] promotion, and production costs and events, lecture/demonstrations, broad­ travel subsidies associated with events casts, and workshops. Panel A. Sheboygan Arts Foundation, Inc. and residency activities during the [92-5442-0124] Sheboygan, WI $5,000 1992 NEOFEST festival of dance, To support artists’ fees, administrative visual art, theater and interdisciplinary Randolph Street Gallery, Inc. and production costs, promotion ex­ art. Panel A. [92-5442-0077] Chicago, IL $5,000 penses, and travel subsidies associated To support artists’ fees, administrative with events in music, dance, and the­ Symphony Space, Inc. costs, and promotion expenses associ­ ater during the 1992-93 season. New York, NY $12,000 ated with residency activities, work­ Panel B. [92-5442-0089] To support artists’ fees associated with shops, and discussions during the the 1992-93 season of events in music 1992-93 season. Panel A. Societ~ for the Performing Arts and literature and for the Curriculum [92-5442-0050] Houston, TX $5,000 Arts Project which brings professional To support consultant fees, administra­ musicians to the classroom. Panel A. Real Art Ways, Inc. tive costs, ticket subsidies, and travel [92-5442-0052] Hartford, CT $5,000 expenses associated with new market­ To support artists’ fees, administrative ing initiatives designed to increase au­ Taos Art Association, inc. and production costs, promotion ex­ dience diversity for the 1992-93 sea­ Taos, NM $7,000 penses, and travel subsidies associated son. Panel A. [92-5442-0102] To support artists’ fees, administrative with events in music, performance art, and production costs, and promotion and visual art during the 1992-93 sea­ Southern Theater Foundation, Corp. expenses associated with the "Beyond son. Panel B. [92-5442-0044] Minneapolis, MN $5,000 Columbus" series of events in theater, To support artists’ fees, administrative music, dance, and performance art Rutgers, The State University and production costs, promotion ex­ during the 1992-93 season. Panel B. of New Jersey penses, and travel subsidies associated [92-5442-0101] New Brunswick, NJ $5,000 with events in theater, musical theater, To support artists’ fees, administrative performance art, and dance during

I992 Annual Report 2,19 Presenting & Commissioning

Theater Artaud University of California-Berkeley ated with events in dance, music, the­ San Francisco, CA $5,000 Berkeley, CA TF $50,000 ater, and music-theater and related resi­ To support artists’ fees, administrative To support artists’ fees and production dency activities during the 1992-93 and production costs, and promotional and promotion costs associated with season. Panel B. [92-5442-0011] expenses associated with events in events in music, dance, and theater music, theater, dance, and an interdis­ during the regular 1992-93 season and University of Kansas Main Campus ciplinary performance during the for music events during the 1992 (Concert, Chamber Music, & New 1992-93 season. Panel A. Berkeley Festival and Exhibition. Directions Series) [92-5442-0037] Panel A. [92-5442-0005] Lawrence, KS TF $25,000 To support artists’ fees, administrative Town Hall Foundation, Inc. University of California-Davis and production costs, and promotion New York, NY $5,000 Davis, CA $10,000 and travel expenses associated with To support artists’ fees, administrative To support artists’ fees, administrative events in music, dance, and theater and production costs, and promotional and production costs, and promotion during the 1992-93 season. Panel B. expenses associated with the 1992-93 expenses associated with events in [92-5442-0024] season of events in music, literature, music, dance, and theater and related theater, dance, film, and visual arts. residency activities during the 1992-93 University of Massachusetts at Amherst Panel A. [92-5442-0103] season. Panel A. [92-5442-0053] (Fine Arts Centers) Amherst, MA $5,000 Toyo Kami, Inc. University of California-Santa Barbara To support artists’ fees and production Oakland, CA $5,000 Santa Barbara, CA $26,700 costs associated with events in music, To support artists’ fees, administrative To support artists’ fees associated with dance, and theater during the 1992-93 and production costs, and promotion events in dance, music, theater, litera­ season. Panel A. [92-5442-0009] expenses associated with events in ture, and media arts and related resi­ music, dance, literature, visual arts, and dency activities during the 1992-93 University of Minnesota-Twin Cities theater during the 1992-93 season at season. Panel A. [92-5442-0059] (Northrop Auditorium) the Ohana Cultural Center. Panel B. Minneapolis, MN $10,000 [92-5442-0048] Universil~, of California-Santa Cruz To support artists’ fees, administrative Santa Cruz, CA $5,000 and production costs, and promotion Universil~ of Pennsylvania, Trustees of To support artists’ fees associated with expenses associated with the 1992-93 (Annenberg Center) off-campus presentations of events in season of music, theater, and dance. Philadelphia, PA $7,500 dance, music, and theater during the Panel B. [92-5442-0123] To support artists’ fees, administrative 1992-93 season and with residency and production costs, promotion ex­ activities throughout the community. University of Nebraska-Lincoln penses, and travel subsidies associated Panel A. [92-5442-0076] (Ued Center) with events during the 1992 Lincoln, NE $7,500 Philadelphia International Theater University of Illinois at Urbana- To support artists’ fees, administrative Festival for Children. Panel B. Champaign (Krannert Center for the costs, and promotion expenses associ­ [92-5442-0018] Perlorming Arts) ated with events in dance, music, and Urbana, IL $5,000 theater during the 1992-93 season. University of Arizona To support artists’ fees, administrative Panel B. [92-5442-0096] Tucson, AZ $5,000 costs, and promotion expenses associ­ To support artists’ fees, administrative, ated with events in music, theater, and University of Washington production, and promotion expenses, dance during the 1992-93 season. Seattle, WA $5,000 and travel subsidies associated with Panel B. [92-5442-0120] To support artists’ fees, production events in the 1992-93 "Artist Series" of costs, and promotion expenses associ­ music, dance, and theater. Panel A. University of Iowa (Hancher Auditorium) ated with events in music, dance, and [92-5442-0068] lowa City, IA TF $30,000 interdisciplinary theater during the To support artists’ fees, production 1992-93 season. Panel B. costs, and promotion expenses associ­ [92-5442-0016]

:/,~,O National Endowment for the Arts Presenting & Commissioning

Urban Institute for Contemporary Arts Walker Art Center, Inc. World Music institute, inc. Grand Rapids, MI $5,000 Minneapolis, MN TF* $50,000 New York, NY $14,000 To support artists’ fees, administrative To support artists’ fees, administrative, To support artists’ fees, administrative costs, and promotional expenses associ­ promotional, production costs, and and production costs, promotion ex­ ated with the 1992-93 season of events travel subsidies associated with the penses, and travel subsidies associated in performance art, dance, and interdis­ 1991-92 season of events in music, with events in music and dance during ciplinary art. Panel B. [92-5442-0027] theater, and dance. Panel D. the 1992-93 season. Panel B. [91-5442-0030] [92-5442-0045] Utah Arts Festival Foundation, Inc. *Funds fi~r this grant were committed in FY Salt Lake CiTy, UT $5,000 91 but were not obligated unt~l FY ’92. Young Men’s & Young Women’s Hebrew To support artists’ fees, administrative Association 192nd Street Y) costs, promotion expenses, and travel Washington Center New York, NY TF $53,000 subsidies associated with events in for the Performing Arts To support artists’ fees associated with music, dance, literature, and visual arts Olympia, WA $5,000 events in music, dance, theater, film, during the 1992 festival. Panel A. To support artists’ fees, administrative literature, and the visual arts during [92-5442-0012] expenses, and production and promo­ the 1992-93 season. Panel B. tion costs associated with events in [92-5442-0065] Virginia Museum of Fine Arts dance, music, and theater during the Richmond, VA $7,500 1992-93 season. Panel B. SERVICES TO PRESENTING To support artists’ fees, administrative [92-5442-0098] ORGANIZATIONS and production costs, promotion ex­ penses, and travel subsidies associated Washington Performing Arts Society 7 grants; 1 cooperative agreement with events in music, dance, and inter­ Washington, DC TF $43,650 Program Funds: $126,000 disciplinary performance during the To support artists’ fees and promotion 1992-93 "Fast/Forward" series. Panel expenses associated with events in ~- Alternate ROOTS, Inc. B. [92-5442-0015] dance, music, and performance art Atlanta, GA $14,000 during the 1992-93 season. Panel A. To support costs associated with a sym­ Visual Arts Research and Resource [92-5442-0022] posium for arts presenters and perform­ Center Relating to the Caribbean, inc. ing artists on community residencies as (Caribbean Cultural Center) Washington UniversibJ |Edison Theatre) a mechanism for audience development New York, NY $5,000 St. Louis, MO $10,000 and education. [92-5442-0136] To support artists’ fees, administrative To support artists’ fees, administrative and production costs, promotion ex­ and production costs, promotion ex­ Arts Midwest penses, and travel subsidies associated penses, and travel subsidies associated Minneapolis, MN $5,000 with events in dance and music during with events in dance, music, and To support costs associated with the the 1992-93 season. Panel B. theater during the 1992-93 season. 1992-93 Artistic Exploration Fund, a [92-5442-0056] Panel B. [92-5442-0128] regrant program designed to support projects or travel which help presenters Walker Art Center, Inc. Wooster Group, Inc. improve their ability to present high- Minneapolis, MN $100,000 New York, NY $5,000 quality programming to diverse audi­ To support artists’ fees, administrative To support artists’ fees, administrative ences. [92-5442-0131] and production costs, promotion ex­ and production costs, and promotion penses, and travel subsidies associated expenses associated with the 1992-93 ~, Association of American Cultures, Inc. with over 100 events in music, dance, season of events in music, theater, Washington, DC $16,000 and theater during the 1992-93 and performance art. Panel B. To support costs associated with the season. Panel A. [92-5442-0013] [92-5442-0088] planning, implementation, and follow- up for the Open Dialogue V confer­ ence scheduled for June 1992 in Los Angeles. [92-5442-0135]

1992 Annual Report Presenting & Commissioning

~ Association of Performing Arts and production costs, and promotion Santa Monica Arts Foundation Presenters, Inc. expenses associated with the First Coast Santa Monica, CA $4,000 Washington, DC $30,000 Folklife Exploration, a festival to be To support artists’ fees, administrative To support costs associated with pre­ held at the Jacksonville Landing. and production costs, and promotion senter services designed to strengthen [92-5442-0148] expenses associated with the artist-in­ presenter skills and knowledge. residence project at Santa Monica [92-5442-0137] Arts Council of Fort Worth Place. [92-5442-0152] and Tarrant County, Inc. ~ Association of Performing Arts Fort Worth, TX $4,000 Soapstone Center for the Arts, Inc. Presenters, Inc. To support artists’ fees, administrative Decatur, GA $5,000 Washington, DC $26,000 and production costs, and promotion To support artists’ fees and production To amend a cooperative agreement to expenses associated with the Festival of expenses associated with the 1992 support implementation of activities the Performing Arts to be held at Celebration of Jazz project at South based on the lqnal report of the Na­ Hulen Mall. [92-5442-0147] DeKalb Mall. [92-5442-0153] tional Task Force on Presenting and Touring the Performing Arts. Children’s Museum at Holyoke, Inc. South Street Seaport Museum [DCA 88-11.] Holyoke, MA $6,000 New York, NY $6,000 To support artists’ fees, production, To support artists’ fees and production ~- Hospital Audiences, Inc. and promotion costs associated with costs associated with the Bridging the New York, NY $5,000 the 1992 Arts for Young People project River, Bridging the Ocean, and To support costs associated with the at the Eastfleld Mall. [92-5442-0145] Bridging Communities projects at planning, implementation, and follow- the Seaport Marketplace, Inc. up for a conference to be held in April Denver Center for the Performing Arts [92-5442-0154] 1992 focusing on the Americans with Denver, CO $4,000 Disabilities Act and its impact on the To support artists’ fees, production Staten Island Children’s Museum arts. [92-5442-0138] costs, and promotion expenses associ­ Staten Island, NY $3,000 ated with the Shakespeare Festival at To support artists’ fees, administrative ~ National Association of Artists’ the Shops at Tabor Center. and production costs, and promotion Organizations, Inc. [92-5442-0149] expenses associated with the Washington, DC $15,000 MuseAquarium project at the Staten To support costs associated with Heard Museum Island Mall. [92-5442-0150] the eighth NAAO Conference. Phoenix, AZ $4,000 [92-5442-0132] To support artists’ fees, production U.S.S. Constitution Museum costs and promotion expenses associ­ Foundation, Inc. New England Foundation for the Arts ated with "Hoopla ’92," a collaboration Boston, MA $4,000 Cambridge, MA $15,000 between the Heard Museum and the To support artists’ fees, administrative To support costs associated with the Arizona Center. [92-5442-0144] and production costs, and promotion Presenter Development Program expenses for the Digging Into Our during the 1992-93 season. Regional Cultural and Performing Arts Past and Digging Up Talent projects [92-5442-0134] Development Commission at Faneuil Hall Marketplace. St. Louis, MO $4,000 [92-5442-0146] ARTS IN ALTERNATIVE PLACES To support artists’ fees, administrative and production costs, and promotion 11 grants expenses associated with the Festival of Program Funds: $50,000 Cultures to be held at St. Louis’ Union Station. [92-5442-0151] Arts Assembly of Jacksonville, Inc. Jacksonville, FL $6,000 To support artists’ fees, administrative

National Endowment for the Arts Presenting & Commissioning

SPECIAL TOURING INITIATIVES RURAL/INNER CITY ARTS PRESENTING are reviewed by Presenting & REGRANT INmATIVE Commissioning’s Dance on Tour 5 grants Panel. This section presents a partial Program Funds: $150,000 To support the planning phase of the list of these grants; the remaining Rural/Inner City Arts Presenting grants are included in the Dance ~ Appalshop, Inc. Regrant Initiative. Program and the State & Regional Whitesburg, KY $35,000 Program chapters. To support artists’ fees, administrative 5 grants and promotion costs, and travel subsi­ Program Funds: $25,000 2 cooperative agreements dies associated with the American Program Funds: $90,775 Festival Project touring network. Arts Council of New Orleans [92-5442-0139] New Orleans, LA $5,OOO ~r Dance/USA [92-5442-0236] Washington, DC $24,000 ~ Dance Theater Workshop, Inc. To support costs associated with the New York, iVY $80,000 Corporation for Cultural Relnvestment publication of a book highlighting ex­ To support costs associated with artists’ (Artsbrldge) emplary Dance on Tour projects. 1992 residencies and the annual meeting of Chicago, IL $5,000 Dance on Tour panel. [DCA 92-53] presenters in the National Performance [92-5442-0233] Network, a consortium touring pro­ ~ New England Foundation for the Arts gram created by Dance Theater Ketchikan Area Arts & Humanities Cambridge, MA $66,775 Workshop. [92-5442-0143] Council, Inc. To support activities associated with Ketchikan, AK $5,000 the facilitation of field work in connec­ Montana Performing Arts [92-5442-0234] tion with the Regional Component of Consortium, inc. the Dance on Tour category including Bozeman, MT $10,000 Maine Arts Sponsors Association communicating the Dance on Tour To support costs associated with tour­ Augusta, ME $5,000 philosophy, policies and public infor­ ing performances and residency activi­ [92-5442-0237] mation to participants and potential ties. [92-5442-0140] participants throughout the nation. South Dakotans for the Arts 1992 Dance on Tour panel. ~r Performance Space 122, Inc. Deadwood, SD $5,000 [DCA 92-25] New York, NY $15,000 [92-5442-0235] To support costs associated with the REGIONAL COMPONENT P.S. 122 Field Trips, a national touring DANCE ON TOUR program for solo and small ensemble Dance on Tour assists presenters in 1 grant works by emerging artists. booking nationally recognized dance Program Funds: $50,000 [92-5442-0142] companies and dance artists by sup­ porting state arts agencies projects New England Foundation for the Arts ~ University of Pennsylvania, Trustees of through the State Component and re­ Cambridge, MA $50,000* Philadelphia, PA $10,000 gional arts organizations projects For artists’ fees support to presenters To support costs associated with the through the Regional Component. throughout the member states for touring and residencies of three Dutch Dance on Tour is a cooperative effort dance presented during the 1992-93 theater companies at the Annenberg between the Endowment’s Presenting season, for related administrative costs, Center, Baltimore Theater Project, & Commissioning, Dance, and State and for costs associated with a tour of Seven Stages, Walker Art Center, and Regional Programs in consultation the American Indian Dance Theater. Performance Space 122, and Danspace with presenters, dance companies, 1991 Dance on Tour panel. Project during the 1992-93 season. artists, and state and regional arts [92-5442-0162] [92-5442-0141] agency representatives. This initiative is *Co-funded with $57,0503%m the State administered by the Presenting & & Regional Program for a totalgrant of Commissioning Program and grants $107,050.

1992 Annual Report Presenting & Commissioning

ARTISTS’ PROJECTS of a Fragile Memory," by Jeanne C. Dance Theater Workshop, Inc. Finley and Mark Mice Durant. New York, iVY $15,000 Includes the following subcategories: Panel B. [92-5414-0222] To support the creation and develop­ Interdisdplinary Projects grants en­ ment of a new solo performance work courage experimental arts projects that AUantic Center for the Arts, Inc. by artist Paul Zaloom. Panel B. explore the boundaries between arts dis­ New Smyrna Beach, FL $18,000 [92-5414-0221] ciplines, traditions and/or cultures. This To support development and produc­ category supports artists collaborating tion costs for an interdisciplinary per­ Danspace Project, Inc. in the development of new interdiscipli­ formance work adapted from a John New York, NY $11,660 nary work or interdisciplinary artists de­ Edgar Wideman novel, Philadelphia To support the creation of a new group veloping new projects. Partnerships in Fire. Panel A. [92-5414-0196] work by choreographer/visual artist Commissioning grants support multi­ Yvonne Meier. Reviewed by Kimberly disciplinary presenting organizations in Before Your Eyes, Inc. Camp, Washington DC (chair); Ping collaboration with at least two other Brooklyn, NY $8,550 Chong, New York, NY; Joe Goode, arts organizations in two other cities for To support development of a three-di­ San Francisco, CA; Judith Kirshner, the commissioning and presentation of mensional sound and light project by Chicago, IL; Vicky Lee, Seattle, WA; new interdisciplinary works, and for choreographer/filmmaker Jo Andres and Bill Turley, New York, NY related residency activities. Artists’ and composer/musician Mimi Goese. (layperson). [92-5414-0218] Communities grants enable artists’ Panel A. [92-5414-0192] communities and other artists’ work­ Downtown Art Co., Inc. places to provide opportunities for cre­ Cactus Foundation New York, NY $7,000 ative artists from various disciplines to Los Angeles, CA $8,000 To support artists’ fees and related pursue their work. Artists’ Projects To support the creation of a new mul­ costs for the creation, rehearsal, and Regional Initiative is a regional pro­ timedia work by artist Dan Kwong. premiere performances of a new music gram of project fellowships for indepen­ Panel A. [92-5414-0187] theater work by artist Dan Froot. dent artists supported by the Endow­ Panel A. [92-5414-0194] ment, The Rockefeller Foundation and Contemporary Arts Canter, New Orleans the Andy Warhol Foundation for the New Orleans, LA $20,000 En Garde Arts, Inc. Visual Arts, Inc., in partnership with To support the final development of New York, NY $10,000 arts organizations located in diverse "Urban Warrior Myths," an interdisci­ To support the development and pro­ regions of the country. plinary project by artist Dawn Adair duction of"Marathon Dancing," a col­ Dedeaux. Panel A. [92-5414-0199] laboration by Anne Bogart and Laura INTERDISClPUNARY PROJECTS Harrington. Panel A. [92-5414-0190] Dance Theater Workshop, Inc. 38 grants New York, IVY $28,000 Foundation for Independent Artists, Inc. Program Funds: $570,000 To support production costs for the New York, IVY $10,000 Revisiones Project, a collaboration of To support design and development 80 Langton Street, Inc. Dance Theater Workshop and costs associated with creating "wind" San Francisco, CA $15,000 Pepatian. Panel A. [92-5414-0188] effects for a new stage production by" To support artists’ fees and other costs artists Eiko and Koma. Panel A. associated with the development of a Dance Theater Workshop, Inc. [92-5414-0197] new performance work by artists Beth New York, NY $15,000 Custer and Trimpin. Panel A. To support artists’ fees for the develop­ Haleakala, Inc. (The Kitchen) [92-5414-0185] ment of "Pygmies in the Rain Forest," New York, NY $12,000 an interdisciplinary collaboration by To support the commissioning, devel­ Artists Space, Inc. Judith Jackson, Pat Hall-Smith, Brad opment, and production of a new in­ New York, NY $10,500 Brewer, and Nana Vasconcelos. Panel teractive music/performance work by To support the production and pre­ A. [92-5414-0198] composer Gordon Monahan. Panel A. miere presentation of "The Training [92-5414-0193]

~-~4 National Endowment for the Arts Presenting & Commissioning

Highways, Inc. interdisciplinary performance piece by Painted Bride Art Center, Inc. Santa Monica, CA $15,000 Paul Kwan and collaborating artists. Philadelphia, PA $15,000 To support artists’ fees for the creation Panel A. [92-5414-0189] To support "Dual Life," an inter­ and premiere of "The Warriors’ disciplinary performance project by Council," by artists Tim Miller, Dan National AssociadJon of Artiste’ artist June Fortunato. Panel B. Kwong, Michelle Clinton, Keith Antar Organizations, Inc. [92-5414-0220] Mason, and Francisco Letelier. Washington, DC $15,000 Panel B. [92-5414-0216] To support artists’ fees and develop­ Performing Artservices, Inc. ment costs for artists Antonio New York, NY $17,400 Idiomatic, Inc. Martorell and Rosa Luisa Marquez to To support a collaboration between New York, NY $9,000 collaboratively design a pasa calle for artists Robert Ashley and Jacqueline To support the creation of "Social Austin, Texas in conjunction with the Humbert on the subject of the "Low Strata Symphony," a collaboration be­ 1992 NAAO conference. Panel A. Rider" car dubs in the American tween artists Frankie Mann and Terri [92-5414-0191] southwest. Panel B. [92-5414-0208] Hanlon. Panel A. [92-5414-0195] New Uberty Productions, Inc. Rachel Rosenthal Company Joe Goede Performance Group Philadelphia, PA $15,000 Los Angeles, CA $15,000 San Francisco, CA $20,000 To support "Empty Arms," a new To support "Zone," a multimedia To support a new performance work collaborative project by Homer Jackson performance by artist Rachel Rosenthal by collaborating artists Joe Goode, Erik and Essex Hemphill. Panel B. and collaborators. Panel B. Ian Walker, and Jack Carpenter. [92-5414-0211] [92-5414-0201] Panel B. [92-5414-0214] Newark Community School of the Arts Randolph Street Gallery, Inc. Life on the Water Newark, NJ $14,450 Chicago, 1L $27,800 San Francisco, CA $25,000 To support the development and pre­ To support "The File Room," a new To support "The Spotted Owl" project miere performances of "The Cat in the multidisciplinary installation by artist by playwright William Yellowrobe, Jr. Hat Rap," a multimedia adaptation of Muntadas. Panel B. [92-5414-0210] and the AGaPe Performance Group, the collected works of Dr. Seuss, to be commissioned and produced by Life directed by artist Willie Cole. Panel A. Redwood Cultural Work, Inc. on the Water’s Earth Drama Lab. [92-5414-0212] Oakland, CA $15,000 Panel A. [92-5414-0186] To support the creation and produc­ Ohio State Universi~ tion of"Heartbeat of the Ancestors," Miami Ught Project, Inc. Research FoundaUon by artists June Jordan, Carolyn Brandy, Miami Beach, FL $10,000 Columbus, OH $10,000 Bobi Cespedes, and Faye Carol. To support a new multimedia perfor­ To support artists’ fees for the creation Panel A. [92-5414-0205] mance piece by Taylor Clifton. of the "White" series by Ann Cadson Panel B. [92-5414-0215] and collaborating artists. Panel A. Rensselaer Polytechnic Institute [92-5414-0203] Troy, NY $7,800 N.A.M.E. Gallery To support a new video/performance Chicago, 1L $15,000 Pacific Arlists Represen’dves’ project by collaborating artists To support "Vesperoj," a perfor­ Consortium, Inc. Miroslaw Rogala and Carolee mance/installation by Robert Metrick San Francisco, CA $15,000 Schneemann. Panel B. [92-5414-0213] and collaborating artists. Panel B. To support "Trespass Knot," a new [92-5414-0206] interdisciplinary performance work by Ringside, Inc. the AGaPe Performance Group and New York, NY $15,000 National Asian American collaborating artists. Panel B. To support the creation of a new work Telecommunications P,~ociatJon [92-5414-0204] by Elizabeth Streb and collaborating San Francisco, CA $10,000 artists. Panel A. [92-5414-0207] To support "A Wok in Progress," an

x99z Annual Report Presenting & Commissioning

Talking Bend, Inc. ~r Dancing in the Streets, Inc. ~- University of California-Berkeley New York, iVY $9,350 New York, NY $25,000 Berkeley, CA $17,500 To support the creation of a new mul­ To support the co-commissioning of To support artists’ fees and develop­ timedia performance work by "Chomu (Butterfly Dreams)," a collab­ ment costs for a new work by Trisha writer/composer Harry Mann and orative performance event by choreog­ Brown, Alvin Curran, and Spencer collaborating artists. Panel B. rapher Joanna Haigood and visual Brown, in conjunction with Pordand [92-5414-0209] artist Reiko Goto. [92-5414-0228] State University and the University of Washington. [92-5414-0226] Touchstone ~ Highways, Inc. Bethlehem, PA $30,000 Santa Monica, CA $17,500 ~r Walker Art CoMer, Inc. To support the creation and. develop­ To support the co-commissioning of Minneapolis, MN $25,000 ment phase of a new theater work by "A Grain of Sand," a collaborative To support production and rehearsal Touchstone Theater with Teatro La project by artists Nobuko Miyamoto, expenses for the development of a new Memoria and collaborating artists. Derek Nakamoto, Norman Jayo, and collaboration by David Rousseve and Panel A. [92-5414-0219] Magda Diaz. [92-5414-0229] Ysaye Barnwell. [92-5414-0230]

Village Halloween Parade, inc. ~- Jacob’s Pillow Dance Fes’dval, Inc. ARTISTS’ COMMUNmES Barrytown, NY $30,000 Lee, MA $25,OO0 To support the artists’ fees, design, and To support the co-commissioning of a 12 grants fabrication of animated puppets by new collaborative work by choreog­ Program Funds: $175,000 Debby Lee Cohen and collaborating raphers Eiko & Koma and composer artists for the opening section of the Robert Mirabal. [92-5414-0227] ~r Alternative Worksite, Inc. 1992 Halloween Parade in New York Omaha, NE $7,500 City. Panel A. [92-5414-0200] ~r Los Angeles Festival To support living/studio spaces for Los Angeles, CA TF $35,000 artists participating in the residency White Columns, Inc. To support the co-commissioning of a program. [92-5414-0179] New York, NY $10,490 new collaborative work by Sweet To support the creation and exhibition Honey in the Rock, the Dayton ~- Atlantic Center for the Arts, Inc. of"The Best Years of Our Lives," a Contemporary Dance Company, and New Smyrna Beach, FL $15,000 new interdisciplinary installation by choreographer Diane McIntyre for To support associate fellowships for Margaret Crane and Jon Winet. the 1993 Los Angeles Festival. upcoming residencies focusing on Panel A. [92-5414-0223] [92-5414-0224] Native American and Asian American culture. [92-5414-0181] Zaccho, inc. ~r Ohio State University San Francisco, CA $15,000 Research Foundation ~r Dorland Mountain Arts Colony, Inc. To support the creation of"Chomu Columbus, OH $17,500 Temecula, CA $7,500 (Butterfly Dreams)," a collaborative To support the co-commissioning and To support composers, writers, musi­ work by choreographer Joanna presentation of a new interdisciplinary cians, choreographers, painters, and Haigood and visual artist Reiko Goto. project by Bebe Miller and collaborat­ other artists, providing cottages, easels, Panel A. [92-5414-0202] ing artists. [92-5414-0231] pianos, typewriters, and intruder-free solitude. [92-5414-0175] PARTNERSHIPS IN COMMISSIONING ~, Socie~ for the Performing Arts Houston, 7~ $5,093 ~, Fine Arts Work Center 8 grants TF $12,407 in Provincetown, Inc. Program Funds: $132,593 To support the co-commissioning and Provincetown, MA $7,500 Treasury Funds: $ 47,407 presentation of"White," a new inter­ To support writers and visual artists in disciplinary performance by Ann residency fellowships that include Carlson and collaborating artists. housing, work space, and monthly [92-5414-0225] stipends. [92-5414-0180]

National Endowment for the Arts Presenting & Commissioning

~r Hambidge Center for ~r Yellow Springs Institute Helena Presents Creative Arts & Sciences, Inc. Chester Springs, PA $35,000 Helena, MT $24,000 Rabun Gap, GA $7,500 To support the commissioning of new To support a grants program serving To support a fellowship and residency works and their development in 14-day artists in Colorado, Idaho, Montana, program for artists. [92-5414-0174] and 21-day residencies for interdiscipli­ Nevada, Utah, and Wyoming, to be nary artists as part of the institute’s administered in conjunction with the ¢r Headlands Center for the Arts 1992-93 Artists’ Residency Program. Colorado Dance Festival of Boulder, Sausalito, CA $30,000 [92-5414-0184] Colorado. [92-5414-0255] To support the residency program, en­ abling artists of national and interna­ ARTISTS’ PROJECTS REGIONAL INmATIVE Intennedia Arts of Minnesota, Inc. tional reputation to be invited to com­ Minneapolis, MN $24,070 plement the roster of artists already 14 grants To support a grants program serving participating in the program. Program Funds: $300,000 artists in Iowa, Kansas, Minnesota, [92-5414-0176] Nebraska, North Dakota, South 80 Langton Street, Inc. Dakota, and Wisconsin. ~r MacDowell Colony, Inc. San Francisco, CA $14,630 [92-5414-0256] Peterborough, NH $25,000 To support a grants program serving To support initiatives that will artists in northern California. Los Angeles Contemporary strengthen the residency program for [92-5414-0259] Exhibitions, Inc. artists. [92-5414-0178] Los Angeles, CA $19,330 Alternate ROOTS, Inc. To support a grants program serving ~- Millay Colony for the Arts, Inc. Atlanta, GA $29,300 artists in southern California and Austerlit~ NY $20,000 To support a grants program serving Hawaii. [92-5414-0257] To support one-month residencies for artists in Georgia, Kentucky, North professional writers, composers, and Carolina, South Carolina, and New England Foundation for the Arts visual artists. [92-5414-0173] Tennessee. [92-5414-0253] Cambridge, MA $24,070 To support a grants program serving ~r Ragdale Foundation Contemporary Arts Center, New Orleans artists in Connecticut, Maine, Lake Forest, 1L $5,000 New Orleans, LA $26,350 Massachusetts, New Hampshire, To support residencies for artists from To support a grants program serving Rhode Island, and Vermont. various disciplines. [92-5414-0182] artists in Alabama, Arkansas, Louisiana, [92-5414-0258] and Mississippi. [92-5414-0254] ~r Ucross Foundation On the Boards Clearmont, WY $7,500 DiverseWorks, Inc. Seattle, WA $15,100 To support working residencies for Houston, TX $28,300 To support a grants program serving individuals from various creative disci­ To support a grants program serving artists in Alaska, Oregon, and plines. [92-5414-0183] artists in Arizona, New Mexico, Washington. [92-5414-0266] Oklahoma, and Texas, to be adminis­ ~r Virginia Center for the Creative Arts tered in conjunction with Mexic-Arte Painted Bride Art Center, Inc. SweetBriar, VA $7,500 of Austin, Texas. [92-5414-0264] Philadelphia, PA $20,400 To support residencies and studio To support a grants program serving space for professional writers (poets, Florida Dance Association, Inc. artists in Delaware, the District of playwrights, fiction, and non-fiction Miami, FL $9,800 Columbia, Maryland, New Jersey, authors), visual artists (painters, To support a grants program serving Pennsylvania, Virginia, and West sculptors, and photographers), and artists in the state of Florida, to be ad­ Virginia. [92-5414-0260] composers from all over America. ministered in conjunction with Miami- [92-5414-0177] Dade Community College (Wolfson Puerto Rico Community Foundation, Inc. Campus) and the Metro-Dade Cultural Hato Re?l, PR $12,180 Affairs Council. [92-5414-0263] To support a grants program serving artists in Puerto Rico. [92-5414-0261]

~99z Annual Report ~’~’7 Presenting & Commissioning

Pyramid Arts Center, Inc. ~ British American Arts Sato, New York, NY; and Holly Rochester, NY $28,400 Association (US), Inc. Sidford, Cambridge, MA. To support a grants program for artists Washington, DC $12,500" [92-5470-0172] in the state of New York, to be admin­ [92-3052-0044] *See International chapter. istered in conjunction with the Lower *See International chapter. Manhattan Cultural Council. Division of the Arts, Louisiana [92-5414-0265] ~r British American Arts Department of Culture, Recreation, Association (US), Inc. & Tourism Randolph Street Gallery, Inc. Washington, DC $5,000 Baton Rouge, LA . $18,000 Chicago, 1L $24,070 To amend a grant to support fellow­ To support the development of a To support a grants program serving ships to American arts administrators statewide presenters’ consortium. artists in Illinois, Indiana, Michigan, for participation in the British Reviewed by the 1992 Rural/Inner Missouri, and Ohio. [92-5414-0262] American Advanced Administrator City Arts Presenting Regrant Initiative Training Institute and administrative panel. [92-5470-0271] SPECIAL PROJECTS costs of the program. [91-5442-0244] Headlands Center for the Arts For model projects and initiatives of ~- Carter G. Woodson Foundation, Inc. Sausalito, CA $9,100" national or international impact which Newark, NJ $5,000 [92-3052-0043] advance professional artists and/or pre­ To support the development of work­ *See International chapter. senting organizations in the performing shops and showcase performances as arts. part of the Black Culture on Tour in ~r Jack Faucett Associates America Showcase and Workshop. Bethesda, MD $158,700 16 grants and 3 cooperative agreements Reviewed by Kathy de Nobriga, To support a cooperative agreement Program Funds: $490,200 Adanta, GA; Pamela Greene, Durham, that will enable qualified experts to per­ NC; Patricia Johnson, Chicago, IL; form artistic and administrative evalua­ Alternative Worksite/Bemis Foundation Mice Lovelace, Atlanta, GA; and tions of approximately 300 applicants Omaha, NE $11,600" Terezita Romo, Sacramento, CA. to the Presenting & Commissioning [92-3052-0041] [92-5470-0269] Program. [DCA 92-23]. *See International chapter. Centrum Foundation ~. Miami-Dade Community College ~r Association of Port Townsend, WA $12,450" Miami, FL $18,000" Performing Arts Presenters [92-3052-0042] [92-3052-0053] Washington, DC $20,500 *See International chapter. * See International chapter. To support an amendment to a cooper­ ative agreement enabling qualified ex­ ~ Citizen Exchange Council ~ National Assembly of perts to perform artistic and adminis­ New York, NY $35,000* State Arts Agencies trative evaluations for approximately [DCA 92-52] Washington, DC $35,000 300 applicants to the Presenting and *See International chapter. To support the planning and or­ Commissioning Program. ganization of a national conference [DCA 91-06] Cummin~onSchool oftheArts, lnc. for state arts agency performing arts CummingtomMA $10,750" coordinators. 1992 Overview Panel. Art Awareness, Inc. [92-3052-0040] [92-5470-0238] Lexington, NY $6,100" *SeeIn~rnationalchapter. [92-3052-0039] ~ National Foundation for *See International chapter. ~r Dance Theater Workshop, Inc. Advancement in the Arts, Inc. New York, NY $17,500" Miami, FL $40,000 Reviewed by Jacki Davis, Lawrence, To support expenses associated with the KS; Judith Fritz, Santa Fe, NM; Cora judging panels for the 1991-92 Arts Mirikitani, Philadelphia, PA; Suzanne Recognition and Talent Search (ARTS

¯ ~,8 National Endowment for the Arts Presenting & Commissioning

’92) program. Reviewed byJackie Jeri Connelly Davis, Lawrence, KS; Olga Garay, Panels Writer; Instructor Miami, FL; Philip Horn, Sacramento, The Writers’ Center CA; Cora Mirikitani, New York, NY; ART IN ALTERNATIVE PLACES Bethesda, MD and Ellen Sollod, Seatde, WA. [92-5470-0171] Michael Alexander (chair) Olga Garay (chair) Artistic Director Director of Cultural Affairs ~r New York Foundation for the ~ California Plaza Miami-Dade Community New York, NY $10,000 Los Angeles, CA College/Wolfson Campus To support the cost of online connec­ Miami, FL tions and online service start-up fees for Oceola Bragg the first year of operations for Arts Director Ken Hope (layperson) Wire, an online electronic information 14th Street DanceCenter Director of Fellows Program service for arts organizations. Reviewed New York, NY MacArthur Foundation by Kimbedy Camp, Washington, DC; Chicago, IL Ping Chong, New York, NY; Douglas Greta Gunderson Ewart, Minneapolis, MN; Joe Goode, Associate Director Heather Plank San Francisco, CA; Arneida Houston, Lower Manhattan Cultural Council Trustee; Former Director Nashville, TN; Vicky Lee, Seattle, WA; New York, NY Ucross Foundation and Larry Polansky, Hanover, NH. Clearmont, WY [92-5470-0232] John Kavalos Artist-in-Education ARTISTS’ COMMUNmES 11992) ~ Visual Arts Research and Resource New Jersey State Council on the Arts Canter Relating to the Caribbean, Inc. Elberon, NJ Roger Bruce (chair) (Caribbean Cultural Canter) Consultant; Artist; Instructor New York, NY $40,000 David Melancon Ilayperson) Visual Studies Workshop To support artists’ fees, audience devel­ Resort Administrator Linwoo~ iVY opment, and outreach associated with Disney’s Village Resort the third cycle of touring projects de­ Orlando, FL Nonzo Davis veloped by the Network of Cultural Painter, Printmaker; Art Consultant; Centers of Color. Reviewed by Kathie Sandi Stovall Owner/Director de Nobriga, Adanta, GA; Pamela Director of Festivals & Special Events Brockman Gallery Greene, Durham, NC; Patricia Richmond Council for the Arts San Antonio, TX Johnson, Chicago, IL; Alice Lovelace, Richmona~ VA Adanta, GA; and Terezita Romo, Leland Faulkner Sacramento, CA. [92-5470-0270] Pamela Worden Owner/Artistic Director President & CEO Celebration Barn Theatre ~. Yellow Springs Institute Urban Arts, Inc. South Paris, ME Chester Springs, PA $25,000 Boston, MA To support honoraria, administrative Barbara Schaffer Bacon costs, consultant services and travel ex­ ARTISTS COMMUNITIES/SERVICES 11991) Arts Consultant penses associated with the development Amherst, MA of a National Consortium of Artists’ Kr~stine Aono Communities. 1991 Artists’ Commu­ Sculptor Michelle Sullivan nities panel. [92-5470-0170] Cheverly, MD Founder/Executive Director Snake River Institute Roger Bru~ Jackson, WY Consultant; Artist; Instructor Visual Studies Workshop Linwood, NY

~99z Annual Report Presenting & Commissioning

June Watanabe Randy Duncan Oceela Bragg Director; Dancer; Choreographer Artistic Director Director of Public Events June Watanabe in Company Joseph Holmes Dance Theater Grand Central Partnerships San Rafael, CA Chicago, IL New York, NY

Sandy Weber (layperson) Garth Fagan Chuck Davis Interpretive Specialist Artistic Director Artistic Director National Park Service Garth Fagan Dance Company African-American Dance Ensemble Washington, DC Rochester, NY Durham, NC

ARTISTS’ PROJECTS REGIONAL INmATIVE Wendy Griffin (layperson) Charmaine Jefferson (chair) Chairman of the Board Deputy Commissioner Nina Arimah (layperson) Washington State Arts Commission Department of Cultural Affairs Production and Facilities Manager Olympia, WA New York, NY Continental Cablevision Cambridge, MA Charmaine Jefferson (chair) Gail Kalver Executive Director Manager Vicky Lee Dance Theater of Harlem Hubbard Street Dance Company Arts Program Coordinator New York, NY Chicago, IL King County Arts Commission Seattle, WA Nancy Matschek Margot Knight Managing Director Executive Director Carla Perlo Contemporary Dance Season Idaho Commission on the Arts Founder/Director Portland State University Boise, ID Dance Place Portland, OR Washington, DC Barbara Russo Darlene Neel Executive Director Robin Tryloff (chair) General Manager New Jersey State Council on the Arts Executive Director Lewitzky Dance Company Trenton, NJ Sara Lee Foundation Los Angeles, CA Chicago, IL LeAnne Weill (layperson) Bennett Tarleton President Will K. l~lkins Executive Director Gus Weill, Inc. Executive Director Tennessee Arts Commission Baton Rouge, LA Real Art Ways Nashville, TN Hartford, CT Woodie White Woodie White Managing Director DANCE ON TOUR (1991) Managing Director, The Dance Center Dance Center at Columbia College Columbia College Chicago, IL Sue Bonaiuto Chicago, IL Executive Director INTERDISCIPLINARY PROJECTS PANEL A New Hampshire State Council DANCE ON TOUR (1992) on the Arts Kimberly Camp (chair) Concord, NH Tandy Beal Director Artistic Director Experimental Gallery/Smithsonian Oeeola Bragg Tandy Beal and Company Washington, DC Founder/Director New York, NY 14th Street DanceCenter New York, NY

National Endowment for the Arts Presenting & Commissioning

Ping Chong INTERDISCIPLINARY PROJECTS PANEl. B PARTNERSHIPS IN COMMISSIONING Performance Artist, Artistic Director John Luther Adams John Luther Adams Fiji Theater Company Composer-in-Residence; Composer Composer-in-Residence New York, NY University of Alaska University of Alaska Fairbanks, AK Fairbanks, AK Dougln$ Ewart Musician; Sculptor; Craftsperson John Clauser (chair) Jeremy AIIiger (chair) Minneapolis, MN Director Executive Director Yellow Springs Institute Boston Dance Umbrella Jo~ ~gmde Chester Springs, PA Boston, MA Artistic Director Joe Goode Performance Group Kahil m’Zabar Kahil El’Zabar San Francisco, CA Composer; Musician Composer; Musician Chicago, IL Chicago, IL Greta Gundersen Associate Director Ricardo Hernandez Ricardo Hernandez Lower Manhattan Cultural Council Artist (Crafts); Visual Arts Coordinator Artist (Crafts); Visual Arts Coordinator New York, NY Texas Commission on the Arts Texas Commission on the Arts Austin, TX Austin, TX Arneida Houston (layperson) Assistant Director of Academic Judith Kirshner Amie Malina Development & Support Services Director, School of Art and Design Founder/Executive Director Meharty Medical College University of Illinois/Chicago Helena Presents Nashville, TN Chicago, IL Helena, MT

Vicky Lee Amie Malina Penelope McPhee Arts Program Coordinator Founder/Executive Director Program Officer for Arts and Culture King County Arts Commission Helena Presents Knight Foundation Seattle, WA Helena, MT Miami, FL

Rose Parisi Kimi Okada Cada Pedo Artists’ Services Coordinator Associate Choreographer Founder/Director Illinois Arts Council Oberlin Dance Collective/San Francisco Dance Place Chicago, IL San Francisco, CA Washington, DC

I.nr~/Polansky Bill Turley (layperson) Bill Turley (layperson) Professor of Music President/Founder President/Founder Dartmouth College The Edge Recording Studios The Edge Recording Studios Hanover, NH New York, NY New York, NY

Kathleen Turner Kathleen Turner Theater Manager/Consultant Theater Manager/Consultant Saenger Theater Saenger Theater New Orleans, LA New Orleans, LA

x992Annual Report ~,3I Presenting & Commissioning

PRESENTING ORGANIZATIONS PANE). A Nobuko Miyamoto Philip Horn* (chair) Singer; Composer; Dancer; Manager, Performing Arts Touring & Claire Bolduc (layperson) Choreographer; Artistic Director Presenting Program MDS Educator Great Leap, Inc. California Arts Council Central Maine Indian Association Los Angeles, CA Sacramento, CA Bangor, ME Dean Stein Katherine Knowies* Margo Crutchfield Executive Director Executive Director Assistant Curator Chamber Music America LAArts Virginia Museum New York, IVY Auburn, ME Richmong VA Philip Thomas Donald Marshall* Jackie Davis President/Artistic Director Executive Director Project Director, Concert and Carter G. Woodson Foundation Covington Arts Center Chamber Music Series Newark, NJ Covington, LA University of Kansas Lawrence, KS PRESENTING ORGANIZATIONS PANEL B Pedro Rodriguez Director Kenneth Hscher Jackie Calderene* Guadalupe Cultural Arts Center Director, University Musical Society Consultant; Curator San Antonio, TX University of Michigan Third Street Performance Space Ann Arbor, MI Columbus, OH Ann Rosenthal* Touring Projects Director/National Ken Foster Kathleen Collins* Performance Network Director, Center for the Assistant Manager Dance Theatre Workshop Performing Arts Colorado Springs Symphony Orchestra New York, NY Pennsylvania State University Colorado Springs, CO University Park, PA Baraka Sele Kevin Fan’ell* (layperson) Vice President for Performing Arts TIna Girouard Group Manager of Sales & Marketing Houston International Festival Artist; Programming Chairman The Rouse Company Houston, TX Festival International de Louisiane St. Louis, MO Lafayette, LA Douglas Wheeler* Ellis Finger* Managing Director Pamela Green Director, Williams Center for the Arts Washington Performing Arts Society Director of Touring and Presenting Lafayette College Washington, DC North Carolina Arts Council Easton, PA Raleigh, NC PRESENTING ORGANIZATIONS PANEL C Joan Grey* C. Bernard Jackson President This panel reviewed applications for Composer; Founder/Artistic Director Muntu Dance Theatre Services to Presenting Organizations Inner City Cultural Center Chicago, IL grants. It was composed of those members Los Angeles, CA of Panel B immediately above whose Eric Hayashi* names carry asterisks (*). Cora Mirikitani (chair) Artistic Director Director, Performing Arts Asian American Theater Company Japan Society San Francisco, CA New York, IVY

National Endowment for the Arts Presenting & Commissioning

PANEL D Suzanne Sato Robin Kaye This 1990 panel reviewed two FY ’91 Associate Director, Director of Arts Services grants that were not obligated until this Arts and Humanities Pittsburgh Cultural Trust year. The Rockefeller Foundation Pittsburgh, PA New York, NY Cero. Atlas AI Nodal Director, American Festival Project 8~m~ Sele General Manager Appalshop Vice President, Performing Arts City of Los Angeles Cultural Affairs Whitesburg, KY Houston International Festival Department Houston, TX Los Angeles, CA Jacqueline 7.. Davis Project Director, Concert and Avery Sharpe Evangeline Quintana Chamber Music Series Composer/Performer/Leader Director University of Kansas Avery Sharpe Group South Broadway Cultural Center Lawrence, KS Leverett, MA Albuquerque, NM

Judith Fri~ Holly Sidford Harriet Sanford Executive Director Executive Director Executive Director Taos Art Association New England Foundation for the Arts Fulton County Arts Council Taos, NM Cambridge MA Atlanta, GA

Omus Hirshbein Lenwood Sloan Kary Shulman Director, Performing Arts Executive Director Director, Grants for the Arts Program Young Men’s and Yong Women’s Festival 2000 San Francisco Hotel Tax Fund Hebrew Association San Francisco, CA San Francisco, CA New York, iVY Andrea Wagner Sandra Smith Howard Klein Managing Director Deputy Director Former Director, Arts and Humanities On the Boards Martin Luther King, Jr. Performing The Rockefeller Center Seattle, WA and Cultural Arts Complex Silver Spring, MD Columbus, OH RURAL/INNER CITY I~GRANT/REGIONAL Celeste Miller ARTS ORGANIZATIONS Carolyn Sonnier Choreographer Program Officer for Grants New York, NY Martin Holt (layperson) Greater New Orleans Foundation Designer; Builder New Orleans, LA Pedro Roddguez Helena, MT Executive Director Anthony Tumey (chair) Guadalupe Cultural Center Consultant San Antonio, TX San Francisco, CA

x99z Annual Report Theater

297 grants; 4 cooperative agreements Total Funds: $9,400,900 Program Funds: $8,714,700 Treasury Funds: $ 686,200 *Includes $26, 000 not obligated in FY ’92. Serving audiences and artists nationwide, the Theater Program celebrates the life of a child through story, song, striking vi­ encourages the advancement and excellence of theater arts. sual images, and color. The young hero in this story used his Supporting performances of quality and distinction, the program art, a series of drawings, to express his experiences with ill­ assists professional theater companies by providing aid for innov­ ness, doctors, hospitals, schools and friends. In the produc­ ative single projects and for entire production seasons. It also tion, his drawings become the metaphor for his life and the supports individual artists including playwrights, directors, challenging journey he sails on The Yellow Boat. Audiences designers and poformers. Finally, the program assists service young and old in Missouri, Arizona, Texas and Florida have organizations that provide support in such essentials as publica­ been touched by this drama. tions, conservatory training and management resources. Similarly our Artistic Advancement/Special Projects for Organizations category offers the opportunity to invest in FTER 27 YEARS OF NURTURING AMERICAN projects of artistic significance that are outside the scope of an theater, our efforts are bearing colorful and varied organization’s ordinary activity. The projects funded in this A fruits. The Theater Program now provides sup­ category would not have been undertaken without this in­ port for 236 theaters around the country through vestment. Last year’s panel enthusiastically supported a spe­ the Professional Theater Companies category, which accounts cial projects grant for Alternative ROOTS, an Adanta-based for almost 80 percent of the Program’s allocation. Today, our membership service organization that provides workshops, panels still support the first generation of theaters while pro­ conferences, touting opportunities and technical assistance to viding significant assistance to the second and third genera­ artists and performing arts organizations in the Southeast. tions of theaters. Despite hard choices, the panels continue to In this project, Alternative ROOTS set out to publish be indusive, making the Professional Theater Companies cate­ an anthology of seven plays by contemporary Southeastern gory a "big tent" indeed. American theater is growing and playwrights. Also included in the anthology will be prefaces evoMng with truly great work being created in the process. by the playwrights and full production histories, as well as The professional companies supported by the Theater commissioned essays addressing issues of regionally specific Program dot the landscape from Honolulu to Hartford and work and their place in a national literary context. The from San Juan to San Francisco. Including small companies, Theater Program’s investment will allow for the anthology ensembles, mid-size troupes and large institutional theaters, to be promoted and distributed nationally. Through this they are as diverse as the communities they serve. project, southern playwrights may overcome artistic isolation One example is Ping Chong and Company, working out and find a broader audience and new production opportuni­ of New York, a small ensemble-based company whose aes­ ties. This may well be the first such anthology of southern thetic is at once lyrical, highly visual, movement-based and plays. textual. Ping Chong’s works, Nosferatu and American Gothic, Finally, the Theater Program continues to invest in the project his unique vision which has been embraced by audi­ development of individual artists through the Support to ences and critics alike. The company has established rapport Individuals/Fellowships for Playwrights category, the with audiences around the country and across the seas in Program’s oldest source of assistance for the individual artist. France, where they performed at the Festival of Art from Last year fellowships went to Philip Kan Gotanda and Suzan America held in Cergy-Pontoise. Zeder. Mr. Gotanda’s plays such as Yankee Dawg You Die, Another example is the collaboration between the The Wash and Fish Head Soup-- mainstays for Asian artistic directors of Metro Theater Company in St. Louis, American theaters -- have crossed over to mainstream Childsplay, Inc. in Tempe, Arizona, and playwright Suzan stages. Ms. Zeder writes about children because she is fasci­ Zeder of the University of Texas at Austin. Together they nated by them as viable and vibrant dramatic characters. created The Yellow Boat, a drama that testifies to the ability Her plays such as Step on a Crack, Mother Hicks and The of the creative process to heal. Based on the death of the Death and Life of Sherlock Holmes, have been performed playwright’s hemophiliac son from AIDS, The Yellow Boat around the country to theater lovers of all ages.

2.34 National Endowment for theArts Z 0 z

z z

© ©

Ching Gonzalez and Barbara Chan appear in Deshima, which producer/writer Ping Chong created with the help of a Special Projects grant to his Fiji Theater Company. The play had its U.S. premiere at La Mama Experimental Theatre Club, one of 232 companies to receive seasonal support.

I992 Annual Report ~’35 Theater

~r Juilliard School ~r Yale Univers~j (Yale School of Drama) Grants New York, NY $37,500 New Haven, CT $47,500 To support the salaries of master teach­ To support the salaries of master teach­ ~r Indicates grants having national impact. ers and professional directors. ers in theater arts. [92-3211-0263] [92-3211-0281]

NATIONAL RESOURCES: ~r New York University SUPPORT TO INDIVIDUALS: PROFESSIONAL THEATER (Tisch School of the Arts) FELLOWSHIPS FOR PLAYWRIGHTS TRAINING New York, NY $17,500 To support the salaries of master teach­ To encourage the development of pro­ To encourage ongoing efforts to raise ers in the Graduate Acting Program. fessional playwrights of exceptional tal­ professional standards by assisting [92-3211-0293] ent to enable them to set aside time for professional training of future theater writing, research, theater-related travel, artists. ~ State University of New York, Research and similar activities. Foundation of (SUNY at Purchase) 12 grants Albany, NY $7,500 16 grants Program Funds: $200,000 To support the salaries of master teach­ Program Funds: $200,000 ers and fees for guest artists in the ~ American Conservatory Professional Actor Training Program. Bailey, Sheri Theatre Foundation [92-3211-0295] Venice, CA $10,000 San Francisco, CA $22,500 To support salaries of master teachers ~ University of California-San Diego Baitz, Jon R. of the Advanced Training Program, an LaJolla, CA $18,500 New York, NY $15,000 intensive multi-year program where To support salaries of master teachers students learn from experienced artists and apprentice fees in the UCSD/ Chen, i~tty active in the professional field. LaJolla Playhouse cooperative program. New York, NY $10,000 [92-3211-0265] [92-3211-0292] Erickson, Michael ~" American Repertory Theatre ~- University of Delaware New York, NY $10,000 Cambridge, MA $5,000 Newark, DE $6,500 To support the salaries of master To support guest artists’ fees during the Foreman, Richard teachers at the Institute for Advanced 1992-93 season of a multi-year training New York, iVY $10,000 Theatre Training at Harvard program. [92-3211-0291] University. [92-3211-0282] Franklin, Jennie E. * University of Iowa New York, iVY $15,000 . Cornell University (Iowa Playwrights’ Workshop) Ithaca, iVY $7,500 Iowa City, IA $12,500 Gordon, Charles F. (OyamO) To support salaries of master teachers To support the salaries of visiting mas­ Ann Arbor, MI $17,500 of Cornell Center for Theatre Arts and ter artists. [92-3211-0289] fees for visiting artists from Junebug Gotanda, Philip K. Theater of New Orleans and Roadside ~ University of North Carolina New York, NY $17,500 Theater ofVc~itesburg, KY. at Chapel Hill [92-3211-0290] Chapel Hill, NC $7,500 Jenkln, Len To support the salaries and fees of mas­ New York, IVY $10,000 ~ Dell’Arte, Inc. ter teachers and fees for guest artists in Blue Lake, CA $10,000 the Professional Actor Training Jones, Jr., Sylvester To support salaries for master teachers Program. [92-3211-0294] Excelsior, MN $10,000 and fees for the ongoing internship program. [92-3211-0266]

2,36 National Endowment for theArts Theater

Kreilkamp, Bernard L. SUPPORT TO INDIVIDUALS: PROFESSIONAL THEATER Minneapolis, MN $10,000 DISTINGUISHED THEATER COMPANIES ARTiST FELLOWSHIPS McKay, George Cadogan G. To assist nonprofit theater companies Kailua, Oahu, HI $10,000 To recognize individuals who, in the that produce work at the highest artis­ course of distinguished careers, are tic level and are of national and re­ Miller, Kathryn S. making extraordinary contributions to gional significance. Cincinnati, OH $10,000 American nonprofit theater. 232 grants Robertson, Lanie 2 grants Program Funds: $6,703,450 New York, NY $15,000 Program Funds: $20,000 Treasury Funds: $ 686,200

Wilson, Lanford Fichandler, Zelda D. A Contemporary Theatre, Inc. Sag Harbor, NY $15,000 Washington, DC $10,000 Seattle, WA $40,500 To support the expenses of the Zeder, Suzan L. Richards, Uoyd G. 1992-93 theater season. Panel A. Austin, TX $15,000 New York, NY $10,000 [92-3226-0169]

Sr A Traveling Jewish Theatre SUPPORT TO INDIVIDUALS: SOLO SUPPORT TO INDIVIDUALS: San Francisco, CA $15,000 THEATER ARTIST FELLOWSHIPS STAGE DESIGNER FELLOWSHIPS To support the expenses of the 1992-93 theater season. Panel B. The panel was adjourned before appli­ 2 cooperative agreements [92-3226-0033] cation deliberations. Program Funds: $310,000 Actors Theatre of Louisville, Inc. SUPPORT TO INDIVIDUALS: ¯ ~, Theatre Communications Group, Inc. Louisville, KY $115,000 DIRECTOR FELLOWSHIPS New York, iVY $155,000 TF $2O,OOO To support Round 3 grants (through To support the expenses of the To provide emerging individual stage 1993) of $15,000 to six stage designers 1992-93 theater season. Panel A. directors of exceptional talent, who of exceptional talent, and to provide [92-3226-0125] work in the American nonprofit profes­ them support services through ob­ sional theater, with financial support serverships and mentor relationships Adaptors, Inc. and creative opportunities to further with master stage designers. National Brooklyn, NY $14,000 their artistic development. Resources Panel. To support the expenses of the [DCA 92-15]. 1992-93 theater season. Panel B. 1 cooperative agreement [92-3226-0109] Program Funds: $115,000 ~ Theatre Communications Group, Inc. New York, NY $155,000 Addison Contre Theatre, Inc. ~ Theatre CommunicalJons Group, Inc. To support Round 4 grants (through Addison, TX $8,000 New York, NY $115,000 1994) of $15,000 to six stage designers To support the expenses of the To support Round 7 grants of $15,000 of exceptional talent, and to provide 1992-93 theater season. Panel B. to four stage directors of exceptional them support services through ob­ [92-3226-0187] talent, and to provide support services serverships and mentor relationships to them through observerships and with master stage designers. National Nabama Shakespeare Festival, Inc. mentor relationships with master stage Resources Panel. Montgomery, AL $ I 1,000 directors. National Resources Panel. [DCA 92-36]. To support the expenses of the [DCA 92-37]. 1992-93 theater season. Panel A. [92-3226-0131]

1992 Annual Report 2,37 Theater

Alice B. Theatre Association Archipelago Company, Inc. Bathhouse Theatre Seattle, WA $18,595 Chapel Hill, NC $5,000 Seattle, WA $6,500 To support the expenses of the To support the 1992-93 theater sea­ To support the expenses of the 1992-93 theater season. Panel B. son. Panel A. [92-3226-0089] 1992 theater season. Panel A. [92-3226-0047] [92-3226-0190] Arden Theatre Company Alley Theatre Philadelphia, PA $5,000 Be~eley Repertory Theatre Houston, TX $47,600 To support the expenses of the Berkelq, CA $88,000 To support the expenses of the 1992-93 theatre season. Panel B. TF $22,OOO 1992-93 theater season. Panel B. [92-3226-0111] Tosupportexpensesofthe [92-3226-0043] 1992-93theaterseason. PanelA. Arizona Theatre Company [92-3226-0189] American Conservatory Theatre Tucson, AZ $49,500 Foundation To support the expenses of the Bloomsburg Theatre Ensemble, Inc. San Francisco, CA $99,000 1992-93 theater season. Panel B. Bloomsburg, PA $7,500 To support artistic and administrative [92-3226-0030] To support the expenses of the salaries in the 1992-93 theater season. 1992-93 theater season. Panel A. Panel B. [92-3226-0059] Arkansas Repertory Theatre Company [92-3226-0098] Little Rock, AR $5,000 American Jewish Theatre, Inc. To support the expenses of the ~.~ Reperb)ry, Ltd. New York, NY $5,000 1992-93 theater season. Panel A. New York, NY $13,500 To support the expenses of the [92-3226-0025] To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. [92-3226-0085] Asolo Performing Arts Center, Inc. [92-3226-0149] Sarasota, FL $5,000 American Place Theatre, inc. To support the expenses of the California Shakespeare Festival New York, iVY $5,000 1992-93 season. Panel A. Berkeley, CA $7,650 To support expenses of the 1992-93 [92-3226-0039] To support the expenses of the theater season. Panel B. 1992-93 theater season. Panel A. [92-3226-0037] Association for Development of [92-3226-0029] Dramatic Ads, Inc. American Repertory Theatre New York, NY $7,500 Capital Repertory Company Cambridge, MA $178,595 To support the expenses of the Albany, NY $7,500 TF $44,000 1992-93 theater season for the Jean To support the expenses of the To support the expenses of the Cocteau Repertory Theater. Panel A. 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. [92-3226-0091] [92-3226-0066] [92-3226-0078] AtUc Theatre, Inc. Carpetbag Theater, Inc. American Repertory Theatre of Cincinnati Detroit, MI $10,000 Knoxville, TN $5,000 Cincinnati, OH $6,750 To support the expenses of the To support artists’ fees for the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theatre season. Panel A. 1992-93 theater season. Panel A. [92-3226-0168] [92-3226-0107] [92-3226-0103] Available Potential Enterprises, Ltd. Carter Family Puppet Theater ¢r Appalshop, Inc. Northampton, MA $17,600 Seattle, WA $10,000 Whitesburg, KY $67,610 To support the expenses of the To support expenses of the To support the expenses of the 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. 1992-93 theater season of Roadside [92-3226-0196] [92-3226-0180] Theater. Panel B. [92-3226-0126]

National Endowment for the Arts Theater

~ Center for Puppetry Arts, Inc. ~r Childsplay, Inc. Coconut Grove Playhouse Atlanta, GA $94,605 Tempe, AZ $7,500 State Theatre of florida Corporation TF $23,000 To support the expenses of the Miami, FL $6,750 To support the expenses of the 1992-93 theater season. Panel B. To support the expenses of the 1992-93 theater season. Panel B. [92-3226-0152] 1992-93 theater season. Panel B. [92-3226-0151 ] [92-3226-0195] Church of the Heavenly Rest Center Stage Associates, Inc. (York ~lieatre) Coney Island, USA Baltimore, MD $108,000 New York, NY $6,750 Coney Island, NY $5,000 TF $27,OOO To support the expenses of the To support the expenses of the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. [92-3226-0023] [92-3226-0179] [92-3226-0087] Cincinnati Playhouse in the Park Connecticut Player’s Foundation, Inc. Center Theatre Group of Los Angeles Cincinnati, OH $5,000 (Long Wharf Theatre) (Mark Taper Forum) To support artists’ salaries, fees, and New Haven, CT $116,000 Los Angeles, CA $184,000 compensation during the 1992-93 TF $29,000 TF $46,000 season. Panel B. [92-3226-0155] To support the expenses of the To support non-salaried artists’ com­ 1992-93 theater season. Panel B. pensation in the 1992-93 theater Circle Repertory Theatre Company, Inc. [92-3226-0210] season. Panel A. [92-3226-0156] New York, NY $85,500 To support expenses of the Contemporary Arts Center, New Orleans Charlotte Repertory Theatre 1992-93 theater season. Panel B. New Orleans, LA $7,650 Charlotte, NC $6,500 [92-3226-0040] To support artists’ compensation To support the expenses of the during the 1992-93 theater season. 1992-93 theater season. Panel A. Circle in the Square, Inc. Panel A. [92-3226-0185] [92-3226-0166] New York, iVY $15,840 To support the expenses of the ~r Cornerstone Theater Company Chicago Theatre Group, Inc. (Goodman 1992-93 theater season. Panel A. Santa Monica, CA $12,000 Theatre) [92-3226-0026] To support artist compensation in Chicago, 1L $116,000 the 1992-93 theater season. Panel B. TF $29,000 Cit7 Lit Theatre Company [92o3226-0236] To support the expenses of the Chicago, 1L $6,750 1992-93 theater season. Panel A. To support artists’ compensation in Coterie, Inc. [92-3226-0122] the 1992-93 theater season. Panel A. Kansas City, MO $10,000 [92-3226-0123] To support artists’ compensation in ~ Children’s Theater Company the 1992-93 theater season. Panel B. and School City Theatre Company, Inc. [92-3226-0142] Minneapolis, MN $60,750 Pittsburgh, PA $7,500 To support expenses of the To support expenses in the Courf Theatre Fund 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. Chicago, 1L $6,750 [92-3226-0101] [92-3226-0127] To support the expenses of the 1992-93 theater season. Panel B. ~ Child’s Play Touring Theatre Cleveland Play House [92-3226-0213] Chicago, IL $7,000 Cleveland, OH $22,500 To support the expenses of the To support the expenses of the Creation Production Company, Inc. 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. New York, NY $13,500 [92-3226-0198] [92-3226-0079] To support the expenses of the 1992-93 theater season. Panel A. [92-3226-0205]

I99z Annual Report Theater

Cricket Theatre Corporation ~ Double Edge Theatre Productions Inc. Ensemble Theatre of Cincinnati Minneapolis, MN $7,920 Allston, MA $10,000 Cincinnati, OH $5,000 To support the expenses of the To support the expenses of the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. [92-3226-0130] [92-3226-0140] [92-3226-0208]

~r Crossroads, Inc. Downtown Art CO., Inc. ~ Eugene O’Neill Memorial New Brumwick, NJ $90,000 New York, IVY $7,500 Theater Center, Inc. To support the expenses of the To support the expenses of the Wateqeord, CT $81,000 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. To support the expenses of the [92-3226-0119] [92-3226-0132] 1992-93 National Playwrights Conference. Panel B. [92-3226-0219] Cucaracha Theatre Corporation [] Teatro Campesino New York, NY $5,000 San Juan Bautista, CA $36,000 Fairmount Theatre of the Deaf To support the expenses of the To support the expenses of the Cleveland, OH $5,000 1992-93 theater season. Panel B. 1992-93 theater season. Panel A. To support the expenses of the [92-3226-0147] [92-3226-0161] 1992-93 theater season. Panel A. [92-3226-0143] Dallas Theater Center [] Teatro De La Esperanza Dallas, TX $85,000 San Francisco, CA $11,500 Figures of Speech Theatre To support the expenses of the To support expenses of the Freeport, ME $6,750 1992-93 theater season. Panel B. 1992-93 theater season. Panel A. To support the expenses of the [92-3226-0231] [92-3226-0175] 1992-93 theater season. Panel A. [92-3226-0027] Das Puppenspiel Puppet Theatre, Inc. ~r [mmy Gifford Children’s Theater ¢r Fiji Theater Company, Inc. Wes~field, IVY $9,900 Omaha, NE $6,750 To support the expenses of the To support artists’ salaries and fees in New York, NY $40,000 1992-93 theater season. Panel A. the 1992-93 theater season. Panel B. To support the expenses in the [92-3226-0170] [92-3226-0044] 1992-93 theater season. Panel A. [92-3226-0058] Deep []lure Theatre Group ~ml~’ Space Association Dallas, TX $16,000 Seattle, WA $33,000 First Stage Milwaukee, Inc. To support artists’ salaries and fees in To support the expenses of the Milwaukee, WI $5,000 the 1992-93 theater season. Panel B. 1992-93 theater season. Panel A. To support the expenses of the [92-3226-0062] [92-3226-0191] 1992-93 theater season. Panel A. [92-3226-0201] Dell’Ar~e, Inc. En Garde Arts, inc. Blue Lake, CA $21,000 New York, NY $13,500 Foundation of the Dramatists Guild, Inc. To support expenses of the To support the expenses of the New York, iVY $19,395 1992-93 theater season. Panel B. 1992-93 theater season. Panel A. To support the expenses of the [92-3226-0165] [92-3226-0046] Young Playwrights Festival in the 1992-93 theater season. Panel B. Denver Center for the Per[onning ~ Ensemble Studio Theatre, Inc. [92-3226-0108] Denver, CO $55,000 New York, NY $10,000 To support the expenses of the To support the expenses of the G~LI.JL, Inc. 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. Washington, DC $6,750 [92-3226-0148] [92-3226-0104] To support the expenses of the 1992-93 theater season. Panel A. [92-3226-0120]

±40 National Endowment for the Arts Theater

~, George Coates Performance Co. Hartford Stage Company Indiana Repertory Theatre, Inc. San Francisco, CA $45,095 Hartford, CT $138,100 Indianapolis, IN $14,000 To support the development and TF $35,000 To support expenses of the production of a new work in the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. [92-3226-0154] [92-3226-0182] [92-3226-0139] International Arts Relations, Inc. George Street Playhouse, Inc. Honolulu Theatre for Youth New York, NY $16,500 New Brunswick, NJ $6,750 Honolulu, HI $37,500 To support the expenses of the To support expenses of the 1992-93 To support the expenses of the 1992-93 theater season. Panel B. theater season. Panel B. [92-3226-0019] 1992-93 theater season. Panel B. [92-3226-0221] [92-3226-0217] Gloucester Stage Company, Inc. Intiman Theatre Gloucester, MA $7,500 Horse Cave Theatre 76, inc. Seattle, WA $7,500 To support the expenses of the Horse Cave, KY $5,000 To support the expenses of the 1992-93 theater season. Panel B. To support expenses of the 1992 theater season. Panel B. [92-3226-0069] 1992-93 theater season. Panel B. [92-3226-0214] [92-3226-0228] Great American Children’s Irondale Productions, inc. Theatre Company, Inc. Huntington Theatre Company, Inc. New York, NY $5,000 Milwaukee, WI $5,000 Boston, MA $15,000 To support the expenses of the To support the expenses of the To support the expenses of the 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. 1992-93 theater season. Panel A. [92-3226-0224] [92-3226-0150] [92-3226-0138] Jewish Repertory Theater, Inc. Great Lakes Theater Festival, Inc. Hystopalis Productions, Inc. New York, NY $6,750 Cleveland, OH $15,840 Chicago, IL $5,000 To support expenses of the To support artists’ salaries and fees in To support the expenses of the 1992-93 theater season. Panel A. the 1992-93 theater season. Panel A. 1992 theater season. Panel B. [92-3226-0048] [92-3226-0063] [92-3226-0113] Jomandi Productions, Inc. Group I Acting Company, Inc. Illusion Theater and School, Inc. Atlanta, GA $32,210 New York, NY $55,000 Minneapolis, MN $5,000 To support the expenses of the To support salaries and fees for artistic To support the expenses of the 1992-93 theater season. Panel A. and administrative personnel and re­ 1992-93 theater season. Panel A. [92-3226-0074] lated costs of the company’s 1992-93 [92-3226-0134] season. Panel B. [92-3226-0220] JunebugProductions Imago, The Theatre Mask Ensemble New Orleans, LA $10,000 Guadalupa Cultural Arts Center Portland, OR $12,500 Tosupporttheexpensesofthe San Antonio, TX $8,800 To support the expenses of the 1992-93 theaterseason. PanelA. To support the expenses of the 1992-93 theater season. Panel A. [92-3226-0128] 1992-93 theater season. Panel A. [92-3226-0171] [92-3226-0100] La Mama Experimental Theatre Club, Inc. Independent Eye, Ltd. New York, NY $144,105 Guthrie Theater Foundation Lancaster, PA $12,500 TF* $26,000 Minneapolis, MN $214,605 To support artists’ salaries and fees in To support the expenses of the TF $53,000 the 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. To support expenses in the [92-3226-0200] [92-3226-0234] 1992-93 theater season. Panel B. *Funds were not obligated in FY ’92. [92-3226-0083]

x99z Annual Report :/.41 Theater

Lime Kiln Arts, Inc. Magic Theatre, Inc. Milwaukee Public Theatre Lexington, VA $13,500 San Francisco, CA $24,930 Milwaukee, WI $6,750 To support artists’ and technicians’ To support the expenses of the To support artists’ fees during the 1992 compensation in the 1992-93 theater 1992-93 theater season. Panel A. season. Panel A. [92-3226-0144] season. Panel B. [92-3226-0203] [92-3226-0159] Milwaukee Repertory Theater, Inc. Living Theatre, Inc. Make a Circus, Inc. Milwaukee, WI $106,000 New York, NY $13,000 San Francisco, CA $8,500 TF $26,000 To support the expenses of the To support the expenses of the To support artists’ salaries and travel 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. during the 1992-93 season. Panel A. [92-3226-0118] [92-3226-0176] [92-3226-0055]

Louisville Children’s Theatre Stage One Manhattan Theatre Club, Inc. Missouri Repertory Theatre, Inc. Louisville, KY $8,000 New York, iVY $77,600 Kansas City, MO $9,900 To support expenses of the To support the expenses of the To support the expenses of the 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. 1992-93 theater season. Panel A. [92-3226-0088] [92-3226-0212] [92-3226-0174]

Mabou Mines Development McCarter Theatre Company Mixed Blood Theatre Company Foundation, inc. Princeton, NJ $45,000 Minneapolis, MN $23,000 New York, NY $60,000 To support the expenses of the To support the expenses of the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. [92-3226-0053] [92-3226-0061] [92-3226-0225] Merrimack Repertory Theatre, Inc. ~r Musical Traditions, inc. Mad Horse Theatre Company Lowell, MA $9,900 San Francisco, CA $6,750 Portland, ME $5,500 To support the expenses of the To support artistic fees of the 1992-93 To support artists’ salaries during 1992-93 theater season. Panel B. theater season of the Paul Dresher the 1992-93 theater season. Panel B. [92-3226-0237] Ensemble. Panel A. [92-3226-0204] [92-3226-0239] ~r Metro Theater Circus National Black Theatre Workshop, Inc. Mad River Theater Works St. Louis, MO $15,750 New York, NY $5,000 West Liberty, OH $6,750 To support the expenses of the To support the expenses of the To support expenses of the 1992-93 theater season. Panel B. 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. [92-3226-0172] [92-3226-0178] [92-3226-0095] Mettawee Theatre Company, Inc. ~r National Theatre of the Deaf, Inc. Madison Repertory Theatre, Inc. Salem, NY $13,860 Chester, CT $40,000 Madison, WI $6,750 To support the expenses of the To support expenses of the To support the expenses of the 1992 theater season. Panel A. 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. [92-3226-0136] [92-3226-0158] [92-3226-0243] Millan Theatre Company New City Theatre Magic Theatre Foundation Detroit, MI $5,000 Seattle, WA $11,000 (Omaha Magic Theatre) To support artists’ salaries and fees in To support artists’ salaries, fees, and Omaha, NE $45,000 the 1992-93 theater season of the compensation during the 1992-93 sea­ To support the expenses of the Detroit Repertory Theatre. Panel B. son. Panel B. [92-3226-0235] 1992-93 theater season. Panel A. [92-3226-0024] [92-3226-0209]

±4~. National Endowment for the Arts Theater

New Conservatory Northlight Theatre Paper Bag Players, Inc. San Francisco, CA $7,000 Evanston, IL $23,760 New York, NY $27,000 To support the expenses of the To support the expenses of the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. [92-3226-0034] [92-3226-0102] [92-3226-0071]

New Federal Theatre, Inc. Oakland Ensemble Theatre Passage Theatre Company, Inc. New York, NY $27,720 Oakland, CA $7,500 Trenton, NJ $5,000 To support the expenses of the To support the expenses of the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. [92-3226-0049] [92-3226-0160] [92-3226-0157]

New Hampshire Mime Company Odyssey Theatre Foundation Penumbra Theatre Company, Inc. Portsmouth, NH $7,110 Los Angeles, CA $24,930 St. Paul, MN $11,250 To support the expenses of the To support artists’ salaries, fees, and To support the expenses of the 1992-93 theater season of Pontine compensation during the 1992-93 sea­ 1992-93 theater season. Panel B. Movement Theatre. Panel A. son. Panel B. [92-3226-0238] [92-3226-0211 ] [92-3226-0028] Old Globe Theatre People’s Ught & Theatre Company New Mexico Repertory Theatre, Inc. San Diego, CA $142,500 Malvern, PA $22,500 Albuquerque, NM $7,500 TF $35,000 To support the expenses of the To support the expenses of the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. [92-3226-0075] [92-3226-0242] [92-3226-0124] ~, Perseverance Theatre, Inc. New York School for Circus Arts Ontolo~caI-Hysteric Theater, Inc. Douglas, AK $42,595 (Big Apple Circus, Ltd.) New York, IVY $45,000 To support expenses of the New York, NY $55,100 To support the creation and produc­ 1992-93 theater season. Panel B. To support artistic salaries and fees in tion of new theater works. Panel A. [92-3226-0064] the 1992-93 theater season at Lincoln [92-3226-0042] Center. Panel B. [92-3226-0080] Philadelphia Drama Guild Oregon Shakespeare Festival Association Philadelphia, PA $6,750 New York Shakespeare Festival Ashland, OR $44,550 To support the expenses of the New York, NY $180,000 To support artists’ salaries and fees in 1992-93 theater season. Panel B. TF $45,000 the 1992-93 theater season. Panel B. [92-3226-0218] To support artists’ compensation in [92-3226-0197] the 1992-93 theater season. Panel A. Phoenix Theatre Academy, Inc. [92-3226-0121] Otrabanda Company Atlanta, GA $5,000 New York, NY $15,400 To support the expenses for the New York Theatre Workshop, Inc. To support artists’ compensation Theatre for Youth programming in New York, NY $15,000 during the 1992-93 season. Panel B. the 1992-93 theater season. Panel B. To support the expenses of the [92-3226-0232] [92-3226-0110] 1992-93 theater season. Panel B. [92-3226-0060] Pan Asian Repertory Theatre, Inc. ~r Pick Up Performance Company, Inc. New York, NY $26,500 New York, NY $7,500 Next Theatre Company To support the expenses of the To support the creation of a theatrical Evanston, IL $9,900 1992-93 theater season. Panel A. work in the 1992-93 season by the To support expenses of the [92-3226-0117] David Gordon/Pick Up Company. 1992-93 theater season. Panel B. Panel B. [92-3226-0031] [92-3226-0135]

x99z Annual Report ±43 Theater

Pickle Family Circus, Inc. Remains Theatre S.U. Theatre Corporation San Francisco, CA $67,610 Chicago, IL $6,750 (Syracuse Stage) To support the expenses of the To support the expenses of the Syracuse, NY $6,750 1992-93 theater season. Panel B. 1992-93 theater season. Panel A. To support the expenses of the [92-3226-0244] [92-3226-0194] 1992-93 theater season. Panel A. [92-3226-0215] Pittsburgh Public Theater Corporation Repertory Theatre of St. Louis Pittsburgh, PA $14,265 St. Louis, MO $12,500 SOON 3 Theatre To support the expenses of the To support expenses of the San Francisco, CA $7,500 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. To support the expenses of the [92-3226-0086] [92-3226-0051] 1992-93 theater season. Panel B. [92-3226-0233] Playwrights Horizons, Inc. Ridge Street Theater, Inc. New York, IVY $88,000 New York, NY $7,500 Salt Lake Acting Company TF $22,000 To support expenses of the 1992-93 Salt Lake City, UT $11,900 To support the expenses of the theater season. [92-3226-0094] To support artists’ compensation in 1992-93 theater season. Panel A. the 1992-93 theater season. Panel A. [92-3226-0115] Ridiculous Theatrical Company, Inc. [92-3226-0038] New York, IVY $61,000 Playwrights’ Center, Inc. To support expenses of the San Diego Repertory Theatre, Inc. Minneapolis, MN $18,000 1992-93 theater season. Panel A. San Diego, CA $50,000 To support the expenses of the [92-3226-0090] To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. [92-3226-0054] River Arts Repertory Company, Inc. [92-3226-0183] Woodstock, NY $10,710 Portland Stage Company, Inc. To support the expenses of the ~, San Francisco Mime Troupe, Inc. Portland, ME $11,250 1992-93 theater season. Panel A. San Francisco, CA $60,000 To support expenses of the [92-3226-0093] To support the expenses of the 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. [92-3226-0076] Road Company [92-3226-0250] Johnson City, TN $21,000 Puerto Rican Traveling To support the expenses of the Seattle Children’s Theatre Association Theatre Company, Inc. 1992-93 theater season. Panel A. Seattle, WA $14,000 New York, NY $20,000 [92-3226-0153] To support the expenses of the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. Robert W. Woodruff Arts Center, Inc. [92-3226-0162] [92-3226-0206] (Alliance Theatre Company) Atlanta, GA $37,600 Seattle Group Theatre Puppet Showplace, Inc. To support the expenses of the Seattle, WA $8,800 Brookline, MA $6,750 1992-93 theater season. Panel B. To support the expenses of the To support the expenses of the [92-3226-0035] 1992-93 theater season. Panel B. 1992-93 theater season. Panel A. [92-3226-0173] [92-3226-0105] Roundabout Theatre Company, Inc. New York, IVY $5,000 Seattle Repertory Theatre Red Eye Collaboration To support the expenses of the Seattle, WA $140,000 Minneapolis, MN $11,250 1992-93 theater season. Panel A. TF $35,000 To support the expenses of the [92-3226-0112] To support the expenses of the 1992 theater season. Panel A. 1992-93 theater season. Panel A. [92-3226-0186] [92-3226-0041] z44 National Endowment for the Arts Theater

Second Stage Theatre, Inc. Soho Repertory Theatre, Inc. Studio Theatre School Corporation New York, iVY $21,780 New York, NY $7,110 (Studio Arena Theatre) To support the expenses of the To support the expenses of the Buffalo, NY $25,200 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. To support the expenses of the [92-3226-0017] [92-3226-0092] 1992-93 theater season. Panel B. [92-3226-0246] Seven Stages, Inc. South Coast Repertory, Inc. Atlanta, GA $20,000 Costa Mesa, CA $94,500 Sundance Institute for Film and To support the expenses of the TF $23,000 Television (Sundance Children’s Theatre) 1992-93 theater season. Panel B. To support the expenses of the Salt Lake City, UT $5,000 [92-3226-0141] 1992-93 theater season. Panel B. To support the expenses of the devel­ [92-3226-0021] opment of plays for young people. Shakespeare Repertory Panel B. [92-3226-0057] Chicago, IL $6,750 ~ Spanish Theatre Repertory Company To support the expenses of the New York, NY $132,500 Talking Band, Inc. 1992-93 theater season. Panel A. TF $33,000 New York, NY $10,500 [92-3226-0073] To support the expenses of the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. Shakespeare Theatre at [92-3226-0020] [92-3226-0133] the Folger Ubrary Washington, DC $46,000 Springfield Theatre Arts Teatro Avante, Inc. To support the expenses of the Association, Inc. (StageWest) Miami, FL $7,500 1992-93 theater season. Panel A. Springfield, MA $11,900 To support expenses of the [92-3226-0072] To support the expenses of the 1992-93 theater season. Panel B. 1992-93 theater season. Panel A. [92-3226-0247] Shaliko Company [92-3226-0216] New York, NY $5,000 Teatro Hispano de Dallas To support the expenses of the St. Louis Black Repertory Company, Inc. Dallas, 774 $5,000 1992-93 theater season. Panel B. St. Louis, MO $6,750 To support the expenses of the [92-3226-0099] To support fees for guest directors in 1993 theater season. Panel A. the 1992-93 theater season. Panel B. [92-3226-0129] Shatterhand, Inc. [92-3226-0202] New York, NY $7,920 Teatro del Sesenta, Inc. To support the expenses of the Stages, Inc. (Stages Trilingual Theatre) San Juan, PR $25,000 1992-93 theater season. Panel A. Los Angeles, CA $6,750 To support artists’ fees, salaries, and [92-3226-0188] To support the expenses of the compensation during the 1992-93 the­ 1992-93 theater season. Panel A. ater season. Panel B. [92-3226-0229] Shenandoah Shakespeare Express [92-3226-0065] Dayton, VA $5,000 Theatre & Arts Foundation of To support the expenses of the Steppenwolf Theatre San Diego County 1993 theater season. Panel B. Chicago, IL $30,000 LaJolla, CA $75,000 [92-3226-0096] To support the expenses of the To support non-salaried artists’ 1992-93 theater season. Panel B. compensation during La Jolla Skysaver Productions, Inc. [92-3226-0207] Playhouse’s 1992-93 season. Panel B. New York, NY $14,000 [92-3226-0082] To support expenses of the Studio Theatre, Inc. 1992-93 theater season. Panel B. Washington, DC $5,000 [92-3226-0248] To support the expenses of the 1992-93 theater season. Panel B. [92-3226-0067]

z99zAnnual Report ~-45 Theater

Theatre Gael, Ltd. Theatre in the Square, Inc. Touchstone Atlanta, GA $5,000 Marietta, GA $6,750 Bethlehem, PA $5,000 To support the expenses of the To support the expenses of the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. [92-3226-0145] [92-3226-0045] [92-3226-0226]

Theatre IV Theatre Three, Inc. Trustus, Inc. Richmond, VA $14,500 Dallas, TX $6,500 Columbia, SC $6,75O To support the expenses of the To support artistic and technical To support artists’ fees during 1992-93 theater season. Panel B. salaries in the 1992-93 theater season. the 1992-93 season. Panel B. [92-3226-0084] Panel A. [92-3226-0199] [92-3226-0240]

Theatre Rhinoceros, Inc. TheatreMoves, Inc. Underground Railway San Francisco, CA $6,750 (Rajeckas & Intraub Theatre) Puppets&Actors, Inc. To support artists’ compensation in New York, NY $9,000 Arlingto~MA $6,750 the 1992-93 theater season. Panel B. To support the creation and To supportthe expenses ofthe [92-3226-0167] production of a new work. Panel A. 1992-93 theaterseason. Panel B. [92-3226-0249] [92-3226-0146] Theatre X, Inc. Milwaukee, WI $25,000 TheatreWorks Unicom Theatre To support the expenses of the Palo Alto, CA $6,000 Kansas City, MO $6,750 1992-93 theater season. Panel B. To support actors’ compensation in To support the expenses of the [92-3226-0230] the 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. [92-3226-0137] [92-3226-0056] Theatre de la Jeune Lune Minneapolis, MN $40,000 Thick Description Victory Gardens Theater To support the expenses of the San Francisco, CA $5,000 Chicago, IL $11,250 1992-93 theater season. Panel A. To support the expenses of the To support the expenses of the [92-3226-0068] 1992-93 theater season. Panel B. 1992-93 theater season. Panel B. [92-3226-0177] [92-3226-0227] Theatre for a New Audience, Inc. New York, NY $5,000 Thunder Bay Ensemble, Inc. Vigilante Players, Inc. To support expenses of the New York, NY $8,000 Bozeman, MT $10,000 1992-93 theater season. Panel B. To support the expenses of the To support artists’ salaries in the [92-3226-0097] 1992-93 theater season. Panel B. 1992-93 theater season. Panel A. [92-3226-0252] [92-3226-0018] Theatre for the New City Foundation, Inc. New York, NY $22,600 Touch Mime Theatre Vineyard Theatre and To support artists’ compensation in Carrboro, NC $5,000 Workshop Center, Inc. the 1992-93 theater season. Panel B. To support the expenses of the New York, NY $7,920 [92-3226-0081] 1992-93 theater season. Panel B. To support the expenses of the [92-3226-0050] 1992-93 theater season. Panel B. Theatre Grottesco North America, Inc. [92-3226-0114] Detroit, MI $7,500 Trinity Repertory Company To support the expenses of the Providence, R! $118,700 Virginia Stage Company 1992-93 theater season. Panel B. TF $29,000 Norfolk, VA $7,500 [92-3226-0245] To support the expenses of the To support the expenses of the 1992-93 theater season. Panel A. 1992-93 theater season. Panel B. [92-3226-0192] [92-3226-025 I]

~-46 National Endowment for theArts Theater

V’wian Beaumont Theater, Inc. Working Theatre Co., Inc. quality to diverse and underserved New York, NY $80,000 New York, NY $5,500 audiences. [92-3241-0269] TF $20,000 To support the expenses of the To support the expenses of the 1992-93 theater season. Panel A. Mole End Puppetry Productions, Inc. 1992-93 theater season. Panel A. [92-3226-0181] Springfield, MA $4,500 [92-3226-0036] To support the presentation of aes­ Workshop of the thetically diverse professional theater Washington Drama Society, Inc. Players Art Foundation, Inc. companies in productions or perfor­ Washington, DC $197,000 New York, NY $12,465 mances of exceptional artistic quality to TF $35,000 To support artists’ compensation in diverse and underserved audiences. To support the expenses in the the 1992-93 theater season. Panel B. [92-3241-0264] 1992-93 theater season of the Arena [92-3226-0022] Stage and Living Stage. Panel A. ~ North Carolina Black [92-3226-0052] Yale University Repertory Company, Inc. New Haven, CT $116,000 lPTnston-Salem, NC $45,000 Williamstown Theatre Foundation, Inc. TF $29,200 To support the presentation of aesthet­ Williamstown, MA $5,000 To support the expenses of the ically diverse professional theater com­ To support expenses of the 1992 the­ 1992-93 theater season. Panel A. panies at the 1993 National Black ater season. Panel A. [92-3226-0 I06] [92-3226-0070] Theatre Festival in productions or performances of exceptional artistic Wilma Theater Zachary Scott Theatre Center quality. [92-3241-0268] Philadelphia, PA $16,000 Austin, TX $5,000 To support the expenses of the To support the expenses of the Yale University (Yale School of Drama) 1992-93 theater season. Panel A. 1992-93 theater season of Project New Haven, CT $10,000 [92-3226-0116] InterAct. Panel A. [92-3226-0077] To support the presentation at Yale University of aesthetically diverse solo Women’s Interart Center, Inc. theater artists from Theatre de la Jeune (Interart Theatre) Lune in productions or performances New York, NY $6,750 NATIONAL RESOURCES: of exceptional artistic quality to diverse To support the expenses of the PROFESSIONAL THEATER and underserved audiences. 1992-93 theater season. Panel B. PRESENTERS [92-3241-0267] [92-3226-0241] To support the presentations of profes­ Women’s Project and Productions, Inc. sional theater companies and solo the­ NATIONAL RESOURCES: New York, NY $6,750 ater artists (current grantees of the SERVICES TO THE FIELD To support the expenses of the Theater Program) to areas and audi­ 1992-93 theater season. Panel B. ences that are underserved and to pro­ To assist organizations that provide ser­ [92-3226-0032] vide aesthetic diversity where perfor­ vices to the theater field on a national mance opportunities may already exist. scale. Woolly Mammoth Theatre Co. Washington, DC $7,000 4 grants 16 grants and 1 cooperative agreement To support artists’ salaries and fees Program Funds: $71,250 Program Funds: $810,000 for the 1992-93 season. Panel B. [92-3226-0222] Bardavon 1869 Opera House, Inc. ~- ASSITEJ-USA Inc. Poughkeepsie, NY $11,750 Alexandria, VA $6,800 Wooster Group, Inc. To support the presentation of aesthet­ To support expenses associated with New York, IVY $80,000 ically diverse solo theater artists of The the editing and publication of journals To support the expenses of the Acting Company in productions or important to the field of theater for 1992-93 theater season. Panel A. performances of exceptional artistic young audiences and the salary of an [92-3226-0163] executive director. [92-3265-0285]

I992 Annual Report ±47 Theater

~, BHK Arts Consultants ~r Literary Managers and ~ Theatre Communications Group, Inc. Washington, DC $410,000 Dramaturgs of America, Inc. New York, NY $247,500 To support the administration and New York, NY $3,050 To support comprehensive activities coordination of site report activities for To support expenses associated with that address the artistic and managerial the Professional Theater Companies, programs serving the dramaturgical concerns of nonprofit theaters, as well Solo Theater Artists and Professional and literary staffs of the nonprofit as institutionally-based and freelance Theater Training categories. Panelists professional theater nationally. artists, managers, and trustees nation­ polled: David Chambers, New Haven, [92-3265-0276] wide. [92-3265-0286] CT; Peter Donnelly, Seatde, WA; Tom Hall, San Diego, CA; Rock Schulfer, ~ Movement Theatre International, Inc. ~r Theatre Development Fund, Inc. Chicago, IL. [DCA 92-14] Philadelphia, PA $8,000 New York, NY $3,500 To support expenses associated with To support expenses of the Costume ~r Center for Puppetry Arts, Inc. support services to movement theater Collection and the Sign Interpreters Atlanta, GA $2,625 artists (mimes, clowns, new vaudevil­ Project. [92-3265-0280] To support the costs for cataloging the lians, circus artists, and theater perfor­ Center’s library of books, periodicals, mance artists). [92-3265-0274] ~" UNIMA-U.SJL, Inc. videotapes, sound recordings, and Hyde Park, NY $3,400 scripts related to the field of puppetry ~, National Mime Association, Inc. To support publication expenses for A theatre. [92-3265-0279] Brooklyn, NY $2,000 Propos, a journal devoted to current To support expenses associated with activities in puppetry around the wodd. ~ Deaf West Theatre Company, Inc. the editing, publication, and distribu­ [92-3265-0288] Los Angeles, CA $2,000 tion of Movement Theatre Quarterly, a To support the identification and publication that features interviews, ~r Yale University (Yale School of Drama) training of American Sign Language in­ specialized columns, and articles by New Haven, CT $2,000 terpreters for theater. [92-3265-0271] professional movement theater artists. To support expenses associated with [92-3265-0278] the publication and distribution of ~" Drama League of New York, Inc. Theater magazine. [92-3265-0284] New York, NY $5,625 ~ New York Public Library Astor, To support the Directors Project. Lenox and ~lden Foundation [92-3265-0283] New York, NY $62,000 To support expenses related to the pro­ ARTISTIC ADVANCEMENT: ~" Guadalupe Cultural Arts Center grams of the Theatre on Film and Tape SPECIAL PROJECTS/ San Antonio, TX $12,000 Archive. [92-3265-0273] ORGANIZATIONS To support workshop and seminar activities that will assist in the develop­ ~r Non-Traditional Casting Project, Inc. To respond to innovative and exem­ ment and stabilization of nonprofit New York, iVY $7,500 plary projects that advance the art form Hispanic theater organizations during To support salaries for programs or increase audience understanding and the 16th TENAZ (Teatros Nacionales fostering awareness of non-traditional appreciation. Projects are outside an de Azdan) Festival. [92-3265-0272] ¯ casting. [92-3265-0275] applicant organization’s normal scope of activities and financial capabilities. ~r International Theatre ~" North Carolina Black Institute of the United States, Inc. Repertory Company, Inc. 15 grants New York, NY $27,000 Winston-Salem, NC $5,000 Program Funds: $285,000 To support expenses associated with To support workshops and seminars providing services to American theater conducted by theater artists, managers, artists and companies in the U.S. and and technicians during the 1993 abroad. [92-3265-0287] National Black Theatre Festival in Winston-Salem. [92-3265-0277]

z48 National Endowment for the Arts Theater

~, ASSITEJ-USA Inc. Cleveland Play House Touchstone Alexandria, VA $27,000 Cleveland, OH $5,000* Bethlehem, PA $20,000 To support One Theatre World, an Reviewed by Marie Acosta-Colon, San To support an international collabora­ international theater symposium as part Francisco, CA; Gregory Leaming, tion between Touchstone Theatre and of the 1994 Seattle International Hartford, CT; and Rock Schulfer, Teatro La Memoria of Santiago, Chile, Children’s Festival. [92-3270-0254] Chicago, IL. [92-3270-0253] during the rehearsal process and pro­ Extraordinary Action Grant. Co-funded duction of Daedalus in the Belly of the Alley Theatre with $5000j~om International for a Beast. [92-3270-0255] Houston, TX $25,000 total grant of $10,O00. To support an extended collaboration *See International chapter. Touchstone between the Alley Theatre and Robert Bethlehem, PA $25,000* Wilson. [92-3270-0258] ~, Fiji Theater Company, Inc. [92-3052-0063] New York, NY $25,000 *See International chapter. ~, ARernate ROOTS, Inc. To support an extended dramaturgical Atlanta, GA $16,700 and pre-Pr0duction period during the To support the publication, promo­ development of Deshima, a new inter­ SPECIAL PROJECTS/ tion, and distribution of an anthology disciplinary work by Ping Chong. INDIVIDUAL THEATER ARTISTS documenting the work of contem­ [92-3270-0260] COLLABORATIONS porary Southeastern playwrights. [92-3270-0261] ~. George Coates Performance Co. The panel did not meet. San Francisco, CA $30,000 Bloomsburg Theatre Ensemble, Inc. To support a research and development Bloomsburg, PA $19,790 initiative linking actors, playwrights, To support the collaboration and cre­ and filmmakers in an effort to create a ation of an original production entitled new live presentation format that AJ~ican Folk Tales. [92-3270-0259] enables stage actors to perform within Panels cinemagraphic environments. ~ Brooklyn Academy of Music, inc. [92-3270-0262] ARllSTIC ADVANCEMENT Brooklyn, NY $5,000* To support the Brooklyn Academy of ~, National Black Arts Festival, Inc. Gail Grate Music’s presentation of Les Atrides by Atlanta, GA $31,510 Actress the Theatre du Soleil. Distinguished To support the developmental process Arena Stage Theater Artists Fellowships panel. and workshop/production phase of Washington, DC [92-3270-0303] commissioned plays by African Amer­ * Extraordina~T Action Grant ican playwrights. [92-3270-0257] Irene Lewis Artistic Director ~ Carter G. Woodsen Foundation, Inc. ~- National Theatre Workshop Center Stage Newark, NJ $5,000 of the Handicapped, Inc. Baltimore, MD To support development of a theater New York, NY $12,000" workshop and showcase performances [92-3052-0056] Victoria Nolan (chair) as part of the Black Culture on Tour In *See International chapter. Managing Director America. [92-3270-0256] Indiana Repertory Theater SpanishTheatreRepertory Co, Ltd. Indianapolis, IN Center for Puppetry Arts, Inc. New York, NY $18,000" Atlanta, GA $20,000* [92-3052-0058] Rick Rankln [92-3052-0057] *Seelnternat~nalchapter. Artistic Director *See International chapter. Alice B. Theater Seattle, WA

z99z Annual Report 249 Theater

Roxy Wright (layperson) Miriam Colon Valle Kenny Leon Executive Assistant Founder & President Artistic Director Management Consulting Firm Puerto Rican Traveling Theater Alliance Theater Company New Orleans, LA Company, Inc. Atlanta, GA New York, NY NAllONAL RESOURCES Jon Nakagawa PROFESSIONAL THEATER COMPANIES Managing Director Eileen Blumenthal PANEL A Vineyard Theatre Professor, Theater Criticism New York, NY Rutgers University Don Baker New York, NY Artistic Director Rob Orchard (chair) Lime Kiln Arts Managing Director Richard Hamburger Lexington, VA American Repertory Theatre Artistic Director Cambridge, MA Dallas Theater Center Eva Brune Dallas, TX Managing Director Garland Wright INTAR (Hispanic American Artistic Director Ronald Himes Arts Center) The Guthrie Theater Producer New York, NY Minneapolis, MN St. Louis Black Repertory St. Louis, MO George Coates PROFESSIONAL THEATER COMPANIES Artistic Director PANEL B Frank Jacobson (chair) George Coates Performance Works President and CEO San Francisco, CA Barbara Field Scottsdale Cultural Council Playwright Scottsdale, AZ Carol Evans Minneapolis, MN Artistic Director Odelle Johnson (layperson) Metro Theater Circus Marsha Jackson President St. Louis, MO Co-Artistic Director Laney College Jomandi Productions, Inc. Oakland, CA Marian Godfrey Atlanta, GA Arts Officer Emily Mann PEW Charitable Trust M, Marguerite Mathews Artistic Director Philadelphia, PA Artistic Director McCarter Theater Pontine Movement Theater Princeton, NJ Charles Gordon (OyamO) Portsmouth, NH Playwright Sara O’Connor Ann Arbor, MI Susan Medak Managing Director Managing Director Milwaukee Repertory Theatre Tom Hall Berkeley Repertory Theatre Milwaukee, WI Managing Director Berkeley, CA Old Globe Theater Philip Thomas San Diego, CA Ban Moore [chair) President and Artistic Director Producing Director Carter G. Woodson Foundation Gregory Hicks (layperson) Seattle Repertory Theater Newark, NJ Professor of Law Seattle, WA University of Washington, School of Law Seattle, WA

9.50 National Endowment for the Arts Theater

Harry Newman Gall Grate Gilberto Zaldivar Playwright Actress Executive Director New York, NY Arena Stage Spanish Theater Repertory Company Washington, DC New York, NY Paula Parker-Sawyers (layperson) Associated Group Tom Hall SUPPORT TO INDIVIDUALS/FELLOWSHIPS Indianapolis, IN Managing Director FOR PLAYWRIGHTS Old Globe Theater Jorge Pina San Diego, CA Anne Cattaneo (chair) Artistic and Managing Director, Los Literary Manager Actores de San Antonio; John Horhn (layl~rson) Lincoln Center/Vivian Beaumont Theater Arts Program Director, Associate Director, New York, IVY Guadalupe Theater Center Tourism Development Division San Antonio, TX Mississippi Department of Oskar Eustis Economic Development Resident Director Andre Robinson Jackson, MS Mark Taper Forum Executive Director Los Angeles, CA Black Filmmaker Foundation Marsha Jackson (chair) New Brunswick, NJ Co-Artistic Director John Horhn (layperson) Jomandi Productions, Inc. Associate Director, Tourism Leigh Strimbeck Atlanta, GA Development Division Ensemble Director Mississippi Department of Economic Bloomsburg Theatre Ensemble Frank Jacobson Development Bloomsbu~ PA President and CEO Jackson, MS Scottsdale Cultural Council Steven Woolf Scottsdale, AZ Runako Jahi Artistic Director Artistic Director The Repertory Theater of Saint Louis Ming Cho Lee ETA Creative Arts Foundation St. Louis, MO Theater Designer Chicago, 1L New Haven, CT Paul Zimet Wendy Kesselman Artistic Director Jon Nakagawa Playwright Talking Band Managing Director South Wellfleet, MA New York, NY Vineyard Theatre New York, iVY Sydne Mahone SUPPORT TO INDMDUALS/ Literary Manager/Resident Dramaturg DISTINGUISHE]) THEAT~]~ ARTIST Beverly Robinson Crossroads Theater Company FELLOWSHIPS Associate Professor: Theater, New Brunswick, NJ Folklore & Mythology program Carol Evans University of California at Los Angeles John Schneider Artistic Director Los Angeles, CA Artistic Director Metro Theater Circus Theatre X St. Louis, MO John Schneider Milwaukee, WI Artistic Director Theatre X Milwaukee, WI

I99z Annual Report Visual Arts

270 grants; 6 cooperative agreements Program Funds: $5,583,625

The Visual Arts Program funds the creation of new work by contemporary American artists, offer them access to working American artists of proven talent and supports the presentation facilities, provide equipment for the creation of new work, of new works to wider audiences. The Program focuses on nur­ and offer a range of artists’ services. These alternatives to mu­ turing excellence in the visual arts through fellowships to indi­ seums and commercial galleries exist in major cities and in viduals and through grants awarded to organizations for exem­ mid-sized communities such as Omaha, Syracuse, El Paso, plary activities. and Sacramento. Characteristically, these groups were founded by artists and are run by artists with strong support UCH OF THE HISTORY OF ART IS THE from their communities. record of individual artists over the centuries In many cities, VAOs exist as the primary showcase for M who have created something new or stylisti­ contemporary work. Besides exhibiting current work by artists cally different from the art that then existed. living in any area, many arrange exchange shows with organi­ In short, art history is the record of invention and innovation zations from other regions, thereby exposing audiences to new by individuals. This Program’s grants and fellowships serve as work from outside their own communities. Particularly in investments in experimentation and the creation of new art crafts, photography, and printmaking, some VAOs provide forms by today’s artists of merit working in a wid.e spectrum artists with access to equipment that is prohibitively expensive of styles and media. In addition, the Program provides oppor­ for individual owners. Many of the organizations also conduct tunities for the public to have access to such new works of art educational outreach programs with local schools. and to the ideas ofcontemporaty artists. It does this by invest­ Visual Artists Forums promote discourse about the visual ing in public art projects, in the activities of artist-run organi­ arts and are a crucial venue for outreach to the American pub­ zations, in forums for discussion of visual art issues, and in lic. Many lecture series at colleges and universities are sup­ other exemplary special projects. ported, as well as nonprofit publications that discuss issues in Visual Artists Fellowships are the Program’s first priority. contemporary art. Particularly important to rural campuses Fellowships are awarded in a repeating two-year cycle to and colleges beyond major cities, visiting artist programs were painters, sculptors, photographers, crafts artists, printmakers, supported in Gainesville, FL; Bozeman, MT; and Ogden, drawing artists, conceptual artists, and visual artists working in UT. An innovative approach to expand the traditional con­ video and performance. In FY ’92, the Program received cept of the public forum through satdlite broadcast was 5,240 applications from artists all across the country, and it funded through Rensselaer Polytechnic Institute in Troy, awarded 71 fellowships of $20,000 each to artists in every re­ New York. Broadcasts were carried by more than 24 universi­ gion. These fellowships, awarded to professional artists of ex­ ties nationwide and provided for live discussion between ceptional talent and demonstrated ability, supported these in­ artists and a national audience. Publications that cover re­ dividuals’ creative development by providing financial means gional visual arts events received grants in the Upper Midwest to sustain them while they pursue their work. This year, fel­ (Artpaper), the Northwest (Reflex), the Central South lowships went to artists working in photographyand crafts. (Number), and the Southeast (Art Paper and Artvu). Regional Fellowships complement the national program. Art in Public Places projects were supported in a wide In FY ’92, six regional organizations received grants of range of communities and sites this year. They included the $250,000 to $300,000 each. Most of these organizations will design of temporary billboards in Detroit with an anti-drug offer as many as 30 fellowships of $5,000 each to visual artists message; a memorial in Salem, MA, to those who were exe­ working in the areas of photography, sculpture, and crafts cuted during the 1692 witch trials; the final stage ofa Zuni during 1993. Application deadlines for the regional fellow­ kachina murals project on the interior walls of a restored ships alternate with those at the national level, enabling artists 17th-century mission in Zuni, NM; and the creation of site- to apply for grants on an annual basis regardless of where they specific works in the public areas around Cleveland’s new live and work. Endowment funds are matched one-to-one by sports complex. Endowment funds generally account for only each region. a fraction of a project’s total costs; most of the fundraising for Visual Artists Organizations (VAOs) exhibit new works by public art projects is done at the local level.

National Endowment for the Arts MarCo Gonzalez, first known as a graff’~i artist, paints an ephemeral man on a wall at the Randolph Street Gallery for the show, Re-lmaginingAmerfca. The Chicago gallery received one of the 130 grants awarded to visual artists organizations.

1992 Annual Report Visual Arts

Conniff, Gregory Kumao, Heidi E. Grants Madison, WI $20,000 Syracuse, NY $20,000

~ Indicatesgrants having national impact. Coplans, John R. Larson, William G. New York, NY $20,000 Collegeville, PA $20,000

VISUAL ARTISTS FELLOWSHIPS Crewdson, Gregory Leong, Mark R. Brooklyn, NY $20,000 Fremont, CA $20,000 Fellowships were awarded in 1992 to artists working in photography and Davis, Malcolm M. Lopez, Martina A. crafts. Sculpture fellowships were not Oakland, CA $20,000 Chicago, IL $20,000 awarded as the panel suspended its de­ liberations before completing applica­ Devlin, Lucinda A. Mann, Sally M. tion review. In 1993, fellowships will New Paltz, NY $20,000 Lexington, VA $20,000 be offered to artists working in other genres, painting, and works on paper. Douthat, Anita S. Middlebrook, Willie R. Regional Fellowships are administered Alexandria, KY $20,000 Compton, CA $20,000 by regional arts organizations through cooperative agreements with the Freeman, John C. Misrach, Richard L. Endowment. Programs funded will San Diego, CA $20,000 Emeryville, CA $20,000 make $5,000 fellowships available in 1993 to artists living in participating Frey, Mary E. Mitchel, Julio states who work in photography, Springfield, MA $20,000 Brooklyn, NY $20,000 sculpture, and crafts. Gilden, Bruce I. Molnar, Lynette E. 71 grants; 6 cooperative agreements New York, iVY $20,000 San Francisco, CA $20,000 Program Funds: $2,870,000 Grassl, Anton M. Morton, Margaret W. NATIONAL FELLOWSHIPS-­ Cambridge, MA $20,000 New York, NY $20,000 PHOTOGRAPHY Halevi, Marcus Nagatani, Patrick A. Adams, Shelby L. Cambridge, MA $20,000 Albuquerque, NM $20,000 Salem, MA $20,000 Hambrick, Lynn C. Peress, Gilles Algaze, Mario A. Minneapolis, MN $20,000 New York, NY $20,000 Coral Gables, FL $20,000 Hill, Edward J. & Bloom, Suzanne Rubenstein, Meridel Brooks, Drex M. Houston, TX $20,000 Santa Fe, NM $20,000 Ogden, UT $20,000 Hohmuth-Lemonick, Eileen Sultan, Larry A. Calderon, Eduardo T. Princeton, NJ $20,000 Greenbrae, CA $20,000 Kirkland, WA $20,000 Ischar, Doug Witldn, Joel-Peter Chong, Albert V. Chicago, IL $20,000 Albuquerque, NM $20,000 Boulder, CO $20,000 Jaar, Alfredo Wolin, Jeffrey A. Clark, Kathryn J. New York, NY $20,000 Bloomington, IN $20,000 New York, NY $20,000

254 National Endowment for the Arts Visual Arts

NATIONAL FELLOWSHIPS--CRAFTS Jeck, Douglas A. REGIONAL FELLOWSHIPS Chicago, IL $20,000 These grants were reviewed by the Agee, Ann G. Special Projects panel. Sheboygan, WI $20,000 Kotula, Paul S. Huntington Woods, MI $20,000 ~ Midwest Aschenbrenner, Michael J. Minneapolis, MN $250,000* New York, NY $20,000 Livingstone, Joan E. To support a regional fellowship pro­ Chicago, IL $20,000 gram in 1993 providing up to thirty Bero, Ma~J F.. $5,000 grants to artists working in Madison, WI $20,000 McNaug~ton, John W. photography, sculpture, and crafts-­ Evansville, IN $20,000 ten in each medium; and to partially Bills, Unda C. support the 1994 program providing Baltimore, MD $20,000 McQueen, John D. up to thirty $5,000 grants in painting Trumansburg, NY $20,000 and works on paper. Eligible artists Christianson, Unda A. must be legal residents of Illinois, Lindstrom, MN $20,000 Metcalf, Bruce B. Indiana, Iowa, Michigan, Minnesota, Philadelphia, PA $20,000 North Dakota, Ohio, South Dakota, Clifford, Morgan E. or Wisconsin. [DCA 92-39] St. Paul, MN $20,000 Monteith, Clifton J. * Co-funded with $50, O00j~om the State Lake Ann, MI $20,000 and Regional Program, for a total of Cook, Ua $300,000. Berkeley, CA $20,000 Page, Karen S. Beaver Falls, PA $20,000 Mid.America Arts Alliance Crowley, Chades A. Kansas City, MO $250,000* Bedford, MA $20,000 Sandoval, Arturo A. To support a regional fellowship pro­ Lexington, KY $20,000 gram in 1993 providing up to thirty Davis, Virginia $5,000 grants to artists working in New York, NY $20,000 Sharbaugh, Kathryn K. photography, sculpture, and crafts-­ Holly, MI $20,000 ten in each medium; and to partially Enteriine, Sandm support the 1994 program providing San Francisco, CA $20,000 Sheehan, Diane up to thirty $5,000 grants in painting Madison, WI $20,000 and works on paper. Eligible artists Gill, John P. must be legal residents of Arkansas, Al~ed, NY $20,000 Takamori, Aldo Kansas, Missouri, Nebraska, Vashon, WA $20,000 Oklahoma, or Texas. [DCA 92-38] Gralnick, U~ B. *Co-funded with $50,O00jgom the State RosendMe, NY ¯ $20,000 Tepper, Irvin S. and Regional Program, for a total of Petaluma, CA $20,000 $300,000. Groover, Deborah K. Penland, NC $20,000 Weiser, Kurt D. Tempe, AZ $20,000 Hoadley, Thomas A. Lanesborough, MA $20,000 Whittlesey, Stephen West Barnstable , MA $20,000 Hu, Mary Lee Seattle, WA $20,000 Woell, James Fred New Paltz, NY $20,000 Hurwitz, Michael H. Philadelphia, PA $20,000 Young, Sara C. Cranston, RI $20,000

z99z Annual Report Visual Arts

Mid Atlantic Arts Foundation * Co-funded with $50, O00J~om the State Advaita Society (Kala Institute) Baltimore, MD $200,000* and Regional Program, for a total of Berkeley, CA $5,000 To support a regional fellowship pro­ $300,000. To support visual arts exhibition, gram in 1993 providing up to thirty installation, performance, and $5,000 grants to artists working in Westem States Ar~s Federation working facilities programming. sculpture, and crafts--ten in each Santa Fe, NM $250,000* [92-4121-0075] medium; and to partially support the To support a regional fellowship pro­ 1994 cycle providing up to thirty gram in 1993 providing up to thirty Aljira, Inc. $5,000 grants in painting and works $5,000 grants to artists working in Newark, NJ $10,000 on paper. Eligible artists must be legal photography, sculpture, and crafts-­ To support a series of linked thematic residents of Delaware, Maryland, New ten in each medium; and to partially exhibitions, related lectures and cata­ Jersey, New York, Pennsylvania, support the 1994 program providing logues, and panel discussions presenting Virginia, the District of Columbia, or up to thirty $5,000 grants in painting work of visual artists with diverse cul­ the Virgin Islands. [DCA 92-43] and works on paper. Eligible artists tural backgrounds. [92-4121-0117] * Co-funded with $50,O00from the State must be legal residents of Alaska, and Regional Program, for a total of Arizona, California, Colorado, Hawaii, Alternative Center for International $250,000. Idaho, Montana, Nevada, New Arts, Inc. (Alternative Museum) Mexico, Oregon, Utah, Washington, New York, NY $27,500 New England Foundation for the Arts or Wyoming. [DCA 92-40] To support solo and thematic exhibi­ Cambridge, MA $250,000* * Co-funded with $50, O00~om the State tions and installations by emerging, To support a regional fellowship pro­ and Regional Program, for a total of under-recognized, and mid-career gram in 1993 providing up to thirty $3oo, ooo. visual artists from culturally diverse $5,000 grants to artists working in backgrounds. [92-4121-0039] photography, sculpture, and crafts ten in each medium; and to partially VISUAL ARTISTS ORGANIZATIONS Alternative Worksite, Inc. support the 1994 program providing Omaha, NE $7,500 up to thirty $5,000 grants in painting To enable organizations originated by To support the Bemis Foundation’s and works on paper. Eligible artists or for artists to conduct a variety of ac­ residency and exhibition program for must be legal residents of Connecticut, tivities that encourage the artistic visual artists. [92-4121-0113] Maine, Massachusetts, New Hamp­ growth of individual visual artists and shire, Rhode Island, or Vermont. bring their work to the public. American Indian Contemporary Arts [DCA 92-42] San Francisco, CA $5,000 * Co-funded with $50, O00j~om the State 130 grants To support solo and group exhibitions and Regional Program, for a total of Program Funds: $1,890,000 of contemporary Native American $3oo, ooo. visual artists from throughout the 1078 Gallery, inc. United States. [92-4121-0127] Southern Arts Federation Chico, CA $5,000 Atlanta, GA $250,000* To support solo and group exhibitions Arlington Arts Center To support a regional fellowship pro­ which increase the availability of con­ Arlington, VA $10,000 gram in 1993 providing up to thirty temporary visual art in this rural com­ To support solo and group exhibitions $5,000 grants to artists working in munity. [92-4121-0104] of regional and national visual artists photography, sculpture, and crafts-­ in the center’s four galleries. ten in each medium; and to partially 1708 East Main, Inc. [92-4121-0040] support the 1994 program providing Richmond, VA $7,500 up to thirty $5,000 grants in painting To support a series of solo and group Armory Center for the Arts and works on paper. Eligible artists visual arts exhibitions, performances, Pasadena, CA $15,000 must be legal residents of Alabama, publications, and artists’ services. To support the presentation of a Florida, Georgia, Kentucky, Louisiana, [92-4121-0033] series of visual arts exhibitions, in­ Mississippi, North Carolina, South stallations, and collaborative projects. Carolina, or Tennessee. [DCA 92-41] [92-4121-0119]

±56 National Endowment for the Arts Visual Arts

Art Awareness, Inc. Artists Space, Inc. Capp Street Project Lexington, NY $5,000 New York, NY $45,000 San Francisco, CA $30,000 To support the development and exhi­ To support exhibitions in all visual arts To support installations, exhibitions, bition of new works in solo and the­ media and a computerized slide reg­ and educational programs during matic group visual arts presentations. istry. [92-4121-0097] 1993-94 which include artist residen­ [92-4121-0100] cies, off-site installations, an exhibition Artists’ Television Access series entitled "Experimental Projects," in General, Inc. Art San Francisco, CA $10,000 lectures, performances, and community New York, NY $15,000 To support the production and exhibi­ workshops. Special Projects panel. To support a series of solo and the­ tion of experimental work by emerging [92-4121-0270] matic group exhibitions, installations, visual artists. [92-4121-0084] performances, and educational pro­ Center for Contemporary Arts gramming during 1992-93 by a cul­ Asian Amedcan Arts Centre, Inc. of Santa Fe, Inc. turally diverse group of emerging New York, iVY $7,500 Santa Fe, NM $17,500 and under-recognized visual artists. To support exhibitions and a related To support solo and group exhibitions, [92-4121-0121] catalogue by visual artists from diverse performances, installations, and video Ar~ in General, Inc. cultural backgrounds. [92-4121-0045] screenings of the work of both region­ New York, NY $15,000 ally and nationally known visual artists, To support a series of solo and the­ Atlanta Photography Group, Inc. and related published materials. matic group exhibitions, installations, Atlanta, GA $5,000 [92-4121-0057] performances, and educational pro­ To support exhibitions by local and gramming during 1993-94 by a cultur­ regional visual artists working in Center for Education and Communication, Inc. [The Space) ally diverse group of emerging and photography and related media. under-recognized visual artists. Special [92-4121-0076] Boston, MA $5,000 Projects panel. [92-4121-0271] To support the creation, presentation, Brandywine Graphic Workshop, Inc. and documentation of new work by ~r Art Institute of Chicago Philadelphia, PA $12,500 " culturally diverse visual artists. (Video Data Bank) To support visiting artist residencies, [92-4121-0126] Chicago, IL $40,000 exhibitions, and lectures. To support the production, presenta­ [92-4121-0069] Center for Exploratory and tion, and distribution of video artists’ Perceptual Arts, Inc. work. [92-4121-0099] Bridge Center for Contemporary Art Buffalo, iVY $25,000 El Paso, TX $15,000 To support exhibitions of contempo­ Art Re Grap, inc. To support solo and group exhibitions rary visual art in gallery and satellite San Francisco, CA $10,000 by local, regional, and national visual locations, temporary installations in To support a series of installations, per­ artists. [92-4121-0024] public transit areas, lectures, project formances, exhibitions, and lectures by residencies, and the CEPA Quarterly visual artists. [92-4121-0056] Bronx Council on the Arts, Inc. journal. [92-4121-0047] ILongwood Arts Project) Artists Alliance, inc. Lafayette, LA $5,000 Bronx, NY $17,500 ­~ Center for Occupational Hazards, Inc. To support a series of multimedia exhi­ To support a series of visual arts exhibi­ (Center for Safety in the Arts) bitions, performances, installations, tions and related performances in the New York, NY $10,000 and lectures by local, regional, and South Bronx. [92-4121-0116] To support research on health hazards national artists. [92-4121-0082] in the arts and the education of visual Capp Street Project artists about the hazards and precau­ Artists Book Works San Francisco, CA $30,000 tions of materials and processes. Chicago, IL $5,000 To support expanded installation, exhi­ [92-4121-0008] To support a working facility for book bition, and educational programs dur­ artists. [92-4121-0037] ing 1992-93, including the production of a catalogue. [92-4121-0022]

x99z Annual Report 257 Visual Arts

Center for Photography of work by national and regional Dieu Donne Papormill, Inc. at Woodstock, Inc. ceramic artists, guest artist residencies, New York, NY $7,500 WoodstoCk, NY $10,000 lectures, and workshops. To support a working facility for artists To support solo and group exhibitions, [92-4121-0051] using handmade paper as a visual art workshops, lectures, services, and pub­ medium. [92-4121-0115] lications in photography and related Contemporary Art for San Antonio media. [92-4121-0072] San Antonio, TX $17,500 DiverseWorks, Inc. To support a series of visual arts Houston, TX $47,500 Center for Women and Their Work, inc. exhibitions, related publications, lec­ To support visual arts exhibitions, in­ Austin, TX $25,000 tures, and educational programming. stallations, lectures, video programs, a To support exhibitions, educational [92-4121-0061] performance series, and an artists’ programs, related published material, bookstore. [92-4121-0105] and services for artists during 1992-93. Contemporary Arts Center, New Orleans [92-4121-0081] New Orleans, LA $35,000 Drawing Center, Inc. To support multidisciplinary exhibi­ New York, iVY $5,000 Center for Women and Their Work, Inc. tions, installations, and performances To support solo, thematic, and group Austin, TX $25,000 and related video screenings, lectures, exhibitions and installations by visual To support exhibitions, educational and publications. [92-4121-0078] artists in various stages of their careers. programs, and services for visual artists [92-4121-0059] during 1993-94. Special Projects panel. ~- Craft Emergency Relief Fund, Inc. [92-4121-0269] Washington, DC $8,500 En Foco, Inc. To support services offered to craft Bronx, iVY $15,000 Center on Contemporary Art artists who have experienced work- To support a bimonthly newsletter, a Seattle, WA $20,000 interrupting emergencies such as fire, slide registry featuring artists of color, To support a program of visual arts theft, illness, and natural disasters. and Intercambio, a program that brings exhibitions and related performances, [92-4121-0068] American mainland photographers to lectures, and publications. Puerto Rico for seminars and work­ [92-4121-0018] Creative lime, Inc. shops. [92-4121-0073] New York, NY $45,000 Chicago Artists’ Coalition To support the creation and presenta­ Exit Art, Inc. Chicago, 1L $7,500 tion of new work by emerging and New York, NY $I0,000 To support services for regional and mid-career visual artists in public To support visual arts exhibitions, national visual artists including a slide spaces throughout New York City. publications, and related projects. registry, job referrals, health insurance, [92-4121-0060] [92-4121-0017] credit union, resource library, monthly lectures, and technical assistance work­ Dallas Artists Research and Exhibition Eye Gallery shops. [92-4121-0032] Dallas, TX $5,000 San Francisco, CA $7,500 To support a series of exhibitions To support exhibitions and installa­ Cincinnati Artists’ Group Effort, Inc. and performances by visual artists. tions by emerging and under-recog­ Cincinnati, OH $12,500 [92-4121-0123] nized photographers. [92-4121-0114] To support multimedia exhibitions of regional and national artists, multidis­ Dotroit Focus Fabric Workshop, Inc. ciplinary performances and window Detroit, MI $7,500 Philadelphia, PA $20,000 installations, film/video programs, and To support a series of multimedia To support an artist-in-residence pro­ presentations by audio/sound artists. exhibitions, the publication of a cata­ gram in the textile arts and related [92-4121-0010] logue, and the Detroit Focus Quarterly. exhibitions. [92-4121-0048] [92-4121-0079] Clay Studio Philadelphia, PA $7,500 To support solo and group exhibitions

~,J8 National Endowment for theArts Visual Arts

x99z Annual Report Visual Arts

Film in the Cities, Inc. Guadalupe Cultural Arts Center cation of the quarterly journal Images St. Paul, MN $12,500 San Antonio, TX $5,000 Ink. [92-4121-0071] To support exhibitions, lectures, resi­ To support solo and group visual arts dencies, and a resource center for exhibitions. [92-4121-0003] Installation Gallery photography. [92-4121-0046] San Diego, CA $5,000 Haleakala, Inc. (The Kitchen) To support a series of installations Fondo Del Sol Visual Arts Center New York, NY $7,500 by national and regional artists. Washington, DC $10,000 To support a performance series that [92-4121-0050] To support a series of exhibitions and features works by emerging and estab­ related programming designed to ex­ lished visual artists. [92-4121-0120] Intermedia Arts of Minnesota, Inc. plore pluralism in contemporary Minneapolis, MN $12,500 American visual art. [92-4121-0107] Hallwalls, Inc. To support visual arts exhibitions, in­ Buffalo, NY $30,000 stallations, lectures, publications, and Foundation for Art Resources, inc. To support visual arts exhibitions and performances. [92-4121-0044] Los Angeles, CA $5,000 performances, related publications, To support a forum for the presenta­ project residencies, lectures, and a slide International Arts Relations, Inc. tion of issues in contemporary visual registry. [92-4121-0043] New York, NY $25,000 art through three programs: Art Talk To support exhibitions and installa­ Art, Outside Artworks, and Open Hand Workshop, Inc. tions by emerging and mid-career vi­ Proposals. [92-4121-0086] Richmond, VA $7,500 sual artists from diverse cultural back­ To support an exhibition program fea­ grounds. [92-4121-0005] Foundation for Today’s ArtJNexus turing regional and national craft artists Philadelphia, PA $7,500 in solo and group shows, and related ~r International Sculpture Center, Inc. To support exhibitions, performances, programs. [92-4121-0093] Washington, DC $5,000 bookworks projects, artists’ residencies, To support programs serving visual workshops, and services to visual Headlands Center for the Arts artists working in three-dimensional artists. [92-4121-0094] Sausalito, CA $20,000 media including the publication of To support regional visual artists’ resi­ Sculpture magazine; Sculpture Source, a Galeria Studio 24 (Galeria de la Raza) dencies, open studios, lectures, work­ computerized slide registry; conferences San Francisco, CA $30,000 shops, publications, presentations, and and workshops; and curatorial services. To support a series of exhibitions, installations. [92-4121-0055] [92-4121-0065] related programs, and services to visual artists. [92-4121-0110] Houston Center for Photography Intersection Houston, 7X $15,000 San Francisco, CA $5,000 Galveston Arts Center, Inc. To support exhibitions, lectures, To support solo and group exhi­ Galveston, TX $7,500 workshops, services, and publications bitions in all visual arts media by To support an exhibition program and on photography and related media. artists of diverse cultural heritages. lecture series focusing on emerging and [92-4121-0062] [92-4121-0028] mid-career regional visual artists. [92-4121-0001] Hull House Association Kenkeleba House, Inc. (Beacon Street Gallery) New York, NY $10,000 ~, Glass Art Society, Inc. Chicago, IL $5,000 To support a series of solo exhibitions Seattle, WA $10,000 To support an exhibition program, a by emerging and established visual To support a national conference for catalogue, and a performance series for artists from multi-ethnic backgrounds visual artists working in glass; the visual artists. [92-4121-0148] to be presented in a renovated gallery Journaland TechnicalJournalwhich space. [92-4121-0111] document conference proceedings; and Images, Images, Images, Inc. membership services. [92-4121-0064] Cincinnati, OH $5,000 La Raza Bookstore |Galeria Posada) To support photography exhibitions, Sacramento, CA $10,000 related public programs, and the publi­ To support a series of solo and group z6o National Endowment for the Arts Visual Arts

exhibitions of Chicano, Mexicano, Maryland At[ Place, Inc. N.A.M.E. Gallery and Native American visual artists. Baltimore, MD $10,000 Chicago, IL $12,500 [92-4121-0052] To support a program of visual arts ex­ To support visual arts exhibitions, per­ hibitions, installations, public pro­ formances, public programs, and pub­ Ugbt Factory grams, services, and a quarterly lic art projects. [92-4121-0088] Charlotte, NC $7,500 newsletter. [92-4121-0013] To support photography exhibitions, ~r National Association of Artists’ public programs, and services. Organizations, Inc. [92-4121-0035] Pittsburgh, PA $17,500 Washington, DC $30,000 To support residencies resulting in the To support a national conference, Ught Work Visual Studies, Inc. creation and exhibition of site-specific regional meetings, and membership (Ught Work) installations. [92-4121-0038] services. [92-4121-0021] Syracuse, NY $30,000 To support photography exhibitions, Mayor’s Advisory Committee on Art and ~r National Council on residencies, publications, and a work­ Culture (School 33 Art Center) Education for the Ceramic Arts ing facility. [92-4121-0103] Baltimore, MD $12,500 Bandon, OR $15,000 To support exhibitions, residencies, To support an annual conference for Los Angeles Center for educational programs, and services to ceramic artists, a journal to document Photographic Studies visual artists. [92-4121-0042] the proceedings, and other services. Los Angeles, CA $20,000 [92-4121-0112] To support exhibitions, installations, Mexic-Arte lectures, workshops, video and film Austin, TX $12,500 New York Experimental screenings, and publications. To support exhibitions, temporary in­ Glass Workshop, Inc. [92-4121-0014] stallations at public sites, a performance Brooklyn, IVY $25,000 art series, and services to visual artists. To support working facilities for glass Los Angeles Contemporary [92-4121-0020] artists, exhibitions, and related services. Exhibitions, Inc. [92-4121-0029] Los Angeles, CA $35,000 Mission Cultural Center To support visual arts exhibitions, per­ San Francisco, CA $5,000 Nexus, Inc. formances, video/film screenings, pub­ To support a series of thematic group Atlanta, GA $40,000 lic programs, services, publications, and exhibitions of local and regional Latino To support visual arts exhibitions in an artists’ bookstore. visual artists. [92-4121-0108] Nexus Gallery, artists’ book projects at [92-4121-0034] Nexus Press, and services to artists. Mobius, Inc. [92-4121-0098] Lower Enst .Side Pr~ntshop, Inc. Boston, MA $5,000 New York, NY $5,000 To support installations, group exhibi­ Oregon Center for the To support an artists’ workspace pro­ tions, a performance art series, and Photographic Arts, Inc. gram which provides emerging artists public forums featuring emerging re­ Portland, OR $7,500 with professional printmaking facilities, gional artists and established national To support a series of exhibitions and advanced technical workshops, and international artists working in ex­ accompanying publications and lec­ seminars, and technical assistance. perimental media. [92-4121-0036] tures by emerging and established [92-4121-0090] photographers at Blue Sky Gallery. Movimiento ArtisUco del Rio Salado, Inc. [92-4121-0092] Manchester Craftsmen’s Guild Phoenix, AZ $15,000 Pittsburgh, PA $5,000 To support a visiting artists program, Organization of Independent Artists, Inc. To support exhibitions, lectures, and exhibitions, and related publications. New York, NY $5,000 workshops by regional and national [92-4121-0106] To support exhibitions and services to visual artists working in ceramics and visual artists. [92-4121-0067] photography. [92-4121-0016]

I99Z Annual Report :/,61 Visual Arts

Painted Bride Art Center, Inc. Project Artaud (Southern Exposure) Sen Francisco Camerawork, Inc. Philadelphia, PA $5,000 San Francisco, CA $12,500 San Francisco, CA $25,000 To support exhibitions by local, re­ To support visual arts exhibitions, in­ To support exhibitions in photography gional, and national visual artists of di­ stallations, lectures, and related activi­ and related media, lectures, publica­ verse cultural backgrounds; residencies; ties. [92-4121-0109] tions, and services. [92-4121-0011] and related programs. [92-4121-0083] Public Art Fund, inc. Sen Jose Institute of Centemporory Art Pewabic Societ,j, Inc. New York, NY $20,000 San Jose, CA $5,000 Detroit, MI $17,500 To support temporary public art To support gallery exhibitions, site in­ To support exhibitions, workshops, projects and related services. stallations in unused urban spaces, edu­ lectures, a working facility, and [92-4121-0089] cational programs, and related pub­ residencies in the ceramic arts. lished material. [92-4121-0085] [92-4121-0009] Public Art Works San Rafael, CA $10,000 Senta Barbara Contemporary Photographic Resource Center, Inc. To support temporary and permanent Arts Forum, Inc. Boston, MA $30,000 site-specific public art installations, Santa Barbara, CA $10,000 To support exhibitions, installations, publications, and related activities. To support visual arts exhibitions and public programming, and services in [92-4121-0004] related performances, lectures, video photography and related media. presentations, and publications. [92-4121-0041] Pyramid Arts Center, Inc. [92-4121-0025] Rochester, NY $15,000 Pilchuck Glass School To support visual arts exhibitions, in­ Senta Monica Museum of Art Seattle, WA $7,500 stallations, residencies, lectures, and Santa Monica, CA $12,500 To support residencies for visiting art­ services. [92-4121-0002] To support solo and group exhibitions, ists working in glass. [92-4121-0049] site-specific installations, performances, Pyramid Atlantic, Inc. and commissioned artists’ projects by Pittsburgh Center for the Arts Riverdale, MD $15,000 local, emerging, and under-recognized Httsburgh, PA $5,000 To support a working facility for hand visual artists. [92-4121-0118] To support exhibitions and installa­ papermaking, printmaking, and the tions of regional, national, and interna­ book arts. [92-4121-0006] Sculpture Center, Inc. tional visual artists. [92-4121-0101 ] New York, NY $5,000 Randolph Street Gallery, Inc. To support exhibitions, installations, Print Club Chicago, IL $50,000 residencies, and a slide registry. Philadelphia, PA $5,000 To support visual arts exhibitions, in­ [92-4121-0102] To support exhibitions, artist and critic terdisciplinary performance and media residencies, public programs, and ser­ art presentations, installations, tem­ Second Street Gallery, inc. vices to visual artists. [92-4121-0091] porary public art projects, and related Charlottesville, VA $5,000 activities. [92-4121-0031] To support visual arts exhibitions, resi­ ~ Printed Matter, Inc. dencies, and related educational pro­ New York, NY $27,500 Real Art Ways, inc. gramming. [92-4121-0007] To support the distribution of visual Hartford, CT $20,000 artists’ publications, and related ser­ To support visual arts exhibitions, Self-Help Graphics and Ads, Inc. vices. [92-4121-0019] installations, and related activities. Los Angeles, CA $17,500 [92-4121-0026] To support collaborative printmaking Pro Arts residencies for culturally diverse Oakland, CA $7,500 artists at different career levels. To support visual arts exhibitions and [92-4121-0128] related activities. [92-4121-0027]

~.6± National Endowment for the Arts Visual Arts

Sheboygan Arts FoundaUon, Inc. ~r Surface Design Association White Columns, Inc. (Kohler Arts Center) San Francisco, CA $5,000 New York, IVY $22,500 Sheboygan, WI $25,000 To support planning for a national To support visual arts exhibitions and To support thematic group and solo conference in 1993 for visual artists related programs. [92-4121-0096] exhibitions, related documentation working in textile art and design. and residencies, and access to working [92-4121-0080] Women’s Studio Workshop, Inc. facilities. [92-4121-0125] Rosendale, NY $7,500 Sushi, Inc. To support a working facility for print- Snug Harbor Cultural Center, Inc. San Diego, CA $10,000 making, handmade paper, and the Staten Island, NY $7,500 To support visual arts exhibitions, per­ book arts; the publication of a news­ To support visual arts exhibitions and formances, installations, and forums. letter and catalogues; and exhibitions related programs, including catalogues, [92-4121-0095] of work by emerging and established at the Newhouse Center for women and minority artists. Contemporary Art. [92-4121-0074] Urban Institute for Contemporary Arts [92-4121-0070] Grand Rapids, MI $7,500 ~r Society for Photographic EducaUon, Inc. To support visual arts exhibitions, in­ Zone, Inc. Dallas, TX $15,000 stallations, lectures, newsletters, and Springfield, MA $6,000 To support conferences, publications, residencies. [92-4121-0023] To support a series of visual arts and services. [92-4121-0066] exhibitions, film/video screenings, Visual Iris Centor of llask~ public art programs, and performances. ~r Society of North American Goldsmiths Anchorage, AK $5,000 [92-4121-0030] Tampa, FL $5,000 To support a residency program, exhi­ To support an annual conference bitions, educational programming, and and a regional workshop program for an annual outdoor sculpture festival. ART IN PUBLIC PLACES visual artists working in metal. [92-4121-0077] [92-4121-0122] To enable city and state governments, Visual Studies Workshop, Inc. educational institutions, and other or­ Space One Eleven, Inc. Rochester, iVY $35,000 ganizations to commission works of art Birmingham, AL $7,500 To support an artists’ press program, as permanent features of such sites as To support a series of thematic exhibi­ exhibitions, lectures, workshops, parks, plazas, waterfronts, airports, sub­ tions of local and regional emerging residencies, and related services. ways and public buildings. Also funded and under-recognized visual artists. [92-4121-0058] are short-term installations of experi­ [92-4121-0012] mental works that demonstrate further Washington Project for the Arts, Inc. potential for art in public places. Spaces Washington, DC $40,000 Cleveland, OH $20,000 To support a series of visual arts 14 grants To support visual arts exhibitions, per­ exhibitions, publications, public pro­ Program Funds: $225,000 formances, video screenings, and public grams, and an artists’ bookstore. forums. [92-4121-0054] [92-4121-0015] American Center for Students and Artists New York, IVY $5,000 Storef~ont for Art and Architecture, Inc. Wheaton Historical Association To support commissions to American New York, NY $15,000 (Creative Glass Center of America) visual artists for billboard or poster im­ To support visual arts exhibitions, Millville, NJ $8,000 ages in the New York and Paris subway installations, and related activities. To support a working facility for glass systems. [92-4141-0161] [92-4121-0087] artists. [92-4121-0063]

1992Annual Report :Z63 Visual Arts

Art Awareness, Inc. Gateway Economic Development Sculpture Chicago, Inc. Lexington, NY $10,000 Corp. of Greater Cleveland Chicago, IL $20,000 To support commissions for temporary Cleveland, OH $27,500 To support commissions for a series works by visual artists James Luna and To support commissions for visual of temporary public art installations at Buster Simpson at the art center site. artists to create site-specific works in various locations in Chicago, symposia, [92-4141-0156] the public areas around Cleveland’s and a documentary catalogue. new sports complex. Reviewed by: Reviewed by: Mathieu Gregoire, San Arts Festival Association of Atlanta, Inc. Mathieu Gregoire, San Diego, CA; Diego, CA; Andrew Leicester, Atlanta, GA $10,000 Andrew Leicester, Minneapolis, MN; Minneapolis, MN; Pallas Lombardi, To support commissions to visual Pallas Lombardi, Cambridge, MA; Cambridge, MA; Mary Miss, New artists R.M. Fischer, Marilyn Gottlieb- Mary Miss, New York, NY; Emily York, NY; Emily Pulitzer, St. Louis, Roberts, Antoni Miralda, and Fred Pulitzer, St. Louis, MO. MO. [92-4141-0150] Wilson for site-specific works in [92-4141-0152] Atlanta’s Piedmont Park for the Southwestern Native American 1993 Arts Festival of Atlanta. Headlands Center for the Arts Art Foundation [92-4141-0155] Sausalito, CA $32,500 Albuquerque, NM $20,000 To support the design and implemen­ To support a commission to visual Beloit 2000 Development Corp. tation phases of a collaborative project artists Alex and Kenneth Seowtewa, for Beloit, WI $5,000 for the re-landscaping of land around the final phase of their Zuni kachina To support the participation of visual the center’s primary buildings in murals project on the walls of a re­ artist Siah Armajani with other pro­ Golden Gate National Recreation stored 17th-century mission in Zuni, fessionals in the early planning phase Area. [92-4141-0157] New Mexico. [92-4141-0160] for a public park and pedestrian bridge at an abandoned coal yard and Natural Heritage Trust (Artpark) Stuart Foundation railroad bridge on the Rock River. Lewiston, NY $10,000 La Jolla, CA $12,500 [92-4141-0162] To support the planning phase for To support a commission for visual visual artist Suzanne Lacy’s public par­ artist Maria Nordman to create a per­ Carnegie Institute ticipation project "Auto: On the Edge manent work on the campus of the (Three Rivers Arts Festival) of Time." [92-4141-0158] University of California/San Diego. Pittsburgh, PA $12,500 [92-4141-0159] To support temporary site-specific Rensselaer Polytechnic Institute works, with accompanying catalogue, Troy, NY $30,000 by visual artists Mel Chin, Edgar To support a series of permanent and VISUAL ARTISTS FORUMS Heap-of-Birds, Mierle Ukeles, and temporary installations by visual artist Chris MacDonald at Point State Park Branda Miller, architect Frances To enable artists and other visual arts for the 1992 festival. [92-4141-0153] Bronet, and dancer Sandra Burton at professionals to communicate with selected sites in Troy. [92-4141-0151] peers and the public about visual arts Detroit Focus ideas and issues or to pursue projects Detroit, MI $20,000 Salem Partnership that create and present new work in a To commission visual artists to print Salem, MA $10,000 context that stimulates discussion and display their designs for temporary To support the implementation of a about contemporary art. Grants sup­ billboards focusing upon an anti-drug collaborative design by visual artist port visiting artist programs, confer­ theme near selected neighborhood Maggie Smith and architect James ences and symposia, and publications school sites in Detroit. [92-4141-0154] Cutler for a memorial to those who that contribute to the national dialogue were persecuted and executed during on contemporary art. the 1692 Salem witch trials. [92-4141-0149] 45 grants Program Funds: $375,500

264 National Endowment for the Arts Visual Arts

~r MLII~L ~ Astro Ar~ ¢r Daniel Clark Foundation Phoenix, AZ $7,500 Santa Monica, CA $15,000 Goffltown, NH $5,000 To support a biannual conference that To support publication of the quarterly To support publication of Studio will address the role of contemporary journal High Performance. Visual Artists Potter, a biannual journal dedicated to Native American visual art in relation Organizations panel. [92-4142-0141] meaningful discourse for the functional to traditional Native American society. potter. Visual Artists Organizations Art in Public Places/Visual Artists Atlanta Art Papers, Inc. panel. [92-4142-0139] Forums panel. [92-4142-0173] Atlanta, GA $20,000 To support publication of Art Papers, a Fabric Workshop, Inc. Alfred University bimonthly journal that focuses on con­ Philadelphia, PA $10,000 A1)qed, NY $5,000 temporary visual art activity in the To support visual artists’ residencies re­ To support a visiting artist series enti­ Southeast. Visual Artists Organizations sulting in site-speclflc installations at tled "The Body As Site," consisting of a panel. [92-4142-0145] the Institute of Contemporary Art at public lecture and artists’ presentations. the University of Pennsylvania, Tyler Art in Public Places/Visual Artists ~- California Institute of the Arts School of Art at Temple University, Forums panel. [92-4142-0166] Valencia, CA $6,000 and Moore College of Art. Art in To support publication ofRealLife, a Public Places/Visual Artists Forums Nternative Worksite, Inc. biannual journal focusing on contem­ panel. [92-4142-0171] Omaha, NE $5,000 porary visual art, the influence of the To support residencies for visual artists media, and the role of the artist in soci­ ~ Forecast Nigel Rolfe and Terry Allen. Art in ety. Visual Artists Organizations panel. Minneapolis, MN $5,000 Public Places/Visual Artists Forums [92-4142-0147] To support the publication of Public panel. [92-4142-0174] Art Review, a semiannual journal which Center for Arts Criticism focuses on public art issues and projects Am~ory Center for the ~ St. Paul, MN $5,000 across the nation. Visual Artists Pasadena, CA $5,000 To support a public forum entitled Organizations panel. [92-4142-0144] To support residencies for visual artists Arts for Community Change. Art in to create new work and present work­ Public Places/Visual Artists Forums Foundation for Advanced shops in underserved communities. Art panel. [92-4142-0184] Critical Studies, Inc. in Public Places/Visual Artists Forums West Hollywood, CA $6,000 panel. [92-4142-0178] ~ College Art Association of America, Inc. To support publication of Art Issues, a New York, NY $7,500 bimonthly journal dedicated to the ~ in General, Inc. To support the Studio Art Program of study of contemporary American cul­ New York, NY $15,000 the 1993 College Art Association an­ ture and the visual arts. Visual Artists To support the creation and distribu­ nual conference to be held in Seattle. Organizations panel. [92-4142-0132] tion of a quarterly poster project by Art in Public Places/Visual Artists Guerilla Girls, an artist collective that Forums panel. [92-4142-0181] Houston Center for Photography advocates for unrecognized artists. Art Houston, TX $8,000 in Public Places/Visual Artists Forums Contemporary Art for San Antonio To support the publication of Spot, panel. [92-4142-0169] San Antonio, TX $5,000 a triannual journal of photography To support a week-long series of and related media. Visual Artists Al’t~, inc. round-table discussions about the ori­ Organizations panel. [92-4142-0137] Winston-Salem, NC $5,000 gins and development of contemporary To support publication ofArtvu, a art by critic Henry Hopkins, curator regional art journal serving the south­ Walter Hopps, and visual artists Ed eastern United States. Visual Artists Kienholz and Nancy Kienholz, at the Organizations panel. [92-4142-0143] Blue Star Art Space. Art in Public Places/Visual Artists Forums panel. [92-4142-0172]

x992 Annual Report ±65 Visual Arts

Los Angeles Center for ¢r New Ar~ Publications, Inc. media. Visual Artists Organizations Photographic Studies New York, NY $6,000 panel. [92-4142-0131] Los Angeles, CA $12,000 To support visual arts coverage in the To support publication of Frame- quarterly publication Bomb. Visual Pyramid Atlantic, Inc. Work, a triannual critical journal in Artists Organizations panel. Riverdale, MD $10,000 photography. Visual Artists [92-4142-0138] To support artists’ residencies that Organizations panel. [92-4142-0135] result in the creation and presentation New Mexico State University of new works in the book arts. Art in Maryland Art Place, Inc. Main Campus Public Places/Visual Artists Forums Baltimore, MD $7,500 Las Cruces, NM $5,000 panel. [92-4142-0188] To support a critics’ residency program To support a year-long symposium en­ designed to serve regional artists’ and titled "Marginalization and Culture" Rensselaer Polytechnic Institute writers’ need for an art-informed public which will address the dynamics of cul­ Troy, NY $10,000 and a critical working environment. tural power. Art in Public Places/Visual To support a visiting artist series de­ Art in Public Places/Visual Artists Artists Forums panel. [92-4142-0183] signed to expand the traditional con­ Forums panel. [92-4142-0185] cept of the public forum through a ~ New Observations, Ltd. satellite broadcast. Art in Public Mexican Museum New York, NY $10,000 Places/Visual Artists Forums panel. San Francisco, CA $10,000 To support publication of New [92-4142-0182] To support a symposium related to the Observations, an artist-run journal pre­ exhibition, "The Chicano Codices: senting the work and ideas of contem­ Rober~ W. Woodruff Arts Center, Inc. Encountering Art of the Americas," porary artists and art writers. Visual (Atlanta College of Art) which will address artistic transforma­ Artists Organizations panel. Atlanta, GA $10,000 tion and synthesis in the Chicano, [92-4142-0136] To support public lecture programs African American, and Native which will investigate the visual arts American cultures. Art in Public Number, Inc. from crosscultural points of view. Art Places/Visual Artists Forums panel. Memphis, TN $8,000 in Public Places/Visual Artists Forums [92-4142-0168] To support the publication of Number, panel. [92-4142-0186] a quarterly journal of critical writing Midmarch Associates, Inc. and artists’ work serving the Mid- Rutgers, The State (Artists Talk on Art) South. Visual Artists Organizations University of New Jersey New York, NY $5,000 panel. [92-4142-0133] Piscataway, NJ $10,000 To support a series of discussions by vi­ To support residencies for artists sual artists, critics, and curators who ¢r October Magazine, Ltd. from the Russian Union of Art represent diverse aesthetic and cultural New York, IVY $10,000 Photographers at Rutgers University. voices within the art community. Art To support publication of October, a Art in Public Places/Visual Artists in Public Places/Visual Artists Forums quarterly journal presenting critical Forums panel. [92-4142-0170] panel. [92-4142-0176] essays, interviews, reviews, and trans­ lations of articles about the theory Santa Fe Council for the Arts, Inc. Montana State Universi~ and practice of contemporary art. Santa Fe, NM $7,500 Bozeman, MT $5,000 Visual Artists Organizations panel. To support the creation of site-specific To support a visiting artist series joindy [92-4142-0130] installations by visiting visual artists sponsored by the art departments of Edgar Heap-of-Birds and Jenny Montana State University, Eastern Photographic Resource Center, Inc. Holzer. Art in Public Places/Visual Montana College, and the University Boston, MA $8,000 Artists Forums panel. [92-4142-0179] of Montana. Art in Public To support publication of Views, a tri­ Places/Visual Artists Forums panel. annual journal based in New England [92-4142-0167] which addresses a broad range of issues pertaining to photography and related

±66 National Endowment for the Arts Visual Arts

~" Segue Foundation, Inc. ¢r Visual AIDS for the Arts, Inc. Xelfer Nezo York, NY $6,000 New York, NY $22,500 Seattle, WA $7,500 To support publication of To support "The Electric Blanket," a To support publication of Reflex M/E/A/N/I/N/G, a biannual artist-run public artwork featuring the work of Magazine, a bimonthly journal cover­ publication that addresses a broad more than 100 photographers. Art in ing contemporary visual arts activity range of issues of concern to visual Public Places/Visual Artists Forums in the Northwest. Visual Artists artists. Visual Artists Organizations pand. [92-4142-0163] Organizations panel. [92-4142-0146] panel. [92-4142-0140] Visual Ar~s Information Service Southwest Texas State University St. Paul, MN $10,000 San Marcos, TX $7,500 To support publication ofArtpaper, a SPECIAL PROJECTS To support a regional ceramics sympo­ monthly journal focusing on visual sium entitled Texas Clay II, planned in arts activity in the Upper Midwest. To support a limited number of model conjunction with Year of American Visual Artists Organizations panel. projects that assist artists in innovative Craft, a nationwide celebration sched­ [92-4142-0134] ways and are not eligible under the tiled for 1993. Art in Public other categories. Places/Visual Artists Forums panel. ¢r Visual Studies Workshop, Inc. [92-4142-0187] Rochester, NY $18,000 10 grants To support publication of critical, the­ Program Funds: $223,125 University of Colorado, Regents of the oretical, and scholarly writing about Boulder, CO $5,000 photography and independent visual ~" Nliance for the Arts, Inc. To support a visiting artists program arts publishing in the journal New York, NY $10,000 during the 1992-93 academic year. Art Afterimage. Visual Artists Organiza­ To support the reprinting and distribu­ in Public Places/Visual Artists Forums tions panel. [92-4142-0142] tion of publications which focus on the panel. [92-4142-0177] estate planning needs of artists with Visual Studies Workshop, Inc. MDS. [92-4170-0263] University of Florida Rochester, NY $5,000 Gainesville, FL $5,000 To support artists’ book residencies for American Center for Students and Artists To support a visiting artist lecture the creation and presentation of new New York, IVY $27,500 series entitled "Working Together: work. Art in Public Places/Visual To support expenses for American vi­ Group and Collaborative Art," which Artists Forums panel. [92-4142-0175] sual artists participating in the United will examine the collective creative States/France International Exchange process. Art in Public Places/Visual Weber State University Fellowship Program. [92-4170-0266] Artists Forums panel. [92-4142-0164] Ogden, UT $5,000 To support a visiting artist lecture se­ Exploratorium University of Texas at [] Paso ries entitled "Issues in Contemporary San Francisco, CA $13,325 EI Paso, TX $10,000 Art," which will explore a variety of To support expenses for visual artists To support a national conference on approaches to the theory and practice to participate in Rising Above Our the Latino Mural Movement, with an of contemporary art. Art in Public Garbage, a conference that will focus emphasis on the murals of El Paso. Art Places/Visual Artists Forums panel. on artistic responses to issues about in Public Places/Visual Artists Forums [92-4142-0165] solid waste management. panel. [92-4142-0180] [92-4170-0267] ~r White Walls, Inc. Chicago, IL $5,000 Institute of Contemporary Art, Boston To support publication of Whitewalls, Boston, MA $18,000* a triannual publication that provides a [92-3052-0047] forum for visual artists who use lan­ *See International chapter. guage in their work. Visual Artists Organizations panel. [92-4142-0129]

1992 Annual Report ±67 Visual Arts

La Napoule Art Foundation Kyong Park New York, NY $27,500 Panels Architect; Sculptor; Director To support expenses for American vi­ Storefront for Art and Architecture sual artists participating in the United ART IN PUBLIC PLACES/ New York, NY States/France International Exchange VISUAL ARTISTS FORUMS Fellowship Program. [92-4170-0261] Deborah Whitehurst Deborah Bright Executive Director Lane Arts Council Visual Artist (photography); Phoenix Arts Commission Eugene, OR $30,000 Critic; Faculty Phoenix, AZ To support Visual Arts Resources, a Rhode Island School of Design Mel ~egler traveling exhibitions program, during Providence, 171 its transition to an independent non­ Visual Artist (sculpture) profit organization. Art in Public Kathleen Coakley New York, NY Places/Visual Artists Forums panel. Director [92-4170-0189] Committee for Public Art CRAFTS FELLOWSHIPS Extraordinary Action Grant. Cleveland Heights, OH William Daley ~r Names Project Foundation Jeremy Gilbort-Rolfe Visual Artist (ceramics); San Francisco, CA $15,000 Visual Artist (painting); Art Writer; Professor Emeritus To support a long-range planning Graduate Advisor University of the Arts process for the preservation of the AIDS Art Center College of Design/Pasadena Elkins Park, PA Memorial Quilt, a major work of con­ Pasadena, CA temporary public art that represents the Glen Kaufman artistic expressions of thousands of Catherine Howett Visual Artist (fiber); Faculty panel makers. [92-4170-0268] Landscape Architect; Professor, University of Georgia School of Environmental Design Athens, GA NaUonal FoundaUon for University of Georgia Advancement in the ArLs, Inc. Athens, GA Thomas Loeser Miami, FL $30,000 Visual Artist (wood); Faculty To support a residency program in Ma~/Jane Jacob University of Wisconsin Miami for visual artists from across the Independent curator and consultant Madison, WI country. [92-4170-0265] Chicago, 1L Hiroko Sato-Pijanowski National Institute of Art and Disabilities Luis Jimenez Jr. Visual Artist (metal); Faculty Richmond, CA $4,300 Visual Artist (sculpture); Faculty University of Michigan School of Art To support a two-day conference University of Arizona/Tucson Ann Arbor, MI on art and disabilities issues in Hondo, NM Richmond, California in May 1993. Judith Schaechter [92-4170-0262] Raymond Learsy (layperson) Visual Artist (glass) President Philadelphia, PA Seattle Arts Commission Agricultural and Industrial Corp. Seattle, WA $47,500 Sharon, CT Davira Taragin To support Public Art Seattle, an Curator of 19th & 20th Century Glass innovative public education feature Kay Miller Toledo Museum of Art of the city’s public art program. Visual Artist (painting); Faculty Toledo, OH [92-4170-0264] University of Colorado Boulder, CO Laila Twigg-Smith {layperson) Collector/Patron Honolulu, HI

2,68 National Endowment for the Arts Visual Arts

PHOTOGRAPHY FELLOWSHIPS Jacqueline Crist Denito Huerta Director, Visual Arts Program Visual Artist (painting) Jim Casebere Idaho Commission on the Arts Houston, TX Visual Artist (photography/sculpture); Boise, ID Faculty Michiko Itatani Rockland Community College Joseph Deal (chair) Visual Artist (painting); New York, NY Visual Artist (photography); Dean, Faculty, School of Fine Arts School of the Art Institute/Chicago Robert Dawson Washington University Chicago, IL Visual Artist (photography); Faculty St. Louis, MO City College of San Francisco Stuart Kestenbaum San Francisco, CA Annette Lemieux Visual Artist (crafts); Poet; Director Visual Artist (painting) Haystack Mountain School of Crafts Barbara Hitchcock (layperson) Brookline, MA Deer Isle, ME Group Manager, Professional Imaging Polaroid Corporation Tom Nakashima Jan Brooks Loyd Cambridge, MA Visual Artist (painting); Professor Visual Artist (crafts); Educator; Catholic University of America Arts Consultant Maria Martinez-Canas Washington, DC Newell, NC Visual Artist (photography) Miami, FL VISUAL ARTISTS’ ORGANIZATIONS Renny Pritildn (chair) Writer; Visual Arts Director Ray Metzker Patricio Chavez Yerba Buena Center for the Arts Visual Artist (photography) Visual Artist (photography); Interim San Francisco, CA Philadelphia, PA Director, Curator Centro Cultural de la Raza Judith Tannenbaum Lorna Simpson San Diego, CA Associate Director/Curator Visual Artist (photography) Institute of Contemporary Art, Brooklyn, NY David Corey (layperson) University of Pennsylvania Assistant Professor of Liberal Studies Philadelphia, PA David Travis Brooklyn College/ Curator of Photography City University of New York David Trend Art Institute of Chicago Brooklyn, NY Editor; Arts Writer; Research Associate Chicago, IL Center for Cultural Studies, Sylvia De Swaan Miami University/Ohio SPECIAL PROJECTS Visual Artist (photography); Director Miami, OH Sculpture Space David Corey (layperson) Utica, NY Pat Ward Williams Assistant Professor of Liberal Studies Visual Artist (photography/ Brooklyn College/City University of David Hickey installation); Faculty New York Visiting Critic University of Califomia/Irvine Brooklyn, NY University of Nevada/Las Vegas Santa Monica, CA Las Vegas, NV

x99z Annual Report ±69 Challenge

40 grants; 1 cooperative agreement Total Funds: $17,914,574 Challenge Funds: $17,644,610" Program Funds: $ 269,964 The Challenge IIl Program stimulates support for projects of the also have a wide cultural impact. For example, Cooper highest quali~y that move the nation forward in achieving excel­ Union plans to educate a new multi-ethnic generation of lence in the arts, improving access to the arts or augmenting ap­ artists in an expanded School of the Arts by recruiting mi­ preciation of the arts. Since most cultural organizations must de­ nority students nationally. The Joyce Theater will offer a vote available resources to operations, there is a critical need for New York City venue to many small dance companies from "venture capital" to underwrite bold projects. The Challenge III across the nation, through its new Summer Dance Program Program, initiated in 1989, has provided such capital and en­ and annual festival showcase. Film/Video Arts will offer paid abled institutions in each field served by the Endowment to un­ residencies to distinguished media artists from all parts of the dertake new strategies for implementing artistic programming. country. Some grantees have projects that are both national and HALLENGE III APPLICATIONS ARE REVIEWED international in scope. A grant to Dancing in the Streets, a on the basis of the quality and potential long- national group that sponsors performances in public space C term impact of the proposed project, as well as for audiences in many cities, will initiate an international on the ability of the applicant to carry it out commissioning fund. Another grant will enable the and raise the required matching funds. Grants range in size American Academy in Rome to offer fellowships to from $50,000 to $1 million and must be matched at least American citizens for the study of historic preservation and three-to-one with new or conservation in Rome. increased contributions or Other grants reflect the appropriations. great diversity of ideas and This year 40 projects re ...... ~ plans developed by arts orga­ ceived Challenge Grant sup­ nizations in different parts of port. Grants included funding ~ the country. Some examples: Alaska Public Radio’s plan to ~ ¯ Crossroads Theatre expand programming and ~o Company in New Brunswick, broadcast training for Native ~~ New Jersey will initiate a Americans and the Des ~ model program to offer na­ Moines Metro Opera’s plans ~ tionally significant black the­ for educational touring to un­ ater artists honoraria a~nd an derserved communities in the artistic home to serve as a cre- Midwest. A Challenge Grant helped the Actor’s Theatre ative laboratory. The New York City Opera expand its Louisville facility. ¯ The Center for received the only $1 million Contemporary Arts in Santa Challenge Grant awarded in FY ’92. This will be used to Fe, New Mexico will support arts programming for the Teen perform thirteen 20th-century American operas and pre­ Project, possibly the first facility in the United States created miere three newly-commissioned operas. It will also establish by an arts institution exclusively for teenagers. a fund to commission new American operas as well as ¯ The Chicago Educational Television smaller-scale works by American composers for use in school Association/WTTW will create new works for national tele­ and community settings. vision in collaboration with American artists who are highly Other grants to arts organizations based in New York will talented in other media. ¯ Two grants to dance organizations focus on two *This figure includes: $12,834,000 in funds awarded in FY ’92, American choreographers -- Paul Taylor and Meredith $4,122,054 in unobligated commiwnents which will appear in subse­ Monk-- by recreating and restoring the works of the quent an nual reports as the funds are obligated, and $4,810,610 in former and allowing the latter to create large-scale FY ’92funds obligated to previous year grants. interdisciplinary works.

1,70 National Endowment for the Arts Narrators Ruby Dee and Carl Lumbly speak to Khali Kain in The Disappearance. Ms. Dee’s adaptation of the novel by Rosa Guy premiered at Crossroads Theatre, a New Jersey grantee.

~99zAnnual Report ~/,71 Challenge

tools they need to succeed through pro­ ment, job creation, unrestricted income Grants gressive career development and ad­ generation, diversified funding, and re­ vancement, thus providing a vital artistic duction of grant dependency. The pro­ Indicates grants having national impact. link between various cultures and com­ ject includes an intensive three-week munities. A strong Native American seminar, community economic devel­ CHALLENGE III presence in the media will ensure diver­ opment planning, mentor relationships, sity and enhancement of the artistic and a Community Economic Federal funds may be obligated at any quality of programming for and about Development Trust from which earn­ time during a multiyear Challenge Native Americans. No funds were oblig­ ings will be used for investments in, grant. Unless otherwise indicated, the ated during FY ’92. [92-4622-0001] loan guarantees for, and seed grants to following funds were obligated in projects developed as a part of FY ’92. ~ American Academy in Rome Leadership 2000. $116,500 was obli­ New York, NY $200,000 gated during FY ’92. [92-4622-0009] letore Theatre of Louisville, Inc. To offer two annual fellowships in his­ Louisville, KY $450,000 toric preservation and conservation, ~ Association of Professional Vocal To design and construct a new theater which will address the urgent need Ensembles (Chorus America) space that will enhance Actors Theatre’s among American preservationists for Philadelphia, PA $100,000 ability to serve American playwrights continuing education -- to refine phi­ To broaden public access to quality and audiences. The new space will seat losophy, compare techniques and di­ choral music performances through the up to 320 patrons in arena, thrust, end- recdy observe long-term preservation in establishment of the Chorus America stage and cabaret configurations, and is Rome, Italy. The six-month, multidisci­ National Choral Music Awareness designed with full technical support. plinary awards will provide exposure to Program. The program includes the The creative range of the playwrights a broad range of artistic specialties production of a continuing series of and artists at Actors Theatre, which has which may include: conservation of radio programs highlighting outstand­ previously been limited by its physical painting, sculpture, works on paper, ing choral music performance by excep­ facilities, will be expanded. This new textiles, furniture, musical instruments, tional, often unknown, American artistic range is a primary focus of Actors manuscripts and rare books; and preser­ choral ensembles. These broadcasts will Theatre’s New Play Program which has vation of sites, both large and small, be preceded by nationally released, pro­ contributed over 150 new plays by such as gardens, parks, buildings, his­ fessionally produced Public Service American writers to the American torical buildings and cities. Fellows will Announcements (both radio and televi­ theater in the past fifteen years. be provided with a stipend, round-trip sion) which will advertise not only the [92-4622-0002] airfare, and room and board at the Broadcast Series, but also promote local Academy’s eleven-acre campus. concerts by Chorus America member Alaska Public Radio Network [92-4622-0041] choruses. In addition, a summer man­ Anchorage, AK $150,000 agement training school will be estab­ To introduce Alaskan natives and ~. Association of American Cultures, Inc. lished, under the auspices of an accred­ Native Americans to public broadcast­ Washington, DC $475,000 ited institute of higher education ing, and to provide flexible, comprehen­ To support Leadership 2000, a pro­ offering a degree in arts management, sive training at native-controlled public gram designed to train leaders and po­ to address the unique administrative radio stations, and at the Native tential leaders for ethnic and multicul­ needs of emerging and established inde­ Broadcast Center for natives currendy tural arts organizations in community pendent choral organizations. working in the field. The project will in­ economic development. The program’s [92-4622-0029] crease opportunities for Native goal is to produce a cadre of arts pro­ American cultural expression through­ fessionals who will, through their in­ out the broadcast media. The Center formed leadership, move their respec­ will provide native professionals in pub­ tive organizations and the communities lic broadcasting with the knowledge and in which they serve toward increased cultural and financial interdependency. Emphases are on creative asset develop­

~,7:~ National Endowment for theArts Challenge

~r Ballet Hispanico of New York American choreographers including 20 cases of national impact and 50 cases New York, NY $450,000 Twyla Tharp, Bill T. Jones, and Bebe which involve local arts disputes. CLA’s To support the development of a tu­ Miller during the On the Edge Festival, purpose is to provide a bridge between ition-free six-week summer institute a major retrospective of contemporary the arts and legal communities so that and a certificate-granting professional American dance to be offered in the artists and arts organizations may gain a conservatory which will offer instruc­ spring of 1992. [92-4622-0022] greater understanding of legal issues and tion in Spanish, ballet and modern become more self-sufficient. Although dance for advanced-level students -­ ~, Boston Dance Umbrella CLA strives to assist artists and arts or­ a practice unique among dance training Cambridge, MA $350,000 ganizations in finding affordable legal institutions. These two initiatives will To undertake its Dance Company in services in arts-related matters, its pri­ offer significant new opportunities for Residence Program. For the first three mary mission focuses on helping artists young Hispanic Americans who aspire years the Program will feature a six-week prevent legal problems through educa­ to careers in dance, and provide the na­ residency of the Mark Morris Dance tion and self-help. $31,487 was obli­ tion’s leading companies and schools Group. In subsequent years other dance gated in FY ’92. [92-4622-0013] with the first generation of Hispanic companies will be offered similar oppor­ American dancers, choreographers and tunities. The Residence Program em­ Center for Contemporary educators. To the American dance com­ bodies three interwoven program com­ Arts of Santa Fe, Inc. munity, these programs will bring an ponents: 1) the creation of a new work Santa Fe, NM $140,000 infusion of Hispanic culture which will and a two-week performance run by the To support programming for the Teen significandy impact the dance field. resident company; 2) a teaching institute Project, the first facility in the United $325,350 was obligated in FY ’92. for the professional training and develop­ States created by an arts institution [92-4622-0011] ment of the resident company and local, exclusively for teenagers. The Teen national and international artists; and 3) Project will provide arts programming ~r Boston Ballet~ Inc. education and outreach activities which that will serve Sante Fe’s 6,300 ethni­ Boston, MA $500,000 fully integrate the resident company with cally and culturally diverse teenagers in To implement two major initiatives the community. Boston Dance all the contemporary arts including vi­ designed to build new audiences Umbrella is a year-round presenter of sual, media, performing, and literary. through community outreach, and to contemporary dance that actively com­ Internships, seminars, workshops, ap­ enhance the appreciation of present missions new work, and provides educa­ prenticeships and part-time jobs pro­ audiences through repertory enrich­ tional programs to the public and ser­ vide teens opportunities for creativity ment. Boston Ballet, in a consortium vices to the dance community. and self-expression. Teens from each effort with the Boston Ballet Center for [92-4622-0039] school have helped design the facility Dance Education, will establish and programming. The new facility will CityDance, a model program which ~r California Lawlcers for the Arts, Inc. feature a video care and 6,000 square- will increase inner-city and minority San Francisco, CA $100,000 feet of support and art space, including youth participation in dance, while in­ To implement a national mediation a performance sound stage and a visual tegrating arts education in the public network to provide alternative dispute arts gallery. [92-4622-0020] school system; expand the Greater resolution services for artists and arts or­ Boston Community Dance Program, ganizatious, California Lawyers for the a dance survey course in inner-city Arts (CLA) will work with staff from schools; and develop curricula to arts and law organizations in Houston, enhance appreciation of ballet perfor­ Seattle, and the District of Columbia. mances offered through the Youth The project components include train­ Performance Series at reduced prices. ing for mediation volunteers, outreach The repertory enrichment program to the field for case referrals, and collab­ adds the works of contemporary orative case management. The project’s goal is to provide services to at least

x992 Annual Report Challenge

~, Center for Puppetry Arts, Inc. organizations. Chamber Music outreach program, an expanded na­ Atlanta, GA $200,000 America offers a broad range of techni­ tional search, support services for eco­ To support the nation’s most compre­ cal assistance, training and workshop nomically disadvantaged students, and hensive exhibition On puppetry, services, and grants programs to its new facilities consisting of a new audi­ "Puppets: The Power of Wonder." The 3,400 members, including 545 cham­ torium and a Fine Art Center for pho­ Center for Puppetry Arts (CPA) will ber music ensembles. Its membership tography, film and video. $56,000 was transform its 4,000 square foot museum also includes concert presenters, music obligated in FY ’92. [92-4622-0021] into a dynamic, interactive puppetry dis­ businesses, interested amateurs, train­ play of international significance. An ac­ ing programs and individual musicians. ~- Crossroads, Inc. companying, full-color catalog will doc­ [92-4622-0024] (Crossroads Theatre Company) ument the Center’s multi-ethnic collec­ New Brunswick, NJ $500,000 tion, and will be an important historical ~r Chicago EducaUonal Television To institute its Associate Artists document for the puppetry community. Association/W/TW Program. This model program will Puppetry exists in almost every culture, Chicago, 1L $485,000 provide nationally significant black the­ combining painting, sculpture, music To create new works for national tele­ ater artists an honorarium and home and theater. CPA is the only museum in vision in a collaborative enterprise with which they can use as a laboratory for the United States dedicated solely to the some of America’s most talented artists. their most creative ideas, especially puppetry arts. Its collection and pro­ The project, Expressly for Television, those that represent a departure from grams serve as a national resource for the will allow artists who have been suc­ the discipline or genre with which they field through its commitment to ex­ cessful in one medium to produce are normally associated. Projects of the hibiting and collecting puppets, contex­ work specifically for the television selected artists will be given significant tual materials, and documentation on medium. WTTW will commission support in the conception, commis­ the diverse cultural, historic and artistic nine programs, three for each of three sion, development, collaboration, traditions of the art form. The Center years, for premiere on national and workshop and production phases. The intends to promote a national and inter­ local public television. The selected Associate Artists Program will be fur­ national appreciation and awareness of works will best employ the particular ther supported by a series of forums de­ puppetry, as well as foster artistic characteristics of television to commu­ signed to bring the artists together for excellence in the field. No funds were nicate an artistic message. WTTW creative think tank sessions. These will obligated in FY ’92. [92-4622-0015] anticipates that at least half of the com­ be regional, national, and international missions will go to women, minorities in scope. Crossroads Theatre Company ~, Chamber Music America, Inc. and the physically disabled. The series is a non-profit professional company New York, NY $250,000 will bring programming that is new dedicated to developing new works and To initiate a Presenter Development and fresh to public television audi­ presenting positive images of African Project for small chamber music soci­ ences, and help expand the range of the American life for audiences of all back­ eties that consists of three components: television medium. $289,554 was ob­ grounds. $374,827 was obligated in 1) a Presenter Professionalism Program ligated in FY ’92. [92-4622-0008] FY ’92. [92-4622-0040] that supports administrative develop­ ment among volunteer-run chamber ~ Cooper Union for the Dancing in the Streets, Inc. music societies; 2) a Community Advancement of Science and Art New York, NY $90,000 Residency Outreach Program that en­ New York, NY $250,000 To support the creation and adminis­ courages the development of presenter- To educate a new generation of multi- tration of OnSITE: An International sponsored, short-term chamber music ethnic artists through the national re­ Commissioning Fund for Site-Specific residencies; and 3) a Presenter’s Cham­ cruitment of minority students, and by Performances. A two-phased project, ber Music Seminar that promotes an expanding its School of.Arts facilities. OnSITE will offer commissions for new appreciation of chamber music among Planned innovations will aid in the re­ leaders of multidisciplinary presenting cruitment, retention, and realization of talent through an enriched community

~,74 National Endowment for theArts Challenge

performing arts projects created specifi­ MultiWorks, District Curators will plishment and cultural diversity of in­ cally for public spaces and unconven­ bring together artists from diverse back­ dependent media arts production. tional performance environments. The grounds to collaborate on major ex­ Film/Video Arts will provide residen­ research and development component tended works in an effort to insure the cies, including stipends, awarded com­ will offer ten to fifteen grants to allow continuous flow of high quality original petitively to distinguished media artists. artists and presenters to submit detailed works. District Curators will commis­ Each of the advanced artists will work proposals for productions in thoroughly sion a body of at least six new interdis­ with a small group of emerging artists, researched communities and land­ ciplinary works involving residencies offering them the guidance and encour­ scapes. Based on these proposals, three and workshops, public outreach, pre­ agement they need to bring their works to five grants will be awarded to those sentation of works-in-progress and fin­ to higher levels of accomplishment. In proposed performance works that trans­ ished productions. District Curators addition, F/VA will upgrade its equip­ form public spaces and engage diverse will also record selected projects for dis­ ment and facilities, undertake an exhi­ audiences, broaden conventional per­ tribution via audio and broadcast bition narrative, and launch an alumni formance sites, and have significant im­ media. $133,431 was obligated in campaign to involve former members in pact and interaction with a local com­ FY ’92. [92-4622-0005] F/VA activities. $62,676 was obligated munity. [92-4622-0004] in FY ’92. [92-4622-0007] Fairbanks Symphony Association Des Moines Metro Opera, Inc. Fairbanks, AK $50,000 George Coates Performance Company Indianola, IA $75,000 To provide access to high quality con­ San Francisco, CA $175,000 To substantially expand the curriculum cert performances for the residents of To support the development of multi­ activities and increase the accessibility of rural Maska, as well as the Fairbanks media new work through a pilot collab­ its OPERA Iowa educational touring area, through the creation of a perma­ oration between information/electronic ensemble. Des Moines Metro Opera’s nent endowment to provide ongoing industry companies and nonprofit in­ goal is to become regional in nature, touring support for the Arctic Chamber terdisciplinary arts ensembles. Silicon thereby providing outstanding cul­ Orchestra. The Orchestra has a 22-year Valley computing companies provide tural/educational opportunities to sig­ tradition of touring rural Alaska, having the theater with hardware, software, nificandy underserved areas of Iowa and performed concerts in over 100 Alaskan technical personnel and funding. The the Midwest. Key components include communities. Integral to these concerts arts ensembles provide a team of artists expanding OPERA Iowa’s touring is the opportunity for interaction be­ and facilities to develop creative appli­ schedule from eleven to fifteen weeks, tween Native and Western cultures cations for the contributed resources. annual broadcasts on Iowa public tele­ through the sharing of different art George Coates Performance Works has vision, and developing curricula with forms, such as native dance and theater, created original musical theater works Iowa public schools and department of and symphonic music including com­ since 1977 and is a leading innovator education. In addition, Challenge funds missions from 20th-century composers. in multimedia stagecraft and design, will be used to create an international The endowment will permanendy sup­ mixing traditional performance forms exchange program at the grassroots level port the Arctic Chamber Orchestra and with technologies in contemporary between Iowa and her sister states in enable the group to expand the number contexts. [92-4622-0031] Japan and Russia. $56,500 was oblig­ of concerts, as well as develop a profes­ ated in FY ’92. [92-4622-0018] sional core for the ensemble. No Glimmerglass Opera, Inc. funds were obligated in FY ’92. Cooperstown, NY $650,000 District Curators, Inc. [92-4622-0025] To support the expansion of artistic Washington, DC $200,000 programming over a four-year period. To launch the MultiWorks Project, a ~r Film/Video Arts, Inc. Glimmerglass plans to achieve its po­ multicultural commissioning and audi­ New York, NY $100,000 tential as an international-level festival ence development program for new To broaden Film/Video Arts’ (F/VA) by increasing the number of perfor interdisciplinary works. Through constituency to include more mid-ca­ reer and established media artists, and raise the overall level of artistic accom

t99zAnnual Report z75 Challenge

mances and productions each season House Foundation for the Arts New Orleans, LA. $60,000 was oblig­ and assuring continuation of the com­ (Meredith Monk) ated in FY ’92. [92-4622-0003] pany’s commitment to adventurous New York, NY $200,000 productions and repertory. By 1995, To provide support and resources to International House of Philadelphia Glimmerglass proposes to increase the allow Meredith Monk to develop a Philadelphia, PA $220,000 number of productions per season from series of large-scale interdisciplinary To build new, more diverse audiences three to five, and performances from works over a four-year period. Featured for multicultural and independent 21 to 44. Artistic quality will be main­ works will include "Atlas," the revival films through the establishment of an tained through longer rehearsal peri­ of"Vessal" and "Girlchild," and the international film festival -- the ods, increased compensation for artists development of a new work, "Song of Philadelphia Festival of World and expansion of the Young American the Lark." Funds will also support the Cinema. Using multiple venues, com­ Artist Program to a new level of 30 development of a well-structured mar­ mercial and nonprofit, throughout the singers. Programming will be struc­ keting effort which will foster a height­ city over a ten-day period, 35-40 pre­ tured to a full repertory performance ened awareness of Meredith Monk’s mieres and film classics will be pre­ schedule, eliminating extended "dark" works both past and present, on a na­ sented as well as special events, celebra­ periods during the summer festival tional scale, and create new outlets for tions and seminars. The diverse season. [92-4622-0016] the works and the opportunity for collection of quality films will incorpo­ greater collaboration between the con­ rate four themes into its program for­ ~r Greater Akron Musical AssociaUon, Inc. temporary and classical art forms. mat which include new world cinema, Akron, OH $50,000 $173,731 was obligated in FY ’92. select international cinema, African To support the next phase of its Greater [92-4622-0036] American work, and Philadelphia- Akron Minority Outreach Program made films that have a relationship to which will commission new works by ~r Howard University (College of Fine Arts) the community. $153,000 was oblig­ African American composers. During Washington, DC $100,000 ated in FY ’92. [92-4622-0035] the next three seasons (1992-1995), the To establish residency appointments at commissioned works will be featured selected historically black colleges and Joyce Theater Foundation, Inc. on a regular subscription series concert universities for internationally ac­ New York, NY $350,000 each year with a recording session im­ claimed African American visual, per­ To support the development of a new mediately following the performance. forming and literaty artists. Major ob­ Summer Dance Program and to ex­ Each season a commissioned composer jectives of the program are to increase pand "Altogether Different," an annual will be invited to Akron for a week-long community access to the excellent series showcasing small dance compa­ residency. During the residency the products of black creativity, to rein­ nies. The expanded "Altogether composer will guide the conductor and force the ties between African Different" series will include support musicians in preparation for the perfor­ American master artists and their cul­ for the creation of new work, and en­ mance and recording, as well as partici­ tural/educational roots, to restore the hancement of management seminars pate in community and educational arts to the prestigious positions they that teach administrative skills for com­ outreach in local schools and churches enjoyed on black campuses during the panies to achieve economic stability. with predominantly African American first half of the 20th century, and to Responding to a strong need within the populations. In 1995 the recordings of sharpen the aesthetic sensibilities of the dance community for increased perfor­ these new works will be released on contemporary collegiate population. mance opportunities in New York compact disc and distributed locally Participating universities include: City, the Theater will extend its season and nationally. No funds were oblig­ Albany State College, Albany, GA; through the Summer Dance Program. ated in FY ’92. [92-4622-0023] Alcorn State University, Lorman, MS; This program includes the full presen­ Howard University, Washington, DC; tation of national and international Jarvis Christian College, Hawkins, TX; companies, and the Safe Haven Johnson C. Smith University, Char­ Project, which will provide the Joyce lotte, NC; Norfolk State University, Theater and staff free of charge to se­ Norfolk, VA; and Xavier University, lected dance companies to develop and preview new works. [92-4622-0037]

±76 National Endowment for the Arts Challenge

Manhattan Theatre Club, Inc. Music Associates of/lsl~n, Inc. ing and supporting contemporary work New York, NY $500,000 Aspen, CO $350,000 by visual artists through collaboration To create an Artistic Priorities Project, To support the construction of a con­ among artists’ organizations. The the goal of which is to ease the limita­ cert hall for the Aspen Music Festival Multi-Site Collaborations Program will tions on artistic activity which are im­ and School. The new 500-seat hall will provide new opportunities for visual posed by budgetary constraints, and re­ be the first permanent, year-round per­ arts, and culturally broaden and geo­ focus Manhattan Theatre Club’s efforts formance facility in the organization’s graphically increase its audiences. New to create and develop new plays. The 43-year history. Of great importance to work by visual artists will be commis­ project is comprised of six components: the artistic growth of the Festival and sioned by participating organizations 1) New formulas for national play pro­ School, the hall will provide acoustically and toured to different regions of the duction, including developing a coop­ superior performance space and time country. Artists will travel with their erative network with regional theaters for new and expanded instructional work, often developing it further at dif­ throughout the country; 2) increased programs, increased performance op­ ferent sites. The public will be involved employment and compensation of ac­ portunities and proper rehearsal for the through lectures and demonstrations. tors in order to maximize the attraction Festival and School’s five orchestras. The primary aim of the program is also of new talent to the field and the reten­ The new facility will enable the Festival to develop new partnerships and pro­ tion of mature talent; 3) support for to produce a winter concert series and grammatic dialogue among organiza­ visiting artists; 4) larger scale produc­ to expand its in-school music education tions while furthering the awareness tions; 5) an artistic cash reserve safety programs to in-dude concert hall and appreciation of culturally diverse net; and 6) expanded workshop capa­ experiences. [92-4622-0030] work by visual artists. No funds were bilities and commissions for play­ obligated in FY ’92. [92-4622-0019] wrights. [92-4622-0032] Musical Arts Association (Cleveland Orchestra) ~r New York Cit,/01~ra, Inc. Maui Community Arts and Cultural Center Cleveland, OH $500,000 New York, NY $1,000,000 Kahului, HI $450,000 To establish an endowment to support To uphold and advance the role of the To provide access to high quality arts free performances of classical music in New York City Opera (NYCO) as one programs for the people of Maui, an an attractive, accessible downtown set­ of the foremost proponents of Amer­ isolated, changing, rural community- ting. The Cleveland Orchestra will ican opera production, performance and a vortex point in the Pacific Rim cul­ pave the way for attendance by a more creativity by presenting thirteen tures. Access will be addressed through ethnically and economically diverse American operas between November construction of Hawaii’s first compre­ audience by removing geographic and 1991 and June 1994, including a golden hensive visual and performing arts economic barriers to concert atten­ jubilee 50th anniversary season in the center which will provide a home for dance, and by keeping the concert pre­ spring of 1994. This season will cele­ Maui’s diverse resident companies and sentation informal. The orchestra will brate American opera in the 20th provide programs of outstanding cal­ also position itself centrally in the com­ Century, and comprise all-Amer-ican iber by visiting artists that, without the munity, touch the lives of tens of thou­ works including the premieres of three Center, would not be seen on Maui. sands of new listeners, including the newly-commissioned operas by Amer­ Additionally, the Center will nurture young listeners from whom tomorrow’s ican composers. NYCO will also estab­ and provide presenting opportunities classical music supporters must be lish an American Opera Commissioning for its artists and arts organizations drawn, and introduce the classical Fund, and through its Third Company within the local and state community. music tradition to a vastly larger public. Initiative, commission small-scale works Construction includes a 1150-seat [92-4622-0026] by contemporary American Composers main theater, a 4100 square-foot visual for use in school and community set­ arts gallery, an outdoor amphitheater, ~ National Association of Artists’ tings by NYCO’s Outreach and various support buildings and office Organizations, Inc. Education programs. No funds were ob­ spaces. [92-4622-0006] Washington, DC $50,000 ligated in FY ’92. [92-4622-0017] To establish the Multi-Site Collaborations Program: Visual Arts as a permanent funding vehicle encourag­

199zAnnual Report /-77 Challenge

Oregon Symphony Association Puerto Rico Community Foundation, Inc. ~r Twin Cities Public Television, IncJKTCA Portland, OR $750,000 Hato Rey, PR $100,000 St. Paul, MN $800,000 To serve communities in Oregon, To create a Support System for the Arts To implement a model program for southwestern Washington, and north­ (SSA) Program. The SSA will provide arts programming nationally through ern California that have little or no ac­ individual artists and arts organizations Alive TV(formerly Alive j~om Off cess to major arts events. Building on in Puerto Rico with information, dis­ Center) and locally through the grow­ already successful outreach and educa­ semination, training and direct services. ing KTCA Arts and Cultural produc­ tional programs, the nationally recog­ Artists and arts organizations will bene­ ing units. The four-year project will nized Oregon Symphony will tour these fit in various ways which include the create a center within the PBS system communities in three-year cycles, and improvement of their administrative ca­ that actively collaborates with indepen­ enhance the tour with educational and pacity, development of the board of dent film, video and multidisciplinary awareness-building activities. Through directors, program planning and imple­ artists by providing broadcast access, technical assistance programs for pre­ mentation, and marketing and commu­ funding, and production support. The senters the Symphony will help to pro­ nity outreach. A small restricted fund primary goal is to support and promote vide community sponsors with a greater will be established to support this pro­ artist-driven television and to make ac­ ability to successfully present other gram. No funds were obligated in FY cessible the best possible production major cultural events. A "how-to" ’92. [92-4622-0010] values for this programming. Alive TV booklet also will be developed and dis­ will expand its programming capability tributed nationally, providing a model ~r Theatre Communications Group, Inc. beyond its existing national series, and of how smaller communities can use the New York, NY $475,000 broaden its capability for original pro­ artistic, educational and administrative To support the New Century Program duction. KTCA’s local efforts will in­ resources of major organizations to for the American Theatre, which rede­ clude expansion into rural Minnesota strengthen regular access to major arts fines the Theatre Communications and additional specials in direct collab­ events. [92-4622-0027] Group’s mission, establishes goals and oration with the Twin Cities artistic proposes new initiatives to serve hun­ community. $69,990 was obligated in ~r Paul Taylor Dance Foundation, Inc. dreds of theater companies and artists FY ’92. [92-4622-0028] New York, NY $850,000 nationwide. To advance the art form, To initiate the preservation of the body foster excellence and celebrate the Utah 01~r~ Comlmny of Paul Taylor’s choreography with the achievements of America’s artists, TCG Salt Lake City, UT $89,000 re-creation and restoration of twelve will establish a theater think tank series, To establish a Young Artists Program important dances. This project will an artist residency program, a survey of for the purpose of assisting young codify his artistic legacy by reclaiming individual artists, and an individual singers in becoming complete perform­ older works through performance, film artist affiliation program. As part of the ers, providing a steady, fresh infusion and video preservation, and Labanota­ New Century Program, TCG plans to of talent into the Company, and devel­ tion. The revival process will be stimulate diversity among artists, ad­ oping a more intensive educational recorded on audio and video tape and ministrators, trustees and audiences by program to benefit both the artist and in writing, providing a valuable insight convening cultural diversity workshops, student. The program will incorporate into the choreographic process of one of expanding minority participation, fos­ all facets of the operatic art form in­ America’s premiere modern dance tering career opportunities for artists of cluding vocal training, theater, lan­ choreographers. This archive will be color, and encouraging translation of guage, stagecraft and production, man­ made accessible through the New York plays. A program reserve fund will be agement and insight into arts Public Library, the Library of Congress, established to ensure the continuation administration. In addition to daily and in performance by the Taylor of these initiatives. [92-4622-0033] classes, participating artists will have Company and others. $414,000 was the opportunity to perform in main- obligated in FY ’92. [92-4622-0038] stage productions and participate in outreach programs and master classes. [92-4622-0014]

:/,78 National Endowment for the Arts Challenge

Walker Art Center, Inc. CHALLENGE II PublicTeleHsion Playhouse, Inc. Minneapolis, MN $60,000 NewYork, NY $1,000,000 To implement its Extended Residency American Craft Museum [91-4622-0017] Program, a program for important New York, NY $160,753 emerging contemporary artists that of­ [85-4621-0002] San Francisco Ballet Association fers eleven artist-residencies each year San Francisco, CA $750,000 for three years. Each residency will be CHALLENGE III [91-4622-0023] presented in the context of an exhibi­ tion, and may involve artists whose AIl~rtn Bair Theater Corporation San Francisco Museum of Modern Art work is currently being presented at the Billings, MT $40,359 San Francisco, CA $439,500 Walker, as well as others whose ideas [90-4622-0024] [91-4622-0036] would encourage further discussion of the issues raised by the exhibition. Antholog;yfilmArch~es WGBHEducationalFoundation Departing from the usual temporary New York, NY $22,800 Bosm~MA $140,898 exhibition or occasional artist’s lecture, [90-4622-0006] [90-4622-0004] the Walker will promote arts residen­ c, ies in which the local community will Arts ceuncil of New Orieans have the opportunity to interact with New Orleans, LA $275,000 the same artist in a variety of ways on [91-4622-0013] Panels an extended basis. Carefully planned outreach efforts include schools, com­ CunninghamDanceFoundation CHALLENGE REVIEW COMMri’IEE munity organizations, small arts groups New York, NY $550,000 and other appropriate forums tailored [91-4622-0024] Adele Fleet Bacow to the resident artist’s working method City Planner; Consultant and style. The Walker is one of the Edmundson Art Foundation, Inc. Policy and Management Associates nation’s foremost centers dedicated Des Moines, IA $106,800 Boston, MA to the study of contemporary art. [91-4622-0038] $25,900 was obligated in FY ’92. Kim Chan [92-4622-0034] Gnthrie Theater Foundation Director of Dance and New Minneapolis, MN $100,000 Performances COOPERATIVE AGREEMIB~r [91-4622-0006] Washington Performing Arts Society Washington, DC SFM Ltd. Mississippi Museum of Art, Inc. Washington, DC $269,964 Jackson, MS $133,000 Joseph Deal For a cooperative agreement to evaluate [90-4622-0027] Visual Artist; Dean of the the matching capacity, management School of Fine Arts and board strength, financial position, National Public Radio, Inc. Washington University likely grant impact, and application Washington, DC $750,000 St. Louis, MO readiness for Challenge Grant appli­ [91-4622-0035] cants. [DCA 92-24] Duane Ebata New Museum ofcentempora~Art Managing Director New York, NY $241,500 Japanese American Cultural and The following Challenge II and [91-4622-0027] Community Center Challenge III grants were announced Los Angeles, CA during previous fiscal years. The Opera Theatre of Saint Louis amounts listed below were obligated St. Louis, MO $100,000 Jean Hrstenberg during FY ’92. Descriptions and total [90-4622-0021] Executive Director amounts of these grants may be found American Film Institute in previous annual reports. Los Angeles, CA

1992 Annual Report :Z79 Challenge

E. Wade Hobgood Glenn Connor Vonnie Sanford Associate Dean and Professor of Art Principal, Meeker Elementary School Arts-In-Education Coordinator Winthrop College Ames School District Ohio Arts Council Rock Hill, SC Ames, IA Columbus, OH

Eric Kjellmark E. Wade Hobgood DANCE General Director Associate Dean and Professor of Art Opera Delaware Winthrop College Kim Chan Wilmington, DE Rock Hill, SC Director of Dance and New Performances Alton Miller (layperson) Carole Huxley (chair) Washington Performing Arts Society Writing Instructor Deputy Commissioner for Washington, DC Columbia College Cultural Education Chicago, IL New York State Education Gary Dunning Department Executive Director Clement Price Albany, NY Houston Ballet Scholar-in-Residence Houston, TX Bloomfield College Gerald Kohn Newark, NJ Superintendent of Schools Joe Goode Triton Regional School District Artistic Director Frances Richard By~eld, MA Joe Goode Performance Group Director, Symphonic & Concert San Francisco, CA Department Lawrence Moore (layperaon) American Society of Composers, Manager of Public & Colleen Jennings-Roggensack Authors & Publishers (ASCAP) Community Relations Director of Programs & Operations, New York, NY Motorola Government Hopkins Center Electronics Group Dartmouth College Caroline Turner Phoenix, AZ Hanover, NH Managing Director Portland Stage Company Jo Ann Pottorff Bella Lewitzky Portland, ME Representative Artistic Director State of Kansas, House of Lewitzky Dance Company Before applications are reviewed by the Representatives Los Angeles, CA Challenge Review Committee, they are Topeka, KS reviewed by panels representing the Alton Miller (layperson) appropriate programs. Program panels Anthony Radich Writing Instructor that reviewed the Challenge applica­ Executive Director Columbia College tions are as follows: Missouri Arts Council Chicago, IL St. Louis, MO ARTS IN EDUCATION Michael Uthoff Furahaa Saba Artistic Director Constance Beardsley Teacher Hartford Ballet Manager Salisbury State College Hartford, CT Arts Office, City of Carlsbad Hebron, MD Carlsbad, CA Edward Villella Nadine Saitlin Artistic Director Executive Director Miami City Ballet Illinois Alliance for Arts Education Miami, FL Chicago, IL

National Endowment for the Arts Challenge

DESIGN ARTS EXPANSION ARTS Marita Rivero Vice President & Radio Manager Adele Fleet Bacow Claudine Brown (layperson) WGBH-FM City Planner, Consultant Project Director, African-American Boston, MA Policy and Management Associates Institute Study Boston, MA Smithsonian Institution Daniel Selznick (layperson) Washington, DC Former president James F. Barker Louis B. Mayer Foundation Dean, School of Architecture David Q. Cadigan New York, iVY Clemson University Associate, Performing Arts and Clemson, SC Community Arts Programs MUSEUM Maine Arts Commission Susan Child Augusta, ME Luis Cancel Landscape Architect; President and Executive Director Senior Principal Duane Ebata Bronx Museum of the Arts Child Associates, Inc. Managing Director Bronx, NY Cambridge, MA Japanese American Cultural and Community Center Michael Conforti Michael McCue (layperson) Los Angeles, CA Chief Curator President Minneapolis Institute of Arts Kangaroo Products, Inc. Celeste Lawson Minneapolis, MN Columbus, NC Company Manager Buffalo Inner City Ballet J. Brooks Joyner (chair) Shertill Myers Buffalo, NY Director Architect; Principal Montgomery Museum of Fine Arts Beckley/Myers/Flad Architects Joe Rodriguez (chair) Mantgomery, AL Milwaukee, WI Artist; Painter; Arts Consultant; Assistant Director of Mary Myers (layperson) Patricia O’Brien Community Arts Development Past President, Board of Directors Landscape Architect; Principal City of San Jose Akron Art Museum Patricia O’Brien Landscape San Jose, CA Akron, OH Architecture San Francisco, CA MEI)IA ARTS Rita Starpattero Administrative Coordinator, Cynthia Weese Batty Cope (chair) Arts in Public Places Architect; Founding Principal President & General Manager Texas Commission on the Arts Weese Langley Weese Architects WVIZ/Channe125 Austin, TX Chicago, IL Cleveland, OH Kathy Walsh-Piper Patdcia Wilson Pamela Holt Curator of School & Teacher Programs Executive Director Executive Director National Gallery of Art D.C. Preservation League District of Columbia Commission Washington, DC Washington, DC on the Arts and Humanities Washington, DC

Julie Mackaman Development Director Film Arts Foundation San Francisco, CA

z99zAnnual Report ~.8I Challenge

MUSIC Priscilla Dewey (layperson) Sharon Combs Patron Associate Director of Grants Ronald Crutcher (chair) Cohasset, MA for the Arts Cellist; Vice President of Academic San Francisco Hotel Tax Fund Affairs/Dean of the Conservatory Stephanie Hughley San Francisco, CA Cleveland Institute of Music Project Manager Cleveland, OH National Black Arts Festival Anne Focke Atlanta, GA Project Director Stephen Gunzenhauser ARTS WIRE Music Director/Conductor Eric Kjellmark Seattle, WA Delaware Symphony Orchestra General Director Wilmington, DE Opera Delaware Clement Price (chair) Wilmington, DE Scholar-in-Residence Daniel Gustin Bloomfield College Assistant Managing Director Charles MacKay (chair) Bloomfield, NJ Boston Symphony Orchestra General Director Boston, MA Opera Theatre of Saint Louis A. Michelle Smith St. Louis, MO Executive Director Frances Richard National Black Arts Festival Director, Symphonic & Craig Palmer Atlanta, GA Concert Department Executive Director American Society of Composers, Opera San Jose Robert Steams Authors & Publishers (ASCAP) San Jose, CA Director, Wexner Center for the Arts New York, NY Ohio State University Jane Preston Columbus, OH Deborah Rntter Assistant Deputy Director for Executive Director Partnerships Andrew Sun (layperson) Los Angeles Chamber Orchestra Illinois Arts Council Manager of Corporate Relations Los Angeles, CA Chicago, IL Anheuser-Busch Companies St. Louis, MO Steven Sametz Gilberto Zaldivar Associate Professor of Music Producer Lehigh University Repertorio Espanol STATE & REGIONAL PROGRAMS Bethlehem, PA New York, NY Ramona Baker Lorraine Wilson (layperson) PRESENTING & COMMISSIONING Executive Director Coordinator, Executive High School (FORMERLY INTER-ARTS) The Arts Council Inc. Internship Program; Huntsville, AL Former Music Supervisor Judith Baca New Orleans Public Schools Artistic Director John Paul Batiste New Orleans, LA Social & Public Arts Resources Center Executive Director Venice, CA Texas Commission on the Arts OPERA-MUSICAL THEATER Austin, TX Philip Bither Ann Chotard Director of Programming Founder and General/Artistic Director Flynn Theater Arkansas Opera Theatre Burlington, VT Little Rock, AR

2.8:2, National Endowment for the Arts Challenge

R. 1o Banton.Keel Barbara Robinsen (chair) VISUALARTS Executive Director, Eulipions Chair Cultural Center; Member Ohio Arts Council Bannie Clearwater (laypersen) Colorado Council on Cleveland, OH Editor and Publisher Arts & Humanities Grassfield Press Denver, CO Alden Wilson Miami Beach, FL Executive Director Ma~’in Cohen Ilayperson} Maine Arts Commission Joseph Deal (chair) Chairman Augusta, ME Visual Artist; Dean of the Arizona Commission on the Arts School of Fine Art Phoenix, AZ THEATER Washington University St. Louis, MO Susan Farr Greg Boyd Executive Director Artistic Director Susan Dickson Association of Performing Alley Theatre Coordinator, Individual Arts Presenters Houston, TX Artists Program Washington, DC Ohio Arts Council Ping Chong Columbus, OH David Fraher Performance Artist; Artistic Director Executive Director Fiji Theater Company Jennifer Dewley Arts Midwest New York, NY Executive Director Minneapolis, MN Headlands Center for the Arts Kathie deNobriga Sausalito, CA John Haworth Actress; Executive Director Assistant Commissioner for Alternate ROOTS A! Harris Cultural Institutions Atlanta, GA Gallery Director, Center for New York City Department of Research in Contemporary Art Cultural Affairs Peter Dennelly University of Texas New York, NY President Arlington, TX Corporate Council for the Arts Mary Hays Seattle, WA Judith Shea Executive Director Visual Artist (sculpture) New York State Council on the Arts David Hawkansen (chair) New York, iVY New York, NY Managing Director Hartford Stage Lonny Kaneko Hartfora~ CT Member Washington State Arts Commission Tazwell Thompsen Olympia, WA Artistic Associate Arena Stage Pamela Parziale Washington, DC Chair Arts & Humanities Section, Caroline Turner West Virginia Division of Managing Director Culture and History Portland Stage Company Kearneysville, WV Portland, ME

The designated layperson could not attend due to illness.

~99zAnnual Report 2,83 Advancement

41 Phase I participants; 40 Phase II grants; 2 cooperative agreements Total Funds: $3,944,932 Program Funds: $1,230,423+ Treasury Funds: $2,714,509" The Advancement Program assists emerging arts organizations of the highest caliber improve managerial and financial stabil­ ity. Since its start in 1983, the Program has made an invalu­ able investment in America’s cultural future by helping over 300 organizations J~om Alaska to the Virgin Islands. These emerging groups are important as sources of new creative direc­ tions, as training grounds for artists, and in some instances as foundations~om which new institutions may grow. Survival and stabilization are becoming ever-greater challenges for emerging nonprofit arts organizations. For almost a decade, the Advancement Program has helped such groups develop solid or­ ganizational foundations in order to pursue their artistic vi­ sions. These nine years of support and encouragement represent one of the Endowment’s most valuable investments in America and its cultural future.

HE PROGRAM PROVIDES ORGANIZATIONAL support in two phases. In Phase I, a year of tech­ T nical assistance and long range planning, man­ agement experts retained by the Endowment provide on-site consultancies to help grantees eliminate management deficiencies and take well-planned steps toward long-range goals. These consultancies are tailored to each organization. In Phase II, grantees apply for grants of up to $75,000 to support the strategies developed during Phase I. These funds must be matched at least three-to-one. In 1992, applications for Phase I were accepted in the fields of dance, expansion arts, folk arts, literature, media arts, opera-musical theater, and visual arts. Concurrently, Phase II grants were awarded to organizations in the same fields, which completed the technical assistance phase the previous year. (Arts disciplines are eligible for Advancement support on an every-other-year basis.) Advancement assists an extraordinary range of organiza­ tions, always tailoring assistance and planning to the identity and needs of each arts group. For example, E1 Teatro Campesino (ETC) in San Juan Bautista, CA, has earned a

+ Cooperative agreements. *This figure includes $2,245,000 in funds awarded in FY "92, $158,636 in unobligated FY ’92 commitments which will appear in subsequent annual reports as the funds are obligated, and $469,509 in FY ’92funds obligated to previous year grants. Houston’s DiverseWorks gallery presents Victims #11, 1992, a

±84 National Endowment for the Arts multimedia installation by Rick Lowe, in conjuncUon with a "Counter Colonialismo Exhibition" held by several local organizaUons.

I992 Annual Report Advancement

national reputation as a producer of diverse works that set ment that will guide the university’s arts programming into the standard for contemporary Chicano/Latino theatrical the next century. production. ETC also presents other companies whose work Also this year in Oregon, Portland’s Interstate Firehouse speaks to a broad community. Cultural Center (IFCC) received a $65,000 grant to upgrade ETC recently began expanding into filmmaking with its professional services to local artists; improve its facility; ventures such as La Bamba and Zoot Suit as well as La and develop new multilingual promotional materials. A com­ Pastorella, created for public television’s "Great Perform­ munity-based arts center, IFCC is devoted to the work of vi­ ances" series. But this small company with six employees sual and performing artists from many backgrounds. While found itself in urgent need of help in managing organiza­ its programming includes such national projects as present­ tional and personnel issues related to increased demands for ing the Smithsonian Institution’s "Field to Factory" exhibi­ touring productions as well as its new filmmaking. ETC tion, the center is primarily pledged to serving local artists, a began Phase I in 1992 to help develop strategies to manage mission it will be better able to fulfill thanks to its growth in these exciting new programming areas. Advancement. At the other end of the institutional scale, the North In FY ’92, DiverseWorks of Houston received a $75,000 Carolina State University Arts Programs in Raleigh com­ grant to implement elements of the three-year plan developed pleted technical assistance in F¥ ’92. NCSU’s combined arts in Phase I. DiverseWorks is the only large, artist-run multidis­ programs constituted eight previously unconnected areas in ciplinary arts organization in Texas and one of only thirteen both the performing and visual arts, for students and nonstu­ organizations in the country administering the New Forms dents alike, both locally and regionally. Their Advancement Regional Grants Initiative for visual artists sponsored by the project began the demanding task of linking the separate Endowment and Rockefeller Foundation. Living up to its programs to help them more efficiently serve their diverse name, DiverseWorks is the producer of a reading series fea­ constituencies. Technical assistance and long-range planning turing local and national writers, and a presenter of dance services concentrated on developing mechanisms for inter- performances as a member of the National Performance program coordination, joint budgeting and planning, and Network. DW’s Advancement grant will be used to improve collaborative fundraising and marketing. The unusual long- documentation of exhibitions; audience development, and range plan resulting from Phase I participation -- in essence, partial compensation for staff, induding health insurance, eight separate but interconnected plans -- is a vital docu­ which is critically important in encouraging staff stability.

"Celebrating Our Musical Heritage," an annual event in rustic Virginia mountains, is staged by the William King Regional Arts Center, a Phase i Advancement participant.

~.86 National Endowment for the Arts Advancement

Discalced, Inc. Henry Street Settlement Grants (Mark Morris Dance Group) (Louis Abrons Arts Center) New York, NY New York, NY PHASE I PARTICIPANTS East Bey Center for the Performing Arts Heritage Dance and Tradition Richmond, CA (AVAZ International Dance Theatre) Academy of American Poets South Pasadena, CA New York, IVY [] Teatro Campesino San Juan Bautista, CA Institute of Alaska Native Arts, Inc. American Poeby Review Fairbanks, AK Philadelphia, PA Eugene Ballet Eugene, OR Joe Goode Performance Group Aunt Lute Foundation San Francisco, CA San Francisco, CA Foundation for Independent Artists (Urban Bush Women) Just Buffalo Literary Center Beyond Baroque New York, NY Buffalo, Venice, CA Foundation for Independent Unes Dance Company Bilingual Foundation of the Arts Video and Film, Inc. San Francisco, CA Los Angeles, CA New York, NY Minnesota Film Center Black Filmmakers Hall of Fame, Inc. Fresh Air Radio (University Film Society) Oakland, CA Minneapolis, MN Minneapolis, MN

Bridge Center for Contemporary Art Hand Workshop National EducaUonal Film and El Paso, TX Richmond, VA Video Festival Oakland, CA Camera News/Third World Newsreel New York, NY

Caribbean Dance Company of the Virgin Islands St. Croix, V]

Cedarburg Cultural Center Cedarburg, WI

Copper Canyon Press Port Townsend, WA

Dallas Black Dance Theatre Dallas, TX

DanceAspen Aspen, CO

Dieu Donne Papermill i New York, NY ’ Martha Thigpen and Hans Gregory Ashbaker sing in the Utah Opera’s 1992 production of Tosca.

z99zAnnual Report :2.87 Advancement

National Federation of lishment of a cash reserve, and increases ’/City of Portland, Oregon/Interstate Community Broadcasters in fees to artists. [92-4723-0001] Firehouse Cultural Center Washington, DC Portland, OR $65,000 Calyx, Inc. To support staffsalaries and’benefits, a New Federal Theatre Corvallis, OR $40,000 marketing plan and a new logo, and New York, NY To support artistic and administrative an upgrade of the physical plant. salaries, promotional materials, exhibi­ [92-4723-0022] New York Chinese Cultural Center tion fees for conferences and trade New York, NY shows, and the establishment of a cash Cleveland Modem Dance Association reserve and a subscription reserve. (DanceCleveland) Opera San Jose [92-4723-0008] Cleveland, OH $55,000 San Jose, CA To support new and expanded staff Cepp Street Project positions, increased fees for dancers, Performance Support Services San Francisco, CA $70,000* and benefit packages for employees. Seattle, WA To support the salary of an Executive [92-4723-0029] Director (formerly volunteer position), Poets House, Inc. the establishment of a cash reserve, and Coconino Center for the Arts, Inc. New York, NY fees related to audience development Flagstaff, AZ $40,000 and community outreach. To support an increase in staff salaries, Santa Monica Museum of Art [92-4723-0038] staff development programs, a market­ Santa Monica, CA *$58,060 was obligated in FY ’92. ing plan, and an audience development plan. [92-4723-0025] Urban Gateways Center for Exploratory and Chicago, IL Perceptual Arts, Inc. Colorado Dance Festival, Inc. Buffalo, NY $55,000* Boulder, CO $70,000 Utah Opera To support the salary of a publications To support increased staffsalaries, Salt Lake City, UT director, fees related to publishing, and artists’ fees for festivals and tap conser­ the establishment of a board-designated vatory programs, and the establishment William King Regional Arts Center endowment. [92-4723-0037] of a cash reserve. [92-4723-0033] Abingdon, VA *$34,689 was obligated in FY ’92. Cresson Lake Playhouse Center for Photography at Ebensburg, PA $45,000 San Francisco, CA Woodstock, Inc. To support the purchase and renova­ Woodstock, NY $70,000 tion of the playhouse and guest artist PHASE II GRANTS To support the elimination of building housing facility, the establishment of a debt, renovation of the facility, and cash reserve, a marketing plan, broaden­ fees related to "Building Links," an ing guest artist programs, staff training African-American Dance Ensemble, Inc. educational initiative to bridge the gap and health benefits. [92-4723-0014] Durham, NC $50,000* between artists and audiences. To support new administrative staff [92-4723-0041] Dance Brigade (Wallflower Order) positions, the upgrade of current Oakland, CA $40,000 salaries of artistic and administrative Chinese American Educational and To support the upgrade of administra­ staff, and fees related to educational Cultural Center of Michigan tive and artistic salaries, deficit reduc­ and touring programs. [92-4723-0012] Ann Arbor, MI $35,000 tion, and the establishment of a cash *$24,500 was obligated in FY ’92. To support partial administrative reserve. [92-4723-0028] salaries, purchase and renovation of a Austin Lyric Opera building, and fees related to program David Adler Cultural Center Austin, TX $75,000 development. [92-4723-0016] Libertyville, IL $40,000 To support deficit reduction, the estab­ To support administrative and artistic

2,88 National Endowment for the Arts Advancement

salaries, costs related to marketing, programming, administrative salaries, National Institute of Art and Disabilities renovation of the carriage house, and the establishment of a cash reserve, and Richmond, CA $75,000 relocation and renovation of two small fees related to marketing and public To support artistic and administrative cottages currently scheduled for demo­ relations. [92-4723-0036] salaries, the renovation of administra­ lition. [92-4723-0026] tive offices and main studio, and costs lomandi Productions, Inc. related to production of educational DiverseWorks, Inc. Atlanta, GA $60,000 materials. [92-4723-0018] Houston, TX $75,000 To support partial salaries of adminis­ To support partial salaries of adminis­ trative staff, fees for marketing, public Omaha Ballet Society trative and artistic staff, the documen­ relations, and booking, deficit Omaha, NE $50,000 tation of programs, audience develop­ reduction, and loan repayment. To support deficit reduction, an in­ ment, and facility renovation. [92-4723-0015] crease in artists’ fees to a level that [92-4723-0037] equals the national average, and the Lime Kiln Arts, Inc. construction of new scenery. Foundation for Art in Cinema Lexington, VA $25,000 [92-4723-0032] (San Francisco Cinematheque) To support the establishment of a cash San Francisco, CA $45,000 reserve, partial salaries of a marketing Pittsburgh Dance Council, Inc. To support administrative and artistic director and artistic staff, and fees Pittsburgh, PA $50,000 salaries and related costs, fees associated related to audience development and To support administrative salaries and with marketing, data base building, and staff training. [92-4723-0019] the creation of a capital creative fund in staffdevelopment. [92-4723-0003] order to develop special artist projects, Mexican Museum commissioning opportunities, and Friends of Olympia Station, Inc. San Francisco, CA $70,000 long-term residencies. [92-4723-0034] (Tandy Beal & Co.) To support the increase from part-time Santa Cruz, CA $70,000 to full-time of the manager, public Pittsburgh Film Makers, Inc. To support partial artistic and adminis­ relations coordinator, registrar, and Pittsburgh, PA $45,000 trative salaries and related professional preparator, and a new position of cura­ To support salaries and benefits for expenses, increased artists’ fees, a mar­ torial assistant. [92-4723-0017] artistic and administrative staff, costs keting campaign, and the establish­ related to public relations, the estab­ ment of a cash reserve. [92-4723-0031] Muntu Dance Theatre lishment of a cash reserve, and mainte­ Chicago, IL $70,000 nance repairs. [92-4723-0006] H.T. Dance Company, Inc. To support salaries for the artistic di­ New York, iVY $70,000 rector, assistant artistic director, musi­ Pyramid Arts Center, Inc. To support increased rehearsal time cal director, and artists, and the design Rochester, iVY $60,000* and compensation to dancers, increased and production of promotional materi­ To support administrative salaries, staff salaries, fees for the upgrade of als. [92-4723-0020] costs related to marketing, physical production costs, and marketing. improvements to the facility, and [92-4723-0023] National Asian American deficit reduction. [92-4723-0040] Telecommunications Association *$29,115 was obligated in FY ’92. Hostos Community College San Francisco, CA $75,000 Advisory Council, Inc. To support the salaries and related San Francisco Bay Area Dance Coalition Bronx, NY $45,000 costs of the associate director, exhibi­ (Dance Bay Area) To support salary stabilization for tion coordinator, membership/out­ San Francisco, CA $55,000 administrative and artistic staff. reach coordinator, and CrossCurrent To support deficit reduction, the devel­ [92-4723-0013] media distribution sales manager. opment of a financial management sys­ [92-4723-0005] tem, the establishment of a cash re­ Houston Center for Photography serve, and fees related to marketing. Houston, TX $60,000 [92-4723-0035] To support the enhancement of public

z z99 Annual Report :2,89 Advancement

Son Jose Taiko Group, Inc. Writers & Books, Inc. Odyssey Theatre Foundation San Jose, CA $70,000 Rochester, NY $75,000 Los Angeles, CA $43,000 To support the salaries and benefits of To support administrative salaries and the artistic and creative directors, pro­ costs related to renovation of the orga­ Red Eye Collaboration duction managers, and two ensemble nization’s facilities in Rochester and Minneapolis, MN $10,580 performers. [92-4723-0021] Naples, New York. [92-4723-0011] South Carolina Orchestra AssociaUon, Inc. Sealaska Heritage Foundation Young Men’s Christian (Palmetto State Orchestra Association) Juneau, AK $40,000 Association of Greater New York Columbia, SC $48,000 To support the partial salary of the New York, iVY $75,000 managing director of the Naa Kahidi To support the development of an Southern California Asian Theater, and the implementation artistic program focusing on youth and American Studies Central of a strategic marketing plan. marketing for The Writer’s Voice. Los Angeles, CA $48,000 [92-4723-0009] [92-4723-0007] University of South Carolina at Columbia Small Press Distribution, Inc. Zenon Dance Company and School, inc. (McKissick Museum) Berkeley, CA $50,000 Minneapolis, MN $40,000 Columbia, SC $48,000 To support administrative salaries, the To support administrative and artistic purchase of a computer and related salaries and benefits, and fees related to COOPERATIVE AGREEMENTS software, deficit reduction, and fees increased promotional activities. related to publishing for Serendipity [92-4723-0030] Program Funds: $1,230,423 Books. [92-4723-0010] The following Advancement grants M. Melanie Beene and Associates Syracuse Opera Company, Inc. were awarded in previous years and Sausalito, CA $1,025,000 Syracuse, NY $25,000 were partially obligated in FY ’92. To amend a cooperative agreement to To support salary and benefits of a manage and direct the work of marketing/public relations director and Nbany Institute of History and Art Advancement consultants in connec­ advertising and telemarketing costs. Albany, NY $43,000 tion with Phase I technical assistance [92-4723-0002] activities for FY ’92 Advancement par­ Alternate ROOTS, Inc. ticipants in the fields of Dance, Westem Folklife Center Atlanta, GA $52,491 Expansion Arts, Folk Arts, Literature, Salt Lake Ci(y, UT $70,000* Media Arts, Opera-Musical Theater, To support administrative and artistic American Music Center, Inc. and Visual Arts. [DCA 91-26] salaries, costs related to marketing, and New York, NY $28,738 the establishment of a cash reserve. Univers~ of Scuthem Maine [92-4723-0024] Florida Intemational University Portland, ME $205,423 *No funds were obligated in FY ’92. Miami, FL $72,500 For a cooperative agreement to design and implement a process for assessing World Music institute, Inc. Intermedia Arts of Minnesota, Inc. the readiness of up to 45 panel-recom­ New York, NY $50,000 Minneapolis, MN $27,200 mended FY ’92 applicants in the fields To support administrative salaries, of Dance, Expansion Arts, Folk Arts, marketing initiatives for national visi­ La Raza Graphics Center, Inc. Literature, Media Arts, Opera-Musical bility, maintenance of the concert se­ San Francisco, CA $48,000 Theater, and Visual Arts. [DCA 92-02] ries, and the establishment of a cash re­ serve. [92-4723-0027]

2,90 National Endowment for the Arts Advancement

Ruby Leroer Sonia S. Bolanos (layperson) Panels Executive Director Commissioner IMAGE San Francisco Redevelopment Agency ADVANCEMENT PHASE I REVIEW Atlanta, GA San Francisco, CA COMMITi’EE Joseph McClain (chair) Nefertiti Burton Carol Smith Adams General Director Executive Director Managing Director Austin Lyric Opera Middle Passage Educational & Sharir Dance Company Austin, TX Cultural Resources, Inc. Austin, TX Boston, MA J. Sanford Rikoon Leon Collins Research Assistant Professor, Kathie deNobriga (chair) General Manager Department of Rural Sociology Executive Director WPFW-FM University of Missouri-Columbia Alternate ROOTS Washington, DC Columbia, MO Atlanta, GA

Deborah Cowan Nancy I.arson Shapiro Allan Kornblum Associate Director Director Artistic Director New Hampshire Charitable Fund Teachers & Writers Collaborative Coffee House Press and Affiliated Trust New York, NY Minneapolis, MN Concord, NH Peter Taub Mark Murphy Susan Fait Executive Director Program Director Executive Director Randolph Street Gallery On the Boards Trisha Brown Dance Company Chicago, IL Seattle, WA New York, NY Vanessa Whang Catherine Rudinsky Rudy Guglielmo Programming Coordinator Senior Management Consultant Expansion Arts Program Director La Pena Cultural Center ARTS, Inc. Arizona Commission on the Arts Berkeley, CA Los Angeles, CA Phoenix, AZ ADVANCEMEITi" PHASE II GRANT PANEl. Robert Teske Catherine Hammond Director Senior Consultant Carol Smith Adams Cedarburg Cultural Center Dovetail Consulting Managing Director Cedarburg, WI Boston, MA Sharir Dance Company Austin, TX Stan Trecker Joyce Jenkins President Editor Unda Blackaby Art Institute of Boston Poetry Flash Director and Founder, Neighborhood Boston, MA Berkeley, CA Film Project International House of Philadelphia Diane Wondisford Gregory King (laypersen) Philadelphia, PA Associate Producing Director Street Banker Music-Theatre Group Chemical Bank New York, NY New York, IVY

I992 Annual Report Advancement

Before applications are reviewed by the EXPANSION ARTS* Burr Feintuch Advancement Review Committee, they Director, Center for the Humanities; are reviewed by panels representing the Joan Myers Brown Professor of English & Folklore appropriate programs. Program panels Executive Director/Artistic Director University of New Hampshire that reviewed the Advancement grants Philadelphia Dance Company Durham, NH are as follows: Philadelphia, PA Deborah Cowan (chair) James S. Griffith (co-chair) DANCE Associate Director Director New Hampshire Charitable Fund and Southwest Folklore Center of the Carol Smith Adams Affiliated Trust University of Arizona Managing Director Concord, NH Tucson, AZ Sharir Dance Company Austin, TX Leon Denmark Barbora L. Hampton (co-chair) Executive Director Associate Professor of Music Susan Fait Newark Symphony Hall Hunter College Executive Director Newark, NJ New York, IVY Trisha Brown Dance Company New York, NY Ernesto Rubio, Jr. Beatrice Medicine (layperson) Assistant Administrator Anthropologist; Consultant, Native Allan Gray (layperson) Department of Arts and Cultural American Culture Vice President Affairs, San Antonio Wakpala, SD Black Economic Union San Antonio, TX Kansas City, MO Miriam Colon Valle Barbara Rahm Director/President State Folk Arts Coordinator California Arts Council Marda Kirn (chair) Puerto Rican Traveling Theater Director Company, Inc. Sacramento, CA Colorado Dance Festival New York, NY BouMer, CO J. Sanford Rikoon Vanessa Whang Research Assistant Professor, Nancy Matschek Programming Coordinator Department of Rural Sociology Managing Director/Contemporary La Pena Cultural Center University of Missouri-Columbia Dance Season Berkeley, CA Columbia, MO Portland State University Portland, OR *Designated layperson did not attend. John Roberts Professor, African-American Studies John McFall FOLK ARTS University of Pennsylvania Artistic Director Philadelphia, PA Ballet Metropolitan Walter Murray Chiesa Columbus, OH Crafts Consultant Catherine Schwoeffermann Bayamon, PR Curator; Folklife Program Coordinator Louise Robinson Roberson Center for the Executive Director Jon Ching Arts & Sciences Minnesota Dance Alliance Southeast Asian Specialist Binghamton, NY Minneapolis, MN Small Business Owner Fresno, CA_ Jeff T. Tflon Ethnomusicologist; Director Robert G. Cogswell Ph.D. Program in Music Folk Arts Coordinator Brown University Tennessee Arts Commission Providence, RI Nashville, TN

National Endowment for the Arts Advancement

Isabel Wong Leon Collins Gail Robinson Director, Overseas Projects, Office of General Manager, WPFW-FM Member, Board of Directors; Chair, International Programs and Studies Washington, DC Collegiate Training Committee University of Illinois National Opera Association Champaign, IL Kathryn High Daytona Beach, FL Co-Director ~TURE Standby Program VISUAL ARTS New York, NY Emilie Ruchwald (chair) Toni Beauchamp (layperson) Editor/Publisher Ruby Lemer (chair) Co-owner Milkweed Editions; Executive Director INTERMAT Milkweed Chronicle IMAGE Houston, TX Edina, MN Atlanta, GA Nlan Edmunds Dewitt Henry Shidey Sneve Visual Artist (printmaking); President Fiction Writer; Director, Ploughshares; Assistant Director Brandywine Workshop Chairman, Division of Writing, South Dakota Arts Council Philadelphia, PA Publishing & Literature Sioux City, SD Emerson College Bob Gaylor Boston, MA Kitty White (layperson) Visual Artist (other genres); Former Chair, Board of Trustees Executive Director Joyce Jenkins Boston Museum of Fine Arts Center for Contemporary Arts Editor, Poetry Flash, Inc.; Co-Director Lincoln, MA Santa Fe, NM Bay Area Writers Workshop at Mills College OPERA-MUSICAL THEATER Suzy Kerr Berkeley, CA Visual Artist (photography); Director Gloria Marinacci Allen Los Angeles Center for Yusef Komunyakaa Artistic Director Photographic Studies Poet; Editor Alaska Stage Company Los Angeles, CA Berkeley, CA Anchorage, AK Tom Nakashima Nancy [arson Shapiro Joseph McClain (chair) Visual Artist (painting); Director General Director Board Member Teachers & Writers Collaborative Austin Lyric Opera Washington Project for the Arts New York, NY Austin, TX Washington, DC

Cathy Von Fremd (layperson) L~m C. Morrow Peter Taub Assistant to the Clerk Director Visual Artist (photography, sculpture) U.S. Tax Court New Mexico Arts Division Executive Director Bethesda, MD Santa Fe, NM Randolph Street Gallery Chicago, IL ME])IA ~ Justin Moss General Director Susan Wyatt Deann Borshay Boston Lyric Opera Arts Consultant Development Director Boston, MA New York, NY National Asian American Telecommunications Association Michael Redden (layperson) San Francisco, CA Attorney; President Oregon Advocates for the Arts Portland, OR

1992 Annual Report

NATIONAL ENDOWMENT for the ARTS

Public Partnership Arts in Education

85 grants; 20 cooperative agreements; 3 interagency agreements Total Funds: $8,285,530 Program Funds: $7,791,830" Treasury Funds: $ 493,700 *Includes $150,000 in gift funds.

The Arts in Education Program has a broad mandate to provide national leadership in making the arts basic to education f?om prekindergarten through 12th grade. The Program pursues this by offering both funding support and leadership initiatives to a diverse constituency that includes state arts agencies (SAAs), am groups, education organizations, artists, teachers, administrators, parents and policymakers.

HIS YEAR THE ARTS IN EDUCATION PROGRAM developed a four-part approach to arts education T support. Grants in the Arts Education Partnership cate­ gory supported programs of state arts agencies (SAAs). While diverse in their approaches, all SAAs address the goals of the category, which are to provide substantial arts education expe­ riences for students from prekindergarten through 12th grade, and to make the arts a basic part of education at every grade level. A cornerstone of the states’ efforts is the artist residency program. During the 1990/91 school year more than 13,000 artists in all fields reached about 4 million students, teachers and administrators. The SAAs ensure that quality artists work in the schools, often enhancing what arts specialists or general classroom teachers teach. Other components of these programs include teacher in-service workshops; materials, conferences and programs to encourage local arts education planning; and model sites that develop curricula and instruc­ tional strategies. The SAAs work in partnership with state and local education agendes, arts organizations, businesses and others to develop and implement arts education pro­ grams tailored to the needs of each state. For example, the Montana Arts Council used Arts in Education funds to organize a six-county consortium in re­ mote southeastern Montana to employ a fulltime artist in residence for the entire school year. The SAA’s arts education program is also helping five low-power television stations work with artists in residence in local schools and commuo nity groups to develop locally produced programming for broadcast. J In Alaska, the State Coundl on the Arts found that many schools offer informal Native Arts education by hiring local artists and integrating Native Arts into Alaskan study units.

±96 National Endowment for the Arts Nelson Sosa leads children on a musical journey at Urban Gateways in Chicago. Artists-in-residence of many disciplines appear in schools and cultural centers throughout the nation with the help of Arts in Education grants awarded to state arts agencies.

i99zAnnual Report z97 Arts in Education

A committee of artists, teachers, administrators and parents is this year to support projects that address specific arts educa­ now discussing development of a comprehensive Native Arts tion efforts within a fidd or that involve several disciplines. curriculum that would encompass the five main Native These projects are developed within the Endowment’s disci­ groups of the state. pline programs, with support from AIE. For example, Dance In New Mexico, the Program helped the state Arts USA established a nationwide Task Force on Dance Division bring together artists and sponsors for workshops Education to examine and document the critical issues in and the opportunity to prepare collaborative projects. dance education as well as exemplary models in dance learning Workshop sessions focus on curriculum integration for spon­ for children and adults. A planned publication will include sors and educational methodology for artists. profiles of effective programs and recommendations for future The Collaboration Initiatives category supports leadership dance education efforts. Elsewhere, the Oregon Council of efforts in arts education and education reform that help fur­ Teachers of English is publishing the poetry and prose of con­ ther the arts as a basic part of edu­ temporary Oregon writers. The an­ cation. These leadership activities thologies will be used in schools, in involve arts education research, stu­ some cases with the writers as dent assessment in the arts, devel­ artists in residence. opment of voluntary world-class The third subcategory, Special standards in the arts, and the na­ Project Initiatives, supports long- tional recognition of teachers of the range or nationally significant pro­ arts. It also invests in projects that jects that often involve other increase access to performing arts Federal agencies or organizations. and cultural organizations, and that These include leadership initiatives facilitate collaborative efforts be­ to support a national consensus tween educators and arts profes­ process for the National Assess­ sionals to help develop sustained, ment of Educational Progress in-school arts curriculum programs. (NAEP), and development ofvol­ There are three subcategories: Arts ~ untary national standards in the Plus, Program Collaborations and ~o arts. The standards project, sup­ Special Project Initiatives. ~ ported in partnership with the Three-year Arts Plus awards National Endowment for the help arts organizations develop col­ Humanities and the U.S. Depart­ laborations and enter into long- ~ ment of Education, is being coor­ term partnerships with schools to ~ dinated by the Consortium of integrate the arts into the curricula. National Arts Education All projects will be documented Self.portraits depict children who have learned abom Associations. and evaluated so they can inform the arts of quilUng at Mississippi Cultural Crossroads, This subcategory also supports others about how these parmer- a Port Gibson communi~ center that receives Arts-in- summer fellowships for arts teach- ships are developed and sustained. EducaUon funds through the state arts agency. ers to enhance their knowledge For example, the Chicago and skills, and the creation of a Moving Company (CMC) is working with two inner-city national arts education research agenda in parmership with Chicago public schools in which most students are at-risk. the Department of Education. Investing in teachers of the The project will expand CMC’s successful residency program arts is investing in the future of our children. The fellowship which includes teacher training, curriculum development, program, developed and implemented by the Council for evaluation and community involvement. In Kentucky, Stage Basic Education, awarded 29 fellowships in the first year for One: The Louisville Children’s Theater is collaborating with summer study. Fellowships involved baskets and basket mak­ the Kentucky Cabinet for Education and the Humanities to ers of southern Appalachia, research on folk art traditions as­ work in three county school districts to integrate theater into sociated with the Indo-Hispanic celebration "El Dia de los primary and middle schools. Teacher and artist training and Muertos," and the study of pueblo pottery which resulted in a curriculum development are at the center of this project. curriculum for secondary schools that includes history as well The Program Collaborations subcategory was developed as production.

National Endowment for the Arts Arts in Education

~- ArtsMarket To support arts education program ac­ Grants Marion, MA $33,900 tivities. Panel I. [92-5154-0013] To support the next stage of program ~ Indicates grants having national impact. evaluation assistance for state arts agen­ Division of the Arts, Louisiana cies, including providing workshops, Deparbnent of Culture, Recreation, ARTS EDUCATION PARTNERSHIP updating a handbook, continuing to & Tourism GRANTS assist the states in the use and under­ Baton Rouge, LA $110,300 standing of program evaluation, and To support arts education program ac­ Available to state arts agencies only, offering program evaluation training to tivities. Panel II. [92-5154-0030] grants in this category support projects the AIE coordinators who are inter­ that build upon existing arts education ested in serving as mentors. Reviewed Georgia Council for the Arts programs which include artist residen­ by: John Paul Batiste, Austin, TX; Atlanta, GA $95,000 cies in a variety of educational settings Sheri Brown, Providence, RI; Shelley To support arts education program ac­ and other projects designed to help Cohn, Phoenix, AZ; Natalie Hala, Des tiv~ues. Panel I. [92-5154-0019] make the arts as basic a part of educa­ Moines, IA; Hollis Headrick, New tion as any other subject from pre­ York, NY; Brenda McCutchen, Guam Council on the Arts and HumaniUes kindergarten through 12th grade. Columbia, SC; Peter Sears, Salem, OR; Agana, GU $12,700 Bennett Tadeton, Nashville, TN. To support arts education program ac­ 54 grants; 1 cooperative agreement [DCA 92-27] tlv~ues. Panel II. [92-5154-0021] Program Funds: $4,506,300 Treasury Funds: $ 493,700 California Ads Council Idaho Commission on the Arts Sacramento, CA $98,800 Boise, ID $49,100 Alabama Slate Council on the Arts To support arts education program ac­ To support arts education program ac­ Montgomery, AL $70,900 tivities. Panel II. [92-5154-0003] tlwues. Panel II. [92-5154-0018] To support arts education program activities. Panel II. [92-5154-0006] Colorado Council on the Arts Illinois Arts Council Denver, CO $31,500 Chicago, IL $118,000 Alas~ Stnt~ Council on the Irt, To support arts education program ac­ To support arts education program ac­ Anchorage, AK $91,800 tivities. Panel II. [92-5154-0007] tivmes. Pand I. [92-5154-0020] To support arts education program ac­ tivities. Panel II. [92-5154-0005] Commonwealth of Pennsylvania Indiana Ads Commission Council on the Arts Indianapolis, IN $114,700 American Samoa Council on Arts, Harrisbur$ PA $124,700 To support arts education program ac- Culture, & Humanities To support arts education program ac­ UVltmS. Panel I. [92-5154-0012] Pago Pago, AS $25,100 tivities. Panel II. [92-5154-0039] To support arts education program ac­ InsUtute of Puerto Rican Culture tivities. Panel I. [92-5154-0009] Connecticut Commission on the Arts San Juan, PR $68,100 Hartford, CT $61,800 To support arts education program ac­ Arizona Commission on the Arts To support arts education program ac­ tivities. Panel I. [92-5154-0011] Phoenix, AZ $112,300 tivities. Panel II. [92-5154-0015] TF $50,000 Iowa Arts Council To support arts education program ac­ Delaware Division of the Arts Des Moines, IA $110,200 tivities. Panel I. [92-5154-0008] Wilmington, DE $38,200 To support arts education program ac­ To support arts education program ac­ tmtles. Panel II. [92-5154-0010] Arkansas Arts Council tivities. Panel I. [92-5154-0014] Little Rock, AR $41,600 Kansas Arts Commission To support arts education program ac­ Division of Cultural Affairs, Florida Topeka, KS $61,800 tivities. Panel I. [92-5154-0004] Department of State To support arts education program ac­ Tallahassee, FL $70,600 uviues. Panel I. [92-5154-0017]

i99zAnnual Report z99 Arts in Education

Kentucky Arts Council To support arts education program ac­ Rhode Island State Council on the Arts Frankfort, KY $135,300 tivities. Panel I. [92-5154-0047] Providence, RI $48,800 TF $50,000 To support arts education program ac­ To support arts education program ac­ Nevada State Council on the Arts tivities. Pand II. [92-5154-0038] tivities. Panel II. [92-5154-0045] Reno, NV $30,300 To support arts education program ac­ South Carolina Arts Commission Maine Arts Commission tivities. Pand II. [92-5154-0036] Columbia, SC $98,600 Augusta, ME $89,300 TF $65,000 To support arts education program ac­ New Hampshire State Council on the Arts To support arts education program ac­ tivities. Panel I. [92-5154-0034] Concord, NH $61,100 tivities. Panel II. [92-5154-0044] To support arts education program ac­ Mac/land StnI~ ~ Council tivities. Panel I. [92-5154-0026] South Dakota Arts Council Baltimore, MD $26,300 Sioux Falls, SD $100,400 To support arts education program ac­ New Jersey State Council on the Arts To support arts education program ac­ tivities. Panel II. [92-5154-0040] Trenton, NJ $187,500 tivities. Pand II. [92-5154-0049] To support arts education program ac­ Massachusetts Cultural Council tivities. Panel I. [92-5154-0041] State Arts Council of OMahoma Boston, MA $101,300 Oklahoma City, OK $139,100 To support arts education program ac­ New Mexico Arts Division To support arts education program ac­ tivities. Panel II. [92-5154-0037] Santa Fe, NM $67,600 tivities. Panel II. [92-5154-0048] To support arts education program ac­ Michigan Council for tivities. Panel I. [92-5154-0052] State Foundation on Culture and the Arts Arts and Cultural Affairs Honolulu, HI $65,400 Detroit, MI $91,600 New York State Council on the Arts To support arts education program ac­ To support arts education program ac­ New York, NY $39,800 tlwtles. Pand I. [92-5154-0053] tivities. Panel II. [92-5154-0055] TF $2O0,O00 To support arts education program ac­ Tennessee Arts Commission Minnesota State Arts Board tivities. Panel II. [92-5154-0046] Nashville, TN $117,200 St. Paul, MN $164,000 To support arts education program ac­ To support arts education program ac­ North Carolina Arts Council t~wues. Panel II. [92-5154-0027] tivities. Panel I. [92-5154-0035] Raleigh, NC $117,500 To support arts education program ac­ Texas Commission on the Arts Mississippi Arts Commission tivities. Panel I. [92-5154-0050] Austin, TX $55,300 Jackson, MS $70,000 To support arts education program ac­ To support arts education program ac­ North Dakota Council on the Arts tiwtles. Panel I. [92-5154-0054] tivities. Panel I. [92-5154-0032] Fargo, ND $71,000 To support arts education program ac­ Utah Arts Council Missouri State Council on the Arts tivities. Pand I. [92-5154-0023] Salt Lake City, UT $129,800 St. Louis, MO $140,000 To support arts education program ac­ To support arts education program ac­ Ohio Arts Council t,wtles. Panel II. [92-5154-0022] tivities. Panel II. [92-5154-0028] Columbus, OH $65,600 TF $128,700 Vermont Council on the Arts, Inc. Montana Arts Council To support arts education program ac­ Montpelier, VT $57,600 Helena, MT $50,600 tivities. Panel I. [92-5154-0024] To support arts education program ac­ To support arts education program ac­ t~wt,es. Panel I. [92-5154-0029] tivities. Panel I. [92-5154-0031] Oregon Arts Commission Salem, OR $125,000 Virgin Islands Council on the Arts Nebraska Arts Council To support arts education program ac­ St. Thomas, VI $14,200 Omaha, NE $151,800 tivities. Panel I. [92-5154-0051] To support arts education program ac­

300 National Endowment for the Arts Arts in Education

tivities. Panel II. [92-5154-0056] Endowment leadership projects in arts Festival of Music education and allow the Endowment Englewood Cliffi, NJ $150,000 Virginia Commission for the Arts to respond to special opportunities. To support Festival of Music, together Richmond, VA $85,000 with Artsgenesis, a leader in the design To support arts education program ac­ ARTS PLUS of arts programs for students with dis­ tivities. Panel II. [92-5154-0033] abilities, and New York City’s District 10 cooperative agreements 75, in launching a multicultural project Washington State Arts Commission Program Funds: $1,155,000 targeted to make the arts basic to spe­ Olympia, WA $67,700 First-year projects were reviewed by the cial education. Presenters panel. To support arts education program ac­ Arts Plus-Presenters, Arts Plus-Dance, [DCA 92-44] tivities. Panel I. [92-5154-0025] or Arts Plus-Theater and Opera panels. Amendments for second- and third-year Guadelupe Cultural Arts Center West Virginia Division of Culture & support were not reviewed by panel. San Antonio, TX $50,000 History, Arts & Humanities Section To amend a cooperative agreement to Charleston, WV $22,500 Chicago Moving Company support the second and third years of a To support arts education program ac­ Chicago, IL $126,000 three-year project. [DCA 91-40] tivities. Panel I. [92-5154-0016] To support Chicago Moving Company in working in partnership with two Heart of the Beast Wisconsin Arts Board inner-city Chicago public schools Puppet & Mask Theater Madison, WI $79,200 whose students are at-risk, to expand Minneapolis, MN $150,000 To support arts education program ac­ CMC’s successful residency program To support the Theater, together with tivities. Panel I. [92-5154-0042] by emphasizing teacher training, com­ four Twin Cities schools and the munity involvement, curriculum devel­ Minnesota Center for Arts Education, Wyoming Arts Council opment, and evaluation. Dance Panel. in developing a puppetry arts immer­ Cheyenne, WY $98,800 [DCA 92-48] sion program designed to integrate To support arts education program ac­ and evaluate an ongoing multicultural tivities. Panel II. [92-5154-0043] Dallas Opera puppetry arts program in grades K-12. Dallas, TX $150,000 Opera and Theater Panel. ARTS EDUCATION To support the Coalition for Creative [DCA 92-45] COLLABORATION INmATIVES Learning with Opera, formed by Dallas Opera, the San Francisco Opera, and Helena Presents The Arts Education Collaboration OperaDelaware, to work with local Helena, MT $150,000 Initiatives category is designed to sup­ school districts. Using the same "Music! To support Helena Presents, in part­ port projects from the field that ad­ Words! Opera!" curriculum with differ­ nership with Helena and other county vance the arts’ progress in becoming a ent approaches, the coalition will school districts, in implementing a plan part of basic education and to provide demonstrate that a curriculum that bal­ to make dance, theater, and opera- for Endowment collaborations and ances the creative process and the study musical theater education an integral leadership initiatives. It has three sub­ of opera can increase student content part of the elementary school curricu­ categories: Arts Plus supports arts orga­ knowledge, modify instructional prac­ lum and to expand arts education op­ nizarions that are working in long-term tices, and bring parents more direcdy portunities for secondary students in partnerships with schools to make the into the learning process. Opera and this rural area. Presenters Panel. arts basic to the school experience as Theater panel. [DCA 92-46] [DCA 92-50] well as to make arts education basic to the mission of arts organizations. Dell’Arte School of Physical Theater Houston Ballet Program Collaborations provide op­ HumboMt, CA $50,000 Houston, TX $150,000 portunities for the ME Program to To amend a cooperative agreement to To support the Ballet, in partnership work with other Endowment programs support the second and third years of a with the Houston Grand Opera, Alley to address specific arts education needs three-year project. [DCA 91-38] Theater, Texas Institute for Arts in within a field or across arts disciplines. Education, several diverse cultural or­ Special Project Initiatives support ganizations, and the Houston

1992 Annual Report Arts in Education

Independent School District in devel­ Stage One: The Louisville 1992-93 academic year, nine emerging oping a coordinated, comprehensive Children’s Theater chamber ensembles reside in nine rural arts in education effort focusing on Louisville, KY $104,000 communities in Iowa, Kansas, and dance, opera, and theater in grades To support the Theater, in partnership Georgia and work with local schools pre-K through 8. The project empha­ with three county school districts, the and colleges to teach both children and sizes teacher training, parent education, Kentucky Cabinet for Education and adults while building ensemble reper­ curriculum development, artist-student the Humanities, and the Kentucky toire and gaining performance experi­ interaction, and evaluation. Dance Department of Education, in utilizing ence. Reviewed by Martin Ashby, and Opera and Theater panels. theater education to strengthen the Pittsburgh, PA; Ronald Crutcher, [DCA 92-47] basic education of students. Opera and Cleveland, OH; Mellasenah Morris, Theater Panel. [DCA 92-49] Montgomery, AL; Lois Shaefer, Opera Memphis Boston, MA; Marian Vafiades, Memphis, TN $75,000 Hampden, ME. [DCA 92-08] To support Opera Memphis, in part­ PROGRAM COLLABORATIONS *Co-funded with $52,500j~om the nership with an International Magnet Music Program for a total of $167,500. High School and the Memphis City 23 grants; 1 cooperative agreement Schools, in integrating opera-musical Program Funds: $783,000 ¢r American Architectural Foundation theater into the curriculum and to in­ Washington, DC $50,000 troduce students to the process of writ­ �~ Affiliate Artists, Inc. In collaboration with the Design Arts ing, creating, and producing a new New York, NY $115,000" Program, to support the Foundation’s opera. Opera and Theater Panel. In collaboration with the Music White House Anniversary Educational [DCA 92-51] Program, to support the pilot imple­ Outreach Program. Reviewed by Anne mentation year of the Chamber Music E1-Omami, Cincinnati, OH; Elizabeth Rural Residencies project. During the Jones, Washington, DC; Donlyn

Siblings David, Philip, Janet and TImothy Ying warm up for their Chamber Music Rural Residency in Jesup, iowa under the aegis of the Cedar Arts Forum. The Ying Quartet, from Winetka, illinois, joined the pilot for this promising project administered by Affiliate Artists.

National Endowment for the Arts Arts in Education

Lyndon, Berkeley, CA; Martha Ann ~r Dance21JSA M unson-Williams-Prector Institute Millerborg, Oklahoma City, OK; and Washington, DC $50,000 (Museum of Art) Vicki Poppin, Portland, OR. In collaboration with the Dance Utica, NY $5,000 [92-4258-0096] Program, to support a nationwide Task In collaboration with the Museum Force on Dance Education. Dance Program, to support the development Appalshop, Inc. Program’s General Services to the Field of curriculum materials for fourth- Whitesburg, RT $28,000 Panel. [92-3370-0284] grade students that will link the mu­ In collaboration with the Expansion seum’s collection of 19th-century Arts Program, to support the DeCordova and Dana Museum and Park American art to the stUdy of local his­ Appalachian Media Institute, an in­ (DeCordova Museum and Sculpture Park) tory. Museum Program’s Utilization ternship program for students in local Lincoln, MA $15,000 of Museum Resources Panel A. high schools with unusually high In collaboration with the Museum [92-4445-0104] dropout rates. Expansion Arts’ Arts Program, to support Gallery on the Education Initiative Panel. Go, an in-depth school outreach pro­ Music from China, Inc. [92-5370-0329] gram. Museum Program’s Utilization New York, NY $25,000 of Museum Resources Panel A. In collaboration with the Expansion Attic Theatre, Inc. [92-4445-0102] Arts Program, to support in-school and Detroit, MI $12,500 summer programs of Chinese music In collaboration with the Theater J.B. Sl~l ~ Museum workshops with follow-up instrumental Program, to support the Attic Theatre’s Louisville, KY $20,000 classes. Expansion Arts’ Arts Education Professional Seminar Program in which In collaboration with the Museum Initiative Pand. [92-5370-0360] students from local high schools work Program, to support the development with professional actors in the develop­ of a series of educational resource mate­ ~r National Alliance of ment and performance of new work. rials on the permanent collection for Media Arts Centers, Inc. Theater Program’s National Resources area schools. Museum Program’s Oakland, CA $50,000 Panel. [92-3211-0297] Utilization of Museum Resources In collaboration with the Media Arts Panel A. [92-4445-0087] Program, to support the coordination Center Stage Associates, Inc, and implementation of an expansion Baltimore, MD $12,500 Ko-Thi, Inc. (Ko-Thi Dance Company) of media arts literacy programs offered In collaboration with the Theater Milwaukee, WI $16,000 by leading media arts centers. Reviewed Program, to support the Playwrights­ In collaboration with the Expansion by Steve Anker, San Francisco, CA; in-Schools program for elementary, Arts Program, to support Drumtalk, a Kate Horsfield, Chicago, IL; Michelle middle, and senior high schools for program designed to introduce elemen­ Valladares, New York, NY. the 1992-93 season. Theater tary and high school students to [92-3470-0206] Program’s National Resources Panel. African culture through lecture dem­ [92-3211-0296] onstrations, participatory exercises, ~- National Assembly of and performances. Expansion Arts’ Local Arls Agencies Corporation of the Fine Arts Museums Arts Education Initiative Panel. Washington, DC $100,000 (Fine Arts Museums of San Francisco) [92-5370-0349] In collaboration with the Media Arts San Francisco, CA $40,000 Program, to support the pilot year of the In collaboration with the Museum Michigan Opera Theater Media Arts Corps project, in which Program, to support a comprehensive Detroit, MI $10,000 graduate art students are placed in resi­ art education program for fifth-grade In collaboration with the Opera- dencies in rural communities to do students studying American history in Musical Theater Program, to support various projects. Reviewed by Steve the San Francisco Unified School Michigan Opera Theatre’s Create an Anker, San Francisco, CA; Kate Hors- District. Museum Program’s Opera workshop program for the field, Chicago, IL; Michelle Valladares, Utilization of Museum Resources Hamtramck School District students. New York, NY. [92-3470-0204] Panel A. [92-4445-0119] Opera-Musical Theater’s Professional Companies Panel B. [92-3570-0293]

z992Annual Report 303 Arts in Education

Opera Carolina to introduce oigera to Native American SPECIAL PROJECT INmATIVES Charlotte, NC $25,000 youth and adults. Opera-Musical In collaboration with the Opera- Theater Panel A. [92-3570-0224] 7 grants; 9 cooperative agreements; Musical Theater Program, to support 3 interagency agreements activities of Opera Carolina’s Depart­ Seattle Group Theatra Program Funds: $1,347,530" ment of Community Programs, includ­ Seattle, WA $12,500 *Includes $150,000 in girl funds. ing residencies with underserved youth In collaboration with the Theater and an educational series for college Program, to support expenses associ­ ~r American Council for the Arts, Inc. students. Opera-Musical Theater ated with performances and workshops New York, NY $25,000 Panel A. [92-3570-0229] in elementary and middle schools To support a symposium on arts edu­ throughout Seatde and Tacoma. cation assessment. Reviewed by Derek Opera Memphis, Inc. Theater Program’s National Resources Gordon, Harrisburg, PA; Ruth Hewitt, Memphis, TN $10,000 Panel. [92-3211-0299] Salem, OR; E. Wade Hobgood, Rock In collaboration with the Opera- Hill, SC; William Hopper, Vincennes, Musical Theater Program, to support Taos Art Association, inc. IN; and Nadine Saidin, Chicago, IL. the production of an educational opera Taos, NM $10,000 [92-5170-0060] based on As ILay Dying, by William In collaboration with the Expansion Faulkner. Opera-Musical Theater Arts Program, to support a comprehen­ ~r ArlsMarket Consulting Panel A. [92-3570-0228] sive program of traditional folk arts Marion, MA $1,295 and contemporary arts for children in To amend a cooperative agreement to Oregon Council of Teachers of English grades K-12 and Headstart centers. support technical assistance in program Portland, OR $39,000 Expansion Arts’ Arts Education evaluation for the state arts agencies. In collaboration with the Literature Initiative Panel. [92-5370-0354] [DCA 91-24] Program, to support the publication and distribution of two anthologies of Tennessee State Universil~� Boston Latin School contemporary creative writing by Nashville, TN $100,000 Boston, MA $5,000 Oregon writers compiled under the In collaboration with the Music To amend a cooperative agreement to aegis of the Oregon Council of Program, to support five historically support the Boston Latin School’s eval­ Teachers of English. Literature black colleges and universities uktion and dissemination of a multi­ Program’s Professional Development (HCBUs) seeking to improve the disciplinary arts curriculum. Panel (1992). [92-5270-0244] quality of music education in [DCA 89-57] Nashville, Greensboro, NC; Atlanta, People’s Lig4R and Theatre Company GA; Montgomery, AL; and Jackson, ~r Council for Basic Education Malvern, PA $12,500 MS. Reviewed by Leroy Jenkins, New Washington, DC $75,000 In collaboration with the Theater York, NY; Winnifred Mays, Flagstaff, To support the implementation of a Program, to support the Chester New AZ; Carol Quin, Jackson, TN; Carter second year of the Teachers of the Arts Voices Project, in which local high Wailes, Richmond, VA; and Marian Fdlowship Program. [DCA 92-35] school students work with professional Vafiades, Hampden, ME. actors to create new plays, and in [92-3170-0682] ~, Education Department, Alliance for which teacher workshops help integrate Arts Education, Kennedy Center play development into the curriculum. Virginia Museum of Fine Arts Washington, DC $22,000 Theater Program’s National Resources Richmond, VA $20,000 To amend a cooperative agreement Panel. [92-3211-0298] In collaboration with the Museum to study existing efforts and develop Program, to support an arts education recommendations for a national arts Santa Fe Opera Foundation program for students in grades K-6. education dissemination network. Santa Fe, NM $5,000 Museum Program’s Utilization of [DCA 91-16] In collaboration with the Opera- Museum Resources Panel A. Musical Theater Program, to support [92-4445-0090] the Pueblo Opera Program, designed

304 National Endowment for the Arts Arts in Education

~ Music Educators National Conference ~ New York University ~r U. S. Department of Education Reston, VA $33,800 New York, NY $150,000 Washington, DC $670,000* To support development of software To support concluding the work of To support an interagency agreement and printing costs for the self-assess­ thirteen teacher-researchers of the related to the national consensus ment package developed by the Music National Arts Education Research process directed by the National Educators National Conference Center. [DCA 92-21] Assessment Governing Board (NAGB) (MENC) for school music programs. to develop the framework for a planned Partnership Grants Panel II. ~, Organizational and national arts assessment in 1996. [92-5170-0057] Management Group, Inc. *Includes $150,000 in gifi fund~. Philadelphia, PA $1,057 ~ NaUonal Assembly of To amend a cooperative agreement to University of Montana State Arts Agencies support the completion of research for Missoula, MT $25,000 Washington, DC $74,500 a report tided How the Arts Contribute To support the university’s summer To support the development and im­ to Excellent Education. [DCA 90-52] arts/education institute and graduate plementation of a professional develop­ program for education administrators ment conference for state arts agency Southern Arls Federation, Inc. and K-12 teachers in the arts and hu­ AIE coordinators. This grant and the Atlanta, GA $30,000 manities. Reviewed by Gale Gomes- next two were reviewed by: John Paul To support arts education activities Bjelland, Murrietta, CA; E. Wade Batiste, Austin, TX; Sheri Brown, providing leadership at the regional Hobgood, Rock Hill, SC; Leon Jones, Providence, RI; Shelley Cohn, level. Reviewed by Dean Amhaus, St. George, UT; JoAnna Moore, Phoenix, AZ; Natalie Hala, Des Madison, WI; Robert Duncan, Philadelphia, PA; Martin Skomal, Moines, IA; Hollis Headrick, New Lincoln, NE; Michael Garcia, St. Paul, Omaha, NE. [92-5170-0058] York, NY; Brenda McCutchen, MN; Ruth Hewitt, Salem, OR; Laura Columbia, SC; Peter Sears, Salem, OR; Loyoncano, Denver, CO; Don Meyer, Urban Gateways Bennett Tadeton, Nashville, TN. Santa Fe, NM; Don Profitt, Chicago, 1L $12,500" [DCA 92-26] Lawrenceville, NJ. [92-5170-0061] [92-3052-0061] *See International chapter. ~ National Assembly of Southern Arts FederaUon, Inc. State Arts Agencies Atlanta, GA $5,000 Young AspirMions Young ArUsts, Inc. Washington, DC $97,378 To amend a grant m support the activi­ New Orleans, LA $25,000 To support the administration, over a ties of the Federation’s Arts Education To support production of a video doc­ two-year period, of various professional Task Force. [91-5170-0082] umenting Young Aspirations/Young development and technical assistance Artists’ training of artistically talented activities for the state arts agencies, in­ ~r U. S. Deparlment of Educa’don inner-city high school youth to become cluding coordinating travel, per diem Washington, DC $50,000 professional visual artists. Reviewed by: and honoraria for consultant visits, the To support an interagency agreement William Aguado, Bronx, NY; Kim Coordinator Exchange, and cluster for research projects in cooperation Crabb, Galveston, TX; Gale Gomez- professional development workshops with the Office of Educational Bjelland, Murietta, CA; Derek around the country. Reviewed by indi­ Research and Improvement of the Gordon, Harrisburg, PA; Concetta viduals named above. [DCA 92-34] Department of Education. Morales, Des Moines, IA; and Anthony Radich, St. Louis, MO. ~r Natio,al Assembly of ~" U. S. Department of Educalion [92-5170-0002] State Arts Agencies Washington, DC $35,000 Washington, DC $10,000 To support an interagency agreement To support the production of Primer, for two projects that further the an arts education newsletter for state Secretary of Education’s America 2000 arts agency AIE coordinators and oth­ Arts Partnership. ers. Reviewed by panelists named above. [DCA 92-13]

1992 Annual Report 305 Arts in Education

Nathaniel Phipps William Hopper (layperson) Panels Chief, Bureau of Arts and Principal Music Education Tecumseh-Harrison ARTS EDUCATION PARTNERSHIP New York State Department of Elementary School GRANTS PANEL I Education Vincennes, IN Albany, NY Frank Bluestein Francisco Lefebre Teacher Debbie Shannon Muralist Germantown High School Director of Education Albuquerque, NM Germantown, TN Kentucky Center for the Arts Whitesbur$ KY Pamela Par~ale Anna Marie Boles Chair, Arts and Humanities Section Arts in Education Coordinator Kay Swan West Virginia Division of Idaho Commission on the Arts Director of Arts Education Culture & History Boise, ID Iowa Arts Council Kearneysville, WV Des Moines, IA Dennis Holub (chair) Carol Jean Sigman Executive Director ARTS EDUCATION PARTNERSHIP Education Director South Dakota Arts Council GRANTS PANEL II Arizona Commission on the Arts Sioux Falls, SD Phoenix, AZ Barbara Benisch Nikki Hu Executive Director Kathleen Stept Dancer; Choreographer Arts Assembly of Jacksonville Arts Education Director Boston, MA Jacksonville, FL Mississippi Arts Council Jackson, MS Charles McNeal Betty Castro (layperson) Director, Community Teacher ARTS PLUS INITIATWE #1 - PRESENI"ERS Outreach Program Austin Independent School District San Francisco Ballet Austin, TX Joan Boyett (chair) San Francisco, CA Director Nicolette Clark (chair) Music Center of Los Angeles Mary Ann Mears Executive Director Los Angeles, CA Secretary/Treasurer and Chairperson, Vermont Arts Council Arts in Education Subcommittee Burlington, VT Shirley Trusty Corey Maryland Arts Council Executive Director Baltimore, MD Sandra Furey Arts Council of New Orleans Executive Director New Orleans, LA Martha Ann Millerborg (layperson) Urban Gateways Principal Chicago, IL Vanessa Greene Wiley Post Hementary School Executive Director Oklahama City, OK Vernon Goadin Afr0-American Cultural Center Executive Director Charlatte, NC Barbara Neal North Dakota Council on the Arts Director Fargo, ND Johnny Irlzarry Colorado Council on the Arts Executive Director Denver, CO Virginia Ruth Hewitt (layperson) Taller Puertorriqueno Chairperson Philadelphia, PA Oregon State Board of Education Salem, OR

306 National Endowment for the Arts Arts in Education

Janis Lane-Ewart ARTS PLUS INITIATIVE #3 - OPERA Senior Program Director AND THEATER Arts Midwest Minneapolis, MN Peter Buckley Actor; Education Director Pamela Loving (layperson} Dell’Arte School of Physical Theater School Board Member Blue Lake, CA Flint Community Schools Flint, MI Talmage Fauntleroy Director of Opera Bill Mitchell University of South Carolina Director Columbia, SC Arts Center Council Fayetteville, AR Paul Fisher (chair) Director of Education ARTS PLUS INmATIVE #2 - DANCE Tucson/Pima Arts Council Tucson, AZ Michelle Audet Director of Education Jeff Hooper New York City Ballet Artistic Director New York, NY Mad River Theatre Works West Liberty, OH Wayne Cook (chair) Artist in Residence Program Josephine Love Administrator Arts Educator; Author California Arts Council Detroit, MI Sacramento, CA Lynette Turner Carol Guzman Producing Director Executive Director Perserverance Theater Hispanic Cultural Foundation Douglas, AK Albuquerque, NM Miles Willard (laypersou) Alton Miller (layperson} President Instructor in Writing Miles Willard Company Columbia College ldaho Falls, 1D Chicago, IL Kimmika Williams Nayo Watkins Playwright-in-schools; Author; Actress Organizational Development Philadelphia, PA Consultant Durham, NC

Joan Woodbury Artistic Director, Ririe-Woodbury Dance Company; Chairman, Modern Dance Department University of Utah Salt Lake City, UT

I99zAnnual Report 307 Local Arts Agencie."

35 grants; 5 cooperative agreements Program Funds: $2,419,946

The Local Arts Agencies Program OCormerly the Locals Program) The Local Arts Agency Development Category aims to focuses on effective methods to strengthen a national support ,ys­ encourage planning for community cultural development tem for local cultural development. The Program helps commu­ and to improve the quality and caliber of local arts agency nities affirm authentic and inclusive priorities. Also, it seeks to administrators and board members through leadership and increase the level of citizen involvement in the cultural affairs of management training. Funding is available through Planning their communities. and Professional Staffgrants and through Leadership, Training and Services grants. UST AS CHAMBERS OF COMMERCE HAVE HELPED The Planning and Professional Staff category stressed the advance local business enterprise in America, local arts value of access and communication between the local arts J agencies advance arts and cultural development in com­ agency and the community. Business, education, govern­ munities small and large across the nation. Data gathered ment and community leaders participated in planning pro­ by the National Assembly of Local Arts Agendes show that jects, as did artists and patrons and members of arts organi­ the average local arts agency budget grew six percent in 1992. zations. By raising community awareness about the arts, the Of this money, 75 percent went to artists and arts organiza­ projects also heightened community involvement in and tions, while the rest was used to produce programming, de­ support of its cultural resources. Twenty-two grants were sign, arts-in-education, and neighborhood outreach programs. funded in communities from Grand Rapids, Michigan to Active involvement of the communities is one reason for Las Cruces, New Mexico. continued growth; 56 percent have arts programs that The Chicago Department of Cultural Affairs received a address social issues such as youth-at-risk, race relations, and planning grant to support a downtown cultural district plan. homelessness. The Chicago Cultural District will address the dynamic rela­ While grants in the Local Government Incentive tionships between cultural facilities and neighborhoods, be- ’ Category require a two-to-one match by city and/or county tween the downtown and neighborhood cultural communi­ governments, the projected match was three-to-one in 1992. ties, and the economic impact of city-wide cultural Grants in this category serve 2,668 local arts organizations in programming. The goal of this plan is to establish a perma­ 333 communities. About one-third of these funds went to nent funding mechanism to target city-wide cultural pro­ rural communities. gramming for Chicago. In Louisiana, the Shreveport Regional Arts Council re­ In Tacoma, Washington, the Pierce County Department ceived a three-year grant to support implementation of ten of Community and Economic Development received fund­ programs in the community’s cultural planning process. The ing for a new director of programs for the local Arts Com­ Arts Council will help revitalize the city’s downtown and mission. Responsible for the New Audiences program, Arts riverfront areas by aiding with installation of art works, by a in Education programs and services, among others, this per­ new grants program for artists and arts organizations, and by son will also provide ongoing technical assistance for local developing a preliminary plan for an Arts Center. The artists and arts organizations. Shreveport community will invest more than $600,000 for The Leadership Training and Services category supported neighborhood development. activities at the regional and national levels that focused on The Arts Council of Fort Worth and Tarrant County re­ professional development of local arts agency administrators. ceived a three-year grant to develop neighborhood arts centers. Through a cooperative agreement, the National Assembly A Neighborhood Arts Program Advisory Committee identi­ of Local Arts Agencies will develop Fundamentals of Local fied existing neighborhood structures for adaptation as multi­ Arts Agency Management workshops for local arts agencies disciplinary arts centers. Each center will provide finandal and throughout the United States. In 20 locations across the technical support to neighborhood-based arts groups and aid country, workshops will address local partnership building, Ft. Worth’s major and mid-sized arts institutions. Through community cultural planning, board and staff development, this project, the community will be contributing over volunteer management, and other issues. The Endowment $300,000 in new money to Ft. Worth’s neighborhoods. also supports the National Assembly of Local Arts Agencies’

308 National Endowment for theArts Mar~lyn Zwak’s adobe ~ures, |nsplred by prehistoric Indian forms, adorn an Arizona highway. The project was funded by the Phoenix Arts Commission, one of 3800 local arts organizations served by the National Assembly of Local Arts A~encies, an Endowment b~antee.

~99z Annual Report 309 Local Arts Agencies

economic impact studies, publications, technical assistance, staff members in nine states received travel assistance to at­ planning and management for administrators. tend conferences important to their professional develop­ In Florida, the Arts Assembly of Jacksonville received fund­ ment. Four statewide assemblies of local arts agencies re­ ing for the expansion of a pilot comprehensive arts education ceived funding for newly created executive director positions. program for Duval County. This two-year project brings to­ Twenty-six local arts agencies were able to hire first-time pro­ gether teachers, principals, school board members, and the fessional directors. general public to build and strengthen a coalition for arts in The Mississippi Arts Commission in Jackson received education. Part of the project will utilize a PTA Cultural Arts support for a three-part technical assistance program in small group to develop an information and advocacy network, create scale communities. This project provides local arts agencies fundraising opportunities for long term programming, and with tools to nurture and assess their cultural resources to ex­ continue to provide access to information and arts education pand arts experiences and education. The project will include resources for programming by PTAs in schools. statewide training meetings and other resources for local arts Grants were available in 1992 to state arts agencies agencies. under this category for greater assistance to developing local The Massachusetts Cultural Council received a three-year arts agencies in rural, inner-city and under-served areas. grant to support hiring of executive directors for local arts These 1992 Underserved Communities Set-Aside funds agencies. Up to six local arts agencies will receive funding for went to 32 states and one territory for Technical Assistance a flrst-time executive director. Each local community will be and Basic Salary Assistance. Fourteen Technical Assistance contributing half the cost of the position, while the state arts grants funded more than 17 on-site management projects council and the Endowment will contribute the balance. and consultancies. Seventeen conferences and workshops These new directors will create regional "hubs" that can serve were slated for areas not previously served. Local arts agency as models and mentors to other emerging local arts agencies.

Texans produce and attend A Midsummer Night’s Dream at the Abilene Christian University Shakespeare Festival with help from the Abilene Cultural Affairs Council.

310 National Endowment for the Arts Local Arts Agencies

City of Chicago, Deportment and administrative capabilities by se­ Grants of Cultural Affairs curing permanent professional plan­ Chicago, IL $150,000 ning and administrative staff, conduct­ Indicates grants having national impact. To support the development of the ing community-wide cultural planning, Community Cultural Center Network. or developing agency plans. Grants to [92-6242-0029] state arts agencies support planning LOCAL GOVERNMENT and technical assistance programs for iNCENTIVE CATEGORY Ci~ of Detroit, Council of the Arts local arts agencies and increased com­ Detroit, MI $150,000 munity development staff at the state Includes two subcategories: Local To support the Council of the Arts in level. Leadership Training and Grants are awarded to local arts agen­ implementing recommendations of the Services grants are awarded to service cies, councils, or commissions for City’s cultural plan, which includes two organizations and educational institu­ three-year projects that support and de­ new model programs. [92-6242-0028] tions that provide: 1) specific training velop the arts within a city, county, or programs for professional development multi-county region. Grants must be Dade Coun~ Cultural Affairs Council of local arts agency staff, and 2) na­ matched by at least 2-to-1 with new Miami, FL $60,000 tional or regional services such as publi­ local public dollars. State-Local To amend a grant to support a Capital cations, research, or special projects Partnership Grants are awarded to Development Grant Fund Program aimed at professional development for state arts agencies representing local that will assist neighborhood-based arts local arts agencies. arts agencies or consortia of local arts organizations undertake capital im­ agencies for support and development provement projects in the wake of PLANNING AND PROFESSIONAL of the arts within local communities. Hurricane Andrew. [88-6242-0020] STAFF GRAMS These grants must be matched 1-to-1 with new state arts agency appropria­ Shreveport Regional Ads Council 21 grants; 1 cooperative agreement tions, and these combined federal-state Shreveport, LA $300,000 Program Funds: $530,826 dollars must be matched 1-to-1 with To support implementation of the new local public dollars over a three- community cultural plan for the City Alliance of New York Slate year period. of Shreveport. [92-6242-0026] Arts Councils, Inc. New Windsor, NY $50,000 LOCAL GRAHTS STATE-LOCAL PARTNERSHIP GRANTS To support community cultural plan­ ning for local arts agencies in the State 6 grants 1 grant of New York. [92-6252-0006] Program Funds: $960,000 Program Funds: $300,000 Arts Council of Greater Abilene Chamber of Commerce California Arts Council Grand Rapids, Inc. FoundaUon, Abilene Cultural Affairs Sacramento, CA $300,000 Grand Rapids, MI $15,490 Council To support implementation of the To sup, port the development of a Abilene, TX $150,000 California Arts Council’s new State- strategic marketing and promotion To support the implementation of the County-City Partnership Program. plan and related costs. [92-6252-0013] Abilene cultural plan which will in­ [92-6243-0030] clude the new Grants Assistance Arts Council of Santa Clara County, Inc. Program. [92-6242-0025] LOCAL ARTS AGENCY San Jose, CA $30,000 DEVELOPMENT CATEGORY To support the development of an Arts Council of Fort Worth and agency plan for the Arts Council. Tarrant County, Inc. Includes two subcategories: Planning [92-6252-0016] Fort Worth, TX $150,000 and Professional Staff Grants, awarded To support the creation of neighbor­ to both local and state arts agencies, en­ hood arts centers for the city of Fort able local arts agencies to permanently Worth. [92-6242-0027] increase and improve their planning

1992 Annual Report 311 Local Arts Agencies

Broome Coun~ Arts Council, Inc. Decatur Area Arts Council, Inc. Pierce County Department of Community Binghamton, NY $15,000 Decatur, IL $18,466 and Economic Development, Pierce To support the Council’s cultural plan­ To support a community-wide cultural Count~, Arts Commission ning process which will provide a plan planning process for the City of Tacoma, WA $16,870 for Broome County’s cultural re­ Decatur. [92-6252-0015] To support the new position of direc­ sources. [92-6252-0010] tor of programs for the Pierce County Delaware Division of the Arts Arts Commission. [92-6252-0019] City of Chicago, Wilmington, DE $30,000 Department of Cultural Affairs To support the Ddaware Division of Sarasoto Counta¢ Arts Council, Inc. Chicago, IL $50,000 the Arts in conducting community Sarasota, FL $30,000 To support the Department of cultural assessments with local arts To support the development of a Cultural Affairs in the development of agencies. [92-6252-0008] county-wide cultural needs assessment, a downtown cultural district plan for study, and plan for Sarasota County. Chicago. [92-6252-0004] Dena Ana Arts Council, inc. [92-6252-0009] Las Cruces, NM $15,000 Cltl¢ of New York, To support the development of a com­ Southern Illinois Arts Department of Cultural Affairs munity cultural plan for the City of Carterville, 1L $30,000 New York, iVY $30,000 Las Cruces. [92-6252-0011] To support the preparation of a cul­ To support arts planning efforts by the tural plan that will assist in the devel­ New York Department of Cultural Jackson Arts Alliance, Inc. opment of arts activities at the local Affairs in conjunction with the City’s Jackson, MS $15,500 and regional levels in southern Illinois. non-arts boards and community To support the new position of a pub­ [92-6252-0014] boards. [DCA 92-31] lic information director and related costs for the Alliance. [92-6252-0021] Wall Street Center for the Arts Cily of Oakland, Cultural Arts Division Chico, CA $15,00O Oakland, CA $30,000 Greenville Arts Conncil To support the Wall Street Center for To support the Cultural Arts Division Greenville, MS $15,000 the Arts with development of a com­ in the development of Phase II of To support the development of a munity cultural plan for Butte County, Oakland’s Strategic Plan for Cultural community cultural plan for the City California. [92-6252-0017] Development. [92-6252-0012] of Greenville. [92-6252-0007] LEADERSHIP TRAINING AND SERVICES City of Pasadena, Arts Commission Lawton Arts & Humanities Council Pasadena, CA $20,000 Lawton, OK $18,000 7 grants; 4 cooperative agreements To support the development of a com­ To support the development of a Program Funds: $629,120 munity cultural plan for the City of community cultural plan for the City Pasadena. [92-6252-0005] of Lawton. [92-6252-0001] Arts Assembly of Jacksonville, Inc. Jacksonville, FL $20,000 Ci~ of San Antonio, Department Lower Manhattan Cultural Council, inc. To support the continuarion and of Arts and Cultural Affairs New York, NY $26,000 expansion of a comprehensive arts San Antonio, TX $23,000 To support the new position of mar­ education program for Dural County, To support the development of a total keting director for the Council. Florida. Leadership Training & agency plan for the department. [92-6252-0020] Services Panel (1992). [92-6265-0063] [92-6252-0002] Palm Beach County Council of the Arts California Arts Council Ci~ of Wichita, Park & West Palm Beach, FL $22,500 Sacramento, CA $10,000" Recreation Department To support the new position of direc­ To support a conference entided Wichita, KS $15,000 tor of development services for the Creative Capital for California’s To support the development of a com­ Council. [92-6252-0018] Future: Economic Development in the munity cultural plan for Wichita/ Arts. [92-6265-0054] Sedgwick County. [92-6252-0003] *Extraordinary Action Grant

National Endowment for the Arts Local Arts Agencies

City of Los Angeles, ~, National Assembly of Dalmrlm~ut of Cultural Affairs Local Arts Agencies Panels Los Angeles, CA $50,000 Washington, DC $100,000 To support the L.A. Recovery Fund, To support the National Assembly of which will establish grants to create Local Arts Agencies (NALAA) in pre­ LEADERSHIP TRAINING & SERVICES cultural and artistic projects for riot-af­ senting Fundamentals of Local Arts (1991) fected areas of Los Angeles by regrant­ Agencies workshops at 20 sites through­ ing monies through a community arts out the United States. Leadership Lynda Martha Burkel panel. Local Government Incentive Training & Services Panel (1991). Artistic Director Category Panel. [92-6265-0056] [DCA 92-20] Lynda Martha Dance Company Evanston, IL Greater Augasta Arts Council, Inc. ~ National Assembly of Augusta, GA $20,000 Local Arts Agencies Judith Chalker To support the design and implemen­ Washington, DC $14,700 Multi-Arts Coordinator tation of the second phase of "Arts To support a program of on-site evalu­ Ohio Arts Council Infusion," a sequential arts in educa­ ations of lo&al arts agencies that apply Columbus, OH tion model for local arts agencies. for funding from the Locals Program in Leadership Training & Services Pand FY ’93. Leadership Training & Services Joseph Golden (1992). [92-6265-0064] Panel (1992). [DCA 92-54] President Spirit Square Center for the Arts Montana Institute of the Arts Foundation ~r National Assembly of Charlotte, NC Bozeman, MT $25,000 Local Arts Agencies To support the Native American Washington, DC $338,000 Elizabeth Kennedy Cultural Institute in designing a study To support services to the professional Arts Consultant to determine the viability of establish­ and volunteer leaders of organizations E1 Segundo, CA ing an inter-tribal Northern Plains that provide excellent cultural opportu­ Native American Arts Agency. Local nities in their communities and to sup­ Gregory Kunesh (chair) Government Incentive Category Panel. port an education staff position within Professor/Director, School of Drama [DCA 92-33] NALAA’s Arts in Education program. University of Oklahoma Leadership Training & Services Panel Norman, OK ~ National Assembly of (1991). [92-6265-0023] Local Arts Agencies Karan Gundersen Olson Washington, DC $10,000" ~, University of Minnesota-Twin Cilios, Board Member To support National Arts Week ’92, Humphrey InsUtute of Public Affairs South Dakota Arts Council featuring the theme "Lifelong Learning Minneapolis, MN $30,000 Rapid City, SD Through the Arts." [92-6265-0051] To support the Humphrey Institute’s *Extraordinary Action Grant Local Arts Leadership Institute which Han~ey Rose (layperson) provides innovative teaching of leader­ City Manager ~r National Assembly of ship, and resources geared to local is­ City of Steamboat Springs Local Arts Agencies sues. Leadership Training & Services Steamboat Springs, CO Washington, DC $11,420 Panel (1991). [92-6265-0024] To support a program of on-site evalu­ Daniel Salazar ations of local arts agencies that apply Filmmaker; Director of for funding from the Locals Program in Individual Artist Program FY ’92. Leadership Training & Services Colorado Council on the Panel (1991). [DCA 92-09] Arts and Humanities Denver, CO

z99z Annual Report 313 Local Arts Agencies

Victoria Sharpley LOCAL GOVERNMENT INCENTIVE Haniet Sanford Executive Director Executive Director The Association of American Cultures Barbara Schaffer Bacon (chair) Fulton County Arts Council Washington, DC Arts Consultant Atlanta, GA Amherst:, MA Chris Van Antwerp Victoria Sharpley Arts Education Consultant Lynda Martha Burkel Executive Director Kalamazoo Valley Intermediate Artistic Director The Association of American Cultures School District Lynda Martha Dance Company Washington, DC Grand Rapids, MI Evanston, IL PLANNING AND PROFESSIONAL LEADERSHIP TRAINING & SERVICES Judith Chalker STAFF GRANTS (19921 Community Development Coordinator Ohio Arts Council Barbara Schaffer Bacon Lynda Martha Burkel Columbus, OH Arts Consultant Artistic Director Amherst, MA Lynda Martha Dance Company Eduardo Diaz Evanston, IL Executive Director Lynda Martha Bud(el City of San Antonio, Department of Artistic Director Joseph Golden (chair) Arts & Cultural Affairs Lynda Martha Dance Company President San Antonio, TX Evanston, IL Spirit Square Center for the Arts Charlotte, NC Joseph Golden Judith Chalker President Multi-Arts Coordinator Karen Gundersen Olson Spirit Square Center for the Arts Ohio Arts Council Board Member Charlotte, NC Columbus, OH South Dakota Arts Council Rapid City, SD Karen Gundersen Olson Joseph Golden Board Member President Kathleen Paviick (layperson) South Dakota Arts Council Spirit Square Center for the Arts Assistant Vice-President, Manager of Rapid City, SD Charlotte, NC Corporate Contributions Chemical Bank Kathleen Paviick (layperson) Elizabeth Kennedy New York, NY Assistant Vice-President, Manager of Arts Consultant Corporate Contributions E1 Segundo, CA Harvey Rose (layperson) Chemical Bank City Manager New York, NY Gregory Kunesh City of Steamboat Springs Professor/Director, School of Drama Steamboat Springs, CO Harvey Rose (layperson) University of Oklahoma City Manager Norman, OK Daniel Salazar City of Steamboat Springs Filmmaker; Director of Steamboat Springs, CO Marion Andrus McCollam (chair) Individual Artist Program Executive Director Colorado Council on the Daniel Salazar Cultural Arts Council of Houston Arts and Humanities Filmmaker; Director of Houston, TX Denver, CO Individual Artist Program Colorado Council on the Karen Gundereen Olson Arts and Humanities Board Member Denver, CO South Dakota Arts Council Rapid City, SD

~I4 National Endowment for the Arts Local Arts Agencies

Han~ey Rose (layperson) City Manager City of Steamboat Springs Steamboat Springs, CO

Daniel Salazar Filmmaker; Director of Individual Artist Program Colorado Council on the Arts and Humanities Denver, CO

Harriet Sanford Executive Director Fulton County Arts Council Atlanta, GA

Cynthia Lewis Schaal Executive Director Lynchburg Fine Arts Center Richmond, VA

Victoria Sharpley Executive Director The Association of American Cultures Washington, DC

Chris Van Antwerp Arts Education Consultant Kalamazoo Valley Intermediate School District Grand Rapids, MI

"First Night for Kids" rings in New Year’s Eve under the aegis of an arts council in North Carolina, which continues its manifold projects under a muKi-year Endowment grant.

1992 Annual Report 315 State & Regional

76 grants; 8 cooperative agreements Program Funds: $30,840,085

The State & Regional Program is the primary source of variety of proposals and enabled the Endowment to invest Endowment support for programs administered by designated in projects that are making a positive difference in the lives arts agencies in 50 states and six special jurisdictions and by of people living in rural and inner-ciry communities. seven multi-state regional arts organizations. The Program ad­ Projects supported through this category included: ministers those Endowment funds reserved by law primarily ¯ Pennsylvania’s Strategies for Success Program of tech­ for formula grants to these state and regional arts agencies. nical assistance and grants to cultural organizations in under-served areas; S IN PREVIOUS YEARS, IN FY ’92 MOST , Montana’s initiative to enable Native American com­ State & Regional Program funds were invested munities to develop arts education programs that reflect A through the Basic State Grants and Regional their culture and history; Arts Programming Grants categories. Some ¯ Arizona’s anti-drug partnership of artists, private en­ monies were used to encourage collaborative initiatives terprise, law enforcement and educators to support arts jointly developed and implemented by other Endowment programs that help youth to reject drugs; program offices, state arts agencies (SAAs) and regional ¯ Texas’s program of community-based artist residencies arts organizations. Collaborative initiatives for FY ’92 in­ in public housing developments in Houston, Dallas, San cluded Dance on Tour and the Regional Visual Arts Antonio and El Paso; Fellowships. ¯ Mississippi’s support of community-based projects This year Basic State Grants of nearly $26 million such as Starkville’s Children’s Arts Festival, invoMng col­ helped leverage $213 million in funds appropriated by the laboration among artists, Headstart programs, 4-H coun­ states, a return of more than eight state dollars for each fed­ cils, and local cultural and civic groups. eral dollar. These funds were used to respond to the needs and opportunities of the individual states and jurisdictions. EFFECTIVE NATIONAL STRATEGIES FOR SUPPORT OF Goals most commonly identified by SAAs include: in­ the arts in underserved areas, as well as for arts in educa­ creased access to arts experiences; encouragement of excel­ tion, dance touring, the folk arts and more, would be diffi­ lence through development and support of arts organiza­ cult or impossible without a strong network of state and re­ tions; assistance to individual artists; and promotion of the gional arts agencies. This network exists largely because of arts in education. the Basic State Grants and Regional Arts Programming Regional Arts Programming Grants were combined Grants, which constitute a stable, ongoing resource for arts with more than $6 million in state and regionally raised programs that respond to local needs. private money. These funds were then used to support the Before receiving these funds, agencies must show that activities of seven multi-state regional organizations. their programs respond to goals developed through public Throughout the country, these grants provided the fee sub­ planning, and that their own grant decisions are based on sidy needed to enable community organizations to present published criteria and conflict-free peer review. They must arts events of high quality. Regional groups report that in also present evidence of substantial efforts to involve the previous year alone they helped more than 1,000 pre­ underserved groups and assure broad access to programs. senters bring performing artists to a combined audience of The federal investment in state arts agencies and re­ more than 4 million. In addition, these organizations assist gional organizations has produced excellent returns. individual artists through fellowships, artist residencies and Agencies have developed non-federal sources of support; other services to artists. addressed needs identified at the state and regional levels; The State & Regional Program also administers a por­ and developed into strong partners, able to work with tion of the Endowment program funds set aside for projects Endowment programs in delivering arts resources to people in artistically underserved areas. This year the Arts Projects in every part of the country. in Underserved Communities category stimulated a great

316 National Endowment for the Arts /.fie Ra~, a site-specific sculpture in her portfolio, helped Sally Fine win a grant from the New England Foundation fur the Arts, one of six regional arts organizaUons funded by the Endowment.

z99z Annual Report 317 State & Regional

Commonwealth of Pennsylvania Institute ofPuerto~can Culture Grants Council on the Arts SanJuam PR $469,000 Harrisburg, PA $563,000 PandA.[92-6141-0066] Indicates grants having national impact. Panel B. [92-6141-0010] Iowa Arts Council BASIC STATE GRANTS Connecticut Commission on the Arts Des Moines, IA $46O,OOO Hartford, CT $465,000 Panel A. [92-6141-0012] To provide basic support to state arts Panel A. [92-6141-0024] agencies. Kansas Arts Commission Delaware Division of the Arts Topeka, KS $456,000 56 grants Wilmington, DE $436,000 Panel A. [92-6141-0042] Program Funds: $25,880,864 Panel B. [92-6141-0016] Kentucky Arts Council Alabama State Council on the Arts District of Columbia Commission Frankfort, KY $470,000 Montgomery, AL $474,000 on the Arts and Humanities Panel A. [92-6141-0014] Panel A. [92-6141-0025] Washington, DC $435,000 Panel B. [92-6141-0029] Maine Arts Commission Alaska State Council on the Arts Augusta, ME $442,O0O Anchorage, AK $434,000 Division of Cultural Affairs, Florida Panel A. [92-6141-0039] Panel B. [92-6141-0054] Department of State Tallahassee, FL $525,864 Ma~iand State Arts Council American Samoa Council on Culture, Panel A. [92-6141-0028] Baltimore, MD $482,000 Arts & Humanities Panel B. [92-6141-0048] Pago Pago, AS $201,000 Division of the Arts, Louisiana Panel B. [92-6141-0065] Department of Culture, Recreation, Massachusetts Cultural Council & Tourism Boston, MA $496,000 Arizona Commission on the Arts Baton Rouge, LA $476,000 Pand A. [92-6141-0062] Phoenix, AZ $470,000 Panel A. [92-6141-0006] Pand B. [92-6141-0032] Michigan Council for Arts and Georgia Council for the Arts Cultural Affairs Arkansas Arts Council Atlanta, GA $502,000 Detroit, MI $534,000 Little Rock, AR $455,000 Panel A. [92-6141-0007] Panel A. [92-6141-0051] Panel B. [92-6141-0040] Guam Council on the Arts and Humanities MinnesotaStateArtsBoa~ Arts & Humanities Section, West Virginia. Agana, GU $201,000 St. PauLMN $478,000 Division of Culture & History Panel B. [92-6141-0067] PanelA. [92-6141-0061] Charleston, WV $448,000 Panel B. [92-6141-0064] Idaho Cammiesion ontheArls Mississippi Arts Commission Boise, ID $440,000 Jackson, MS $457,000 California Arts Council Panel B.[92-6141-0058] Panel A. [92-6141-0011] Sacramento, CA $766,OOO Panel B. [92-6141-0038] Illinois Arts Council Missouri State Council on the Arts Chicago, IL $558,000 St. Louis, MO $486,000 Colorado Council on the Arts Panel A. [92-6141-0055] Panel B. [92-6141-0036] Denver, CO $466,000 Panel A. [92-6141-0030] Indiana Arts Commission Montana Arts Council Indianapolis, IN $491,000 Helena, MT $437,O00 Commonwealth Council for Arts & Culture Panel B. [92-6141-0057] Panel B. [92-6141-0023] Saipan, CM $200,000 Panel A. [92-6141-0105]

National Endowment for the Arts State & Regional

Nebraska Arts Council Omaha, NE $446,OOO Panel B. [92-6141-0049]

Nevada State Council on the Arts Reno, NV $442,000 Panel B. [92-6141-0020]

New Hampshire State Council on the Arts Concord, NH $441,000 Panel A. [92-6141-0031]

New Jersey State Council on the Arts Trenton, NJ $516,000 Panel A. [92-6141-0053]

New Mexico Arts Division Santa Fe, NM $445,OOO Panel B. [92-6141-0041]

NewYorkStutecouncilonthe Arts New York, NY $633,000 PaneI B.[92-6141-0047]

North CarolinaArtscouncil Ra~igh, NC $503,000 PanelA.[92-6141-0017]

North Dakota Council on the Arts Fargo, ND $435,000 Panel B. [92-6141-0008]

Ohio Arts Council Columbus, OH $551,000 Panel A. [92-6141-0059]

Oregon Arts Commission Salem, OR $460,0O0 Panel B. [92-6141-0046]

Rhodeisland State councilontbe Arts Providence, RI $440,000 PanelA.[92-6141-0021]

South Carolina Arts Commission Columbia, SC $468,000 Panel A. [92-6141-0050] Older Nebreskans benefit from their state arts agency’s Artists in Schools/Communities program which places professional artists in many community settings.

1992 Annual Report 319 State & Regional

$o~ Dakota Arts Council REGIONAL ARTS PROGRAMMING New England Foundation for the Arts Sioux Falls, SD $436,000 GRANTS Cambridge, MA $439,000 Panel A. [92-6141-0019] To support regional arts projects in For regional groups of two or more Connecticut, Maine, Massachusetts, S~d~ ~ ~ouncil o~ OMahoma state arts agencies to support arts pro­ New Hampshire, Rhode Island, and Oklahoma City, OK $464,000 grams planned and implemented on a Vermont. Panel A. [92-6142-0009] Panel B. [92-6141-0063] multistate basis. Southern Arts Federation State Foundation on Culture and the Arts 8 grants Atlanta, GA $687,136 Honolulu, HI $441,000 Program Funds: $3,914,136 To support regional programs and ac­ Panel B. [92-6141-0013] tivities in Alabama, Florida, Georgia, ~ Midwest Kentucky, Louisiana, Mississippi, Tennessee Arts Commission Minneapolis, MN $638,000 North Carolina, South Carolina, and Nashville, TN $484,000 To support regional programs and Tennessee. Panel A. [92-6142-0034] Panel A. [92-6141-0052] services in Illinois, Indiana, Iowa, Michigan, Minnesota, North Dakota, Western States Arts FederaUon Texas Commission on the Arts Ohio, South Dakota, and Wisconsin. Santa Fe, NM $839,000 Austin, TX $621,000 Panel A. [92-6142-0056] To support regional programs and ac­ Panel A. [92-6141-0060] tivities in Alaska, Arizona, California, Consortium for Pacific Arts and Cultures Colorado, Idaho, Montana, Nevada, Utah Arts Council Honolulu, HI $219,000 New Mexico, Oregon, Utah, Salt Lake City, UT $448,0OO To support regional programs and Washington, and Wyoming. Panel B. Panel A. [92-6141-0044] services in the territories of American [92-6142-0035] Samoa, Guam, and the Northern Vermont Council on the Arts, Inc. Mariana Islands. Panel A. Mon~elier, VT $434,000 [92-6142-0015] COLLABORATIVE INmATIVES PandA. [92-6141-0027] Mid-America Arts Alliance To support initiatives reflecting a high ~rginlMandsCouncilontheArts Kansas City, MO $439,000 level of collaboration in both develop­ St. Thomas, VI $201,000 To support regional programs and ser­ ment and implementation between Panel B.[92-6141-0026] vices in Arkansas, Kansas, Missouri, state and regional arts agencies and Arts Nebraska, Oklahoma, and Texas. Endowment discipline programs. Virginia gommi~ion ~or the Ar~ Panel B. [92-6142-0106] Richmond, VA $498,000 Panel B. [92-6141-0043] Mid-America Arts AJliance Kansas City, MO $15,000" 6 cooperative agreements Washington StateArtsCommission [92-3052-0062] Program Funds: $300,000 Olympia, WA $483,000 *See International chapter. These cooperative agreements were Panel B.[92-6141-0037] reviewed by the Visual Arts Program’s Mid AtlanUc Arts Foundation Special Projects Panel. Wisconsin Arts Board Baltimore, MD $638,000 Madison, WI $484,000 To support regional programs and ser­ Arts Midwest Panel B. [92-6141-0018] vices in Delaware, the District of Minneapolis, MN $50,000* Columbia, Maqcland, New Jersey, To support a regional fellowship pro­ Wyomin~ Arts Council New York, Pennsylvania, Virginia, the gram in 1993 providing up to thirty Cheyenne, WY $433,000 Virgin Islands, and West Virginia. $5,000 grants to artists working in Panel B. [92-6141-0022] Panel B. [92-6142-0045] photography, sculpture, and crafts-­ ten in each medium; and to partially support the 1994 program providing

National Endowment for the Arts State & Regional

Kathy Casey and Arthur Armijo swing out in Susan Marshall & Company’s Kiss. The troupe travels widely as pert of Dance on Tour, one of the State & Regional Program’s CollaboraUve initiatives. up to thirty $5,000 grants in painting photography, sculpture, and crafts gram in 1993 providing up to thirty and works on paper. Eligible artists ten in each medium; and to partially $5,000 grants to artists working in must be legal residents of Illinois, support the 1994 program providing photography, sculpture, and crafts-­ Indiana, Iowa, Michigan, Minnesota, up to thirty $5,000 grants in painting ten in each medium; and to partially North Dakota, Ohio, South Dakota, and works on paper. Eligible artists support the 1994 cycle providing up to or Wisconsin. [DCA 92-39] must be legal residents of Arkansas, thirty $5,000 grants in painting and * Co-funded with $250, O003~om the Kansas, Missouri, Nebraska, works on paper. Eligible artists must be Visual Arts Program, for a total of Oklahoma, or Texas. [DCA 92-38] legal residents of Delaware, Maryland, $300,000. *Co-funded with $250,000]9om the New Jersey, New York, Pennsylvania, Visual Arts Program, for a total of Virginia, the District of Columbia, or Mid-America Arts Alliance $300,000. the Virgin Islands. [DCA 92-43] Kansas City, MO $50,000* * Co-funded with $200,O00from the To support a regional fellowship pro­ Mid Atlantic Arts FoundalJon, inc. Visual Arts Program, for a total of gram in 1993 providing up to thirty Baltimore, MD $50,000* $250,000. $5,000 grants to artists working in To support a regional fellowship pro­

z99z Annual Report State & Regional

New England Foundation for the Art~ Wyoming. [DCA 92-40] New Mexico Arts Division Cambridge, MA $50,000* * Co-funded with $250, O00jqom the Santa Fe, NM $35,000 To support a regional fellowship pro­ Visual Arts Program, for a total of To support costs associated with per­ gram in 1993 providing up to thirty $300,000. formance and residency activities by an $5,000 grants to artists working in pho­ out-of-state dance company during tography, sculpture, and crafts ten in DANCE ON TOUR the 1993-94 season. 1992 panel. each medium; and to partially support [92-5445-0283] the 1994 program providing up to Dance on Tour grants are funded col­ thirty $5,000 grants in painting and laboratively with the Presenting & State Foundation on Culture & the Arts works on paper. Eligible artists must be Commissioning and Dance programs. Honolulu, HI $15,000 legal residents of Connecticut, Maine, To support costs associated with lec­ Massachusetts, New Hampshire, Rhode 10 grants ture-demonstrations and master classes Island, or Vermont. [DCA 92-42] Program Funds: $669,450 by out-of-state modern and bal!et com­ * Co-funded with $250, O003@om the These grants were reviewed by the panies, the technical assistance of a Visual Arts Program, for a total of Presenting & Commissioning theatrical technician, and a Pacific $300,000. Program’s 1991 and 1992 Dance on Dance Festival event. 1992 panel. Tour pands. [92-5445-0282] Southern Arl~ FodemUon Atlanta, GA $50,000* STATE COMPONENT Wisconsin Arts Board To support a regional fellowship pro­ Madison, WI $50,000 gram in 1993 providing up to thirty Arizona Commission on the Arts To support costs associated with the $5,000 grants to artists working in Phoenix, AZ $35,000 residency activities of the Ballet photography, sculpture, and crafts-­ To support costs associated with the Hispanico during a residency and tour ten in each medium; and to partially planning and execution of a month­ of the state in the fall of 1993. 1992 support the 1994 program providing long residency by an out-of-state dance panel. [92-5445-0284] up to thirty $5,000 grants in painting company, seminars in five rural com­ and works on paper. Eligible artists munities, and travel subsidies to presen­ REGIONAL ~OMPONE~IT must be legal residents of Alabama, ters and dance artists to attend dance Florida, Georgia, Kentucky, Louisiana, festivals. 1991 panel. [92-5442-0161] Arts Midwest Mississippi, North Carolina, South Minneapolis, MN $170,720 Carolina, or Tennessee. [DCA 92-41] Arizona Commission on the Arts For artists’ fees support to presenters * Co-funded with $250, O00~om the Phoenix, AZ $25,000 throughout Illinois, Indiana, Iowa, Visual Arts Program, for a total of To support the planning and execution Michigan, Minnesota, North Dakota, $3oo, ooo. of residencies by the Lewitzky Dance Ohio, South Dakota, and Wisconsin for Company in a number of rural com­ dance presentation during the 1992-93 Western States Arts Federation munities and Tucson, and related season and for related administrative Santa Fe, NM $50,000* activities associated with the Dance on costs. 1991 panel. [92-5442-0163] To support a regional fellowship pro­ Tour project during the 1993-94 gram in 1993 providing up to thirty season. 1992 panel. [92-5445-0278] Mid-America Arts Alliance $5,000 grants to artists working in pho­ Kansas City, MO $77,960* tography, sculpture, and crafts--ten in Delaware Division of the Arts For artists’ fees support to presenters each medium; and to partially support Wilmington, DE $14,000 throughout the member states for dance the 1994 program providing up to To support costs associated with resi­ presentation during the 1992-93 sea­ thirty $5,000 grants in painting and dency activities throughout the state by son, for related administrative expenses, works on paper. Eligible artists must be the Ko-Thi Dance Company during and for costs associated with a special legal residents of Alaska, Arizona, the 1993-94 season. 1992 panel. initiative with the Alvin Ailey Dance California, Colorado, Hawaii, Idaho, [92-5445-0279] Theatre. 1991 panel. [92-5442-0165] Montana, Nevada, New Mexico, *Co-funded with $117, O00 j~om the Oregon, Utah, Washington, or Dance Program for a total grant of $194,960.

National Endowment for the Arts State & Regional

New England Foundation for the Arts ~rNational Assembly of Anthony Radich Cambridge, MA $57,050* State Arts Agencies Executive Director For artists’ fees support to presenters Washington, DC $3,600 Missouri Arts Council throughout the member states for To amend a cooperative agreement for St. Louis, MO dance presentation during the 1992-93 site visits to state arts agencies and re­ season, for related administrative costs, gional organizations. [DCA 90-24] BASIC STATE GRAMIS PANEL B and for costs associated with a tour of the American Indian Dance Theater. ~National Assembly of Ramona Baker 1991 panel. [92-5442-0162] State Arts Agencies Director *Co-funded with $50,O003qom the Washington, DC $54,035 The Arts Council Inc. Presenting & Commissioning Program To amend a cooperative agreement for Huntsville, AL for a total grant of $107, 050. information services and costs rdated to publications on state and regional ~ Besne Western States Arts Federation rural and cultural diversity initiatives. Interim Director Santa Fe, NM $189,720 Panel B. [DCA 91-35] Michigan Council for the For artists’ fees support to presenters Arts and Cultural Affairs throughout the member states for Detroit, MI dance presentation during the 1992-93 season and for related administrative Panels Susie Farr costs. 1991 panel. [92-5442-0164] Director BASIC STATE GRANTS PANEL A Association of Performing Arts Presenters STATE SUPPORT SERVICES Marvin Cohen (layperson, chair) Washington, DC Partner, Sacks, Tierney, & Kasen; To support costs of services provided Chair Jeffrey A. Kesper on a national basis to state arts agencies Arizona Commission on the Arts Executive Director and regional groups. Phoenix, AZ Southern Arts Federation Atlanta, GA 2 grants; 2 cooperative agreements Cecilia Fitzglbbon Program Funds: $75,635 Executive Director Shirley Sneve Delaware Division of the Arts Assistant Director California Arts Council Wilmington, DE South Dakota Arts Council Sacramento, CA $10,000 Sioux C#y, SD To assist the California Arts Council in Lonny Kaneko hosting Strategies for Stabilization and Member Alden C. Wilson (chair) Growth in the 90’s, a day-long dialogue Washington State Arts Commission Executive Director between California arts organizations Olympia, WA Maine Arts Commission and representatives of the public and Augusta, ME private donor community. Joanne Kozberg [92-6165-0005] Executive Director The designated layperson could not Extraordinary Action Grant. California Arts Council attend due to illness. Sacramento, CA ~NaUonal Assembly of State Arts Agencies Pamela ParzJale Washington, DC $8,000 Chair To amend a grant to support NASAA’s Arts & Humanities Section, West arts policy development, leadership and Virginia Division of Culture & History communications development, and ad- Kearneysville, WV ministration/governance programs. [91-6165-0092]

1992 Annual Report Underserved Com

130 grants; 2 cooperative agreements Program Funds: $6,156,300

The Endowment’s reauthoHzation statute required that in and thirteen potentially involve both rural and urban 1992 not less than 5percent of the agency’s program funds be communities. awarded to state arts agencies and regional arts organizations to Assistance to tribal colleges and schools in Montana will support projects in rura~ inner-city and other artistically under- boost development of arts education programs that deal with served areas. Thus, the Underserved Communities Set-Aside Native American culture and history. In Texas, support for initiative. Its goals: to offer granu to state and regional arts or­ community-based artist residencies will stimulate artistic ac­ ganizations in order to support projects that raise the artistic tivity and awareness in public housing developments in capabilities of developing arts o~ganizations, and to stimulate Houston, Dallas, San Antonio and E1 Paso. In North artistic activity and awareness, and broaden public access to the Carolina, a grant will provide support for the organizational arts in these areas. development of arts groups based in Black, Asian, Hispanic and Native American communities. IVE ENDOWMENT PROGRAMS PARTICIPATED Local Arts Agencies Program: Set-Aside funds continue in the Underserved Communities Set-Aside to be used for a Locals Program category offering two types F Initiative in FY ’92: State and Regional, Locals, of grants: 1) Technical Assistance grants, which provide op­ Folk Arts, Expansion Arts, and Presenting and portunities for staff development and technical assistance Commissioning. Through the combined efforts of through state arts agencies working alone or in conjunction these programs, support reached most states, spedal juris­ with statewide assemblies of local arts agencies; 2) Basic dictions, and a number of regional arts organizations. Salary Assistance grants, which serve as catalysts for establish­ (Of the $6.1 million awarded to projects in underserved ing and stabilizing professional leadership in developing local communities, $3.9 million or 64 percent went to rural arts agencies through the hiring of professional, full-time communities.) executive directors. The Endowment sought to expand access to the arts in Through these mechanisms this year, the Local Arts rural areas by working with State Rural Development Agencies Program served over 700 local arts agencies. In Councils through the Presidential Initiative on Rural addition, grants to three regional arts organizations sup­ Development. Several projects, including joint ventures, in­ ported projects for other local arts agencies. Projects ranged volved support from other federal agencies: the Economic from technical assistance to develop the South Dakota Arts Development Administration, Small Business Council’s Native Arts Planning effort for nine Indian reser­ Administration, Forest Service, National Park Service, and vations to basic salary assistance for new executive directors the Soil Conservation Service. One such grant, to the Maine in several communities. Forty-eight local arts agencies re­ Arts Commission, enabled a study of the feasibility of a per­ ceived salary assistance to help provide management and manent marketing center for Maine’s traditional/folk arts. technical professional assistance to artists and arts groups. The Programs that supported the Underserved Folk Arts: The Folk Arts Program channeled Set-Aside Communities Set-Aside are: moneys through both its Folk Arts Organizations and State State & Regional Program: The Arts Projects in Arts Apprenticeships categories, thus engaging the nation­ Underserved Communities category allows each state or re­ wide infrastructure of state folk arts coordinators. Through gional arts agency flexibility to work with underserved com­ this network and with Set-Aside funds, Folk Arts is breaking munities to develop projects tailored to their particular new ground with populations and in regions that have been needs. Grants are available for projects that improve artistic previously underserved. The Folk Arts Organizations cate­ and managerial abilities of developing arts organizations and gory supports the presentation of, documentation of, and as­ that stimulate artistic activity, increase awareness and sistance to.folk artists. Folk Arts Apprenticeships provide broaden public arts access. state agencies with matching funds to assist apprenticeships In FY ’92, this category provided 37 grants in 32 states between senior artists or artisans and talented mid-level and four special jurisdictions. Fifteen projects focus primarily learners. on rural communities, nine on inner-city communities This year the Folk Arts Program awarded 47 grants total-

National Endowment for the Arts nun ¯ t ¯ es Set-Aside ¯

American Indian Dance Theatre performs the Apache Crown Dance, one of the many indigenous works it offers when touring.

1992. Annual Report Underserved Communities Set-Aside

ing $1,079,000 in Set-Aside funds that directly reached 27 states and two special jurisdictions. In addition, grants to two regional arts organizations indirecdy sup­ ported projects. The projects included a gathering of cowboy poets and musicians in southern New Mexico, and a survey of Mexican American traditional musicians in Washington State. Apprentice grants funded with set- aside monies reached 21 states, from Hawaii to Rhode Island and from Alaska to Alabama. Expansion Arts: The Expansion Arts Program launched a pilot Rural Arts Initiative in 1989, which seeks to identify and strengthen emerging rural arts orga­ nizations that have the capacity to improve the quality of their work and to reach wider audiences. Matching grants have been awarded to state arts agencies for re~ granting to rural arts groups. For FY ’92 eight grants were awarded totalling $379,000. This initiative, funded through the Set-Aside, continues to be administered by Expansion Arts. Fourteen states have participated in it to date: Alabama, Alaska, Arizona, Iowa, Louisiana, Maine, Montana, New Mexico, North Carolina, North Dakota, Pennsylvania, South Carolina, Texas and Wisconsin. Together, these awards support arts organizations that graphically reflect America’s rural diversity. For ex­ ample, the Arizona program focuses on the tribal muse­ ums that have emerged in the state in recent years, offer­ ing them both grant and technical assistance. In Iowa, the Rural Arts Initiative funds organizations ranging from the Amana Colonies to a modern art gallery and a touring theater. Presenting and Commissioning/Dance on Tour: The Dance On Tour category is designed to strengthen dance and dance audiences by supporting dance touring. In 1992, tours in six states were particularly targeted to reach rural or inner-city areas. Projects supported in this category ranged from residencies by dancer Stephen Kopolowitz and members of his company in rural Maine communities to performances and residency ac­ tivity by the American Indian Dance Theater in four Minnesota sites. The Lewitzky Dance Company will visit f~ve rural communities in Arizona -- Lake Havasu, Page, Stafford, Yuma, and Prescott -- during the 1993­ 94 season. Days-long engagements in each site will in­ clude planning and technical assistance consultations on Travis Cole performs an Athabaskan dance at the Native marketing, facility preparation, and outreach as well as Heritage Festival, a project encouraged by the master classes, lecture-demonstrations, open rehearsals, Endowment-supported Native Arts/Folk Arts Coordinator talks with local business and political leaders, and chore­ at the Alaska State Council on the Arts. ography classes.

National Endowment for the Arts Underserved Communities Set-Aside

platy rural arts organizations with several rural communities throughout Grants institutional potential. [92-5370-0372] Colorado. Grants I Panel. [92-5533-0074] Indicates grants having national impact. North Dakota Council on the Arts Fargo, ND $25,000 Colorado Council on the Arts EXPANSION ARTS To support the development of arts Denver, CO $17,500 organizations in rural and underserved To support a local folk arts coordinator RURAL ARTS INITIATIVE areas and to develop regional arts cen­ in the San Luis Valley. Grants I Pand. ters to serve large, sparsely-populated [92-5533-0090] 8 grants areas. [92-5370-0373] Program Funds: $379,000 Commonwealth of Pennsylvania Texas Commission on the Arts Council on the Arts Unless otherwise noted, these grants Austin, TX $120,000 Harrisbur$ PA $10,000 were reviewed by the Rural Arts To support a three-year regranting pro­ To support a series of regional work­ Initiative/Community Foundation gram for rural arts organizations. Ex­ shops to initiate folk arts and cultural Initiative Panel listed in the Expansion pansion Arts Program’s Services to the planning in local communities. Grants Arts chapter. Field Panel (1992). [92-5370-0387] II Panel. [92-5533-0148].

Arizona ~ommission on the Arts W’mconsin Arts Board Connec’dcut Commission on the Arts Phoenix, AZ $34,000 Madison, WI $40,000 Hartfbrd, CT $22,000 To support funding for full-time mu­ To support the third year of a three- To support a traditional artists in the seum directors’ salaries in selected tribal year subgranting program for exem­ schools program in Connecticut. museums in Arizona. [92-5370-0366] plary rural arts organizations with Grants II Panel. [92-5533-0177] institutional potential. [92-5370-0369] Commonwealth of Pennsylvania ~ Division of the Arts, Louisiana Council on the Arts Department of Culture, RecrentJon, Harrisbur$ PA $40,000 FOLKARTS & Tourism To support the second year of a three- Baton Rouge, LA $22,700 year subgranting program for rural arts 47 grants To support "Swapping Stories," a video organizations. [92-5370-0367] Program Funds: $1,079,300 documentary examining Louisiana’s diverse storytelling traditions. Grants II Maine Arts Commission Grants were reviewed by the Grants I Panel. [92-5533-0215] Augusta, ME $40,000 and Grants II panels listed in the Folk To support regranting to rural arts Arts chapter. Georgia Council for the Arts organizations with exemplary artistic Atlanta, GA $29,500 programming and strong community To support the Georgia Folklife support. [92-5370-0371] Program at the Georgia Council for the Alaska Stale Council on the Arts Arts. Grants I Pand. [92-5533-0057] Montana Arts Council Anchorage, AK $28,100 Helena, MT $40,000 To support the position of Native Illinois Arts Council To support the second year subgrant­ Arts/Folk Arts Coordinator at the Chicago, 1L $12,000 ing program for exemplary rural arts Alaska State Council on the Arts. To support an American Indian organizations with institutional Grants I Panel. [92-5533-0093] Heritage Arts Conference of the Mid­ potential. [92-5370-0368] west. Grants II Panel. [92-5533-0190] Colorado Council on the Arts North Carolina Arts Council Denver, CO $29,500 Raleigh, NC $40,000 To support costs related to touring the To support the third year of a three- exhibit "Master/Apprentice: Colorado year subgranting program for exem­ Folk Art and Artists 1986-1990" to

1992Annual Report 317 Underserved Communities Set-Aside

InslJtute of Puerto Rican Culture conference on brown ash basketmak­ featuring the traditional arts of the San Juan, PR $19,100 ing. Grants II Panel. [92-5533-0141] Clark County area, drawing from To support a series of dasses in junior artists identified by the previously high schools in the making and playing Mississippi Arts Commission funded Las Vegas Folk Arts Survey. ofthe Puerto Rican guira and in the Jackson, MS $23,000 Grants II Panel. [92-5533-0128] growing of the marimbo gourd from To support the state folk arts program which it is made. Grants II Panel. of Mississippi. Grants II Panel. ~- New England Foundation for the Arts [92-5533-0165] [92-5533-0124] Cambridge, MA $27,200 To support folk artist showcases, Kentucky Arts Council Nebraska Arts Council panels, and related activities at the Frankfort, KY $37,200 Omaha, NE $20,000 Association of Performing Arts To support the Folk Masters Touring To support the state folk arts coordina­ Presenters (APAP) conference in New Program in Kentucky. Grants II Panel. tor position in Nebraska for a second York City, in collaboration with the [92-5533-0173] year. Grants I Panel. [92-5533-0062] Southern Arts Federation and New York State Council. Grants II Panel. Maine Arts Commission Nevada State Council on the Arts [92-5533-0157] Augusta, ME $9,300 Reno, NV $20,700 To support a series of forums and a To support a festival and publication New Hampshire State Council on the Arts Concord, NH $38,900 To support a state folk arts coordinator program in New Hampshire. Grants II Pand. [92-5533-0129]

New Mexico Arts Division Santa Fe, NM $20,000 To support the presentation of regional Anglo, Hispanic, and Mescalero Apache traditional poets, musicians, and dancers at the Lincoln County Cowboy Symposium. Grants II Panel. [92-5533-0162]

Oregon Arts Commission Salem, OR $31,000 To support folk art surveys in several regions of Oregon and to assist the arts council in each area in developing a folk arts component of its activity. Grants II Panel. [92-5533-0133]

Southern Arts Federation, Inc. Atlanta, GA $14,300 amend a grant to support the folk arts coordinator position and related costs at the Southern Arts Federation to include costs for technical assistance for a series of regional tours featuring Seth Amy demonstrates blacksmithing at a "Master/Apprentice" exhibition traditional musicians. Grants I Pand. supported by the Colorado Council on the Arts. [91-5533-0135]

National Endowment for the Arts Underserved Communities Set-Aside

Southern Arts Federation, Inc. STATE APPRENTICESHIPS Missouri State Council on the Arts Atlanta, GA $43,300 St. Louis, MO $20,000 To support the Lowland South Alabama State Council on the Arts Grants I Panel. [92-5534-0098] Musical Roots Tour. Grants I Panel. Montgomery, AL $20,000 [92-5533-0043] Grants I Panel. [92-5534-0102] Montana Arts Council Helena, MT $30,000 Texas Commission on the Arts Alaska State Council on the Arts Grants II Panel. [92-5534-0195] Austin, TX $25,000 Anchorage, AK $10,000 To support a pilot folk arts touring Grants II Panel. [92-5534-0178] Nevada State Council on the Arts program in Texas. Grants II Panel, Reno, NV $19,700 [92-5533-0138] Colorado Council on the Arts Grants I Panel. [92-5534-0097] Denver, CO $20,000 Virsinia Commission for the Arts Grants II Panel. [92-5534-0213] New Mexico Arts Division Richmond, VA $38,700 Santo Fe, NM $27,000 To support the Virginia Folldife Pro­ Division of the Arts, Louisiana Grants II Panel. [92-5534-0210] , gram. Grants I Panel. [92o5533-0075] Department of Culture, Recreation, & Tourism North Dakota Council on the Arts Washington State Arts Commission Baton Rouge, LA $10,000 Fargo, ND $30,000 Olympia, WA $27,200 Grants I Panel. [92-5534-0104] Grants II Panel. [92-5534-0216] To support an event featuring master traditional artists from Native Guam Council on the Arts and HumaniUes Ohio Arts Council American tribes throughout the state. Agana, GU $10,000 Columbus, OH $20,000 Grants I Panel. [92-5533-0059] Grants I Panel. [92-5534-0099] Grants II Panel. [92-5534-0197]

Washington State Arts Commission Idaho Commission on the Arts Rhode Island State Council on the Arts Olympia, WA $20,300 Boise, ID $30,000 Providence, RI $29,900 To support a survey of traditional Grants II Panel. [92-5534-0211] Grants I Panel. [92-5534-0100] Hispanic arts in Washington State as preparation for their inclusion in vari­ Kansas Arts Commission State Ads Council of Oklahom ous future public programs. Grants II Topeka, KS $30,000 Oklahoma City, OK $20,000 Panel. [92-5533-0156] Grants I Panel. [92-5534-0103] Grants II Panel. [92-5534-0200]

West Virginia Division of Culture & Maine Arts Commission State FoundaUon on Culture and the Ads History, Arts & HumaniUes Section Augusta, ME $18,000 Honolulu, HI $20,000 Charleston, WV $18,200Grants II Panel. [92-5534-0199] Grants II Panel. [92-5534-0202] To support the folklife program at the West Virginia Division of Culture Minnesota State Arts Board Utah Arts Council and History. Grants II Panel. St. Paul, MN $30,000 Salt Lake City, UT $20,000 [92-5533-0217] Grants II Panel. [92-5534-0209] Grants I Panel. [92-5534-0105]

Western States Ads Federation Mississippi Arts Commission Wisconsin Arts Board Santo Fe, NM $40,000 Jackson, MS $10,000 Madison, WI $10,000 To support a Folk Arts Coordinator Grants II Panel. [92-5534-0212] Grants II Panel. [92-5534-0196] program at WESTAF. Grants II Panel. [92-5533-0205]

z99z Annual Report 32.9 Underserved Communities Set-Aside

LOCAL ARTS AGENCIES first-time professional directors and/or Illinois Arts Council increase part-time director positions to Chicago, 1L $45,000 24 grants full-time. [92-6244-0047] To support implementation of a tech­ Program Funds: $1,748,000 nical assistance delivery system for rural State FoundadJon on Culture and the ~ and underserved pre-local arts agencies BASIC SALARY ASSISTANCE Honolulu, HI $15,000 in Illinois. [92-6244-0040] To support sugrants to local arts Commonwealth of Pennsylvania agencies in rural, inner-city, and under- Institute of Puerto Rican Culture Council on the Arts served areas to enable them to hire San Juan, PR $45,000 Harrisburg, PA $95,000 first-time professional directors and/or To support technical assistance for To support subgrants to local arts increase part-time director positions to rural cultural centers in Puerto Rico. agencies in rural, inner-city, and under- full-time. [92-6244-0045] [92-6244-0035] served areas to enable them to hire first-time professional directors and/or Vermont Council on the Arts, Inc. Mid.America Arts Alliance increase part-time director positions to Mon~aelier, VT $47,000 Kansas City, MO $100,000 full-time. [92-6244-0046] To support subgrants to local arts To support a two-year technical assis­ agencies in rural, inner-city, and under- tance program for rural and under- Delaware Division of the Arts served areas to enable them to hire served local arts agencies in the Mid- Wilmington, DE $37,791 first-time professional directors and/or America Arts Alliance region. To support subgrants to local arts increase part-time director positions to [92-6244-0043] agencies in rural, inner-city, and under- full-time. [92-6244-0049] served areas to enable them to hire ~r Mid Atlantic Arts Foundation, Inc. first-time professional directors and/or TECHNICAL ASSISTANCE Baltimore, MD $108,000 increase part-time director positions to To support the Foundation, in collabo­ full-time. [92-6244-0050] California Arts Council ration with the National Assembly of Sacramento, CA $50,000 Local Arts Agencies, with the develop­ Iowa Arts Council To support a collaborative Professional ment of a rural arts training and infor­ Des Moines, IA $95,000 Development Assistance Program mation project. [92-6244-0052] To support subgrants to local arts (PDAP) designed to assist developing agencies in rural, inner-city, and under- local arts agencies in rural areas of Mississippi Arts Commission served areas to enable them to hire California. [92-6244-0042] Jackson, MS $45,000 first-time professional directors and/or To support a three-part technical assis­ increase part-time director positions to Colorado Council on the Arts tance program for pre-local and local full-time. [92-6244-0044] Denver, CO $65,000 arts agencies in underserved areas of To support the Colorado Council on Mississippi. [92-6244-0039] Kentucky Arts Council the Arts, in collaboration with the Frankfort, KY $50,000 Colorado Consortium of Community Montana Arts Council To support subgrants to local arts Arts Councils, with the continuation of Helena, MT $45,449 agencies in rural, inner-city, and under- statewide technical assistance programs To support a technical assistance pro­ served areas to enable them to hire for rural and underserved areas in gram designed to enhance Montana’s first-time professional directors and/or Colorado. [92-6244-0041] Local Arts Agency Initiative in order to increase part-time director positions to develop Montana’s rural and local arts full-time. [92-6244-0048] Commonwealth of Pennsylvania agency network. [92-6244-0038] Council on the Arts Massachusetts Cultural Council Harrisburg, PA $115,000 Nebraska Arts Council Boston, MA $95,000 To support development of a two-year Omaha, NE $10,000 To support subgrants to local arts comprehensive technical assistance pro­ To support attendance by rural partici­ agencies in rural, inner-city, and under- gram for local and pre-local arts organi­ pants at the Art Beyond Boundaries served areas to enable them to hire zations in rural and inner-city commu­ conference in Chadron, Nebraska, in nities of Pennsylvania. [92-6244-0033]

330 National Endowment for the Arts Underserved Communities Set-Aside

June 1992. Local Government South Dakota Arts Council California Arts Council Incentive Pand. [92-6252-0031] Sioux Falls, SD $20,000 Sacramento, CA $100,000 To support the South Dakota Arts To support the commissioning of Nebraska Arts Council Council’s Native Arts Planning Effort, "Generations," an unprecedented, ~ Omaha, NE $50,000 an arts needs assessment project whose tisite tour by California’s performing To support an intensive technical goal is to increase the quality of arts folk artists. [92-6144-0004] assistance program for rural and under- activities for both children and adults served local arts agencies in Nebraska. residing on the state’s Indian reserva­ Commonwealth of Pennsylvania [92-6244-0036] tions. [92-6244-0032] Council on the Arts Harrisburg, PA $88,000 New England FoundalJon for the Arts Texas Commission on the Arts To support maintenance and expan­ Cambridge, MA $300,000 Austin, 7X $50,000 sion of the Strategies for Success initia­ To support the New England To support the second year of the tive, designed to provide technical Foundation for the Arts on behalf of Texas Commission’s Educational and assistance and funding opportunities six state arts agencies for a three-year Technical Assistance Program. through the Council’s Minority Arts technical assistance program for rural Leadership Training & Services Panel Program. [92-6144-0072] and inner-city local arts agencies. Set- (1992). [92-6244-0055] Aside Panel (1991). [92-6252-0022] Delaware Division of the Ads STATE & REGIONAL Wilmington, DE $35,000 ~r New England Foundation for the Ads To support the incorporation of cul­ Cambridge, MA $200,000 37 grants tural programming into the annual To support components of the Local Program Funds: $2,550,000 festivals and celebrations of ethnic Arts Agencies for Underserved Areas communities in the state of Delaware. Development Project, a collaboration ARTS PROJECTS IN [92-6144-0099] between the New England Foundation UNDERSERVE1) COMMUNmES for the Arts and the National Assembly Division of the Arts, Louisiana of Local Arts Agencies. [92-6244-0053] Alaska State Council on the Arts Deparlmeut of Culture, Recreation, Anchorage, AK $20,000 & Tourism New York State Council on the Arts To support services and grants m rural Baton Rouge, LA $94,000 New York, iVY $19,760 and Native Alaskan communities by To support the first year of a three-year To support a two-part technical assis­ offering on-site technical assistance Outreach to the Underserved Initiative. tance initiative for emerging local arts workshops and by increasing available [92-6144-0070] agencies serving rural and inner-city funds for workshop, and project grants. communities and regions in New York [92-6144-0102] Georgia Council for the Arts State. [92-6244-0034] Atlanta, GA $44,000 Arizona Commission on the Arts To support arts programming that is North Carolina Arts Council Phoenix, AZ $82,000 responsive to the needs and interests Raleigh, NC $45,000 To support a three-year expansion of of people in the impoverished nine- To support the North Carolina Arts Arizona’s anti-drug A.P.P.L.E. Corps county "Heart of Georgia" region. Council, in partnership with the North to facilitate arts programs that help [92-6144-0071] Carolina Association of Arts Councils, youth, families, and communities to with the second year of a comprehen­ reject drugs. [92-6144-0069] Georgia Council for the Arts sive management/technical assistance Atlanta, GA $50,000 program targeting arts councils in Arkansas Arts Council To support the arts component of the rural areas of North Carolina. Little Rock, AR $45,400 Adanta Project, a community-wide [92-6244-0037] To support development of a rural effort to attack problems associated arts program involving seniors and with poverty in urban areas. youth in the Arkansas delta region. [92-6144-0073] [92-6144-0089]

1992 Annual Report Underserved Communities Set-Aside

Guam Council on the Arts and Humanities ties across the state. [92-6144-0103] ticultural arts programming in urban Agana, GU $94,000 and rural underserved areas of the state. To support the second year of a three- Michigan Council for Arts and Cultural [92-6144-0091] year project to assist in the develop­ Affairs ment of the rural Chamorro village Detroit, MI $69,000 New Hampshire State Council on the Arts of Inarajan as a folk arts village. To support the Michigan Traditional Concord, NH $82,000 [92-6144-0080] Arts Technical Services (MTATS) proj­ To support a three-year Rural Arts ect of the Council’s Traditional Arts Expansion Project that will build on Idaho Commission on the Art~ Program in partnership with the New Hampshire’s successful Rural Arts Boise, ID $87,000 Michigan State University Museum. Initiative. [92-6144-0074] To support services designed to in­ [92-6144-0084] crease access to the arts for artists and New Jersey State Council on the Arts art organizations in underserved com­ Mid-America Arts Alliance Trenton, NJ $41,000 munities. [92-6144-0092] Kansas City, MO $94,000 To support the second year of the To support artist residencies in com­ Cultural Diversity Initiative, encom­ Indiana Arts Commission muniry-based organizations serving passing funding and technical assis­ Indianapolis, IN $75,000 inner-city youth. [92-6144-0076] tance for emerging and developing To support expansion of the Arts: culturally diverse arts groups and com­ Rural and Multicultural (ARM) Minnesota State Arts Board munities. [92-6144-0094] Program of direct funding and techni­ St. Paul, MN $88,000 cal support services to underserved To support a cultural pluralism initia­ New Jersey State Council on the Arts rural and multicultural communities. tive involving the Minnesota arts com­ Trenton, NJ $41,000 [92-6144-0068] munity. [92-6144-0095] To support the second year of the three-year Southern New Jersey Arts Institute of Puerto Rican Culture Mississippi Arts Commission Initiative. [92-6144-0097] San Juan, PR $72,400 Jackson, MS $100,000 To support special artistic ventures, arts To support developing ongoing arts New York State Council on the Arts enrichment, and cultural education projects in rural communities through New York, NY $69,000 programs for residents of Culebra and support of the second year of the Artist To support a technical assistance and Mayaguez. [92-6144-0079] Is In grant program. [92-6144-0093] matching grants program to help com­ muniry-based film and video exhibitors Iowa Arts Council Missouri State Council on the Arts better serve the state’s diverse audi­ Des Moines, IA $69,000 St. Louis, MO $100,000 ences. [92-6144-0096] To support the expansion of the To support the development of arts agency’s operational support to mid- programming in Missouri’s under- North Carolina Arts Council sized arts organizations in underserved served African American communities. Raleigh, NC $88,000 and rural communities. [92-6144-0104] [92-6144-0085] To support the second year of the Organization of Color Development Kansas Arts Commission Montana .qrts Council Program, designed by the Council’s Topeka, KS $88,000 Helena, MT $55,700 constituents during a cultural diversity To support a program to increase ac­ To support development of a program focus group meeting in 1989. cess to the arts for underserved groups. using Montana’s tribal colleges as cata­ [92-6144-0078] [92-6144-0100] lysts for development of more substan­ tive arts education programs in schools North Dakota Council on the Arts Kentucky Arts Council in Native American communities. Fargo, ND $24,000 Frankfort, KY $75,000 [92-6144-0082] To support and co-sponsor the third To support salary assistance, technical Dakota Arts Congress, which provides assistance, and project support to devel­ Nebraska Arts Council technical training to participants and oping arts organizations in eight rural Omaha, NE $82,000 celebrates rural culture. [92-6144-0101] and two urban underserved communi­ To support expansion of existing mul­

332, National Endowment for the Arts Underserved Communities Set-Aside

South Dakota Arts Council differendy-abled population. two-day seminar to be held in western Sioux Falls, SD $94,000 [92-6144-0075] Nebraska and to provide travel assis­ To support the South Dakota Rural tance to Nebraska presenters to attend Arts Advancement Program, aimed at Western States Arts FederMJon booking conferences and dance events increasing arts activities in rural under- Santa Fe, NM $63,000 within and outside of the state. served areas of the state over a three- To support building new audiences [92-5442-0157] year period. [92-6144-0077] for literature, increasing awareness of literature as a vital art form, and bene­ New Mexico Acts Division State Foundation on Culture and the Arts fitting authors in rural and underserved Santa Fe, NM $29,000 Honolulu, HI $59,000 communities in Idaho, Utah, and To support the costs associated with To support the programming capacity Wyoming. [92-6144-0098] the SRO/DANCE project which en­ of the Statewide Cultural Extension courages extended and expanded resi­ Program (SCEP). [92-6144-0086] Wisconsin Arts Board dencies for out-of-state dance compa­ Madison, WI $69,000 nies during the 1992-93 season. Tennessee Arts Commission To support a second year of sustained [92-5442-0155] Nashville, TN $69,000 support for community cultural or­ To support the Arts: Advancement and ganizations, arts education, and arts- Norl~ Carolina Arts Council Expansion category for minority-run producing organizations rooted in the Raleigh, NC $35,000 organizations for projects reflective of cultures of artistically underserved To support costs associated with half- their culture and artistic heritage, and communities. [92-6144-0087] week and full-week residencies by the to organizations primarily serving Dayton Contemporary Dance disabled or aging populations. SPECIAL PROJECTS Company during the 1992-93 season. [92-6144-0088] [92-5442-0160] 14 grants; 2 cooperative agreements Texas Commission on the Arts Program Funds: $400,000 Oregon Arts Commission Austin, TX $76,000 Salem, OR $7,530 To support PROJECT BRIDGE, a DANCE ON TOUR To support costs associated with the community-based artist residency pro­ Dance Presenter, Artist & Audience gram occurring in public housing de­ Grants were reviewed by the 1992 Development Project. [92-5442-0156] velopments and designed to stimulate Dance on Tour Panel listed in the artistic activity and awareness in inner- Presenting & Commissioning chapter. RURAL DEVEI.OPMENT PROJECTS city communities in Houston, Dallas, San Antonio, Austin, and El Paso. Commonwealth of Pennsylvania Maine Arts Commission [92-6144-0081] Council on the ~ Augusta, ME $19,650 Harrisburg, PA $35,000 To support research on the feasibility Virgin Islands Council on the Arts To support costs associated with dance of establishing a permanent marketing St. Thomas, VI $17,500 presentation and residency activities center for traditional/folk arts in To support initiation of a pilot pro­ throughout Pennsylvania during the Maine. [92-6244-0057] gram to encourage the development of 1992-93 season. [92-5442-0158] creative and artistic talents of youth in Oregon Arts Commission Bordeaux, an underserved rural com­ Kentucky Arts Council Salem, OR $24,800 munity. [92-6144-0083] Frankfort, KY $27,500 To support the development of an To support costs associated with a tour educational brochure and tour itinerary Washington State Arts Commission of the Ririe-Woodbury Dance that interpret the natural and cultural Olympia, WA $50,000 Company to communities across the resources, including the arts and crafts, To support a collborative state-wide state of Kentucky. [92-5442-0159] of rural logging, farming, fishing, and consulting service to assist schools, ethnic and Native American communi­ colleges, universities, and social service, Nebraska Arts Council ties. [92-6244-0061] community arts, and cultural agencies Omaha, NE $5,970 to serve artistic needs of the state’s To support costs associated with a

z99zAnnual Report 333 Underserved Communities Set-Aside

South Carolina Arts Commission to disseminate information about fund­ Judith Chalker Columbia, SC $10,000 ing opportunities at the national, re­ Multi-Arts Coordinator To support a New Image Project that gional, and local levels and about Ohio Arts Council will provide rural communities with policies and programs of the Arts Columbus, OH resource teams composed of design Endowment and the Mid-America Arts ¯ professionals to lead citizens through a Alliance. [DCA 92-18] Joseph Golden land use assessment and planning President process. [92-6244-0060] Mid-America Arts Alliance Spirit Square Center for the Arts Kansas City, MO $5,000 Charlotte, NC South Dakota Arts Council To support costs associated with a Sioux Falls, SD $12,800 broad range of programs designed to Elizabeth Kennedy To support the Oyate Trail Cultural strengthen the skills of presenters and Arts Consultant Tourism Development Project, which potential presenters throughout the El Segundo, CA will increase visitation to arts organiza­ region. Presenting & Commissioning tions and Native American reserva­ Program’s Presenting Organizations Marion Andros Mccollam (chair) tions. [92-6244-0059] Panel C. [92-5442-0133] Executive Director Cultural Arts Council of Houston Washington State Arts Commission ~-National Assembly of Houston, TX Olympia, WA $12,750 State Arts Agencies To support the development of an ex­ Washington, DC $30,000 Harvey Rose (layperson) hibit documenting and celebrating the To amend a cooperative agreement to City Manager cultural traditions of the Grange Hall, support publication of an access manual City of Steamboat Springs for touring with an accompanying con­ to assist arts service organizations and Steamboat Springs, CO cert to Grange Halls throughout the other grantees in making their programs state. [92-6244-0058] and activities more available to disabled Harriet Sonford and older people. [DCA 91-31] Executive Director SPECIAL PROJECTS Fulton County Arts Council Western States Arts FederaUon Atlanta, GA California Arts Council Santa)Fe, NM $15,000 Sacramento, CA $30,000 To support expenses associated with Cynthia Lewis Sohaal To bring community residents, artists, the Western States Presenter Incentive Executive Director arts groups, and agencies of govern­ Project for presenters in WESTAF’s Lynchburg Fine Arts Center ment together to develop arts programs 12-state region. Presenting & Commis­ Lynchbur$ VA for youth at risk in the South Central sioning Program’s Presenting Organi­ and Crenshaw districts of Los Angeles. zations Panel C. [92-5442-0072] Victoria Sharpley [92-6170-0107] Extraordinary Action Executive Director Grant. The Association of American Cultures Washington, DC Mid.America Arts Alliance Panels Kansas City, MO $100,000 Chris Van Antwerp To support a cooperative agreement for Arts Education Consultant a pilot project to stimulate artistic ac­ LOCAL ARTS AGENCIES Kalamazoo Valley Intermediate tivity and awareness and broad public School District access to the arts in rural and inner city SET.ASIDE 11991) Grand Rapids, MI areas and other areas that are under- served artistically. The project will pro­ Lynda Martha Burkel vide an organized program of work­ Artistic Director shops and individual meetings designed Lynda Martha Dance Company Evanston, IL

National Endowment for the Arts Underserved Communities Set-Aside

SET-ASIDE (1992) RURAL DEVELOPMENT PROJECTS Wayne Lawson (chair) Executive Director Barbara Scbaffer Bacon (chair) Barbara Schaffer Bacon (chair) Ohio Arts Council Arts Consultant Arts Consultant Columbus, OH Amherst, MA Amherst, MA Kenneth May Lynda Martha Burkel Joan Iverson Nassauer Assistant Deputy Director Artistic Director Professor, Landscape Architecture South Carolina Arts Commission Lynda Martha Dance Company University of Minnesota Columbia, SC Evanston, IL St. Paul, MN Franklin Ode Judith Chalker Josephine D’Amato Richardson Director Multi-Arts Coordinator (layperson) University of Hawaii at Manoa Ohio Arts Council Chair Kailua, HI Columbus, OH Kentucky Arts Council Whitesburg, lit Madeline Rabb Eduardo Diaz President Executive Director J, Sanford Rikoan Murphy Rabb, Inc. City of San Antonio, Department of Professor, Department of Chicago, IL Arts & Cultural Affairs Rural Sociology San Antonio, 1X University of Missouri-Columbia Cada Roberts Columbia, MO Executive Director Joseph Golden ATLATL President Jeanne Chow Winship Phoenix, AZ Spirit Square Center for the Arts Executive Director Charlotte, NC San Francisco Arts Commission Pedro Rodriguez San Francisco, CA Director Kathleen Paviick (layperson) Guadalupe Cultural Arts Center Assistant Vice-President, Manager of San Antonio, IX Corporate Contributions STATE & REGIONAL Chemical Bank Henry E. Willett New York, NY Director ARTS PROJECTS IN UNDE~SERVED Alabama Center for the Harvey Rose (layperson) COMMUNmES Traditional Arts City Manager Montgomery, AL City of Steamboat Springs Peggy Baggett Steamboat Springs, CO Executive Director Alden C. Wilson Virginia Commission for the Arts Executive Director Victoria Sharpley Pa’chmona~ VA Maine Arts Commission Executive Director Augusta, ME The Association of American Cultures Ramona Baker Washington, DC Director Jeanne Chow Winship The Arts Council Inc. Executive Director Hellena Huntley 11dwell Huntsville, AL San Francisco Arts Commission Director of Resource Allocations San Francisco, CA Arts and Science Council­ E. Richard Hart (layperson) Charlotte/Mecklenburg, Inc. Executive Director Charlotte, NC Institute of the North American West Seattle, WA

I992 Annual Report 335

NATIONAL ENDOWMENT for the ARTS

Office of Policy, Planning, Research & Budget

The Office of Policy, Plannin$ Research and Budget (OPPRB) HROUGH MODEST GRANT-MAKING undertakes research and develops information on the condition activities and crucial public information and and needs of artists, arts organizations, audiences and arts sup­ partnership efforts, the International office port systems. These activities assist policy development and plan­ T helps American artists, arts organizations, and ning within the agency, and help to inform both policymakers audiences reap the benefits of international and the public about issues concerning the arts. The coordina­ exchange. In response to dramatic international changes and tion of the agency’s planning and budgeting functions assures opportunities, this office will move out of OPPRB in FY ’93 that the internal allocation of funds roqects the policies and to become a full-fledged program under the Deputy priorities of the agency’s leadership. In addition, three special Chairman for Programs. offices function under OPPRB: International the Arts The Research Division undertakes projects with private Administration Fellows Program, and the Office of Special researchers, non-profit Organizations, and other federal agen­ Constituencies. cies. The analysis and dissemination of this information is accomplished through the 13ublication of research reports and notes as well as through periodic conferences and the services of the Arts Endowment’s library. The Arts Administration Fellows Program supports the professional development of arts managers. The Special Constituencies Office provides education, technical assistance, and funding for promoting accessibility to the arts for older and disabled people as well as for those living in institutions.

1992.Annual Report 337 International

8 grants; 2 cooperative agreements; 1 interagency agreement* Program Funds: $487,975* *An additional $375,500 was awarded by other Programs to support another 23 grants.

The International Office seeks to honor and make visible To further its mission of bringing the benefits of around the world the excellence, diversity, and vitality of the international exchange to audiences and artists throughout arts of the United States. Domestically, the Office endeavors to the United States, the International Office develops public- increase audience access to and understanding of the interna­ private partnerships that stimulate increased resources for in­ tional influences within American culture. The Office assists ternational arts interchange. These partnerships not only American artists and arts organizations to develop international bring new resources to bear for cultural exchange, but also ties, share their work abroad, and bring to their U.S. audiences afford small arts and community organizations as well as new insights, artists and works. individual artists the opportunity to develop substantive in­ ternational ties that will contribute to their creativity and RTS ORGANIZATIONS AND LOCAL GOVERN­ economic viability. The creation of such partnerships repre­ ments in every part of the United States have sents a major achievement of the Arts Endowment in the A seen the many important benefits in hosting the international arena. highest caliber international arts events in their This Office’s oldest partnership is the Fund for U.S. Artists communities and in providing a showcase for their artists in at International Festivals and Exhibitions. The Endowment’s other parts of the world. Cultural exchange can enhance the $250,000 contribution to the Fund in 1992 makes $1.1 mil­ prestige and economic viability of arts organizations and lion available to assist a broad range of artists from throughout communities. It can spark interest in participation in the the United States to participate in international festivals and global marketplace, foster mutual understanding between exhibitions worldwide. The Fund made U.S. representation varied local cultural groups, increase tourism, and help im­ possible at international contemporary art exhibitions where prove the quality of life for local residents. An example from U.S. work is rarely seen such as Cairo, Egypt; Cuenca, San Antonio, Texas illustrates this point. Ecuador; Istanbul, Turkey; and Dakar, Senegal. Additionally, San Antonio hosted an exhibition, "Mexico -- Splendors the Fund supported U.S. participation in the major visual arts of Thirty Centuries," in conjunction with the government of biennials in Venice and Sao Paulo. The Fund has frequendy Mexico. Arts organizations throughout the city sponsored provided the first significant international recognition for programs on the arts of Mexico, creating a festival atmos­ emerging American artists of great talent. phere that generated great interest in the culture of San In the performing arts, the Fund supported such accom­ Antonio’s Mexican American citizens. During the four- plished American groups as Dance Theater of Harlem, month run of "Splendors," 265,000 people visited San which participated in ground-breaking performances, master Antonio to see the exhibition and participate in Mexico-re­ classes and workshops throughout South Africa, and the lated activities, 131,000 of them traveling more than 100 Pacific Northwest Ballet, the only U.S. group invited to the miles. These visitors spent $82,046,000 (or an average of International Music Festival in Krasnoyarsk, Russia. Artists $626 per person) and generated $5,021,000 in sales tax and of great merit who do not regularly tour internationally have hotel/motel tax revenue for the city. also received Fund support. These include cowboy artists International presentations can reach inner-city and rural from the Western Folklife Center ofElko, NV who shared audiences who have had little opportunity to experience their lore at the Moomba International Festival in cultural traditions from abroad. With support from the Mdbourne, Australia and the Drinkall-Baker Duo of Orem, International Office and other Endowment Programs, UT, who premiered American works at the Festivalde las Touchstone Theatre in Bethlehem, PA brought Teatro la Artes in Maracaibo, Venezuela. Memoria of Santiago, Chile to conduct a residency and create Participation in international festivals creates employ­ a new bilingual work reflecting the concerns of Bethlehem’s ment for U.S. artists, increases their national and interna­ own diverse community in rural Pennsylvania. Additionally, tional recognition, and contributes to their creative growth the national reputation of this small theater company was ad­ by exposing them to new artists, art forms, and audiences. vanced through touting this work around the country, in­ In 1992, the Office established three new partnerships cluding to Baltimore, Philadelphia, and New York. with foundations and foreign governments for the benefit of

338 National Endowment for the Arts Pauline Urratia and Eric Beatty perform Daedalus in the Bellyofthe Beast, a bilingual play written for Touchstone Theatre of Bethlehem, Pennsylvania and Teatro la Memoria of Santiago, Chile.

I992 Annual Report 339 International

U.S. artists, arts organizations, and audiences. Each new part­ of the program is to provide an interactive exchange of infor­ nership has a specific geographic focus. For example, the mation and expertise that benefits both the artists and their Travel Grants Pilot (covering Africa, Latin America, the respective home communities. The first grants under Caribbean, and South and Southeast Asia exchanges) ArtsLink will be awarded in July of 1993. incorporates Endowment resources with those of Arts In 1992, the Office also launched the International International and The Pew Charitable Trusts. Projects Initiative (IPI) to support U.S. arts organizations un­ Through the Travel Grants Pilot, photographer Sister dertaking exemplary exchange projects, particularly those Carlotta Duarte of Cambridge, MA received a grant to train with a demonstrated benefit to the organization’s home com­ school children in San Cristobal de las Casas, Mexico in the munity. The Friends of the Alaska State Museum in Juneau, use of photography to record their own history, culture, and AK received support through IPI to develop a comprehensive daily life. The grantee plans an exhibition in the United States arts education program to accompany an exhibition that of her work and the children’s photographs, with accompany­ toured rural Alaska and Siberia. The program included cur­ ing educational materials relating to her experience in Mexico. riculum materials on the arts of Alaskan Native and eastern Glassmaker Acquaetta Williams of Columbus, OH used Siberian peoples to be used in Alaskan and Russian schools, her grant to immerse herself in traditional Nigerian glass­ teacher in-service training, and artists in the.schools residen­ blowing and beadmaking techniques. Ms. Williams will offer cies for Alaskan and Siberian Native artists. workshops in the community organization she directs to Another IPI grant supported four leading Mexican artists teach local artists about Nigerian glass arts and their connec­ representing the visual and traditional arts of Mexico to teach tion to African American cultural heritage. lost craft skills to Mexican Americans living in San Antonio. The United States/Mexico Artist Residencies, a joint pro­ These same artists served as visiting teachers at Chicago’s gram with the Mexican government’s Consejo Nacional para Gallery 37, an innovative city arts education project which la Cultura y las Artes, gives U.S. artists and audiences oppor­ each summer provides training in marketable arts to over 300 tunities to interact with Mexican artists. Centrum, an artists’ high school students from low-income families. community in Port Townsend, WA has planned local, statewide, and regional public programs for the two Mexican artists it will host. Alternative Worksite/Bemis Foundation, an artists’ commu­ nity in Omaha, NE will also host two Mexican artists, with collat­ eral programs in schools and local civic, social, and cultural organi­ zations to create new work in col­ laboration with interested Nebraska residents. Our newest partnership, ArtsLink (covering exchanges with Central and Eastern Europe, Baltic states, and the former Soviet Union) is a collaboration with the Open Society Fund, Inc., the Trust for Mutual Understanding, and Citizen Exchange Council. ArtsLink will allow U.S. artists to work collabo­ ratively with colleagues from re- gions to which access has been re- Muntu Dance Theatre, which appeared at a festival in Edinburgh, Scotland, stricted for many years. One aim performs Ole Time Religion.

34° National Endowment for the Arts International

~ Cleveland Play House Grants Cleveland, OH $5,000* To support a residency of the New Indicates grants having national impact. Experimental Theatre of Volgograd. Reviewed by Theater Program panelists INTERNATIONAL PROJECTS Marie Acosta-Colon, San Francisco, INmATIVE CA; Gregory Leaming, Hartford, CT; and Rock Schulfer, Chicago, IL. To support U.S. arts organizations collab­ [92-3270-0253] Extraordinary Action orating with counterparts abroad to de­ grant. velop new work and/or to promote U.S. *Co-funded with $5, O00 ~9om the audience access to and understanding of Theater Program for a total grant of little-known art forms from abroad. $10,000.

I~tor~ Th~ of Louisville, inc. ~ Dance Theater Workshop, inc. Louisville, KY $8,675 New York, NY $* To support an 11-week residency for To support Making Connections: The Arcadey Tsimbler, Manager/ Asian Dance Partnerships Program, a Dramaturg of STUDIO 5 of the collaborative initiative to develop and Moscow Art Theater to participate in strengthen ties between contemporary the implementation of the Humana dance communities in the U.S. and Festival of New American Plays in Asia. [92-3052-0046] Louisville. [92-3052-0014] *$16, 000 awarded by the Dance Program. ~ Bdtlsb Am~de~n ~ Aseo~i~ion (US), Inc. Dance Theater Workshop (NaUonal Washington, DC $17,500" Performance Network) To support participation of U.S pre­ New York, NY $17,500" senters from small and mid-sized com­ A German master presents his puppet at To support the U.S./Canada munity-based programs and culturally the Center for Puppetry Arts in Atlanta. Performance Initiative, a cooperative diverse organizations in residencies effort linking the National with U.K. organizations in order to de­ Performance Network, Canadian velop arts exchanges. [92-3052-0044] Ci~ of Chicago, artists, presenters, the Canada Council *Co-funded with $12,50039om the Cepedmoat of Cultural Affairs Touring Office, and the Canadian Presenting and Commissioning Program Chicago, IL $* Department of External Affairs. for a total grant of $30,000. To support a cooperative artists-in-resi­ Reviewed by Presenting & Commis­ dence program in Chicago and San sioning Program panelists Jacqueline Z. Center for Puppeby Arts, Inc. Antonio for Mexican craft artists orga­ Davis, Lawrence, KS; Judith Fritz, Atlanta, GA $* nized by the Chicago Department of Santa Fe, NM; Cora Mirikitani, To support a collaboration between the Cultural Affairs and the Guadalupe Philadelphia, PA; Suzanne Sato, New Center for Puppetry Arts and Theater Cultural Arts Center of San Antonio. York, NY; and Holly Sidford, Im Wind, a German puppetry com­ Reviewed by Expansion Arts panelists Cambridge, MA. [92-5470-0172] pany, m create two new puppetry David Chung, Washington, DC; *Co-funded with $17,50039om the works for adult audiences in the U.S. Carlos Gutierrez-Solana, New York, Presenting and Commissioning Program and Germany. [92-3052-0057] NY; Adrienne Witherspoon, Durham, for a total grant of $35,000. *$20, 000 awarded by the Theater NC; Willis Bing Davis, Wilberforce, Program. OH; and Carla Roberts, Phoenix, AZ. [92-3052-0029] *$30, 000 awarded by the Expansion Arts Program.

I992 Annual Report 341 International

~ Norte AssociaUon for Houston Caribbean Festival, Inc. U.S. artists to Latin America. Cultural Awareness Houston, TX $8,000 [92-3052-0053] Crescent City, CA $* To support collaborative Festival per­ *$18, 000 awarded by the Presenting and To support an ongoing exchange that formances and workshops by the Commissioning Program. includes exhibitions and performances Amoco Renegades, a world-class steel of traditional and contemporary Native band from Trinidad and Tobago, with Mid-America Arts Alliance American art in Prague by Native Texas steelbands. [92-3052-0047] Kansas City, MO $* American artists from Del Norte To support an initiative to strengthen county, California as well as exhibitions Institute of Contemporary Art, Boston and expand presenting networks link­ of U.S. and Czech art in rural commu­ Boston, MA $* ing both Canada and Mexico with the nities throughout California. To support a residency for Czech artist six-state region served by the Alliance [92-3052-0048] Milena Dopitova, who will work with (Arkansas, Kansas, Missouri, Nebraska, *$8, 000 awarded by the Expansion Arts three U.S. artists in creating a multi­ Oklahoma, and Texas). [92-3052­ Program. media installation and will participate 0062] *$15, 000 awarded by the State in a range of public programs for the and Regional Program. Friends of the Ala~ Slnl~ Mu~um community. [92-3052-0059] Juneau, AK $10,000 *$18,000 awarded by the Visual Arts Na’donal Theatre Workshop To support arts in education activities Program. of the Handicapped, Inc. (NTWH) designed for smaller community facili­ New York, NY $* ties presenting "Crossroads of |aceb’s Pillow Dance FesUval, Inc. To support a partnership of the Continents -- RED Alaska," a travel­ Lee, MA $* NTWH with theaters in the U.K. that ing exhibition featuring the arts of To support a presentation in the address disability-related issues. Alaska Native and eastern Siberian Commonwealth of Independent States [92-3052-0056] peoples. [92-3052o0060] (CIS)of Men Dancers: The Ted Shawn *$7,500 awarded by the Theater Legacy, an historical anthology of 20th­ Program. Fund for New Performance Video, Inc. century modern dance, as well as mas­ Boston, MA $* ter classes and lecture demonstrations Painted B~de Art Canter, Inc. To support a joint project of the Fund at leading CIS dance academies. Philadelphia, PA $7,750 for New Performance Video and [92-3052-0045] To support a Philadelphia residency for Appalshop, Inc., of Whitesburg, *$15, 000 awarded by the Dance Program. lrina Bazhenova, administrator of Kentucky to create two series of perfor­ Moscow’s State Theater of People’s mances, workshops, and discussions, Los Angeles Festival Friendship to pursue planning and im­ one at Appalshop headquarters and the Los Angeles, CA $* plementation of U.S.-Russian theater other at the Centre of Experimental To support the collaboration of local exchanges through the National Theater in Brno, Czechoslovakia. and international artists in the presen­ Performance Network. [92-3052-0013] [92-3052-0052] taton of traditional Nigerian masquer­ *$15, 000 awarded by the Media Arts ade and Ghanaian flag dancing in a Pauline Oliveros Foundation Program. series of free public events. Kingston, NY $* [92-3052-0050] To support residencies in the U.S. of Hawaii International Film Festival *$7,500 awarded by the Folk Arts Program. Brazilian, Portuguese, and Angolan Honolulu, HI $* artists working collaboratively with To support arts education activities, in­ Miami-Bode Community College American artists to create a new musi­ cluding the development of interna­ Miami, FL $* cal theater work, Nzinga the Queen tional film study guides, for use in sec­ To support the creation of pilot King, which will premiere at the ondary schools and community bi-national presenting and commis­ Brooklyn Academy of Music’s Next colleges in Hawaii. [92-3052-0055] sioning partnerships that will bring Wave Festival in the fall of 1993. *$1 O, 000 awarded by the Media Arts Latin American artists to the U.S. and [92-3052-0051] Program. *$15, 000 awarded by the Opera- Musical Theater Program.

34± National Endowment for the Arts International

Poetry Society of America diverse cultural organizations in the that provides support for U.S. artists New York, NY $* U.S. with their root cultures in other undertaking collaborative projects with To support an exchange with the countries. [92-3052-0049] colleagues in Eastern Europe, Central Poetry Society of Great Britain m pre­ *$15, 000 awarded by the Expansion Europe and the former Soviet Union, sent three Native American women Arts Program. and for U.S. arts organizations wishing poets in Britain and three British to host an artist or arts manager from Caribbean poets in the U.S. that region in a short-term professional [92-3052-0054] PARTNERSHIPS residency. The first ArtsLink awards *$10, 000 awarded by the Literature will be made in 1993. [DCA 92-52] Program. To stimulate increased resources for in­ *$35,000 awarded by the Presenting and ternational arts exchange and to assist Commissioning Program. Spanish Theatre Repertory Company, Ltd. organizations to facilitate international New York, iVY $* programming. Currently there are FUND FOR U.S. AR11STS AT To support a residency for members of three partnerships: ArtsLink supports INTERNATIONAL FESTIVALS AND the Macunaima Theater Group of Sao U.S. artists working in Eastern Europe, EXHIBmONS Paolo, Brazil, to mount a collaborative Central Europe, or the former Soviet production of Augusto Matraga, based Union on mutually beneficial collabo­ The Fund is supported in partnership on the novel by Guimaraes Rosa. rative projects and supports U.S. arts with The Pew Charitable Trusts, The [92-3052-0058] organizations to host an artist or arts Rockefeller Foundation, and the U.S. *$18, 000 awarded by the Theater administrator from the region for five- Information Agency. Program. week residencies. The Fund for U.S. Artists at International Festivals and ~- InsUtute for International EducaUon Touchstone Exhibitions assists U.S. performing (Arts Internalional) Bethlehem, PA $* artists who have been invited to inter­ New York, NY $350,000 To support the collaborative creation national festivals abroad and supports To support a cooperative agreement for and performances of a bilingual theater U.S. representation at major interna­ The Fund for U.S. Artists at Inter­ work, Daedalus in the Belly of the tional visual art exhibitions. The Travel national Festivals and Exhibitions and Beast/Dedalus en el Vientre de la Bestia, Grants Pilot enables U.S. artists to the Travel Grants Pilot, a public/ written for Touchstone Theatre and pursue artistic collaborations with cob private partnership. [DCA 92-11] Teatro la Memoria of Santiago, Chile. leagues in Africa, Latin America, the This year the Fund supported 159 [92-3052-0063] Caribbean, or South or Southeast Asia U.S. artists and arts organizations from *$2£000 awarded by the Theater to enrich their work; create new work 36 states and two territories to partici­ Program. that draws inspiration from their inter­ pate in festivals in 43 countries world­ national experience; and/or increase wide. The diverse range of participating Urban Gateways their understanding of a contemporary artists includes: Chicago, IL or traditional art form. The Chicago Saxophone Quartet To support a new program that will participated in the 10th World bring Mexican artists to Chicago to ARTSUNK (EASTERN/CENTRAL Saxopl~one Congress in Pesaro, Italy. participate as artists-in-residence in EUROPEAN ARTS EXCHANGE) Moanoa Dudoit of Kaunakakai, HI inner-city schools. [92-3052-0061] brought a group of traditional hula *$12,500 awarded by the Arts in This project is supported in partnership dancers and musicians to the Festival of Education Program. with the Citizens Exchange Council, International Folklore in Bonheiden, the Open Society Fund, Inc., and the Belgium. The Martha Graham Dance Visual Arts Research and Resource Trust for Mutual Understanding. Company performed at three festivals Center Relating to the Caribbean, Inc. in Spain. Enric F. Madriguera of (Caribbean Cultural Center) ~ Citizen Exchange Council Dallas, TX performed at the New York, NY $* New York, NY International Festival of Classical To support the expansion of interna­ To support a cooperative agreement for Guitar in Greece. Muntu Dance tional artists’ exchanges and to link Artstink, a public/private partnership Theatre of Chicago performed at the

z992Annual Report 343 International

Ross Theatre Festival in Edinburgh, in Buenos Aires on his video project the stage short stories by Japanese Scodand. The North Coast Pipe Band Patagonia and promote a reciprocal ex­ women writers and study with Japanese of Cleveland Heights, OH was the first change of videos and artists between puppetry masters. Ernesto Sanchez of U.S. group to participate in the Irish Argentina and Latino communities in Bolinas, CA will study Japanese mask Pipe Band Festival in Dublin. The the U.S. carving, Kabuki, and Noh forms of Sealaska Heritage Foundation (Naa mask making, and he will collaborate Kahidi Theater) of Juneau presented INTERNATIONAL FELLOWSHIPS with Japanese artists who combine tra­ Native Alaskan oral literature at the AND RESIDENCIES ditional and modern styles. Shelly Universal Exposition in Seville, Spain. Silver of New York, NY will begin a Through Arizona’s Thunderbird Over To support fellowships for U.S. artists documentary film on Japanese school Europe, 25 Native American musicians to undertake international projects de­ girls. June Watanabe, a Japanese and dancers attended the Roskilde signed to enhance their creative devel­ American choreographer from San Festival in Denmark. opment and professional growth, as Rafael, CA will develop new works that well as to stimulate interaction with the reflect her cultural and artistic roots. TRAVEL GRANTS PILOT host community. Additionally, to sup­ port U.S. arts organizations that plan UNITED STATES/MEXICO ARTISTS This project, supported in partnership to work with foreign artists or arts ad­ RESIDENCIES with Arts International and The Pew ministrators on projects that contribute Charitable Trusts, supported 50 artists to organizations’ artistic missions. Alternative Worksite, Incd from all over the U.S. in residencies in There are two subcategories: United Bemis Foundation Africa, the Caribbean, Latin America, States/Japan Artist Exchange Omaha, NE $* South and Southeast Asia. The follow­ Fellowships support six-month fellow­ To support a residency for two ing selection suggests the breadth and ships for U.S. artists in Japan and for Mexican artists and their participation diversity of the artists’ interests: Japanese artists in the United States. in Bemis’ educational outreach pro­ Carl A. Chase, a steel drum maker United States/Mexico Artist gram, Encounters, working in schools and tuner from Brooksville, MA, will Residencies support two-month resi­ and local organizations to create new visit Trinidad and Tobago for a resi­ dencies and audience outreach activi­ work in collaboration with interested dency with one of the islands’ foremost ties in Mexico for U.S. artists and sup­ Nebraska residents. U.S./Mexico steel drum makers. Marita Dingus, a port U.S. arts organizations hosting Residencies Panel. [92-3052-0041] fiber artist from Auburn, WA, will cre­ such residencies for Mexican artists. *$11,600 awarded by the Presenting and ate an installation of fabric sculptures Commissioning Program. at the W.E.B. DuBois Memorial U~JJAPAN ARTIST EXCHANGE Center for Pan African Culture in FELLOWSHIPS Art Awareness, inc. Accra, Ghana. Film animator David G. Lexington, NY $* Ehrlich of Randolph, VT will collabo­ ~r Japan-U.S. Friendship Committee To support a rural residency for a rate on several projects with a Pakistani Washington, DC $56,050 Mexican artist that will include oppor­ cartoonist in Lahore, Pakistan, and in­ This interagency agreement supports tunities for presentations of the artist’s troduce local artists to animation tech­ the 1992-93 United States/Japan work and for artistic collaborations. niques. Somaly Hay ofWaterford, CT Friendship Program which enables five U.S./Mexico Residencies Panel. will study with a surviving royal court mid-career artists annually to work and [92-3052-0039] dance master in Cambodia and docu­ study in Japan. Subgrants support six- *$6,1 O0 awarded by the Presenting and ment ancient Cambodian dance styles month fellowships for U.S. artists in Commissioning Program. that nearly disappeared under the Japan. Subgrantees and their projects Khmer Rouge regime. Faith Ringgold include the following: Centrum FoundaUon and Moira Roth of New York City will Nancy Friese of Cranston, RI will Port Townsend, WA $* work in Morocco on a series of"story explore relationships between natural To support two Mexican artists’ resi­ quilts" which include text, painted im­ and man-made environments in dencies and community outreach activ­ ages, and fabric. Video artist Luis Japanese landscaped gardens. Lavonne ities, including statewide and regional Valdovino of Champaign, IL will work Mueller of Iowa City, IA will adapt for public programs as well as interaction

344 National Endowment for the Arts International

with other resident artists and the local Holliday Day Alden C. Wilson community. U.S./Mexico Residencies Curator of Contemporary Art Executive Director Panel. [92-3052-0042] Indianapolis Museum of Art Maine Arts Commission *$12, 450 awarded by the Presenting and Indianapolis, 1N North Edgecomb, ME Commissioning Program. Linda Hall (layperson) United States/Mexico Residencies Cummington School of the Arts, Inc. President Cummington, MA $* Hall & Associates John Gingrich To support public programs and out­ New York, NY Artist Manager; President reach activities for two Mexican artists John Gingrich Management who will be in residence in this rural 18 Harris F. New York, NY community, and to interact with uni­ Gallery Director, Center for Research versities, social service, and civic groups in Contemporary Art Linda Hall (layperson) located in western Massachusetts and University of Texas President in nearby Vermont. U.S./Mexico Arlington, TX Hall & Associates Residencies Panel. [92-3052-0040] New York, IVY *$10,750 awarded by the Presenting and Norm LangJll Commissioning Program, Producer Suzanne Sato Bumbershoot Festival Associate Director, Arts and Headlands Center for the Arts Seattle, WA Humanities Sausalito, CA $7,500* The Rockefeller Foundation To support residencies, public pro­ Jeffrey LaRiche New York, NY grams, and outreach activities for three Acting President Mexican artists, including program­ U.S. International Cultural and Trade Michelle Sullivan ming in a National Park and in schools Center Commission Executive Director as well as opportunities for artistic col­ Washington, DC Snake River Institute laborations. U.S./Mexico Residencies Jackson Hole, WY Panel. [92-3052-0043] Gustavo Matamoros *Co-funded with $9,100j~om the Composer; Sound Artist Tor~tn Romo Presenting and Commissioning Program Miami, FL Organizational Grants Program for a total grant of $16, 600. Manager Nancy Matschek California Arts Council Managing Director, Contemporary Sacramento, CA Dance Season Panels Pordand State University Portland, OR International Projects Initia’dve Vesna Todorovic Miksic ~isa Chang Artistic Director Artistic Director/Producing Director Yellow Springs Institute Pan Asian Repertory Theater Chester Springs, PA New York, NY llaraka Sele Cheryl Chisholm Vice President for Performing Arts Coordinator Houston International Festival Atlanta Third World Film Festival; Hauston, TX Black Arts Festival Atlanta, GA

x99z Annual Report 345 Arts Administration Fellows

34 grants Program Funds: $202,650

The Arts Administration Fellows Program of~rs promising arts In FY "92 this Program provided 34fellowships lasting managers an opportunity to become acquainted with the policies eleven weeks at the Endowment in Washington. Each fellow and operations of the Endowment and to gain an overview of its worked in an agency office or grants program and participated activities around the country. The Program promotes increased in a variety of activities. Fellows were also introduced to the po­ communication and understanding between the Endowment litical, cultural and government-oriented organizations in the and the arts organizations and communities represented by the nation’s capital. fellows.

Carlo, Jean F. Guralnik, Maria Grants Fairbanks, AK $7,000 Cleveland Hgts, OH $5,900 To participate as a fellow in the State To participate as a fellow in the Music & Regional Program during the spring Program during the spring session. Acham, Vonessa Y. session. Evanston, IL $6,000 Halpin, Margaret A. To participate as a fellow in the Clark, Karen L. Oneonta, NY $5,800 International Office during the sum­ New York, NY $5,700 To participate as a fellow in the mer session. To participate as a fellow in the Arts International Office during the fall Administration Fellows Program dur­ session. Barendse, Henry ing the summer session. Ogden, UT $6,150 Harblett, John Thomas To participate as a fellow in the Visual Dray, Lisa L. San Francisco, CA $6,300 Arts Program during the fall session. Cheyenne, WY $6,300 To participate as a fellow in the To participate as a fellow in the Office Challenge/Advancement Programs Bowman, Paddy B. of the General Counsel during the during the spring session. Alexandria, VA $5,500 spring session. To participate as a fellow in the Folk Hatch, Anne F. Arts Program during the summer Dulles, Edward Salt Lake City, UT $6,150 session. Washington, DC $5,500 To participate as a fellow in the Folk To participate as a fellow in the Arts Program during the fall session. Branagan, Susan International Office during the spring Brooklyn, NY $5,700 session. Hills, Gaynor M. To participate as a fellow in the Seattle, WA $6,300 Research Division during the summer Dworldn, Dennis Lee To participate as a fellow in the Dance session, Chicago, IL $6,000* Program during the fall session. To participate as a fellow in the Office Campana, Sam Kathryn of Policy and Planning during the Irving, Kathy Scottsdale, AZ $6,000 spring session. Oakland, CA $6,300 To participate as a fellow in the Office *Extraordinary Action grant. To participate as a fellow in the of Policy and Planning during the sum­ Literature Program during the fall mer session. session.

346 National Endowment for the Arts Konikow, Kim Schuitz, Mark A. Wald, Frederica N. Brooklyn, NY $5,750 Glasgow, MT $7,500 New York, NY $5,750 To participate as a fellow in the To participate as a fellow in the Locals To participate as a fellow in the Presenting & Commissioning Program Program during the summer session. Theater Program during the spring during the fall session. session. Sims, Laura Lamm, Jo~elyn Athens, AL $5,900 Williams, Lesley Washington, DC $5,500 To participate as a fellow in the Opera- Raleigh, NC $5,850 To participate as a fellow in the Office Musical Theater Program during the To participate as a fellow in the Folk of the General Counsel Program dur­ fall session. Arts Program during the spring session. ing the summer session. Singleton, Rene Wong, E)eanor S. Miller, Christine A. Baton Rouge, LA $6,000 New York, NY $5,700 Newark, DE $5,700 To participate as a fellow in the Music To participate as a fellow in the To participate as a fellow in the Program during the summer session. Presenting & Commissioning Program Research Division during the spring during the summer session. session. Skomal, Marlin J. Omaha, NE $6,000 Monchecourt, Nadine To participate as a fellow in the Arts in Cincinnati, OH $5,900 Education Program during the summer To participate as a fellow in the Music session. Program during the fall session. Stroblas, Laurie A. Snmoff, Allison Washington, DC $5,500 Washington, DC $5,500 To participate as a fellow in the Arts in To participate as a fellow in the Education Program during the spring Presenting & Commissioning Program session. during the spring session. Teller, Richard Schlegel, Amy Takoma Park, MD $5,500 New York, NY $5,700 To participate as a fellow in the Media To participate as a fellow in the Visual Arts Program during the summer Arts Program during the summer session. session. Terry, Virginia R. Schreiner, Lee Ann Astoria, NY $5,700 St. Louis, MO $6,300 To participate as a fellow in the To participate as a fellow in the Challenge/Advancement Programs Literature Program during the spring during the summer session. session. Thomson, Lyndon Marie Mammoth Lakes, CA $6,300 To participate as a fellow in the Locals Program during the fall session.

z99zAnnual Report 347 Research

9 Projects Funds: $283,970

Congress, the executive branch and private cultural interests de­ Faucett Associates to prepare a summary report con­ pend on reliable data for the formulation and assessment of cul­ veying principal findings from the 1992 survey to tural policies. The Research Division helps develop the informa­ compare with the results of the 1982 and 1985 sur­ tion necessary to infbrm cultural policy processes by examining veys. This report will provide information for re­ the cultural needs of the public, iaL, ntij~ing ways to enhance ac­ searchers, policymakers, and practitioners in the arts cess to cultural opportunities, studying the effects of the economy with regard to public participation in the arts as well as on cultural activities, and documenting the value of arts educa­ geographic and demographic changes over the last tion to the nation’s educational system. decade. The Division also contracted with AMS Planning HIS YEAR THE DIVISION FUNDED THE & Research to analyze the results of twelve pilot local final three months of data collection for the arts participation surveys which had been cofunded by T nationwide survey of Public Participation in the Division and the individual communities. This re­ the Arts conducted by the U.S. Bureau of the port will help explain the differences in arts participa­ Census. In addition, the Division commissioned Jack tion by community size and geographic region.

The working life of the American choreographer m here represented by Elizabeth Streb Ringside is one topic being studied by the Research Division.

348 National Endowment for the Arts ~" Jack Faucett Associates ~- Ma~/II. P~re Projects Bethesda, MD $50,000 Washington, DC $24,145 To support the preparation of a report To support the planning and conven­ Indicates grants having national impact. describing the survey results for the ing of a one-day conference on public first six months of the 1992 nationwide participation in the arts research and ~ Associates Inc. Survey of Public Participation in the Arts produce a summary report based on Boston, MA $20,800 (SPPA). The report will provide infor­ the conference. Over 130 representa­ To support the conduct of arts partici­ mation on arts participation by demo­ tives from public and private arts agen­ pation surveys in three locations graphic characteristics such as age, sex, cies, arts service organizations, arts or­ (Miami, FL; Ft. Lauderdale, FL; and race, education and income, as well as ganizations, and arts researchers Sedona, AZ) and to prepare data tabu­ differences by region and rural or participated in the one-day conference lations containing the survey results. A urban residence. In addition, the report held in December of 1992 to promote minimum of 400 completed telephone will provide comparisons to nationwide understanding and coordination of arts interviews (approximately 14 minutes surveys of public participation in the participation research. in length) were obtained from each of arts conducted in 1982 and 1985. the locations. ~r Bruce A. Seaman ~, Paula Kn~l Atlanta, GA $12,300 AMS Planning and Research New York, NY $11,500 To support the preparation of a report Fairfield, CT $25,000 To support the preparation of a report and a monograph on the economic To support the preparation of a report on the record of public investment in contributions of the arts. The report analyzing the results of 12 local arts the arts. The report provided material provided background for a chapter of participation surveys with comparisons and background for the 1992 state of the 1992 state of the arts report for to the "supply" of arts activities avail­ the arts report for Congress, Arts in Congress, Arts in America 1992. The able in each site and to nationwide data America 1992. The project incorpo­ monograph discusses the size and sig­ on arts participation. The 12 sites par­ rates a historical perspective on the nificance of the non-profit and com­ ticipating in the local surveys are: Endowment’s record of public invest­ mercial arts industry; for example, is­ Sedona, AZ; San Jose, CA; Ft. ment in the arts and includes such top­ sues such as arts employment, dollar Lauderdale, FL; Miami, FL; Chicago, ics as the Endowment’s investment in volume of outputs, and economic im­ IL; Reno, NV; Las Vegas, NV; rural people (artists and audiences), organi­ pact of the industry. counties in Nevada; Winston-Salem, zations, education, partnerships, and NC; Philadelphia, PA; Pittsburgh, PA; networks and demonstrates the impact Sr ~lte Right Dnla Cemlm~/ and Seattle, WA. The telephone inter­ of federal investment in the arts. Alexandria, VA $24,725 viewing and initial data tabulations To support the creation of an extract were completed by Abt Associates Inc. ~r Dr. mien Parker file on artists based on results of the in the summer of 1992. New York, NY $9,500 1990 Census of Population and to To support the preparation of a sum­ prepare data tabulations comparing ~r Bureau of the Census mary report based on a survey of the data from the 1980 and 1970 Census Washington, DC $106,000 conditions and needs of choreographers artist extract files. In addition, prepare To support the third and final phase in four cities (New York, San Francisco, a report that examines the leading to the completion of the 1992 Chicago, and Washington). The data demographic and geographic changes nationwide Survey of Public collection and analysis was performed in artists’ occupations over the last two Participation in the Arts (SPPA). This by Arts Producers International. The decades based on data from the 1990, phase will include the final data collec­ purpose of the summary publication is 1980, and 1970 Censuses. A second tion operations, data entry, and prepa­ to inform the public as well as policy- report will explain how researchers can ration of computer data tapes. makers, funders, and the dance field obtain and use artist extract files from concerning the working conditions and the three decennial Censuses. needs of choreographers.

1992 Annual Report 349 Special¯ Constituencies ¯ ¯

3 projects Funds: $49,284

The Office for Special Constituencies is charged with raising sual arts; a job description for accessibility coordinators; a public awareness in matters involving accessible arts program­ training guide for staff and board members; and a long mingfor people who are older, disabled, or living in imtitu­ range planning document. tions. This Office works with Endowment staff;, grantees and Other efforts to educate arts administrators on access is­ other federal agencies to educate artists and arts administrators sues included twelve presentations at meetings sponsored by on how to make the arts more available to these under-served grantees. The Special Constituencies coordinator conducted Americans. The focus is on inclusion -- opening up existing two access workshops at a conference sponsored by the programs -- and on outreach -- taking the arts to people who Dallas Museum of Art; led an access seminar at the would not otherwise have these opportunities. Tennessee Arts Commission’s Conference on the Arts in Johnson City, and provided awareness training for staff and HE OFFICE MADE NEW EFFORTS IN board members of the Southern Arts Federation in Atlanta. concert with the Design Arts Program to pro­ The Office continues to direct the Endowment’s T mote the concept of universal design, an ap­ Working Group on Older and Disabled Americans, proach to creating spaces and products that goes which encourages an integrated approach to access issues beyond providing special features and elements for people within the agency and beyond. For example, the Working with impairments. Rather, universal design accommodates Group helped plan two seminars on the 1990 Americans people of all ages, sizes and abilities as it incorporates ele­ with Disabilities Act for Endowment staff, as well as staff ments and products that may be used by everyone through­ from the National Endowment for the Humanities, the out their lives. Institute of Museum Services, and the Advisory Council on The Special Constituencies Office and Design Arts Historic Preservation. Over 400 civil servants attended the Program consulted with 13 universal design experts con­ seminars, which focused on program accessibility and legal cerning how the Endowment may help advance this impor­ requirements for grantees regarding media, exhibitions, tant concept, and funds were allocated to implement two historic properties, structural modifications and new priority recommendations. A universal design video and legislation. touring exhibition will be developed that demonstrates how During FY ’92 TheArts and 504 handbook was updated the application of universal design enhances the activities of and revised prior to its sixth reprinting. This how-to manual all people, leading to a more integrated, inclusive and hu­ explains the Endowment’s 504 regulations and accessibility mane world. Targeted audiences for this project include solutions for major arts disciplines. New information ex­ designers, educators, design students, city planners, and plains the 1990 Americans with Disabilities Act and de­ developers. scribes n.ew technologies such as Descriptive Video Services Working with the National Assembly of State Arts and Audio Description, which make the arts more available Agencies, in July the Office convened a task force to de­ to vision-impaired people. The Office prepared to distribute velop an access manual for arts service organizations and 7,000 free copies of the book, which will be marketed by other grantees on specific ways to open up existing pro­ the Government Printing Office. grams and activities to disabled and older people. The task The Office also supported The Accessible Museum, a book force, composed of fourteen staff and board members from to be published in association with the Institute of Museum state and regional arts groups and three accessibility experts, Services by the American Association of Museums. Its pur­ determined the manual’s content. It will feature a variety of pose will be to help museum professionals open their doors resource materials including: access checklists for meetings and programs to new and larger audiences that comprise and for programs in the performing, media, literary and vi­ visitors and patrons who may be older or disabled.

350 National Endowment for the Arts O

A blind child enjoys hands-on activilJes at the Boston Museum of Fine Arts, one of the institntJons highlighted in The Accessible Museum, which was produced with Endowment help.

special constituencies. Other work­ ~ Technical Access ActivilJes Projects shops will focus on design solutions, Washington, DC $12,984 access training for grantees, and the To support update of TbeArts and504 ~ Indicatesprojects having national impact. Endowment’s 504 regulations. handbook, including the addition of [DCA 91-30] information on the 1990 Americans ~r Southern Arts Federation with Disabilities Act; and to purchase Atlanta, GA $30,000 ~r Technical Access AclJvities 8,000 copies of The Arts and 504 hand­ To amend a cooperative agreement to Washington, DC $6,300 book from the Government Printing implement the second phase of a re­ To support technical assistance projects Office and 500 copies of Dance-USA gional symposium to assist state arts such as providing access seminars and Journal on AIDS issues for distribution agencies and other grantees in making panels at meetings of arts groups, in­ to grantees. their activities available to people with cluding the Tennessee Conference on disabilities and to older adults. The the Arts, the National Assembly of symposium will include panels and Local Arts Agencies, the American workshops on model efforts by arts Association of Museums, and the organizations and presentations by Georgia Council for the Arts. groups and individuals representing

I99Z Annual Report

NATIONAL ENDOWMENT for the ARTS

Overview Panels & F nanc al Summaries ¯ Overview Panels

Joan Gray William Stricldand, Jr. President Member, National Council on the James Backas Muntu Dance Theatre Arts; Executive Director Executive Director Chicago, IL Manchester Craftsmen’s Guild Maryland State Arts Council Pittsburgh, PA Baltimore, MD Joanne Hoover Director Leonard Vignola, C.P.A. Dominick Balletta Levine School of Music President/CEO Managing Director Washington, DC National Arts Stabilization Fund Ensemble Studio Theater New York, NY New York, NY Marsha Jackson Co-Artistic Director " Carol Yamamoto Melanie Beene Jomandi Productions Chair, Arts Management Department President Atlanta, GA Columbia College Melanie Beene and Associates Chicago, IL Sausalito, CA Penelope McPhoa Art and Culture Program Officer DANCE Deann Borshay Knight Foundation Development Director Miami, FL Maria Benitez National Asian American Artistic Director Telecommunications Association JusUn Moss Maria Benitez Spanish Dance San Francisco, CA General Director Company Boston Lyric Opera Santa Fe, NM Sue Busby Boston, MA Executive Director Suzanne Carbonnsau Interstate Firehouse Cultural Center Halsey North Dance Critic; Historian Portland, OR Chairman Chevy Chase, MD The North Group Susan Channing New York, NY Allan Gray [laypersen} Director Vice President Spaces Brace Pepich Black Economic Union Cleveland, OH Director Kansas City, MO Wustum Museum of Fine Arts Nancy Clarke Racine, WI John McFall Executive Director Artistic Director American Music Center John Shaffer (layperson) Ballet Metropolitan New York, NY Assistant Rector Columbus, OH St. Matthews Church Kathie deNobriga (chair) Wheelin$ WV Dianne Mclntyre Executive Director Choreographer; Founder Alternate ROOTS Jim Sitter Sounds In Motion Dance Company Atlanta, GA Executive Director New York, NY Council of Literary Magazines Paul Drasher and Presses Donald McKayle (chair) Artistic Director New York, NY Choreographer; Professor Paul Dresher Ensemble/Musical University of California - Irvine Traditions Irvine, CA Berkeley, CA

354 National Endowment for the Arts Overview Panels

Mark Murphy David Kennedy EXPANSION ARTS Program Director Director of Curriculum On the Boards State of Washington Sandra Burton (chair) Seattle, WA Olympia, WA Professor of Dance Williams College Louise Robinson Paul C. King Williamstown, MA Executive Director Architect; Principal Minnesota Dance Alliance CADD Management Consulting Larry Kubota Minneapolis, MN Brooklyn, IVY Management Consultant Gardena, CA Fred Strickler Richard Leitch (layperson) Professor of Dance, University of Vice President of Sales and Marketing Donna Porterfield California; Artistic Director Geo. W. King Co. Managing Director Fred Strickler and Friends Baltimore, MD Roadside Theater Riverside, CA Whitesburg, KY Genevieve Ray Michael Uthoff Urban Designer; Preservationist Maria Sasso (layperson) Artistic Director Urban Conservation and Design President Hartford Ballet Cincinnati, OH M.S. International Corp. Hartford, CT McLean, VA Shauna D. Stallworth David White Interior Designer; Director of Lorraine Wilson Executive Director/Producer Programs and Special Projects Professor of Music Education Dance Theater Workshop Organization of Black Designers Indiana University of Pennsylvania New York, NY Washington, DC Indiana, PA

Jawole Willa Jo Zollar Richard Sundberg INTERNATIONAL Co-Founder/Artistic Director Architect; Vice President/Principal Urban Bush Women Olson Sundberg Architects lisa Chang New York, NY Seattle, WA Artistic Director/Producing Director Pan Asian Repertory Theater DESIGN ARTS Randy Swearer New York, iVY Graphic Designer; Director/Associate Rosalie Genevro Professor, Division of Design Eduardo Diaz Architectural Historian University of Texas-Austin Executive Director Architectural League of New York Austin, TX City of San Antonio, Department of New York, NY Arts & Cultural Affairs Peter Wooding San Antonio, TX Clint Hewitt Industrial Designer; Prindpal Landscape Architect; Associate Peter Wooding Design Associates Wendy Ewald Professor of Horticultural Science Providence, RI Senior Research Associate, Center for University of Minnesota Documentary Studies Minneapolis, MN John Zukowsky Duke University Curator of Architecture Durham, NC Deborah Karasav Art Institute of Chicago Landscape Architect; Chicago, IL Sandra Furey Assistant Education Director Executive Director Walker Art Center Urban Gateways Minneapolis, MN Chicago, IL

1992 Annual Report 355 Overview Panels

Norman Lan~ill Susan Ludvigson Joseph Golden Producer Poet; Poet-in-Residence President Bumbershoot Festival Winthrop College Spirit Square Center for the Arts Seattle, WA Rock Hill SC Charlotte, NC

Nancy LeRoy (layperson) Wendy Strothman (layperson) Shahida Mausi Director of Public Affairs Director Executive Director The Impact Group Beacon Press Detroit Council of the Arts Washington, DC Boston, MA Detroit, M1

Vesna Todorovic Miksic Jesie Talamantez Karen Gundersen Bison Artistic Director Arts Administrator Board Member Yellow Springs Institute California Arts Council South Dakota Arts Council Chester Springs, PA Sacramento, CA Rapid City, SD

UTEi~TURE Peter Turchi Kathleen Paviick (layperson) Fiction Writer; Essayist; Professor Assistant Vice-President, Manager of Phyllis Barber Appalachian State University Corporate Contributions Fiction Writer; Essayist; Educator Boone, NC Chemical Bank Vermont College New York, NY Dillon, CO Robley Wilson [chair) Fiction Writer; Poet; Editor, The North Harvey Rose (layperson) Jim Barnes American Revieu4, Professor of English City Manager Poet; Translator; Editor, The Chariton University of Northern Iowa City of Steamboat Springs Revie~ Associate Professor of Cedar Rapids, IA Steamboat Springs, CO Comparative Literature Northeast Missouri State University LOCAL ARTS AGENCIES Daniel Salasar Kirksville, MO Filmmaker; Director of Individual Barbara Schaffer Bacon (chair) Artist Program ¢. S. Giscombe Arts Consultant Colorado Council on the Arts and Poet; Assistant Professor of English Amherst, MA Humanities Illinois State University Denver, CO Bloomington, IL Bill Bulick Executive Director Hardet Sanford Daniel Halpern Metropolitan Arts Commission Executive Director Poet; Editor, Antae~ Publisher Portland, OR Fulton County Arts Council The Ecco Press Atlanta, GA HopewelL NJ Lynda Martha Burkel Artistic Director MUSEUM Dawitt Henry Lynda Martha Dance Company Fiction Writer; Executive Director, Evanston, IL Hugh Davies Ploughshares, Chairman, Division of Director Writing, Publishing, & Literature Eduardo Diaz San Diego Museum of Emerson College Executive Director Contemporary Art Boston, MA City of San Antonio, Department of La Jolla, CA Arts & Cultural Affairs Jane HirshfleM San Antonio, TX Vishakha Dasai Poet; Translator Director Mill Valley, CA Asia Society Galleries New York, NY

356 National Endowment for the Arts Overview Panels

Margaret Holben Iglis Noel DaCosta Chairman, Conservation Center Composer; Faculty Institute of Fine Arts, New York Rutgers University Sarah Billing~urat University New York, NY Artistic Administrator New York, NY San Francisco Opera Alexine Clement Jackson (layperson) San Francisco, CA Peter Hassrick President, Board of Trustees Director Washington Performing Arts Society Michael Ching Buffalo Bill Historical Center Potomac, MD Artisdc Director Cody, WY Opera Memphis Dennis H. Miller Memphis, TN Frances Hobart (layperson) Composer; Professor of Music Arts Patron/Board Member Northeastern University Sylvia Debanport Smithfield, NC Wellesley, MA Stage Director Tempe, AZ Peter Mordn Steven Monder (oe-cbair) Director General Manager Sue Frost J. B. Speed Art Museum Cindnnati Symphony Orchestra Assodate Producer Louisville, KY Cincinnati, OH Goodspeed Opera House East Haddam, CT Mary Gardner Neill Toni-Marie Montgome~ Director Acting Associate Dean, Cbades Gray Yale University Art Gallety College of Fine Arts Executive Director/General Manager New Haven, CT Arizona State University Pittsburgh Civic Light Opera Tempe, AZ Association Brenda Richardson Pittsburgh, PA Deputy Director and Curator of ~arol Quin Paintings and Sculpture Executive Director Ben Ibywoez Baltimore Museum of Art Jackson Symphony Orchestra Artistic Director, New Music Baltimore, MD Jackson, TN Theater Ensemble Minnesota Opera Company Lewis Sharp Judith Rubin St. Paul MN Director Commissioner, Mayor’s Commission Denver Art Museum for Protocol Everett McCorvey Denver, CO Office of the Mayor Performer; Assistant Professor of Voice New York, NY University of Kentucky Roy Slade (chair) Lexington, KY Artist (Painter); President/Director Lois F. Schaefer Cranbrook Academy of Art Flutist; Faculty Sandra Pay (layperson) BloomfieM Hills, MI Boston Conservatory of Music Member, Board of Directors Jamaica Plain, MA San Diego Opera MUSIC San Diego, CA Howle Smith (co-chair) David Conte Jazz Composer; Saxophonist; Faculty Pelham G. Pearoe, Jr. (chair) Professor of Composition Cleveland State University General Manager San Francisco Conservatory of Music Cleveland Heights, OH Mobile Opera San Francisco, CA Mobile, AL

199z Annual Report 357 Overview Panels

Marilyn Powel John Graham STATE & REGIONAL Director of Development Executive Director Ford’s Theater Florida Philharmonic Orchestra Ramona Baker Washington, DC Fort Lauderdale, FL Director The Arts Council Inc. Ma~orie Samoff C.J. Hirschfield (layperson) Huntsville, AL Producing Director Vice President of Industry Affairs American Music Theater Festival California Cable Television Association Bo~ Boone Philadelphia, PA Oakland, CA Interim Director Michigan Council for the Arts and PRESENTING & COMMISSIONING Frank Jacobson Cultural Affairs President and CEO Detroit, MI ,arnold 8reman Scottsdale Cultural Council Executive Director/Artistic Director Scottsdale, AZ Marvin Cohen (layperson, chair) Raymond F. Kravis Center for the Partner, Sacks, Tierney, Performing Arts Jo Long & Kasen; Chair West Palm Beach, FL Executive Director Arizona Commission on the Arts Carver Community Cultural Center Phoenix, AZ Roger Bruce San Antonia, TX Consultant; Artist; Instructor Susie Farr Visual Studies Workshop Arlene Shuler Director Linwood, NY Vice President, Planning and Association of Performing Arts Development Presenters Blondell Cummings Lincoln Center for the Performing Arts Washington, DC Choreographer; Artistic Director New York, IVY Cycle Art Foundation Cecilia Fitlgibbon New York, IVY Holly Sidford Executive Director Executive Director Delaware State Arts Council Paul Dresher New England Foundation Wilmington, DE Artistic Director For the Arts Paul Dresher Ensemble Cambridge, MA Lonny Kaneko Berkeley, CA Member Andrea Wagner Washington State Arts Commission Gary Dunning Managing Director Olympia, WA Executive Director On the Boards Houston Ballet Seattle, WA Jeffrey A. Kesper Houston, TX Executive Director Jane Weaver Southern Arts Federation Duane Ebata Arts Consultant Atlanta, GA Managing Director Charlotte, NC Japan America Theater Joanne Kozberg Los Angeles, CA M. K. Wogman Executive Director Arts Consultant California Arts Council Ken Foster New Orleans, LA Sacramento, CA Director, Center for the Performing Arts Pamela Parziale Pennsylvania State University Chair University Park, PA Arts & Humanities Section, West Virginia Division of Culture & History Kearneysville, WV

National Endowment for the Arts Overview Panels

Anthony Radich Frank Jacobson Joseph Deal (chair) Executive Director President and CEO Visual Artist (photography); Missouri Arts Council Scottsdale Cultural Council Dean, School of Fine Arts St. Louis, MO Scottsdale, AZ Washington University St. Louis, MO Shirley Sneve Ming Cho Lee Assistant Director Theater Designer Judith Kirshner South Dakota Arts Council New Haven, CT Director, School of Art and Design Sioux City, SD University of Illinois/Chicago Jon Nakagawa Chicago, IL Alden C~ Wilson Managing Director Executive Director Vineyard Theatre Kyong Park Maine Arts Commission New York, IVY Architect; Sculptor; Director Augusta, ME Storefront for Art and Architecture Beverly Robinson New York, NY Associate Professor: Theater, Folklore & Mythology Program Stephen Pdna Carol Evans University of California at Lps Angeles Visual Artist (conceptual/installation) Artistic Director Los Angeles, CA Los Angeles, CA Metro TheaterCircus St. Louis, MO John Schneider Renny Pritikin Artistic Director Writer; Visual Arts Director Zelda Fichandler Theatre X Yerba Buena Center for the Arts Artistic Director Milwaukee, WI San Francisco, CA The Acting Company Cesar Trasebares New York, IVY George Thorn Theater Consultant Visual Artist (sculpture); Carl Grate Blacksburg, VA Public Art Consultant Actress Miami, FL Arena Stage Gilbeeto Zaldivar Washington, DC Executive Director Fred Wilson Spanish Theater Repertory Company Visual Artist (sculpture); Director Tom Hall New York, NY Longwood Arts Project Managing Director New York, NY Old Globe Theater San Diego, CA Virginia Wright (layperson) Deborah Bright Patron/Collector John Horhn (layperson} Visual Artist (photography); Seattle, WA Associate Director, Tourism Critic; Faculty Development Division Rhode Island School of Design Mississippi Department of Economic Providence, RI Development Jackson, MS Jacqueline Crist Director, Visual Arts Program Marsha Jackson (chair) Idaho Commission on the Arts Co-Artistic Director Boise, ID Jomandi Productions, Inc. Atlanta, GA

~99z Annual Report F¯ nanc ¯ al Summary

Summary of Funds AvailableI Fiscal Year 1992

Appropriation: Regular Program Funds2,3 $122,990,544 Appropriation: Treasury Funds (to match nonfederal gifts) 17,279,500 Appropriation: Challenge Grant Funds (to match nonfederal gifts) 12,836,200 Appropriation: Policy, Planning, Research, and Budget1’4 1,023,879 Total Federal Appropriations $154,130,123

Nonfederal Gifts1 177,585 Unobligated Balance, Prior Year1 8,683,153 Total Funds Available $162,990,861 1Exdudes administrative operating funds. 2Not less than 25 percent for support of state arts agencies and regional arts groups. 3Not less than 5 percent for support through the Under-Served Communities Set-Aside. 4Administrative funds (see Office of Policy, Planning, Research and Budget section).

Fiscal Year 1992 Challenge Grant Funds Obligated Obligations Commitments/Obligations~ Dance $ 8,194,011 $3,604,291 Design Arts 3,549,235 200,000 Expansion Arts 6,052,300 1,301,479 Folk Arts 3,181,800 35,000 Literature 4,606,766 -- Media Arts 11,968,800 3,843,698 Museum 11,079,583 1,180,800 Music 14,901,800 2,250,000 Opera-Musical Theater 5,680,786 1,914,000 Presenting and Commissioning 4,084,975 1,360,000 Theater 9,374,900 2,591,970 Visual Arts 5,583,625 600,753 Arts in Education 8,285,530 385,000 Local Arts Agencies 2,419,946 440,000 State and Regional 30,840,085 455,000 Under-served Communities Set-Aside 6,156,300 -- Advancement 3,786,296 -- Challenge 269,9645 __ Policy, Planning, Research and Budget 1,023,879 -- 7 Total Funds Obfigated $141,040,581 $ 20,161,991

5Challenge Grants are shown jn the column to the fight. 6Of the $20,161,991 committed, $13,522,556 was obligated in Fiscal Year 1992. 7program obligations reflect Fiscal Year 1992 transactions and, in some cases, may differ from final allocations due to variations in the obligation of two-year monies or receipt of gifts and fimds from other agencies.

360 National Endowment for the Arts Financial Summary

History of Authorizations and Appropriations Arts Administrative Authorization Appropriation Funds

Fiscal 1966 Program Funds $5,000,000 $2,500,000 $727,000 a Treasury Funds b 2,250,000 34,308 Total Funds for Programming $7,250,000 $2,534,3O8 Fiscal 1967 Program Funds $5,000,000 $4,000,000 $1,019,500 a State Arts Agencies (block) 2,75O,OOO 2,000,000 (Subtotal--Program Funds) (7,750,000) (6,000,000) Treasury Funds b 2,250,000 1,965,692 Total Funds for Programming $10,000,000 $7,965,692

Fiscal 1968 Program Funds $5,000,000 $4,500,000 $1,200,000 a State Arts Agencies (block) 2,750,000 2,000,000 (Subtotal--Program Funds) (7,750,000) (6,500,000) Treasury Funds b 2,25O,OOO 674,291 Total Funds for Programming $10,000,000 $7,174,291

Fiscal 1969 Program Funds $6,000,000 $3,700,000 $1,400,000 a State Arts Agencies (block) 2,000,000 1,700,000 (Subtotal--Program Funds) (8,000,000) (5,400,000) Treasury Funds b 3,375,000 2,356,875 Total Funds for Programm,ng $11,375,000 $7,756,875

Fiscal 1970 Program Funds $6,500,000 $4,25O,OOO $1,610,000 a State Arts Agencies (block) 2,500,000 2,000,000 (Subtotal--Program Funds) (9,000,000) (6,250,000) Treasury Funds b, 3,375,000 2,000,000 Total Funds for Programming $12,375,000 $8,250,000

Fiscal 1971 Program Funds $12,875,000 $8,465,000 $2,660,000 a State Arts Agencies (block) 4,125,000 4,125,000 (Subtotal--Program Funds) (17,000,000) (12,590,000) Treasury Funds b 3,000,000 2,500,000 Total Funds for Programming $20,000,000 $15,090,000

Fiscal 1972 Program Funds $21,000,000 $20,750,000 $3,460,000 a State Arts Agencies (block) 5,500,000 5,500,000 (Subtotal--Program Funds) (26,500,000) (26,250,000) Treasury Funds b 3,500,000 3,500,000 Total Funds for Programming $30,000,000 $29,75O,OOO

I992 Annual Report 361 Financial Summary

History of Authorizations and Appropriations continued Arts Arts Administrative Authorization Appropriation Funds

Fiscal 1973 Program Funds $28,625,000 $27,825,000 $5,314,000a State Arts Agencies (block) 6,875,000 6,875,O00 (Subtotal--Program Funds) (35,500,000) (34,700,000) Treasury Funds b 4,500,000 3,500,000 Total Funds for Programming $40,000,000 $38,200,000

Fiscal 1974 Program Funds $54,000,000 $46,O25,OOO $6,500,000 a State Arts Agencies (block) 11,000,000 8,250,000 (Subtotal--Program Funds) (65,000,000) (54,275,000) Treasury Funds b 7,500,000 6,500,000 Total Funds for Programming $72,500,000 $6O,775,OOO

Fiscal 1975 Program Funds c $90,000,000 $67,25O,OOO $10,783,000 a Treasury Funds b 10,000,000 7,5O0,000 Total Funds for Programming $100,000,000 $74,75O,OOO

Fiscal 1976 Program Funds c $113,500,000 $74,500,000 $10,910,000 a Treasury Funds b 12,500,000 7,500,000 Total Funds for Programming $126,000,000 $82,000,000

Transition Quarter July 1, 1976--September 30, 1976 Program Funds c $33,437,000 $2,727,000 a Treasury Funds b 5OO,OOO Total Funds for Programming $33,937,OOO

Fiscal 1977 Program Funds c $93,500,000 $77,500,00O $11,743,000 a Treasury Funds b 10,000,000 7,500,000 Challenge Grants b 12,000,000 9,000,000 Photo/Film Projects 4,000,000 Total Funds for Programming $119,500,000 $94,000,000

Fiscal 1978 Program Funds ~ $105,000,000 $89,100,000 Treasury Funds b 12,500,000 7,500,000 Challenge Grants b 18,000,000 18,000,000 Photo/Film Projects 2,000,000 Subtotal $137,500,000 $114,600,000 Administrative Funds such sums as necessary 9,250,000

Total Funds $123,850,000

National Endowment for the Arts Financial Summary

History of Authorizations and Appropriations continued Arts Arts Administrative Authorization Appropriation Funds

Fiscal 1979 Program Funds c $102,160,000 Treasury Funds b 7,500,000 Challenge Grants b 30,000,000 Administrauve Funds 9,925,000 Total Funds such sums as necessary $149,585,000

Fiscal 1980 Program Funds c $97,000,000 Treasury Funds b 18,500,000 Challenge Grants 1, 26,900,000 Administrauve Funds 12,210,000 Total Funds such sums as necessary $154,610,000

Fiscal 1981 Program Funds c $115,500,000 $113,960,000 Treasury Funds b 18,500,000 19,250,000 Challenge Grants b 27,000,000 13,450,000 Administrative Funds 14,000,000 12,135,000 Total Funds $175,000,OO0 $158,795,000

Fiscal 1982 Program Funds c $103,330,000 Treasury Funds b 14,400,000 Challenge Grants b 14,400,000 Administrative Funds 11,326,000 Total Funds $119,300,000 $143,456,000

Fiscal 1983 Program Funds c $101,675,000 Treasury Funds b 11,200,000 Challenge Grants b 18,400,000 Administrative Funds 12,600,000 Total Funds $119,300,000 $143,875,000

Fiscal 1984 d Program Funds ~ $128,500,000 $119,000,000 Treasury Funds b 10,000,000 9,000,000 Challenge Grants b 28,000,000 21,000,000 Administrauve Funds 17,000,000 13,223,000 Total Funds $183,500,000 $162,223,000

1992 Annual Report 363 Financial Summary

History of Authorizations and Appropriations continued Arts Arts Administrative Authorization Appropriation Funds Fiscal 1985 Program Funds c $118,678,000 Treasury Funds b 8,820,000 Challenge Grants b 20,58O,000 Administrative Funds 15,582,000 Total Funds such sums as necessary $163,660,000 Fiscal 1986 Program Funds c $121,678,000 $115,747,932 Treasury Funds b 8,820,000 8,389,600 Challenge Grants b 20,580,000 19,577,000 Administrative Funds 15,982,000 14,822,508 Subtotal $167,060,000 $158,537,040 Arts and Artifacts Indemnity Funds such sums as necessary 285,200 Total Funds $158,822,240 Fiscal 1987 Program Funds c $123,425,120 $120,761,000 Treasury Funds b 9,172,800 8,420,000 Challenge Grants b 21,403,200 20,000,000 Administrative Funds 16,205,280 16,100,000 Total Funds $170,206,400 $165,281,000

Fiscal 1988 Program Funds c $128,362,125 $122,171,000 Treasury Funds b 9,539,712 9,O00,000 Challenge Grants b 22,259,328 19,420,000 Administrative Funds 16,853,491 17,140,000 Total Funds $177,014,656 $167,731,000

Fiscal 1989 Program Funds c $123,450,000 Treasury Funds b 9,000,000 Challenge Grants b 18,200,000 Administrative Funds 18,440,000 Total Funds such sums as necessary $169,090,000 Fiscal 1990 Program Funds c $124,255,000 Treasury Funds b 12,000,000 Challenge Grants b 15,150,000 Administrative Funds 19,850,000 Total Funds such sums as necessary $171,255,000

364 National Endowment for the Arts Financial Summary.

Arts A!’ts Authorization Appropriation

Fiscal 1991 Program Fundsj’k’l $125,800,000 $124,632,816 Treasury Fundsb 13,000,000 12,931,712 Challenge Grantsb 15,000,000 14,921,206 Administrative FundsI 21,200,000 21,595,003

Total Funds 175,000,000 $174,080,737h

Fiscal 1992 Program FundsJ,k,l $122,990,554 Treasury Fundsb 17,279,500 Challenge Grantsb 12,836,200 Administrative FundsI 22,848,436

Total Funds such sums as necessary $175,954,680i

Fiscal 1993 Program FundsJ,k,l $119,984,248 Treasury Fundsb 16,954,650 Challenge Grantsb 13,186,950 Administrative Funds1 24,333,534

Total Funds such sums as necessary $174,459,382m aThese funds were jointly provided to the National Endowment for the Arts and the National Endowment for the Humanities until the two agencies were administratively separated in 1978. bFederal funds appropriated by Congress to match nonfederal donations to the Endowment. CNot less than 20 percent of Program Funds were required to go to state arts agencies and regional arts groups.. dAuthorization reflects adjustment per P.L. 98-306. eAppropriations reflects reduction of $7,123,000 pursuant to Public Law 99-177, the Balanced Budget and Emergency Defidt Control Act of 1985. fNot less than 25 percent of Program funds were required to go to state arts agencies and rural arts groups. gNot less than 5 percent of Program funds were required to go to the Underserved Communities Set-Aside. hAppropriation reflects reductions of $917,000 pursuant to Public Law 101-512 and $2,263 pursuant to Public Law 99-177, the Balanced Budget and Emergency Deficit Control Act of 1985, and approved reprogramming. iAppropriation reflects reduction of $2,245,320 pursuant to Public Law 102-154. JNot less than 27.5 percent of Program funds are required to go to state arts agencies and regional arts groups. kNot less than 7.5 percent of Program funds are required to go to the Underserved Communities Set-Aside. IReflects reprogramming of $250,000 from Program funds to Administrative funds. mAppropriation reflects reduction of $1,495,618 pursuant to Public Law 102-311.

1992 Annual Report 365 Credits

IMAGES FROM OUR FILES AND ARCHIVES Chapter icons: Each chapter in this report carries a graphic decoration be­ Front cover side the running tide, a detail from a larger illustration. They Desmond Richardson of Alvin Alley American Dance are as follows: Theater leaps ecstatically in Louis Johnson’s Fontessa and Friends. Dance: Detail from the cover picture of Desmond Photo by Jack Mitchell Richardson. Photo by Jack Mitchell. Design Arts: Pointing finger by Roy Lichtenstein, from an First inset, front cover image offered by Stockholm’s Moderna Musett for an Saxophonist Johnny Griffin jams with bassist Dennis Irwin exhibit at the Exit Art gallery in New York. under the aegis of the Manchester Craftsmen’s Guild, a Expansion Arts: Detail from the picture on page 45. Photo Pittsburgh arts organization. by Kulintang Arts. Photo by Chades Martin FolkArts: A Native Alaskan mask. Photo by Maria Williams. Second inset, front cover Literature: Detail from a StreeqeareJournalposter reproduced Channavy Koung and Koung Peang rehearse a Cambodian on page 84. folk opera for an SRO Khmer concert sponsored by the Media Arts: A television set. Philadelphia Folklore Project. Museum: A colossal Egyptian head from the second millen­ Photo by Jane Levine nium B.C. Photo by Cleveland Museum of Art. Music: Dizzy Gillespie blows his horn in Pittsburgh. Photo Back cover by Manchester Craftsmen’s Guild. Toni Pierce of the Alvin Alley American Dance Theater Opera-Musical Theater: Martha Arnold, detail from the pic­ takes flight in Jawole Willa Jo Zollar’s Shelter. ture on page 202. Photo by Wildwood Park for the Photo by Jack Mitchell Performing Arts. Presenting & Commissioning: Detail from the picture on Inset, Back cover page 210-211. Photo by Cylla Von Tiedemann. Martha Thigpen, Michael Fiacco and Kimm Julian face off Theater: Detail from the picture on page 235. Photo by in the showdown of Girl of the Golden West, produced by the Brendan Bannon. Des Moines Metro Opera. Visual Arts: Mario Gonzalez. Photo by Randolph Street Photo by John F. Schultz Gallery. Challenge: Detail from the drawing on page 270 by Harry Weese Associates. Advancement: Detail from picture on page 284-285. Photo by George Hixson. Arts in Education: Detail from a quilt like that on page 298, made at Mississippi Cultural Crossroads. Photo by Patricia Crosby. LocalArts Agencies: Detail from picture on page 309. Photo by Craig Smith. State & Regional: Detail from picture on page 317. Photo by Jack Mitchell.

366 National Endowment for the Arts Published by National Endowment for the Arts Nancy Hanks Center 1100 Pennsylvania Avenue NW Washington, D.C. 20506-0001

Philip Kopper, Director of Publications Kathy Plowitz-Worden, Project Editor

People with visual or learning impairments may obtain a cas­ sette recording of this report by contacting the Endowment’s Office for Special Constituencies, Room 605, at the above address. Phone: 202/682-5532; Voice/TT: 202/682-5496

Design and Production: The Magazine Group Washington, D.C. Brian Noyes, Designer Connie Mitchell, Production Director

Picture Research: Anne Alvarez

’~" U.S. GOVERNMENT PRINTING OFFICE: 1993 351-786/60049 ~99zAnnual Report 367 NATIONAL ENDOWMENT

FOR~THE ARTS