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Notes from New York: Names, Networks, and Connectors in Art History
ISSN: 2471-6839 Notes from New York: Names, Networks, and Connectors in Art History Susan Greenberg Fisher Chaim Gross Foundation The Renee and Chaim Gross Foundation, located in Greenwich Village, is the historic home and studio of American sculptor Chaim Gross (1904–1991) (fig. 1). The foundation is housed in a four story townhouse, with the artist's dramatic sculpture studio on the ground floor (fig. 2). Gross built the studio in 1963 when he purchased the building. It was his final workspace after a long history of studios he had in the Village beginning in the 1930s.1 He and his wife Renee rented the second floor, and in the third floor living space, Gross installed a portion of what had grown to Fig. 1. Home and studio of sculptor Chaim Gross at 526 LaGuardia Place, be an extensive art collection of over one thousand works by Greenwich Village, New York City, built circa 1830 and purchased by Gross 2 his American and European contemporaries (fig. 3). Gross and his wife Renee Gross in 1963. This photograph is circa 1970. The building admired artist house museums that he had seen during his is now The Renee & Chaim Gross Foundation. Archives, The Renee & travels in Europe after World War II, such as the Delacroix Chaim Gross Foundation, New York. museum in Paris, and it was his dream to have a house museum similar to the European models. He incorporated the foundation as a nonprofit organization in 1989, shortly before his death in 1991. Susan Greenberg Fisher. “Notes from New York: Names, Networks, and Connectors in Art History.” Panorama: Journal of the Association of Historians of American Art 2 no. -
SORS-2021-1.2.Pdf
Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 1.1 (Updated August 2020) Copyright © 2021 by Smithsonian Institution Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 5 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 6 Cooper-Hewitt, National Design Museum (CHNDM) ............................................................................................................................. -
Ulrich Museum of Art
HLC Accreditation 2016-2017 Evidence Document Academic Affairs Ulrich Museum of Art Martin H. Bush Outdoor Sculpture Collection Additional information: See more information on the Ulrich Museum’s web pages: http://webs.wichita.edu/?u=ulrichmuseum&p=/art/outdoorsculpturecollection/ (Accessed May 3, 2016.) Ulrich Museum of Art - Wichita State University ABOUT US | ART | NEWS & EVENTS | VISIT | GET INVOLVED | CONTACT US MARTIN H. BUSH OUTDOOR SCULPTURE COLLECTION The Ulrich Museum of Art’s Martin H. Bush Outdoor Sculpture Collection boasts 76 works spread across the 330-acre Wichita State University campus. Public Art Review named this collection among the Top Ten campus sculpture collections in 2006. Take the online sculpture tour. Download a printable PDF map of the outdoor sculpture collection. Submit the Tour Request Form and schedule a free, guided tour of the outdoor sculpture collection for groups of 10 or more. http://webs.wichita.edu/?u=ulrichmuseum&p=/art/outdoorsculpturecollection/[2016-05-03 16:18:32] 51. Jo Davidson (American, 1883–1952) 66. Ernest Trova Dwight D. Eisenhower, 1947 (American, 1927–2009) Bronze, 20 x 20 x 10 1/2 in. Profile Canto L.L. #8, 1976 Museum Purchase with Student Government Stainless steel, 57 1/4 x 48 x 143 1/2 in. Association Funds and Gift of Pat Wallingford in Gift of Lanny Lamont in honor of Vicki Lamont memory of Sam Wallingford In Storage 67. Theodore Roszak (American, born Poland 1907–1981) 52. Aristide Maillol (French, 1861–1944) Skylark, 1950–51 Bust of Renoir, 1907 Bronze, 96 x 77 x 22 in. Bronze, 14 1/2 x 10 x 11 in. -
Art Contemporain Mercredi 19 Décembre 2018 À 14H30
www.cornette-saintcyr.com 24 –75008 -tél.+331472711 Paris 6, avenueHoche Mercredi 19 décembre 2018 / 6, avenue Hoche Art impressionniste et Moderne - Art Contemporain Mercredi 19 décembre 2018 6, avenue Hoche Art impressionniste et Moderne - Art Contemporain 1 2 3 Art Impressionniste et Moderne Yves Saint Laurent - Un diable à Paris Art Contemporain Mercredi 19 Décembre 2018 à 14h30 5 Expositions publiques : Spécialiste : Cornette de Saint Cyr Paris : Sabine Cornette de Saint Cyr 6, avenue Hoche - 75008 Tél. + 33 1 56 79 12 32 – Fax + 33 1 45 53 45 24 Vendredi 14 décembre 11h-18h [email protected] Samedi 15 décembre 11h-18h Administratrice de vente : Dimanche 16 décembre 11h-18h Clara Golbin Lundi 17 décembre 11h-18h Tél. : +33 1 56 79 12 33 - Fax : +33 1 45 53 45 24 Mardi 18 décembre 11h-18h [email protected] Mercredi 19 décembre Visite sur rendez-vous Les rapports de conditions des œuvres que nous présentons peuvent Vente à 14h30 être délivrés avant la vente à toutes les personnes qui en font la demande. Ceux-ci sont uniquement procurés à titre indicatif et ne peuvent se substituer à l’examen personnel de celles-ci par l’acquéreur. Téléphone pendant les expositions +33 1 47 27 11 24 Commissaire-priseur : Arnaud Cornette de Saint Cyr Téléphone pendant la vente +33 1 47 27 11 24 Tél. : +33 1 47 27 11 24 [email protected] Cornette de Saint Cyr 6, avenue Hoche - Paris 8 ème +33 1 47 27 11 24 Tous les catalogues en ligne sur www.cornette-saintcyr.com 6, avenue Hoche - 75008 Paris - Tél. -
A Finding Aid to the José De Creeft Papers,1871-2004, Bulk 1910S-1980S, in the Archives of American Art
A Finding Aid to the José de Creeft Papers,1871-2004, bulk 1910s-1980s, in the Archives of American Art Jayna M. Josefson Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund 13 May 2016 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Biographical Material, 1914-1979............................................................. 6 Series 2: Correspondence, 1910s-1980s................................................................. 7 Series 3: Diaries, -
Sheila Hicks CV
SHEILA HICKS Born Hastings, Nebraska 1934 EDUCATION 1959 MFA, Yale University, New Haven, CT 1957 BFA, Yale University, New Haven, CT SELECTED SOLO EXHIBITIONS 2018 Sheila Hicks: Life Lines, Centre Pompidou, Paris, France, February 6 – April 30, 2018. Sheila Hicks: Send Dessus Dessous, Domaine de Chaumont-sur Loire Centre d’Arts et de Nature, Chaumont-sur Loire, France, March 30, 2018 – February 2, 2019. Down Side Up, Sikkema Jenkins & Co., New York, NY, May 24 – July 6, 2018. 2017 Sheila Hicks: Glossolalia, Domaine de Chaumont-sur Loire Centre d’Arts et de Nature, Chaumont-sur Loire, France, April 1 – November 5, 2017. Sheila Hicks: Hilos Libres. El Textil y Sus Raíces Preshispánicas, 1954-2017, Museo Amparo, Puebla, Mexico, November 4, 2017 – April 2, 2018. Sheila Hicks: Stones of Piece, Alison Jaques Gallery, London, England, October 4 – November 11, 2017. Sheila Hicks: Hop, Skip, Jump, and Fly: Escape from Gravity, High Line, New York, New York, June 2017 – March 2018. Sheila Hicks: Au-delà, Museé d’Arte Moderne de la Ville de Paris, Paris, France, December 1 – May 20, 2018. 2016 Si j’étais de laine, m’accepteriez-vous?, galerie frank elbaz, Paris, France, September 10 – October 15, 2016. Apprentissages, Festival d’Automne, Musée Carnavalet, Paris, France, September 13 – October 2, 2016; Nanterre-Amandiers, Paris, France, December 9 – 17, 2016. Sheila Hicks: Material Voices, Joslyn Art Museum, Omaha, Nebraska, June 5 – September 4, 2016; travels to: Textile Museum of Canada, Toronto, Canada, October 6, 2016 – February 5, 2017. Sheila Hicks: Why Not?, Textiel Museum, Tilburg, The Netherlands, March 5 – June 5, 2016. -
Large Impact Basins on Mercury: Global Distribution, Characteristics, and Modification History from MESSENGER Orbital Data Caleb I
JOURNAL OF GEOPHYSICAL RESEARCH, VOL. 117, E00L08, doi:10.1029/2012JE004154, 2012 Large impact basins on Mercury: Global distribution, characteristics, and modification history from MESSENGER orbital data Caleb I. Fassett,1 James W. Head,2 David M. H. Baker,2 Maria T. Zuber,3 David E. Smith,3,4 Gregory A. Neumann,4 Sean C. Solomon,5,6 Christian Klimczak,5 Robert G. Strom,7 Clark R. Chapman,8 Louise M. Prockter,9 Roger J. Phillips,8 Jürgen Oberst,10 and Frank Preusker10 Received 6 June 2012; revised 31 August 2012; accepted 5 September 2012; published 27 October 2012. [1] The formation of large impact basins (diameter D ≥ 300 km) was an important process in the early geological evolution of Mercury and influenced the planet’s topography, stratigraphy, and crustal structure. We catalog and characterize this basin population on Mercury from global observations by the MESSENGER spacecraft, and we use the new data to evaluate basins suggested on the basis of the Mariner 10 flybys. Forty-six certain or probable impact basins are recognized; a few additional basins that may have been degraded to the point of ambiguity are plausible on the basis of new data but are classified as uncertain. The spatial density of large basins (D ≥ 500 km) on Mercury is lower than that on the Moon. Morphological characteristics of basins on Mercury suggest that on average they are more degraded than lunar basins. These observations are consistent with more efficient modification, degradation, and obliteration of the largest basins on Mercury than on the Moon. This distinction may be a result of differences in the basin formation process (producing fewer rings), relaxation of topography after basin formation (subduing relief), or rates of volcanism (burying basin rings and interiors) during the period of heavy bombardment on Mercury from those on the Moon. -
Chaim Gross (1904-1991)
CHAIM GROSS (1904-1991) BORN: Wolowa, East Austria EDUCATION: 1919, 1920 Academy of Art, Budapest 1921 Kunstgewerbe Schule, Vienna 1921-1926 Educational Alliance Art School, New York 1922-1925 Beaux-Arts Institute of Design, New York 1926 Arts Students League, New York ONE-PERSON EXHIBITIONS: 1932 Exhibition of Sculpture by Chaim Gross, Gallery 144, New York 1935 Sculpture, Boyer Galleries, Philadelphia, PA 1935 Store Studio Galleries, Boston, MA 1937 Chaim Gross, Boyer Galleries, Boyer Galleries NYC, New York 1939 Sculpture Chaim Gross, Cooperative Gallery, Newark, New Jersey 1942 Associated American Artists Galleries, New York 1943 Associated American Artists Galleries, New York 1945 Chaim Gross, Muriel Latov Interiors, Springfield, MA 1946 Associated American Artists Galleries, New York 1946 Massillon Museum, Massillon, OH 1947 Associated American Artists Galleries, New York 1948 Associated American Artists Galleries, New York 1949 Associated American Artists Galleries, New York 1950 Massillon Museum, Massillon, OH 1952 Chaim Gross Sculpture & Drawings, State Teachers College, New Paltz, NY Chaim Gross Watercolors & Sculpture, Philadelphia Art Alliance, Philadelphia, PA Associated American Artists Galleries, New York 1953 Chaim Gross Exhibition The Jewish Museum, New York, NY Sculptures & Drawings, Muriel Latow Gallery, Springfield, MA 1955 Sculptures, Watercolors & Drawings, The Shore Studio Galleries, Boston, MA 1957 Chaim Gross Exhibition, Duveen-Graham Gallery, New York 1961 Chaim Gross, Marble Arch Gallery, Miami, FL 1962 Chaim -
Get Smart with Art Is Made Possible with Support from the William K
From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco. -
New York State Office of General Services Art Conservation and Restoration Services – Solicitation Number 1444
Request for Proposals (RFP) are being solicited by the New York State Office of General Services For Art Conservation and Restoration Services January 29, 2009 Class Codes: 82 Group Number: 80107 Solicitation Number: 1444 Contract Period: Three years with Two One-Year Renewal Options Proposals Due: Thursday, March 12, 2009 Designated Contact: Beth S. Maus, Purchasing Officer NYS Office of General Services Corning Tower, 40th Floor Empire State Plaza Albany, New York 12242 Voice: 1-518-474-5981 Fax: 1-518-473-2844 Email: [email protected] New York State Office of General Services Art Conservation and Restoration Services – Solicitation Number 1444 Table of Contents 1. INTRODUCTION ........................................................................................................................ 4 1.1 Overview ..................................................................................................................................... 4 1.2 Designated Contact..................................................................................................................... 4 1.3 Minimum Bidder Qualifications.................................................................................................... 4 1.4 Pre-Bid Conference..................................................................................................................... 5 1.5 Key Events .................................................................................................................................. 5 2. PROPOSAL SUBMISSION......................................................................................................... -
Biblical and Jewish Motives in Art from Renaissance Till Contemporary Times
Biblical and Jewish motives in art from Renaissance till contemporary times. The Tower of Babel, Pieter Brueghel the Elder, Bereshit/Genesis 11:1-9. Biblical and Jewish motives in art from Renaissance till contemporary times Biblical and Jewish Motives in Art from Renaissance till Contemporary Times. During the Renaissance 17th century c.e. great non-Jewish Grand Masters in the painting art have contributed a great part in the distribution of themes from the Tanach around the globe. It is to be said that these great Grand Masters created these art works in Christian influence and were commissioned by the church. The Grand Masters in painting art are some notably Rembrandt, Rubens, Michelangelo and many others.Aside Biblical artwork made by the Grand Masters from the Renaissance throughout the industrial revolution 19th century c.e. Jewish artwork made by Jewish artists came at the beginning of the 19th century c.e., artists as Maurycy Gottlieb. These artists will be mentioned in this essay as Jewish art work from the 20th century c.e. as Marc Chagall, Chaim Gross and others. I wrote this essay in full awareness that, in contradiction with any book about Jewish art, it would be more consulted and probably read. But art has always interested me and to see it combined with my interests in Judaism is a fascinating and encouraging experience. It is the ideal introduction and announcement of the Tanach towards everyone. This essay would be written with explanatory and information but it will consist mostly with images of these wonderful and beautiful artwork. -
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar Archive of Abstract Expressionist Art, 1913-2005
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Pavia, Philip, 1915-2005. Title: Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Call Number: Manuscript Collection No. 981 Extent: 38 linear feet (68 boxes), 5 oversized papers boxes and 5 oversized papers folders (OP), 1 extra oversized papers folder (XOP) and AV Masters: 1 linear foot (1 box) Abstract: Philip Pavia and Natalie Edgar archive of abstract expressionist art including writings, photographs, legal records, correspondence, and records of It Is, the 8th Street Club, and the 23rd Street Workshop Club. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 2004. Additions purchased from Natalie Edgar, 2018. Citation [after identification of item(s)], Philip Pavia and Natalie Edgar archive of abstract expressionist art, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey and Elizabeth Stice, October 2009. Additions added to the collection in 2018 retain the original order in which they were received. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Philip Pavia and Natalie Edgar archive of abstract expressionist art, Manuscript Collection No.