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The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Payerson,N.•" class="text-overflow-clamp2"> CUISINE ) ' T • , / 20HAMILTON STREET / " > Payerson,N.•
WEEK'S c PLETE TELEVISION PROGRAMS THE 'UNDAY NORTH JERSEY'S ONLY WEEKLY PICTORIAL MAGAZINE ß ß ß 1own and Country ..: Dinincj :. .....':--% :'"'.:.:.;:..;i :':•::;:::: Your Sensational Taste Buds ,;½. -•.';.ß ...... ... .... ß .•:½•':..:"':.:..:'::•,-.• :' :..--:';:.•:::::'•¾:;:':.;:!'"..:::'.':, :.'/•;'""'•'•:•;:i:•:;';;::.::':.:'-;..'•..:.... Who Rates The Nod ....;i'.•.. s Manacjer, 19607 ß I• It Too Late To Win The Ficjht Acjainst Communism? Complete .:..-'.:.i:?,i. ß.. :-2-•' 4>:. Short Story [..; ?•':"::' JOHNSON AND NIXON VISIT NEW JERSEY {)CTOBER 9, 1960 VOL. XXXII, No. 41 435 STRAIGHT STREET PA'F!r•SON, N.•. MUlberry 4-7880 Gift Department Living Rooms Bedrooms-- Bedding Dining Rooms Furnihlre Accessories C•rpeting Appliances ZITO STUDIOS COMMERCIAL .. NEWS .- PORTRAIT RUSSELL ZITO, Photographer 'KLONDIKE'-- The new, half-hourseries of filmedadventure SWarthmore 6-0104 dramasbased on the greatgold rush in the YukonTerritory at the turn of the century, premieres as an NBC-TV Network Mon- day night entry in the Fall. Based on Pierre Bertoffs authorita- 10-16 Fair Lawn Avmme tive book,"The Klondike Fever," the "Klondike" serieswill have fourco-stars: Joi Lansing(left), RalphTaeger, Mari Blanchard, andJames Coburn (not pictured).William Conrad is the producer. I. PARRILLO TheMan from Equitable asks- Willyou leave your famiiy a home --or a mortgage? THeODDS that you w'.'ll die before' you pay off your mortgageare 16 timesgreater than .•.thechance your housewill catch fire. Yet, most prudent families wouldn'tthink of beingwithout fire insurance.Why be without mortgageinsurance? Equitable'sremarkable mortgage repayment insur- anceplan protectsyour family againstforced sale... lossof savings...or lossof home. Costsare low for this basicprotection. For full informationcall... I. PARRILLO 200 EAST •IDG -Ke•OOD AVENUE Ril)6•OOD, N. a. -
The Walt Disney Silly Symphony Cartoons and American Animation in the 1930S
Exploration in Imagination: The Walt Disney Silly Symphony Cartoons and American Animation in the 1930s By Kendall Wagner In the 1930s, Americans experienced major changes in their lifestyles when the Great Depression took hold. A feeling of malaise gripped the country, as unemployment rose, and money became scarce. However, despite the economic situation, movie attendance remained strong during the decade.1 Americans attended films to escape from their everyday lives. While many notable live-action feature-length films like The Public Enemy (1931) and It Happened One Night (1934) delighted Depression-era audiences, animated cartoon shorts also grew in popularity. The most important contributor to the evolution of animated cartoons in this era was Walt Disney, who innovated and perfected ideas that drastically changed cartoon production.2 Disney expanded on the simple gag-based cartoon by implementing film technologies like synchronized sound and music, full-spectrum color, and the multiplane camera. With his contributions, cartoons sharply advanced in maturity and professionalism. The ultimate proof came with the release of 1937’s Snow White and the Seven Dwarfs, the culmination of the technical and talent development that had taken place at the studio. The massive success of Snow White showed that animation could not only hold feature-length attention but tell a captivating story backed by impressive imagery that could rival any live-action film. However, it would take nearly a decade of experimentation at the Disney Studios before a project of this size and scope could be feasibly produced. While Mickey Mouse is often solely associated with 1930s-era Disney animation, many are unaware that alongside Mickey, ran another popular series of shorts, the Silly Symphony cartoons. -
Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942
DRAFTING DISNEY FOR VICTORY: ANIMATION, PROPAGANDA, AND POLITICAL RESISTANCE, 1941-1942 by John Michael Gregory A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2019 Approved by: ______________________________ Dr. Mark Wilson, Thesis Director ______________________________ Dr. Peter Thorsheim ______________________________ Dr. David Johnson ©2019 John Michael Gregory ALL RIGHTS RESERVED ABSTRACT JOHN MICHAEL GREGORY. Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942. (Under the direction of DR. MARK WILSON) History has forgotten animation, and film companies are often complicit in failing to acknowledge its influence on our social and cultural history. Walt Disney came of age in the film industry during the Golden Age of Hollywood, an era that coincided with a world stage set for war and conflict. The threat of Nazi Germany was felt both home and abroad, and the United States struggled with indecision on whether or not to support its European allies or remain isolationist. When the Second World War began, the American response was lukewarm with Lend-Lease being the only acceptable political means of interference in the European conflict. Walt Disney, struggling over lack of profits due to war-related distribution overseas, sought US Government contracts for morale and instructional films to keep his company afloat and his artists paid. Though Disney’s popularity and success in Hollywood in the late 1930s should have made him an easy sell to politicians, he was largely met with distrust over questions of cost and the future viability of animation in government use. -
Roadcastmg the BUSINESSWEEKLY of TELEVISION and RADIO
I LO, 1001 JO YG\IJ Join IG1n roadcastmg THE BUSINESSWEEKLY OF TELEVISION AND RADIO ABC Radio tailors four networks to fit variety of formats. p25 Study shows 8 out of 10 prefer hour -long local TV newscasts. p55 CBS unveils recording -playback system with home -TV potential. p67 TV revenues top $2 billion, pretax profits hit $492 million. p70 COMPLETE INDEX PAGE 7 HAT IS AN nfluenclble 2 listener. Specifically, a Storz adio listener. Influencibles re the "in- touch" young oderns with ideas... buying eas. It stands to reason that hen you talk to the greatest umber of people in a given arket, your product or ervice gets known, and ought, faster. Got something sell? Influence the fluencibles. On a Storz ation you get action where counts -in sales. 1965 Storz Broadcasting Co., Inc. WDGY Minneapolis -St. Paul WHB a)isas City KOMA Oklahoma City (Blair) :Blair) (Blair) KXOK St. Louis WTIX New Orleans WQAM Miami RAR. InC.' (Eastman) ( Btair! What's the value of a Byline? Years of a man's professional life can pass before he rates a byline. Some never make it. Those that do can usually be depended on to deliver their story with the integrity and skill befitting their byline. We make medicines for doctors to prescribe. And, we make them with integrity and skill. Whether life- saving or not, we feel they demand that we put ourselves on the line -and we do. For a free copy of What's Behind a Drug Name, write to the Public Relations Department, LEDERLE LABORATORIES A Division of American Cyanamid Company, Pearl River, New York WIIPII/IV/Ø/ INCINNATI, o ICD PRESENTS THE NEW worm OF 111MO RRL%\N Providing a dynamic, new, full color television facility .. -
Percy Met Palestinians in Aaideast
20 TDK HKHALU. Tucs,. Uec, 29, 1981 Latest Research Results Conclusive: Recipes from Peter DiRosa ... p a g 6 13 Cold tonight: sunny Thursday Manchester, Conn. — See page 2 Wed., Dec. 30, 1981 iJIatirltpalpr MpralTi 25 Cents Percy met O p e school Taste Palestinians due to close By Nancy Thompson Herald Reporter Superintendent of Schools James P. Kennedy will recommend closing an elementary school in June, he in AAideast said today. , Kennedy said the Board of Education planning com mittee will meet Jan. 7 to begin considering individual JERUSALEM (UPI) — U.S. SQB?*~t5Srder residents were assured “of my school buildings that are candidates to be closed. I The committee will meet at 7:30 p.m. in the school ad Charles Percy revealed today he met unstinting efforts to encourage continued with three Palestinian leaders during his ministration building at 45 N. School. Administrators adherence by all parties to the cease-fire will report on the candidates for a elementary school three-day visit to Israel because a solu in southern Lebanon,” Percy said. closing. The committee will then begin to consider tion to the Palestinian problem is the Earlier, Israel Radio said Percy eased which school to close. only way to attain a lasting Middle East Israeli concern during his trip that peace. Previously, Kennedy has only hinted at the possibility Washington might back U.N. Security that a school building could be closed at the end of this In a statement read to reporters before Council sanctions of the Jewish state academic year because of declining enrollment. -
Sam Peckinpah
Sam Peckinpah David Samuel “Sam” Peckinpah (/ˈpɛkɪnˌpɑː/;[1] 2 Life February 21, 1925 – December 28, 1984) was an Amer- ican film director and screenwriter who achieved promi- nence following the release of the Western epic The Wild David Samuel “Sam” Peckinpah was born February 21, Bunch (1969). He was known for the visually innovative 1925, in Fresno, California, where he attended both [9] and explicit depiction of action and violence as well as his grammar school and high school. He spent much time revisionist approach to the Western genre. skipping classes with his brother to engage in cowboy ac- tivities on their grandfather Denver Church's ranch, in- Peckinpah’s films generally deal with the conflict between cluding trapping, branding, and shooting. During the values and ideals, and the corruption of violence in human 1930s and 1940s, Coarsegold and Bass Lake were still society. He was given the nickname “Bloody Sam” owing populated with descendants of the miners and ranchers to the violence in his films. His characters are often loners of the 19th century. Many of these descendants worked or losers who desire to be honorable, but are forced to on Church’s ranch. At that time, it was a rural area un- compromise in order to survive in a world of nihilism and dergoing extreme change, and this exposure is believed to brutality. have affected Peckinpah’s Western films later in life.[10] Peckinpah’s combative personality, marked by years of He played on the junior varsity football team while at alcohol and drug abuse, affected his professional legacy. -
KALEIDOSPORT to KRAZY HOUSE
KALEIDOSPORT to KRAZY HOUSE Kaleidosport Sat 4:00-5:00 p.m., 18 Feb-29 Apr 1967 Sat 2:00-4:00 p.m., 6 May-15 Jul 1967 Sat 2:00-4:00 p.m., 9 Dec 1967-7 Sep 1968 Sat 2:00-4:00 p.m., 4 Jan-29 Jun 1969 Sun 2:30-4:00 p.m., 29 Jun-14 Sep 1969 Sat 3:00-4:00 p.m., 10 Jan-2 May 1970 Sun 2:30-4:00 p.m., 5 Apr-13 Sep 1970 Sat 4:00-5:00 p.m., 9 Jan-11 Apr 1971 Sun 2:30-4:00 p.m., 25 Apr-12 Sep 1971 Sun 2:30-4:00 p.m., 2 Jul-3 Sep 1972 A CBC Sports presentation, produced by Don Brown, Kaleidosport provided coverage of a wide variety of athletic events, from highlights of the Canadian Winter Games, which opened the broadcast in February 1967, to harness racing at Greenwood Race Track in Toronto. Most programs would include features on more than one event. The show's host was Lloyd Robertson. Keep Canada Singing Sun 10:00-10:30 p.m., 5 Jun-12 Jun 1955 On two consecutive Sunday nights, for thirty mintes each, the CBC presented the proceedings of the S.P.E.B.S.Q.S.A. (Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America) from the Queen Mary Veterans' Hospital in Montreal. The host was Johnny Rice and the musical director Harry Fraser. Keynotes Sun 1:00-1:15 p.m., 5 Jan 1964 Sun 3:00-3:15 p.m., 5 Apr-28 Jun 1964 Sat 6:30-6:45 p.m., 4 Jul-27 Sep 1964 Keynotes, a quarter-hour musical variety program from Edmonton, featured show tunes and standards sung by Buddy Victor or Dorothy Harpell, who appeared on alternating weeks, backed by Tommy Banks on piano and Harry Boon on organ. -
Nationalism, the History of Animation Movies, and World War II Propaganda in the United States of America
University of Akureyri Faculty of Humanities and Social Science Modern Studies 2011 Intersections of Modernity: Nationalism, The History of Animation Movies, and World War II propaganda in the United States of America Kristján Birnir Ívansson Final BA Thesis in the Faculty of Humanities and Social Sciences University of Akureyri Faculty of Humanities and Social Science Modern studies 2011 Intersections of Modernity: Nationalism, The History of Animation Movies, and World War II propaganda in the United States of America Kristján Birnir Ívansson A final BA Thesis for 180 ECTS unit in the Faculty of Humanities and Social Sciences Instructor: Dr. Giorgio Baruchello Statements I hereby declare that I am the only author of this project and that is the result of own research Ég lýsi hér með yfir að ég einn er höfundur þessa verkefnis og að það er ágóði eigin rannsókna ______________________________ Kristján Birnir Ívansson It is hereby confirmed that this thesis fulfil, according to my judgement, requirements for a BA -degree in the Faculty of Hummanities and Social Science Það staðfestist hér með að lokaverkefni þetta fullnægir að mínum dómi kröfum til BA prófs í Hug- og félagsvísindadeild. __________________________ Giorgio Baruchello Abstract Today, animations are generally considered to be a rather innocuous form of entertainment for children. However, this has not always been the case. For example, during World War II, animations were also produced as instruments for political propaganda as well as educational material for adult audiences. In this thesis, the history of the production of animations in the United States of America will be reviewed, especially as the years of World War II are concerned. -
Personnel of UN Attacked in Congo
TaBtflaav' RED BANK I7.4W M* to law 4*. 1 Independent Daily f lea •tacftar, paga 1. SH 1-0010 SSc PER WEEK VOL. 83, NO. 168 tumi «U1T. MoMtr ikrouik Frldtr. S»MB« Out *MUf» RED BANK, N. J., MONDAY, FEBRUARY 27, 1961 7c PER COPY rtl« at Kid Buk tni u Addition*! Milling OBIcta. BY CARRIER PAGE ONE Hassan Closely Personnel of UN Guarded New Morocco Attacked in Congo King's Position Slate's flood Is Precarious Threat Passes Officials RABAT, Morocco (AP) — NEWARK (AP)-State Civil Morocco's new king posted Defense officials said today thai a flood threat in northern Threaten heavy security forces New Jersey has receded with- around strategic points to out anyone forced to evacuate day to keep a firm hand on A, (heir homes. the potentially explosive WAIKID AWAY —Warner Sandrowiki, a 19-year-old Fort Dix soldier, was unin- It was feared over the week- Force political situation created jured whan his car tkiddad and rolled ever gn Ridga Rd. early Sunday. Police said end that high levels along the Pompton, Ramapo and Passaic LEOPOLDVILLE, The by the unexpected dtath of his •ha youth told tham ha lost control of his car aftar hitting a bump at Ridga and Rivers might cause severe ongo (AP)—The UN Con- father, King Mohammed V. Fair Haven Rds. at about 45 miles par hour. Sandrowiki was issued a careless driv- floodings, but only a few open go command threatened The popular Sl-year-old mon- ing summons by Patrolman Louis DeVito. fields along the river banks force against Congolese arch's heart failed after a minor were inundated. -
'S PLETE O Y WEEKLY IN
E 's c PLETE ELE ISI S .THE R ER O Y WEEKLY T IA IN THE STAMP •F APPROVAL DAVE IME RAN HIS HEART OUT DESIGN IN DUPLICATE THE NEW GENERATION THE DRIVER'S SEAT O •OBI R '•, 1960 O1. XXXI;, No. 40 ,% • Gift Department ..--..:.- . LivingR•ms '[ Bedroomsm Be•ding ,' ..•il;t;;?...... :' "i-,.ji • Dining Rooms ':'":"•"i..............•:].•.i.'"'.":•......- '..... "'" Furni•CaxpetingAceessories Appliaaees THE IDEAL PLACE TO DINE AND WINE ITAtlAN-AHRICAI KITCHEN SEA I:00D A SP[CI -LT¾ ß 'DAN RAVEN'-- Skip Homeier (right) stars, as a lieutenant ,- of detectives in the West Hollywood Sheriff's Office, in the title role of the NBC-TV Network's new full-hour Friday night mys- tery-adventure series, "Dan Raven." Each episode will have a popular showbusiness personality as guest star, with Paul OlrSTl•RS- CLAM - COD !rl el - BW'ORDIPIS•! - DAILY DI•'kKRB 'Anka (left) and other headliners slated to appear. Setting for It IELMONT VE. (Cor, I,,k,, 1..HAL DON'- . - I.An ß .' ' . the series will be the jumble of nightclubs along Hollywood's i • -•':•. famed Sunset •trip. I. PARRILLO TheMan from Equitable asks-... Willyou leaMe your family a home .:. --or a m=rtgage? I THE ODDSthat youwill die beforeyou pay off your mortgageare 16 timesgreater than the chanceyour ß . / housewill catch fire. Yet, most prudent families wouldn'tthink of beingwithout fire insuranceßWhy be without mortgageinsurance? Equitable'sremarkable mortgage repayment insur- anceplan protectsyour family against forced sale... lossof savings...or lossof homeßCosts are low for this basicprotection. For full informationcall... I. PARRILLO 200 EAST KIDGEWOOD AVENUE RIDGEWOOD, N.J. -
Instituto De Arte E Comunicação Social Programa De Pós-Graduação Em Cinema Doutorado Em Cinema Pedro Butcher Hollywood
I NSTITUTO DE ARTE E COMUNICAÇÃO SOCIAL PROGRAMA DE PÓS-GRADUAÇÃO EM CINEMA D OUTORADO EM CINEMA PEDRO BUTCHER HOLLYWOOD E O MERCADO DE CINEMA BRASILEIRO: P RINCÍPIO(S) DE UMA HEGEMONIA Niterói 2019 PEDRO BUTCHER HOLLYWOOD E O MERCADO CINEMATOGRÁFICO BRASILEIRO Princípio(s) de uma hegemonia Tese apresentada ao programa de Pós- Graduação em Cinema da Universidade Federal Fluminense como requisito parcial para obtenção do grau de Doutor. Linha de pesquisa: Histórias e políticas Orientador: Prof. Dr. RAFAEL DE LUNA FREIRE NITERÓI 2019 Ficha catalográfica automática - SDC/BCG Gerada com informações fornecidas pelo autor B983h Butcher, Pedro Hollywood e o mercado cinematográfico brasileiro : Princípio(s) de uma hegemonia / Pedro Butcher ; Rafael de Luna Freire, orientador. Niterói, 2019. 251 f. : il. Tese (doutorado)-Universidade Federal Fluminense, Niterói, 2019. DOI: http://dx.doi.org/10.22409/PPGCine.2019.d.01304958752 1. Cinema no Brasil. 2. História do cinema. 3. Indústria cinematográfica. 4. Distribuição cinematográfica. 5. Produção intelectual. I. Freire, Rafael de Luna, orientador. II. Universidade Federal Fluminense. Instituto de Arte e Comunicação Social. III. Título. CDD - Bibliotecária responsável: Thiago Santos de Assis - CRB7/6164 3 AGRADECIMENTOS Ao Prof. Dr. Rafael de Luna Freire, pela parceria, precisão e paciência com que conduziu a orientação de uma pesquisa complexa e de muitos rumos possíveis. À Profa. Cristina Venegas, coorientadora durante o período de nove meses em que estive no Departamento de Estudos de Cinema e Mídia da Universidade da Califórnia em Santa Bárbara (UCSB), como pesquisador visitante e bolsista Fulbright. Às duas instituições fomentadoras de pesquisa que tornaram esse trabalho possível: a Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) e a Comissão Fulbright Brasil.