Archaeology's Service to Ancient Near Eastern History
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Unwelcome Words from the Lord: Isaiah's Messages
Word & World Volume XIX, Number 2 Spring 1999 Unwelcome Words from the Lord: Isaiah’s Messages ROLF A. JACOBSON Princeton Theological Seminary Princeton, New Jersey I. THE CUSTOM OF ASKING FOR PROPHETIC WORDS N BOTH ANCIENT ISRAEL AND THE NEIGHBORING COUNTRIES, IT WAS COMMON for prophets to be consulted prior to a momentous decision or event. Often, the king or a representative of the king would inquire of a prophet to find out whether the gods would bless a particular action which the king was considering. A. 1 Samuel 23. In the Old Testament, there are many examples of this phe- nomenon. 1 Sam 23:2-5 describes how David inquired of the Lord to learn whether he should attack the Philistines: Now they told David, “The Philistines are fighting against Keilah, and are rob- bing the threshing floors.” David inquired of the LORD, “Shall I go and attack these Philistines?” The LORD said to David, “Go and attack the Philistines and save Keilah.” But David’s men said to him, “Look, we are afraid here in Judah; how much more then if we go to Keilah against the armies of the Philistines?” Then David inquired of the LORD again. The LORD answered him, “Yes, go ROLF JACOBSON is a Ph.D. candidate in Old Testament at Princeton Theological Seminary. He is associate editor of the Princeton Seminary Bulletin and editorial assistant of Theology Today. Isaiah’s word of the Lord, even a positive word, often received an unwelcome re- ception. God’s promises, then and now, can be unwelcome because they warn against trusting any other promise. -
Art List by Year
ART LIST BY YEAR Page Period Year Title Medium Artist Location 36 Mesopotamia Sumerian 2600 Standard of Ur Inlaid Box British Museum 36 Mesopotamia Sumerian 2600 Stele of the Vultures (Victory Stele of Eannatum) Limestone Louvre 38 Mesopotamia Sumerian 2600 Bull Headed Harp Harp British Museum 39 Mesopotamia Sumerian 2600 Banquet Scene cylinder seal Lapis Lazoli British Museum 40 Mesopotamia Akkadian 2254 Victory Stele of Narum-Sin Sandstone Louvre 42 Mesopotamia Akkadian 2100 Gudea Seated Diorite Louvre 43 Mesopotamia Akkadian 2100 Gudea Standing Calcite Louvre 44 Mesopotamia Babylonian 1780 Stele of Hammurabi Basalt Louvre 45 Mesopotamia Assyrian 1350 Statue of Queen Napir-Asu Bronze Louvre 46 Mesopotamia Assyrian 750 Lamassu (man headed winged bull 13') Limestone Louvre 48 Mesopotamia Assyrian 640 Ashurbanipal hunting lions Relief Gypsum British Museum 65 Egypt Old Kingdom 2500 Seated Scribe Limestone Louvre 75 Egypt New Kingdom 1400 Nebamun hunting fowl Fresco British Museum 75 Egypt New Kingdom 1400 Nebamun funery banquet Fresco British Museum 80 Egypt New Kingdom 1300 Last Judgement of Hunefer Papyrus Scroll British Museum 81 Egypt First Millenium 680 Taharqo as a sphinx (2') Granite British Museum 110 Ancient Greece Orientalizing 625 Corinthian Black Figure Amphora Vase British Museum 111 Ancient Greece Orientalizing 625 Lady of Auxerre (Kore from Crete) Limestone Louvre 121 Ancient Greece Archaic 540 Achilles & Ajax Vase Execias Vatican 122 Ancient Greece Archaic 510 Herakles wrestling Antaios Vase Louvre 133 Ancient Greece High -
After the Battle Is Over: the Stele of the Vultures and the Beginning Of
To raise the ofthe natureof narrative is to invite After the Battle Is Over: The Stele question reflectionon the verynature of culture. Hayden White, "The Value of Narrativity . ," 1981 of the Vultures and the Beginning of Historical Narrative in the Art Definitions of narrative, generallyfalling within the purviewof literarycriticism, are nonethelessimportant to of the Ancient Near East arthistorians. From the simpleststarting point, "for writing to be narrative,no moreand no less thana tellerand a tale are required.'1 Narrativeis, in otherwords, a solutionto " 2 the problemof "how to translateknowing into telling. In general,narrative may be said to make use ofthird-person cases and of past tenses, such that the teller of the story standssomehow outside and separatefrom the action.3But IRENE J. WINTER what is importantis thatnarrative cannot be equated with thestory alone; it is content(story) structured by the telling, University of Pennsylvania forthe organization of the story is whatturns it into narrative.4 Such a definitionwould seem to providefertile ground forart-historical inquiry; for what, after all, is a paintingor relief,if not contentordered by the telling(composition)? Yet, not all figuraiworks "tell" a story.Sometimes they "refer"to a story;and sometimesthey embody an abstract concept withoutthe necessaryaction and settingof a tale at all. For an investigationof visual representation, it seems importantto distinguishbetween instancesin which the narrativeis vested in a verbal text- the images servingas but illustrationsof the text,not necessarily"narrative" in themselves,but ratherreferences to the narrative- and instancesin whichthe narrativeis located in the represen- tations,the storyreadable throughthe images. In the specificcase of the ancientNear East, instances in whichnarrative is carriedthrough the imageryitself are rare,reflecting a situationfundamentally different from that foundsubsequently in the West, and oftenfrom that found in the furtherEast as well. -
DESENVOLVIMENTO DO ESQUEMA DECORATIVO DAS SALAS DO TRONO DO PERÍODO NEO-ASSÍRIO (934-609 A.C.): IMAGEM TEXTO E ESPAÇO COMO VE
UNIVERSIDADE DE SÃO PAULO MUSEU DE ARQUEOLOGIA E ETNOLOGIA PROGRAMA DE PÓS-GRADUAÇÃO EM ARQUEOLOGIA DESENVOLVIMENTO DO ESQUEMA DECORATIVO DAS SALAS DO TRONO DO PERÍODO NEO-ASSÍRIO (934-609 a.C.): IMAGEM TEXTO E ESPAÇO COMO VEÍCULOS DA RETÓRICA REAL VOLUME I PHILIPPE RACY TAKLA Dissertação apresentada ao Programa de Pós-Graduação em Arqueologia do Museu de Arqueologia e Etnologia da Universidade de São Paulo para obtenção do título de Mestre em Arqueologia. Orientadora: Profª. Drª. ELAINE FARIAS VELOSO HIRATA Linha de Pesquisa: REPRESENTAÇÕES SIMBÓLICAS EM ARQUEOLOGIA São Paulo 2008 RESUMO Este trabalho busca a elaboração de um quadro interpretativo que possibilite analisar o desenvolvimento do esquema decorativo presente nas salas do trono dos palácios construídos pelos reis assírios durante o período que veio a ser conhecido como neo- assírio (934 – 609 a.C.). Entendemos como esquema decorativo a presença de imagens e textos inseridos em um contexto arquitetural. Temos por objetivo demonstrar que a evolução do esquema decorativo, dada sua importância como veículo da retórica real, reflete a transformação da política e da ideologia imperial, bem como das fronteiras do império, ao longo do período neo-assírio. Palavras-chave: Assíria, Palácio, Iconografia, Arqueologia, Ideologia. 2 ABSTRACT The aim of this work is the elaboration of a interpretative framework that allow us to analyze the development of the decorative scheme of the throne rooms located at the palaces built by the Assyrians kings during the period that become known as Neo- Assyrian (934 – 609 BC). We consider decorative scheme as being the presence of texts and images in an architectural setting. -
Cambridge University Press 978-1-108-49596-7 — the Amorites and the Bronze Age Near East Aaron A
Cambridge University Press 978-1-108-49596-7 — The Amorites and the Bronze Age Near East Aaron A. Burke Index More Information INDEX ꜤꜢmw (Egyptian term), 145–47 See also Asiatics “communities of practice,” 18–20, 38–40, 42, (Egypt) 347–48 decline of, 350–51 A’ali, 226 during Early Bronze Age, 31 ‘Aa-zeh-Re’ Nehesy, 316–17 Ebla, 38–40, 56, 178 Abarsal, 45 emergence of, 23, 346–47 Abda-El (Amorite), 153–54 extensification of, 18–20 Abi-eshuh, 297, 334–35 hollow cities, 178–79 Abisare (Larsa), 160 Jazira, 38, 177 Abishemu I (Byblos), 175 “land rush,” 177–78 Abraham, 6 Mari, 38–40, 56, 177–79, 227–28 abu as symbolic kinship, 268–70 Nawar, 38, 40, 42 Abu en-Ni’aj, Tell, 65 Northern Levant, 177 Abu Hamad, 54 Qatna, 179 Abu Salabikh, 100 revival of, 176–80, 357 Abusch, Tzvi, 186 Shubat Enlil, 177–78, 180 Abydos, 220 social identity of Amorites and, 10 Achaemenid Empire, 12 Urkesh, 38, 42 Achsaph, 176 wool trade and, 23 ‘Adabal (deity), 40 Yamḫ ad, 179 Adad/Hadad (deity), 58–59, 134, 209–10, 228–29, zone of uncertainty and, 24, 174 264, 309–11, 338, 364 Ahbabu, 131 Adams, Robert, 128 Ahbutum (tribe), 97 Adamsah, 109 Ahktoy III, 147 Adba-El (Mari), 153–54 Ahmar, Tell, 51–53, 56, 136, 228 Addahushu (Elam), 320 Ahmose, 341–42 Ader, 50 ‘Ai, 33 Admonitions of Ipuwer, 172 ‘Ain Zurekiyeh, 237–38 aDNA. See DNA Ajjul, Tell el-, 142, 237–38, 326, 329, 341–42 Adnigkudu (deity), 254–55 Akkadian Empire. -
Erskine, Neil DA (2020)
Erskine, Neil D. A. (2020) Folds, fields, and fauna: A Deleuzo-Guattarian approach to the socialising power of religious experiences in Ancient Near Eastern landscapes. PhD thesis. http://theses.gla.ac.uk/81588/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Folds, fields, and fauna: A Deleuzo-Guattarian approach to the socialising power of religious experiences in Ancient Near Eastern Landscapes Neil D. A. Erskine MA (Hons) MPhil Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Humanities College of Arts University of Glasgow May 2020 2 Abstract Archaeological approaches to socialisation are underdeveloped. As interpretative models are most often borrowed from other disciplines, rather than developed with a material-focus at their centre, archaeologists are left without effective object- centred frameworks with which to examine how individuals interacted with and learnt about their world. This thesis addresses these issues with a new approach, drawing upon Giles Deleuze and Félix Guattari, who offer many analytical tools that can directly connect highly theoretical interpretations of ancient societies to archaeological data. -
National Museum of Aleppo As a Model)
Strategies for reconstructing and restructuring of museums in post-war places (National Museum of Aleppo as a Model) A dissertation submitted at the Faculty of Philosophy and History at the University of Bern for the doctoral degree by: Mohamad Fakhro (Idlib – Syria) 20/02/2020 Prof. Dr. Mirko Novák, Institut für Archäologische Wissenschaften der Universität Bern and Dr. Lutz Martin, Stellvertretender Direktor, Vorderasiatisches Museum, Staatliche Museen zu Berlin Fakhro. Mohamad Hutmatten Str.12 D-79639 Grenzach-Wyhlen Bern, 25.11.2019 Original document saved on the web server of the University Library of Bern This work is licensed under a Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland licence. To see the licence go to http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ or write to Creative Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA Copyright Notice This document is licensed under the Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland. http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ You are free: to copy, distribute, display, and perform the work Under the following conditions: Attribution. You must give the original author credit. Non-Commercial. You may not use this work for commercial purposes. No derivative works. You may not alter, transform, or build upon this work.. For any reuse or distribution, you must take clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the copyright holder. Nothing in this license impairs or restricts the author’s moral rights according to Swiss law. -
The Lagash-Umma Border Conflict 9
CHAPTER I Introduction: Early Civilization and Political Organization in Babylonia' The earliest large urban agglomoration in Mesopotamia was the city known as Uruk in later texts. There, around 3000 B.C., certain distinctive features of historic Mesopotamian civilization emerged: the cylinder seal, a system of writing that soon became cuneiform, a repertoire of religious symbolism, and various artistic and architectural motifs and conven- tions.' Another feature of Mesopotamian civilization in the early historic periods, the con- stellation of more or less independent city-states resistant to the establishment of a strong central political force, was probably characteristic of this proto-historic period as well. Uruk, by virtue of its size, must have played a dominant role in southern Babylonia, and the city of Kish probably played a similar role in the north. From the period that archaeologists call Early Dynastic I1 (ED 11), beginning about 2700 B.c.,~the appearance of walls around Babylonian cities suggests that inter-city warfare had become institutionalized. The earliest royal inscriptions, which date to this period, belong to kings of Kish, a northern Babylonian city, but were found in the Diyala region, at Nippur, at Adab and at Girsu. Those at Adab and Girsu are from the later part of ED I1 and are in the name of Mesalim, king of Kish, accompanied by the names of the respective local ruler^.^ The king of Kish thus exercised hegemony far beyond the walls of his own city, and the memory of this particular king survived in native historical traditions for centuries: the Lagash-Umma border was represented in the inscriptions from Lagash as having been determined by the god Enlil, but actually drawn by Mesalim, king of Kish (IV.1). -
Chapter 2 the Rise of Civilization: the Art of the Ancient Near East
Chapter 2 The Rise of Civilization: The Art of the Ancient Near East Multiple Choice Select the response that best answers the question or completes the statement. 1. The change in the nature of daily life, from hunter and gatherer to farmer and herder, first occurred in ______________. a. Mesopotamia c. Africa b. Europe d. Asia 2. Mesopotamia is known as the __________ ___________. a. River Crescent c. Fertile Crescent b. Delta Crescent d. Pearl Crescent 3. The ___________ ruled the northern Mesopotamian empire during the ninth through seventh centuries BCE. a. Sumerians c. Akkadians b. Assyrians d. Sasanians 4. What site did Leonard Woolley excavate in the 1920s in southern Mesopotamia? a. Royal Cemetery at Giza c. Royal Palace at Nineveh b. Ziggurat of Ur d. Royal Cemetery at Ur 5. The ___________ are credited with developing the first known writing system. a. Assyrians c. Sumerians b. Babylonians d. Elamites 6. The most famous Sumerian work of literature is the _____________________. a. Illiad c. Odyssey b. Tale of Gilgamesh d. Tale of Urnanshe 7. In Sumerian cities the ________ formed the nucleus of the city. a. temple c. palace b. market d. treasury 8. The temples of Sumer were placed on high platforms or ___________. a. pyramids c. daises b. ziggurats d. towers 9. What is the theme of the Stele of the Vultures? a. warfare c. trade b. prayer d. royal contract 7 10. The earliest known name of an author is _____________. a. Nanna c. Sargon b. Enheduanna d. Gudea 11. Hammurabi is most famous for his ____________. -
Women at Work in the Deuteronomistic History
International Voices in Biblical Studies Women at Work in the Deuteronomistic History Mercedes L. García Bachmann Women at Work in the Deuteronomistic history international Voices in Biblical studies General Editors monica J. melanchthon Louis c. Jonker Editorial Board eric Bortey anum Ida Fröhlich Jione Havea Hisako Kinukawa Sam P. Mathew Néstor Míguez Nancy Nam Hoon Tan number 4 Women at Work in the Deuteronomistic history Women at Work in the Deuteronomistic history mercedes L. García Bachmann society of Biblical Literature atlanta copyright © 2013 by the society of Biblical Literature all rights reserved. no part of this work may be reproduced or published in print form except with permission from the publisher. individuals are free to copy, distribute, and transmit the work in whole or in part by electronic means or by means of any informa- tion or retrieval system under the following conditions: (1) they must include with the work notice of ownership of the copyright by the society of Biblical Literature; (2) they may not use the work for commercial purposes; and (3) they may not alter, transform, or build upon the work. requests for permission should be addressed in writing to the rights and Permissions office, society of Biblical Literature, 825 houston mill road, atlanta, Ga 30329, usa. Scripture quotations labeled NRSV are from the New Revised Standard Version Bible (London, HarperCollins Publishers), copyright © 1989 by the Division of Christian Educa- tion of the National Council of the Churches of Christ in the USA. SBL Hebrew Fonts and BWHEBB and BWTRANSH PostScript® Type 1 and TrueType fonts Copyright ©1994-2013 BibleWorks, LLC. -
An AZ Companion to Ancient Egyptian Architecture Free
FREE THE MONUMENTS OF EGYPT: AN A-Z COMPANION TO ANCIENT EGYPTIAN ARCHITECTURE PDF Dieter Arnold | 288 pages | 30 Nov 2009 | I.B.Tauris & Co Ltd | 9781848850422 | English | London, United Kingdom Art of ancient Egypt - Wikipedia Egyptian inventions and discoveries are objects, processes or techniques which owe their existence either partially or entirely to an Egyptian person. Often, things which are discovered for the first time, are also called "inventions", and in many cases, there is no clear line between the two. Below is a list of such inventions. Furniture became common first in Ancient Egypt during the Naqada culture. During that period a wide variety of furniture pieces were invented and used. Atalla and Dawon Kahng at Bell Labs in[] enabled the practical use of metal—oxide—semiconductor MOS transistors as memory cell storage elements, a function previously served by magnetic cores. MOSFET scaling and miniaturization see List of semiconductor scale examples have been the primary factors behind the rapid exponential growth of electronic semiconductor technology since the s, [] as the rapid miniaturization of MOSFETs has been largely responsible for the increasing The Monuments of Egypt: An A-Z Companion to Ancient Egyptian Architecture densityincreasing performance and decreasing power consumption of integrated circuit chips and electronic devices since the s. From Wikipedia, the free encyclopedia. Redirected from List of egyptian inventions and discoveries. This section needs expansion. You can help by adding to it. June Archived from the original on Archived from the original PDF on January A history of ancient Egypt. Shaw, Ian, —. Oxford, UK: — Mark 4 November Ancient History Encyclopedia. -
Championsbasketcarrozzina.Pdf
E’ con grande piacere che desidero in- viare a Voi tutti, atleti ed organizzatori, il mio più sincero e sentito saluto in occa- sione di un appuntamento così importan- te per la disciplina del basket in carrozzi- na e, più in generale, per tutti coloro che seguono e si appassionano allo sport nei suoi valori più veri. Un evento che farà della città di Taranto, per tre giorni, la protagonista delle disci- pline paralimpiche a livello europeo. Le gare valide per il girone di qualificazione alla Coppa Campioni 2008 rappresentano, infatti, non solo un grande momento di sport ma anche uno straordinario veicolo per diffondere sempre di più quelli che It is sono i principi fondanti del nostro movi- my pleasure to welcome all of you, athle- mento. tes, organizers and supporters to this im- portant event for wheelchair basketball. E Taranto, in tutto questo, non poteva es- sere teatro migliore. Penso, infatti, alla This event is going to make the city of Ta- passione ed all’entusiasmo manifestato ranto the protagonist of Paralympic Eu- da una città intera in occasione degli in- ropean Sports for three days. The preli- contri che la Sincon Dream Team Taranto minary round of the 2008 Champions Cup gioca di fronte al proprio pubblico nelle is not only a great moment of sport but gare di campionato. Ed è la passione au- also a way to give currency to the main tentica che nasce dalla voglia della gente principles of our movement. And Taranto di vivere lo sport nella sua accezione mi- is the best theatre for this.