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State Composers and the Red Courtiers: Music, Ideology, and Politics in the Soviet 1930S
JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s JYVÄSKYLÄN YLIOPISTO JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston Villa Ranan Blomstedtin salissa marraskuun 24. päivänä 2007 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in the Building Villa Rana, Blomstedt Hall, on November 24, 2007 at 12 o'clock noon. UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2007 State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2007 Editors Seppo Zetterberg Department of History and Ethnology, University of Jyväskylä Irene Ylönen, Marja-Leena Tynkkynen Publishing Unit, University Library of Jyväskylä Jyväskylä Studies in Humanities Editorial Board Editor in Chief Heikki Hanka, Department of Art and Culture Studies, University of Jyväskylä Petri Karonen, Department of History and Ethnology, University of Jyväskylä Matti Rahkonen, Department of Languages, University of Jyväskylä Petri Toiviainen, Department of Music, University of Jyväskylä Minna-Riitta Luukka, Centre for Applied Language Studies, University of Jyväskylä Raimo Salokangas, Department of Communication, University of Jyväskylä URN:ISBN:9789513930158 ISBN 978-951-39-3015-8 (PDF) ISBN 978-951-39-2990-9 (nid.) ISSN 1459-4331 Copyright ©2007 , by University of Jyväskylä Jyväskylä University Printing House, Jyväskylä 2007 ABSTRACT Mikkonen, Simo State composers and the red courtiers. -
BETWEEN PHILOSOPHIES: the EMERGENCE of a NEW INTELLECTUAL PARADIGM in RUSSIA by Alyssa J. Deblasio Bachelor of Arts, Villanova
BETWEEN PHILOSOPHIES: THE EMERGENCE OF A NEW INTELLECTUAL PARADIGM IN RUSSIA by Alyssa J. DeBlasio Bachelor of Arts, Villanova University, 2003 Master of Arts, University of Pittsburgh, 2006 Submitted to the Graduate Faculty of the School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2010 UNIVERSITY OF PITTSBURGH School of Arts and Sciences This dissertation was presented by Alyssa J. DeBlasio It was defended on May 14, 2010 and approved by Tatiana Artemyeva, Professor, Herzen State Pedagogical University (St. Petersburg, Russia), Department of Theory and History of Culture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures James P. Scanlan, Emeritus Professor, The Ohio State University, Department of Philosophy Dissertation Advisor: Nancy Condee, Associate Professor, Department of Slavic Languages and Literatures ii Copyright © by Alyssa J. DeBlasio 2010 iii BETWEEN PHILOSOPHIES: THE EMERGENCE OF A NEW INTELLECTUAL PARADIGM IN RUSSIA Alyssa J. DeBlasio, PhD University of Pittsburgh, 2010 This dissertation takes as its primary task the evaluation of a conflict of paradigms in Russian philosophical thought in the past decade. If until the early nineties Russian philosophers were often guilty of uncritically attributing to their domestic philosophy a set of characteristics that fell along the lines of a religious/secular binary (e.g. literary vs. analytic; continuous vs. ruptured), in recent years the same scholarship is moving away from the nineteenth-century model of philosophy as a “path” or “special mission,” as it has been called by Konstantin Aksakov, Aleksei Khomiakov, Ivan Kireevskii, and later, Nikolai Berdiaev, among others. -
The Public Discussion of the 1936 Constitution and the Practice of Soviet Democracy
Speaking Out: The Public Discussion of the 1936 Constitution and the Practice of Soviet Democracy By Samantha Lomb B.A. in History, Shepherd University, 2006 M.A. in History, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 University of Pittsburgh Dietrich School of Arts and Sciences This dissertation was presented by Samantha Lomb It was defended on April 7, 2014 and approved by William Chase, PhD, Professor Larry E. Holmes, PhD, Professor Emeritus Evelyn Rawski, PhD, Professor Gregor Thum, PhD, Assistant Professor Dissertation Director: William Chase, PhD, Professor ii Copyright © by Samantha Lomb 2014 iii Speaking Out: The Public Discussion of the 1936 Constitution and the Practice of Soviet Democracy Samantha Lomb, PhD University of Pittsburgh 2014 The Stalinist Constitution was a social contract between the state and its citizens. The Central leadership expressly formulated the 1936 draft to redefine citizenship and the rights it entailed, focusing on the inclusion of former class enemies and the expansion of “soviet democracy”. The discussion of the draft was conducted in such a manner as to be all-inclusive and promote the leadership’s definition of soviet democracy. However the issues that the leadership considered paramount and the issues that the populace considered paramount were very different. They focused on issues of local and daily importance and upon fairness and traditional peasant values as opposed to the state’s focus with the work and sacrifice of building socialism. -
Mccauley Stalinism the Thirties.Pdf
Stalin and Stalinism SECOND EDITION MARTIN McCAULEY NNN w LONGMANLONDON AND NEW YORK The Thirties 25 and October 1929, and Stalin declared on 7 November 1929 that the great PART TWO: DESCRIPTIVE ANALYSIS 2 THE movement towards collectivisation was under way [8]. The Politburo stated on 5 January 1930 that large-scale kulak production was to be replaced by large- scale kolkhoz production. Ominously, for the better-off farmers it also proclaimed the THIRTIES ‘liquidation of the kulaks as a class*. It was hoped that the collectivisation of the key grain-growing areas, the North Caucasus and the Volga region, would be completed by the spring of 1931 at the latest and the other grain-growing areas by the spring of 1932. A vital role in rapid collectivisation was played by the 25,000 workers who descended on the countryside to aid the ‘voluntary* process. The ‘twenty-five thousanders*, as they were called, brooked no opposition. They were all vying with one another for the approbation of the party. Officially, force was only permissible against kulaks, but the middle and poor peasants were soon sucked into the maelstrom of violence. Kulaks were expelled from their holdings and their POLITICS AND THE ECONOMY stock and implements handed over to the kolkboz. What was to become of them? Stalin was brutally frank: ‘It is ridiculous and foolish to talk at length After the war scare of 1927 [5] came the fear of foreign economic intervention. about dekulakisation. ... When the head is off, one does not grieve for the hair. Wrecking was taking place in several industries and crises had occurred in There is another question no less ridiculous: whether kulaks should be allowed to join the collective farms? Of course not, others — or so Stalin claimed in April 1928. -
Number 167 Draft: Not for Citation Without Permission
DRAFT: NOT FOR CITATION WITHOUT PERMISSION OF AUTHOR NUMBER 167 POLITICS OF SOVIET INDUSTRIALIZATION: VESENKHA AND ITS RELATIONSHIP WITH RABKRIN, 1929-30 by Sheila Fitzpatrick Fellow, Kennan Institute for Advanced Russian Studies Colloquium Paper December, 1983 Kennan Institute for Advanced Russian Studies, Woodrow Wilson International Center for Scholars Washington, D.C. -1- The historical study of Soviet politics has its peculia rities. Dealing with the 1920s, Western historians have generally studied factional politics - Lenin and Stalin versus the oppositions • or the manipulation of the party apparatus that brought Stalin to power. Soviet historians have also concentrated heavily on the factional struggles, admittedly from a somewhat different perspective. In addition, they often write histories of particular government institutions (Sovnarkom, Rabkrin and the like) that rather resemble commissioned company histories in their avoidance of the scandalous, dramatic and political aspects of their theme. Reaching the 1930s, both Western and Soviet historians have a tendency to throw up their hands and retire from the fray. Western historians run out of factions to write about. There is a memoir literature on the purges and a rather schematic scholarly literature on political control mechanisms, but the Stalin biography emerges as the basic genre of political history. For Soviet historians, the subject of the purges is taboo except for a few risqu~ paragraphs in memoirs, and even biographies of Stalin are not possible. There are no more institutional histories, and the safest (though extremely boring} topic is the 1936 Constitution. The peculiarity of the situation lies in the neglect of many of the staples of political history as practised outside -2- the Soviet field, notably studies of bureaucratic and regional politics and local political histories. -
The Oddyssey of the Turgenev Library from Paris, 1940-2002
RESEARCH PAPERS The Odyssey of the Turgenev Library from Paris, 1940-2002 Books as Victims and Trophies of War Patricia Kennedy Grimsted Cruquiusweg 31 1019 AT Amsterdam The Netherlands Tel. + 31 20 6685866 Fax + 31 20 6654181 ISSN 0927-4618 IISH Research Paper 42 © Copyright 2003, Patricia Kennedy Grimsted All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. IISH-Research Papers is a prepublication series inaugurated in 1989 by the International Institute of Social History (IISH) to highlight and promote socio-historical research and scholarship. Through distribution of these works the IISH hopes to encourage international discussion and exchange. This vehicle of publicizing works in progress or in a prepublication stage is open to all labour and social historians. In this context, research by scholars from outside the IISH can also be disseminated as a Research Paper. Those interested should write to Marcel van der Linden, IISH, Cruquiusweg 31, 1019 AT, The Netherlands. Telephone 31-20-6685866, Telefax 31-20- 6654181, e-mail [email protected]. The Odyssey of the Turgenev Library from Paris, 1940–2002 Books as Victims and Trophies of War Patricia Kennedy Grimsted Harvard Ukrainian Research Institute International Institute of Social History (Amsterdam) International Institute of Social History Amsterdam 2003 Contents Foreword by Hélène Kaplan, Secrétaire générale de l'Association de la Bibliothèque Tourguénev 3 Abbreviations used in text and notes 5 Technical Note 8 Preface and acknowledgments 9 Map of the Odyssey of the Turgenev Library Through Europe 14 Introduction 1. -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
Information to Users
INFORMATION TO USERS This manuscrit has been reproduced from the microSm master. UMI films the text directly &om the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from aiy type of conq>uter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photogr^hs, print bleedthrough, substandard margin»;, and inqnoperalignment can adversety affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed,w l Q indicate a note the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sectionssmall overlaps.with Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for aity photographs or illustrations ^>peaiing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 Nonn 2eeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800.'521-0600 Order Number 9517097 Russia’s revolutionary underground: The construction of the Moscow subway, 1931—1935 Wolf, William Kenneth, Ph.D. The Ohio State University, 1994 UMI 300N.ZeebRd. -
We Shall Refashion Life on Earth! the Political Culture of the Young Communist
UNIVERSITY OF CALIFORNIA Los Angeles We Shall Refashion Life on Earth! The Political Culture of the Young Communist League, 1918-1928 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Sean Christopher Guillory 2009 © Copyright by Sean Christopher Guillory 2009 To Rodney, Roderick, Dianne, and Maya iii Table of Contents Acknowledgements v Vita viii Abstract x Introduction: What is the Komsomol? 1 Chapter 1 “We were not heroes. Our times were heroic” 44 Chapter 2: “Are you a komsomol? Member of the party? Our guy!” 88 Chapter 3: “He’s one of the guys and if he wants three wives that’s his business.” 131 Chapter 4: “Activists are a special element” 190 Chapter 5: “The right to punish and pardon - like God judges the soul” 246 Chapter 6: “A New Voluntary Movement” 292 Conclusion “Youth it was that led us” 345 Bibliography 356 iv ACKNOWLEDGEMENTS Intellectual work is always a collective effort, and the study before the reader is no exception. Several institutions and individuals provided direct or indirect financial assistance, scholarly advice, intellectual influence, and moral and emotional support in this long journey. I would like to thank the History Departments at UC Riverside and UCLA, the UCLA Graduate Division, the UCLA Center for European and Eurasian Studies for academic and financial support. Research for this project was provided by the generous funding from the United States Department of Education through the Fulbright- Hays Program. I wish to thank the archivists in Russia for their patience and aid in finding materials for this study. -
Caffeinated Avant-Garde: Futurism During the Russian Civil War 1917-1921
Australian Journal of Politics and History: Volume 58, Number 3, 2012, pp. 353-366. Caffeinated Avant-Garde: Futurism During the Russian Civil War 1917-1921 IVA GLISIC University of Western Australia Scholarship on Russian Futurism often interprets this avant-garde movement as an essentially utopian project, unrealistic in its visions of future Soviet society and naïve in its comprehension of the Bolshevik political agenda. This article questions such interpretations by demonstrating that the activities of Russian Futurists during the Civil War period represented a measured response to what was a challenging contemporary socio-political reality. By examining the development of Futurist ideology through this period, considering first-hand Futurist descriptions of dealing with the fledgling Soviet system, and recalling Slavoj Žižek’s interpretations of revolution and utopianism, a different image of the Futurist project emerges. Futurism, indeed, was a movement far more aware of the intricacies of its historical period than has previously been recognised. Vladimir Mayakovsky on How the Soviet System Works In 1919, on 19 September, the famous Futurist poet Vladimir Mayakovsky sat down to pen a letter — a letter that he did not want to write.1 The problem, and the reason for Mayakovsky’s chagrin, was that the letter in question was to be addressed to someone working within that most famous of amorphous voids: the Soviet bureaucracy. Though ostensibly seeking payment — after several failed first-hand attempts — for work he had been commissioned to produce, Mayakovsky’s letter quickly grew into something else altogether, as he expressed his frustration and concern with the convoluted nature of the fledgling Soviet administration. -
SOVIET FORDISM in PRACTICE – Building and Operating the Soviet River
SOVIET FORDISM IN PRACTICE – Building and operating the Soviet River Rouge, 1927-1945 The technical processes and production methods of Ford’s factory should form the basis of Avtostroi’s planning. – Stepan Dybets, 19301 Giancarlo Camerana was secretary of the Fiat board of directors and second- in-command at the Italian carmaker when he made his first trip to the United States in September 1936. His destination was Detroit, where Charles Sorensen, head of operations at Ford Motor Company, received him personally and showed him around the Rouge factory. At the time of Camerana’s voyage, Fiat was projecting the construction of a new production complex at Mirafiori. The new factory’s layout was to be based on River Rouge.2 One month later, in October 1936, Ferdinand Porsche was in Detroit. The engineer-in-chief of the Nazi Volkswagen plant, then in the planning phase, visited Ford Motor Company to keep abreast with the latest American production technology. The new German factory, after all, was to be modeled on River Rouge.3 After traveling on to New York, Camerana paid the obligatory homage to Sorensen (“I am speechless in admiration of the Ford factories and organization”) before asking for advice. How could the new plant at Mirafiori most 1 TsANO (Central Archive of the Nizhnii Novgorod Oblast’), f. 2431, o.4, d.11a, l. 21. 2 Camerana to Sorensen, 28 Sep 1936, BFRC, Acc. 38, Box 80. Duccio Bigazzi, La Grande Fabbrica. Organizzazione Industriale E Modelo Americano Alla Fiat Dal Lingotto a Mirafiori (Milano: Feltrinelli, 2000), 73-75. 3 Ghislaine Kaes, “Vortrag über die Nordamerikareise des Herrn Dr. -
Modernism and the Spiritual in Russian Art New Perspectives
Modernism and the Spiritual in Russian Art New Perspectives EDITED BY LOUISE HARDIMAN AND NICOLA KOZICHAROW To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/609 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Modernism and the Spiritual in Russian Art New Perspectives Edited by Louise Hardiman and Nicola Kozicharow https://www.openbookpublishers.com © 2017 Louise Hardiman and Nicola Kozicharow. Copyright of each chapter is maintained by the author. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Louise Hardiman and Nicola Kozicharow, Modernism and the Spiritual in Russian Art: New Perspectives. Cambridge, UK: Open Book Publishers, 2017, https://doi.org/10.11647/OBP.0115 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/609#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/609#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.