The Oddyssey of the Turgenev Library from Paris, 1940-2002
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Meat: a Novel
University of New Hampshire University of New Hampshire Scholars' Repository Faculty Publications 2019 Meat: A Novel Sergey Belyaev Boris Pilnyak Ronald D. LeBlanc University of New Hampshire, [email protected] Follow this and additional works at: https://scholars.unh.edu/faculty_pubs Recommended Citation Belyaev, Sergey; Pilnyak, Boris; and LeBlanc, Ronald D., "Meat: A Novel" (2019). Faculty Publications. 650. https://scholars.unh.edu/faculty_pubs/650 This Book is brought to you for free and open access by University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Faculty Publications by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Sergey Belyaev and Boris Pilnyak Meat: A Novel Translated by Ronald D. LeBlanc Table of Contents Acknowledgments . III Note on Translation & Transliteration . IV Meat: A Novel: Text and Context . V Meat: A Novel: Part I . 1 Meat: A Novel: Part II . 56 Meat: A Novel: Part III . 98 Memorandum from the Authors . 157 II Acknowledgments I wish to thank the several friends and colleagues who provided me with assistance, advice, and support during the course of my work on this translation project, especially those who helped me to identify some of the exotic culinary items that are mentioned in the opening section of Part I. They include Lynn Visson, Darra Goldstein, Joyce Toomre, and Viktor Konstantinovich Lanchikov. Valuable translation help with tricky grammatical constructions and idiomatic expressions was provided by Dwight and Liya Roesch, both while they were in Moscow serving as interpreters for the State Department and since their return stateside. -
New Frontiers for Museum Management
New Frontiers for Museum Management Audience outreach Rinske Hordijk Art tube MUSEUMS AS MULTIMEDIA PRODUCERS A collaborative videoplatform for art lovers and education Rinske Hordijk Project Manager ARTtube Video platform since 2012 Collaboration of 25 art museums High quality museum video / Dynamic archive / free and accessible / Educational value first / International audience Why a collaborative platform? • Hundreds of stories about museums, artists and artworks: collected and connected • Exchange of audiences • Collaborative series and stories that expand the individual museum • Audiences know what’s on in the main art museums of Belgium and the Netherlands • Inspiration and elaboration at any time and place Over 700 videos about art and design ARTtube museums 25 museums in The Netherlands and Belgium Contemporary Art Modern Art Design Old Masters Photography Film Artists Jeff Wall, Anton Corbijn, Mondriaan, Marlene Dumas, Jeroen Bosch, Van Eyck, Panamarenko, Daan Roosegaarde Audience 300.000 unique online visitors a year Broadcasts on National TV, Vimeo and Youtube From school students to young art lovers and a 50+ museum audience International audience 20 % Museums as producers Collaboration external: filmmakers & broadcasters Collaboration internal: editorial teams new roles, expertise and policy in communication, education & documentation For education Primary education Secondary education Co-creation with peer-educators Blikopeners Stedelijk Museum (eye- openers) visit designer Marcel Wanders in his studio Video assigments by artists Partnering with National TV Well-known presenter (TV shows) Peer-educators discuss art related questions Different art professionals Educational material > activate students inside classroom and museum Co-design with schools & students “wat de VAKman”: starting from the perspective of secondary school students. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Nomination Form, You Can Find a CD with Examples Illustrating the Content of the Collections
Memory of the World International Register Collections of the 19th century of the Polish Historical and Literary Society / Polish Library in Paris / Adam Mickiewicz Museum (Poland) 2012-26 1.0 Summary (max 200 words) The Polish Library in Paris (Bibliothèque Polonaise de Paris—BPP) was created in 1838 by Polish political émigrés who had found shelter in the French capital. This is where they could carry on various actions aiming at gaining back the independence of the State which had been lost at the end of the 18th century. Led by the wave of ideologies linked to independence and people’s freedom movements arisen in Europe in the early 19th century, it was established as a peaceful form aiming at fighting for freedom and independence. In the 19th century, Europe built places of memory such as libraries and archives in the independence States. At that time, the BPP acted as a means of substitution and continuity of the institutions destroyed by the foreign forces occupying the Polish territories. It came to birth thanks to the efforts carried out by the émigrés and the support of European intellectual elites as well as the authorities of the French State. The latter felt involved in the idea originating the creation of the BPP and they supported the action of a nation whose fight for independence, during the Uprising of 1831, had moved many European nations, aroused their admiration and strengthened their own aspirations for independence. The Polish Library gathered the scattered sources which enabled to document the history of Poland, along with the publications carried out by the emigration. -
Pushkin and the Futurists
1 A Stowaway on the Steamship of Modernity: Pushkin and the Futurists James Rann UCL Submitted for the Degree of Doctor of Philosophy 2 Declaration I, James Rann, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Acknowledgements I owe a great debt of gratitude to my supervisor, Robin Aizlewood, who has been an inspirational discussion partner and an assiduous reader. Any errors in interpretation, argumentation or presentation are, however, my own. Many thanks must also go to numerous people who have read parts of this thesis, in various incarnations, and offered generous and insightful commentary. They include: Julian Graffy, Pamela Davidson, Seth Graham, Andreas Schönle, Alexandra Smith and Mark D. Steinberg. I am grateful to Chris Tapp for his willingness to lead me through certain aspects of Biblical exegesis, and to Robert Chandler and Robin Milner-Gulland for sharing their insights into Khlebnikov’s ‘Odinokii litsedei’ with me. I would also like to thank Julia, for her inspiration, kindness and support, and my parents, for everything. 4 Note on Conventions I have used the Library of Congress system of transliteration throughout, with the exception of the names of tsars and the cities Moscow and St Petersburg. References have been cited in accordance with the latest guidelines of the Modern Humanities Research Association. In the relevant chapters specific works have been referenced within the body of the text. They are as follows: Chapter One—Vladimir Markov, ed., Manifesty i programmy russkikh futuristov; Chapter Two—Velimir Khlebnikov, Sobranie sochinenii v shesti tomakh, ed. -
BETWEEN PHILOSOPHIES: the EMERGENCE of a NEW INTELLECTUAL PARADIGM in RUSSIA by Alyssa J. Deblasio Bachelor of Arts, Villanova
BETWEEN PHILOSOPHIES: THE EMERGENCE OF A NEW INTELLECTUAL PARADIGM IN RUSSIA by Alyssa J. DeBlasio Bachelor of Arts, Villanova University, 2003 Master of Arts, University of Pittsburgh, 2006 Submitted to the Graduate Faculty of the School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2010 UNIVERSITY OF PITTSBURGH School of Arts and Sciences This dissertation was presented by Alyssa J. DeBlasio It was defended on May 14, 2010 and approved by Tatiana Artemyeva, Professor, Herzen State Pedagogical University (St. Petersburg, Russia), Department of Theory and History of Culture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures James P. Scanlan, Emeritus Professor, The Ohio State University, Department of Philosophy Dissertation Advisor: Nancy Condee, Associate Professor, Department of Slavic Languages and Literatures ii Copyright © by Alyssa J. DeBlasio 2010 iii BETWEEN PHILOSOPHIES: THE EMERGENCE OF A NEW INTELLECTUAL PARADIGM IN RUSSIA Alyssa J. DeBlasio, PhD University of Pittsburgh, 2010 This dissertation takes as its primary task the evaluation of a conflict of paradigms in Russian philosophical thought in the past decade. If until the early nineties Russian philosophers were often guilty of uncritically attributing to their domestic philosophy a set of characteristics that fell along the lines of a religious/secular binary (e.g. literary vs. analytic; continuous vs. ruptured), in recent years the same scholarship is moving away from the nineteenth-century model of philosophy as a “path” or “special mission,” as it has been called by Konstantin Aksakov, Aleksei Khomiakov, Ivan Kireevskii, and later, Nikolai Berdiaev, among others. -
The Institute of Modern Russian Culture
THE INSTITUTE OF MODERN RUSSIAN CULTURE AT BLUE LAGOON NEWSLETTER No. 61, February, 2011 IMRC, Mail Code 4353, USC, Los Angeles, Ca. 90089‐4353, USA Tel.: (213) 740‐2735 or (213) 743‐2531 Fax: (213) 740‐8550; E: [email protected] website: hƩp://www.usc.edu./dept/LAS/IMRC STATUS This is the sixty-first biannual Newsletter of the IMRC and follows the last issue which appeared in August, 2010. The information presented here relates primarily to events connected with the IMRC during the fall and winter of 2010. For the benefit of new readers, data on the present structure of the IMRC are given on the last page of this issue. IMRC Newsletters for 1979-2010 are available electronically and can be requested via e-mail at [email protected]. A full run can be supplied on a CD disc (containing a searchable version in Microsoft Word) at a cost of $25.00, shipping included (add $5.00 for overseas airmail). RUSSIA If some observers are perturbed by the ostensible westernization of contemporary Russia and the threat to the distinctiveness of her nationhood, they should look beyond the fitnes-klub and the shopping-tsentr – to the persistent absurdities and paradoxes still deeply characteristic of Russian culture. In Moscow, for example, paradoxes and enigmas abound – to the bewilderment of the Western tourist and to the gratification of the Russianist, all of whom may ask why – 1. the Leningradskoe Highway goes to St. Petersburg; 2. the metro stop for the Russian State Library is still called Lenin Library Station; 3. there are two different stations called “Arbatskaia” on two different metro lines and two different stations called “Smolenskaia” on two different metro lines; 4. -
National Library of Russia Saint-Petersburg, Russian Federation
68th IFLA Council and General Conference August 18-24, 2002 Code Number: 065-152-E Division Number: IV Professional Group: Bibliography - Workshop Joint Meeting with: National Libraries Meeting Number: 152 Simultaneous Interpretation: - Internet projects and bibliographic activities in Russia Elena Zhabko Bibliography and Reference Department, National Library of Russia Saint-Petersburg, Russian Federation Abstract: National bibliographic agencies were first institutions in Russia to begin using Internet technologies in realizing their functions. More than 7 years of work in new electronic environment allow them now: 1) parallel with publishing national bibliography in printed form and on CD-ROM, to present it in Internet; 2) to increase scope of national bibliography and extend its coverage through developing distributed system of its producing, which is achieved by means of co-operation and co-ordination between national libraries, Russian Book Chamber and other national agencies which are in charge of controlling branch documentary flow; 3) consider the problem of identification, control and registration of network resources, which do not have analogues on traditional carrier, with subsequent inclusion of these resources into the national bibliography. 1. National bibliography in printed form, on CD–ROM and in Internet In the mid-nineties Russian bibliographic institutions, libraries of federal and regional level acquired access to Internet. Development and implementation of web-technologies in many respects extended opportunities of bibliographic institutions; major of them, Russian Book Chamber, along with publishing current national bibliography in traditional form and on CD-ROM now provides access to the national bibliography online. Currently the data bank of the national bibliography numbers in total 2 million 600 thousand records. -
Jerzy Pielaszek SCIENTIFIC CENTER of the POLISH ACADEMY OF
Jerzy Pielaszek SCIENTIFIC CENTER OF THE POLISH ACADEMY OF SCIENCES IN PARIS (Centre Scienti Þ que de l’Academie Polonaise des Sciences à Paris) For both up-and-coming research grant holders from Poland and Internationally- renowned Polish researchers, the address Rue Lauriston 74 in Paris symbolizes the very best tradition of scholarly ties between Poland and France The Scienti Þ c Center in Paris has a history now stretching back more than 115 years - having been Þ rst established in af Þ liation with the Polish Library in Paris on 3 May 1893 under a decree from the President of France dated 2 July 1891. The center therefore emerged as the only independent Polish scienti Þ c unit abroad, during the very period when Poland itself lost its Independence as a country. The illustrious émigré tradition Polish institutions in Paris have a long tradition, dating back to the Great Emigration after 1830. One such Polish establishment is the Historical and Literary Society, which, together with the Polish Library in Paris, was granted the status of an “institution of public utility” by a decree of Napoleon III (1866). Somewhat later, the Historical and Literary Society established close ties to the Polish Academy of Arts and Sciences (PAU), which had then been set up in Kraków. In 1891 the collections of both the Historical and Literary Society and the Polish Library in Paris were taken over by the PAU, after long and dif Þ cult negotiations necessitated by the political situation in Europe. Before the of Þ cial opening of the Scienti Þ c Center in Paris, the President of the PAU wrote that its main objective would be “not only to facilitate the studies of Polish scientists in Paris, but also to facilitate scholarly relations of French scientists with the Academy and with the Slavic scholarly world”. -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
Polish Culture Yearbook 2018
2018 POLISH CULTURE YEARBOOK 2018 POLISH CULTURE YEARBOOK Warsaw 2019 INTRODUCTION Prof. Piotr Gliński, Deputy Prime Minister, Minister of Culture and National Heritage 5 REFLECTIONS ON CULTURE IN POLAND 1918–2018 Prof. Rafał Wiśniewski, Director of the National Centre for Culture Poland 11 TABLE OF CONTENTS TABLE 1. CELEBRATIONS OF THE 100TH ANNIVERSARY OF POLAND REGAINING INDEPENDENCE 17 CELEBRATIONS OF THE 100TH ANNIVERSARY OF POLAND REGAINING INDEPENDENCE Office of the ‘Niepodległa’ Program 18 2. CULTURE 1918–2018 27 POLISH STATE ARCHIVES Head Office of State Archives 28 LIBRARIES National Library of Poland 39 READERSHIP National Library of Poland 79 CULTURAL CENTRES Centre for Cultural Statistics, Statistical Office in Kraków 89 MUSEUMS National Institute for Museums and Public Collections 96 MUSICAL INSTITUTIONS Institute of Music and Dance 111 PUBLISHING PRODUCTION National Library of Poland 121 ARTISTIC EDUCATION Centre for Art Education 134 THEATRE IN POLAND Zbigniew Raszewski Theatre Institute 142 IMMOVABLE MONUMENTS National Heritage Board of Poland 160 3. CULTURAL POLICY 2018 173 TABLE OF CONTENTS TABLE LOCAL GOVERNMENT SPENDING ON CULTURE National Centre for Culture Poland 174 CINEMATOGRAPHY Polish Film Institute 181 NATIONAL MEMORIAL SITES ABROAD Department of Cultural Heritage Abroad and Wartime Losses, Ministry of Culture and National Heritage 189 POLISH CULTURAL HERITAGE ABROAD Department of Cultural Heritage Abroad and Wartime Losses, Ministry of Culture and National Heritage 196 RESTITUTION OF CULTURAL OBJECTS Department of Cultural Heritage Abroad and Wartime Losses, Ministry of Culture and National Heritage 204 DEVELOPMENT OF LIBRARY INFRASTRUCTURE AND PROGRAMMES ADDRESSED TO PUBLIC LIBRARIES Polish Book Institute 212 EXPENDITURE OF THE POLISH STATE ON CULTURE Department of Intellectual Property Rights and Media, Ministry of Culture and National Heritage 217 4. -
The Trophy Collection of Books from Sarospatak in Cultural Context Of
68th IFLA Council and General Conference August 18-24, 2002 Code Number: 133-089-E Division Number: 0 Professional Group: Copyright and other Legal Matters (CLM) Joint Meeting with: - Meeting Number: 89. Simultaneous Interpretation: Yes The Trophy Collection of Books from Sárospatak in Cultural Context of the New Millenium Ekaterina Genieva All-Russia State Library for Foreign Literature Moscow, Russian Federation Strange as it may seem, the problem of cultural valuables displaced as a result of wars is discussed as a cultural issue in the last place. Yet the very roots of this problem are related to basic cultural archetypes, compared to which all legal and political aspects are secondary. Originally, victors treated captured “cultural valuables” (as we call them now) as material valuables and, at the same time, as sacral ones. Under modern civilization cultural and sacral values have merged in many ways: the fruits of other people’s spiritual culture are their sacred objects, so to appropriate such objects means, consequently, to defeat the enemy’s spirit. That is why the issue of “trophy” objects of art and books is so important to the tolerant mentality which will not stand either victory or defeat in spiritual sphere. One may hope that, in the end, legal and political aspects of displaced valuables will stop being a problem of interest to mankind as a whole. Some particular disputes to be settled in courts will probably remain, and more displaced objects will be discovered and dealt with one way or another in accordance with established regulations, but nothing will survive of political issues which people endeavor to settle in connection with questions of displaced valuables at present.