Translation and Literature Cumulative Index
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Redgrove Papers: Letters
Redgrove Papers: letters Archive Date Sent To Sent By Item Description Ref. No. Noel Peter Answer to Kantaris' letter (page 365) offering back-up from scientific references for where his information came 1 . 01 27/07/1983 Kantaris Redgrove from - this letter is pasted into Notebook one, Ref No 1, on page 365. Peter Letter offering some book references in connection with dream, mesmerism, and the Unconscious - this letter is 1 . 01 07/09/1983 John Beer Redgrove pasted into Notebook one, Ref No 1, on page 380. Letter thanking him for a review in the Times (entitled 'Rhetoric, Vision, and Toes' - Nye reviews Robert Lowell's Robert Peter 'Life Studies', Peter Redgrove's 'The Man Named East', and Gavin Ewart's 'The Young Pobbles Guide To His Toes', 1 . 01 11/05/1985 Nye Redgrove Times, 25th April 1985, p. 11); discusses weather-sensitivity, and mentions John Layard. This letter is pasted into Notebook one, Ref No 1, on page 373. Extract of a letter to Latham, discussing background work on 'The Black Goddess', making reference to masers, John Peter 1 . 01 16/05/1985 pheromones, and field measurements in a disco - this letter is pasted into Notebook one, Ref No 1, on page 229 Latham Redgrove (see 73 . 01 record). John Peter Same as letter on page 229 but with six and a half extra lines showing - this letter is pasted into Notebook one, Ref 1 . 01 16/05/1985 Latham Redgrove No 1, on page 263 (this is actually the complete letter without Redgrove's signature - see 73 . -
Çevren Dergisinin Balkan Türkleri Edebiyatindaki Yeri Ve Bu Dergideki Edebî Faaliyetler
T.C. İstanbul Üniversitesi Sosyal Bilimler Enstitüsü Yeni Türk Edebiyatı Anabilim Dalı Yüksek Lisans Tezi ÇEVREN DERGİSİNİN BALKAN TÜRKLERİ EDEBİYATINDAKİ YERİ VE BU DERGİDEKİ EDEBÎ FAALİYETLER Daver Krasniç 2501980011 Tez Danışmanı: Doç. Dr. M. Fatih Andı İstanbul 2006 ÖZ Balkan Türk Edebiyatının bir parçası olan Kosova Türk Edebiyatı üzerinde yaptığımız bu çalışmamızda, Kosova’nın Priştine kentinde 1973 yılından 1992 yılına kadar “Tan” yayınlarınca yayınlanan “Çevren” dergisinin Balkan Türk Edebiyatlarındaki yerini tespit etmek olmuştur. Ayrıca ek kısmında Çevren dergisinin 1. sayısından 92. sayısına kadar yaklaşık 20 yıllık bir yayın hayatının bibliyografya çalışmasını yürüttük. Yaptığımız taramalar ve fişlemeleri iki ayrı bölümde tasnif ettik. Birinci bölümde yazarların isimlerine göre alfabetik tasnifini yaptıktan sonra, ikinci bölümünde dergideki yazıların türlerine göre tasnifi tamamladık. ABSTRACT In our studies we tried to define the position of Kosovo Turkish Literature as a part of Balkan Turkish Literature subject and we have discovered the place of the magazine called “Çevren” in Balkan Turkish Literature which is published by the “Tan” house of publishing in the capital city of Kosovo Pristina, published from 1973 to 1992. In the additional part we have completed the bibliography of the “Çevren” magazine starting from the 1. to the 92. edition completing the almost 20 year old publishing life. We have separated the card indexes and hatches in two parts. The first part is a clasification of the writers by their alphabetic order, and the second part is clasification of the writers by their genres. iii ÖNSÖZ Balkan Türk Edebiyatının bir parçası olan Kosova Türk Edebiyatı üzerinde yaptığımız bu çalışmamızda, Kosova’nın Priştine kentinde 1973 yılından 1992 yılına kadar “Tan” yayınlarınca yayınlanan “Çevren” dergisinin Balkan Türk Edebiyatlarındaki yerini tespit etmek olmuştur. -
Jon Silkin As Anthologist, Editor, and Translator
This is a repository copy of Jon Silkin as Anthologist, Editor, and Translator. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/92139/ Version: Accepted Version Article: Munday, JS (2016) Jon Silkin as Anthologist, Editor, and Translator. Translation and Literature, 25 (1). pp. 84-106. ISSN 0968-1361 https://doi.org/10.3366/tal.2016.0238 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Jon Silkin as Anthologist, Editor, and Translator Jeremy Munday In his seminal book Translation, Rewriting, and the Manipulation of Literary Fame, André Lefevere makes the claim that ‘the same basic process of rewriting is at work in translation, historiography, anthologization, criticism, and editing’, -
Sonja Biserko, Deyan Kiuranov, Ismail Tasholli, Robert Wilton, Fred Abrahams
H OST – ΓΕΦΥ M ΡA “ ” – – A R M O U – C T T O Ъ T T – C P O O M D U – L Ü – R M P O Ö K C T – THEthe magazine of BRIDGEAcademia Balkanica Europeana January 2020 (Number 5) Dossier: Human Rights in the Balkans Sonja Biserko, Deyan Kiuranov, Ismail Tasholli, Robert Wilton, Fred Abrahams EKPHRASIS: A WAY TO “EVERYTHING I TOUCH SPLIT SOCIETIES, CONNECT US WITH THE OTHER TURNS INTO WORDS” ILLIBERAL SALVATION By Gonca Özmen By Elizabeta Sheleva By Péter Krasztev ContentsEditorial Supported by a grant from the Foundation Open Society Institute in cooperation with the OSIFE of the Open Society Foundations CONTENTS Editorial I, YOU AND MAN By Ismail Tasholli 16 EARTH 3 Forum IGNORANCE KILLS EKPHRASIS: A WAY TO CONNECT US WITH By Robert Wilton 18 THE OTHER By Gonca Özmen 4 Interview, exclusively for “The Bridge”: FRED ABRAHAMS: THE COLLAPSE OF I AM ROMA AND I FEEL PRIVILEGED COMMUNISM AND THE TRAGEDY BECAUSE I HAVE WHITE SKIN 20 OF ETHNO-WARS By Georgiana Lincan 6 Visible Soul 8 Loc-alia IS THERE LITERATURE NOBEL PRIZE AFTER HANDKE? Ars Poetica By Amila Kahrović Posavljak 22 “EVERYTHING I TOUCH TURNS 10 INTO WORDS” BALKANOFILMOPHILIA 24 By Elizabeta Sheleva Dossier HUMAN RIGHTS IN THE BALKANS The Gaze of the Other HUMAN RIGHTS IN SERBIA: SPLIT SOCIETIES, ILLIBERAL SUBORDINATED TO GEOSTRATEGIC 12 SALVATION 25 DELIBERATIONS By Péter Krasztev By Sonja Biserko Our Essay BG TO EU, AND HUMAN RIGHTS: NEGATIVE ATTITUDES, NO ACTS 14 THE UNEATEN PAGES 27 By Deyan Kiuranov By Ardian-Christian Kyçyku 2 Editorial EARTH n November 26, an earthquake struck because of the latter sense of love for home or and knowledge. -
Remaking History: Tracing Politics in Urban Space
Remaking History: Tracing Politics in Urban Space Lejla Odobašić Novo & Aleksandar Obradović International Burch University Sarajevo 2021 Authors: Lejla Odobašić Novo & Aleksandar Obradović Publishing: International Burch University Critcal Review: Nerma Prnjavorac Cridge & Vladimir Dulović Proofreading: Adrian Pecotić Project Logo Design: Mina Stanimirović Book Layout Mina Stanimirović & Lejla Odobašić Novo EBook (URL): http://remakinghistory.philopolitics.org/index.html Date and Place: February 2021, Sarajevo Copyrights: International Burch University & Philopolitics Reproduction of this publication for educational or other non-commercial purposes is authorized without permission from the copyright holder. Repro- duction for resale or other commercial purposes is prohibited without prior written permission of the copyright holder. Disclaimer: While every effort has been made to ensure the accuracy of information contained in this publication, the publisher will not assume liability for writing and any use made of the proceedings, and the presentation of the participating organizations concerning the legal status of any country, territo- ry, or area, or of its authorities, or concerning the delimitation of its frontiers or boundaries. CIP zapis je dostupan u elektronskom katalogu Nacionalne i univerzitetske biblioteke Bosne i Hercegovine pod brojem COBISS.BH-ID 42832902 ISBN 978-9958-834-67-7 TABLE OF CONTENTS PREFACE Critical Review by Nerma Prnjavorac Cridge... ..................1 Critical Review by Vladimir Dulović ................. -
Fulbright-Hays Group Projects Abroad: Balkan Borderlands
Fulbright-Hays Group Projects Abroad: Balkan Borderlands Curriculum Project or Presentation Title: Perspectives on War and Survival: Contemporary Bosnian Poetry Author: Brandon Cleworth, Glendale Community College Course or Audience: Higher Education: lower division literature and humanities courses Overview: This curriculum unit is designed to expose students to poetry, specifically, the creation of poetry in the context of war, specifically, the Bosnian Wars of 1992-1996. This unit explores poetry not exclusively as an aesthetic event subject to the standard procedures of explication but as an existential one. Poems are first and foremost expressions of individual consciousness, as each poem tracks closely to a single human voice. Accordingly, the presented poems will be framed as acts of creativity and self-articulation conjured in a context of destruction and the cheapening of human life. Students will be asked to consider the possibilities of poetry as a refuge, and in some cases, what Damir Arsenijević has labeled a “sanity strategy to survive the war” and a symbolic reconfiguring of a collapsed universe.1 The provided lesson introduces students to sources illuminating the general historical and cultural context of the break up the former Yugoslavia, the ethno-nationalism that fueled the particular brutality of the wars in Bosnia, and daily-life during the siege of the Bosnian capital, Sarajevo. Some faculty and instructional contexts might necessitate appreciation and analysis of the poems in their own right; indeed, many approaches to poetry appreciation claim poems are self-contained and provide all the necessary elements for appreciation on their own terms. The curriculum can be adapted to accommodate a more formalist approach. -
Translation and Literature Cumulative Index
Translation and Literature Cumulative Index Volume 22 (2013) Part 1 Articles Richard Rowland: The Desperation of Deianira: Heroides 9 and Early Modern Translation R. Clinton Simms: Persius’ Prologue and Early Modern English Satire Thomas N. Turk: Search and Rescue: An Annotated Checklist of Translations of Gray’s Elegy Tom Boll: César Vallejo in English: Stanley Burnshaw, Paul Muldoon, and Lawrence Venuti’s Ethics of Translation Notes and Documents Anna-Maria Hartmann: Abraham Fraunce’s Use of Giovanni Andrea dell’Anguillara’s Metamorfosi Reviews Christopher D. Johnson: Luis de Góngora: The Solitudes: A Dual-Language Edition with Parallel Text, translated by Edith Grossman Hugh de Quehen: The Works of Lucy Hutchinson, Vol. I: The Translation of Lucretius, edited by Reid Barbour and David Norbrook Ritchie Robertson: Übersetzen bei Johann Gottfried Herder, edited by Clémence Couturier-Heinrich Peter Robinson: A Tongue not Mine: Beckett and Translation, by Sinéad Mooney Donald Rayfield: After Semyon Izrailevich Lipkin, by Yvonne Green; Regina Derieva: The Sum Total of Violations, translated by Daniel Weissbort; Regina Derieva: Corinthian Copper, translated by J. Kates Iain Galbraith: Saturn’s Moons: W. G. Sebald – A Handbook, edited by Jo Catling and Richard Hibbitt Andrew Radford: Jade Ladder: Contemporary Chinese Poetry, edited by W. N. Herbert, Yang Lian, Brian Holton, and Qin Xiaoyu Volume 21 (2012) Part 3 Translators and their Worlds Peter France: Introduction Essays José María Pérez Fernández: Andrés Laguna: Translation and the Early Modern Idea of Europe John R. Yamamoto-Wilson: Mabbe’s Maybes: A Stuart Hispanist in Context Margaret Lesser: Ellen Marriage and the Translation of Balzac Peter France: Scott Moncrieff’s First Translation Emily Hayman: English Modernism in German: Herberth and Marlys Herlitschka, Translators of Virginia Woolf Rebecca Gould: World Literature as a Communal Apartment: Semyon Lipkin’s Ethics of Translational Difference Reviews John Brockington: Orientalist Jones: Sir William Jones, Poet, Lawyer and Linguist, by Michael J. -
Translation and Literature Cumulative Index Volume 30
Translation and Literature Cumulative Index Volume 30 (2021) Part 2 Articles and Notes A. S. G. Edwards: Gavin Bone and his Old English Translations Mary Boyle: ‘Hardly gear for woman to meddle with’: Kriemhild’s Violence in Nineteenth- Century Women’s Versions of the Nibelungenlied Andrew Barker: Giant Bug or Monstrous Vermin? Translating Kafka’s Die Verwandlung in its Cultural, Social, and Biological Contexts Review Essay Caroline Batten and Charles Tolkien-Gillett: Translating Beowulf for our Times Reviews Gideon Nisbet: After Fame: The Epigrams of Martial, by Sam Riviere Sarah Carter: Ovid and Adaptation in Early Modern English Theatre, edited by Lisa S. Starks; Ovidian Transversions: Iphis and Ianthe, 1300-1650, edited by Valerie Traub, Patricia Badir, and Peggy McCracken Carla Suthren: Xenophon: Cyropaedia, translated by William Barker, edited by Jane Grogan James Simpson: The Song of Roland: A Verse Translation, by Anthony Mortimer Jonathan Evans: Zola and the Art of Television: Adaptation, Recreation, Translation, by Kate Griffiths Ritchie Robertson: Karl Kraus: The Third Walpurgis Night: The Complete Text, translated by Fred Bridgham and Edward Timms Enza De Francisci: Celebrity Translation in British Theatre: Relevance and Reception, Voice and Visibility, by Robert Stock Catherine Davies: Ten Contemporary Spanish Women Poets, edited and translated by Terence Dooley Céline Sabiron: Translation et violence, by Tiphaine Samoyault Marjorie Huet-Martin: Textuality and Translation, edited by Catherine Chavin and Céline Sabiron Volume -
The Anglo-Jewish Perspective and Rhetoric of Jon Silkin Copley, H
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Committed Rootlessness: The Anglo-Jewish Perspective and Rhetoric of Jon Silkin Copley, H. This is an author's accepted manuscript of an article published in the Stand 11 (3), pp. 18-26, 2013. The final definitive version is available online at: https://www.standmagazine.org/archive/stand-199-113/11 The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] HANNAH COPLEY Committed Rootlessness: The Perspective and Rhetoric of Jon Silkin In his poem ‘White Balloon’, the Welsh-Jewish poet Dannie Abse addressed the troubled yet unavoidable effect of the Holocaust upon the formation of post-War Jewish identity. Opening with an intimate appeal to his ‘love’, the speaker reveals that: …Auschwitz made me more of a Jew than Moses did.1 The endings of these powerful two lines fold together Old Testament scripture with modern day genocide, highlighting the power of atrocity to shatter and then re-build the history and identity of an entire culture. Although applicable to non-Jewish poets, its focus is determinately fixed upon the dynamic between the Holocaust and post-War Jewish community in Britain. The compression of histories between one line and the next raises the difficult question of what exactly it was that ‘made’ a Jewish writer in the aftermath of the Second World War. -
Language Names and Norms in Bosnia and Herzegovina by Kirstin J. Swagman a Dissertation Submitted in Partial Fulfillment Of
Language Names and Norms in Bosnia and Herzegovina by Kirstin J. Swagman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2011 Doctoral Committee Associate Professor Alaina M. Lemon, Chair Professor Judith T. Irvine Professor Sarah G. Thomason Associate Professor Barbra A. Meek Acknowledgements This dissertation owes its existence to countless people who provided intellectual, emotional, and financial support to me during the years I spent preparing for, researching, and writing it. To my dear friends and colleagues at the University of Michigan, I owe a debt that can hardly be put into words. To the ladies at Ashley Mews, who were constant interlocutors in my early engagements with anthropology and remained steady sources of encouragement, inspiration, and friendship throughout my fieldwork and writing, this dissertation grew out of conversations we had in living rooms, coffee shops, and classrooms. I owe the greatest thanks to my Bosnian interlocutors, who graciously took me into their homes and lives and tolerated my clumsy questions. Without them, this dissertation would not exist. I want to thank the many teachers and students who shared the details of their professional and personal lives with me, and often went above and beyond by befriending me and making time in their busy schedules to explain the seemingly obvious to a curious anthropologist. I owe the greatest debt to Luljeta, Alexandra, Sanjin, and Mirzana, who all offered support, encouragement, and insight in countless ways large and small. Daniel, Peter, Tony, Marina, and Emira were also great sources of support during my fieldwork. -
1 Atunis Galaxy Anthology
ATUNIS GALAXY ANTHOLOGY – 2021 ANTHOLOGY OF CONTEMPORARY WORLD POETRY ATUNIS POETRY LEADERSHIP STAFF: Editor in Chief: Agron Shele https://atunispoetry.com Deputy Editor in Chief: Hannie Rouweler Deputy Editor in Chief : Hasije Selishta Kryeziu Editor: Sunita Paul Editor: Raimonda Moisiu, Editor: Lek Pervizi (Editor in Chief; REVISTA EURO-SHQIPTARE KUQ E ZI. Responsible for Literary Information: Pavol Janik Responsible for Literary Information: Dr. Claudia Piccinno Responsible for Literary Information: Eden S Trinidad Consultant: Peter Tase https://petertase.com/ Consultant: Lumo Kolleshi & Leda García Pérez Literary Editor: Enertin Dheskali Graphics: Lidia Chiarelli & Irina Hysi MA Advisory Board: Dr. Maria Miraglia, Caroline Nazareno-Gabis, Juljana Mehmeti, Günsel Djemal, Roula Pollard, Sinan Vaka, Dr. Eftichia Kapardeli, Shefqete Gosalci, Lumo Kolleshi, Alicja Kuberska, Luz María López, Rami Kamberi, Leyla Işık, NilavroNill Shoovro, Susana Roberts, Milica Jeftimijević Lilić. Every Collaboration: Dr. Aprilia Zank, Irina Hysi, Alicia Minjarez Ramírez, Elvira Kujović, Alisa Velaj, Bilall M. Maliqi, Kujtim Morina, Dr. Tarana Turan Rahimli, Luan Maloku, Dr. Olfa Philo (Drid), Anton Gojcaj. WITH ATUNIS IS WELCOMED A PUBLICATION OF POETICAL GALAXY ATUNIS 1 Table of Contents A Academic: Athanase Vantchev de Thracy (France) Professor Ada Aharoni (Israel) Adolf P. Shvedchikov (Russia) Academic Ahmed Tahsin Shams Anna Maria Mickiewicz (Poland – UK) Agron Tufa (Albania) Agron Shele (Albania- Belgium) Ann Christine Tabaka (USA Alisa Velaj (Albania) Alicja Maria Kuberska (Poland) Arqile V. Gjata (Albania) Anna Santoliquido (Italy) Ade Caparas Manilah (Australia) Adem Abdullahu (Republic of North Macedonia) Alicia Minjarez Ramírez (Mexico) Ana Toma (Albania – USA) Akbar Goshali (Azerbaijan) Aziza Dahdouh (Algeria) Agim Desku (Kosova) B Betim Muço (Albania) Bilall M. -
Burning Through the Fade: the Poetry of Brian Jones
Burning Through The Fade: The Poetry of Brian Jones PAUL MICHAEL McLOUGHLIN ROYAL HOLLOWAY UNIVERSITY OF LONDON PhD THESIS ABSTRACT This thesis, the first extended consideration of the work of Brian Jones (1938-2009), serves as both a re-introduction to and a reassessment of his poetic œuvre. It considers the work for the most part chronologically, noting developments and changes of direction. After a brief introduction and a note on context, Chapter Two deals with Poems (1966), which was met with popular and critical acclaim, sold over a thousand copies in its first month of publication, and brought a young poet an unusual degree of media attention that focused on what was seen as a fresh approach to domestic and personal subject matter. Chapter Three discusses A Family Album (1968), a set of four monologues spoken by members of an extended working-class Islington family who all use the same verse-format. Chapter Four notes how, in Interior (1969), the male voice is largely replaced by the female as Jones extended his range and sought to avoid too obvious autobiographical associations. Chapter Five focuses on For Mad Mary (1974), which again includes the influential figure of the reclusive Aunt Emily, continued Jones's interest in the verse-sequence, and introduces poems written from a historical and public perspective. The Island Normal (1980), discussed in Chapter Six, draws heavily on contemporary England, the English Civil War and Aeneas's journey of re-creation from Troy. Jones returns to domestic concerns in The Children of Separation (1985) and to political matters in the last volume published in his lifetime, Freeborn John (1990), collections dealt with in Chapters Seven and Eight.