DOCSLIB.ORG

(2019) Pkn (Ljubljana) 42.2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
(2019) Pkn (Ljubljana) 42.2 ISSN 0351-1189 PRIMERJALNA KNJIŽEVNOST ISSN (tiskana izdaja/printed edition): 0351-1189 TEMATSKI SKLOP / THEMATIC SECTION Comparative literature, Ljubljana ISSN (spletna izdaja/online edition): 2591-1805 The Rule of Description PKn (Ljubljana) 42.2 (2019) PKn (Ljubljana) PKn (Ljubljana) 42.2 (2019) 42.2 (2019) PKn (Ljubljana) Izdaja Slovensko društvo za primerjalno književnost Uredil / Edited by: Péter Hajdu Published by the Slovene Comparative Literature Association https://ojs.zrc-sazu.si/primerjalna_knjizevnost/index Péter Hajdu: The Importance of Description: An Introduction Glavni in odgovorni urednik Editor: Marijan Dović Tehnični urednik Technical Editor: Andraž Jež Orsolya Milián: Remediation and Mediamachia in Ekphrases Uredniški odbor Editorial Board: Orsolya Tóth: Description of Handwriting Marko Juvan, Alenka Koron, Dejan Kos, Vanesa Matajc, Darja Pavlič, Vid Snoj, Alen Širca, Péter Hajdu: Descriptions of Rituals Jola Škulj György C. Kálmán: Descriptions in Flaubert’s Madame Bovary Uredniški svet Advisory Board: Ziva Ben-Porat (Tel Aviv), Vladimir Biti (Dunaj/Wien), Lucia Boldrini, Zoran Milutinović, László Sári B.: Description, Historical Reference, and Allegories of Katia Pizzi, Galin Tihanov (London), Darko Dolinar, Janko Kos, Aleksander Skaza, Neva America in Thomas Pynchon’s Inherent Vice Šlibar, Tomo Virk (Ljubljana), César Domínguez (Santiago de Compostela), Péter Hajdu Zoltán Z. Varga: Roland Barthes on Description (Budimpešta/Budapest), Jón Karl Helgason (Reykjavík), Bart Keunen (Gent), Sowon Park (Santa Barbara), Ivan Verč (Trst/Trieste), Peter V. Zima (Celovec/Klagenfurt) Prevodi povzetkov v slovenščino Translation of abstracts into Slovenian: Mojca Šorli RAZPRAVE / ARTICLES © avtorji © Authors PKn izhaja trikrat na leto. PKn is published three times a year. Galina Zavgorodnyaya, Aleksei Zavgorodnii: Two Female Images by Prispevke in naročila pošiljajte na naslov Send manuscripts and orders to: A. Tennyson Revija Primerjalna književnost, Novi trg 2, 1000 Ljubljana, Slovenia. Nadezhda Starikova: On the Phenomenon of Biliterariness Letna naročnina: 20,00 €, za študente in dijake 10,00 €. TR 02010-0016827526, z oznako »za revijo«. Jelena Knežević: Metapoetics in Norbert Gstrein’s Novel The Years to Come Cena posamezne številke: 10,00 €. Pauls Daija, Benedikts Kalnačs: The Geographical Imagination in Early Annual subscription (outside Slovenia): € 40,00. Twentieth-Century Latvian Novels Naklada Copies: 350. Cosmin Borza: Decommunizing the National Poet PKn je vključena v PKn is indexed/ abstracted in: Arts & Humanities Citation Index, Current Contents/ A&H, Zarja Vršič: Kritiški in pesniški odziv Jacquesa Dupina na Giacomettijevo Bibliographie d’histoire littéraire française, ERIH, IBZ and IBR, kiparstvo MLA Directory of Periodicals, MLA International Bibliography, Scopus. Oblikovanje Design: Narvika Bovcon Stavek in prelom Typesetting: Alenka Maček Tisk Printed by: VB&S d. o. o., Flandrova 19, Ljubljana Izid številke je podprla This issue is supported by: Agencija za raziskovalno dejavnost RS. Oddano v tisk 1. julija 2019. Sent to print on 1 July 2019. TEMATSKI SKLOP / THEMATIC SECTION The Rule of Description Uredil / Edited by: Péter Hajdu 1 Péter Hajdu: The Importance of Description: An Introduction 15 Orsolya Milián: Remediation and Mediamachia in Ekphrases 35 Orsolya Tóth: Description of Handwriting: Physiognomic Portraits in Nineteenth-Century Novels 51 Péter Hajdu: Descriptions of Rituals 65 György C. Kálmán: Descriptions in Flaubert’s Madame Bovary 79 László Sári B.: Description, Historical Reference, and Allegories of America in Thomas Pynchon’s Inherent Vice 91 Zoltán Z. Varga: Description Degree Zero and the Un-Reality Effect: Roland Barthes on Description RAZPRAVE / ARTICLES 107 Galina Zavgorodnyaya, Aleksei Zavgorodnii: Two Female Images by A. Tennyson: Biblical Keys and Interpretation Facets (the Pre-Raphaelites, K. Balmont, I. Bunin) 121 Nadezhda Starikova: On the Phenomenon of Biliterariness (Based on the Experience of Studies of South Slavic Literatures) 131 Jelena Knežević: Metapoetics in Norbert Gstrein’s Novel The Years to Come (Die kommenden Jahre) 153 Pauls Daija, Benedikts Kalnačs: The Geographical Imagination in Early Twentieth-Century Latvian Novels 173 Cosmin Borza: Decommunizing the National Poet: Post-1989 Reading of Eminescu, Botev, and Petőfi 193 Zarja Vršič: Kritiški in pesniški odziv Jacquesa Dupina na Giacomettijevo kiparstvo Primerjalna književnost, letnik 42, št. 2, Ljubljana, julij 2019 Tematski sklop / Thematic section The Rule of Description Uredil / Edited by Péter Hajdu Razprave The Importance of Description: An Introduction Péter Hajdu Sichuan University, College of Literature and Journalism, Chengdu P.R. China Research Center for the Humanities of the Hungarian Academy of Sciences, Department for Literary Theory, H-1118 Budapest, Ménesi út 11-13, Hungary [email protected] The importance of descriptive passages varies among literary works and most likely differs among literary genres as well. Some non-literary nar- ratives, such as a joke, may exist even without description. With the help of cognitive narratology, it may be argued that zero descriptions are inscribed in the text when a scenario is activated which implies default descriptions. If the importance of descriptions in narrative texts is imagined as a spectrum, short non-literary genres may represent one extreme in which descriptions play a negligible role, while the other end is occupied by narratives in which descriptions are of utmost im- portance. To introduce the thematic cluster on description I will ex- plore the significance of the descriptive in the two extremes, first in a joke, then in utopian writing by means of two nineteenth-century Hungarian utopic novels which both abound in lengthy descriptions stitched together by a weak story. Utopia’s main purpose is to describe an alternative reality, but that reality is not alternative as much from the viewpoint of individual human action as it is from the standing of technical or (in many cases) a transformed natural environment and so- cial functions. Such an alternative reality can be described, not narrated while the description may additionally make use of narrative elements. Even if narratology’s usual focus on time and event may imply other- wise, descriptions are not disposable elements (or mere embellishments) of narrative. In his Narrative Discourse, Gérard Genette defined the descriptive pause as a case in which zero narrated time is paired to some narration time; this definition unavoidably created the impression that description is a feature of the sujet and hardly has anything to do with the fabula, which means description is a rhetorical device of storytelling and is therefore not essential to the story. As if description was some optional addition to what is to be told in a narrative. When Genette decided to use the term pause (instead of description) as the abbreviated form of the descriptive pause, he emphasized the dimension of time, for which he even developed the following quasi- or pseudo-mathematical 1 Primerjalna književnost (Ljubljana) 42.2 (2019) PKn, letnik 42, št 2, Ljubljana, julij 2019 formula: “pause NT = n, ST = 0. Thus NT ∞> ST” (Genette, Narrative 95). According to this interpretation, the pseudo-time of the narrative is infinitely greater than the story time since the latter is zero. However, the pause is almost continuously accompanied by an adjective in Genette’s text as it is generally called a “descriptive pause” (e.g. 93, 94, 95, 99, 106). In a footnote Genette attempted to prevent two misunderstand- ings: on the one hand, narratorial commentary may be another instance of when discourse corresponds to zero story time even though Genette does not regard these types of passages as “strictly speaking narrative.” On the other hand, “every description is not necessarily a pause in the narrative” (94). In his analysis, Genette actually narrates the development of the nineteenth-century French novel later eclipsed by Proust and his no- pause-descriptions. Within Genette’s narration, Balzac elaborated “a typically extratemporal descriptive canon” (100), which can be prop- erly described by the formula above, Stendhal “avoided that canon by pulverizing the descriptions” (101), but his position remained mar- ginal, while Flaubert was the precursor of the Proustian description (ibid.), which makes the concurrence of description and a character’s contemplative pause a rule (102). This narrative seems to imply (per- haps unintentionally) a teleology which posits Proust as the end-point of a development. In other words, it is as if Proust attained the aim of finally getting rid of descriptive pauses or the Balzacian canon of description by always narrating how someone experiences an image and never halting narrated time.1 One can, however, consider the pos- sibility of a narratology that focuses on space instead of time, including questions regarding how a narrative creates a world which can be either fictional or imaginary in nature. Such a narratology must necessarily assign a highly important role to description. 1 For Genette, a description that does not constitute a pause is a narrative about a person who looks at an object. Gerald Prince’s definition of description, however, extends to “(nonpurposeful, nonvolitional) happenings” as well, therefore he can offer the following example for a description without pause: “After the fish followed an excel- lent meat dish, with garnishing, then a separate vegetable course,
Load more

Recommended publications
  • Desnièini Susreti 2016. Hrvatsko-Srpski/Srpsko-Hrvatski Interkulturalizam Danas Povodom 110
    DESNIÈINI SUSRETI 2016. HRVATSKO-SRPSKI/SRPSKO-HRVATSKI INTERKULTURALIZAM DANAS POVODOM 110. OBLJETNICE ROĐENJA VLADANA DESNICE INSTITUT ZA KNJIŽEVNOST I UMETNOST U BEOGRADU Međunarodni znanstveni skup Desničini susreti 2016. HRVATSKO-SRPSKI / SRPSKO-HRVATSKI INTERKULTURALIZAM DANAS POVODOM 110. OBLJETNICE ROĐENJA VLADANA DESNICE Institut za književnost i umetnost u Beogradu, Kralja Milana 2 Biblioteka grada Beograda, Knez Mihailova 56 petak, subota i nedjelja, 23., 24. i 25. rujna 2016. Filozofski fakultet Sveučilišta u Zagrebu Centar za komparativnohistorijske i interkulturne studije „Desničini susreti“ Filozofski fakultet Sveučilišta u Zagrebu Odsjek za kroatistiku Institut za književnost i umetnost, Beograd Hrvatsko društvo pisaca, Zagreb Srpsko kulturno društvo „Prosvjeta“, Zagreb Društvo za obnovu i revitalizaciju Kule Stojana Jankovića – Mostovi, Zagreb Fotografija na naslovnici: Izdavačko-knjižarsko preduzeće Geca Kon A. D., Knez Mihailova 12, Beograd DESNIčINI SUSRETI 2016. Hrvatsko-srpski/srpsko-hrvatski interkulturalizam danas Povodom 110. obljetnice rođenja Vladana Desnice PROGRAM RADA / SAŽECI IZLAGANJA Filozofski fakultet Sveučilišta u Zagrebu Zagreb, 2016. Vladan Desnica (Zadar, 17. rujna 1905. – Zagreb, 4. ožujka 1967.) (Osobna ostavština Vladana Desnice) BEOGRADSKE VARIJACIJE VLADANA DESNICE renovac: Jeste li zadovoljni sa scenskom realizacijom? Da li je, po Va- „Dšem mišljenju, ona izrazila na pozornici ono što ste hteli da kažete? Desnica: I režiser Tomislav Tanhofer i čitava ekipa uložili su savjestan i inteligentan trud, i mislim da je to dalo vrlo uvjerljive rezultate. Da ne isti- čem sad pojedine interprete posebno, reći ću samo to da tu imamo čitav niz odličnih kreacija, po mom mišljenju. A što se tiče drugog dijela Vašeg pita- nja, znate, moramo imati na umu da scenska realizacija uvijek i neminovno predstavlja jednu novu umjetničku tvorevinu i da tu imamo tekst filtriran kroz jedan drugi, režiserov, umjetnički temperament, je li.
    [Show full text]
  • Çevren Dergisinin Balkan Türkleri Edebiyatindaki Yeri Ve Bu Dergideki Edebî Faaliyetler
    T.C. İstanbul Üniversitesi Sosyal Bilimler Enstitüsü Yeni Türk Edebiyatı Anabilim Dalı Yüksek Lisans Tezi ÇEVREN DERGİSİNİN BALKAN TÜRKLERİ EDEBİYATINDAKİ YERİ VE BU DERGİDEKİ EDEBÎ FAALİYETLER Daver Krasniç 2501980011 Tez Danışmanı: Doç. Dr. M. Fatih Andı İstanbul 2006 ÖZ Balkan Türk Edebiyatının bir parçası olan Kosova Türk Edebiyatı üzerinde yaptığımız bu çalışmamızda, Kosova’nın Priştine kentinde 1973 yılından 1992 yılına kadar “Tan” yayınlarınca yayınlanan “Çevren” dergisinin Balkan Türk Edebiyatlarındaki yerini tespit etmek olmuştur. Ayrıca ek kısmında Çevren dergisinin 1. sayısından 92. sayısına kadar yaklaşık 20 yıllık bir yayın hayatının bibliyografya çalışmasını yürüttük. Yaptığımız taramalar ve fişlemeleri iki ayrı bölümde tasnif ettik. Birinci bölümde yazarların isimlerine göre alfabetik tasnifini yaptıktan sonra, ikinci bölümünde dergideki yazıların türlerine göre tasnifi tamamladık. ABSTRACT In our studies we tried to define the position of Kosovo Turkish Literature as a part of Balkan Turkish Literature subject and we have discovered the place of the magazine called “Çevren” in Balkan Turkish Literature which is published by the “Tan” house of publishing in the capital city of Kosovo Pristina, published from 1973 to 1992. In the additional part we have completed the bibliography of the “Çevren” magazine starting from the 1. to the 92. edition completing the almost 20 year old publishing life. We have separated the card indexes and hatches in two parts. The first part is a clasification of the writers by their alphabetic order, and the second part is clasification of the writers by their genres. iii ÖNSÖZ Balkan Türk Edebiyatının bir parçası olan Kosova Türk Edebiyatı üzerinde yaptığımız bu çalışmamızda, Kosova’nın Priştine kentinde 1973 yılından 1992 yılına kadar “Tan” yayınlarınca yayınlanan “Çevren” dergisinin Balkan Türk Edebiyatlarındaki yerini tespit etmek olmuştur.
    [Show full text]
  • The Production of Lexical Tone in Croatian
    The production of lexical tone in Croatian Inauguraldissertation zur Erlangung des Grades eines Doktors der Philosophie im Fachbereich Sprach- und Kulturwissenschaften der Johann Wolfgang Goethe-Universität zu Frankfurt am Main vorgelegt von Jevgenij Zintchenko Jurlina aus Kiew 2018 (Einreichungsjahr) 2019 (Erscheinungsjahr) 1. Gutacher: Prof. Dr. Henning Reetz 2. Gutachter: Prof. Dr. Sven Grawunder Tag der mündlichen Prüfung: 01.11.2018 ABSTRACT Jevgenij Zintchenko Jurlina: The production of lexical tone in Croatian (Under the direction of Prof. Dr. Henning Reetz and Prof. Dr. Sven Grawunder) This dissertation is an investigation of pitch accent, or lexical tone, in standard Croatian. The first chapter presents an in-depth overview of the history of the Croatian language, its relationship to Serbo-Croatian, its dialect groups and pronunciation variants, and general phonology. The second chapter explains the difference between various types of prosodic prominence and describes systems of pitch accent in various languages from different parts of the world: Yucatec Maya, Lithuanian and Limburgian. Following is a detailed account of the history of tone in Serbo-Croatian and Croatian, the specifics of its tonal system, intonational phonology and finally, a review of the most prominent phonetic investigations of tone in that language. The focal point of this dissertation is a production experiment, in which ten native speakers of Croatian from the region of Slavonia were recorded. The material recorded included a diverse selection of monosyllabic, bisyllabic, trisyllabic and quadrisyllabic words, containing all four accents of standard Croatian: short falling, long falling, short rising and long rising. Each target word was spoken in initial, medial and final positions of natural Croatian sentences.
    [Show full text]
  • Combined and Uneven Development: Towards a New Theory of World-Literature
    Combined and Uneven Development: Towards a New Theory of World-Literature Postcolonialism across the Disciplines 17 Postcolonialism across the Disciplines Series Editors Graham Huggan, University of Leeds Andrew Thompson, University of Exeter Postcolonialism across the Disciplines showcases alternative directions for postcolonial studies. It is in part an attempt to counteract the dominance in colonial and postcolonial studies of one particular discipline – English literary/ cultural studies – and to make the case for a combination of disciplinary knowledges as the basis for contemporary postcolonial critique. Edited by leading scholars, the series aims to be a seminal contribution to the field, spanning the traditional range of disciplines represented in postcolonial studies but also those less acknowledged. It will also embrace new critical paradigms and examine the relationship between the transnational/cultural, the global and the postcolonial. Combined and Uneven Development Towards a New Theory of World-Literature WReC (Warwick Research Collective) Liverpool University Press Warwick Research Collective: Sharae Deckard Nicholas Lawrence Neil Lazarus Graeme Macdonald Upamanyu Pablo Mukherjee Benita Parry Stephen Shapiro First published 2015 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © Sharae Deckard, Nicholas Lawrence, Neil Lazarus, Graeme Macdonald, Upamanyu Pablo Mukherjee, Benita Parry and Stephen Shapiro The right of Sharae Deckard, Nicholas Lawrence, Neil Lazarus, Graeme Macdonald, Upamanyu Pablo Mukherjee, Benita Parry and Stephen Shapiro to be identified as the authors of this book has been asserted by them in accordance with the Copyright, Design and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.
    [Show full text]
  • Gender Equality in the Cultural and Creative Sectors
    « «« « « «« « ««« EUROPEAN AGENDA EUROPEAN AGENDA CULTURE FOR CULTURE PLAN FOR WORK 2019-2022 «««««««« JUNE 2021 TOWARDS GENDER EQUALITY IN THE CULTURAL AND CREATIVE SECTORS REPORT OF THE OMC (OPEN METHOD OF COORDINATION) WORKING GROUP OF MEMBER STATES’ EXPERTS ZZEBULIGARYTHICREATIVEWHYISITWORTHIVESTIGINCULTURALANDERTCGAEUROPEAN UNION - Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). More information on the European Union is available on the Internet (http://europa.eu). Luxembourg: Publications Office of the European Union, 2021 © European Union, 2021 Reproduction is authorised, provided the source is acknowledged. ISBN 978-92-76-20365-0 doi:10.2766/122208 NC-02-20-500-EN-N « «« « « «« « ««« EUROPEAN AGENDA EUROPEAN AGENDA CULTURE FOR CULTURE PLAN FOR WORK 2019-2022 «««««««« JUNE 2021 TOWARDS GENDER EQUALITY IN THE CULTURAL AND CREATIVE SECTORS REPORT OF THE OMC (OPEN METHOD OF COORDINATION) WORKING GROUP OF MEMBER STATES’ EXPERTS Editor: Amelie Menzel, European Experts’ Network on Culture Towards gender equality in the cultural and creative sectors OMC 3 TABLE OF CONTENTS 1. INTRODUCTION 5 1.1 Culture and gender equality 7 1.2 The work of the group 9 1.3 About this report 13 1.4 Definitions 15 2. GENDER EQUALITY IN THE CCS – A CONTEXTUALISATION 19 2.1 Then: The role of women in the history of art and culture 21 2.2 Now: Cultural and creative sectors – a major but demanding sector 27 3. IMPACT OF THE COVID CRISIS ON GENDER EQUALITY IN THE CCS 31 3.1 Gender equality and the COVID-19 pandemic 33 3.2 Good practices 36 4.
    [Show full text]
  • Pomagalo Philosophy 9Kl-Eng.Pdf
    МИНИСТЕРСТВО НА ОБРАЗОВАНИЕТО И НАУКАТА НАЦИОНАЛНА ПРОГРАМА „Разработване на учебни помагала и на методически ръководства, оценяване и одобряване на проекти на учебни помагала за подпомагане на обучението, организирано в чужбина, на проекти на учебници и на проекти на учебни комплекти“ МОДУЛ „Разработване на учебни помагала за обучение по общообразователни предмети на чужд език“ 9. Философия КЛАС на английски език Учебно помагало Разработено от авторски екип към Профилирана езикова гимназия „Йоан Екзарх“, гр. Враца Национално издателство за образование и наука „Аз-буки“ 2020 г. Dear students, The Student’s book is a secondary level course for learners studying Philosophy in English at CEFR level B1 and the Bulgarian Ministry of Education and Science CURRICULUM – 9th grade. It contains themes corresponding to the curriculum and others, which address philosophy-oriented students. The book contains a variety of theory and practice. The practical tasks aim at developing students’ critical thinking and their positive attitude towards life. The themes relate to interpretation of value system, goal orientation towards the meaning of life and cognition of main ethical and aesthetic categories. It also contains interesting tasks, tests and illustrations. ФИЛОСОФИЯ ЗА 9. КЛАС НА АНГЛИЙСКИ ЕЗИК Учебно помагало, разработено от авторски екип към Профилирана езикова гимназия „Йоан Екзарх“, гр. Враца Автор на текста: Христомила Каменова Благовескова, 2020 г. Преводач: Таня Денова Илиева, 2020 г. Консултант: проф. д.н. Вихрен Янакиев Бузов, 2020 г. Автори на графичния дизайн: Диана Иванова Гергова и Мариета Любенова Иванова, 2020 г. Автори на илюстрациите: Мариета Любенова Иванова, 2020 г. Веселка Пламенова Йорданова, Василена Стоянова Николова, Ева Евгениева Ценкова, Лили Тихомирова Котова, Биляна Цветомирова Добрилова – ученици в ПЕГ „Йоан Екзарх“, 2020 г.
    [Show full text]
  • VASE Studio Portrait of Revolutionaries Belonging to Hristo Botev's
    VASE Visual Archive Southeastern Europe Permalink: https://gams.uni-graz.at/o:vase.191 Studio portrait of revolutionaries belonging to Hristo Botev's armed company (cheta) Object: Studio portrait of revolutionaries belonging to Hristo Botev's armed company (cheta) Description: Full length shot of two men wearing military uniforms and fur caps, traditional peasant shoes (tsarvuli), and leggings. They are holding long rifles and swords and are standing between artificial rocks. A painted canvas backdrop is creating the illusion of the scene being set in nature. Comment: On the right: Dimitar Todorov Donkov- Dimitroto (1855 - 1940), who participated Studio portrait of revolutionaries belonging in the military uprising led by Hristo to Hristo Botev's armed company (cheta) Botev. When the revolt was crushed, © National Museum of Military History Sofia Dimitar Todorov Dimitroto was arrested, yet his death sentence was commuted to life imprisonment. Hristo Botev (Botyov) Petkov (1848 - 1876) was a Bulgarian poet and national revolutionary, who died in a uprising against the Ottoman rule in 1876. He is considered a symbolic historical figure and national hero. Relations: https://gams.uni-graz.at/o:vase.480 Date: Not before 1886 Location: Sofia Country: Bulgaria Type: Photograph Creator: Karastoyanov, Dimitar Anastasov, (Photographer) Studio portrait of revolutionaries belonging Dimensions: Artefact: 265mm x 222mm to Hristo Botev's armed company (cheta) © National Museum of Military History Image: 236mm x 183mm Sofia Format: Not specified Technique: Not specified Keywords: 550 Individuation and Mobility > 551 Personal Names 700 Armed Forces 710 Military Technology > 714 Uniform and Accouterment 660 Political Behavior > 669 Revolution 530 Arts > 5310 Verbal Arts https://gams.uni-graz.at/vase 1 VASE Visual Archive Southeastern Europe Permalink: https://gams.uni-graz.at/o:vase.191 Bibliograpy: Kassabova, Anelia (2012): Identities in frame.
    [Show full text]
  • Sonja Biserko, Deyan Kiuranov, Ismail Tasholli, Robert Wilton, Fred Abrahams
    H OST – ΓΕΦΥ M ΡA “ ” – – A R M O U – C T T O Ъ T T – C P O O M D U – L Ü – R M P O Ö K C T – THEthe magazine of BRIDGEAcademia Balkanica Europeana January 2020 (Number 5) Dossier: Human Rights in the Balkans Sonja Biserko, Deyan Kiuranov, Ismail Tasholli, Robert Wilton, Fred Abrahams EKPHRASIS: A WAY TO “EVERYTHING I TOUCH SPLIT SOCIETIES, CONNECT US WITH THE OTHER TURNS INTO WORDS” ILLIBERAL SALVATION By Gonca Özmen By Elizabeta Sheleva By Péter Krasztev ContentsEditorial Supported by a grant from the Foundation Open Society Institute in cooperation with the OSIFE of the Open Society Foundations CONTENTS Editorial I, YOU AND MAN By Ismail Tasholli 16 EARTH 3 Forum IGNORANCE KILLS EKPHRASIS: A WAY TO CONNECT US WITH By Robert Wilton 18 THE OTHER By Gonca Özmen 4 Interview, exclusively for “The Bridge”: FRED ABRAHAMS: THE COLLAPSE OF I AM ROMA AND I FEEL PRIVILEGED COMMUNISM AND THE TRAGEDY BECAUSE I HAVE WHITE SKIN 20 OF ETHNO-WARS By Georgiana Lincan 6 Visible Soul 8 Loc-alia IS THERE LITERATURE NOBEL PRIZE AFTER HANDKE? Ars Poetica By Amila Kahrović Posavljak 22 “EVERYTHING I TOUCH TURNS 10 INTO WORDS” BALKANOFILMOPHILIA 24 By Elizabeta Sheleva Dossier HUMAN RIGHTS IN THE BALKANS The Gaze of the Other HUMAN RIGHTS IN SERBIA: SPLIT SOCIETIES, ILLIBERAL SUBORDINATED TO GEOSTRATEGIC 12 SALVATION 25 DELIBERATIONS By Péter Krasztev By Sonja Biserko Our Essay BG TO EU, AND HUMAN RIGHTS: NEGATIVE ATTITUDES, NO ACTS 14 THE UNEATEN PAGES 27 By Deyan Kiuranov By Ardian-Christian Kyçyku 2 Editorial EARTH n November 26, an earthquake struck because of the latter sense of love for home or and knowledge.
    [Show full text]
  • BITI IZ VAN Ka Redefinisanju Kulturnog Identiteta Srbije
    BITI IZ VAN Ka redefinisanju kulturnog identiteta Srbije Publikaciju BITI IZ/VAN – Ka redefinisanju kulturnog identiteta Srbije realizuje KULTURKLAMMER – centar za kulturne interakcije uz podršku ERSTE Bank a.d. Novi Sad. TO BE FROM/OUT The publication TO BE FROM/OUT – Towards the Redefinition of the Cultural Identity of Serbia is realised by KULTURKLAMMER – centre for cultural interactions with the support of the ERSTE Bank a.d. Novi Sad. Zahvaljujemo se svim učesnicima Međunarodne letnje akademije (Bez)granični identiteti koji su svojom motivisanošću, znanjem i zalaganjem doprineli ne samo objavljivanju ove publikacije, već i stvaranju osnove i otvaranju javnog prostora za dalje bavljenje ovim HVALA važnim društvenim pitanjem. Posebnu zahvalnost dugujemo ERSTE Bank a.d. Novi Sad na doslednoj podršci realizaciji projekta, bez koje do sada postignuti rezultati ne bi bili mogući. (Bez)granični identiteti – višeznačnost pojma | 3 4 | BITI IZ/VAN Our gratitude goes to all participants of the International Summer Academy (UN)Limited Identities for their motivation, knowledge and endeavours, which contributed not only to the content of this publication but also to creation of the basis and opening of the public space for further dealing with this important societal issue. We owe a special thanks to the ERSTE Bank a.d. Novi Sad for continuous support without which the results that were achieved until now would not be possible. ACKNOWLEDGMENT (Bez)granični identiteti – višeznačnost pojma | 5 8 | Kulturklammer | UVOD J 14 | (Bez)granični identITeti
    [Show full text]
  • Zbornik Radova Filozofskog Fakulteta U Splitu
    UDK ISSN 2459-5128 1/2 39 7/8 902/904 93/94 (05) FILOZOFSKI FAKULTET SVEUČILIŠTA U SPLITU ZBORNIK RADOVA FILOZOFSKOG FAKULTETA U SPLITU JOURNAL OF FACULTY OF HUMANITIES AND SOCIAL SCIENCES IN SPLIT Zb. rad. Filoz. fak. Splitu Broj 12 (2019) Str. 1-168 Split, 2019. ZBORNIK RADOVA FILOZOFSKOG FAKULTETA U SPLITU Izdavač / Publisher Sveučilište u Splitu, Filozofski fakultet / University of Split, Faculty of Humanities and Social Sciences, OdgovornaPoljička cesta urednica 35, 21000 / Chief Split Glavna urednicaGloria Vickov/ Editor-in-Chief UredništvoNikica / MihaljevićEditorial Board Vedran Barbarić, Gordana Galić Kakkonen, Aleksandar Jakir, Tonći Kokić, KatarinaMeđunarodno Lozić Knezović, uredništvo Nikica / International Mihaljević, Brian Editorial Daniel WillemsBoard Jason Blake (Ljubljana, SLO), Robert Bońkowski (Katowice, PL), Irena Prosenc (Ljubljana,Tehnički SLO), Oliver urednik Schmitt / Copy (Wien, Editor A), Frank Zenker (Lund, SE) Tajnik uredništvaTonći Kokić / Secretary Lektura i korektura / VedranLanguage Barbarić Editors and Proofreaders: Lektorica za hrvatski jezik / Croatian Language Editor and Proofreader: Sonja Žarko-Krvavica Lektor za engleski jezik / English Language Editor and Proofreader: Brian Daniel Willems Lektorica za talijanski jezik / Italian LanguageNaklada Editor / Edition and Proofreader: Ingrid Damiani Einwalter Priprema50 primjeraka i tisak / Layout / 50 copies and Print Adresa uredništvaDalmacija / Editorial papir, Split Board Address Zbornika radova Filozofskog fakulteta u Splitu Uredništvo Poljička cesta 35 HR-21000 Split tel: +385 (0) 21 32 92 84 fax: +385 (0) 21 32 92 88 e-adresa: [email protected] http://zbornik.ffst.unist.hr/ Godina postavljanja publikacije na mrežu: 2019. Učestalost osuvremenjivanja: jednom godišnje. Časopis izlazi jednom godišnje, a financira ga Filozofski fakultet u Splitu te se objavljuje prema odluci br.
    [Show full text]
  • Latvijas Sievietes Sabiedriskajā Un Valsts Dzīvē Un Mākslā (1860–1944)
    KORESPONDENCE 2019. gads 73. sējums 4. numurs LATVIJAS SIEVIETES SABIEDRISKAJĀ UN VALSTS DZĪVĒ UN MĀKSLĀ (1860–1944) Ilgars Grosvalds Atslēgas vārdi: Latvijas sievietes, cariskās Krievijas laiks, neatkarīgā Latvija, glezniecība, grafika, tēlniecība, lietišķā māksla Inženierzinātņu doktors Ilgars Grosvalds (1927–2019) bija ķīmiķis, zinātnieks un peda- gogs, strādāja gan būvniecības nozarē, gan bija pasniedzējs un ķīmijas, fizikas un astronomi- jas skolotājs. Neatņemama viņa dzīves sastāvdaļa bija zinātnes popularizēšana, kas balstīta zinātnes vēstures pētījumos. Pēdējos dzīves gados viņš intensīvi vāca un publicēja datus par Latvijas sievietes lomu dažādās jomās — izglītībā, sabiedrībā un valsts dzīvē, mākslā. 2013. gadā izdota neliela Grosvalda publikācija “Latvijas Universitātes sievietes augstākajā izglītībā un zinātnē XX gs. pirmajā pusē” (32 lpp). Šo tēmu autors vēlējās paplašināt pub- likācijās LZA Vēstu A daļas izdevumos. Žurnāla 2014. gada 5./6. numurā līdzautorībā ar Latvijas Ķīmijas vēstures muzeja līdzstrādnieku Ivanu Griņeviču publicēts raksts “Latvijas sievietes ceļā uz augstāko izglītību un zinātni”. Otru rakstu par šo tēmu “Latvijas sievietes izglītībā un zinātnē (1860–1944)” publicējām 2017. gada 2. numurā. Nesen LZA Vēstu A daļas redakcija saņēma vēl divus Ilgara Grosvalda rakstus: “Latvijas sieviete sabiedriskajā un valsts dzīvē (1860–1944)” un “Latvijas sieviete glezniecībā un tēlniecībā (1860–1944)”. Rakstu autora nodoms bija apkopot vienuviet 20. gadsimta sākuma ievērojamāko Latvijas sieviešu dzīvesstāstus un veikumu. Divus pēdējos iesniegtos rakstus Ilgara Grosvalda dzīves laikā nepaguvām izdot, turklāt raksts par Latvijas sievietēm mākslā nebija pabeigts, tomēr, godinot autora piemiņu, esam lēmuši nodot lasītājam šo rakstu apkopojumu.1 Latvijas sieviete sabiedriskajā un praktiskā intelektuālā darbā. Rīgā sāka strā- valsts dzīvē (1860–1944) dāt pirmās divas ārstes: Anna Kizelbaša (dzī- No idejas un nacionālās kustības izauga ves dati nav atrasti), kas diplomu medicīnā latviešu nācija un valsts.
    [Show full text]
  • Traditional Agriculture and Rural Living in Croatia: Compatible with the New Common Agricultural Policy?
    Traditional Agriculture and Rural Living in Croatia: Compatible with the new Common Agricultural Policy? by Katarina Laura Dominkovi A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Anthropology Chapel Hill 2007 Approved by Carole Crumley, Advisor Glenn Hinson, Reader Paul Leslie, Reader Silvia Tomášková, Reader Bruce Winterhalder, Reader UMI Number: 3257567 UMI Microform 3257567 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 © 2007 Katarina Laura Dominkovi ALL RIGHTS RESERVED ii ABSTRACT KATARINA LAURA DOMINKOVI4: Traditional Agriculture and Rural Living in Croatia: Compatible with the new Common Agricultural Policy? (Under the direction of Carole L. Crumley) This research explores the issues of family farming and sustainable practices at two levels. On one level, it compares and contrasts the sustainable farming practices of farming families in Štitar, Croatia with the smallholders as described by the theory of cultural ecology. On another level, it contrasts the European Union’s (EU) Common Agricultural Policy’s (CAP) vision of sustainability to that posited by cultural ecologists and it seeks to understand the reaction of Štitar farmers to the CAP. My research goal is to explore how the social, economic and environmental health and status of the village, which is influenced by local traditional ethics and agricultural practices, fits with the CAP goals of rural preservation and agricultural sustainability.
    [Show full text]