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THE CHARACTERISTICS of USING POSSIBILITIES of DIFFERENT KINDS of REITERATIONS, POETIC ADDRESS and POETIC INQUIRIES in NABATI CREATIVITY Khadija Iskenderli1

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THE CHARACTERISTICS of USING POSSIBILITIES of DIFFERENT KINDS of REITERATIONS, POETIC ADDRESS and POETIC INQUIRIES in NABATI CREATIVITY Khadija Iskenderli1 Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito Centro de Ciências Jurídicas - Universidade Federal da Paraíba V. 9 - Nº 02 - Ano 2020 ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index 573 THE CHARACTERISTICS OF USING POSSIBILITIES OF DIFFERENT KINDS OF REITERATIONS, POETIC ADDRESS AND POETIC INQUIRIES IN NABATI CREATIVITY Khadija Iskenderli1 Abstract: The characteristics of using couplets of phoneme even the whole possibilities of different kinds of poetics piece. Nonetheless Nabati is one reiterations, poetic address and poetic of the poets that used with great inquiries in his creativity were competence of expressive possibilities of investigated, the researches dedicated on literary addresses. The research showed Nabati poetry in the dissertation are that literary recital means are in the made out. This article describes that effect and mutual coherence on the basis tough we come across the concrete of complicated mechanism in the poems dissections in Nabati creativity, the of Nabati and creates the whole poetic poetics of the poet wasn.t investigated in system. There is a serious necessity to the completed form in terms of the main the comprehensive research of this parameters. Neverthelesss poetic system. accomplishing such an investigation world help to identify the parameters Introduction stipulated the distinctiveness of the In an exemplary piece of work poet’s literary heritage. The “Fuzuli creativity” monograph in the investigation showed that voice area of learning the poetics of the reiteration takes an important place in the classics of Azerbaijani literature the reiterations system of Nabati outstanding academic and author Mir diwan(selected poems of a poet) . Poet Jalal wrote: We see the mass case of achieves to exaggerate the aesthetic Fuzuli feeble imitation in poems world affect of literary quote thanks to after XVI century. All of these poets, following each other during the verse, certainly, didn’t understand Fuzuli’s 1 doctor of philosophy on philology, docent, chief scientific officer of Literary Institution named after N.Ganjavi of Azerbaijan National Academy of Sciences. Azerbaijan. Email: [email protected]. ORCID: hhtps//orcid.org/0001-6913-0469 Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito Centro de Ciências Jurídicas - Universidade Federal da Paraíba V. 9 - Nº 02 - Ano 2020 ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index 574 creativity at the same level, and all of other writings of Nabati is completely them weren’t the same level. The new and related to the daily matters and minority part of them describes their his life. Even as a innovator, Nabati original characteristics in their writings especially brought the original in Fuzuli style, spirit and they succeeded. characteristics that had never been used Our outstanding classical poets like before to the ghazal genre. (Nabati, Vagif, Bahar, Zakir, Nabati, Seyid Azim 1968) are the craftsmen who owes special style, It is completely fundamental their own voice, breathe and shows to name Nabati as “innovator” for authenticity in their ghazals. (Mir Jalal, Scientist, and scientific statue confirmed 1994). by the whole spirit and texture of the It is not coincidence to poet’s creativity. Indeed, though he was mention Seyid Abulgasim Nabati the influenced by the representatives like dissimilar person of XIX century of Nasimi and Fuzuli of our native Azerbaijan literature between the poets literature, Saib Tabrizi, Hafiz Shirazi and who have detached poetic style and Jalaladdin Rumi of classical Persian created after genius Fuzuli. The poetry, how much he benefited researchers of the literary heritage of the centuries’ traditions of ashug poem, the poet put forward the ideas that confirms literary heritage of Nasimi is new and this thesis and continues to develop it. unparalleled for his poetics and For example, Abalfaz Huseyni expression style. Although the especially noted this aspect in the traditional impression of characters introduction which he has written it to ‘system at first sight he created within the academic cadaver of Nabati’s the frame of strict laws exactly identified writings. Knowing the Arabic, Persian, of the genre of ashug poem and classical and Turkish into their quickness the poet poetry, the creativity of poet owns has read the classics and felt, loved them detached, specific rhythm and pathos but didn’t not imitate and repeat them. altogether. He got training from masters, but the Although we come across that subject from his environment and time. kind of exact observations and certain The context of ghazal, ode, quatrain and concrete dissections, unfortunately it Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito Centro de Ciências Jurídicas - Universidade Federal da Paraíba V. 9 - Nº 02 - Ano 2020 ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index 575 should be noted that the poetry of poet organically combining and approaching wasn’t investigated in completed form in of oral folklore and classical terms of the main parameters, whereas literature”.(Gorkhmaz Hazioghlu, 2006). implementation of such kind of research That process was accompanied with should allow identifying the factors “dynamic progress of normative- which stipulating the originality of his individual, prevailing gradually literary heritage of the poet. This is standardization of individuality something to consider separately that all “(Gorkhmaz Hazioghlu, 2006). In the elements of poetics system, small situation of continuing the traditional elements seeming insignificantly at first genres, the individuality of author is sight take part at the requiring stylistic trying to express itself not in the petrified dissimilarity and originality. components of poetic system but in the Emphasizing it is not unreasonable. So, weak elements resistance and he as usual in the investigations relating to succeeded in it. These characteristics are poetics of our classic poets, the main accompanied with all its brilliancy in attention was given to poetic figures, Nabati poetry and our goal is to explain means of poetic expressions and the main manifestation of it. metaphors, the second place is set off for rhythm and harmony matters playing the Research Methods main role in the formation of individual The characteristics of using style, or they have been forgotten possibilities of different kinds of completely. This attitude for medieval reiterations, poetic address and poetic century literature directed to the creation inquiries in the research were of new variants of traditional motive investigated, and used from analytical performing as invariant of creative dissection and dissection methods, initiative is probably acceptable. But dissection of activity products in this Nabati is a representative of new era base. Standing on the basis of Modern literature and a participant of “the literary criticism it is referred to the formation process of new literature general theoretical ideas, thesis in the differing from both the oral literature, research. and written literature in quality, Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito Centro de Ciências Jurídicas - Universidade Federal da Paraíba V. 9 - Nº 02 - Ano 2020 ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index 576 Development literary spheres, but great masses and of In Nabati creativity along with addressing continuously to the writing of the several aspects, different kinds of poet by folk musicians (ashug) and reiteration are not only the main khanandas. characteristics of poetic system, but are Let’s interpret the reiterations at the level of the dominance of literary in Nizami diwan on the basis of style of the poet. [ Kiseleva L.F., 1982] . repeating of grammatical form and We can say certainly that we couldn’t constructions, words and voices. come across the second master who uses Voice reiteration takes a great the semantic and rhythmic possibilities role in reiterations system of Nizami’s of reiterations like him between the diwan. The poet succeeds in increasing modernists, predecessors and followers the aesthetic effectiveness of literary of the poet. By the way, let’s say that quote with the help of following each literary reiteration (especially voice other during the whole poetics piece and retraction, alliteration) was one of the couple, verse, phonemes (firstly main characteristics of ancient Turkish consonant sights). In this meaning it poetry.[Steblevva I.V. 1965]. couldn’t be looked only as a”tinsel” of The same aspect is observed in the reiterations of phonemes in the the epopee of “Kitabi-Dada- poetics text. Voice reiteration is in an Gorgud”(Kamil Valiyev, 1981) . And organic relationship with the semantics this allows saying that giving the main of the poem and stimulates the creation role to the reiterations of poetic forming of different associations in the brain of of the text (it shouldn’t be doubt that this the reader, thus, it allows aesthetic aspect is the result of conscious activity enjoying maximally from the literary of the poet), Nabati has continued and word. In other word, phonological developed both the national literary formation of the text makes directly traditions , and tried to benefit from the sense”[Lotman Y.M., 1996] Let’s see semantic-stylistic possibilities of native the examples from Nabati’s diwan. language in the maximum way. It is one poem Eşq odun doğru imiş, the main reasons of being reputational, gizləmək olmaz, billah popularity between not only in the Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito Centro de Ciências Jurídicas - Universidade Federal da Paraíba V. 9 - Nº 02 - Ano 2020 ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index 577 Alışıb öz-özünə, düşdü fire has fallen down”, although the basic sözüm dastanə [Nəbati, connection of “fall down” verb is related 1968]. Yaxud: to “epopee”.(fall into the epopee) Alışı şəm kimi, odlaşı In the second example “sh” pərvanə kimi Can verər yarə, Nəbati kimi, sound which was used 3 times serves to biar olmaz [Nəbati, 1968].
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