Evaluation of the Orientation of 90° and 180° Reinforcing Bar Hooks In

Total Page:16

File Type:pdf, Size:1020Kb

Evaluation of the Orientation of 90° and 180° Reinforcing Bar Hooks In Research Note RN-2009-2 Evaluation of the Orientation of 90° and 180° Reinforcing Bar Hooks in Wide Members Introduction Longitudinal reinforcing steel bars in flexural members are often developed at discontinuous ends with a 90° or 180° standard hook. These hooks are usually oriented in the vertical direc- tion, which generally corresponds with being perpendicular (or normal) to the member’s major axis. Because standard hook sizes can be quite large, especially for large diameter bars, detailing of hooked bars can be critical. In some instances, such as the case of a shallow member that is Figure 1 ‒ Example of tilted reinforcing bar hooks heavily reinforced, the standard hook height in ac- shown at the edge of a cantilever balcony slab cordance with the ACI 318-11 Code (2011), plus the required concrete cover above and below the search Note bar, may exceed the member depth. In this case, one solution used in practice to satisfy the cover requirements and maintain the hook length is to rotate the bar along its longitudinal axis, such that the hook is no longer vertical. Hook tilting is illus- trated in Figures 1 and 2. Re This Research Note describes results of a study initiated as part of the CRSI Graduate Re- search Fellowship Program to evaluate the influ- ence of hook angle tilt on hook performance and behavior. The research also examined the poten- tial limitations of hook tilt in a concrete member, depicted in Figure 3. Figure 2 ‒ Recommended bar details for solid slabs (CRSI 2008) Background Hook Behavior Forces are transferred between 90° or 180° hooked bars in tension and the surrounding con- crete through bond along the bar surface and bearing of the bar on the enclosed concrete. Ninety-degree (90°) hooked bars tend to straight- en under tension, resulting in bearing against the concrete in the inner radius of the hook, and compressive stresses on the hook tail as it bears against the surrounding concrete. Figure 3 ‒ Schematic of a hooked bar in concrete Failure of both hook types can result from slab crushing of concrete within the bend of the bar, which may cause cracks to propagate to a nearby side Provisions for development of standard hooks in ten- face of the member. Splitting failure, originating within sion are provided in ACI 318-11, Section 12.5. The ten- the bar bend due to high stress concentrations, can also sion development length of deformed bars with standard occur within the plane of the hook. Cracking of the con- hooks ℓdh (determined in accordance with the Code) is crete behind the hook tail is possible, as well. a function of the reinforcing bar diameter, yield strength, presence of epoxy coating, concrete type, and speci- Code Requirements fied compressive strength of concrete. The development Hooks can be provided to develop reinforcing bars length can be reduced by various modification factors, in tension in locations where there is limited length to which account for the effects of excess reinforcement, develop a straight reinforcing bar. Standard hook dimen- confinement from stirrups or ties, and/or adequate con- sions including the minimum finished inside bend diame- crete cover. The parameters and factors that influence ter “D” and extension length “A” are given in ACI 318-11, the development length account for the magnitude of the Sections 7.1 and 7.2.1, and CRSI’s Design Handbook compressive stresses or the resistance to splitting. (2008), as shown in Figure 4. Summary of Study Scope and Objective The objective of this study was to evaluate the limits of reinforcing steel hook tilt from vertical to ensure ulti- mate performance of the member is not compromised. This was achieved experimentally by comparing the load-slip responses of modified beam-end specimens with different hooked bar orientations and configura- tions. Concrete reinforcement in this study included de- formed reinforcing steel bars with standard hooks em- bedded in normal weight concrete. The test variables included hook tilt angle, hook bend type, reinforcing bar size, and group-effect. Four hook tilt angles were evalu- ated: 0° (horizontal), 22.5°, 45°, and 90° (vertical). Both 90° and 180° standard hooked reinforcing bars were in- vestigated. #5 and #8 bars were examined in this study since they are commonly used in practice. The effect of multiple bars was also examined to evaluate the effects of interaction of adjacent bars, as shown in Figure 1. Ad- ditionally, bar spacing and position were evaluated. The test specimen matrix is shown in Table 1. Experimental Program Test Specimens Modified beam-end specimens used in this study were modeled after previous tests reported in the literature (Minor 1971, Jirsa and Marques 1972, Minor and Jirsa 1975, Ehsani, et al. 1995) and in ASTM A944-10 (2010). The specimen was elongated so the reinforcing hook ex- tended beyond the reaction plates and the compression strut developing between the reactions. A PVC pipe bond breaker was provided along the straight portion of the bar to isolate the performance of the hooked portion of the bar. Test specimen dimensions are summarized in Table 1. The specimen height was a function of the concrete above the hook extension (3 in.), the diameter (db), the length of the hook tail extension (12db), and the concrete cover (3db) of the test bar. The length of the specimen was the height plus the distance beyond the reaction plate. The distance beyond the reaction plate was the Figure 4 ‒ Hooked bar details for development of standard sum of 4 in., the diameter of the test bar, and 3 in. to ac- hooks (CRSI 2008) count for the cover of the tail extension of the bar. The width of the test specimens varied to accommodate the 2 Evaluation of the Orientation of 90° and 180° Reinforcing Bar Hooks in Wide Members [RN 2009-02] Table 1 ‒ Test Specimen Matrix Hook Angle of Standard Specimen1 Bar Size Tilt from Length (in) Width (in) Height (in) Hook Bend (°) Horizontal (°) BE-5-180-0 #5 180 0 17 1/2 17 3/8 9 7/8 BE-5-180-22.5 #5 180 22.5 17 1/2 16 5/8 9 7/8 BE-5-180-45 #5 180 45 17 1/2 14 1/2 9 7/8 BE-5-180-90 #5 180 90 17 1/2 8 5/8 9 7/8 BE-5-90-0 #5 90 0 22 1/2 27 3/8 14 7/8 BE-5-90-22.5 #5 90 22.5 22 1/2 25 7/8 14 7/8 BE-5-90-45 #5 90 45 22 1/2 21 1/2 14 7/8 BE-5-90-90 #5 90 90 22 1/2 8 5/8 14 7/8 BE-8-90-0 #8 90 0 30 39 22 BE-8-90-22.5 #8 90 22.5 30 36 5/8 22 (a) side view BE-8-90-45 #8 90 45 30 29 5/8 22 BE-8-90-90 #8 90 90 30 9 22 BE-5-90-0-G2A2 3-#5 90 0 22 1/2 67 3/8 14 7/8 BE-5-90-0-GA2 3-#5 90 0 22 1/2 47 3/8 14 7/8 BE-5-90-0-G0.5A2 3-#5 90 0 22 1/2 37 3/8 14 7/8 BE-5-90-22.5-G2A 3-#5 90 22.5 22 1/2 62 3/4 14 7/8 BE-5-90-22.5-GA 3-#5 90 22.5 22 1/2 44 3/8 14 7/8 BE-5-90-22.5-G0.5A 3-#5 90 22.5 22 1/2 35 1/8 14 7/8 BE-8-90-0-G2A2 3-#8 90 0 30 103 22 BE-8-90-0-GA2 3-#8 90 0 30 71 22 BE-8-90-0-G0.5A2 3-#8 90 0 30 55 22 BE-8-90-22.5-G2A 3-#8 90 22.5 30 95 3/4 22 BE-8-90-22.5-GA 3-#8 90 22.5 30 66 1/8 22 BE-8-90-22.5-G0.5A 3-#8 90 22.5 30 51 3/8 22 (b) end view Notes: Figure 5 ‒ Single bar specimens (90° hook 1. The following notation system is used to identify the variables of each specimen. The first term indicates the type of test: BE (Modified beam-end test).The sec- bar shown) ond term indicates the bar size: #5 or #8 standard. The third term is hook bend type: 90° or 180°. The fourth term is the angle of tilt from horizontal: 0°, 22.5°, 45° or 90°. Term G in the fifth term denotes specimens with multiple bars, and bar spacing is denoted as a multiple of bar extension length “A” defined in Figure 4. 2. Angle of tilt from horizontal is nominal. Actual angle is slightly larger than zero due to bar placement. tilt arc of the hooks on the bar ends. The cover distance on the side of the reinforcing steel hook was 4 in., based on ASTM A944-10. Specimens were constructed with the reinforc- ing bar(s) on the bottom surface to mitigate the “top Figure 6 ‒ Multiple bar specimens – end view bar” effect; they were then later inverted for testing. Single bar specimens with 180° and 90° hooks are shown in Figure 5, and multiple bar specimens are shown in Figure 6. In the figures, ϴ is the angle of tilt Test Procedure from horizontal. The test setups for the single bar and multiple bar specimens are shown in Figures 7 and 8, respectively.
Recommended publications
  • Ffontiau Cymraeg
    This publication is available in other languages and formats on request. Mae'r cyhoeddiad hwn ar gael mewn ieithoedd a fformatau eraill ar gais. [email protected] www.caerphilly.gov.uk/equalities How to type Accented Characters This guidance document has been produced to provide practical help when typing letters or circulars, or when designing posters or flyers so that getting accents on various letters when typing is made easier. The guide should be used alongside the Council’s Guidance on Equalities in Designing and Printing. Please note this is for PCs only and will not work on Macs. Firstly, on your keyboard make sure the Num Lock is switched on, or the codes shown in this document won’t work (this button is found above the numeric keypad on the right of your keyboard). By pressing the ALT key (to the left of the space bar), holding it down and then entering a certain sequence of numbers on the numeric keypad, it's very easy to get almost any accented character you want. For example, to get the letter “ô”, press and hold the ALT key, type in the code 0 2 4 4, then release the ALT key. The number sequences shown from page 3 onwards work in most fonts in order to get an accent over “a, e, i, o, u”, the vowels in the English alphabet. In other languages, for example in French, the letter "c" can be accented and in Spanish, "n" can be accented too. Many other languages have accents on consonants as well as vowels.
    [Show full text]
  • Combining Diacritical Marks Range: 0300–036F the Unicode Standard
    Combining Diacritical Marks Range: 0300–036F The Unicode Standard, Version 4.0 This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 4.0. Characters in this chart that are new for The Unicode Standard, Version 4.0 are shown in conjunction with any existing characters. For ease of reference, the new characters have been highlighted in the chart grid and in the names list. This file will not be updated with errata, or when additional characters are assigned to the Unicode Standard. See http://www.unicode.org/charts for access to a complete list of the latest character charts. Disclaimer These charts are provided as the on-line reference to the character contents of the Unicode Standard, Version 4.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this excerpt file, please consult the appropriate sections of The Unicode Standard, Version 4.0 (ISBN 0-321-18578-1), as well as Unicode Standard Annexes #9, #11, #14, #15, #24 and #29, the other Unicode Technical Reports and the Unicode Character Database, which are available on-line. See http://www.unicode.org/Public/UNIDATA/UCD.html and http://www.unicode.org/unicode/reports A thorough understanding of the information contained in these additional sources is required for a successful implementation. Fonts The shapes of the reference glyphs used in these code charts are not prescriptive. Considerable variation is to be expected in actual fonts.
    [Show full text]
  • Diacritics-ELL.Pdf
    Diacritics J.C. Wells, University College London Dkadvkxkdw avf ekwxkrhykwjkrh qavow axxadjfe xs pfxxfvw sg xjf aptjacfx, gsv f|aqtpf xjf adyxf addfrx sr xjf ‘ kr dag‘. M swx parhyahf svxjshvatjkfw cawfe sr xjf Laxkr aptjacfx qaof wsqf ywf sg ekadvkxkdw, aw kreffe es xjswf cawfe sr sxjfv aptjacfxw are {vkxkrh w}wxfqw. Tjf gsdyw sg xjkw avxkdpf kw sr xjf vspf sg ekadvkxkdw kr xjf svxjshvatj} sg parhyahfw {vkxxfr {kxj xjf Laxkr aptjacfx. Ireffe, xjf svkhkr sg wsqf pfxxfvw xjax avf rs{ a wxareave tavx sg xjf aptjacfx pkfw kr xjf ywf sg ekadvkxkdw. Tjf pfxxfv G {aw krzfrxfe kr Rsqar xkqfw aw a zavkarx sg C, ekwxkrhykwjfe c} xjf dvswwcav sr xjf ytwxvsof. Tjf pfxxfv J {aw rsx ekwxkrhykwjfe gvsq I, rsv U gvsq V, yrxkp xjf 16xj dfrxyv} (Saqtwsr 1985: 110). Tjf rf{ pfxxfv 1 kw sczksywp} a zavkarx sr r are ws dsype cf wffr aw krdsvtsvaxkrh a ekadvkxkd xakp. Dkadvkxkdw tvstfv, xjsyhj, avf wffr aw qavow axxadjfe xs a cawf pfxxfv. Ir xjkw wfrwf, m y 1 es rsx krzspzf ekadvkxkdw. Tjf f|xfrwkzf ywf sg ekadvkxkdw xs wyttpfqfrx xjf Laxkr aptjacfx kr dawfw {jfvf kx {aw wffr aw kraefuyaxf gsv xjf wsyrew sg sxjfv parhyahfw kw hfrfvapp} axxvkcyxfe xs xjf vfpkhksyw vfgsvqfv Jar Hyw (1369-1415), {js efzkwfe a vfgsvqfe svxjshvatj} gsv C~fdj krdsvtsvaxkrh 9addfrxfe: pfxxfvw wydj aw ˛ ¹ = > ?. M swx ekadvkxkdw avf tpadfe acszf xjf cawf pfxxfv {kxj {jkdj xjf} avf awwsdkaxfe. A gf{, js{fzfv, avf tpadfe cfps{ kx (aw “) sv xjvsyhj kx (aw B). 1 Laxkr pfxxfvw dsqf kr ps{fv-dawf are yttfv-dawf zfvwksrw.
    [Show full text]
  • Unicode Alphabets for L ATEX
    Unicode Alphabets for LATEX Specimen Mikkel Eide Eriksen March 11, 2020 2 Contents MUFI 5 SIL 21 TITUS 29 UNZ 117 3 4 CONTENTS MUFI Using the font PalemonasMUFI(0) from http://mufi.info/. Code MUFI Point Glyph Entity Name Unicode Name E262 � OEligogon LATIN CAPITAL LIGATURE OE WITH OGONEK E268 � Pdblac LATIN CAPITAL LETTER P WITH DOUBLE ACUTE E34E � Vvertline LATIN CAPITAL LETTER V WITH VERTICAL LINE ABOVE E662 � oeligogon LATIN SMALL LIGATURE OE WITH OGONEK E668 � pdblac LATIN SMALL LETTER P WITH DOUBLE ACUTE E74F � vvertline LATIN SMALL LETTER V WITH VERTICAL LINE ABOVE E8A1 � idblstrok LATIN SMALL LETTER I WITH TWO STROKES E8A2 � jdblstrok LATIN SMALL LETTER J WITH TWO STROKES E8A3 � autem LATIN ABBREVIATION SIGN AUTEM E8BB � vslashura LATIN SMALL LETTER V WITH SHORT SLASH ABOVE RIGHT E8BC � vslashuradbl LATIN SMALL LETTER V WITH TWO SHORT SLASHES ABOVE RIGHT E8C1 � thornrarmlig LATIN SMALL LETTER THORN LIGATED WITH ARM OF LATIN SMALL LETTER R E8C2 � Hrarmlig LATIN CAPITAL LETTER H LIGATED WITH ARM OF LATIN SMALL LETTER R E8C3 � hrarmlig LATIN SMALL LETTER H LIGATED WITH ARM OF LATIN SMALL LETTER R E8C5 � krarmlig LATIN SMALL LETTER K LIGATED WITH ARM OF LATIN SMALL LETTER R E8C6 UU UUlig LATIN CAPITAL LIGATURE UU E8C7 uu uulig LATIN SMALL LIGATURE UU E8C8 UE UElig LATIN CAPITAL LIGATURE UE E8C9 ue uelig LATIN SMALL LIGATURE UE E8CE � xslashlradbl LATIN SMALL LETTER X WITH TWO SHORT SLASHES BELOW RIGHT E8D1 æ̊ aeligring LATIN SMALL LETTER AE WITH RING ABOVE E8D3 ǽ̨ aeligogonacute LATIN SMALL LETTER AE WITH OGONEK AND ACUTE 5 6 CONTENTS
    [Show full text]
  • 1 Symbols (2286)
    1 Symbols (2286) USV Symbol Macro(s) Description 0009 \textHT <control> 000A \textLF <control> 000D \textCR <control> 0022 ” \textquotedbl QUOTATION MARK 0023 # \texthash NUMBER SIGN \textnumbersign 0024 $ \textdollar DOLLAR SIGN 0025 % \textpercent PERCENT SIGN 0026 & \textampersand AMPERSAND 0027 ’ \textquotesingle APOSTROPHE 0028 ( \textparenleft LEFT PARENTHESIS 0029 ) \textparenright RIGHT PARENTHESIS 002A * \textasteriskcentered ASTERISK 002B + \textMVPlus PLUS SIGN 002C , \textMVComma COMMA 002D - \textMVMinus HYPHEN-MINUS 002E . \textMVPeriod FULL STOP 002F / \textMVDivision SOLIDUS 0030 0 \textMVZero DIGIT ZERO 0031 1 \textMVOne DIGIT ONE 0032 2 \textMVTwo DIGIT TWO 0033 3 \textMVThree DIGIT THREE 0034 4 \textMVFour DIGIT FOUR 0035 5 \textMVFive DIGIT FIVE 0036 6 \textMVSix DIGIT SIX 0037 7 \textMVSeven DIGIT SEVEN 0038 8 \textMVEight DIGIT EIGHT 0039 9 \textMVNine DIGIT NINE 003C < \textless LESS-THAN SIGN 003D = \textequals EQUALS SIGN 003E > \textgreater GREATER-THAN SIGN 0040 @ \textMVAt COMMERCIAL AT 005C \ \textbackslash REVERSE SOLIDUS 005E ^ \textasciicircum CIRCUMFLEX ACCENT 005F _ \textunderscore LOW LINE 0060 ‘ \textasciigrave GRAVE ACCENT 0067 g \textg LATIN SMALL LETTER G 007B { \textbraceleft LEFT CURLY BRACKET 007C | \textbar VERTICAL LINE 007D } \textbraceright RIGHT CURLY BRACKET 007E ~ \textasciitilde TILDE 00A0 \nobreakspace NO-BREAK SPACE 00A1 ¡ \textexclamdown INVERTED EXCLAMATION MARK 00A2 ¢ \textcent CENT SIGN 00A3 £ \textsterling POUND SIGN 00A4 ¤ \textcurrency CURRENCY SIGN 00A5 ¥ \textyen YEN SIGN 00A6
    [Show full text]
  • Design and Positioning of Diacritical Marks in Latin Typefaces Authors
    Turčić et al.: Design and Positioning of Diacritical..., acta graphica 22(2010)3-4, 5-15 udc 655.244 original scientific paper received: 07-12-2010 acta graphica 185 accepted: 23-02-2011 Design and Positioning of Diacritical Marks in Latin Typefaces Authors Maja Turčić1*, Antun Koren2, Vesna Uglješić1, Ivan Rajković1 1Polytechnic of Zagreb 2Faculty of Graphic Arts, Croatia University of Zagreb, Croatia *E-mail: [email protected] Abstract: This paper presents relevant information concerning the types, shape and posi- tioning of diacritical marks in Latin typefaces. The aim is to increase the aware- ness of the importance of diacritics, their design and use. The design of the low- ercase dcroat letter presents a particular problem, because it is present only in the Croatian and Vietnamese script and is therefore often incorrectly designed or it is missing the respective font. Data on the most common methods of shaping and positioning of this diacritical sign was collected by measuring the geometry of the dcroat letter in various fonts. Most common designers’ mistakes were shown and evaluated. Suggestions for the design of diacritical marks are proposed taking into account asymmetry, width, uppercase, vertical and horizontal positioning and cul- tural preferences. Keywords: Diacritical Mark, Typography, Character Design 1. Introduction characters in a particular language. Diacritics are signs that change the meaning or the pro- Despite a large number of fonts, available nunciation of certain letters, and without them, technology (both software and hardware), and correct grammar and written communication technical capabilities in the form of coding come into question. systems, there are many fonts that lack certain characters, thus disturbing proper written com- When designing diacritics one should be munication of non-Western Latin script users.
    [Show full text]
  • The Brill Typeface User Guide & Complete List of Characters
    The Brill Typeface User Guide & Complete List of Characters Version 2.06, October 31, 2014 Pim Rietbroek Preamble Few typefaces – if any – allow the user to access every Latin character, every IPA character, every diacritic, and to have these combine in a typographically satisfactory manner, in a range of styles (roman, italic, and more); even fewer add full support for Greek, both modern and ancient, with specialised characters that papyrologists and epigraphers need; not to mention coverage of the Slavic languages in the Cyrillic range. The Brill typeface aims to do just that, and to be a tool for all scholars in the humanities; for Brill’s authors and editors; for Brill’s staff and service providers; and finally, for anyone in need of this tool, as long as it is not used for any commercial gain.* There are several fonts in different styles, each of which has the same set of characters as all the others. The Unicode Standard is rigorously adhered to: there is no dependence on the Private Use Area (PUA), as it happens frequently in other fonts with regard to characters carrying rare diacritics or combinations of diacritics. Instead, all alphabetic characters can carry any diacritic or combination of diacritics, even stacked, with automatic correct positioning. This is made possible by the inclusion of all of Unicode’s combining characters and by the application of extensive OpenType Glyph Positioning programming. Credits The Brill fonts are an original design by John Hudson of Tiro Typeworks. Alice Savoie contributed to Brill bold and bold italic. The black-letter (‘Fraktur’) range of characters was made by Karsten Lücke.
    [Show full text]
  • Comments on Cedilla and Comma Below (Revision 2)
    Comments on cedilla and comma below (revision 2) Denis Moyogo Jacquerye <[email protected]> 2013-07-30 1. Summary The document provides comments on the recent discussion about cedilla and comma below and the proposal to add characters with invariant cedilla. With the evidence found, our conclusion is that the cedilla can have several forms, including that of the comma below or similar shapes. Adding characters with invariant cedilla would only increase the confusion and could lead to instable data as is the case with Romanian. The right solution to this problem is the same as for other preferred glyph variation: custom fonts or multilingual smart fonts, better application support for language tagging and font technologies. 2. Discussion In the Unicode Standard the cedilla and comma below are two different combining diacritical marks both inherited from previous character encodings. This distinction between those marks has not always been made, like in ISO 8859-2, or before computer encodings where they were used interchangibly based on the font style. The combining cedilla character is de facto a cedilla that can take several shapes or forms, and the combining comma below is a non contrastive character only representing a glyph variant of that cedilla as historically evidence shows. Following discussion about the Marshallese forms used in LDS publications on the mpeg-OT-spec mailing list, Eric Muller’s document (L2/13-037) raises the question of the differentiation between the cedilla and the comma below as characters in precomposed Latvian characters with the example of Marshallese that uses these but with a different preferred form.
    [Show full text]
  • Proofreading, Revising, and Editing Skills : Success in 20 Minutes a Day / Brady Smith.—1St Ed
    PROOFREADING, REVISING, & EDITING SKILLS SUCCESS IN 20 MINUTES A DAY PROOFREADING, REVISING, & EDITING SKILLS SUCCESS IN 20 MINUTES ADAY Brady Smith ® NEW YORK Copyright © 2003 LearningExpress, LLC. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by LearningExpress, LLC, New York. Library of Congress Cataloging-in-Publication Data: Smith, Brady. Proofreading, revising, and editing skills : success in 20 minutes a day / Brady Smith.—1st ed. p. cm. ISBN 1-57685-466-3 1. Report writing—Handbooks, manuals, etc. 2. Proofreading—Handbooks, manuals, etc. 3. Editing—Handbooks, manuals, etc. I. Title. LB1047.3.S55 2003 808'.02—dc21 2002013959 Printed in the United States of America 987654321 First Edition ISBN 1-57685-466-3 For more information or to place an order, contact LearningExpress at: 55 Broadway 8th Floor New York, NY 10006 Or visit us at: www.learnatest.com About the Author Brady Smith teaches English at Adlai E. Stevenson High School in the Bronx, New York. His work has been pre- viously published in textbooks, and this is his first complete book. He would like to dedicate this book to Julie, Gillian, and Isabel, with love. Contents INTRODUCTION How to Use This Book ix PRETEST 1 LESSON 1 Understanding the Writing Process 13 LESSON 2 Writing Sentences 21 LESSON 3 Avoiding Awkward Sentences 33 LESSON 4 Creating Sentence Variety 41 LESSON 5 Shaping Paragraphs 49 LESSON 6 Using Transitions 57 LESSON 7 Establishing a Writing Style 63 LESSON 8 Turning Passive Verbs into Active
    [Show full text]
  • Deprecation Inconsistencies in Code Chart Annotations Deprecation Inconsistencies in Code Chart Annotations
    Deprecation Inconsistencies in Code Chart Annotations Deprecation Inconsistencies in Code Chart Annotations Author: Charlotte Buff Mail: [email protected] Submitted: 2018‐09‐16 1. Background As of Unicode 11.0, there are fifteen characters that have the Deprecated property, indicating that said characters should be avoided at all costs because their basic concept is fundamentally flawed and/or there exist other characters or character sequences that fulfil their intended purpose much better. Reading the code charts, however, one could be forgiven for thinking that the set of deprecated characters is substantially larger. Several characters are annotated as not being recommended for any usage without actually having been formally deprecated, which strikes me as a bit of a logical paradox. I suggest the UTC review the discrepant cases and clarify the situation: • If the character in question truly should not be used, it ought to be assigned the Deprecated property accordingly. • If the character in question still has valid use cases, its annotations should be refined to clearly state when it is appropriate to use the character and when it should be avoided. I see no value in this current “two‐tier” deprecation system wherein a character can be discouraged but not really discouraged, which only leads to confusion about whether it is actually okay to use a certain codepoint or not. 2. List of Characters with Inconsistent Annotations I identified the following 18 characters that are strongly implied to be deprecated in the code charts, but actually aren’t in the UCD. The current, official annotations are provided in italics.
    [Show full text]
  • Guide to Entering Unicode Characters and Combining Diacritics in Aleph
    Guide to Aleph Floating Keyboard and Direct Entry of Unicode values into Aleph November 15, 2010 Guide to entering Unicode characters and combining diacritics in Aleph This document describes how to enter Unicode characters in Aleph, including: precomposed characters (letter and diacritic together as a single Unicode character), special characters, and combining diacritics (used to modify a separate letter when a precomposed character is not available). Please note : Always use a precomposed character if available; if a precomposed character is not available, enter a combining diacritic following the letter it modifies. Characters may be entered via the Aleph floating keyboard or via direct entry of the appropriate Unicode value. 1. Aleph Floating Keyboard • The floating keyboard is divided into tabs, with letters arranged in alphabetical order. There is also a tab for special characters, and a tab for combining diacritics. Combining diacritics are used only where there is no Unicode value for a precomposed character (letter with diacritic). • Call up the floating keyboard by choosing Activate Keyboard from the Options Menu in the Cataloging module, or selecting the keyboard icon on the upper right of the screen. • Place the cursor in the appropriate place in an Aleph record. • Select the appropriate character from the floating keyboard. 2. Unicode Mode (Direct Entry) • Place the cursor in the appropriate place in an Aleph record. • Hit F11 to activate Unicode Mode. • Type the 4-character Unicode value for the selected character or combining diacritic (character is automatically pasted into record). • Hit F11 to exit Unicode Mode. Unicode characters may also be assigned to keyboard equivalents through the Hotkey function in the MacroExpress software.
    [Show full text]
  • Unicode Request for Additional Phonetic Click Letters Characters Suggested Annotations
    Unicode request for additional phonetic click letters Kirk Miller, [email protected] Bonny Sands, [email protected] 2020 July 10 This request is for phonetic symbols used for click consonants, primarily for Khoisan and Bantu languages. For the two symbols ⟨⟩ and ⟨ ⟩, which fit the pre- and post-Kiel IPA and see relatively frequent use, code points in the Basic Plane are requested. Per the recommendation of the Script Ad Hoc Committee, two other symbols, ⟨‼⟩ and ⟨⦀⟩, may be best handled by adding annotations to existing punctuation and mathematical characters. The remainder of the symbols being proposed are less common and may be best placed in the supplemental plane. Three precomposed characters, old IPA ʇ ʖ ʗ with a swash (⟨⟩, ⟨⟩, ⟨⟩), are covered in a separate proposal. Characters U+A7F0 LATIN SMALL LETTER ESH WITH DOUBLE BAR. Figures 1–9. U+A7F1 LATIN LETTER RETROFLEX CLICK WITH RETROFLEX HOOK. Figures 16–19. U+10780 LATIN SMALL LETTER TURNED T WITH CURL. Figures 8–13. U+10781 LATIN LETTER INVERTED GLOTTAL STOP WITH CURL. Figures 8, 9, 11, 12, 15. U+10782 LATIN SMALL LETTER ESH WITH DOUBLE BAR AND CURL. Figures 8-10. U+10783 LATIN LETTER STRETCHED C WITH CURL. Figures 8, 9, 12, 14. U+10784 LATIN LETTER SMALL CAPITAL TURNED K. Figure 20. Suggested annotations U+A7F0 LATIN SMALL LETTER ESH WITH DOUBLE BAR ⟨⟩ resembles U+2A0E INTEGRAL WITH DOUBLE STROKE ⟨⨎⟩, though the glyph design is different. (The Script Ad Hoc Committee recommends not unifying them.) U+203C DOUBLE EXCLAMATION MARK ⟨‼⟩ may be used as a phonetic symbol, equivalent to a doubled U+1C3 LATIN LETTER RETROFLEX CLICK ⟨ǃ⟩.
    [Show full text]