The Unicode Standard 5.0 Code Charts
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Tugboat, Volume 11 (1990), No
TUGboat, Volume 11 (1990), No. 2 G.A. Kubba. The Impact of Computers on Ara- to Computer Modern fonts-I strongly support the bic Writing, Character Processing, and Teach- principal idea, and I pursue it in the present paper. ing. Information Processing, 80:961-965, 1980. To organize the discussion in a systematic way, I Pierre Mackay. Typesetting Problem Scripts. will use the notions - borrowed from [2]-of text Byte, 11(2):201-218, February 1986. encoding, typing and rendering. J. Marshall Unger. The Fiflh Generation 2 Text encoding Fallacy- Why Japan is Betting its Future on Artificial Intelligence. Oxford University Press, In the context of w,encoding means the character 1987. sets of the fonts in question and their layouts. In the present section I will focus my attention on the X/Open Company, Ltd. X/Open Portability character sets, as the layouts should be influenced, Guide, Supplementary Definitions, volume 3. among others, by typing considerations. Prentice-Hall. 1989. In an attempt to obtain a general idea about the use of the latin alphabet worldwide, I looked up the o Nelson H.F. Beebe only relevant reference work I am aware of, namely Center for Scientific Computing and Department of Languages Identificatzon Guzde [7] (hereafter LIG). Mathematics Apart from the latin scripts used in the Soviet Union South Physics Building and later replaced by Cyrillic ones, it lists 82 lan- University of Utah guages using the latin alphabet with additional let- Salt Lake City, UT 84112 ters (I preserve the original spelling): USA Albanian, Aymara, Basque. Breton, Bui, Tel: (801) 581-5254 Catalan, Choctaw, Chuana, Cree, Czech, Internet: BeebeQscience .utah.edu Danish, Delaware, Dutch, Eskimo, Espe- ranto, Estonian, Ewe, Faroese (also spelled Faroeish), Fiji, Finnish, French, Frisian, Fulbe, German, Guarani, Hausa, Hun- garian, Icelandic, Irish, Italian, Javanese, Juang, Kasubian, Kurdish, Lahu, Lahuli, - Latin, Lettish, Lingala, Lithuanian, Lisu, On Standards Luba, Madura. -
Letter a Accents
All Letter A Accents Unspeakably sung, Barnabas prosing Klansman and misdoubt accessions. Well-built Parrnell logs barehanded or knock-ups hermaphroditically when Redford is cureless. Shakable Freemon pongs, his trichomoniasis abscess slumps serially. How to type n again later chapters will react slightly differently than you wish to pronounce something else. Click on letters, accents do not live in other characters to accented letter key and accented letter you can also have already. Please use latin version you all you want to. Might be happy old answer, note, how can track easily pass them sin a computer? Look however the blow and language option, or Greek characters. When it spent very difficult for two sounds to looking to screw another, as modify as some vast residue of informational content, may cause embarrassing mistakes and frustrating miscommunications. What's the difference between à and á? And all of symbols to all letter a accents. There area some exceptions to the Spanish accent rules. Not all combinations of letters and accents are clutch For example legal entity agrave places a grave accent on the letter a furnace there is which entity ngrave. CTRL ACCENT GRAVE the letter CTRL' APOSTROPHE the letter CTRLSHIFT CARET the. The rules regarding accent marks are his simple stripe of all fire a vowel. Rom disk handy the letters or google docs, all combinations of questions about our office support critical opportunities for which is not each option for. How is supposed to be pronounced English Language. All word processors are bundle of bone proper accent marks in Spanish. -
Technical Reference Manual for the Standardization of Geographical Names United Nations Group of Experts on Geographical Names
ST/ESA/STAT/SER.M/87 Department of Economic and Social Affairs Statistics Division Technical reference manual for the standardization of geographical names United Nations Group of Experts on Geographical Names United Nations New York, 2007 The Department of Economic and Social Affairs of the United Nations Secretariat is a vital interface between global policies in the economic, social and environmental spheres and national action. The Department works in three main interlinked areas: (i) it compiles, generates and analyses a wide range of economic, social and environmental data and information on which Member States of the United Nations draw to review common problems and to take stock of policy options; (ii) it facilitates the negotiations of Member States in many intergovernmental bodies on joint courses of action to address ongoing or emerging global challenges; and (iii) it advises interested Governments on the ways and means of translating policy frameworks developed in United Nations conferences and summits into programmes at the country level and, through technical assistance, helps build national capacities. NOTE The designations employed and the presentation of material in the present publication do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The term “country” as used in the text of this publication also refers, as appropriate, to territories or areas. Symbols of United Nations documents are composed of capital letters combined with figures. ST/ESA/STAT/SER.M/87 UNITED NATIONS PUBLICATION Sales No. -
Ffontiau Cymraeg
This publication is available in other languages and formats on request. Mae'r cyhoeddiad hwn ar gael mewn ieithoedd a fformatau eraill ar gais. [email protected] www.caerphilly.gov.uk/equalities How to type Accented Characters This guidance document has been produced to provide practical help when typing letters or circulars, or when designing posters or flyers so that getting accents on various letters when typing is made easier. The guide should be used alongside the Council’s Guidance on Equalities in Designing and Printing. Please note this is for PCs only and will not work on Macs. Firstly, on your keyboard make sure the Num Lock is switched on, or the codes shown in this document won’t work (this button is found above the numeric keypad on the right of your keyboard). By pressing the ALT key (to the left of the space bar), holding it down and then entering a certain sequence of numbers on the numeric keypad, it's very easy to get almost any accented character you want. For example, to get the letter “ô”, press and hold the ALT key, type in the code 0 2 4 4, then release the ALT key. The number sequences shown from page 3 onwards work in most fonts in order to get an accent over “a, e, i, o, u”, the vowels in the English alphabet. In other languages, for example in French, the letter "c" can be accented and in Spanish, "n" can be accented too. Many other languages have accents on consonants as well as vowels. -
Combining Diacritical Marks Range: 0300–036F the Unicode Standard
Combining Diacritical Marks Range: 0300–036F The Unicode Standard, Version 4.0 This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 4.0. Characters in this chart that are new for The Unicode Standard, Version 4.0 are shown in conjunction with any existing characters. For ease of reference, the new characters have been highlighted in the chart grid and in the names list. This file will not be updated with errata, or when additional characters are assigned to the Unicode Standard. See http://www.unicode.org/charts for access to a complete list of the latest character charts. Disclaimer These charts are provided as the on-line reference to the character contents of the Unicode Standard, Version 4.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this excerpt file, please consult the appropriate sections of The Unicode Standard, Version 4.0 (ISBN 0-321-18578-1), as well as Unicode Standard Annexes #9, #11, #14, #15, #24 and #29, the other Unicode Technical Reports and the Unicode Character Database, which are available on-line. See http://www.unicode.org/Public/UNIDATA/UCD.html and http://www.unicode.org/unicode/reports A thorough understanding of the information contained in these additional sources is required for a successful implementation. Fonts The shapes of the reference glyphs used in these code charts are not prescriptive. Considerable variation is to be expected in actual fonts. -
Evaluation of the Orientation of 90° and 180° Reinforcing Bar Hooks In
Research Note RN-2009-2 Evaluation of the Orientation of 90° and 180° Reinforcing Bar Hooks in Wide Members Introduction Longitudinal reinforcing steel bars in flexural members are often developed at discontinuous ends with a 90° or 180° standard hook. These hooks are usually oriented in the vertical direc- tion, which generally corresponds with being perpendicular (or normal) to the member’s major axis. Because standard hook sizes can be quite large, especially for large diameter bars, detailing of hooked bars can be critical. In some instances, such as the case of a shallow member that is Figure 1 ‒ Example of tilted reinforcing bar hooks heavily reinforced, the standard hook height in ac- shown at the edge of a cantilever balcony slab cordance with the ACI 318-11 Code (2011), plus the required concrete cover above and below the search Note bar, may exceed the member depth. In this case, one solution used in practice to satisfy the cover requirements and maintain the hook length is to rotate the bar along its longitudinal axis, such that the hook is no longer vertical. Hook tilting is illus- trated in Figures 1 and 2. Re This Research Note describes results of a study initiated as part of the CRSI Graduate Re- search Fellowship Program to evaluate the influ- ence of hook angle tilt on hook performance and behavior. The research also examined the poten- tial limitations of hook tilt in a concrete member, depicted in Figure 3. Figure 2 ‒ Recommended bar details for solid slabs (CRSI 2008) Background Hook Behavior Forces are transferred between 90° or 180° hooked bars in tension and the surrounding con- crete through bond along the bar surface and bearing of the bar on the enclosed concrete. -
Gerard Manley Hopkins' Diacritics: a Corpus Based Study
Gerard Manley Hopkins’ Diacritics: A Corpus Based Study by Claire Moore-Cantwell This is my difficulty, what marks to use and when to use them: they are so much needed, and yet so objectionable.1 ~Hopkins 1. Introduction In a letter to his friend Robert Bridges, Hopkins once wrote: “... my apparent licences are counterbalanced, and more, by my strictness. In fact all English verse, except Milton’s, almost, offends me as ‘licentious’. Remember this.”2 The typical view held by modern critics can be seen in James Wimsatt’s 2006 volume, as he begins his discussion of sprung rhythm by saying, “For Hopkins the chief advantage of sprung rhythm lies in its bringing verse rhythms closer to natural speech rhythms than traditional verse systems usually allow.”3 In a later chapter, he also states that “[Hopkins’] stress indicators mark ‘actual stress’ which is both metrical and sense stress, part of linguistic meaning broadly understood to include feeling.” In his 1989 article, Sprung Rhythm, Kiparsky asks the question “Wherein lies [sprung rhythm’s] unique strictness?” In answer to this question, he proposes a system of syllable quantity coupled with a set of metrical rules by which, he claims, all of Hopkins’ verse is metrical, but other conceivable lines are not. This paper is an outgrowth of a larger project (Hayes & Moore-Cantwell in progress) in which Kiparsky’s claims are being analyzed in greater detail. In particular, we believe that Kiparsky’s system overgenerates, allowing too many different possible scansions for each line for it to be entirely falsifiable. The goal of the project is to tighten Kiparsky’s system by taking into account the gradience that can be found in metrical well-formedness, so that while many different scansion of a line may be 1 Letter to Bridges dated 1 April 1885. -
Staar Grade 4 Writing Tb Released 2018
STAAR® State of Texas Assessments of Academic Readiness GRADE 4 Writing Administered April 2018 RELEASED Copyright © 2018, Texas Education Agency. All rights reserved. Reproduction of all or portions of this work is prohibited without express written permission from the Texas Education Agency. WRITING Writing Page 3 Writing Page 4 WRITTEN COMPOSITION Writing Page 5 WRITTEN COMPOSITION: Expository READ the following quotation. I do not know of anyone who has gotten to the top without hard work. —Margaret Thatcher THINK about all the hard work you do. It may be work you do at school, at home, or outside. WRITE about one type of hard work you do. Tell about your work and explain why it is so hard to do. Be sure to — • clearly state your central idea • organize your writing • develop your writing in detail • choose your words carefully • use correct spelling, capitalization, punctuation, grammar, and sentences Writing Page 6 USE THIS PREWRITING PAGE TO PLAN YOUR COMPOSITION. MAKE SURE THAT YOU WRITE YOUR COMPOSITION ON THE LINED PAGE IN THE ANSWER DOCUMENT. Writing Page 7 USE THIS PREWRITING PAGE TO PLAN YOUR COMPOSITION. MAKE SURE THAT YOU WRITE YOUR COMPOSITION ON THE LINED PAGE IN THE ANSWER DOCUMENT. Writing Page 8 REVISING AND EDITING Writing Page 9 Read the selection and choose the best answer to each question. Then fill in the answer on your answer document. Maggie wrote this paper in response to a class assignment. Read the paper and think about any revisions Maggie should make. When you finish reading, answer the questions that follow. © Christian Musat/Fotolia © Christian Musat/Fotolia The Rhino’s Horn (1) The rhinoceros is a huge mammal that is native to Africa and Asia. -
Typing in Greek Sarah Abowitz Smith College Classics Department
Typing in Greek Sarah Abowitz Smith College Classics Department Windows 1. Down at the lower right corner of the screen, click the letters ENG, then select Language Preferences in the pop-up menu. If these letters are not present at the lower right corner of the screen, open Settings, click on Time & Language, then select Region & Language in the sidebar to get to the proper screen for step 2. 2. When this window opens, check if Ελληνικά/Greek is in the list of keyboards on your computer under Languages. If so, go to step 3. Otherwise, click Add A New Language. Clicking Add A New Language will take you to this window. Look for Ελληνικά/Greek and click it. When you click Ελληνικά/Greek, the language will be added and you will return to the previous screen. 3. Now that Ελληνικά is listed in your computer’s languages, click it and then click Options. 4. Click Add A Keyboard and add the Greek Polytonic option. If you started this tutorial without the pictured keyboard menu in step 1, it should be in the lower right corner of your screen now. 5. To start typing in Greek, click the letters ENG next to the clock in the lower right corner of the screen. Choose “Greek Polytonic keyboard” to start typing in greek, and click “US keyboard” again to go back to English. Mac 1. Click the apple button in the top left corner of your screen. From the drop-down menu, choose System Preferences. When the window below appears, click the “Keyboard” icon. -
Ogonek Digital Archive
Ogonek Digital Archive The most important publication on Soviet culture and everyday life Ogonek was one of the oldest weekly magazines in Russia, having been in continuous publication since 1923. Ogonek had rather inauspicious beginnings. Unlike Pravda or Izvestiia, born, as they were, in the cauldrons of the Russian Revolution, Ogonek, soon after its birth in 1923, came to serve one grand purpose only – to fulfill the task of cultural validation and legitimation of the Soviet system. Ogonek would serve its mission with certain aplomb and sophistication. Lacking the crudeness and the bombast of the main organs of Communist Party propaganda, Ogonek was able to become one of the most influential shapers and reflectors of the public character of the Soviet culture. Every self-respecting Soviet intellectual was expected to read Ogonek if they were to stay informed about the cultural world in which they lived and moved. The importance of Ogonek as a primary source for research into the Soviet Union and bolshevization of its cultural and social landscapes cannot be overestimated. Because of its mass circulation and popularity, it was able to unite Soviet Union’s geographically and culturally diverse population through culturally important and imposing narratives. If in the West, and especially in the United States, cultural trends were the result of complex negotiations between market research, supply, and demand, in the Soviet Union cultural trends were more or less state approved top-down affairs. Ogonek was an important vehicle for the conveyance of the Soviet cultural idiom to the reading public. Key Stats Access over 90 years of Soviet and Russian Archive: 1923-2020 culture Language: Russian The Ogonek digital archive contains all obtainable published issues from 1923 on. -
Alphabets, Letters and Diacritics in European Languages (As They Appear in Geography)
1 Vigleik Leira (Norway): [email protected] Alphabets, Letters and Diacritics in European Languages (as they appear in Geography) To the best of my knowledge English seems to be the only language which makes use of a "clean" Latin alphabet, i.d. there is no use of diacritics or special letters of any kind. All the other languages based on Latin letters employ, to a larger or lesser degree, some diacritics and/or some special letters. The survey below is purely literal. It has nothing to say on the pronunciation of the different letters. Information on the phonetic/phonemic values of the graphic entities must be sought elsewhere, in language specific descriptions. The 26 letters a, b, c, d, e, f, g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z may be considered the standard European alphabet. In this article the word diacritic is used with this meaning: any sign placed above, through or below a standard letter (among the 26 given above); disregarding the cases where the resulting letter (e.g. å in Norwegian) is considered an ordinary letter in the alphabet of the language where it is used. Albanian The alphabet (36 letters): a, b, c, ç, d, dh, e, ë, f, g, gj, h, i, j, k, l, ll, m, n, nj, o, p, q, r, rr, s, sh, t, th, u, v, x, xh, y, z, zh. Missing standard letter: w. Letters with diacritics: ç, ë. Sequences treated as one letter: dh, gj, ll, rr, sh, th, xh, zh. -
Diacritics-ELL.Pdf
Diacritics J.C. Wells, University College London Dkadvkxkdw avf ekwxkrhykwjkrh qavow axxadjfe xs pfxxfvw sg xjf aptjacfx, gsv f|aqtpf xjf adyxf addfrx sr xjf ‘ kr dag‘. M swx parhyahf svxjshvatjkfw cawfe sr xjf Laxkr aptjacfx qaof wsqf ywf sg ekadvkxkdw, aw kreffe es xjswf cawfe sr sxjfv aptjacfxw are {vkxkrh w}wxfqw. Tjf gsdyw sg xjkw avxkdpf kw sr xjf vspf sg ekadvkxkdw kr xjf svxjshvatj} sg parhyahfw {vkxxfr {kxj xjf Laxkr aptjacfx. Ireffe, xjf svkhkr sg wsqf pfxxfvw xjax avf rs{ a wxareave tavx sg xjf aptjacfx pkfw kr xjf ywf sg ekadvkxkdw. Tjf pfxxfv G {aw krzfrxfe kr Rsqar xkqfw aw a zavkarx sg C, ekwxkrhykwjfe c} xjf dvswwcav sr xjf ytwxvsof. Tjf pfxxfv J {aw rsx ekwxkrhykwjfe gvsq I, rsv U gvsq V, yrxkp xjf 16xj dfrxyv} (Saqtwsr 1985: 110). Tjf rf{ pfxxfv 1 kw sczksywp} a zavkarx sr r are ws dsype cf wffr aw krdsvtsvaxkrh a ekadvkxkd xakp. Dkadvkxkdw tvstfv, xjsyhj, avf wffr aw qavow axxadjfe xs a cawf pfxxfv. Ir xjkw wfrwf, m y 1 es rsx krzspzf ekadvkxkdw. Tjf f|xfrwkzf ywf sg ekadvkxkdw xs wyttpfqfrx xjf Laxkr aptjacfx kr dawfw {jfvf kx {aw wffr aw kraefuyaxf gsv xjf wsyrew sg sxjfv parhyahfw kw hfrfvapp} axxvkcyxfe xs xjf vfpkhksyw vfgsvqfv Jar Hyw (1369-1415), {js efzkwfe a vfgsvqfe svxjshvatj} gsv C~fdj krdsvtsvaxkrh 9addfrxfe: pfxxfvw wydj aw ˛ ¹ = > ?. M swx ekadvkxkdw avf tpadfe acszf xjf cawf pfxxfv {kxj {jkdj xjf} avf awwsdkaxfe. A gf{, js{fzfv, avf tpadfe cfps{ kx (aw “) sv xjvsyhj kx (aw B). 1 Laxkr pfxxfvw dsqf kr ps{fv-dawf are yttfv-dawf zfvwksrw.