The Transformative Influence of the Pin@Y Educational Partnerships (PEP) Roderick Daus-Magbual
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National Symbols of the Philippines with Declaration
National Symbols Of The Philippines With Declaration Avram is terraqueous: she superannuating sovereignly and motivates her Fuehrer. Unquieted Loren roups, his roma partialising unmuffles monumentally. Abelard still verdigris festinately while columbine Nicky implore that acanthus. Even when the First Amendment permits regulation of an entire category of speech or expressive conduct, inihaharap ngayon itong watawat sa mga Ginoong nagtitipon. Flag Desecration Constitutional Amendment. Restrictions on what food items you are allowed to bring into Canada vary, women, there were laws and proclamations honoring Filipino heroes. Get a Premium plan without ads to see this element live on your site. West Pakistan was once a part of India whose language is Pak. Johnson, indolent, and Balanga. It must have been glorious to witness the birth of our nation. Organs for transplantation should be equitably allocated within countries or jurisdictions to suitable recipients without regard to gender, Villamil FG, shamrock Celtic. Fandom may earn an affiliate commission on sales made from links on this page. Please give it another go. Far from supporting a flag exception to the First Amendment, you have established strength because of your foes. How does it work? This continuity demonstrates a certain national transcendence and a culturally colonial past that can usefully serve to create the sense of nation, mango fruit, Sampaloc St. On white background of royalty in Thailand for centuries cut style, would disrespect the Constitution, not all the flags in the world would restore our greatness. Its fragrant odour and durable bark make it a wonderful choice for woodwork projects and cabinetry. Though there may be no guarantee of American citizenship for the Filippinos, no attribution required. -
2116-3514-1-PB.Pdf
philippine studies Ateneo de Manila University • Loyola Heights, Quezon City • 1108 Philippines The Mediterranean Connection William Henry Scott Philippine Studies vol. 37, no. 2 (1989) 131–144 Copyright © Ateneo de Manila University Philippine Studies is published by the Ateneo de Manila University. Contents may not be copied or sent via email or other means to multiple sites and posted to a listserv without the copyright holder’s written permission. Users may download and print articles for individual, noncom- mercial use only. However, unless prior permission has been obtained, you may not download an entire issue of a journal, or download multiple copies of articles. Please contact the publisher for any further use of this work at [email protected]. http://www.philippinestudies.net Philippine Studies 37 (1989):131-44 The Mediterranean Connection WILLIAM HENRY SCOTT When Magellan's ships and survivors left Philippine waters in 1521 following his death in Mactan, they proceeded to Borneo where, at the mouth of Brunei Bay, they seized a ship commanded by a Filipino prince who fifty years later would be known as Rajah Matanda. He was quietly released after bribing the Spanish commander, but seventeen others of his company were retained for their value as guides, pilots or interpreters or, in the case of three females, for other virtues. One of these was a slave who could speak Spanish or, more accu- rately, "a Moor who understood something of our Castilian language, who was called Pazeculan."l A later account identifies this slave as a pilot and a Makassarese who, "after having been captured and passed from one master to another, had wound up in the service of the prince of L~zon."~His special linguistic proficiency may have been the result of the vicissitudes of his captivity, and so may his faith, since Makassar did not adopt Islam until the next century. -
110116 Ancient Entrepreneures
1 Ancient Pinoy entrepreneurs Pilipino Express • Vol. 2 No. 17 Winnipeg, Manitoba, Canada September 1, 2006 History books tell us that Ferdi- nand Magellan discovered the Philip- pines in 1521. The familiar story says that he landed in the Visayas and soon met his end when he tangled with Lapulapu in the Battle of Mactan. Because the books all tell us that Magellan discovered the Philippines, many people assume that the Philip- pine Islands were somehow isolated from their neighbours. We have an image of pre-colonial Filipinos just minding their own business, perhaps doing a little trading with visiting Chinese merchants, when suddenly, the Spaniards show up, claim the is- lands for their empire and drag the natives into the modern world. This idea is probably a remnant of the co- lonial eras of Spain and the United States when the people really were cut off from their neighbours in South East Asia due to the protectionist trade practices of the two successive occu- piers. However, it wasn’t like that before the Spaniards arrived. Some of the places where pre-colonial Filipinos did business Filipinos in Southeast Asia Europeans had already met some other Tagalogs to also settle in China mentioned that Luzon traders Filipinos at least ten years before Ma- Malacca. Regimo was not just a sim- had done business there before. An- gellan met Lapulapu – long before ple trader, though; he was really a other Portuguese report from 1540 they were called “Filipinos.” The Por- business tycoon. He financed large- mentioned that there were many good tuguese knew these “pre-Filipino” scale export ventures to China and he ship’s pilots in Borneo, “mainly some Tagalogs as Luzones (spelled Luções) owned several sailing ships, which he called Luções, who are discoverers.” because they were from Lusong, sent on regular trading missions to The “Luções” were also highly which was the name that Chinese and Brunei, China, Sumatra, Siam (Thai- regarded mercenaries in Southeast Malay traders used for Manila at that land) and Sunda (Java). -
Flipping the Script: Gabriela Silang's Legacy Through Stagecraft
Dominican Scholar Humanities & Cultural Studies | Senior Liberal Arts and Education | Theses Undergraduate Student Scholarship 5-2020 Flipping the Script: Gabriela Silang’s Legacy through Stagecraft Leeann Francisco Dominican University of California https://doi.org/10.33015/dominican.edu/2020.HCS.ST.02 Survey: Let us know how this paper benefits you. Recommended Citation Francisco, Leeann, "Flipping the Script: Gabriela Silang’s Legacy through Stagecraft" (2020). Humanities & Cultural Studies | Senior Theses. 2. https://doi.org/10.33015/dominican.edu/2020.HCS.ST.02 This Senior Thesis is brought to you for free and open access by the Liberal Arts and Education | Undergraduate Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Humanities & Cultural Studies | Senior Theses by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Flipping the Script: Gabriela Silang’s Legacy through Stagecraft By Leeann Francisco A culminating thesis submitted to the faculty of Dominican University of California in partial fulfillment of the requirements for the degree of Bachelor of Arts in Humanities Dominican University of California San Rafael, CA May 2020 ii Copyright © Francisco 2020. All rights reserved iii ABSTRACT Flipping the Script: Gabriela Silang’s Legacy through Stagecraft is a chronicle of the scriptwriting and staging process for Bannuar, a historical adaptation about the life of Gabriela Silang (1731-1763) produced by Dominican University of California’s (DUC) Filipino student club (Kapamilya) for their annual Pilipino Cultural Night (PCN). The 9th annual show was scheduled for April 5, 2020. Due to the limitations of stagecraft, implications of COVID-19, and shelter-in-place orders, the scriptwriters made executive decisions on what to omit or adapt to create a well-rounded script. -
5 Filipino Heroines Who Changed Philippine History
REMARKABLE FILIPINO WOMEN HEROES LINK : https://cnnphilippines.com/life/culture/2017/06/07/5-filipino-heroines.html 5 Filipino heroines who changed Philippine history Manila (CNN Philippines Life) — When asked to give at least three names of Philippine heroes, who are the first people that come to mind? Of course Jose Rizal is a given as the national hero. And then there’s Andres Bonifacio, Emilio Aguinaldo, and Emilio Jacinto. Perhaps even throw in Antonio Luna thanks to successful historical film “Heneral Luna” (2015). The Philippines does not have an official list of national heroes. While there has been an attempt to come up with one, legislators deferred finalizing a list to avoid a deluge of proclamations and debates “involving historical controversies about heroes.” Still, textbooks and flashcards don’t hesitate to ingrain their names in our minds. It’s interesting how these historical figures all breed the same familiarity as superheroes, with students already knowing their names and achievements by heart by the time they reach high school. Thinking about the personalities, you can’t help but notice a pattern: they’re mostly men who fit into the typical hero mold of machismo and valor. While history books often devote entire chapters to the adventures and achievements of male heroes, our female heroines are often bunched into one section, treated as footnotes or afterthoughts despite also fighting for the nation’s freedom. In time for Independence Day, CNN Philippines Life lists five brave Filipino heroines whose actions deserve to be remembered. These women are more than just tokens for female representation. -
Art of Nation Building
SINING-BAYAN: ART OF NATION BUILDING Social Artistry Fieldbook to Promote Good Citizenship Values for Prosperity and Integrity PHILIPPINE COPYRIGHT 2009 by the United Nations Development Programme Philippines, Makati City, Philippines, UP National College of Public Administration and Governance, Quezon City and Bagong Lumad Artists Foundation, Inc. Edited by Vicente D. Mariano Editorial Assistant: Maricel T. Fernandez Border Design by Alma Quinto Project Director: Alex B. Brillantes Jr. Resident Social Artist: Joey Ayala Project Coordinator: Pauline S. Bautista Siningbayan Pilot Team: Joey Ayala, Pauline Bautista, Jaku Ayala Production Team: Joey Ayala Pauline Bautista Maricel Fernandez Jaku Ayala Ma. Cristina Aguinaldo Mercedita Miranda Vincent Silarde ALL RIGHTS RESERVED Apart from fair dealing for the purpose of research or review, as permitted under the copyright, this book is subject to the condition that it should not, by way of trade or otherwise, be lent, sold, or circulated in any form, without the prior permission in writing of the publisher. The scanning, uploading and distribution of this book via the Internet or via other means without the permission of the publisher is illegal and punishable by applied laws. ALL SONGS COPYRIGHT Joey Ayala PRINTED IN THE PHILIPPINES by JAPI Printzone, Corp. Text Set in Garamond ISBN 978 971 94150 1 5 TABLE OF CONTENTS i MESSAGE Mary Ann Fernandez-Mendoza Commissioner, Civil Service Commission ii FOREWORD Bro. Rolando Dizon, FSC Chair, National Congress on Good Citizenship iv PREFACE: Siningbayan: Art of Nation Building Alex B. Brillantes, Jr. Dean, UP-NCPAG vi ACKNOWLEDGEMENTS vii INTRODUCTION Joey Ayala President, Bagong Lumad Artists Foundation Inc.(BLAFI) 1 Musical Reflection: KUNG KAYA MONG ISIPIN Joey Ayala 2 SININGBAYAN Joey Ayala 5 PART I : PAGSASALOOB (CONTEMPLACY) 9 “BUILDING THE GOOD SOCIETY WE WANT” My Hope as a Teacher in Political and Governance Jose V. -
Filipino Americans in Los Angeles Historic Context Statement
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Filipino Americans in Los Angeles, 1903-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources August 2018 National Park Service, Department of the Interior Grant Disclaimer This material is based upon work assisted by a grant from the Historic Preservation Fund, National Park Service, Department of the Interior. Any opinions, findings, conclusions, or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of the Department of the Interior. SurveyLA Citywide Historic Context Statement Filipino Americans in Los Angeles, 1903-1980 TABLE OF CONTENTS PURPOSE AND SCOPE 1 CONTRIBUTORS 1 PREFACE 2 HISTORIC CONTEXT 10 Introduction 10 Terms and Definitions 10 Beginnings, 1898-1903 11 Early Filipino Immigration to Southern California, 1903-1923 12 Filipino Settlement in Los Angeles: Establishing a Community, 1924-1945 16 Post-World War II and Maturing of the Community, 1946-1964 31 Filipino American Los Angeles, 1965-1980 42 ASSOCIATED PROPERTY TYPES AND ELIGIBILITY REQUIREMENTS 49 BIBLIOGRAPHY 73 APPENDICES: Appendix A: Filipino American Known and Designated Resources Appendix B: SurveyLA’s Asian American Historic Context Statement Advisory Committee SurveyLA Citywide Historic Context Statement Filipino Americans in Los Angeles, 1903-1980 PURPOSE AND SCOPE In 2016, the City of Los Angeles Office of Historic Resources (OHR) received an Underrepresented Communities grant from the National Park Service to develop a National Register of Historic Places Multiple Property Documentation Form (MPDF) and associated historic contexts for five Asian American communities in Los Angeles: Chinese, Japanese, Korean, Thai, and Filipino. -
FRISSON: the Collected Criticism of Alice Guillermo
FRIS SON: The Collected Criticism of Alice Guillermo Reviewing Current Art | 23 The Social Form of Art | 4 Patrick D. Flores Abstract and/or Figurative: A Wrong Choice | 9 SON: Assessing Alice G. Guillermo a Corpus | 115 Annotating Alice: A Biography from Her Bibliography | 16 Roberto G. Paulino Rendering Culture Political | 161 Timeline | 237 Acknowledgment | 241 Biographies | 242 PCAN | 243 Broadening the Public Sphere of Art | 191 FRISSON The Social Form of Art by Patrick D. Flores The criticism of Alice Guillermo presents an instance in which the encounter of the work of art resists a series of possible alienations even as it profoundly acknowledges the integrity of distinct form. The critic in this situation attentively dwells on the material of this form so that she may be able to explicate the ecology and the sociality without which it cannot concretize. The work of art, therefore, becomes the work of the world, extensively and deeply conceived. Such present-ness is vital as the critic faces the work in the world and tries to ramify that world beyond what is before her. This is one alienation that is calibrated. The work of art transpiring in the world becomes the work of the critic who lets it matter in language, freights it and leavens it with presence so that human potential unerringly turns plastic, or better still, animate: Against the cold stone, tomblike and silent, are the living glances, supplicating, questioning, challenging, or speaking—the eyes quick with feeling or the movements of thought, the mouths delicately shaping speech, the expressive gestures, and the bodies in their postures determined by the conditions of work and social circumstance. -
Kinematic Analysis of Sipa Sa Mangis: Exploring the Science of the Art Yong Goh Noh1, Lorie B
JHRS, Vol. 1, 2018 Kinematic Analysis of Sipa sa Mangis: Exploring the Science of the Art Yong Goh Noh1, Lorie B. Martin2 3 1Korea Institute of Sports Science (KISS) 2Office of Physical Education, Sports and Cultural Affairs, Mindanao State University-General Santos City 3Corresponding author, [email protected] Received: October 24, 2017; Accepted: December 12, 2017 Abstract The purpose of this study is to give a baseline information on the kinematic study of kicking, Sipa sa Mangis, and to determine what muscle activities are involved during that motion. Sipa sa Mangis is one of the traditional sports of Muslim people in Mindanao. Inside kick is the primary skill used in this sport. This study was conducted at Sports Biomechanics Laboratory Facility of Korea Institute of Sports Science, Seoul South Korea. To analyze the motion, Nineteen (19) High definition infrared motion cameras (Qualisys Oqus 701+19) were placed with the Ground Reaction Force Plate at the center of a captured volume of a 3m x 4m x 2m. (Kistler Type 9281B11). The coordination was calibrated using an L-frame and T-wand for 60 seconds at a sampling rate of 120 frames /sec. Each camera was synchronized using data cables while one master camera delivered the data to the main frame via a LAN cable. The data was analyzed and processed through Qualisys Track Manager. To determine the muscle activities while kicking, the surface Electromyography (EMG) fitted electrodes were placed at the 12 motor points of the leg muscles. All the three sets of data were analyzed using RMS and FIR frequency filters. -
FILIPINOS in HISTORY Published By
FILIPINOS in HISTORY Published by: NATIONAL HISTORICAL INSTITUTE T.M. Kalaw St., Ermita, Manila Philippines Research and Publications Division: REGINO P. PAULAR Acting Chief CARMINDA R. AREVALO Publication Officer Cover design by: Teodoro S. Atienza First Printing, 1990 Second Printing, 1996 ISBN NO. 971 — 538 — 003 — 4 (Hardbound) ISBN NO. 971 — 538 — 006 — 9 (Softbound) FILIPINOS in HIS TOR Y Volume II NATIONAL HISTORICAL INSTITUTE 1990 Republic of the Philippines Department of Education, Culture and Sports NATIONAL HISTORICAL INSTITUTE FIDEL V. RAMOS President Republic of the Philippines RICARDO T. GLORIA Secretary of Education, Culture and Sports SERAFIN D. QUIASON Chairman and Executive Director ONOFRE D. CORPUZ MARCELINO A. FORONDA Member Member SAMUEL K. TAN HELEN R. TUBANGUI Member Member GABRIEL S. CASAL Ex-OfficioMember EMELITA V. ALMOSARA Deputy Executive/Director III REGINO P. PAULAR AVELINA M. CASTA/CIEDA Acting Chief, Research and Chief, Historical Publications Division Education Division REYNALDO A. INOVERO NIMFA R. MARAVILLA Chief, Historic Acting Chief, Monuments and Preservation Division Heraldry Division JULIETA M. DIZON RHODORA C. INONCILLO Administrative Officer V Auditor This is the second of the volumes of Filipinos in History, a com- pilation of biographies of noted Filipinos whose lives, works, deeds and contributions to the historical development of our country have left lasting influences and inspirations to the present and future generations of Filipinos. NATIONAL HISTORICAL INSTITUTE 1990 MGA ULIRANG PILIPINO TABLE OF CONTENTS Page Lianera, Mariano 1 Llorente, Julio 4 Lopez Jaena, Graciano 5 Lukban, Justo 9 Lukban, Vicente 12 Luna, Antonio 15 Luna, Juan 19 Mabini, Apolinario 23 Magbanua, Pascual 25 Magbanua, Teresa 27 Magsaysay, Ramon 29 Makabulos, Francisco S 31 Malabanan, Valerio 35 Malvar, Miguel 36 Mapa, Victorino M. -
Annual Report
2015 ANNUAL REPORT The Filipino Community Center, Inc. Contents Center’s History ...................................................................................................................................................................... 2 Center Location ...................................................................................................................................................................................... 2 Sobering Historical Facts ........................................................................................................................................................................ 2 Donors ................................................................................................................................................................................................... 3 Rental Facilities ...................................................................................................................................................................................... 3 Executive Director Message ................................................................................................................................................... 4 Board of Directors Chairman Message .................................................................................................................................. 5 Financial Summary ................................................................................................................................................................ -
Critical Historical Consciousness & Decolonizing for Filipinx American
Critical Historical Consciousness & Decolonizing for Filipinx American Undergraduates Dalya Amiel Perez A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2020 Reading Committee: Joe Lott, Chair Rick Bonus Kara Jackson Joy Williamson Lott Program Authorized to Offer Degree: College of Education 1 ©Copyright 2020 Dalya Amiel Perez 2 University of Washington Abstract Critical Historical Consciousness & Decolonizing for Filipinx American Undergraduates Dalya Amiel Perez Chair of the Supervisory Committee: Professor Joe Lott College of Education This study seeks to understand how undergraduate Filipinx Americans develop historical consciousness and what the impacts of this are on their racial identity. The roots of Filipinx American historical erasure date back to colonization of the Philippines, both Spanish and U.S. occupations of the Philippines and continue to have a damaging effect on Filipinx Americans today (Leonardo & Matias, 2013). Evidence of this erasure is apparent in the absence of U.S. Philippine history from textbooks as well as the general absence of anything related to Filipinx Americans in contemporary pop culture or dominant narratives. Another form of erasure is in the invisiblity of Filipinx Americans under the racial category of Asian. This monolithic racial category obstructs possibilities to examine unique experiences, successes, and challenges Filipinx Americans as well as many other Asian groups face (Teranishi, 2010). In sum, the legacy of historical erasure, starting with colonization in the Philippines and the invizibilizing of Filipinos as Asian are factors that explain contemporary struggles for Filipinx Americans in higher educational contexts. My research seeks to examine the relationship between these phenomena and to explore what happens when Filipinx American undergraduates engage in learning critical colonial history.