5 Filipino Heroines Who Changed Philippine History
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Demonetized Coins Series
Annex 4 Demonetized Coins Series •English Series (1958 – 1966) •Pilipino Series (1969 - 1974) •Ang Bagong Lipunan (1975 - 1982) •Flaura and Fauna Series (1983 – 1991) •Improved Flora and Fauna Series (1992 - 1994) English Series (1958 – 1966) In 1958, the centavo notes were discontinued and a new, entirely base metal coinage was introduced, consisting of bronze 1 centavo, brass 5 centavos and nickel-brass 10, 25 and 50 centavos. The half-peso ceased to exist; the 25-centavo coin replaced the 20- centavo note; 50-, 10- and 5-centavo denominations were maintained. This series was considered demonetized after August 31, 1979, except for the 10-centavo denomination that remained in circulation until 1998. 50-centavos 25-centavos 10-centavos 5-centavos 1-centavo 50-centavos Reverse Obverse Seal of the Republic of the Philippines, "Central Bank of the Lady Liberty striking an anvil with a hammer depicted against Philippines" Mayon Volcano background; "Fifty Centavos", year mark 25-centavos Reverse Obverse Seal of the Republic of the Philippines, "Central Bank of the Lady Liberty striking an anvil with a hammer depicted against Philippines" Mayon Volcano background, "Twenty Five Centavos", year mark 10-centavos Reverse Obverse Seal of the Republic of the Philippines, "Central Bank of the Lady Liberty striking an anvil with a hammer depicted against Philippines" Mayon Volcano background, “Ten Centavos", year mark 5-centavos Reverse Obverse Seal of the Republic of the Philippines, "Central Bank of the Figure of a man seated beside an anvil and holding a hammer with Mt. Philippines" Mayon Volcano in the background, "Five Centavos", year mark 1-centavo Reverse Obverse Seal of the Republic of the Philippines, "Central Bank of the Figure of a man seated beside an anvil and holding a hammer with Mt. -
Flipping the Script: Gabriela Silang's Legacy Through Stagecraft
Dominican Scholar Humanities & Cultural Studies | Senior Liberal Arts and Education | Theses Undergraduate Student Scholarship 5-2020 Flipping the Script: Gabriela Silang’s Legacy through Stagecraft Leeann Francisco Dominican University of California https://doi.org/10.33015/dominican.edu/2020.HCS.ST.02 Survey: Let us know how this paper benefits you. Recommended Citation Francisco, Leeann, "Flipping the Script: Gabriela Silang’s Legacy through Stagecraft" (2020). Humanities & Cultural Studies | Senior Theses. 2. https://doi.org/10.33015/dominican.edu/2020.HCS.ST.02 This Senior Thesis is brought to you for free and open access by the Liberal Arts and Education | Undergraduate Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Humanities & Cultural Studies | Senior Theses by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Flipping the Script: Gabriela Silang’s Legacy through Stagecraft By Leeann Francisco A culminating thesis submitted to the faculty of Dominican University of California in partial fulfillment of the requirements for the degree of Bachelor of Arts in Humanities Dominican University of California San Rafael, CA May 2020 ii Copyright © Francisco 2020. All rights reserved iii ABSTRACT Flipping the Script: Gabriela Silang’s Legacy through Stagecraft is a chronicle of the scriptwriting and staging process for Bannuar, a historical adaptation about the life of Gabriela Silang (1731-1763) produced by Dominican University of California’s (DUC) Filipino student club (Kapamilya) for their annual Pilipino Cultural Night (PCN). The 9th annual show was scheduled for April 5, 2020. Due to the limitations of stagecraft, implications of COVID-19, and shelter-in-place orders, the scriptwriters made executive decisions on what to omit or adapt to create a well-rounded script. -
Art of Nation Building
SINING-BAYAN: ART OF NATION BUILDING Social Artistry Fieldbook to Promote Good Citizenship Values for Prosperity and Integrity PHILIPPINE COPYRIGHT 2009 by the United Nations Development Programme Philippines, Makati City, Philippines, UP National College of Public Administration and Governance, Quezon City and Bagong Lumad Artists Foundation, Inc. Edited by Vicente D. Mariano Editorial Assistant: Maricel T. Fernandez Border Design by Alma Quinto Project Director: Alex B. Brillantes Jr. Resident Social Artist: Joey Ayala Project Coordinator: Pauline S. Bautista Siningbayan Pilot Team: Joey Ayala, Pauline Bautista, Jaku Ayala Production Team: Joey Ayala Pauline Bautista Maricel Fernandez Jaku Ayala Ma. Cristina Aguinaldo Mercedita Miranda Vincent Silarde ALL RIGHTS RESERVED Apart from fair dealing for the purpose of research or review, as permitted under the copyright, this book is subject to the condition that it should not, by way of trade or otherwise, be lent, sold, or circulated in any form, without the prior permission in writing of the publisher. The scanning, uploading and distribution of this book via the Internet or via other means without the permission of the publisher is illegal and punishable by applied laws. ALL SONGS COPYRIGHT Joey Ayala PRINTED IN THE PHILIPPINES by JAPI Printzone, Corp. Text Set in Garamond ISBN 978 971 94150 1 5 TABLE OF CONTENTS i MESSAGE Mary Ann Fernandez-Mendoza Commissioner, Civil Service Commission ii FOREWORD Bro. Rolando Dizon, FSC Chair, National Congress on Good Citizenship iv PREFACE: Siningbayan: Art of Nation Building Alex B. Brillantes, Jr. Dean, UP-NCPAG vi ACKNOWLEDGEMENTS vii INTRODUCTION Joey Ayala President, Bagong Lumad Artists Foundation Inc.(BLAFI) 1 Musical Reflection: KUNG KAYA MONG ISIPIN Joey Ayala 2 SININGBAYAN Joey Ayala 5 PART I : PAGSASALOOB (CONTEMPLACY) 9 “BUILDING THE GOOD SOCIETY WE WANT” My Hope as a Teacher in Political and Governance Jose V. -
FRISSON: the Collected Criticism of Alice Guillermo
FRIS SON: The Collected Criticism of Alice Guillermo Reviewing Current Art | 23 The Social Form of Art | 4 Patrick D. Flores Abstract and/or Figurative: A Wrong Choice | 9 SON: Assessing Alice G. Guillermo a Corpus | 115 Annotating Alice: A Biography from Her Bibliography | 16 Roberto G. Paulino Rendering Culture Political | 161 Timeline | 237 Acknowledgment | 241 Biographies | 242 PCAN | 243 Broadening the Public Sphere of Art | 191 FRISSON The Social Form of Art by Patrick D. Flores The criticism of Alice Guillermo presents an instance in which the encounter of the work of art resists a series of possible alienations even as it profoundly acknowledges the integrity of distinct form. The critic in this situation attentively dwells on the material of this form so that she may be able to explicate the ecology and the sociality without which it cannot concretize. The work of art, therefore, becomes the work of the world, extensively and deeply conceived. Such present-ness is vital as the critic faces the work in the world and tries to ramify that world beyond what is before her. This is one alienation that is calibrated. The work of art transpiring in the world becomes the work of the critic who lets it matter in language, freights it and leavens it with presence so that human potential unerringly turns plastic, or better still, animate: Against the cold stone, tomblike and silent, are the living glances, supplicating, questioning, challenging, or speaking—the eyes quick with feeling or the movements of thought, the mouths delicately shaping speech, the expressive gestures, and the bodies in their postures determined by the conditions of work and social circumstance. -
FILIPINOS in HISTORY Published By
FILIPINOS in HISTORY Published by: NATIONAL HISTORICAL INSTITUTE T.M. Kalaw St., Ermita, Manila Philippines Research and Publications Division: REGINO P. PAULAR Acting Chief CARMINDA R. AREVALO Publication Officer Cover design by: Teodoro S. Atienza First Printing, 1990 Second Printing, 1996 ISBN NO. 971 — 538 — 003 — 4 (Hardbound) ISBN NO. 971 — 538 — 006 — 9 (Softbound) FILIPINOS in HIS TOR Y Volume II NATIONAL HISTORICAL INSTITUTE 1990 Republic of the Philippines Department of Education, Culture and Sports NATIONAL HISTORICAL INSTITUTE FIDEL V. RAMOS President Republic of the Philippines RICARDO T. GLORIA Secretary of Education, Culture and Sports SERAFIN D. QUIASON Chairman and Executive Director ONOFRE D. CORPUZ MARCELINO A. FORONDA Member Member SAMUEL K. TAN HELEN R. TUBANGUI Member Member GABRIEL S. CASAL Ex-OfficioMember EMELITA V. ALMOSARA Deputy Executive/Director III REGINO P. PAULAR AVELINA M. CASTA/CIEDA Acting Chief, Research and Chief, Historical Publications Division Education Division REYNALDO A. INOVERO NIMFA R. MARAVILLA Chief, Historic Acting Chief, Monuments and Preservation Division Heraldry Division JULIETA M. DIZON RHODORA C. INONCILLO Administrative Officer V Auditor This is the second of the volumes of Filipinos in History, a com- pilation of biographies of noted Filipinos whose lives, works, deeds and contributions to the historical development of our country have left lasting influences and inspirations to the present and future generations of Filipinos. NATIONAL HISTORICAL INSTITUTE 1990 MGA ULIRANG PILIPINO TABLE OF CONTENTS Page Lianera, Mariano 1 Llorente, Julio 4 Lopez Jaena, Graciano 5 Lukban, Justo 9 Lukban, Vicente 12 Luna, Antonio 15 Luna, Juan 19 Mabini, Apolinario 23 Magbanua, Pascual 25 Magbanua, Teresa 27 Magsaysay, Ramon 29 Makabulos, Francisco S 31 Malabanan, Valerio 35 Malvar, Miguel 36 Mapa, Victorino M. -
Imprinting Andres Bonifacio: the Iconization from Portrait to Peso
Imprinting Andres Bonifacio: The Iconization from Portrait to Peso The face of the Philippine revolution is evasive, just like the freedom that eluded the man known as its leader. (Photo courtesy of Mr. Jim Richardson.) The only known photograph of Andres Bonifacio is housed in the Archivo General de Indias in Seville, Spain. Some say that it was taken during his second wedding to Gregoria de Jesus in Katipunan ceremonial rites. It is dated 1896 from Chofre y Cia (precursor to today’s Cacho Hermanos printing firm), a prominent printing press and pioneer of lithographic printing in the country, based in Manila. The faded photograph, instead of being a precise representation of a specific historical figure, instead becomes a kind of Rorschach test, liable to conflicting impressions. Does the picture show the President of the Supreme Council of the Katipunan as a bourgeois everyman with nondescript, almost forgettable features? Or does it portray a dour piercing glare perpetually frozen in time, revealing a determined leader deep in contemplation, whose mind is clouded with thoughts of waging an armed struggle against a colonial power? Perhaps a less subjective and more fruitful avenue for investigation is to compare and contrast this earliest documented image with those that have referred to it, or even paid a curious homage to it, by substantially altering his faded features. This undated image of Bonifacio offers the closest resemblance to the Chofre y Cia version. As attested to by National Scientist Teodoro A. Agoncillo and the National Historical Commission of the Philippines, it is the image that depicts the well-known attribution of Bonifacio being of sangley (or Chinese) descent. -
Money Attitudes and Behaviours of Women in the Philippine "Gawad
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Poverty Targeting: Money Attitudes and Behaviours of Women in the Philippine “Gawad Kalinga” (GK – Give Care) communities A thesis presented in partial fulfilment of the requirements for the degree of Master of Public Policy At Massey University, Auckland, New Zealand Gilda Arawiran – Ramirez 2011 ABSTRACT The reduction of high poverty incidence in the Philippines is a major governance objective. Poverty targeting is a strategy to identify the factors that will help the poor raise themselves from poverty. The money attitudes and behaviours of the women of the Philippine “Gawad Kalinga” showed aspects of their financial consciousness and awareness that requires, individual control and discipline, community support and policy intervention. The money attitudes and behaviours of the women in the visited communities were looked into to unveil the impact on poverty. The main research question is whether money attitudes and behaviours are poverty traps. The individual money capabilities were correlated to the workings and failures of the market and the institutions which are interconnected in the poverty problem. The research method was qualitative in nature. It was based on the interviews of 30 individuals, women residents and volunteers, of the Philippine “Gawad Kalinga” communities. The individual anecdotes disclosed opinions, attitudes, beliefs, sentiments, and emotions on their daily money struggles. The profile of the money attitudes and behaviours of the interviewees was used to determine the weaknesses that will entrap individuals in poverty. -
Within the Complex of the Bangko Sentral Ng
Within the complex of the Bangko Sentral ng Pilipinas, the nation's central monetary authority, resides a numismatist's haven - the Museo ng Bangko Sentral ng Pilipinas. Inaugurated on January 3, 1999, as part of the celebration of the 50 years of central banking in the Philippines, the Museo showcases the Bank's collection of currencies. As repository and custodian of the country's numismatic heritage, the Museo collects, studies and preserves coins, paper notes, medals, artifacts and monetary items found in the Philippines during its different historical periods. These collections have been placed on permanent display at the Museo. Designed to "walk" the visitor through a number of galleries, individually dedicated to a specific historical period of the country, the Museo visually narrates the development of the Philippine economy, parallel to the evolution of its currency. Complementary paintings from the BSP art collection, together with chosen artifacts, enhance each gallery. A panoramic memorabilia of 50 years of central banking in the Philippines, showcases the strides made in bringing about price stability, to sustain economic growth in the country. The exhibition hall also carries the busts of the governors of the Central Bank/ Bangko Sentral. Archaeological evidence indicates that small seafaring communities existed throughout the Philippine Archipelago for at least 2000 years, prior to the arrival of the Spaniards. The chief means of trading was barter. Records show that Chinese merchants came to the Philippines to trade porcelain, silk and metalware in exchange for gold, pearls, beeswax and medicinal plants, which the Philippines is naturally rich in. Excavations also unearthed gold ingots, known as piloncitos, the first recognized form of coinage in the country. -
The Bangko Sentral Ng Pilipinas' New Generation Currency Notes
The Bangko Sentral ng Pilipinas’ New Generation Currency Notes: Safeguarding the Integrity of the Philippine Currency Authors Maja Gratia L. Malic is a licensed Chemical Engineer who started her career in public service as a Laboratory Technician at the Currency Analysis and Redemption Division (CARD), Cash Department. At present, she is the Manager of CARD and a member of the Technical Staff of the BSP Numismatic Committee. She has been part of the team behind the New Generation Currency (NGC) Project. Nenette E. Malabrigo is a licensed Chemical Engineer and currently a Bank Officer II Bangko Sentral Review 2010 Sentral Review Bangko at the CARD, Cash Department. She is an expert practitioner and seasoned lecturer of currency counterfeit detection. Her employment in CARD honed her skills in counterfeit currency detection of both local and foreign currencies. 18 25 I. Motivation When the Bangko Sentral ng Pilipinas (BSP) announced the is- suance of the New Generation Currency (NGC) in 2010, it was met with mixed reactions ranging from excitement, skepticism, resistance, and even criticisms on the designs. Notwithstanding these reactions, a common issue that emerges is the rationale for releasing the NGC banknotes. The old “family” of design series called New Design Series (NDS) has been in circulation for the last quarter of a century. Over the years, there have been important developments in the banknote and printing industry that need to be incorporated in the Philippine currency series. Thus, the BSP decided to launch a successor NGC program, taking into consideration the principles of currency integrity, social relevance, efficiency, unified theme, and aesthetics. -
First Regular Session )
EIGHTEENTH CONGRESS OF THE ) REPUBLIC OF THE PHILIPPINES ) First Regular Session ) SENATE ’19 JUL 25 P4 54 S. No. 792 -Rftrr INTRODUCED BY SENATOR RISA HONTIVEROS AN ACT DECLARING JANUARY 6 OF EVERY YEAR A SPECIAL WORKING HOLIDAY TO COMMEMORATE THE DEATH AND CONTRIBUTIONS OF JOSEFA LLANES ESCODA EXPLANATORY NOTE Josefa Llanes Escoda, or Pepa, is a Filipina war heroine and an advocate of women's rights to suffrage. She was awarded the social worker's certificate in 1925 by the New York School of Social Work. Escoda became a social worker for the Philippine Chapter of the American Red Cross and was considered to be the "Florence Nightingale of the Philippines". In 1933, Escoda underwent Girl Scout training in the United States which was sponsored by the Boy Scouts of the Philippines. She then went back to the Philippines to train women to become Girl Scout leaders and eventually established the Girl Scouts of the Philippines, where she served as its first National Executive in 1940. When the Japanese invaded the country, she risked her life by smuggling medicines, food, and clothing to help the Filipino prisoners and American internees in concentration camps. Escoda, along with her husband, were imprisoned in 1944 in the Far Eastern University. On January 6, 1945, she was last seen being transferred into a Japanese truck severely beaten and bruised. For her heroism, she was awarded the Silver Medal by The American Red Cross and The Medal of Freedom with Gold Leaf for Services to Filipino Prisoners of War by the U.S. Army. -
Cultural Orientation | Tausug
TAUSUG Flickr / Al Jacinto DLIFLC DEFENSE LANGUAGE INSTITUTE FOREIGN LANGUAGE CENTER 2019 CULTURAL ORIENTATION | TAUSUG Profile Introduction ................................................................................................................... 5 Geography .................................................................................................................... 6 Climate ........................................................................................................................... 6 Historic Events ............................................................................................................. 7 Early History .........................................................................................................7 Colonial Rule ........................................................................................................7 The Philippine Commonwealth and World War II ..........................................8 Independence .......................................................................................................9 Recent Events ......................................................................................................9 Government .................................................................................................................11 Media ............................................................................................................................12 Important Elements of the Economy .......................................................................13 -
Transnational Cultural Work in the National Democratic Movement of the Philippines Ryan Anthony Leano University of San Francisco, [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 2014 Artist as Citizen: Transnational Cultural Work in the National Democratic Movement of the Philippines Ryan Anthony Leano University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/diss Part of the Asian American Studies Commons Recommended Citation Leano, Ryan Anthony, "Artist as Citizen: Transnational Cultural Work in the National Democratic Movement of the Philippines" (2014). Doctoral Dissertations. 102. https://repository.usfca.edu/diss/102 This Dissertation is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. The University of San Francisco ARTIST AS CITIZEN: TRANSNATIONAL CULTURAL WORK IN THE NATIONAL DEMOCRATIC MOVEMENT OF THE PHILIPPINES A Dissertation Presented to The Faculty of the School of Education International and Multicultural Education Department In Partial Fulfillment of the Requirements for the Degree Doctor of Education by Ryan A. Leano San Francisco, California May 2014 THE UNIVERSITY OF SAN FRANCISCO Dissertation Abstract Artist as Citizen: Transnational Cultural Work in the National Democratic Movement of the Philippines The inspiration for this topic comes from my own experiences as a Filipino transnational cultural worker in this movement. There has been research done on Filipinos in the arts and social movements, however there is a paucity of information concerning Filipino cultural work.