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Yuan Muzhi Y La Comedia Modernista De Shanghai
Yuan Muzhi y la comedia modernista de Shanghai Ricard Planas Penadés ------------------------------------------------------------------ TESIS DOCTORAL UPF / Año 2019 Director de tesis Dr. Manel Ollé Rodríguez Departamento de Humanidades Als meus pares, en Francesc i la Fina. A la meva companya, Zhang Yajing. Per la seva ajuda i comprensió. AGRADECIMIENTOS Quisiera dar mis agradecimientos al Dr. Manel Ollé. Su apoyo en todo momento ha sido crucial para llevar a cabo esta tesis doctoral. Del mismo modo, a mis padres, Francesc y Fina y a mi esposa, Zhang Yajing, por su comprensión y logística. Ellos han hecho que los días tuvieran más de veinticuatro horas. Igualmente, a mi hermano Roger, que ha solventado más de una duda técnica en clave informática. Y como no, a mi hijo, Eric, que ha sido un gran obstáculo a la hora de redactar este trabajo, pero también la mayor motivación. Un especial reconocimiento a Zheng Liuyi, mi contacto en Beijing. Fue mi ángel de la guarda cuando viví en aquella ciudad y siempre que charlamos me ofrece una versión interesante sobre la actualidad académica china. Por otro lado, agradecer al grupo de los “Aspasians” aquellos descansos entra página y página, aquellos menús que hicieron más llevadero el trabajo solitario de investigación y redacción: Xavier Ortells, Roberto Figliulo, Manuel Pavón, Rafa Caro y Sergio Sánchez. v RESUMEN En esta tesis se analizará la obra de Yuan Muzhi, especialmente los filmes que dirigió, su debut, Scenes of City Life (都市風光,1935) y su segunda y última obra Street Angel ( 马路天使, 1937). Para ello se propone el concepto comedia modernista de Shanghai, como una perspectiva alternativa a las que se han mantenido tanto en la academia china como en la anglosajona. -
Xi Jinping and the 'Other' China by Peter Wood
Volume 17, Issue 8 June 9, 2017 In a Fortnight: Xi Jinping and the 'Other' China By Peter Wood Xi Jinping Promotes Protégés to Top Positions in Run-Up to 19th Party Congress By Willy Lam The Southern Theater Command and China’s Maritime Strategy By Nan Li Recent Developments in the Chinese Army’s Helicopter Force By Dennis J. Blasko Waiting in the Wings: PLAAF General Yi Xiaoguang By Kenneth Allen and Jana Allen Xi Jinping and the 'Other' constitutes an important pillar of its domestic le- gitimacy. Not surprisingly, the CCP has launched China a propaganda push in state media to highlight its progress. At the end of May, China held its annual Chi- At the center of much of the attention is the nese Poverty Alleviation International Forum (中 “core” of the Party, Xi Jinping, whose experi- 国扶贫国际论坛), which serves to draw attention ences in the countryside as a young man, and to Chinese achievements in this area (Xinhua, major policies have been offered up as proof of May 26). Poverty alleviation is likely to remain a the Party’s continuing ties to regular people and key theme in state media as China prepares for its commitment to China’s urban and rural poor. the 19th Party Congress later this year. The Chi- nese Communist Party (CCP) has set for itself the Xi Jinping, in particular, is being lauded as a ma- ambitious goal of largely eradicating poverty by jor driver of these efforts. Xi has made sweeping 2020. Its previous success in moving large num- economic reform and the expansion of the bers of Chinese out of poverty—largely due to “moderately prosperous” class ( 小康) core Deng Xiaoping’s Reform and Opening policies— planks of his policies, particularly as embodied ChinaBrief June 9, 2017 in the “Four Comprehensives” (China Brief, Feb- ordinary Chinese, inequality is rising, and the ruary 23). -
Final Program of CCC2020
第三十九届中国控制会议 The 39th Chinese Control Conference 程序册 Final Program 主办单位 中国自动化学会控制理论专业委员会 中国自动化学会 中国系统工程学会 承办单位 东北大学 CCC2020 Sponsoring Organizations Technical Committee on Control Theory, Chinese Association of Automation Chinese Association of Automation Systems Engineering Society of China Northeastern University, China 2020 年 7 月 27-29 日,中国·沈阳 July 27-29, 2020, Shenyang, China Proceedings of CCC2020 IEEE Catalog Number: CFP2040A -USB ISBN: 978-988-15639-9-6 CCC2020 Copyright and Reprint Permission: This material is permitted for personal use. For any other copying, reprint, republication or redistribution permission, please contact TCCT Secretariat, No. 55 Zhongguancun East Road, Beijing 100190, P. R. China. All rights reserved. Copyright@2020 by TCCT. 目录 (Contents) 目录 (Contents) ................................................................................................................................................... i 欢迎辞 (Welcome Address) ................................................................................................................................1 组织机构 (Conference Committees) ...................................................................................................................4 重要信息 (Important Information) ....................................................................................................................11 口头报告与张贴报告要求 (Instruction for Oral and Poster Presentations) .....................................................12 大会报告 (Plenary Lectures).............................................................................................................................14 -
Nora's Performance in China
Nora’s Performance in China (1914-2010): Inspiration, Communities and Political Theatre By Xiaofei Chen Master thesis Center for Ibsen Studies UNIVERSITETET I OSLO Spring semester, 2010 Acknowledgements I came to Oslo University by serendipity. When I was searching the resources for my thesis Nora’s rewriting in China(1914-1948), by accident the website of Ibsen Center jumped out. Then I came to Norway and studied at Ibsen Center. Whether in Norway or in China, many people asked me why I had chosen Ibsen studies and had come to Norway. I always said because I liked Ibsen’s plays and Norway has an Ibsen Center. It turned out that I had chosen correctly. At the Ibsen Center, professors and students from all over the world gave me lots of chances to access different ideas and insights into Ibsen studies, especially from theatre and performance aspects. I could access the original Ibsen’s texts and understand Norwegian society in Ibsen’s times, and I could watch Ibsen’s performances from different countries either in the National Theatre or through DVDs in class. Thanks to Ibsen Center for giving me the opportunity to study here, and I also want to show my appreciation for all the professors at the Ibsen Center: especially Frode Helland, Astrid Sæther, Jon Nygaard, Atle Kittang, Erika Fischer-Lichte and Nilu Kamaluddin, Julie Holledge, Knut Brynhildsvoll, who gave me the latest information about Ibsen studies through lectures and seminars. My special thanks for my professor, Jon Nygaard, who gave me the inspiration to write this topic with fresh insight. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Making of National Women: Gender, Nationalism and Social Mobilization in China’s Anti-Japanese War of Resistance, 1937-45 A Dissertation Presented by Dewen Zhang to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University December 2013 Copyright by Dewen Zhang 2013 Stony Brook University The Graduate School Dewen Zhang We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Iona Man-Cheong – Dissertation Advisor Associate Professor, Department of History Nancy Tomes - Chairperson of Defense Professor, Department of History Victoria Hesford Assistant Professor, Department of Cultural Analysis and Theory Danke Li Professor, Department of History Fairfield University This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation The Making of National Women: Gender, Nationalism and Social Mobilization in China’s Anti-Japanese War of Resistance, 1937-45 by Dewen Zhang Doctor of Philosophy in History Stony Brook University 2013 Drawing on materials from the Second Historical Archive of China, the Rockefeller Archive Center, the Special Collection of American Bureau for Medical Aid to China, as well as other published and unpublished materials gathered in mainland China, Taiwan and the U.S., this dissertation discusses a broad spectrum of women of various social and political affiliations performed a wide range of work to mobilize collective resistance against Japanese aggression. -
The Chinese People's Liberation Army at 75
THE LESSONS OF HISTORY: THE CHINESE PEOPLE’S LIBERATION ARMY AT 75 Edited by Laurie Burkitt Andrew Scobell Larry M. Wortzel July 2003 ***** The views expressed in this report are those of the authors and do not necessarily reflect the official policy or position of the Department of the Army, the Department of Defense, or the U.S. Government. This report is cleared for public release; distribution is unlimited. ***** Comments pertaining to this report are invited and should be forwarded to: Director, Strategic Studies Institute, U.S. Army War College, 122 Forbes Ave., Carlisle, PA 17013-5244. Copies of this report may be obtained from the Publications Office by calling (717) 245-4133, FAX (717) 245-3820, or via the Internet at [email protected] ***** Most 1993, 1994, and all later Strategic Studies Institute (SSI) monographs are available on the SSI Homepage for electronic dissemination. SSI’s Homepage address is: http:// www.carlisle.army.mil/ssi/index.html ***** The Strategic Studies Institute publishes a monthly e-mail news- letter to update the national security community on the research of our analysts, recent and forthcoming publications, and upcoming conferences sponsored by the Institute. Each newsletter also pro- vides a strategic commentary by one of our research analysts. If you are interested in receiving this newsletter, please let us know by e-mail at [email protected] or by calling (717) 245-3133. ISBN 1-58487-126-1 ii CONTENTS Foreword Ambassador James R. Lilley . v Part I: Overview. 1 1. Introduction: The Lesson Learned by China’s Soldiers Laurie Burkitt, Andrew Scobell, and Larry M. -
Him Mark Lai Container List.Docx
Finding Aid to the Him Mark Lai research files, additions, 1834-2009 (bulk 1970-2008) Collection number: AAS ARC 2010/1 Ethnic Studies Library University of California, Berkeley Berkeley, California Funding for processing this collection was provided by Mrs. Laura Lai. Date Completed: June 2014 Finding Aid Written By: Dongyi (Helen) Qi, Haochen (Daniel) Shan, Shuyu (Clarissa) Lu, and Janice Otani. © 2014 The Regents of the University of California. All rights reserved. COLLECTION SUMMARY Collection Title: Him Mark Lai research files, additions, 1834-2009 (bulk 1970-2008) Collection Number: AAS ARC 2010/1 Creator: Lai, H. Mark Extent: 95 Cartons, 33 Boxes, 7 Oversize Folders; (131.22 linear feet) Repository: Ethnic Studies Library University of California, Berkeley Berkeley, California, 94720-2360 Phone: (510) 643-1234 Fax: (510) 643-8433 Email: [email protected] Abstract: The research files are a continuation of (AAS ARC 2000/80) Him Mark Lai’s collected sources, along with his own writings and professional activity materials that relate to the history, communities, and organizations of Chinese Americans and Chinese overseas. The collection is divided into four series: Research Files, including general subjects, people, and organizations; Writings, including books, articles and indexes; Professional activities, primarily including teaching lectures, Chinese Community Hour program tapes, In Search of Roots program materials, consultation projects, interviews with Chinese Americans, conference and community events; Personal, including memorial tributes; correspondence, photographs, and slides of family and friends. The collection consists of manuscripts, papers, drafts, indexes, correspondence, organization records, reports, legal documents, yearbooks, announcements, articles, newspaper samples, newspaper clippings, publications, photographs, slides, maps, and audio tapes. -
International Conference on Engineering and Business Management 2010
International Conference on Engineering and Business Management 2010 (EBM 2010) Chengdu, China 25 - 27 March 2011 Volume 1 of 4 Pages 1 - 740 ISBN: 978-1-61782-807-2 Printed from e-media with permission by: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 Some format issues inherent in the e-media version may also appear in this print version. Copyright© (2010) by the Scientific Research Publishing Inc. All rights reserved. Printed by Curran Associates, Inc. (2011) For permission requests, please contact the Scientific Research Publishing Inc. at the address below. Scientific Research Publishing Inc. P.O. Box 54821 Irvine, CA 92619-4821 Phone: (408) 329-4591 [email protected] Additional copies of this publication are available from: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 USA Phone: 845-758-0400 Fax: 845-758-2634 Email: [email protected] Web: www.proceedings.com Contents Volume 1 Entrepreneurship, Decision and Investment A Study of Corporate Information Disclosure in Social Responsibility Crisis Based on Subjective Game Yongsheng GE………………………………………………………………………………………………………………………(1) The Influence Degree of Management Active Behaviors on Financial Ratios Adjustment Jianguang Zhang, Valerie Zhu, Junrui Zhang, Linyan Sun, Donglin Liu…………………………………………………………(5) A Financial Warning Method for the Listed Companies of Information Industry Based on Bayesian Rough Set Zhang Hongmei, Tong Yuesong…………………………………………………………………………………………………(12) Research on relationship between top management team incentive, ownership -
Ohiou1343397183.Pdf (1.22
The Photographically-mediated Identity: Jiang Qing (1914—1991) A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Yi Liu August 2012 © 2012 Yi Liu. All Rights Reserved. 2 This thesis titled The Photographically Mediated Identity: Jiang Qing (1914—1991) by YI LIU has been approved for the School of Art and the College of Fine Arts by Marion Lee Associate Professor of Art History Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT LIU,YI, M.A., August 2012, Art History The Photographically-mediated Identity: Jiang Qing (1914—1991) (91.pp) Director of Thesis: Marion Lee This thesis is a study of Jiang Qing’s 江青 (1914-1991) published photographic works in Chinese national magazines from early 1950s to 1976. Dividing her works into three categories in chronological order, I will investigate how she continuously fashioned her own identity through the manipulation of photography in her pursuit of recognition, fame, and power before and during the Cultural Revolution, a socio-political campaign launched by her husband Mao Zedong 毛泽东 (1893—1976) to regain power and consolidate authority through the revolutionary campaign in ideological spheres, such as class struggle and eradication of old culture and custom. By regarding her works and her association with photography as text, based on which the historical context can be reconstructed, I purport to examine her role in the Cultural Revolution, concluding that her primary perceived identity as Mao’s wife facilitated her rapid rise to power but also curbed her self-fulfillment and resulted in her final downfall soon after Mao died. -
Table of Contents
2020 International Conference on Virtual Reality and Visualization (ICVRV) ICVRV 2020 Table of Contents Message from the Technical Program Chairs xx Organizing Committee xxii Technical Program Committee xxiii Steering Committee xxvi Sponsors xxvii Regular Track Papers Improved TLD Gesture Tracking Algorithm Based on SURF and Camshift 1 Lisi Wang (Changchun University of Science and Technology Changchun, China), Hua Li (Changchun University of Science and Technology Changchun, China), and Cheng Han (Changchun University of Science and Technology Changchun, China) Sketch-Based 3D Shape Retrieval via Attention 5 Yan Jiang (Changchun University of Science and Technology Changchun, China), Wei Quan (Changchun University of Science and Technology Changchun, China), Cheng Han (Changchun University of Science and Technology Changchun, China), and Hua Li (Changchun University of Science and Technology Changchun, China) Denoising in Monte Carlo Rendering Based on Clustered-Residual Block Network 10 Yinghao Song (Computer Science and Technology, Changchun University of Science and Technology, China), Chunyi Chen (Computer Science and Technology, Changchun University of Science and Technology, China), Xiaojuan Hu (Computer Science and Technology, Changchun University of Science and Technology, China), Haiyang Yu (Computer Science and Technology, Changchun University of Science and Technology, China), and Fuheng Qu (Computer Science and Technology, Changchun University of Science and Technology, China) A Mixed Reality Simulation Platform for Middle -
On the 1930S Chinese Leftist Film Movement a Thesis
UNIVERSITY OF CALIFORNIA Santa Barbara Scenes of The Turbulent Days: On The 1930s Chinese Leftist Film Movement A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian Studies by Cui Zhou Committee in charge: Professor Michael Berry, Chair Professor Michael Curtin Professor Xiaowei Zheng June 2016 The thesis of Cui Zhou is approved. ____________________________________________ Michael Curtin ____________________________________________ Xiaowei Zheng ____________________________________________ Michael Berry, Committee Chair June 2016 Scenes of The Turbulent Days: On The 1930s Chinese Leftist Film Movement Copyright © 2016 by Cui Zhou iii ABSTRACT Scenes of The Turbulent Days: On The 1930s Chinese Leftist Film Movement by Cui Zhou In this master thesis, I focus on a controversial historical movement—the 1930s’ Chinese Leftist Film Movement (1932-1937) to study its development, function, main characteristics and influence. I argue that in the 1930s because of the serious national crisis, shared circular history of the community and various discussions on cultural values, Chinese intellectuals in the film field transformed their transcendences, which might more or less contain a radical tendency, into a dialogical degree. The dialogical transcendence also contributed to the formation of a public space in the film field. Conversely, the public space promoted the transformation of the transcendence. Thanks to the effect of the dialogical transcendence, discussion and negotiation became an effective method to address social issues. Chinese film production also changed in this situation. More and more filmmakers turned to concentrate on portraying social issues. Cinematic strategies like an open ending, which could encourage and broaden the engagement of discussion, were employed in the 1930s film practice. -
Jiang Qing and Women's Roles in Revolutionary Model Opera During
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 5-2018 Between Villain and Victim: Jiang Qing and Women’s Roles in Revolutionary Model Opera During the Cultural Revolution Cherie Gu Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Gu, Cherie, "Between Villain and Victim: Jiang Qing and Women’s Roles in Revolutionary Model Opera During the Cultural Revolution" (2018). Women's History Theses. 35. https://digitalcommons.slc.edu/womenshistory_etd/35 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Between Villain and Victim: Jiang Qing and Women’s Roles in Revolutionary Model Opera During the Cultural Revolution “Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College, May 2018” Cherie Gu Table of Contents Introduction 4 Chapter One: Peking Opera in Transition 1911-1949 22 Chapter Two: Mister and Missus Mao: 1949-1963 37 Chapter Three: Women in the Spotlight, Traditional Versus Revolutionary Models on and off Stage: 1963-1976 50 Chapter Four: Cultural Recall, Oral Histories on the Memory of Model Opera 65 Conclusion: Opera in China Today 94 Appendix one: Timeline of Events 101 Appendix two: Glossary of Chinese Terms 108 Bibliography 109 !1 Note on translation and Chinese Terminology: Interviews were conducted in Mandarin Chinese and have been transcribed and translated into English by myself in the most direct translation in order to stay faithful to the subjects’ word choices.