Jiang Qing and Cultural Revolution
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The Cultural Revolution and the Mao Personality Cult
Bard College Bard Digital Commons History - Master of Arts in Teaching Master of Arts in Teaching Spring 2018 'Long Live Chairman Mao!' The Cultural Revolution and the Mao Personality Cult Angelica Maldonado Bard College Follow this and additional works at: https://digitalcommons.bard.edu/history_mat Part of the Asian History Commons, Asian Studies Commons, Chinese Studies Commons, Curriculum and Instruction Commons, and the Secondary Education Commons Recommended Citation Maldonado, Angelica, "'Long Live Chairman Mao!' The Cultural Revolution and the Mao Personality Cult" (2018). History - Master of Arts in Teaching. 1. https://digitalcommons.bard.edu/history_mat/1 This Book is brought to you for free and open access by the Master of Arts in Teaching at Bard Digital Commons. It has been accepted for inclusion in History - Master of Arts in Teaching by an authorized administrator of Bard Digital Commons. For more information, please contact [email protected]. ‘Long Live Chairman Mao!’ The Cultural Revolution and the Mao Personality Cult By Angelica Maldonado Bard Masters of Arts in Teaching Academic Research Project January 26, 2018 Maldonado 2 Table of Contents I. Synthesis Essay…………………………………………………………..3 II. Primary documents and headnotes……………………………………….28 a. Quotations from Chairman Mao Tse-tung b. Chairman Mao badges c. Chairman Mao swims across the Yangzi d. Bombard the Headquarters e. Mao Pop Art III. Textbook critique…………………………………………………………33 IV. New textbook entry………………………………………………………37 V. Bibliography……………………………………………………………...40 Maldonado 3 "Had Mao died in 1956, his achievements would have been immortal. Had he died in 1966, he would still have been a great man. But he died in 1976. Alas, what can one say?"1 - Chen Yun Despite his celebrated status as a founding father, war hero, and poet, Mao Zedong is often placed within the pantheon of totalitarian leaders, amongst the ranks of Mussolini, Stalin, and Hitler. -
Contemporary China: a Book List
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used. -
April 28, 1969 Mao Zedong's Speech At
Digital Archive digitalarchive.wilsoncenter.org International History Declassified April 28, 1969 Mao Zedong’s Speech at the First Plenary Session of the CCP’s Ninth Central Committee Citation: “Mao Zedong’s Speech at the First Plenary Session of the CCP’s Ninth Central Committee,” April 28, 1969, History and Public Policy Program Digital Archive, Jianguo yilai Mao Zedong wengao, vol. 13, pp. 35-41. Translated for CWIHP by Chen Jian. http://digitalarchive.wilsoncenter.org/document/117145 Summary: Mao speaks about the importance of a united socialist China, remaining strong amongst international powers. Credits: This document was made possible with support from the Leon Levy Foundation. Original Language: Chinese Contents: English Translation What I am going to say is what I have said before, which you all know, and I am not going to say anything new. Simply I am going to talk about unity. The purpose of unity is to pursue even greater victory. Now the Soviet revisionists attack us. Some broadcast reports by Tass, the materials prepared by Wang Ming,[i] and the lengthy essay in Kommunist all attack us, claiming that our Party is no longer one of the proletariat and calling it a “petit-bourgeois party.” They claim that what we are doing is the imposition of a monolithic order and that we have returned to the old years of the base areas. What they mean is that we have retrogressed. What is a monolithic order? According to them, it is a military-bureaucratic system. Using a Japanese term, this is a “system.” In the words used by the Soviets, this is called “military-bureaucratic dictatorship.” They look at our list of names, and find many military men, and they call it “military.”[ii] As for “bureaucratic,” probably they mean a batch of “bureaucrats,” including myself, [Zhou] Enlai, Kang Sheng, and Chen Boda.[iii] All in all, those of you who do not belong to the military belong to this “bureaucratic” system. -
China's Dual Circulation Economy
THE SHRINKING MARGINS FOR DEBATE OCTOBER 2020 Introduction François Godement This issue of China Trends started with a question. What policy issues are still debated in today’s PRC media? Our able editor looked into diff erent directions for critical voices, and as a result, the issue covers three diff erent topics. The “dual circulation economy” leads to an important but abstruse discussion on the balance between China’s outward-oriented economy and its domestic, more indigenous components and policies. Innovation, today’s buzzword in China, generates many discussions around the obstacles to reaching the country’s ambitious goals in terms of technological breakthroughs and industrial and scientifi c applications. But the third theme is political, and about the life of the Communist Party: two-faced individuals or factions. Perhaps very tellingly, it contains a massive warning against doubting or privately minimizing the offi cial dogma and norms of behavior: “two-faced individuals” now have to face the rise of campaigns, slogans and direct accusations that target them as such. In itself, the rise of this broad type of accusation demonstrates the limits and the dangers of any debate that can be interpreted as a questioning of the Party line, of the Centre, and of its core – China’s paramount leader (领袖) Xi Jinping. The balance matters: between surviving policy debates on economic governance issues and what is becoming an all-out attack that targets hidden Western political dissent, doubts or non-compliance beyond any explicit form of debate. Both the pre-1949 CCP and Maoist China had so-called “line debates” which science has seen this often turned into “line struggles (路线斗争)”: the offi cial history of the mostly as a “fragmented pre-1966 CCP, no longer reprinted, listed nine such events. -
Deng Xiaoping in the Making of Modern China
Teaching Asia’s Giants: China Crossing the River by Feeling the Stones Deng Xiaoping in the Making of Modern China Poster of Deng Xiaoping, By Bernard Z. Keo founder of the special economic zone in China in central Shenzhen, China. he 9th of September 1976: The story of Source: The World of Chinese Deng Xiaoping’s ascendancy to para- website at https://tinyurl.com/ yyqv6opv. mount leader starts, like many great sto- Tries, with a death. Nothing quite so dramatic as a murder or an assassination, just the quiet and unassuming death of Mao Zedong, the founding father of the People’s Republic of China (PRC). In the wake of his passing, factions in the Chinese Communist Party (CCP) competed to establish who would rule after the Great Helmsman. Pow- er, after all, abhors a vacuum. In the first corner was Hua Guofeng, an unassuming functionary who had skyrocketed to power under the late chairman’s patronage. In the second corner, the Gang of Four, consisting of Mao’s widow, Jiang September 21, 1977. The Qing, and her entourage of radical, leftist, Shanghai-based CCP officials. In the final corner, Deng funeral of Mao Zedong, Beijing, China. Source: © Xiaoping, the great survivor who had experi- Keystone Press/Alamy Stock enced three purges and returned from the wil- Photo. derness each time.1 Within a month of Mao’s death, the Gang of Four had been imprisoned, setting up a showdown between Hua and Deng. While Hua advocated the policy of the “Two Whatev- ers”—that the party should “resolutely uphold whatever policy decisions Chairman Mao made and unswervingly follow whatever instructions Chairman Mao gave”—Deng advocated “seek- ing truth from facts.”2 At a time when China In 1978, some Beijing citizens was reexamining Mao’s legacy, Deng’s approach posted a large-character resonated more strongly with the party than Hua’s rigid dedication to Mao. -
Three Prominences1
THE THREE PROMINENCES1 Yizhong Gu The political-aesthetic principle of the “three prominences” (san tuchu 三突出) was the formula foremost in governing proletarian literature and art during the Cultural Revolution (1966–76) (hereafter CR). In May 1968, Yu Huiyong 于会泳 initially proposed and defined the principle in this way: Among all characters, give prominence to the positive characters; among the positive characters, give prominence to the main heroic characters; among the main characters, give prominence to the most important character, namely, the central character.2 As the main composer of the Revolutionary Model Plays, Yu Hui- yong had gone through a number of ups and downs in the official hierarchy before finally receiving favor from Jiang Qing 江青, wife of Mao Zedong. Yu collected plenty of Jiang Qing’s concrete but scat- tered directions on the Model Plays and tried to summarize them in an abstract and formulaic pronouncement. The principle of three prominances was supposed to be applicable to all the Model Plays and thus give guidance for the creation of future proletarian artworks. Summarizing the gist of Jiang’s instruction, Yu observed, “Comrade Jiang Qing lays strong emphasis on the characterization of heroic fig- ures,” and therefore, “according to Comrade Jiang Qing’s directions, we generalize the ‘three prominences’ as an important principle upon which to build and characterize figures.”3 1 This essay owes much to invaluable encouragement and instruction from Profes- sors Ban Wang of Stanford University, Tani Barlow of Rice University, and Yomi Braester of the University of Washington. 2 Yu Huiyong, “Rang wenyi wutai yongyuan chengwei xuanchuan maozedong sixiang de zhendi” (Let the stage of art be the everlasting front to propagate the thought of Mao Zedong), Wenhui Bao (Wenhui daily) (May 23, 1968). -
Rewriting the Cultural Revolution: from Centre to Periphery
Review Essay Rewriting the Cultural Revolution: From Centre to Periphery Christopher Hughes Chen Boda zuihou koushu huiyi Chen Boda's Last Oral Recollections) Revised Edition). By CHEN XIAONONG. [Hong Kong: Sun Global Publishing, 2005. 445 pp. HK$120.00. ISBN 988-98295-1-7.] Xizang jiyi Memories of Tibet). By WEISE. [Taipei: Locus, 2006. 424 pp. N380.00. ISBN 986-7291-85-9.] Although 2006 marked the 40th anniversary of the launching of the Great Proletarian Cultural Revolution, understanding of this trau- matic event in mainland China is still largely limited within the parameters established by the 1981 Resolution on CPC History.1 Yet as even those who were teenagers at the time move into old age, oral history is being used to explore some of the most sensitive issues. This is shown by the appearance of two books written by mainland authors and published in Hong Kong and Taiwan. Chen Boda's Last Oral Recollections is an attempt by Chen Boda's son, Chen Xiaonong, to rehabilitate his father's reputation after he was condemned in 1980 by the reformist leadership as a counter-revolutionary for his part in the Cultural Revolution. In the process it provides new versions of the key events that took place at the centre of power. Memories of Tibet,by the leading Tibetan literary figure, Weise, Woese, born 1966), gives a view far removed from Beijing by bringing together interviews with 23 grass-roots activists from various ethnic groups and setting these in the context of the debate over how much responsibility the indigenous population of Tibet should bear for the destruction wrought on its heritage. -
Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240P
DOCUMENT RESUME ED 385 489 SO 025 360 AUTHOR Yu-ning, Li, Ed. TITLE Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240p. AVAILABLE FROM Johnson & Associates, 257 East South St., Franklin, IN 46131-2422 (paperback: $25; clothbound: ISBN-1-880938-008, $39; shipping: $3 first copy, $0.50 each additional copy). PUB TYPE Books (010) Reports Descriptive (141) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Chinese Culture; *Cultural Images; Females; Folk Culture; Foreign Countries; Legends; Mythology; Role Perception; Sexism in Language; Sex Role; *Sex Stereotypes; Sexual Identity; *Womens Studies; World History; *World Literature IDENTIFIERS *Asian Culture; China; '`Chinese Literature ABSTRACT This book examines the ways in which Chinese literature offers a vast array of prospects, new interpretations, new fields of study, and new themes for the study of women. As a result of the global movement toward greater recognition of gender equality and human dignity, the study of women as portrayed in Chinese literature has a long and rich history. A single volume cannot cover the enormous field but offers volume is a starting point for further research. Several renowned Chinese writers and researchers contributed to the book. The volume includes the following: (1) Introduction (Li Yu- Wing);(2) Concepts of Redemption and Fall through Woman as Reflected in Chinese Literature (Tsung Su);(3) The Poems of Li Qingzhao (1084-1141) (Kai-yu Hsu); (4) Images of Women in Yuan Drama (Fan Pen Chen);(5) The Vanguards--The Truncated Stage (The Women of Lu Yin, Bing Xin, and Ding Ling) (Liu Nienling); (6) New Woman vs. -
Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler a Dissertati
Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Sasha Su-Ling Welland, Chair Ann Anagnost Stevan Harrell Danny Hoffman Program Authorized to Offer Degree: Anthropology ©Copyright 2018 Darren T. Byler University of Washington Abstract Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler Chair of the Supervisory Committee: Sasha Su-Ling Welland, Department of Gender, Women, and Sexuality Studies This study argues that Uyghurs, a Turkic-Muslim group in contemporary Northwest China, and the city of Ürümchi have become the object of what the study names “terror capitalism.” This argument is supported by evidence of both the way state-directed economic investment and security infrastructures (pass-book systems, webs of technological surveillance, urban cleansing processes and mass internment camps) have shaped self-representation among Uyghur migrants and Han settlers in the city. It analyzes these human engineering and urban planning projects and the way their effects are contested in new media, film, television, photography and literature. It finds that this form of capitalist production utilizes the discourse of terror to justify state investment in a wide array of policing and social engineering systems that employs millions of state security workers. The project also presents a theoretical model for understanding how Uyghurs use cultural production to both build and refuse the development of this new economic formation and accompanying forms of gendered, ethno-racial violence. -
Information to Users
INFORMATION TO USERS This manuscript Pas been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissenation copies are in typewriter face, while others may be from anytype of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material bad to beremoved, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with smalloverlaps. Each original is also photographed in one exposure and is included in reduced form at the back ofthe book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell &Howell Information Company 300North Zeeb Road. Ann Arbor. MI48106-1346 USA 313!761-47oo 800:521·0600 THE LIN BIAO INCIDENT: A STUDY OF EXTRA-INSTITUTIONAL FACTORS IN THE CULTURAL REVOLUTION A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY AUGUST 1995 By Qiu Jin Dissertation Committee: Stephen Uhalley, Jr., Chairperson Harry Lamley Sharon Minichiello John Stephan Roger Ames UMI Number: 9604163 OMI Microform 9604163 Copyright 1995, by OMI Company. -
Master's Degree in Oriental Asian Languages and Civilizations Final
Master’s Degree in Oriental Asian Languages and Civilizations Final Thesis A Space of Her Own. Configurations of feminist imaginative spaces in five post-May Fourth Chinese women writers: Ding Ling, Xiao Hong, Yang Gang, Zhang Ailing, Fengzi. Supervisor Ch. Prof. Nicoletta Pesaro Assistant supervisor Ch. Prof. Federica Passi Graduand Alessandra Di Muzio 834369 Academic Year 2019 / 2020 TABLE OF CONTENTS 前言 1 INTRODUCTION The spatial quest of post-May Fourth Chinese women writers (1927-1949) 4 1. Modernity and the new (male) subjectivity 4 2. May-Fourth (1917-1927) Chinese women writers, or modernity denied 6 3. Women, space and the nei 内/wai 外 dichotomy in China 11 4. Who we talk about when we talk about ‘woman’ in traditional, pre-modern China 12 5. Late modern (1927-1949) Chinese women writers, or fighting against erasure 14 6. Negotiating space within a man's world 21 7. Centre, margin and Chinese specificity in the global cultural context of modernity 26 CHAPTER ONE Dark mirage: Ding Ling’s Ahmao guniang 阿毛姑娘 (The girl named Ahmao) and the opacity of woman’s subjectivity 30 1. A feminist upbringing 30 2. Nüxing, darkness and enlightenment 33 3. Shadowscape: Ahmao guniang and her quest for subjectivity 37 4. Woman, voyeurism and the mirage of modernity 41 5. The fractured distance between dreams and reality 44 6. Awareness comes through another woman 49 7. Nüxing and future anteriority 52 8. The shift in space politics and the negative critical appraisal on Ding Ling's first literary phase 57 CHAPTER TWO Watermark: Xiao Hong’s Qi’er 弃儿 (Abandoned Child) and the fluid resilience of woman 62 1. -
ABSTRACT Title of Document: the ANTI-CONFUCIAN CAMPAIGN
ABSTRACT Title of Document: THE ANTI-CONFUCIAN CAMPAIGN DURING THE CULTURAL REVOLUTION, AUGUST 1966-JANUARY 1967 Zehao Zhou, Doctor of Philosophy, 2011 Directed By: Professor James Gao, Department of History This dissertation examines the attacks on the Three Kong Sites (Confucius Temple, Confucius Mansion, Confucius Cemetery) in Confucius’s birthplace Qufu, Shandong Province at the start of the Cultural Revolution. During the height of the campaign against the Four Olds in August 1966, Qufu’s local Red Guards attempted to raid the Three Kong Sites but failed. In November 1966, Beijing Red Guards came to Qufu and succeeded in attacking the Three Kong Sites and leveling Confucius’s tomb. In January 1967, Qufu peasants thoroughly plundered the Confucius Cemetery for buried treasures. This case study takes into consideration all related participants and circumstances and explores the complicated events that interwove dictatorship with anarchy, physical violence with ideological abuse, party conspiracy with mass mobilization, cultural destruction with revolutionary indo ctrination, ideological vandalism with acquisitive vandalism, and state violence with popular violence. This study argues that the violence against the Three Kong Sites was not a typical episode of the campaign against the Four Olds with outside Red Guards as the principal actors but a complex process involving multiple players, intraparty strife, Red Guard factionalism, bureaucratic plight, peasant opportunism, social ecology, and ever- evolving state-society relations. This study also maintains that Qufu locals’ initial protection of the Three Kong Sites and resistance to the Red Guards were driven more by their bureaucratic obligations and self-interest rather than by their pride in their cultural heritage.