KODAKERY January 7, 1954
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History of KODAK Cameras
CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P. -
Express Camera Auction 27Th June 2018 at 10:00
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Express Camera Auction 27th June 2018 at 10:00 Viewing 26th June 2018 10:00-16:00 For enquiries relating to the sale: Saleroom One Please contact: 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Fax: 0871 714 6905 Email: [email protected] www.specialauctionservices.com Austin Mike Spencer Farahar Express Cameras Cameras Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - its just like being in the auction room. A live audio feed means you hear the auctioneer at the same time as other bidders. You see the lots on your computer screen as they appear in the auction room and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! 7. Kodak Retina Cameras, 13. 35mm Film Strip Projectors, models include, Retina Ib with 50mm Ellis & Newton Ltd with Leech series f/2.8 Schneider-Kreuznach lens (G), II 3’’ lens, Pullin Optics with Pulnar 4’’ Retina IIa (2) and a Retinette Ib (100mm) f/2.8 lens, both in wooden £40-60 carry cases £30-50 14. A Kodascope Model C 1. Four TLR Cameras, models Projector, including lens, reels, in include, Rolleicord II with triostar makers case £20-40 7.5cm f/3.5 lens, a Mamiyaflex with Sekor 7.5cm f3.5 lens, a Ricoh super 44 with Riken 6cm f/3.5 lens and a Semiflex with a Berthot 75mm f/4.5 lens £50-70 8. -
Festschrift:Experimenting with Research: Kenneth Mees, Eastman
Science Museum Group Journal Festschrift: experimenting with research: Kenneth Mees, Eastman Kodak and the challenges of diversification Journal ISSN number: 2054-5770 This article was written by Jeffrey Sturchio 04-08-2020 Cite as 10.15180; 201311 Research Festschrift: experimenting with research: Kenneth Mees, Eastman Kodak and the challenges of diversification Published in Spring 2020, Issue 13 Article DOI: http://dx.doi.org/10.15180/201311 Abstract Early industrial research laboratories were closely tied to the needs of business, a point that emerges strikingly in the case of Eastman Kodak, where the principles laid down by George Eastman and Kenneth Mees before the First World War continued to govern research until well after the Second World War. But industrial research is also a gamble involving decisions over which projects should be pursued and which should be dropped. Ultimately Kodak evolved a conservative management culture, one that responded sluggishly to new opportunities and failed to adapt rapidly enough to market realities. In a classic case of the ‘innovator’s dilemma’, Kodak continued to bet on its dominance in an increasingly outmoded technology, with disastrous consequences. Component DOI: http://dx.doi.org/10.15180/201311/001 Keywords Industrial R&D, Eastman Kodak Research Laboratories, Eastman Kodak Company, George Eastman, Charles Edward Kenneth Mees, Carl Duisberg, silver halide photography, digital photography, Xerox, Polaroid, Robert Bud Author's note This paper is based on a study undertaken in 1985 for the R&D Pioneers Conference at the Hagley Museum and Library in Wilmington, Delaware (see footnote 1), which has remained unpublished until now. I thank David Hounshell for the invitation to contribute to the conference and my fellow conferees and colleagues at the University of Pennsylvania for many informative and stimulating conversations about the history of industrial research. -
FULL PROGRAM A-4 Printable Format
A SPECIAL THANK YOU TO: OUR SPONSORS INSTITUTIONS AND INDIVIDUALS FOR THEIR CONTRIBUTIONS New York Public Library for the Performing Arts New York Public Library, Barbara Goldsmith ConservaIon Lab The James B. Duke House of The InsItute of Fine Arts, New York University The Metropolitan Museum of Art, Department of Photograph ConservaIon Museum of Modern Art, The David Booth ConservaIon Department Laumont Photographics Alison Rossiter, ArIst Adam Fuss, ArIst ORGANIZING COMMITTEES Heather Brown, AIC Photographic Materials Group Secretary/Treasurer TaIana Cole AIC, Photographic Materials Group Program Chair Diana Diaz, ICOM-CC Photographic Materials Working Group Coordinator Jessica Keister, NYC Local Planning Team Coordinator Barbara Lemmen, AIC Photographic Materials Group Chair Saori Kawasumi Lewis, AIC Photographic Materials Group Secretary/Treasurer Ruth Seyler, AIC MeeIngs & Advocacy Director Barbara Brown, ICOM-CC Photographic Materials Working Group Assistant Coordinator Susie Clark, ICOM-CC Photographic Materials Working Group Assistant Coordinator Lee Ann Daffner, NYC Local Planning Team EsIbaliz Guzman, ICOM-CC Photographic Materials Working Group Assistant Coordinator Marc Harnly, ICOM-CC Photographic Materials Working Group Assistant Coordinator Greg Hill, ICOM-CC Photographic Materials Working Group Assistant Coordinator MarIn Jürgens, ICOM-CC Photographic Materials Working Group Assistant Coordinator Natasha Kung, NYC Local Planning Team Krista Lough, NYC Local Planning Team Mark Strange, ICOM-CC Photographic Materials Working Group Assistant Coordinator Elsa Thyss, NYC Local Planning Team TABLE OF CONTENTS Program of Talks in Summary . 1 Speakers, Authors, & Abstracts Wednesday, Feb. 20th . 3 Thursday, Feb. 21st . 13 Friday, Feb. 22nd . 24 Session Chairs . 30 Workshops . 30 Tours Tuesday, Feb. 19th . 32 Wednesday and Thursday, Feb. 20th and 21st . -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
Kodak Magazine (Canada); Vol. 10, No. 3; March 1954
•~ ll ese rt Ridges" Louis .J . Parke r, Rochester The above pictorial monoe hrornc print won the George Eastman M edal, hig hest award in the 19th Koda k Inte rnational Salon of l,hotog raphy. For re productions of other award winners , see pages 6 and 7 dn J!us &sue----. Page New Camera-Company announces Kodak Chevron Camera, a precision-made model with outstanding features l Elected Director-D. C. Kerr elected director at meetings of Canadian Kodak Co., Limited and Canadian Kodak Sales Limited 1 Retirements-four long-service men leave Kodak to devote time to leisure activities 2 Safe-Driving-truck drivers get recognition .for years of careful driving -'~ · Anniversaries-four men achieve the quarter-century mark at Kodak Heights 5 Award Winners-reproductions of some top pictures in the 19Ut Kodak International Salon of Photography 6 Photo-Patter-some hints .for getting outdoor scenes .from indoors 8 They Tell Us-news .from here and there throughout the plant 9 K.R.C. Doings-Kodak people in sports and other entertainment 10 ••&:ODAK" IS A TRADE-MARK Vo!umc 10 March 1954· I'UBLISHED BY CANADIAN KODAK CO., LIMITED, TORONTO, ONTARIO Company Announces l(odak Chevron Camera H E COMP ANY has announced the K o d a k C h evro n TCamera, a precision-made camera designed fo r the ad- . vanced photographic worker. As such, it is the answer to many requests for a roll film camera combining Kodak's finest lens and shutter plus a spli t-field rangefinder. It has been engineered for depend abili ty and hi gh quali ty under the most rigorous use. -
Central Library of Rochester and Monroe County · Historic
Central Library of Rochester and Monroe County · Historic Scrapbooks Collection Central Library of Rochester and Monroe County · Historic Scrapbooks Collection About fifteen years ago a man by the name of Forsyth* in Boston Eastman's Life ,,>,' Mr. Ackerman conceived the idea of estahli Story AtTea in not NevTTorM said, "replied to this letter, a dental infirmary where the chil but fuX*/?f t*}f its because of his own feelings, dren of that city could obtain ex l s;e Eastman expressed rc- Isiim social because of his sense of pert dental treatment free of grei today at Inability jn accept I fol responsibility." His reply charge. The idea appealed to mo Next an invitation to a tea WWew York Tuesday lows: and I established, a denial di s Eastman's life City this honor that I can George story afterrjjjptwJRi of| Permit me to say aary in Rochester for all Fausta Ital indigent] "will go on the air next Tuesday Vitt^av^fcngarini, understand vour present anxiety ian 1r tfrROSiS sixteen years f age.| under It 9:30 p. m. sculptrefar the which confront Ichildren between and problems has At that Mmc. last year exe school before I Since this dispensary time, Frazier Hunt, M/nw2rini Corrfl^nndenrft Ytr I had to leave of a small West you. of this famous cuted bust of Mr. Eaat representative old because I the children city| newspaper correspon m was fourteen years opened afrxqmze and George Bast one mil- man for. fine dental clinics he Iginia churchman earner in the received more than dent, will touch for the first haul was the only wage have the liter's international time incidents in the London and Rome. -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market. -
Cine-Kodak News; Dec. 1933; Vol. 9, No. 5
"ON LOCATION" FOR OUTDOOR WINTER MOVIES B ECAUSE of a special lubricant used in Cine-Kodak it will run as efficiently in zero In this ISSUe: weather as during warm summer months. But before you set out to film winter subjects here are a few precautions that may help you. "ON LOCATION" FOR The use of filters for general pictorial work is strongly recommended. Yellow filters OUTDOOR WINTER cut down on the blue light which is so overwhelmingly predominant in winter, particu- larly when the ground is covered with snow, and permit the more even registration of MOVIES all color tones in black and white. Filters accentuate cloud effects by reproducing sky and How to make the most o f your out- clouds more nearly as the eye sees them- gray sky and white clouds. Filters also enable door filming opportunities. your camera's lens to penetrate the haze so often encountered in winter landscapes. Do (Pages 1 and 2) not use a filter when making close-ups of individuals. Owners of 16 mm. Cine-Kodaks will find CK-1, CK-2, and CK-3 filters extremely useful TIPS ON TITLING for sky and landscape £ilming. Owners of Cine-Kodaks Eight, Models 20 or 25, should use the Z-CK-3 filter; Model 6o, the U8-CK-3 filter. Now's the time to whip summer And watch your exposure! The sunlight of winter in northern and temperate climes shots into final shape. (Page 2) is weaker than that of summer months. When there is snow on the ground to reflect light it compensates for this loss of intensity, and you can use summertime openings. -
George Eastman Museum Annual Report 2020
George Eastman Museum Annual Report 2020 Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs and Events 5 Publishing and Online Projects 7 Books 7 Digitized Films Online 7 Silver Voices 7 Videos 8 Mobile Tour 9 Engagement and Attendance Statistics 10 Education 11 The L. Jeffrey Selznick School of Film Preservation 11 Photographic Preservation & Collections Management 11 Photography Workshops 12 Loans 13 Object Loans 13 Film Screenings 14 Acquisitions 15 Gifts to the Collections 15 Photography 15 Moving Image 19 Technology 19 George Eastman Legacy 22 Richard and Ronay Menschel Library 22 Purchases for the Collections 22 Photography 22 Moving Image 23 Technology 23 George Eastman Legacy 23 Richard and Ronay Menschel Library 23 Conservation and Preservation 24 Conservation 24 Film Preservation 27 Capital Projects 28 Financial 29 Treasurer’s Report 29 Statement of Financial Position 30 Statement of Activities and Change in Net Assets 31 Fundraising 32 Members 32 Corporate Members 34 Annual Campaign 34 Designated Giving 35 Planned Giving 36 Trustees and Staff 37 Board of Trustees 37 George Eastman Museum Staff 38 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries and mansion during 2020. MAIN GALLERIES POTTER PERISTYLE MANSION Anderson & Low: Voyages and Discoveries Penelope Umbrico: Everyone’s Photos Any 100 Years Ago: George Eastman in 1920 Curated by Lisa Hostetler, curator in charge, License (532 of 1,190,505 Full Moons on Flickr) Curated by Jesse Peers, archivist, Department of Photography Curated by Lisa Hostetler, curator in charge, George Eastman Legacy Collection October 19, 2019–January 5, 2020 Department of Photography February 14, 2020–January 3, 2021 July 20, 2019–January 5, 2020 Bea Nettles: Harvest of Memory Made possible by Stephen B. -
Eph104 the Evolution of Photography and It’S Impact on the World As We Know It
EPH104 THE EVOLUTION OF PHOTOGRAPHY AND IT’S IMPACT ON THE WORLD AS WE KNOW IT. EPH104 – THE EVOLUTION OF PHOTOGRAPHY Table of Contents INTRODUCTION ............................................................................................................. 5 PART 1: TECHNOLOGY DEVELOPMENT ..................................................................... 7 Precursors ................................................................................................................... 8 Early Experiments........................................................................................................ 9 HELIOGRAPHY ....................................................................................................... 9 DAGUERREOTYPE ............................................................................................... 10 PHOTOGENIC DRAWING ..................................................................................... 11 Early views of the medium’s potential ........................................................................ 13 The Revolution Of Technique .................................................................................... 14 DEVELOPMENT OF THE DAGUERREOTYPE ..................................................... 14 DEVELOPMENT OF THE CALOTYPE .................................................................. 18 DEVELOPMENT OF STEREOSCOPIC PHOTOGRAPHY ..................................... 20 DEVELOPMENT OF THE WET COLLODION PROCESS ..................................... 21 DEVELOPMENT OF THE DRY