Kodak Research Laboratories Contents List of Materials Transferred from EKC, Begun May 31, 2007
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Kodak SALES NEWS Published by the Marketing Division ! Coburg
'.':r~. J. L.'\CZ :rn . CO LO IJ :-: P: ~ I 'J' [' I l [PT ,o, sratt " " """ I '"'""'"'"· A BGO sro :'D . Kodak SALES NEWS Published by the Marketing Division ! Coburg. May/June, 1965 in the Retina caniera line ... • l KODAK RETINA REFLEX IV SALES NEWS "GIANT DOUBLEISSUE" Giant double issues of periodicals are usually produced about Christmas time, or as a "gimmick" to sell advertising space. The reason, however, for ou.r double issue is much more ordinary. The simple facts are that much of the copy for the May issue was held up and when the edition was ready for the press our Multi lith operator went down with a bad case of gastric influenza. When he returned to work he had to tackle the Kodak Price List, plus several other jobs of higher priority than Sales News. Rather than send out the May issue at the beginning of June we decided to combine it with the June issue. 1n the fin der and on top of the camera. The Kodak Retina Reflex IV Camera , In add1t1on lens aperture and shutter f i tted with f/ 2.8 Xenar le ns , 1s speed settings are visi ble in the priced at £109.0.0 retail, including finder. Two flash contacts are pro imported always - ready case. Fitted vided , one in the access ory shoe and with f/1 :9 Xenon lens £ 125 .5 . 0 , in c a cable socket on the front of the luding imported al ways re ady case. camern. The counter auto matica ll y re sets , to the sta rtin g mark before OOR PICTURE- TAKING Ci\J,TPJ\IGN number 36, on opening the camera back . -
KODAK EASYSHARE TOUCH Camera / M5370
KODAK EASYSHARE TOUCH Camera / M5370 Extended user guide www.kodak.com Help: www.kodak.com/go/m5370support Tutorials: www.kodak.com/go/m5370demos Eastman Kodak Company Rochester, New York 14650 © Eastman Kodak Company, 2011 All screen images are simulated. Kodak, EasyShare Touch, Ektachrome, Kodachrome, Kodacolor, Max, Perfect Touch, Pulse, T-Max, and Tri-X are trademarks of Eastman Kodak Company. 4H8631_en Product features Quick start 1 Load the battery. 2 Charge until the light stops blinking. 3 Set language, date/time. 4 Take pictures, videos. 5 Install software, then share. Keep learning! Take and share your best pictures, videos! www.kodak.com/go/support i Product features Front, top view AF Assist/ Self-timer/ Flash Video light Lens Power Power/Battery Charging light Shutter button (for pictures) Zoom Record Video ii www.kodak.com/go/support Side, bottom view LCD Tripod socket Speaker Micro USB/ AV Out Strap post Review MICROSD/SDHC Card (accessory) Share Slot for MICROSD/SDHC Card (accessory) Battery compartment www.kodak.com/go/support iii Touchscreen gestures Tap Swipe Drag or scroll (or tap and hold) (Drag and quickly release) (Pull down or push up) iv www.kodak.com/go/support Table of contents 1 1 Setting up your camera .........................................................................1 Loading the KLIC-7006 battery......................................................................1 Charging the battery .....................................................................................2 Turning on the camera ..................................................................................5 -
Festschrift:Experimenting with Research: Kenneth Mees, Eastman
Science Museum Group Journal Festschrift: experimenting with research: Kenneth Mees, Eastman Kodak and the challenges of diversification Journal ISSN number: 2054-5770 This article was written by Jeffrey Sturchio 04-08-2020 Cite as 10.15180; 201311 Research Festschrift: experimenting with research: Kenneth Mees, Eastman Kodak and the challenges of diversification Published in Spring 2020, Issue 13 Article DOI: http://dx.doi.org/10.15180/201311 Abstract Early industrial research laboratories were closely tied to the needs of business, a point that emerges strikingly in the case of Eastman Kodak, where the principles laid down by George Eastman and Kenneth Mees before the First World War continued to govern research until well after the Second World War. But industrial research is also a gamble involving decisions over which projects should be pursued and which should be dropped. Ultimately Kodak evolved a conservative management culture, one that responded sluggishly to new opportunities and failed to adapt rapidly enough to market realities. In a classic case of the ‘innovator’s dilemma’, Kodak continued to bet on its dominance in an increasingly outmoded technology, with disastrous consequences. Component DOI: http://dx.doi.org/10.15180/201311/001 Keywords Industrial R&D, Eastman Kodak Research Laboratories, Eastman Kodak Company, George Eastman, Charles Edward Kenneth Mees, Carl Duisberg, silver halide photography, digital photography, Xerox, Polaroid, Robert Bud Author's note This paper is based on a study undertaken in 1985 for the R&D Pioneers Conference at the Hagley Museum and Library in Wilmington, Delaware (see footnote 1), which has remained unpublished until now. I thank David Hounshell for the invitation to contribute to the conference and my fellow conferees and colleagues at the University of Pennsylvania for many informative and stimulating conversations about the history of industrial research. -
FULL PROGRAM A-4 Printable Format
A SPECIAL THANK YOU TO: OUR SPONSORS INSTITUTIONS AND INDIVIDUALS FOR THEIR CONTRIBUTIONS New York Public Library for the Performing Arts New York Public Library, Barbara Goldsmith ConservaIon Lab The James B. Duke House of The InsItute of Fine Arts, New York University The Metropolitan Museum of Art, Department of Photograph ConservaIon Museum of Modern Art, The David Booth ConservaIon Department Laumont Photographics Alison Rossiter, ArIst Adam Fuss, ArIst ORGANIZING COMMITTEES Heather Brown, AIC Photographic Materials Group Secretary/Treasurer TaIana Cole AIC, Photographic Materials Group Program Chair Diana Diaz, ICOM-CC Photographic Materials Working Group Coordinator Jessica Keister, NYC Local Planning Team Coordinator Barbara Lemmen, AIC Photographic Materials Group Chair Saori Kawasumi Lewis, AIC Photographic Materials Group Secretary/Treasurer Ruth Seyler, AIC MeeIngs & Advocacy Director Barbara Brown, ICOM-CC Photographic Materials Working Group Assistant Coordinator Susie Clark, ICOM-CC Photographic Materials Working Group Assistant Coordinator Lee Ann Daffner, NYC Local Planning Team EsIbaliz Guzman, ICOM-CC Photographic Materials Working Group Assistant Coordinator Marc Harnly, ICOM-CC Photographic Materials Working Group Assistant Coordinator Greg Hill, ICOM-CC Photographic Materials Working Group Assistant Coordinator MarIn Jürgens, ICOM-CC Photographic Materials Working Group Assistant Coordinator Natasha Kung, NYC Local Planning Team Krista Lough, NYC Local Planning Team Mark Strange, ICOM-CC Photographic Materials Working Group Assistant Coordinator Elsa Thyss, NYC Local Planning Team TABLE OF CONTENTS Program of Talks in Summary . 1 Speakers, Authors, & Abstracts Wednesday, Feb. 20th . 3 Thursday, Feb. 21st . 13 Friday, Feb. 22nd . 24 Session Chairs . 30 Workshops . 30 Tours Tuesday, Feb. 19th . 32 Wednesday and Thursday, Feb. 20th and 21st . -
Kodak Picture Making Aids
Central Library of Rochester and Monroe County - Trade Catalog Collection KO D AK PlCTURt UMUHG MOS Central Library of Rochester and Monroe County - Trade Catalog Collection m Central Library of Rochester and Monroe County - Trade Catalog Collection KODAK 0$ PICTURE-MAKING AIDS FOREWORD ... A camera and a roll of film are the basic materials with which anyone may participate in the satisfying and enjoyable hobby of pic ture taking. As skill and experience grow, however, the desire often arises for new fields to conquer, and to help satisfy this longing, dozens of novel, easily used, Kodak accessories—as described in this book — are available. INDEX Adapters, Miniature-Kodachrome . 9 Lamps, Photoflood and Photoflash . 8, 14 Albums 38, 39 Lens Attachments . 15, 16, 17, 18 Blotter Roll 27 Lens Attachments, Combination 15, 16, 17 Carrying Cases 42, 43 Lens Cleaner 44 Chemicals . 29 Lens Hood 15, 16, 17, 44 Darkroom Lamps . 36 Mask Charts 27 Darkroom Outfits 30, 31 Minifile Box for Miniature Negatives . .11 Developers 29 Neck Strap 11 Developing Supplies 22, 23 Negative Spotting Panel 37 Dry Mounting Tissue 40 Oil Colors 41 Enlargement Exposure Calculator 37 Paper 28 Enlargers 32, 33, 34, 35 Paper Board, Kodak Miniature .... 37 Enlarging Focus Finder Paper Board, Masking 37 Exposure Guides 37 . 7 Photo Chamois 27 Ferrotype Plates Photoflood Control . 14 Film and Film Packs . 4, 5, 6, Back . 27 Cover Plates, Eastman and Wratten 6 Film Clips Printer, Kodak Amateur 26 23 Film Lacquer Printing Frames and Masks .... 26, 27 Film Tanks 44 Print Rollers 40 Filters 15, 16, 20, 21 Projection Print Scale 37 Filters, Kodachrome 8, 17, 18 Publications . -
Gazing-Imaging: Visual Rhetorical Criticism and Creation
GAZING-IMAGING: VISUAL RHETORICAL CRITICISM AND CREATION, DIGITAL PHOTOGRAPHY, AND REPRODUCING WOMEN, A PREGNANT (TRANS)MAN, AND FAMILY by JAMIE LANDAU (Under the Direction of Celeste M. Condit) ABSTRACT This dissertation proposes a supplementary materialist theory of visual rhetoric and methodological perspective of visual rhetorical criticism and creation that I term “gazing-imaging.” I apply this theory and methodological perspective to case studies of the symbolic ideological, physical, and affective interaction between 20 women of various childbearing ages today and digital photography in general, and with four digital photographs in particular. Specifically, I rhetorically critique how the women interacted (and at times hesitated to interact) with digital photography in general in four main ways: they “captured” happy family moments and/or memories, 2) they “connected” family, 3) they “circulated” happy family digital photographs, and 4) they “changed” family digital photographs. I argue that the material reproduction of “happy family” is one major rhetorical force of gazing-imaging done by today’s women of childbearing age and digital photography. A second rhetorical force of gazing-imaging was the material reproduction and stealth subversion of “pregnant sirens” that occurred when the women interacted (and hesitated to interact) with a particular digital photograph by “cropping” and “censoring” (the skin of) (hetero)sexually- seductive and naked pregnant female models. A third rhetorical force of gazing- imaging was the comedic material reproduction and subversion of traditional male masculinity, along with the material reproduction of a “pregnant (trans)man” and “happy family” that occurred when the women interacted with two additional photographs. I close this dissertation with a rhetorical creation that recommends the reproduction of another “happy family” by “collage”-ing family digital photographs. -
HAWKEYE INSTAMATIC Cameras
· V 1965 SPRING SUMMER KODAK PRE·MI MCATALOG HAWKEYE INSTAMATIC Cameras ... No. C 11 SMP HAWKEYE INSTAMATIC Flasholder For "bounce-back" offers where initial offer was the Hawkeye Instamatic camera. Creates additional sales, gives promotion longer life. Flash holder attaches eas ily to top of Hawkeye Instamatic camera. Makes in door snapshots as easy to take as outdoor ones. No. ASS HAWKEYE INSTAMATIC Camera A great self-liquidator. Handsomely styled in teal green and ivory with bright aluminum trim. Hawkeye Instamatic camera laads instantly with No. CS8MP HAWKEYE INSTAMATIC Field Case film in handy, drop-in Kodapak cartridges. Takes black-and-white and Perfect choice for "bounce-back" offers where initial color snapshots, and color slides. Extremely easy to use .• • gives en offer was the Hawkeye Instamatic camera or Hawkeye joyment to the entire family. Available in mailer pack. May be person Instamatic F camera. Handsome black simulated alized on special orders with company identification on the camera, either leather case protects camera from dirt and scratches, removable or affixed permanently. facilitates carrying. Supplied flat in mailing envelope. 3 STEPS 1. Dealer load to your customers. TO ORGANIZING Whether your customer operates a supe- market, drug store, service station, or 0 eo" retail business, be sure he is stocked the products your promotion will feo 'eo. AN EFFECTIVE Accomplish this dealer-loading step by fering your customer additional ince .. to stock your product. SELF -LIQUIDATOR For example: With the purchase of • cases of your product, your custo mer ~ ceives a free in-store display and a HA PROMOTION EYE INSTAMATIC F Outfit. -
Central Library of Rochester and Monroe County · Historic
Central Library of Rochester and Monroe County · Historic Scrapbooks Collection Central Library of Rochester and Monroe County · Historic Scrapbooks Collection About fifteen years ago a man by the name of Forsyth* in Boston Eastman's Life ,,>,' Mr. Ackerman conceived the idea of estahli Story AtTea in not NevTTorM said, "replied to this letter, a dental infirmary where the chil but fuX*/?f t*}f its because of his own feelings, dren of that city could obtain ex l s;e Eastman expressed rc- Isiim social because of his sense of pert dental treatment free of grei today at Inability jn accept I fol responsibility." His reply charge. The idea appealed to mo Next an invitation to a tea WWew York Tuesday lows: and I established, a denial di s Eastman's life City this honor that I can George story afterrjjjptwJRi of| Permit me to say aary in Rochester for all Fausta Ital indigent] "will go on the air next Tuesday Vitt^av^fcngarini, understand vour present anxiety ian 1r tfrROSiS sixteen years f age.| under It 9:30 p. m. sculptrefar the which confront Ichildren between and problems has At that Mmc. last year exe school before I Since this dispensary time, Frazier Hunt, M/nw2rini Corrfl^nndenrft Ytr I had to leave of a small West you. of this famous cuted bust of Mr. Eaat representative old because I the children city| newspaper correspon m was fourteen years opened afrxqmze and George Bast one mil- man for. fine dental clinics he Iginia churchman earner in the received more than dent, will touch for the first haul was the only wage have the liter's international time incidents in the London and Rome. -
The Phsc E-Mail 1 Vol
1 of 12 PAGES The PHSC Volume 9-9, Supplement E-MAIL to Photographic Canadiana, December 2009 The Photographic Historical Society of Canada Wednesday, December 16th, 2009… NOTE TO PHSC MEMBERS It is our Christmas program featur- The alliance between Black’s ing SHOW & TELL NITE when Photography and the Greater members share examples from their Toronto Council of Camera Clubs, collections offering the memories GTCCC, has been dissolved. This is through mutual agreement, but of how and when they got them. has an important ramification. That Our members are an eclectic bunch being: The offering of Camera Club so you never know what to expect Member Discounts at Black’s stores NO LONGER EXIST. at this annual event except it will be unusual and interesting. Bring something yourself! A Silent Auction will be on hand for members and visitors to partici- PHSC Monthly Meetings pate in throughout the early part of the program. Look to the tables. are held on the third Wednesday from September to June in the Gold Room, It is also our annual Christmas Party with the GIFT EXCHANGE so to of Memorial Hall in the basement of participate you must bring a wrapped gift to the value of less than $15. the North York Central Library, 5120 Yonge St., North York, Ontario. The public is welcome - please join us. The meeting officially begins at 8:00 p.m. but is preceded by a Buy & Sell We expect to be back in our usual location. and social gathering from 7:00 p.m. Meetings held in the Gold Room, (basement) of the North York Central onwards. -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market. -
A Chronicle of the Motion Picture Industry a Chronicle of the Motion Picture Industry
A CHRONICLE OF THE MOTION PICTURE INDUSTRY A CHRONICLE OF THE MOTION PICTURE INDUSTRY INTRODUCTION If you’ve ever taken a still photograph, you’re already acquainted with the essentials of shooting a motion picture image. The biggest diMerence between the two is that the movie camera typically captures twenty-four images each second. Well into the late Nineteenth Century, most images were captured on sensitized glass plates, metal, or heavy paper. Shortly after the invention of 1951 KODAK BROWNIE photography, attempts were already underway to capture and reproduce a Movie Camera moving image. Typically, an array of individual cameras, triggered in rapid succession, captured a series of single exposures on glass plates. These experiments relied on a persistence of vision concept—the eye-brain combination is capable of melding a series of sequential images into a movie. A more practical photographic system had yet to be created. It was George Eastman’s invention of the KODAK Camera, and the flexible film it exposed, that made the movie camera possible. A HISTORY OF CINEMATOGRAPHY Human fascination with the concept of communicating with light and shadows has its roots in antiquity. Aristotle supplied the earliest reference to the camera obscura—sunlight, passing through a small hole, projected an inverted image on the wall of a darkened room. Renaissance artists traced that projected image to create accurate drawings. Gemma Frisius published a drawing of a camera obscura in 1545. Thirteen years later Giovanni Battista della Porta wrote "Magia Naturalis," a book describing the use of a camera obscura with lenses and concave mirrors to project a tableau in a darkened room. -
Cine-Kodak News; Dec. 1933; Vol. 9, No. 5
"ON LOCATION" FOR OUTDOOR WINTER MOVIES B ECAUSE of a special lubricant used in Cine-Kodak it will run as efficiently in zero In this ISSUe: weather as during warm summer months. But before you set out to film winter subjects here are a few precautions that may help you. "ON LOCATION" FOR The use of filters for general pictorial work is strongly recommended. Yellow filters OUTDOOR WINTER cut down on the blue light which is so overwhelmingly predominant in winter, particu- larly when the ground is covered with snow, and permit the more even registration of MOVIES all color tones in black and white. Filters accentuate cloud effects by reproducing sky and How to make the most o f your out- clouds more nearly as the eye sees them- gray sky and white clouds. Filters also enable door filming opportunities. your camera's lens to penetrate the haze so often encountered in winter landscapes. Do (Pages 1 and 2) not use a filter when making close-ups of individuals. Owners of 16 mm. Cine-Kodaks will find CK-1, CK-2, and CK-3 filters extremely useful TIPS ON TITLING for sky and landscape £ilming. Owners of Cine-Kodaks Eight, Models 20 or 25, should use the Z-CK-3 filter; Model 6o, the U8-CK-3 filter. Now's the time to whip summer And watch your exposure! The sunlight of winter in northern and temperate climes shots into final shape. (Page 2) is weaker than that of summer months. When there is snow on the ground to reflect light it compensates for this loss of intensity, and you can use summertime openings.