KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Gordon Camera – Revealed
PHOTOGRAPHIC CANADIANA Volume 35 Number 2 Sept.– Oct.– Nov. 2009 PHOTOGRAPH BY ROBERT LANSDALE PHOTOGRAPH BY ROBERT THE MYSTERY GORDON CAMERA – REVEALED THE PHOTOGRAPHIC HISTORICAL SOCIETY OF CANADA PHOTOGRAPHIC CANADIANA JOURNAL OF THE PHOTOGRAPHIC HISTORICAL SOCIETY OF CANADA Volume 35, Number 2 ISSN 0704-0024 Sept. – Oct. – Nov. 2009 Date of Issue – September 2009 Canada Post Canadian Publications Mail Sales Product Agreement No. 40050299 Postage Paid at Toronto Photographic Canadiana is published four times a year (except July and August) by The Photographic Historical Society of Canada, 6021 Yonge Street, Box 239, Toronto, Ontario, M2M IN THIS ISSUE 3W2 Photographic Canadiana does not pay 2 PC Index 17 Yes Virginia there is a for articles or photographs; all functions Our Cover Gordon Camera of the PHSC are based on voluntary 3 President’s Message –Robert Lansdale and participation. Manuscripts or articles The Society, Executive and Clint Hryhorijiw should be sent to the Editor and will be PC Editorial Board returned if requested. 4 Toronto Notes: April, May and PC Supplement Sheet Views expressed in this publication June 2009 meetings 1 Schedule for September solely reflect the opinions of the au- –Robert Carter thors, and do not necessarily reflect the 2009 views of the PHSC. 6 Browsing through our Exchanges 2 Coming Events & Want Ads –George Dunbar For Back Issues 8 The Melodrama Continues For back issues and single copies: or- as the Vitascope Travels to der directly from the Librarian, whose Toronto and Halifax name and address appear on page 3. –Robert Gutteridge Current copies are $5.00 each. A sub- scription is included in membership fee which is $35.00 a year. -
Creo Color Server for the Xerox Docucolor 242/252/260 Printer/Copier
Creo Color Server for the Xerox DocuColor 242/252/260 Printer/Copier 731-01023A-EN Rev A User Guide English Copyright © Creo, 2007. All rights reserved. This document is also distributed in Adobe Systems Incorporated's PDF (Portable Document Format). You may reproduce the document from the PDF file for internal use. Copies produced from the PDF file must be reproduced in whole. Trademarks Creo is a trademark of Creo. Adobe, Acrobat, Adobe Illustrator, Distiller, Photoshop, PostScript, and PageMaker are registered trademarks of Adobe Systems Incorporated. Apple, AppleShare, AppleTalk, iMac, ImageWriter, LaserWriter, Mac OS, Power Macintosh, and TrueType are registered trademarks of Apple Computer, Inc. Macintosh is a trademark of Apple Computer, Inc., registered in the U.S.A. and other countries. Kodak, Brisque, and InSite are trademarks of Kodak. PANTONE, Hexachrome, PANTONE Hexachrome, and PANTONE MATCHING SYSTEM are the property of Pantone, Inc. PEARL, PEARLsetter, PEARLhdp, PEARLdry, and PEARLgold are registered trademarks of Presstek, Inc. XEROX is a trademark of XEROX CORPORATION. FCC Compliance Any Creo equipment referred to in this document complies with the requirements in part 15 of the FCC Rules for a Class A digital device. Operation of the Creo equipment in a residential area may cause unacceptable interference to radio and TV reception, requiring the operator to take whatever steps are necessary to correct the interference. Product Recycling and Disposal If you are managing the disposal of your Xerox product, please note that the product contains perchlorate, lead, mercury, and other materials whose disposal may be regulated due to environmental considerations in certain countries or states. -
Xerox CX Print Server, Powered by Creo Color Server Technology, for the Xerox 700 Digital Color Press
User Guide English Xerox CX Print Server, Powered by Creo Color Server Technology, for the Xerox 700 Digital Color Press Version 2.0 731-02026A-EN Rev A Copyright Eastman Kodak Company, 2011. All rights reserved. This document is also distributed in Portable Document Format (PDF). You may reproduce the document from the PDF file for internal use. Copies produced from the PDF file must be reproduced in whole. Trademarks Creo, InSite, Kodak, and Prinergy are trademarks of Kodak. Acrobat, Adobe, Distiller, Illustrator, Photoshop, and PostScript are trademarks of Adobe Systems Incorporated. Apple, AppleShare, iMac, ImageWriter, LaserWriter, Mac OS, Power Macintosh, and TrueType are registered trademarks of Apple Inc. Macintosh is a trademark of Apple Inc., registered in the U.S.A. and other countries. Hexachrome, PANTONE, PANTONE Goe, PANTONE Hexachrome, PANTONE MATCHING SYSTEM, and PANTONE Plus are the property of Pantone, Inc. Xerox and the sphere of connectivity design are trademarks of Xerox Corporation in the United States and/or other countries. FCC Compliance Any Creo branded equipment referred to in this document complies with the requirements in part 15 of the FCC Rules for a Class A digital device. Operation of the Creo branded equipment in a residential area may cause unacceptable interference to radio and TV reception, requiring the operator to take whatever steps are necessary to correct the interference. Class A Equipment (Industrial Broadcasting & Communication Equipment) This equipment is Industrial (Class A) electromagnetic wave suitability equipment and seller or user should take notice of it, and this equipment is to be used in the places except for home. -
Page 16 of 128 Exhibit No. Description Deposition
Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 1 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-168 7/16/2003, Technical Reference Napoli Ex. Manual [DM270] (EKCCCI007053- 132 836) PTX-169 2003, Data Sheet for TMS320DM270 Processor (AX200153-55) PTX-170 10/30/2002, DM270 Preliminary Napoli Ex. Register Manual Rev. b0.6 131 (EKCCCI001305-495) PTX-171 TI DM270 Imx Hardware Akiyama Programming Interface, Version 0.0 Ex. 312 (EKCNYII005007249-260) PTX-172 3/3/2003, DM270 Preliminary Data Ohtake Ex. Sheet Rev. b0.7C (EKCCCI008094- 123 131) PTX-173 Fact Sheet for TMS320DM270 Lacks Processor (AX200150-52) authenticity; Hearsay; Lacks foundation; Lacks relevance PTX-174 6/04, Data Sheet rev 0.5 for Hynix Ligler Ex. Lacks HY57V561620C[L]T[P] (AX200163- 13 (ITC) authenticity; 74) Hearsay; Lacks foundation; Lacks relevance PTX-175 Sharp RJ21T3AA0PT Data Sheet Hearsay; (EKCCCI017389-413) Lacks foundation; Lacks relevance PTX-176 DX7630 Thumbnail Test Lacks (AXD022568-81) authenticity; Hearsay; Lacks foundation; Lacks relevance; Inaccurate/ incomplete description PTX-177 1/11/2005, DM270 IP Chain ver. 0.7 Yoshikawa with translation (EKC001021025-31, Ex. 348 AX211033-42) PTX-178 1/26/2004, Bud Camera F/W Task Lacks foundation; Interface Capture Main <-> Image ISR Lacks relevance (DX7630) ver. 0.07 / Takeshi Domen with translation (EKCCCI002404-19, AX211607-26) Page 16 of 128 Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 2 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-179 2/17/2003, Budweiser Camera EXIF Akiyama Lacks foundation; File Access Library Spec (DX7630) Ex. -
Kodak-History.Pdf
. • lr _; rj / EASTMAN KODAK COMPANY A Brief History In 1875, the art of photography was about a half a century old. It was still a cumbersome chore practiced primarily by studio professionals and a few ardent amateurs who were challenged by the difficulties of making photographs. About 1877, George Eastman, a young bank clerk in Roch ester, New York, began to plan for a vacation in the Caribbean. A friend suggested that he would do well to take along a photographic outfit and record his travels. The "outfit," Eastman discovered, was really a cartload of equipment that included a lighttight tent, among many other items. Indeed, field pho tography required an individual who was part chemist, part tradesman, and part contortionist, for with "wet" plates there was preparation immediately before exposure, and develop ment immediately thereafter-wherever one might be . Eastman decided that something was very inadequate about this system. Giving up his proposed trip, he began to study photography. At that juncture, a fascinating sequence of events began. They led to the formation of Eastman Kodak Company. George Eastman made A New Idea ... this self-portrait with Before long, Eastman read of a new kind of photographic an experimental film. plate that had appeared in Europe and England. This was the dry plate-a plate that could be prepared and put aside for later use, thereby eliminating the necessity for tents and field processing paraphernalia. The idea appealed to him. Working at night in his mother's kitchen, he began to experiment with the making of dry plates. -
History of KODAK Cameras
CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P. -
KODAK EKTAR KODACOLOR •••1' GOLD FILMS HONORS Namic Negative
by Jack and Sue Drafahl EKTAR If you liked the first two Ektar films Ko- dak released earlier this year, then you're going to love the two newest additions to this exciting film family. Kodak just released Ektar 25 Professional, and the medium-speed Ektar 125. Both films are modeled after the first two films, qi Ektar 25 and Ektar 1000, but boast An Unqualified, \ several improvements. EKTAR 25 PROFESSIONAL FILM Categorically Loud, § The best way to describe the differ- Rave Review! \ Ektar 125 is an extremely practical film, with much wider exposure latitude than the slower 25-speed Ektars. ence between Ektar 25 and the new professional version is to use a correla- tion we sometimes give our photo stu- dents. If you went to the finest winery, and selected their top-of-the-line vin- tage, you would be selecting Ektar 25. Now, if you were to select those few bottles that were aged to absolute per- fection, then you would be selecting Ektar 25 Professional. Kodak's manufacturing plant sees to it that all Ektar 25 film must fall within the tight tolerances they set for each distinct layer of film. When the specifications on a certain emulsion are found to be a perfect match in all areas, it becomes Ektar 25 Profession- al, and is refrigerated at that point. This better-than-best film is recom- mended for the professional photogra- pher demanding large enlargements from a 35mm negative. The serious 80 PHOTOgraphic/September 1989 EKTAR its exposure latitude than Kodak's Ko- dacolor Gold films. -
Cognition: the Limit to Organization Change; a Case Study of Eastman Kodak
COGNITION: THE LIMIT TO ORGANIZATION CHANGE; A CASE STUDY OF EASTMAN KODAK A THESIS Presented to The Faculty of the Department of Economics and Business The Colorado College In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Noah Simon April 2011 COGNITION: THE LIMIT TO ORGANIZATION CHANGE; A CASE STUDY OF EASTMAN KODAK Noah Simon April 2011 LAS: Leadership Abstract The following thesis examines an incumbent firm affected by change. It seeks to deepen the understanding of the dynamic capabilities model by proposing cognition and not previous resource deployment is the limit of change. Two similar companies, Eastman Kodak and Polaroid will be compared during the shift from film to digital photography to determine what separated the two companies. KEYWORDS: (Organizational cognition, dynamic capabilities, path dependency, cognition, perception) TABLE OF CONTENTS ABSTRACT ACKNOWLEDGEMENTS 1 INTRODUCTION 1 2 LITERATURE REVIEW 6 2.1 Dynamic Capabilities...................................................................................... 7 2.1.1 How does a company survive?.............................................................. 7 2.1.2 What are the effects of core competencies?.......................................... 8 2.1.3 How are established companies affected by change?........................... 9 2.2 The Cognitive Perspective.............................................................................. 10 2.2.1 What does a path dependency mean for the individual?....................... 10 2.2.2 What -
Introduction
CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills...................................................... -
Festschrift:Experimenting with Research: Kenneth Mees, Eastman
Science Museum Group Journal Festschrift: experimenting with research: Kenneth Mees, Eastman Kodak and the challenges of diversification Journal ISSN number: 2054-5770 This article was written by Jeffrey Sturchio 04-08-2020 Cite as 10.15180; 201311 Research Festschrift: experimenting with research: Kenneth Mees, Eastman Kodak and the challenges of diversification Published in Spring 2020, Issue 13 Article DOI: http://dx.doi.org/10.15180/201311 Abstract Early industrial research laboratories were closely tied to the needs of business, a point that emerges strikingly in the case of Eastman Kodak, where the principles laid down by George Eastman and Kenneth Mees before the First World War continued to govern research until well after the Second World War. But industrial research is also a gamble involving decisions over which projects should be pursued and which should be dropped. Ultimately Kodak evolved a conservative management culture, one that responded sluggishly to new opportunities and failed to adapt rapidly enough to market realities. In a classic case of the ‘innovator’s dilemma’, Kodak continued to bet on its dominance in an increasingly outmoded technology, with disastrous consequences. Component DOI: http://dx.doi.org/10.15180/201311/001 Keywords Industrial R&D, Eastman Kodak Research Laboratories, Eastman Kodak Company, George Eastman, Charles Edward Kenneth Mees, Carl Duisberg, silver halide photography, digital photography, Xerox, Polaroid, Robert Bud Author's note This paper is based on a study undertaken in 1985 for the R&D Pioneers Conference at the Hagley Museum and Library in Wilmington, Delaware (see footnote 1), which has remained unpublished until now. I thank David Hounshell for the invitation to contribute to the conference and my fellow conferees and colleagues at the University of Pennsylvania for many informative and stimulating conversations about the history of industrial research. -
From the Editor Interstate Search Extended for Prof
Plans ior New Union's Construction • • •f,' Hp! •• From the Editor Hindered by Financial Requirements A day or more of protest... by Joel Siegfried Alfred's present student union er learned that the University is "I know there are many here 7 had no shoes and complained . was erected around 1945 and being retarded in its construction who take a personal Interest in known as Burdick Hall. After ... until I met a man with no feet.- efforts due to a lack of funds <*- Alfred," said Dr. Drake, "and I -anonymous World War n, two prefabricated one hundred and fifty thousand structures were obtained from the would like them to feel free to dollars to be exact. But I still bad no shoes.—bell government, and were attached at discuss their ideas with me." The financial situation is such the western end of the building. What has been done so far to •that the University now holds a The Student Senate has received a letter from the American The entire unit has served as the bring the new union closer to re- donbract for a loan of $300,000 totudejnt union (tor the past ten ality? Many alumni and friends of Committee on Africa asking that the students of Alfred help from the Federal Housing Author- years, and while It has undergone the school have been contacted. iupport their endeavor to stop apartheid in South Africa. The ity. This loan, to be paid by amort- many alterations and additions Groups have been offered, as an following is a paragraph from their letter: ization is at a discount rate of such as the construction of a inducement .to subscribe to the 2.78 per cent. -
Download the Technical Data for Kodak Professional
TECHNICAL DATA / COLOR TRANSPARENCY FILM May 2004 • E-2529 KODAK PROFESSIONAL EKTACHROME Duplicating SIZES AVAILABLE Film EDUPE is a low-contrast color reversal duplicating Sizes and catalog numbers may differ from country to film designed for making high-quality duplicates from country. See your dealer who supplies KODAK originals on KODAK EKTACHROME or KODACHROME PROFESSIONAL Products. Films. It features excellent color reproduction, extremely fine grain, and very high sharpness. Rolls Code / Acetate CAT No. Although its primary application is producing duplicate Spec No. Base slides, you can also use this film for making copy slides of 135-36 EDUPE 134 2641 high-contrast color reflection prints. EDUPE/ 35 mm x 100 ft 195 2837 SP663 FEATURES BENEFITS EDUPE/ 35 mm x 400 ft 114 7461 • Optimized spectral • Versatile performance SP663 sensitivity and tone scale • Exceptional tone and color EDUPE/ 35 mm x 1000 ft 197 5358 reproduction from a variety SP663 of original film types 5-mil EDUPE/ (0.13 mm) • Extended tone scale • Increased highlight and 46 mm x 100 ft 122 1985 latitude shadow detail SP446 EDUPE/ • Faithful reproduction of 61.5 mm x 100 ft 102 3035 original tone scale SP816 • Richer blacks EDUPE / 70 mm x 100 ft* 813 7523 • Cleaner whites SP481* • Finest grain available in a • Outstanding reproduction of 120 EDUPE 139 5268 color reversal duplicating detailed images—even with film enlargement *Perforated on both edges. • The perfect match for today’s finer-grained films Film Code Acetate • Excellent latent-image • No color or contrast shifts Sheets Size CAT No. keeping within a roll, or from the start Base to the end of the day 10 802 4531 • Superb reciprocity • No tone scale compromise 4 x 5 in.