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Download the Technical Data for Kodak Professional TECHNICAL DATA / COLOR TRANSPARENCY FILM May 2004 • E-2529 KODAK PROFESSIONAL EKTACHROME Duplicating SIZES AVAILABLE Film EDUPE is a low-contrast color reversal duplicating Sizes and catalog numbers may differ from country to film designed for making high-quality duplicates from country. See your dealer who supplies KODAK originals on KODAK EKTACHROME or KODACHROME PROFESSIONAL Products. Films. It features excellent color reproduction, extremely fine grain, and very high sharpness. Rolls Code / Acetate CAT No. Although its primary application is producing duplicate Spec No. Base slides, you can also use this film for making copy slides of 135-36 EDUPE 134 2641 high-contrast color reflection prints. EDUPE/ 35 mm x 100 ft 195 2837 SP663 FEATURES BENEFITS EDUPE/ 35 mm x 400 ft 114 7461 • Optimized spectral • Versatile performance SP663 sensitivity and tone scale • Exceptional tone and color EDUPE/ 35 mm x 1000 ft 197 5358 reproduction from a variety SP663 of original film types 5-mil EDUPE/ (0.13 mm) • Extended tone scale • Increased highlight and 46 mm x 100 ft 122 1985 latitude shadow detail SP446 EDUPE/ • Faithful reproduction of 61.5 mm x 100 ft 102 3035 original tone scale SP816 • Richer blacks EDUPE / 70 mm x 100 ft* 813 7523 • Cleaner whites SP481* • Finest grain available in a • Outstanding reproduction of 120 EDUPE 139 5268 color reversal duplicating detailed images—even with film enlargement *Perforated on both edges. • The perfect match for today’s finer-grained films Film Code Acetate • Excellent latent-image • No color or contrast shifts Sheets Size CAT No. keeping within a roll, or from the start Base to the end of the day 10 802 4531 • Superb reciprocity • No tone scale compromise 4 x 5 in. EDUPE characteristics with exposures from 10 50 8.2-mil 890 6943 seconds to 1/100 second 10 (0.21 mm) 133 1941 8 x 10 in. EDUPE • Flexibility to handle long 50 163 8444 exposures for dodge-and-burn or short exposures to maximize productivity STORAGE AND HANDLING • Robust processing • Consistency from run to run Load and unload film in subdued light. performance and day to day Store unexposed film in a refrigerator at 13°C (55°F) or • Common emulsion • Same great results from both lower in the original sealed package. To avoid moisture technology sheet and roll formats condensation on film that has been refrigerated, allow the • Same rich color dyes as • Scanning compatibility with film to warm up to room temperature before opening the KODAK PROFESSIONAL other popular KODAK EKTACHROME Films EKTACHROME Films package. Process film as soon as possible after exposure. E100S, E100SW, E100VS, Protect processed slides and transparencies from strong and E200 light, and store them in a cool, dry place. For more information, see KODAK Publication No. E-30, Storage and Care of KODAK Photographic Materials—Before and After Processing. ©Eastman Kodak Company, 2000 DARKROOM RECOMMENDATIONS Optical Printers Do not use a safelight. Handle unprocessed film in total If your equipment holds filters between the light source and darkness. the original transparency, use KODAK Color Printing Filters (Acetate) for color-balance adjustments. Use KODAK WRATTEN Gelatin Filter / Color Compensating if EXPOSURE GUIDELINES you must place the filters between the lens and the You can expose this film with enlargers, optical printers, duplicating film. Also use a heat-absorbing glass, an contact-printing equipment, or cameras. A diffuse optical ultraviolet-absorbing filter (such as KODAK WRATTEN system offers the least difficulty with dust and scratches. Gelatin Filter No. 2B or a KODAK Acetate Filter / Color Certain factors in the darkroom will influence the quality Printing CP2B). of your results. You can optimize your results by taking these Start with the filter pack printed on the film carton. Then steps: add any necessary filters listed in the table under “Filter Recommendations.” • Make sure the darkroom is lighttight. Check for light leaks around doors and vents, and mask them if Note: When duplicating mounted slides, adjust the printer to necessary. a 1.03X magnification. While some cropping will occur, this magnification ensures that none of the slide mount will be • Paint the walls, ceiling, and other prominent surfaces included in the duplicate. To verify correct lens flat black. Minimize or eliminate other reflective magnification, first project the original slide, and measure materials and digital displays. the distance between two widely separated points on the • Avoid fluorescent tubes in the darkroom—they emit a projected image. Then project the duplicate slide, and weak illumination just after being turned off. measure the distance between the same two points. Divide • Install a dark slide in any drawers used to store the distance measured on the duplicate by the distance unprocessed film. Verify that it is lighttight by placing measured on the original to determine the lens an unexposed sheet in the drawer, partially covered by magnification. an opaque material. Close the drawer, and leave the room lights on for four hours. If, after processing the Contact-Printing Equipment film, you see a density difference or a line Use an enlarger as the light source for contact printing corresponding to the opaque material, the drawer is not original transparencies onto the duplicating film. Use clear, lighttight. scratch-free glass of good optical quality, and keep all surfaces clean to minimize problems with dust. The original Enlargers transparency must be in complete contact with the glass With either tungsten or pulsed-xenon illumination, set the during the exposure for sharp images. Also, the emulsion illumination level at the exposure plane to one footcandle side of the original transparency should be in contact with (10.8 lux). Use a light integrator to measure pulsed-xenon the emulsion side of the duplicating film. Duplicate illumination. With either illumination, measure without transparencies made by contact printing will have slightly correction filters in the light beam. Enlargers must have a higher contrast than those made by using an optical system. heat-absorbing glass, and an ultraviolet-absorbing filter (such as KODAK WRATTEN Gelatin Filter No. 2B or a KODAK Acetate Filter / Color Printing CP2B). Start with the filter pack printed on the film carton. Then add any necessary filters listed in the table under “Filter Recommendations.” Note: Very short exposure times may not be repeatable. Consult the timer manufacturer for exposure limitations. If your exposure is too short for your timer, add neutral density filtration. Caution Consult the manufacturer of pulsed-xenon lamps for ventilation recommendations and information on ultraviolet radiation. 2 KODAK PROFESSIONAL EKTACHROME Duplicating Film EDUPE • E-2529 35 mm Cameras Filter Recommendations You can make duplicate slides with a single-lens reflex When using tungsten illumination, start with the basic filter camera and a suitable slide-duplicating attachment. pack printed on the film box. The table below shows the Tungsten (3200 K) Illumination. As a starting point, set additional filtration needed when you use this film with other the camera ISO or ASA speed indicator to the exposure light sources. In all cases, use these filters in addition to the index printed on the film box. Set the shutter speed at filtration printed on the box and a KODAK WRATTEN 1 second. Gelatin Filter No. 2B. Standard Illuminator (5000 K). As a starting point, set The following filter recommendations are for KODAK the camera speed indicator to the exposure index printed on PROFESSIONAL WRATTEN Gelatin Filters / Color the film carton. Set the shutter speed at 1⁄8 second. Compensating. If you use dichroic filters, you may have to Electronic Flash. Make a trial exposure series with the make some adjustments. camera shutter set at its flash synchronization speed and the flash unit set on Manual. Pulsed Xenon Electronic Flash 5000 K Illuminator Start with the filter pack printed on the film carton. Then Filtration for EKTACHROME Films add any necessary filters listed in the table under “Filter 85B 10M + 60Y 30R Recommendations.” Filtration for KODACHROME Films For maximum sharpness, place the filters between the 85B + 10C 50Y 20R original transparency and the light source. Make an exposure series in 1⁄3-stop increments to Flash exposure is based on electronic flash (5500 K) with determine the best exposure for your film and equipment. If appropriate color-conversion, color-balancing, and the lowest film speed setting on your camera is 25, set the ultraviolet filters. If the electronic flash source is higher or speed indicator at 25 and adjust the aperture as follows. lower in color temperature than 5500 K, increase the filtration as follows. Exposure Index Provided Increase the Lens Aperture • 6000 K to 5500 K: add KODAK WRATTEN Gelatin with the Film by Filter / Light Balancing No. 81 12 1 stop 6 2 stops • 5000 K to 5500 K: add KODAK PROFESSIONAL 3 3 stops Gelatin Filter / Light Balancing No. 82 Distinguishing Originals on KODACHROME KODAK WRATTEN Gelatin Filters and KODAK and KODAK EKTACHROME Films Acetate Filters are now distributed by Tiffen Co. L.L.C. In the U.S. call 800-368-6257 or view their website at To help you identify the type of original being duplicated, www.tiffen.com. here is a brief summary of Kodak films and their processes: KODACHROME Films: All KODACHROME Films have a “relief image,” that is, the image appears to be EXPOSURE dimensional or “raised” on the emulsion side. Make a series of exposures in 1⁄3-stop increments, starting KODACHROME Film originals typically require with the filtration provided. CC10C more filtration than KODAK EKTACHROME Standard 1/3-stop Exposure-Index ratings: Film originals. 4, 5, 6, 8, 10, 12, 16, 20, 25, 32, 40 KODAK EKTACHROME Films: EKTACHROME Films do not have a raised or “relief” image on the Note: Roll format film labels include a starting point emulsion side; both sides are smooth.
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